Beruflich Dokumente
Kultur Dokumente
2d 318
111 L.R.R.M. (BNA) 2669, 95 Lab.Cas. P 13,804
Most people listening to live music in a hotel are only concerned with whether
the music enhances their dining or dancing pleasure. They do not consider
whether the musicians are employees of the hotel or work for the leader of the
band. Were the question seriously entertained, common sense would suggest
that musicians working together as a group are employed by their leader. That
question is precisely the one presented on appeal and on the record in this case
the common sense conclusion finds full support.
On September 11, 1979, complaints were issued against the Puerto Rico Hotel
Association (the Association), which represents certain Puerto Rico hotels for
purposes of collective bargaining, and several of the Association's members.
The complaint was based upon charges filed by the Federacion de Musicos de
Puerto Rico, Local 468 (the Union). The individual hotels named in the
complaints included: the San Juan Hotel Corporation d/b/a El San Juan Hotel
and El Conquistador Hotel; the Puerto Rico Hotel Corporation d/b/a the Palace
Hotel; the Condado Holiday Inn; and the Hilton International Company d/b/a
the Caribe Hilton Hotel and the La Concha Hotel-Condado Beach Hotel.
Specifically, the complaints asserted that the Union represented musicians
employed by Association hotels for so-called "steady engagements" (typically
in excess of one week), and that the Association's refusal to bargain collectively
with the Union until the Union conceded that the musicians were independent
contractors rather than hotel employees, violated Sections 8(a)(1), (3) and (5)
of the National Labor Relations Act (the Act), 29 U.S.C. 158(a) (1), (3) and
(5) (1976). The complaints further alleged that the Association and its named
members violated Sections 8(a)(1) and (5) of the Act by using personal service
contracts that disclaimed the employee status of the musicians and by
suspending bargaining with the Union because the Union had filed unfair labor
practice charges. Additionally, the complaints charged that the El San Juan
Hotel, the El Conquistador Hotel and the Palace Hotel, acting as individual
entities, violated Sections 8(a)(1) and (5) of the Act by withdrawing the
Association's authority to bargain with the Union on their behalf.
After a hearing the Administrative Law Judge (ALJ) found that the band
leaders in charge of the steady engagement hotel musicians were hotel
supervisors, not independent contractors, and that the musicians themselves
were hotel employees. The ALJ further concluded that the Union was the
proper bargaining representative of the musicians and that, therefore, the
The Caribe Hilton Hotel has petitioned for review of the Board's decision and
order, arguing, in part, that the Board erred in classifying the musicians who
perform at the hotels as hotel employees and the band leaders as hotel
supervisors. The Board has filed a cross-application for enforcement of its order
against the Association and the named hotels. Because there is not substantial
evidence in the record read as a whole to support the Board's characterization of
the steady engagement musicians as hotel employees and of the band leaders as
supervisory employees, we grant the petition for review and deny the crosspetition for enforcement of the Board's order.
The ALJ relied on the following facts in finding that the hotels control the
members of the steady engagement bands. The hotels determine working hours
including overtime, and the locations within the hotels where the bands play.
Occasionally, the hotels require certain types of music and direct that the
music's volume be increased or decreased. The maitre d'hotel can order music
stopped to speed up food service. Additionally, the hotels determine the size of
the bands needed and sometimes require that size be increased to produce a
certain sound.
Although these facts indicate that the hotels control each band's final product
(music of the type requested by the hotels at the time and place desired), these
facts fail to demonstrate any significant hotel regulation over the means by
which bands produce the music. Instead, the record reveals that the band
leaders exercise all the significant control over the manner of their own and
their musicians' performances. The leaders hire, fire, instruct and discipline the
musicians in their bands without consulting with or following any guidelines set
by the hotels. In fact, Association hotel officials do not generally hire, discipline
or fire individual band members; an Association hotel contractually can only
terminate the engagement of an entire band. Moreover, the leaders themselves,
and not the hotels, select additional and replacement musicians, approve
musicians' sick leave and vacations, schedule and conduct band rehearsals, and
select the repertoire, instruments used, style, tempo, and other standards of
performance. The leaders occasionally arrange outside employment for their
bands such as television shows, club dates, single engagements and recording
sessions. Although some hotels require band members to dress uniformly
during their performances, the band leaders and musicians, not the hotels, select
and pay for their own uniforms.
A further indication that steady engagement musicians and band leaders are not
employees of Association hotels arises from the fact that the musicians and
leaders are not subject to the same personnel practices and disciplinary rules as
are admitted hotel employees. For example, steady engagement musicians and
band leaders do not have access to hotel grievance procedures; they do not file
standard hotel job applications and do not have hotel personnel records; they do
not receive hotel uniforms and are not eligible for employee paid vacations.
Instead, the various steady engagement bands contract with the hotels, often
through their agents, not for the services of their individual members but for the
services of the entire band. In addition, while some Association hotels have
issued general rules of conduct barring musicians and leaders from drinking on
stage, gambling in hotel casinos, and socializing with guests, the ALJ
acknowledged that band members are not given detailed rules regulating their
conduct, as are admitted hotel employees. Further, the mere fact that a hotel
imposes certain restrictions on the conduct of the musicians to protect the
goodwill of the hotel and the welfare of the its customers is not of controlling
significance. Cf. Lorenz Schneider, 517 F.2d at 451 (franchisor's imposition of
standards upon operations of franchisee to protect goodwill not sufficient
evidence of control to establish employer-employee relationship).
9
In short, the record in this case indicates that the Association hotels exercise
control over the type, time and location of music produced by the steady
engagement bands; nevertheless, it does not appear that they have the right to
exert any significant authority over the manner in which either the band leaders
or the musicians perform. Thus, the evidence establishes that the steadilyengaged hotel musicians are not hotel employees, but rather, employees of their
band leaders.
10
11
to different engagements. In fact, one of the groups that had stayed on intact
when its original leader left later became a new group and then moved on intact
under the group's subsequent leader. Thus, the steadily-engaged musical groups
controlled by the band leaders have an independent identity that is not
characteristic of hotel departments.
12
13
Although the ALJ apparently placed great emphasis on the fact that Association
hotels provide their steady-engagement bands with rooms in which to perform,
this fact is not always significant. For instance, building construction firms
generally perform their services at locations provided by the parties with whom
they contract without jeopardizing their status as independent contractors.
14
The ALJ's decision also implies that the method used to pay Association hotel
musicians indicates an employer-employee relationship. Steady engagement
bands typically contract with Association hotels to perform for a lump-sum
amount, exclusive of overtime, based upon the number of band members and
hours worked per week. Association hotels, however, usually pay each
musician through an individual employee payroll check, instead of merely
distributing to the leader the entire lump-sum. The hotels also withhold payroll
taxes from the musicians' paychecks. We do not accord much weight to this
fact, however, since the employees of independent construction contractors
engaged by at least one Association hotel are paid in the same manner.
15
It is unclear how much consideration, if any, the ALJ attached to the fact that
the Association hotels hire musical groups for long term engagements.
Although some bands perform at Association hotels for periods in excess of a
year, duration of employment does not in and of itself suggest employee status.
Cf. Associated Musicians of Greater Newark, Local 16, 206 NLRB 581 (1973),
aff'd, 512 F.2d 991 (D.C.Cir.1975) (orchestra members who performed
exclusively at banquet hall lounge for over four years not banquet hall
employees). As developed at oral argument, the mere fact that Guy Lombardo
played in the main ballroom of the Roosevelt Hotel for countless years did not
make him and his Royal Canadians Roosevelt Hotel employees.
III
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Accordingly, the petition for review is granted and the cross-petition for
enforcement is denied.