Picture Chord Encyclopedia

INTRODUCTION
The Picture Chord Encyclopedia is designed to serve two purposes: first, it's a reference guide to chords; second, it's a collection of
popuJar guitar sounds.
Use it when you're learning a new song and you come across a chord that's unfamiliar to you. Use it when you're composing your own
music and looking for "just the right chord." Use it to explore the guitar fretboard, to improve your chord playing, to increase your understanding of chord theory, or just to discover new and nusual sounds. The applications are almost limitless.
The Picture Chord Encyclopedia is a comprehensive source for chords, for all playing styles and levels. One word of warning, though: it
does not contain every guitar chord in existence; no book could. It does contain five easy-to-play voicings of 44 chord qualities for each of
the twelve musical keys. All totaled, that's 2,640 chords at your fingertips! These chords and their fingerings have been chosen for their
playability and their practicality, ensuruig a wealth of usable fingerings for any musical situation. So, whether you're a beginner looking for
your first Cmajor chord, or a budding jazz guitarist searching for a new voicing for cn5(#9), you'll find what you're looking for here.
Enjoy!

CONTENTS
How to Use This Book ............................ii
Choosing the Best Voicing .. ...... . .......... . .....ill
Chord Construction ............................. .iv
What's a Chord? ............................ .iv
How Does a Chord Get Its Name? ................ .iv
How Do I Build a Chord? .......................v
What About Other Keys? . ........... ... ........ .v
Triads ....................................vii
Sevenths ............... . ....... .. . . .......vii
Extended Chords ....... ....... .... .. ........vii
Inversions & Voicings ........................viii

The Chords

c ................................... ...

Db .. . . ...... .... ...... . ...... . .... ..... 23

D .. .............. . .. ..... .. . . .......... 45

Eb ...................................... 67
E ...................................... 89
F ...................................... .111
F# .... .... . . ......... .... . . . . . ......... .133
G . .....................................155
A~ .................................... ~77
A ....... . ..............................199.
B~ .. . . . .... .... ........... ... .... . ...... 221 '.
B ......................................243

ISBN 0-7935-8491-4

~ HALLEONAR D
. . . C O .R P O R A T I O N

7777

w.

BLU&MOUND Ro.

P.o.aox

13819 M ILWAUt<EI'.. Wt !53213

Copyright 2000 by HAL LEONARD CORPORATION

International Copyright Secured All Rights Reserved
For all works contained herein:
Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.

lnlringers are liable under the law.

Visit Hal Leonard Online at

www.halleonard.com

I
HOW TO USE THIS BOOK
The Picture Chord Encyclopedia contains 2640 chord voicings and over 500 unique chord typeS. To help you find your way to the
chord you need, all the chords are organized first by root (C, C#, D, E~, E, etc.) and then by quality or type (major, minor, seventh, etc.)

Each chord is identified by its symbol: Csus4

By its full name: Csuspended lourth

,,

And by its spelling:

root

II

4th

G
5th

Then, you are given a choice of five voicings, which are presented in chord frames and photos. In a chord frame, the six vertical lines
represent the six strin~ on the guitar, from low E to high E, moving left to right. The horizontal lines represent the frets:

X's tell you a string should not be played or should be muted.

Adark, thick line represents the nut on the guitar.

Ois indicate an open siring.

. . . . . .-.-llil-t

Abarre (pronounced like "bar") is shown

when a finger holds down two or more
strings at the same time.

Black dots indicate the notes to be played, as well

as their location on the fretboard. Numbers tell
you what fingers to use to fret the strings. Think
of your left-hand fingers as being numbered
1through4:
C

G C

,.

Note names appear below each string

to help you understand the voicing.

8fr

Chords above the fifth fret use a fret number (e.g., "5 fr") to the right of the chord frame. This tells you to move
your hand up to that fret to position your fingers.

C F C F G C

.- One of the goals of this book is to pro\1de "playable" chord fingerings. The fingerings in this book were chosen for their ease of
play and transition between other chords in a progression. If you feel more comfortable with an alternate fingering, feel free to use
it. Remember, these fingerings are only recommended. There is no single right way to play these chords.

I
CHOOSING THE BEST VOICING
Any chord can have a number of different voicings. Avoicing refers to how the notes of the chord are arranged-which corresponds to
where the chord is played on the guitar, and how it's fingered. Each chord quality in this book is presented with five different voicings.
Typically, the first chord voicing presented is in the lowest position on the fretboard. The rest of the voicings gradually move up the neck
Within these sets of voicings, you will encounter open chords, barre chords, broken-set chords, and adjacent-set chords:
open strings

Open Chords
Open chords occur within the first five frets of the guitar and contain at least one open
string. These chords are often the most appropriate choice for strumming purposes. They're
also typically the easiest voicings to learn when you're a beginner.
Barre Chords
Barre chords can occur anywhere on the neck and serve as a type of "all-purpose"
chord voicing; that is, they can be strummed, plucked, or played fingerstyle, and can be
used in almost any musical setting.
Barre chords require you to lay a finger flat across a fret and press down all the
indicated strings simultaneously. This can be challenging for a beginning guitarist. If
you find these chords to be especially difficult at first, don't give up. Just keep practicing,
and be patient
Broken-Set Chords
Broken-set chords also provide good, multipurpose chord voicings. These chords
contain a b:w note on the fifth or sixth string and two or three notes on the higher strings,
with at least one interior string muted, or not played. These often work best in a jazz or
blues setting, especiallywhen playing solo.
Adjacent-Set Chords
Adjacent-set chords contain notes on the middle or top four strings. These chords also
work well within the jazz or blues idioms, especially for chord-melody techniques or when
playing with another instrument that provides a bass line.

llltimately, which chord voicing you choose will depend on either your playing level or
the situation at hand. Musically speaking, if you're playing a chord sequence high on the
neck, a chord voiced down low would probably sound out of place. Llkewise, if you're
playing a progression of open chords, jumping up high on the neck for a particular chord
would likely sound and feel awkward.
That said, you should become familiar with as many voicings of a chord as you can.
They do not all sound the same. Practice switching between different voicings of the same
chord, and compare how they sound. If you like, go ahead and practice a progression
where you jump from high to low on the neck-there really are no rules in music that
can't be broken.

//
0

0
0

7fr

00

0
4.0

muted string

+
x

4fr

0
0

x x

0
0
0
0

6fr

I
CHORD CONSTRUCTION
WHAT'S ACHORD?
In order to effectively choose and utilize the chords in this book, it is important to have a basic understanding of how chords are
constructed. So, what is a chord? Achord is simply defined as three or more notes played at the same time. Typically, its function is to
provide the harmony that supports the melody of a song.

HOW DOES ACHORD GET ITS NAME?

Achord gets its name from its root note. For example, the root of a Gmajor chord is G. The remaining notes in the. chord determine its
quality, or type. This is indicated by the chord suffix. So, in a Bm7b5 chord, Bis the root, and m7b5 is the suffix that indicates the quality of
the chord.

root

/B~

quality or ljpe

This book contains 44 chord types. Here is a summary table to help you keep track of the suffix for each chord type:

BllRX

CHORD TYPE

BllRX

CllORO TYPE

no suffix
5(no 3rd)
sus4
sus2
add9

major
fifth (power chord)
suspended fourth
suspended second
added ninth
sixth
sixth, added ninth
major seventh
major ninth
major seventh, sharp eleventh
major thirteenth
minor
minor, added ninth
minor sixth
minor, flat sixth
minor sixth, added ninth
minor seventh
minor seventh, flat fifth
minor, major seventh
minor ninth
minor ninth, flat fifth
minor ninth, major seventh

mll
ml3
7
7sus4
7b5
9
9sus4
9b5
7b9
7#9
7b5(#9)
11
7#11
13
13sus4
+
+7
+9
+7b9
+7#9
0
07

minor eleventh
':
minor thirteenth
dominant seventh
seventh, suspended fourth
seventh, flat fifth
ninth
ninth, suspended fourth
ninth, flat fifth
.. '
seventh, fiat ninth
i'
seventh, sharp ninth
seventh, flat fifth, sharp ninth
eleventh
seventh, sharp eleventh
thirteenth
.
thirteenth, suspended fourth
augmented
seventh, sharp fifth
ninth, sharp fifth
seventh, sharp fifth, Oat ninth
seventh, sharp fifth, sharp ninth
I
diminished
diminished seventh

6
619
maj7
maj9
maj7#11
maj13
m
m(add9)
m6
mb6

m619
m7
m7b5
m(maj7)
m9
m9b5
m9(maj7)

.
,.

.,,,_,J -

.. ,
HOW DO I BUILD ACHORD?
All chords are constructed using intervals. An intel'Vl\l is the distance between any two notes. Though there are many types of intervals,
there are only five categories: major, minor, perfect, augmented, and diminished. Interestingly, the major scale contains only major and
perfect intervals:
Scale degree:

-e

Interval: Root

,_10

M2

e
M3

II

II

P4

P5

M6

M7

The major scale also happens to be a great starting point from which to construct
chords. For example, if we start at the root (C) and add the interval of a major third (E)
and a perfect fifth (G), we have constructed a C major chord.

In order to construct a chord other than a major chOrd, at least one of the major
or perfect intervals needs to be altered. For example, take the C major chord you just

constructed, and lower the third degree (E) one half step. We now have a C minor
chord: C-E~ -G. Bylowering the major third by one half step, we create a new interval
called a minor third.
We can further alter the chord by flatting the perfect fifth (G). The chord is now a C
C-E ~-G ~. The G~ represents a diminished fifth interval.

II
C major

II

re!}lPS
M3
C minor

II

rc~!}1
PS

m3

C diminished

0
:

m3

This leads us to a basic rule of thumb to help remember interval alterations:

Amajor interval lowered one half step is a minor interval.

Aperfect interval lowered one half step is a diminished interval.

Aperfect interval raised one half step is an augmented interval.

dimS

~3

M3

m3

~e

&

&

PS

dim5

lo

&

PS

II
II
II

&

augS

_. Half steps and whole steps are the building blocks of intervals; they determine an interval's quality- major, minor, etc. On the
guitar, a halfstep is just the distance from one fret to the next. Awhole step is equal to two half steps, or two freis.

WHAT ABOUT OTHER KEYS?

Notice that we assigned a numerical value to each note in the major scale, as well as labeling the intervals. These numerical values,
termed scale degrees, allow us to "generically" construct chords, regardless of key. For example, a major chord consists of the root (1),
major third (3) , and perfect fifth (5). Substitute any major scale for the C major scale above, select scale degrees 1, 3, and 5, and you will
have a major chord for the scale you selected.

ialedeg'ee'

Interval: Root

M2

,.

D major scale
3
4

M3

D major chord
5

II

In

P4

P5

M6

M7

II

*r=eHIJ1
M3

PS

II

I
The chart below is a construction summary of the chord types in this book (based on the key of Conly) using the scale degree method:
CllORD TYPE

FORMlU

Milli

CllORD NAME

major
fifth (power chord)
suspended fourth
suspended second
added ninth
sixth
sixth, added ninth
major seventh
major ninth
major seventh, sharp eleventh
major thirteenth

1-3-5
1-5
1-4-5
1-2-5
1-3-5-9
1-3-5-6
1-3-5-6-9
1-3-5-7
1-3-5-7-9
1-3-5-7-#11
1-3-5-7-9-13

C-E-G
C-G
C-F-G
C-D-G
C-E-G-D
C-E-G-A
C-E-G-A-D
C-E-G-B
C-E-G-B-D
C-E-G-B-F#
C-E-G-B-D-A

minor
minor, added ninth
minor sixth
minor, fiat sixth
minor sixth, added ninth
minor seventh
minor seventh, fiat fifth
minor, major seventh
minor ninth
minor ninth, fiat fifth
minor ninth, major seventh
minor eleventh
minor thirteenth

1 - ~3-5

C-E~-G

1 -~3-5-9

C-E~-G-D

1-~3-5-6

C-E~-G-A

Cm
Cm(add9)
Cm6

1 - ~3-5 - ~6

C-E~-G-A~

Cm~ 6

1-~3-5 -6-9

C-Eb-G-A-D

1 - ~3-5- ~7

C-E~ -G-8~

Cm6/9
Cm7

1-~3-~ 5- ~ 7

C-E~-G~-8~

Cm7 ~ 5

1-~ 3-5-7

C-E~-G-B

1 -~3-5-~ 7-9

C-E~-G-8~ -D

Cm(maj7)
Cm9

1 -~3-~5-~7-9

C-E~-G~ -B~-D

Cm9~5

1 -~3-5-7-9

C-E~-G-8-D

H3-5-~ 7-9-11

C-E~-G-8~-D-F

1-~ 3-5-~ 7-9-11-13

C-E~ -G-8~-D-F-A

Cm9(maj7)
Cmll
Cm13

1-3-5-~7

C-E-G-8~

1-4-5-~7

C-F-G-8~

C7
C7sus4

1 -3-~5-~ 7

CEG~ -B~

C7~5

1-3-5-~7-9

C-E-G-8~ -D

1-4- 5 -~7-9

C-F-G-8~ -D

C9
C9sus4

1-3-~5-~7-9

C-EG~-8~ -D

C9~5

1-3-5-~7-~9

C-E-G-8~-D~

C7~9

1-3-5-~7-#9

C-E-G-B~-D#

C7#9

1 -3-~5-~7-#9

C-E-G~-B~-D#

C7~5(#9)

l-5-~7-9-11

C-G-B~-D-F

1-3-5-~ 7-#11

C-E-G-B~-F#

1-3-5-~ 7-9-13

C-E-G-B~-D-A

1-4-5- ~ 7-9-13

C-F-G-B~-D-A

1-3-#5

C-E-G#

1-3-#5-~ 7

C-E-Gt-B~

1-3-#5-~7-9

C-E-Gt-B~ -D

Cll
C7#11
C13
C13sus4
C+
C+7
C+9

dominant seventh
seventh, suspended fourth
seventh, fiat fifth
ninth
ninth, suspended fourth
ninth, flat fifth
seventh, fiat ninth
seventh, sharp ninth
seventh, fiat fifth, sharp ninth
eleventh
seventh, sharp eleventh
thirteenth
thirteenth, suspended fourth
augmented
seventh, sharp fifth
ninth, sharp fifth
seventh, sharp fifth, flat ninth
seventh, sharp fifth, sharp ninth
diminished
diminished seventh

cs
Csus4
Csus2
Cadd9
C6

C6/9
Cmaj7
Cmaj9
Cmaj7#11
Cmajl3

1-3-#5-~7-~9

C-E-Gt-B~-D~

C+7~9

1 -3-#5-~7-#9

C-E-G..B~-D#

C+7#9

1-~3-~ 5

C-E~.-G~

co

1 -~3-~5-~~7

C-E~-G~-B~~

C0 7

I
TRIADS
The most basic chords in this book are called triac;ls. Atriad is a chord that is made up of only three notes. For example, a simple G
major chord is a triad consisting of the notes G, B, and D. There are several types of triads, including major, minor, diminished, augmented,
and suspended. All of these chords are constructed by simply altering the relationships between the root note and the intervals.

G major

G minor

G diminished

~IU1

~~I~

~~~I~

M3

m3

P5

m3

P5

G augmented

~I~

dim5

M3

aug5

II

SEVENTHS
To create more interesting hannony, we can take the familiar triad and add another interval: the seventh. Seventh chords are comprised
of four notes: the three notes of the triad plus a major or minor seventh interval. For example, if we use the Gmajor triad (G-B-D) and add a
major seventh interval (F#), the Gmaj7 chord is fonned. Likewise, if we substitute the minor seventh interval (F) for the F#, we have a new
seventh chord, the G7. This is also known as a dominant seventh chord, popularly used in blues and jazz music. As with the triads, seventh
chords come in many types, including major, minor, diminished, augmented, suspended, and others.
G major triad

Ff

Gmaj7

#Bl

IJ1

M3

G7

P5

I}

II

m7

M7

EXTENDED CHORDS
Extended chords are those that include notes beyond the seventh scale degree. These chords have a rich, complex harmony that is very
common in jazz music. These include ninths, elevenths, and thirteenth chords. For example, if we take a Gmaj7 chord and add a major ninth
interval (A), we get a Gmaj9 chord (G-B-D-F#-A) . We can then add an additional interval, a major thirteenth (E), to fonn a Gmaj13 chord
(G-B-D-F#-A-E). Note that the interval of a major eleventh is omitted. This is because the major eleventh sonically conflicts with the major
third interval, creating a dissonance.
Gmaj9

#IJ1

Gmajl3

iili

M9

II

MI3

By the way, you may have noticed that these last two chords, Gmaj9 and Gmajl3, contain five and six notes, respectively; however, we
only have four fingers in the left hand! Since the use of a barre chord or open-string chord is not always possible, we often need to choose
the four notes of the chord that are most important to play. The harmonic theory that underlies these choices is beyond the scope of this
book, but not to worry-it has already been done for you where necessary. Below are two examples to demonstrate these chord "trimmings."

Gmaj9

#I

Gmaj9 (four notes)

Gmaj13

Gmaj 13 (four notes)

&

&

#I

#i

II

Generally speaking, the root, third, and seventh are the most crucial notes to include in an extended chord, along with the uppermost
extension (ninth, thirteenth, etc.).

I
ftVERSIONS & VOICINGS
This brings us to our last topic. Though .a typical chord might consist of only three or four notes-a C triad, for example, consists of just
a root, third, and fifth; a G7 chord consists of a root, third, fifth, and seventh-these notes do not necessarily have to appear in that same
order, from bottom to top, in the actual chords you play. Inversions are produced when you rearrange the notes of a chord:

G7

root
position

1st
inversion

2nd
inversion

II

ff

root
position

>

Er

tr
1st
inversion

2nd
inversion

II

3rd
inversion

Practically speaking, on the guitar, notes of a chord are often inverted (rearranged), doubled (used more than once), and even omitted
to create different voicings. Each voicing is unique and yet similar- kind of like different shades of the same color.

4~

4,
c

~ ..c
J st

e
E
3rd

II

G
5th

. ":.

-~*

: :~~

4~

II
E G

~
c

-&

II

.
Sfr

;',(.;f+ "."

-&

~ I

"~'

-&

II

C G C E G C

Once again, the possible voicings of a chord are many. The voicings in this book were chosen because they are some of the most
popular, useful, and attractive chord volcings playable on the guitar.

C5

(Cmaj}
cmajor

CC no3rd)
Cfifth (power chord)

II

II

-&

C
root

E
3rd

G
5th

C
root

G
5th

x x x 0

4t

4,
C

4,

G C

x x

4t

4) \,
C G C E

C G C

Sfr

5fr

G C G C

x x x
Bfr

4t

Btr

4, 4

CGCEGC

C G C

x x

x x

4,

~ 4~

12fr

4,

10fr

4,
4

C G C

I
Csus4

Csus2

<csus>
Csuspended fourth

'

<c5add2>
c suspended second

'

-&

root

4th

5th

0
-&

root

0
D
2nd

II

G
5th

/"'\

4~

4)

4)

G C

C D G C G

x
3fr

x x

3fr

4)

~--

G C G C F

C G D

Sfr

G C F C

D G C G C

x x

C 0 G D

x x

x
10f

C G C F

D G D G C

I
Cadd9

CG

c sixth

Cadded ninth

e
e

II

-&

root

E
3rd

5th

9th

II

-&

root

E
3rd

5th

A
6th

C E G D G

C G D E G

x
3fr

5fr

D G C E

7fr

x x
Sir

D G C

x
10fr

C G C D

I
Cmaj7

C6/9

(CM7)
Cmajor seventh

CC8add9)
Csixth, added ninth

'

II

'

-&

root

3rd

5th

9th

6th

II

-&

root

3rd

5th

7th

4.
4~

C E G B E

Sfr

9fr

8fr

x x
12fr

10fr

Cmaj9

Cmaj7#11

(CM9)

(CM7U1)
Cmajor seventh, sharp eleventh

CmaJor ninth

'

~e

II

'

-&

root

E
3rd

G
5th

B
7th

9th

II

-&

root

E
3rd

G
5th

8
7th

F#

~11th

4~

4~

C E G B F#

x
7fr

CF# BEG

x x

x x
9fr

4fr

x
12fr

7fr

E F#

x x
14fr

10fr

C F# 8

I
Cmaj13

Cm

(CM13)

cmajor thirteenth

CCmln, C-)

Cminor
-&

'

II

'

root

E
3rd

5th

7th

9th

13th

~e

II

root

EJ,
~3rd

G
5th

4~

4t

4t

4,.,

f)

G C 0 A B E

C 15 G C

C G C 8

7fr

CE

DG

Sfr

C G C B G C

Sfr

10fr

C G C

x x
10fr

11fr

E.. G

E~

I
Cm(add9)

Cm&

Cminor, added ninth

Cminor sixth

(CminB, C-6)

'

-ec

root

~e

e.

I.3rd

II

e
G
5th

'

0
9th

-ec

root

~e
B
I.3rd

G
5th

6th

C EJ, G 0 G

C6ACG

x x

x
3fr

G C 0

e:.

6fr

7fr

G C

eJ, G

x x
8fr

C S

G 0

10fr

x x
13fr

11fr

OGCEb

SACG

I
cm~e

Cm8/9

CC-(~6), Cmin~8)

Cminor, IJat slXth

Cminor sixth, added ninth

0

'

~o

bo

II

'

-&

c
root

Eb

~3rd

G
5th

Al.
I.6th

~o

G
5th

6th

II

-&

c
root

EJ,
~3rd

D
9th

x x

CE~

E~

Ai.CG

5fr

4fr

Eb

x
6fr

6fr

E~

x x

ADGC

7fr

Sfr

G C Eb AJ,

Eb

x x
11f

11fr

A~

EbGCE~

EJ,

Cm7~5

Cm7

CCmln7, C-7)
cminor seventh

'

-ec

root

~e
B

~3rd

(C7(b5), Cmin75)
Cminor seventh, flat fifth

e
G
5th

~e

II

'

el.

~7th

-ec

root

~e
Eb
"3rd

~e
Gl,

~5th

~e

II

B~
~7th

EJ, 8~

CGB~

E~

8fr

B~

5fr

x
7fr

10fr

G B~

x x

x x
10fr

CGB~ E~

10fr

CGB~

EJ.

I
Cm(maj7)

Cm9

<cmc+1n

CCmln9, C9)
cminor ninth

Cminor, major seventh

'

~o

II

'

-&

root

EJ,
~3rd

G
5th

~o

8
7th

~o

EJ,
!>3rd

G
5th

II

-&

root

e>

~7th

D
9th

4~

4,

4.,

C Et.

CE!.GBG

Bl,

D G

x
6tr

CGBE~

D G Bl,

Bfr

8 EJ, G

CGB~

SGD

x x
10fr

C G 8

C EJ, 8~ D

x x

x
12fr

BBGC

13fr

EJ,e> oG

II
Cm9~5

Cm9Cmaj7)

(Cm95, Cmln9~5)
Cminor ninth, flat fifth

'

~e

~e

(Cm9+7, C-9+7)
Cminor ninth, major seventh

~e

II

'

-&

c
root

E!,
~3rd

G~

~5th

81.

D
9th

~7th

G~

El.

B~

~e

II

-&

root

!>3rd

G
5th

B
7th

D
9th

E> B

x
6fr

D G~ B~

3fr

E~

GBDG

8fr

8fr

CGBSGD

x x

x
8fr

El. B~ D

BOGS

x x

x x
13fr

El. B~ D G~

El.BOG

I
Cm11

Cm13

{C-11, Cmlnll)
cminor eleventh

{C-13, Cmlnl 3)
cminor thirteenth

-ec
root

~0

s.

I.3rd

~0

Bl.

5th

b7th

II
F

D
9th

11th

-e-

-ec
root

C Eb Bi> C

~0

EJ,

I.3rd

5th

~0

II

Bb
~7th

D
9th

Bl. EJ, A D G

B~

E~

A
13th

I EJ, A

x
6fr

8" Eb F

Sfr

C G Bb S A C

10fr

Bl. EJ,

EJ, A

x
13fr

13f

CEoBb DA

II
C7

C7sus4

(Cdom7)
cdominant seventh

'

(C7sus)
Cdominant seventh, suspended fourth

~e
II

'

-&

root

E
3rd

G
5th

B~
~7th

B~

~e

II

-&

root

4rd

5th

B~
~7th

B~

x
3fr

B~

mF

5fr

Sfr

B~

B~

8fr

CGB~

EGC

Sfr

C G

mF

G C

x x

x x
10fr

B~

10fr

G B~ F

I
C7~5

CB

(C7-5, Cdom7b5)
Cdominant seventh, flat fifth

'

-ac
root

0
E
3rd

~o
G~
~5th

Cninth

~o

II

'

B~
~7th

-a-

root

0
E
3rd

G
5th

~o

B~
~7th

D
9th

II

B~ C

E Sb D G

x
5fr

B~

4fr

G c E

B~

7fr

D G

7fr

B~

E G~

8fr

CGB!.EGD

x x

x x
10fr

9fr

C E S:. D

I
C9~5

C9sus4

(C9sus)
Cninth, suspended fourth

(CS-5, Cdom9b5)
Cninth, Oat fifth

~e

II

-&

root

F
4th

G
5th

Bb

D
9th

~7th

II

-&

root

~e

~e

E
3rd

Gb
b5th

Bl.

D
9th

b7th

CFB!.DG

CEBb DG.

x
6fr

Bl. D F

DGJ,B~

7fr

F Bl. D G

e m o Gb c

x x
10fr

7fr

G C F Bl. D

B~

E Gb

x x
11fr

G Bb

9fr

G~

CEBbD

I
C7~9

Cdom7~9)

C7#9

CC79,
cdominant seventh, flat ninth

'

-ec

root

0
E
3rd

G
5th

(C7+9, Cdom7#9)
c dominant seventh, sharp ninth

~o

~7th

~o

II

'

Di>

~9th

-e-

~o

~o

root

3rd

G
5th

o;

B~

~7th

#9th

Bi> ol,

81 D~

x
7fr

0... G

B~

x x
5fr

G D~ E

Sfr

B~

CGB~

x x

EGDj;

Sf r

B~

9fr

E ~ Dj;

x x
12fr

Di> E

11fr

o;

G B~

C7~5(#9)

C11

{C75{+9), Cdomn5{#9))
Cdominant seventh, flat tilth, sharp ninth

'

~e

~e

cereventh

#e

II

'

-&

root

G~

3rd

bSth

&

~7th

D#

~9th

~:

II

-&

root

E
3rd

5th

B~

~7th

F
11th

9th

ce&o; ab

CEBb CF

G C E Bb D#

x x

B~

x x /'\
11fr

D#Gb Bb E

10fr

F Bb E

14fr

E Bb ORGb

13fr

FBb EBb CF

I
C7#11

C13

(Cdom13)
Cthirteenth

(C7+11, Cdom7#11)
Cdominant seventh, sharp eleventh

-&

M
e

'

-ec

root

e
E

3rd

e
G
5th

~e

II

B~

~7th

'

F~

#11th

-ec

root

e
E
3rd

e
G
5th

~e

II

B~

D
9th

~7th

13th

81 E A

B1EGCFtj

CEB1DA

G C F# B1EG

4fr

B~

F# C

8fr

B~

8fr

CF~

B~

EGC

8fr

B1

x x
10fr

GCF# B~

13f

81

I
C13sus4

C+

(C13SUS)
Cthirteenth, suspended fourth

(Caug, C<#5))
Caugmented
~

F
4th

G
5th

~e

II

root

D
9th

~7th

C
root

13th

B~

II

E
3rd

G~

!\5th

/'\

CFB~

DA

E G~ C

Gp

x x
5fr

B~

5fr

G# C

x x

x
8fr

B~

Sfr

E Ga C

13fr

B~

12fr

E G~ C

I
C+7

C+9

(C7#5)
Cdominant seventh, sharp fifth

'

~o

Cninth, sharp fifth

~o

II

'

-&

root

E
3rd

G#

#5th

(C9~5, C9+5)

B~

~7th

x x

M
o

~o

II

-&

root

E
3rd

G#

#Sth

B~

D
9th

~7th

4t 44,

E ~ C G#

D G; C

Bl.. D G#

G~

x
3fr

C G# B~ E G#

5fr

G# C

B~

x
7fr

10fr

C G~ Bl..

13fr

B~

E G~ D

I
C+7~9

C+7#9

(C7+5(~ 9))

(C7+5U9))
Cdominant seventh, sharp fifth, sharp ninth

Cdominant seventh, sharp fifth, nat ninth

~e

~e

~e

II

-&

root

E
3rd

~5th

e.

~7th

[),

~9th

#e

II

-&

root

~e

~e

E
3rd

#5th

ex

B,
~7th

$th

x
5fr

5fr

E B>

x
8fr

8fr

B~

G: C

E G#

x x

x x

11fr

BJ. E

G~

0,

x x
11fr

14fr

I
Co

C0 7

CC dim)
Cdiminished

'

(Cdim7)
Cdiminished seventh

~o

1..

11

'

root

El.
"3rd

G~

I.5th

~o

~o

~~ o

II

root

>3rd

GJ,

!.sth

B~

o117 th

x x

x x

x
4fr

7fr

Sfr

11fr

7fr

et.

G~

x x

x x
1()f

11fr

s, GJ,

s,

C GJ, BPb el,

I
C#

C# 5

(C#no 3rd)
c-sharp fdth (power chord)

(C#maJ>

c-sharp major

II
ci

root

E~
3rd

'

G~
5th

#-&

c-

root

*e II
G~
5th

x x x

4t

..,

x x

4fr

4fr

6fr

x x x
9fr

4t

9fr

4, .,,

x x

x x
11fr

x
11fr

I
C# sus2

C# sus4

(C#5add2)
C-sharp suspended second

cc#sus>
C-sharp suspended fourth

#-&
C#

root

#o
F;
4th

Mo

II

II

It-& #o

G#

C#

5th

root

x x x

~
2nd

G#

5th

x x /'""\
4~

44 ~
4, 4

4.

4fr

4fr

6f r

6fr

x x

x
8fr

c~

D~

G#

x x
11fr

111

c~ G~

C#

o~

C#add9

C#8

Csharp added ninth

C-sharp SIKth
~e

'

#-&
C#

root

~e

E:

3rd

~e
G~

5th

II

'

D#
9th

~
~

root

#e
E:

3rd

#e
m

5th

~o

II

A'J

6th

4fr

x
6fr

4fr

x
8fr

x x

x
8fr

x x
9fr

I
C#6/9

C#maj7

(C#M7)
Csharp major seventh

(C#6add9)
Csharp sixth, added ninth

'

#-&
c
root

#a
E#

3rd

#a #o
G#

5th

Ma

II

A#

'

6th

9th

#-&
~
root

#a
E#

3rd

#a
G~
5th

#a

II

B~
7th

6fr

6fr

x
Sfr

x x

x
9fr

x x
10fr

11 fr

I
C#maj9

C#maj7#11

CC#M9)
C-sbarp major ninth

'

#-&

c~
root

~e
E#

3rd

CC#M7#11)
C-sbarp major seventh, sharp eleventh

#e
G#

5th

#e

*a

116

II

'

D#

B#

7th

9th

#-e~

root

#e
E~
3rd

Me
G~

5th

#e
B4

7th

II
Fx
#11th

x x

3fr

C# Fx B# E# G~

x x
5fr

Sfr

Sfr

x x

x x

Sfr

10fr

C# E#

B~

D#

~E#

Fx B~

I
C#maj13

C#m

(C#M13)

C-sharp major thirteenth

cc#m, cM

c-sharp minor

#-e-

'

pa

~0

#a

II

*0

~-&

#-&

Cf

root

El!

3rd

G:

5th

BP

A:

D#

7th

9th

root

13th

II

0
E

I.3rd

G~

5th

x x

4.
4~

8fr

x x

x x
8fr

4,

I
C#m(add9)

C#m6

(C#minG, C#-6)
C-sbarp minor sixth

C-sharp minor, added ninth

~e

'

#-&
cf

root

e
E

"3rd

II

~e
G~
5th

'

~
9th

x x

#-eC#

root

e
E

~3rd

~e

~o

G#

A~
6th

5th

II

44 4,
Djl G# C# E

c~

x x

E A~ c~ G#

4fr

Sfr

G~C#EA#

x
Bfr

x x
9fr

9fr

11fr

11fr

x x

C#G~A#E

I
C#.m ~6 cc#-<~&>, C#min~B>

C#m8/9

C-sharp minor, Hat Sixth

C-sharp minor sixth, added ninth

'

#-&
C#

root

0
E
I.3rd

*o

G#

A
~6th

5th

II

'

#-&
C#

root

M
o

E
I.3rd

5th

G.

~o

*o

A~
6th

9th

II

D~

x x

C#EAC# G~

5fr

G#

c;

5fr

C# E M

x
7fr

x x

x x

E G# C~

x x
12fr

C#m7~5

C#m7

CC#min7, c~-7)
c-sharp minor seventh

'

#-&
q

root

e
E
I.3rd

#e
G#

5th

cc#-7Cb5>, c~min75>

c-sharp minor seventh, nat fifth

II

'

~7th

#-&
Cl!

root

e
E

~3rd

e
G
~5th

II

~7th

4.

4.
4.

C#EGBE

4fr

C~ G# BEG#

C# G

x x

x
5fr

G~ C~

6fr

EB

G B

x
8fr

9fr

G~

c~

E G

x x

x x
11fr

11fr

C~

II
C#m(maj7)

C#m9

<c#m<+1n
C-sharp minor, major seventh

'

#-&
C#

root

0
E

!.3rd

#o
G~

5th

(C#min9, C#-9)
c-sharp minor ninth

Mo

II

'

B#
7th

#-&
C#

root

e
E
"3rd

Mo
G#
5th

M
o
II
D~

~7th

9th

D# E

x
9fr

C#

9fr

C~ G#

B# EG#

BE

G~D#

x x
9fr

9fr

C#

o;

x x
11fr

c;~

B~

12fr

0#

G~

I
C#m9~5

C#m9Cmaj7)

CC#m9-5, C#min9~ 5)
Csharp minor ninth, flat fifth

'

#.aC#

root

e
E
"3rd

e
G

~5th

(C#m9+7, C#-9+7)
c-sharp minor ninth, major seventh

#e

II

'

D#

~7th

9th

x x

D# G B

#-&
~
root

e
E

~3rd

#e
G#

5th

#e

#e

II

B~

D#

7th

9th

x x

4~

D~ G# B~

0#

C~

8#

0#

x
4fr

D#GC~

EB

7fr

D#

x
9fr

C~

GBEBD#

x
12fr

I
C#ml 1

<c~-11 , Crmm1u

C#m13

c-sharp minor eleventh

'

#-&
~
root

(C~ -13, C~ min13)

c-sharp minor thirteenth

#o

G~

:.3rd

5th

~o

#-&

#o

II

'

F:

e::

B
,7th

9th

11th

#-eci

root

0
E
>3rd

~o

a:
5th

ff o

II

~7th

CY.

At.

9th

13th

C~

B 0: F:

E ~ ~ G:

x
4tr

7fr

E ~

0?

G: B

Cf

7tr

9fr

11fr

12fr

E F:

F;: B

B E

C#7SUS4 <c~1sus>

C#7

(C#dom7)
Csharp dominant seventh

'

#-&
~
root

#e
E#

3rd

Csharp dominant seventh, suspended fourth

#e
G#

5th

II

'

~7th

#-&
C#

root

@o
F#

4th

#e
G~

5th

II

~7th

x x

x x

4fr

9fr

x x

x x
11fr

11fr

I
C#~5

C#9

CC#7-5, C#dom7b5)
c-sharp dominant seventh, nat tmh

'

#-&
q

root

#o
E#

3rd

a
G

~5th

C-sharp ninth

'

~7th

#-&
C#

root

~o
E#

3rd

*a
G~

5th

#e

II
D#

~7th

9th

C~ E# B 0# G~

E# B C#

4fr

C~

GBE#

Gfr

c~

0# E4

5fr

8fr

G C~ E#

E~

B D:j G#

x
8fr

C#

E#

C~

x x

Gp B E# G#

D~

x x
11fr

CR GBE#

10fr

C#9~5

C#9sus4

(C#Ssus)
Csharp ninth, suspended fourth

'

tt-ec~

root

fto
F#

4th

~e
G#

5th

<Cl!B-5, C#dom9'5)
Csharp dominant ninth, nat fifth

e
B
b7th

~9

II

'

D~
9th

#-&
C#

root

~e
E~

3rd

~9

II

~5th

D~

~7th

9th

BD~ F#

C#

C#EPBD#G

4fr

C# F~

B D# G#

x
7fr

c~

Bfr

i:4BD#GC~

D# F~

x x
11fr

G~ C# F#

B D~

Bfr

G [)#

x x
12fr

~ G~ B

F~

10fr

II
C#7~9

{C#79, C#dom~B>
Csharp dominant seventh, flat ninth

'

Mo
#-eCij
root

E3
3rd

#o
G;

5th

C#7#9

{C#7+9, C#dom7#9)
Csharp dominant seventh, sharp ninth

~7th

110

II

'

~9th

Mo
Mo
#-&
Ci

root

E#

3rd

G~

5th

~7th

II
ox

#9th

0 0

4.
4,
4.,

CllE#BO

x
4fr

0 G# B

E#

x x
6fr

G# 0

Ox G# C# E# B

E# B

6fr

x
6fr

C#

C~ G~

E~

E#

G~

Ox

x x
12fr

10fr

Cll Ej!

E# G# B Ox

C#Jb5(#9)

C#11

(C:;75(+9), ~dom7\.5(~))
Csharp dominant seventh, flat fifth, sharp ninth

'

#-&
C#

root

~e
E~

3rd

e
G

~5th

110

II

'

ox

~7th

Csharp eleventh

!9th

#-&
ci

root

#e
6

3rd

~e
~
5th

~9

we

II
o;

~7th

F#

9th

11th

Cp E#

B C# F#

x
8fr

4fr

C~ F# B

~ G~

c~

Ft

12fr

B Ox

F# B

~ G~

c:

x x
12fr

Ox

GBE~

11fr

I
C#7#11

C#13

CC#7+11, Cjdom7#11)
C-sharp dominant seventh, sharp eleventh

(C#dom13)
C-sharp thirteenth

#-e-

110

'

#-&
ci

root

#O

M
o

E~

G~

3rd

5th

II
B

~7th

'

FX
#11th

#-&
~

root

#a
Eq
3rd

*o
GF

5th

~a

II
~

B
.7th

Al:

9th

13th

4~
~)

4,

x
3fr

c~ FX

G~

x
6fr

E# G~

C#

P,{ B

9fr

x
11 fr

G~

C# Fx B ~

x
13fr

C#13sus4

C#+

CC#13sus)
C-sbarp thirteenth, suspended fourth

CC#aug, C#C#5))
c-sbarp augmented

#~

'

#~

C#

root

#o

#e

F~

G~
5th

4th

e
B
b7th

ff o

II

'

A~
13th

D#
9th

#~
C#

root

~o

110

E#

Gx

3rd

#Sth

x x
6fr

C~ F#A#

x x

9fr

9fr

C~

B F# ~

x
14f r

E# Gx Cp

x
12fr

I
C#+7

C#+9

CC#7#5)
Csharp dominant seventh, sharp fifth

'

#-eC#

root

#e
E#

3rd

110

Gx
#Sth

CC#9#5, C#9+5)
Csharp ninth, sharp Orth

II

'

~7th

#-&
C#

root

#e
E#
3rd

110

Gx

~5th

#e

II

D#
9th

~7th

4~

C~

4,

E# Gx B E#

x
4fr

6fr

x
Sfr

11fr

10fr

GX Djj Ej!

I
C#+7b9

C#+7#9

(C#7+5 (~9})
Csharp dominant seventh, sharp fifth, flat ninth

<C#7+5 <#9
Csharp dominant seventh, sharp fifth, sharp ninth
110

'

110

#-&
C#

root

II

#0
E#

GX

3rd

#Sth

B
~7th

'

~9th

110

#-&
C#

root

II

#0
E#

3rd

Gx

#Sth

~7th

ox

~9th

4~
4~
4~

x
6fr

C# E# B OX Gx

7fr

x x

6fr

x x
9tr

Eil

9fr

Gx D

x x
12fr

D Gx B

Eq

12fr

OX Gx B Eli

I
Cit~o

C# 0 7

(C#dim)
c-sharp diminished

(C#dim7)
C-sharp diminished seventh

#-&
c;

root

~3rd

II

G
~5th

#-&
C#

root

4t

~3rd

~5th

~o

II
Bl.

~7th

4.

4)

4-,
B~

c;!EGC#E

G C~ E

x x
3fr

G C~ E

x x

x
8fr

c~

C#

G C#

GB~

x x
11fr

8fr

Bb E

x x

x
12fr

Cl

9fr

G B~

C#

05

CDno3rdl
ofifth (power chord>

(Dmaj)

Dmajor

#o

F#

root

3rd

II

5th

x x

root

5th

II

x x

4 4.

4~

4,

D A

4
D

D F#

x
5fr

x x

4.

Sfr

4, 4.,
D A

D F#

7fr

D F# A

7fr

D F#

10fr

x x x

4.

10fr

4, 4.,
DADF#AD

x x

Dsus4

Dsus~

(Osus)
Dsuspended fourth

'

co5add2>
osuspended second

0
D
root

II

G
4th

D
root

5th

x x

E
2nd

II

A
5th

x x

4~

4, 4
D

4.

.,

x
5fr

Sfr

7fr

A D G D

7fr

x x

~-

10fr
(

-\

1,

12fr

12fr

I
Dadd9

06

oadded ninth

0 Sixth
0

'

0
D
root

ao

II

F#

3rd

5th

'

E
9th

x x

0
D
root

ao
F#

3rd

5th

II

B
6th

x x

4. 4,

4.

4, 4
F~

B F5

B Fd A

D A

x
4fr

F# D

x
7fr

F#

OADF~

9fr

F~

9fr

B F# A

x x
10fr

F# A

12fr

B Fg

I
06/9

Dmaj7

CDBadd9)
osixth, added ninth

(OM7)

D major seventh
0

'

0
0
root

ffO
F~

3rd

A
5th

II

'

6th

9th

0
D
root

@o
F#

3rd

5th

#o

II
~

7th

x x

4t

4)
~,

DF# ABE

BEA

C~ F~

OF#

7fr

D E A D F# B

x
11fr

F~

C# F~

x
11fr

Dmaj9

Dmaj7#11

(OM9}

omajor seventtt, sharp eleventh

Dmajor ninth

'

0
D

root

(OM7#11}

#o
F#

3rd

5th

#o

II

C#

'

7th

9th

0
D

root

fto
F#

3rd

5th

"o
C#

7th

~o

II
Gf

h1th

x x

4.

4
AF# AC#E

x
4fr

F#

4fr

C# E

Fp C~ F~ G~

x
7fr

C#

5fr

F#

9fr

F#DEAC~

9fr

C# F~ G#

x x

x x
11fr

F#

CJ!

12fr

D G# C~ Fp

Dmaj13

Om

{0M13)

omajor thirteenth

<Dmln, D-)

Dminor
0

'

0
0
root

Uo
F~

3rd

A
5th

#o

II

~
7th

E
9th

'

B
13th

0
0
0
0
root

I.3rd

II

A
5th

x x

4.
0

DF#BC#E

4
4,
0

x
5fr

C~ F#

x x

x x
7fr

BDF~

Cjl

x
10fr

C#

10fr

F# B

A D F A D

x x

x
12fr

10fr

DmCadd9)

Dm6

(DmlnB, 0-6)
Dminor sixth

Dminor, added ninth

0

'

0
D
root

II

0
F

~rd

5th

'

E
9th

x x

II

0
D
root

"3rd

5th

B
6th

x x

4t

4t
4~

4~

4,
0

D A B F

x x

x
5fr

F B D A

x
6fr

F A E A D

x x

10fr

9fr

B F A

x x
13fr

12fr

D A

I
Om~ 6 m-c~e>, omtn~&>

Dm6/9
ominor sixth, added ninth

0 minorr flat sixth

'

0
0
D
root

~o

II

0
F
I.3rd

A
5th

'

el.

I.6th

x x

II

0
0
D
root

F
I.3rd

A
5th

B
6th

E
9th

x x

4~
4, 4,,

D B~ D

4~

4,
B

4,
D

x
Str

DFB~

DA

D E B

x
7tr

B~

E A B

x
7fr

F B E A D

x x
10tr

el. D

D F B E

I
Dm7~5

Dm7

(0-7, Dmin7)
Dminor seventh

'

<D-n5, Dmin75)
Dminor seventh, flat fifth

II

0
0
0

root

!.3rd

5th

'

~7th

x x

~o

II

0
0
root

F
l>Jrd

A>

~5th

~7th

4,

4.4.

0 A C F A

x x

5fr

A>

10fr

9fr

A!.

x x
10fr

0 A C F C D

12fr

D A>

I
Dm(maj7)

Dm9

<0-<+1

(09, Omln9)
Dminor ninth

ominor, major seventh

'

fto

II

0
D
root

F
I.3rd

5th

'

ell

7th

x x

II

0
0
D
root

F
I.3rd

5th

~7th

9th

x x

4t

., 4.

4. 4~

C~

4t

DAC~

FA

x x

x
6fr

Sfr

C#

x
10fr

C# F

10fr

C F A E

10fr

10fr

Dm9~5

Dm9Cmaj7)

CDm95, Dmin91i5)
Dminor ninth, Oat fifth

(Dm9+7, 09+7}
ominor ninth, maJor seventh
0

~o

II

0
D
root

F
I.3rd

A~

~5th

'

E
9th

J.7 th

10

II

0
0
D
root

"3rd

5th

7th

9th

x x

4,4,

4t

D AJ,

4.
4.
4,
E

A C# E

x
3fr

FCEAJ,

C~

x
Sfr

E AJ, C

Sfr

FAC~EA

x x
8fr

9fr

C#

E AJ, C

10fr

DAI.CF

CE

10fr

DACj:FAE

I
Dm11

Dm13

(D-11 , Dmlnll )
Dminor eleventh

(D-13, Dminl 3)
Dminor thirteenth
0
0
0

'

II

0
D
root

F
"3rd

A
5th

~7th

x x

'

E
9th

11th

II

0
0
D
root

~3rd

A
5th

/'"".

4. 4.

B
13th

E
9th

~7th

4.

4.
D G C F

C D A B F

D F C E G

C F B E A

Sfr

D G C F A

x
10fr

8fr

D A C

F B D

10fr

10fr

A C

07

D7sus4

(Odom7)
Ddominant seventh

'

0
D

root

no

(07sus)
Ddominant seventh, suspended fourth

F~

3rd

5th

II

'

~7th

x x

II

0
D

root

4th

5th

~7th

x x

4,

4t
4~

4~

4~
4t

D A C G

D A C F#

x x

x x

Fq C

G C D A

5fr

5fr

7fr

10fr

DACF~

AD

x x
11fr

10fr

D A C G C D

I
07~5

09

(07-5, Ddom7b5)
Ddominant seventh, nat fifth

0
D
root

fto
F#

3rd

~o

Al.

bSth

oninth

II
c

~7th

x x

0
D
root

lo
Fa

3rd

5th

II
c

~7th

9th

x x

/'""'\

4~4~

4,

.,

4~

4.,
F~

DAI.CF#

D Al. C F#

x x

F#

6fr

9fr

Ai.DF# C

x x
10fr

D A C Fff

AE

D9sus4

09~5

(09-5, Ddom9~5}
Dninth, Oat fifth

(D9SUS)

Dninth, suspended fourth

0
0

II

0
D
root

G
4th

5th

E
9th

~7th

0
D
root

fto

~o

F~

A!.

3rd

5th

II
c

E
9th

~7th

x x

E A> C F;

D F# C

E A!.

x x
8fr

C E G

F~

Al. E

10fr

A C G A E

11fr

A!. D

F~

I
07~9

07#9

(079, Ddomn 9>

Ddominant seventh, flat ninth

0
D

root

Jo
F~
3rd

5th

(07+9, Ddom7#9}
Ddominant seventh, sharp ninth

~o

II
c

b7th

s.

~9th

0
D
root

Jo
A

3rd

A
5th

Jo

II
c

b7th

E#

#9th

x x

x
5fr

x
4fr

Eb A C F#

x x
7fr

x
7fr

Eb

9fr

F~

x x
11fr

D F# C Eb

07~5(#9)

011

(07-5(+9), Ddomn 5<#9

Ddominant seventh, Oat fifth, sharp ninth

'

0
D
root

na
F#

3rd

~o

Ab

~5th

Deleventh
0

fio

0
0

II
c

~7th

'

E~
~th

0
D
root

#o
F#

3rd

A
5th

II
c

x x

x x

E
9th

~7th

11th

4~
~

F~

DF# CDG

x
9fr

Sfr

OGCF# A

x x

x
9fr

7fr

F~

D G C

13fr

E#AbCF#

8fr

C F; G

II
013

07#11

(07+11, Odom7#11)
Ddominant seventh, sharp eleventh

(Odom13)
othirteenth
0

RO
0
D
root

#<>
Fr
3rd

A
5th

~7th

II
G~

#11th

0
D
root

no
F~
3rd

II

A
5th

E
9th

~7th

B
13th

4,
4~

4.,
A D B C Fp

x x
3fr

F# C

3fr

D G~

CF;

BOA

x
5tr

ADG:CF~A

4fr

D F; C

x
7fr

CF# ADG#

10fr

DG:C~AD

10fr

DACF:BD

D13sus4

D+

(013SUS)

Dthirteenth, suspended fourth

(Oaug, 0(#5))

Daugmented
..Q_

'

II

root

4th

~7th

5th

E
9th

'

B
13th

D
root

tto ao
F~
3rd

II

A~

#5th

x x

4~

4.

4,

..,

4. 4

A D B C G

D A~

D G

D Fj!

F~ A~

x x
7fr

7fr

C D G B

---

\'

\
~

,- -

. . .',.
'

'

I
(07~5)

0+7

0+9

'

0
D
root

F#
3rd

#o
A4
"Slh

09+5)

oninth, sharp fifth

odominant seventh, sharp fifth

#o

(09~5,

II

'

tr71h

x x

0
D
root

lo
F~

3rd

lo
A;

~th

II
c

~7th

9th

4. 4,
4)

F~C

x x

EA:DF~

F~

D ~

x x
7fr

7fr

A#

9fr

RI

F:CEA# D

x
10fr

F;:

AF

0+7b9

0+7#9

(07+50 8))
Ddominant seventh, sharp fifth, sharp ninth

(07+5{b9))
odominant seventh, sharp fifth, flat ninth

'

0
D
root

tt o
F~

3rd

ft o
A~

~5th

~o

II
c

~7th

'

eJ,

~9th

x x

D
root

F~
3rd

~Q
A

#5th

#o

II
c

~7th

E#
#9th

x x

E~ A# C

#o

F~

DF#

CE;A~

x
7fr

E# A#DF# C

x
Sfr

10fr

x x

x x
10fr

C F~ A# eJ,

13fr

E~

A# C

I
Do

07

(0 dim)

odiminished

(Odim7}

Ddiminished seventh

&
o

root

I.3rd

II

'

AJ,
~5th

x x

~Q

~Q

II

Q
D
root

F
!>3rd

AJ,
~5th

Ci>

~7th

x x

,....--...,...

4~

~~

4
D Al. D

x x
4fr

Al.OFA~

3fr

d.

6fr

4fr

9fr

6fr

Al. D AJ,

x x

AJ, D

F Al. DFCb

x x

x x
13fr

Al.

7fr

Al. D

E~ 5

E~

<Bmaj)
Eflat maJor

'

~e

root

<E~ no 3rd>

Ellat fifth (power chord)

~e

~e

II

'

B~

3rd

5th

x x

~e
E~

root

B~

5th

x x

4t

4,
E~ B~

E~

4.,

3fr

x x

4.

6fr

4, 4.,

E~

B~

x
6fr

S. Bb

E~

Sfr

8fr

x x x

4,

11fr

4, 4

'

_.---)
.

'

'

1,

'

x x
11fr

13fr

I
E~ sus4

E~ sus2

(E~sus)

<S5add2)
E-flat suspended second

Enat suspended fourth

~o

II
Eb

Al.

B~

root

4th

5th

'
x

~o

II

E~

B~

root

2nd

5th

x
6fr

6f r

Sfr

Bfr

FB~

FB~

E~

x x
13fr

E~

FBi>

I
Ebadd9

Eb6

E-nat added ninth

E-nat sixth

'

~o
Eb
root

G
3rd

~o

e.

5th

II
F
9th

~o
E'

root

G
3rd

~o

89

5th

II
c

6th

x x

B Bi> c G

x
3fr

3fr

CGei>BB~

BGSl.F

x
8fr

10fr

x x

10fr

&

11fr

B~

11fr

BJ.

G C

EJ,

E~ 8/9

E~ maj7

(E~8add9)

E-nat sixth, added ninth

(E~M7)

Eflat major seventh

0

'

~e
E~

root

e
G

3rd

~e

B~

5th

~0

II
c

'

6th

9th

Eli

root

3rd

II
m

5th

7th

x x

Bl. EJ, G

~e

Eb Bb D G

x
3fr

CFB~

S.G

E~

GBb

6fr

S.B~

DGB~

Sfr

BJ.

EbFB~ EbGC

x x

x
11fr

10fr

G B~

B~

E~ maj9

E~ maJ7#11

CRM9)

Eflat maJor ninth

'

~e
EJ,

root

CRM7~11)

E-flat maJor seventh, sharp eleventh

e
G

3rd

~e

5th

-&

II
0

7th

'

9th

x x

EJ, G

a.

root

e
G

3rd

5th

II
0

7th

~11th

x x

~o

~e

4~

.,
0

SAOG

Jfr

Sfr

E~

EJ,F&OG

GDGA

x
5fr

6fr

E~

SGDF

Sfr

F&SGD

GB~

SAD

Sfr

10fr

I
E~maj13

E~ m

(EJ,M13)

Eflat major thirteenth

(E~min,

EH

Ellat minor
-&

'

~o
E!.
root

e
G
3rd

~e

B:>

5th

II

13th

4.

E~

root

G~
"3rd

~e
B~

5th

x x

4t

4)

'

F
9th

D
7th

~e

~e

E~

x
6fr

3fr

x x
Sfr

8fr

8fr

11fr

El.GDGC

C E!. G D

x x
10fr

SGCF~D

11fr

E~m(add9)

E~ mB

E-flat minor, added ninth

E-flat minor sixth

(,mln6, B,-6)

'

~e
E~

root

~e
Gl.

~3rd

~e
B~

5th

II

'

F
9th

x x

E~

root

G!.

~rd

~e

Bb

5th

II
c

6th

xx

~o

~e

Gfr

x
6fr

G~

Bb S F

x x

x
8fr

7fr

B~

G~

11fr

10fr

C Gb Bb

I
E~ m~G cb-c~e>, Bminl>&>

E~ m6/9

E-nat minor, flat sixth

E-nat minor sixth, added ninth

'

'e
'e
'e
E,
root

G.
I.3rd

BJ,
5th

~o

'

a.

"6th

x x

'e

EJ,
root

GJ,
!>3rd

5th

e,

II
c

F
9th

6th

x x

4~

'e

~e

4,
4
CBo C

4fr

4fr

&

Gt C

6fr

7fr

&

Go

x
Sfr

9fr

Ge.CFS,&

x x
11fr

11fr

&

G> C

E~m~5

E~m7

(5>min7, Eli-7)
E-flat minor seventh

'

~o

~e

li e

Eb
root

(5>7'P5, &mln75)
Hlat minor seventh, flat Ofth
~e

II

GI.

B~

Cl.

!>3rd

5th

b7th

'

~e
E~

root

~e
GI,
~3rd

~~ e

BJ,!,

~5th

~e

II
m

~7th

x x

x x

4fr

6fr

6fr

x x
-~~

---

. ..

.,_

'

I,

'
\

--

~ ~

.,.

11fr

\.

x
11fr

x
10fr

I
E~m<maj7)

E~ m9

(f1mln9, E~9)
EOat minor ninth

(f1(+7))

Eflat minor, major seventh

'

~o

~a

E~

root

"3rd

~a

Bb
5th

II

'

D
7th

~a
Eb
root

~a
GJ,
"3rd

~a

Bb
5th

~a

II
Db

~7th

F
9th

x x

x x

B Bb D Gb

3fr

4fr

Bb D

----6fr

Db Gl. BJ.

x x
7fr

Bb B Gb D

11fr

Db GJ. B,

11fr

Gb Bb

11fr

E~m9~5

CE~m95,

E~m9(maj7)

8mln9b5)

(Ebm9+7, 89+7)
Eflat minor ninth, maJor seventh

E-nat minor ninth, flat nfth

'

~0
E~

root

~o
Gb
I.3rd

~~ 0

st.I.

~5th

~0

II
Db

'

F
9th

\.7th

Gb

B B~ Db F

~o

~0

~0

II

Eb

Gb

B~

root

I.3rd

5th

7th

F
9th

G~

x x

Bb 0

4fr

Gio1FB1>!.

4fr

Eb G1 0 F

6fr

G~ B~

OFB>

x x
9fr

10fr

F ab Gb

11fr

11fr

BS.DG~ B~

I
Ebm11

E~ m13

(EH 1, Smlnll)

E-flat minor eleventh

'e
El.
root

(Eb-13, Smlnl 3)

E-flat minor thirteenth

~e

~e

~e

II

B~

Gl.

b3rd

-0-

~-0-

D!.

5th

b7th

F
9th

A'.
11th

x x /'""'\

~e

~e

~e

El.

G!.

B~

root

I.3rd

5th

~9

II
[)I,,
I.7th

F
9th

13th

x /'""'\
4fr

4fr

[)j,Gl,CFBb

6fr

El.

--

-- ~--------\
',

:.---. I,

Db G C

x
9fr

11fr

11fr

11fr

Db G

E~ 7sus4

E~7

(Rdom7)
EUat dominant seventh

'

~o
E~

root

3rd

(R7sus)
E-tlat dominant seventh, suspended tourth

~o

B~

5th

~o

II

'

Cl?

~7th

x x

~o
E~
root

~o
Al>

4th

~o

5th

~o

II
m

~7th

x x

x x
3tr

B~ EJ,

4fr

x
4fr

E~

Db B

8fr

11fr

11fr

I
E~7b5

E~9

<E~7-5, E~ domn5>

E-flat dominant seventh, flat fifth

'

~0
Eb
root

a
G

3rd

~~ a

B!Ji
bSth

E-flat ninth
~e

II

'

Di>
b7th

x x

~0
eJ,
root

a
G

3rd

~0

5th

~e

II
DJ,

F
9th

~7th

x x

4t

4~
4,

Eb G DJ, F

x x

G Db Eb B!k

6fr

6fr

D~ G

x x

x
7fr

Bfr

DJ,

Bb

x
10fr

G 81,1,

11fr

E~ 9~5

E~9sus4

CR9sus)
Eflat ninth, suspended fourth

~o

~o

~0

E~

A~

B~

root

4th

5th

CS95, &dom&5l
Eflat ninth, flat fifth
~o

II
DI>

~7th

F
9th

~o
E~
root

~~0

II
D~

SOI,

G
3rd

~0

F
9th

~7th

~5th

......------...

4~

4t

4t

BiJ, BGOi.F

x
4fr

E~

GD~

FB>i.

6fr

6fr

8fr

__.-~

~-.

FB~

E~ ~

.~

lOfr

\. ~\

D~

x x
l 1fr

ol>GB!.i.F

II
E~7#9

E~ 7~9

CR7-9, 13idom~9)
E-flat dominant seventh, flat ninth

~o
EJ,
root

e
G
3rd

~e

81.
5th

(E!.7+8, adom7#9)
E-nat dominant seventh, sharp ninth

~e

~e

II
[)l,
~7th

F\.

~9th

xx

4~

.,

~o
EJ,
root

e
G
3rd

~e

5th

~e

te

II
F~

CJ!,

~7th

#9th

x x

4~

4, 4

EJ, G

DJ. F#

x x

5fr

5fr

S G

F#

x x

O~

8fr

10fr

8fr

11fr

E~Jl,5(#9)

E~11

(E~7-5(+9),

&dom71>5U9))
E-nat dominant seventh, flat fifth, sharp ninth

'

~e
Eb

root

e
G
3rd

~~ e

B\,I,

~5th

~e

E-flat eleventh

#e

II
Di>

b7th

'

F#

#9Th

~o
s,
root

G
3rd

~e

B?
5th

~e

~-&-

II
D~

~7th

i'J,

9th

11th

x x /""\

4.
4~4~

Sfr

x
6fr

F~B!.li Ob G

10fr

6fr

Gol.F#B!.li

x
14fr

x
8fr

I
E~7#11

E~ 13

<E~7+11 , Eidom7#11 )

(Sdom13)
Eflat dominant thirteenth

Eflat dominant seventh, sharp eleventh

-e-

-e-

'

~e
Eb
root

e
G
3rd

~e

Bb
5th

~e

II
I),
b7th

'

#11th

~e
Eb
root

e
G
3rd

~e

Bb
5th

~e

II
Di>

F
9th

~7th

x 0

13th

CFGl).G

6fr

A Db G

Db GCB

x
5fr

Sfr

GBb Eb ADb

Eb G Db FC

x x
9fr

Sfr

CbEbG

[), G C

E~13sus4

Eb+

(E!i13sus)
E-flat thirteenth, suspended fourth

{Baun, 5.(#5))
E-nat augmented
-e-

~0
EJ,
root

~o

Ai>

4th

~0

B!.

5th

~0

II
D~

~7th

'

F
9th

13th

~0
B
root

0
G
3rd

II

B
#5th

x x

4t

4~

El> GBG

x x

GB

El>

6fr

x x

4tr

Sfr

6fr

El. G

x
11fr

Sfr

El. G EJ,

I
E~ +7

E~ +9

(S7#5)

E-ftat dominant seventh, sharp fifth

'

~o
E~

root

E-nat ninth, sharp fifth

~o

~th

G
3rd

Cfi>81:5, es+5>

'

0..
mh

~o
eJ,
root

~o

II

G
3rd

~th

D>
~7th

F
9th

BE'oGD,G

& G D> F

x
2fr

e, G B D>

GD>FBEoG

x
6fr

&

B~G

Sfr

&

/'"'\ x
Bfr

Bfr

FB

EoGD>

x
11fr

D> G B

10fr

GD>FBE..

E~+~9

E~+7#9

{El>7+5(~9))

Eflat dominant seventh, sharp Dfth, flat ninth

'

~e
eJ,
root

e
G
3rd

e
B

~5th

~e

E-flat dominant seventh, sharp Hfth, sharp ninth

~e

'

f1>

[)i,

~7th

{E~7+5{#9))

~9th

E~

root

G
3rd

e
B

~5th

~e

II
1)1,
~7th

Fj!
!19th

~e

~e

4~
4~

~~

x x

x x

x
5fr

E~

G [)(, F~

8fr

8fr

B f1> G

F#BS.GQI,

x x

x x

IJ!,G

f'I>

[)I, G

B F#

I.
0

E~ 7

(fl,dim)

<Bdlm7)
Ellat diminished seventh

Ellat diminished

II
El.

G~

root

!.3rd

'

B~

~5th

x x

~0

~0

eJ,

G~

root

I.3rd

;~0

BM.

~th

~~ 0

II
o!.I.
bl.7th

x x

x x
Sfr

7fr

8fr

10fr

10fr

x x

x x
10fr

10fr

E5

(Ema)}
Emajor

e
E
root

(Eno 3rd)
Efifth (power chord)

#e
G~

3rd

II
B
5th

e
e
E

root

B
5th

x x x

B E G# B

E B E

x x

x
4~
4)

G~

G:l

E B E

__

x x

-~

7fr

7fr

4, 4)
E

G#

E B E

9fr

9fr

B E B E

12fr

x x x

4.

12fr

4, 4
E

E G# B

E B E

I
Esus4

Esus2

<Esus>
Esuspended fourth

<E5add2>
Esuspended second

0
0

root

4th

II

B
5th

E
root

4>4 ~

.,

fto
F~
2nd

B
5th

x x

E B E A B E

F#

4fr

E B E A

F~

7fr

7fr

E B E A

EBEF;B

9fr

9fr

B E A E

\.

--

'

BEBE

x x

_\. -

F~

12fr

11fr

F~

I
Eadd9

E6

Eadded ninth

Esixth

#o

'

0
E
root

*o
G#

3rd

5th

II

'

F~

9th

E G~ 8

F# B

0
E
root

~o
G#

3rd

5th

fto
II
~

6th

F#

E B

E G#

E G#

x
6fr

6fr

G# E F#

C# G~ B

x
9fr

F# 8

7fr

E G~

E G#

C#

x
11fr

F~

C~

G# B

I
Emaj7

EG/9

(E6add9)
Esixth, added ninth

e
E
root

*a
G#

3rd

(EM7)

Emajor seventh

e
B
5th

#o

~a

II
6~~

FR

9th

e
E
root

Ma
G#

3rd

#e

II
B
5th

0#

7th

G~

~ G~

G~

C#

F~

c~ F#

E Ga

B D#

E G# Cjl F# B

x x
9fr

F~

11fr

E G# C#

E G# B

E G~ C#

FF B

D# G#

Emaj9

Emaj7#11

(EM7#11)
Emajor seventh, sharp eleventh

(EM9)

Emajor ninth

'

a ta
E

root

G#
3rd

a
B
5th

#-e-

ta ta
II

'

FR
9th

D#
7th

a ta
E
root

G~

3rd

a *a
B
5th

II

D~

A#
#11th

7th

EBD# mBFJ

EBE Ad O# G#

4fr

F#

6fr

BD~ G;

6fr

7fr

E G# D# F#

x
9fr

11fr

B F# G#

x x

x x
13fr

14fr

A# DP G~

I
Emaj13

Em

(fM13)

Emajor thirteenth

(Entin, E-)

Emlnor
~

'

e
E
root

ije
G:
3rd

B
5th

#e

#e

II
D~

F~

c;

7th

9th

13th

'

e
E
root

e
G

"3rd

B
5th

E B E G B E

x x
4fr

E G

x x

x x
9fr

12fr

E B E G B E

Em(add9)

EmG

CEmin6, E-8)
Eminor sixth

Eminor, added ninth

~a

'

a
E

root

a
G

~3rd

a
B

5th

II

'

FF

9th

4,4,

a
E

root

e
G

~3rd

lo
II

5th

C#

6th

4)

4~4)

4)

B F#

E B E G C#E

x x

F# B

CR G

7fr

EGC~EB

E G B

F#

x
8fr

F~

C#

x x

12fr

F#

11fr

C# G

I
Em~6

Em6/9

(E-(Ji6), Emlrl,6)

Eminor, flat sixth

Eminor sixth, added ninth

~e

'

a
E
root

a
G

II

'

B
5th

"3rd

;,()th

e
E
root

a
G
I.3rd

~o

B
5th

F~

6th

9th

II

EBEGC~

F:

4t
4~4,

x x

~---

-\
\

F;

x
9fr

10fr

x x
-~ \

12fr

\
I

Em~5

Em7

CEmln7, E-7)
Eminor seventh

'

e
E
root

e
G
"3rd

{E-71'5, Emin75)
Eminor seventh, Rat fifth

e
8
5th

II

'

~7th

e
E
root

e
G
\.3rd

~e

I
B~
~5th

~7th

x x

44>
4~

B~

D G

5fr

12fr

Sfr

GB~

D G 8

EGD

12fr

11fr

D G B!.

I
Em(maj7)

Em9

(E-(+7))

Eminor, major seventh

'

e
E
root

e
G
I.3rd

(Emin9, E-9)

Eminor ninth

B
5th

*e

II

'

D~
7th

e
E
root

e
G

~3rd

~e

II
B
5th

F#

~7th

9th

4,

4~

EBD# GBE

EBDGBF~

x x

x
Sfr

B D# G

F~

4fr

10fr

D~

F~

12fr

EBD~

GB

F~

x
12f r

G B

12fr

F#

Em9~5

Em9(maj7)

(Em9+7, E-9+7)
Eminor ninth, major seventh

CEm95, Emin9~ 5)
Eminor ninth, flat fHth

'

e
E

root

e
G
bard

~e
eJ,
~5th

ie

II
D

'

F#

~7th

9th

4.

root

I.3rd

e
B
5th

#e

ie

II
F~

0#

7th

9th

4.

4,

4,

4t

EB~

DGOF

EBD#

F#

B~

x x

4,
GBF~

F# BD#

x
5fr

GDF#B~

G D#

FF

x
7fr

F#, B~ D G

12fr

EBb DGDF#

12fr

0# G B

F~

I
Em11

Em13

CE-11, Emin11)
Eminor eleventh

{E-13, Emin13)
Eminor thirteenth

-&

'

e
E
root

e
G
I.3rd

e
B
5th

*e

II
D

F#

~7th

'

9th

11th

e
E
root

e
G

\.3rd

e
B
5th

#e

II
F~

D
7th

C#

9th

4~

13th

4~ 4

-~

EBDGciF~

E A D G B F#

Sfr

5fr

E G D F# A

E A D G B

G C;i F~ B

D G

ci

x
10fr

12tr

EBDGCj:E

12f r

DGC~

Fjl

E7

E7sus4

(Edom7)
Edominant seventh

CE7sus)
Edominant seventh, suspended fourth
0

'

0
E
root

~0
G~

3rd

8
5th

II

'

~7th

A
4th

8
5th

II

0
E
root

~7th

4t

D G# 8

4.

4~

x x

E B D A

D G#

7fr

7fr

D G~ 8

9fr

G~

9fr

12fr

D G# D

12fr

I
E9

E7b5

(E75, Edom7~ 5)
Edominant seventh, flat fifth

'

e
E

root

#e
Ge

3rd

~e

Bl.

~5th

Eninth

II

'

~7th

x x

e
E
root

#e
Gq
3rd

e
B
5th

#e

II
F1!

~7th

9th

4.
4,

4~

B~

G#

x x

G# B

Fa

G~

Bl.

E G~ D

F~

x
9fr

7tr

B~

D G~

11fr

8fr

B~

E G~

G~

F~

x x

13fr

13fr

B~

E G# 0

E G# 0

F~

E9~5

E9sus4

CESsus)
Eninth, suspended fourth

'

(E95, Edom9'5l
Eninth, Oat fifth

#e

II

e
E

root

4th

B
5th

'

F~

~7th

9th

e
E
root

#e
Gft

3rd

~e

B~

bSth

#e

II
F~
9th

~7th

E B E A D

x
Sfr

E G# D F# Bl.

D F# A

10fr

F~

10fr

x x
14fr

D F#

D G# B~ F;

I
E7~9

E7#9

(E7+9, Edom7#9)
Edominant seventh, sharp ninth

CE7-9, Edomns>
Edominant seventh, flat ninth

'

e
E
root

Me
G#

3rd

e
B
5th

II
D

~7th

'

~9th

e
E
root

M
e

II
D

8
5th

G#
3rd

M0

FX

~7th

9th

D G~ D

G~

D G#

FX

x x

F G#

x
6fr

E G~ D

6fr

E G# D

x x

Fx

x
9fr

G~

GR

12fr

FX 8

\ \ '- \
.

12fr

D G# 8

D G# B FX

E7~5(#9}

Ell

(EJ-5(+9), Edom7~5(~))
Edominant seventh, flat fitth, sharp ninth

Eeleventh

~9

'

E
root

*e
G;

3rd

~e

e,

~5th

II
D

~7th

'

FX

~th

Bi> E

G~

D Fx

x x

0
E

root

e
'e

-&-

#e

II

G:

F;

3rd

5th

~7th

9th

11th

E G~ D F;

x x

Bi> D

G~

D Gf

6fr

E G# D FX B>

E G# D

G~

x
11fr

G!: D FX

B~

x
13fr

E G~ D FX

10fr

G; B

I
E13

E7#11

(E7+11, Edom7#11)
Edominant seventh, sharp eleventtl

'

0
E
root

Me

Me #-&
II

B
5th

G#

3rd

(Edom13)
EUtirteenth

F~
9th

~7th

'

A~

#11th

0
E
root

#e
G#

3rd

e
B
5th

M
e

II
~

~7th

G~

D F#

C#

9th

E Ail E

#-&

13th

B D G# CR F#

x
Sfr

E A# D G~

D G~ C# E

x x

x
Sfr

G# D

6fr

A4

E G# D

F~

Ct,

x x
7fr

E ~

9fr

D G~ B

D E

G3 C#

'

"\

12fr

12fr

'.

'

'i

AR

D G~ B

D G

c;

E13sus4

E+

(Eaug, E(~5))
E augmented

(E13sus)

Ethirteenth, suspended fourth

'

*e

#-&

II

a
E
root

A
4th

B
5th

Fi

~7th

'

C#
13th

9th

a
E
root

*a
G~

3rd

#a

B~

;sth

x x

4 4
4)

C~

F~

E G~ B~ E

x x
Sfr

B# E G~

D A C# E

7fr

Sfr

EADF~C#

E Gp

x x

9fr

7fr

12fr

9fr

A C#

B~

A C#

BfEG!E

I
E+7

E+9

(U#5)

Eseventh, sharp fifth

'

e
E
root

#e
G#

3rd

(E9#5, E9+5)

Eninth, sharp fifth

*e

Be

~5th

II

'

~7th

x x

e
E
root

#e
G#
3rd

#e
B#

~5th

M
e
II

F#

~7th

9th

x x

4~4t

4~

D G~ B~

D Gt B# Fil

B# D G~

F# B# D G~

x
7fr

B~

6fr

E G~ D F# B#

D G# B#

9fr

9fr

B~

Fp B# E Ga D

E G#

x
12fr

D G# B~

G# D F# B# E

E+7~ 9

E+7#9

(E7+5(#9))
Edominant seventh, sharp fifth, sharp ninth

(E7+5(b9))
Edominant seventh, sharp fifth, flat ninth

e
e

root

~e
G~
3rd

#e
B#

~5th

II

~7th

~9th

root

M
e *e
G#

3rd

BR

#5th

H0

II
Fx

~7th

!19th

E B# D G# D

EB# DG# DFX

x x

F ~ D G#

FX B~ D G#

x
6fr

E G# D FX

B~

x
9fr

9fr

FX B# E G~ 0

8# F G#

x x

x x
12fr

D G#

B~

12fr

I
Eo

E0 7

(Edim)
Ediminished

(Edim7)
Ediminished seventh

II

0
0

root

I.3rd

'

Bb

~5th

x x

0
E
root

G
b3rd

~o

Bb
J.Sth

~o

II
Db

bb7th

4'

Bb E G

4~

4)

EBb EGoi e

x x

x x

GBbEBl.

EBb Db G

x
7fr

E Bb E G

6fr

E Bb ob G Bb

x
10fr

11fr

G Bb E

x x
11fr

Bb E G Bb

14fr

E BJ, ob G

f5

(Fmaj)

Fmajor

CF no 3rd)

Ffifth (power chord)

'

II

0
F

root

3rd

5th

'

0
F
root

5th

x x x

4t

4, 4.,
F

x x

4t

5fr

3fr

4,
4.,
F A C F A

x x

4t

8fr

8fr

4, 4.,
F

10fr

10fr

13fr

4,

x x x
13fr

4, 4t

F A C F

II
Fsus4

Fsus2

(Fsus)
Fsuspended fourth

~o

'

(F5add2)
Fsuspended second

'

0
F
root

B\,
4th

5th

0
F
root

II

G
2nd

5th

x x

/""'\

4. 4t
4~

FCFB~

CF

x x
3fr

B~

5fr

B~

5fr

F G C F

x
Bfr

B~

x x

x x
13fr

B~

12fr

Fadd9

FB

Fadded ninth

Fsixth
0

'

II

0
F
root

3rd

5th

'

G
9th

II

0
F
root

3rd

5th

6th

x x

4>

4~

4t

x x
5fr

7fr

6fr

x
10fr

8fr

x
12fr

G C F

12fr

Ill
Fmaj7

f8/9

(f6add9)
Fsixth, added ninth

f major seventh
0
0

A
3rd

II

0
F
root

(fM7)

5th

D
6th

9th

0
0

II

F
root

A
3rd

5th

E
7th

x x

4
F

.,
4.
A

F C E A

5fr

5fr

F A D G C

10fr

13fr

Fmaj9

Fmaj7#11

(fM7#11)
Fmajor seventh, sharp eleventh

(fM9)

Fmajor ninth

-2.

0
0

'

II

0
F
root

A
3rd

5th

'

G
9th

7th

II

0
F
root

A
3rd

5th

7th

l11th

4~

4t

x x

F B E A

5fr

7fr

F A E A B

x
7fr

Sfr

10fr

12fr

E A B

I
Fmaj13

Fm

CFM13)

Fmajor thirteenth

{Fmin, F-)

Fminor
~

0
0

II

0
F

root

3rd

5th

7th

9th

13th

4t

~o

II

0
F

root

4,

AJ,
b3rd

5th

FCFA!.CF

x x

FCFA!.

8fr

10fr

AJ, C

A!.

x x

9fr

10fr

13fr

E A D

AJ, C

I
Fm(add 9)

Fm&

F minor, added ninth

F minor sixth

(FminB, F-8>

'

~Q

II

F
root

AJ,

I.3rd

c
5th

'

G
9th

~Q

II

F
root

A!.

I.3rd

5th

D
6th

x x

A!.

D A.I C

x
4fr

F C D A.I

8fr

A!. C

6fr

FA!.DFC

10fr

AJ, C G C F

12fr

D AJ, C

13fr

FCFA~

CG

13fr

FCFA!.DF

I
Fm~6

Fm6/9

(f-(~8), Fmin~B)

Fminor, nat sixth

'

Fminor sixth, added ninth

~o

~9

II

0
F
root

A~

I.3rd

5th

'

DI.

~6th

~o

II

0
F
root

AJ,
~3rd

5th

D
6th

9th

x x

F AJ.m

x x

AJ,

4fr

4fr

A!.

AJ,

Sfr

10fr

G C D

F A!.DJ,

x x

x
11fr

D~

A!.CF

11fr

AJ, D

I
Fm7~5

Fm7

(F-7, Fmin7)
Fminor seventh

<F-n 5, Fmin75>
Fminor seventh, flat fifth

~o

~o

II

0
F
root

Al>

I.3rd

5th

EJ,
~7th

~o

~o

~o

II

0
F
root

Al>

I.3rd

Cl,
~5th

eJ,

~7th

x x

FCE~Al>

CF

4fr

x x

9fr

10fr

C F Al> EJ,

x
13fr

El. A1 c

C~

EJ,

x
12tr

I
Fm(maj7)

Fm9

CF9, Fmin9)
Fminor ninth

(fm(+7))

Fminor, maJor seventh

'

~o

II

root

A],
~3rd

c
5th

~o

'

E
7th

~o

II

0
F
root

A~

I.3rd

5th

G
9th

~7th

x x

FAi.SG

FCEAl.CF

x x

6fr

E A],

FA!.SG

x x
5fr

A],

A], 6

8fr

11fr

G C a

A!. C

13fr

A],

13fr

FCSA!.CG

Fm9~5

Fm9Cmaj7)

CFmB-5, FmlnBbi)
Fminor ninth, flat fifth

'

0
F
root

~o
AJ,

~3rd

~o

CFmB+7, F-8+7)
Fminor ninth, major seventh

~o

0
0

II
cl,
b5th

Eb

'

G
9th

~7th

x x

~o

II

0
F
root

AJ,
~rd

5th

E
7th

G
9th

4. 4.
4~

FCEA!.CG

x x

3fr

A!. C E G

x
6fr

6fr

F AJ, E

x
8fr

8fr

A!. C E G C

13fr

F Cl.S.AJ,Eb G

13fr

AJ,

C G

I
Fm11

Fm13

CF-11, Fminll)
Fminor eleventh

CF-13, Fmln13)
Fminor thirteenth
0

bo

'

~o

~o

II

0
F
root

AJ,
"3rd

c
5th

Eb

~7th

G
9th

'

BJ,
11th

0
F
root

~o
AJ,
~3rd

~o

II
c
5th

El.

D
13th

G
9th

~7th

FCE!.A!.D

x x

AJ, El. G

B~

C B A>

EJ, AJ, D G C

x
Bfr

Bfr

AJ,

x
11fr

11fr

E~

D AJ, C F

F7sus4

F7

(Fdom7)
Fdominant seventh

Fdominant seventh, suspended fourth

'

(f7SUS)

~o

II

0
F

root

3rd

~e

5th

'

EJ,
~7th

~o

II

0
F
root

Bi>

4th

5th

~7th

FCSACF

FCSB~

x x

x x

CF

3tr

fl,

E!. Bi>

5fr

5fr

B~

8fr

8fr

FCSB~

FCE!.AC

10fr

A E!.

10fr

CFB~

El>

I
f 7~5

f9

(F7-5, Fdom7~5)
Fdominant seventh, nat ttltb
~o

'

Fninth
~o
0

II

0
F
root

A
3rd

0,
~5th

'

EJ,

~7th

x x

~o

II

0
F
root

A
3rd

5th

El>

~7th

9th

4.

4~
4t

E~

A Q

x x

CE~

ACG

x x

FAEl>G

x
6fr

5fr

El> F

E!.GCFA

x
8fr

F 0. S

7fr

FAEl>GC

12fr

E~

A C~

10fr

f9~5

F9sus4

CF9sus)
Fninth, suspended fourth

~e

'

(F95, Fdom9'5)
Fninth, flat fifth

~o

II

0
F
root

~
4th

5th

eJ,
b7th

'

G
9th

to

~o

II

0
F
root

A
3rd

a.

bSth

eJ,
b7th

G
9th

x x

4t

4.
4

E~

F C EbB!.CG

cbG

x x

FBb Eb G

G Cl,. eJ,

5tr

7fr

el.GCFBl>

FAE.!.G

cb

x
8fr

8fr

F~

E!.GC

G cb

B A

x
11fr

G Bb

12fr

Ael.G

Cl. F

I
f 7~9

F7#9

(F7-9, Fdom7b9)
Fdominant seventh, flat ninth

(F7+9, Fdom7#9)
Fdominant seventh, sharp ninth
~o

'

~o
0

II

0
F

root

3rd

5th

Eb

Gb

b7th

b9th

'

x x

~o

#o

II

0
F

root

3rd

5th

E~

G#

~9th

b7th

x x

FAEJ.Gb

A Eb G~

G~

G#

EJ,

Eb A

x
8fr

Gb A S

A Eb G# C

x x

EJ, A C G#

I
F7~5(#9)

F11

CF75 (+9), Fdomn5C#B))

Fdominant seventh, Oat flttb, sharp ninth

'

~o

~o

Feleventh

~o

~o

II

0
F

root

3rd

~5th

E~
~7th

'

G~

~th

x x

b-.Q..

II

0
F
root

3rd

5th

E~

~7th

B~

G
9th

11th

4t

>
4.,
EJ,

A C G#

FB~

E,.ACG

x x

G~

F B~ 6

x x
4fr

6fr

7fr

6fr

FAEJ,FS.,

F A S G# C

x
12fr

Bfr

FB~

E>AC

I
F13

F7#11

(f7+11, Fdom7#11)
Fdominant seventh, sharp eleventh

Cfdom13)
Fthirteenth
_Q_

0
0

'

0
F
root

~o

A
3rd

II
c

5th

Eb
b7th

'

B
~11th

F B Eb A C F

~o

II

0
F
root

A
3rd

5th

EJ,

G
9th

b7th

D
13th

F C Eb A D F

6fr

Eb A D F

C F B Eb A

x
7fr

EbASF

FAE~

GD

x x
10fr

FBSAC

Eb F

x x

x
9fr

BFAEJ,

13fr

E!. A D

F13sus4

F+

(faug, F(#5))
F augmented

(F13SUS)

Fthirteenth, suspended lourth

..Q_

~e

'

~o

II

0
F
root

B~

4th

5th

E?

'

D
13th

G
9th

b7th

tto

0
F
root

A
3rd

II

Cl!

#Sth

x x

FCE~

~DF

A C~

4fr

DFB~ Eb

6fr

6f r

B~

A C# F

x
8fr

Eb G

9fr

C~

x x
10fr

F Bl. D

C# F A

I
f +9

F+7

(f7#5)
Fdominant seventh, sharp Dfth

'

fto

CF9#5, F9+5)
Fninth, sharp fifth
~o

II

root

3rd

c;

~5th

'

~7th

fto

~o

II

0
F

root

3rd

C#

~5th

~71h

9th

x x

x x

x x
3fr

4fr

F qjB A

x
7fr

FAEb

FC#B AC#

x
13fr

GC~

S A C#

10fr

F+7~9

F+7#9

(f7+5( ~9))

f dominant seventh, sharp Htth, flat ninth

'

10

~o

Fdominant seventh, sharp fitth, sharp ninth

~o

II

0
F
root

. 3rd

~5th

E~
~7th

(F7+5(~9))

'

G~

~9th

x x

0
F
root

3rd

fto
~

#5th

~o

fto

II
E~
~7th

G#

~9th

........----...

x x
4fr

A6G~

C#

FA

&G~ C

x
10fr

x x
13fr

13fr

El. A C#

G~

I
fO

F0 7

(Fdim)
Fdiminished

'

(Fdim7)
Fdiminished seventh

~o

~o

II

0
F
root

Ali

~3rd

'

Cl.

bSth

x x

F
root

~o
A~

bard

~~ o

I
Cl.

~5th

El.~
~7th

x x

4~

~o

4>

F ~ C~

x
4fr

4fr

4fr

7fr

Ab Cb F

x x

x x

7fr

10fr

9fr

12fr

CF# no 3rd)
f#5
F-sharp fitth (power chord)

<Fllmaj}
f#
F-sharp major

'

#o
F~

root

fto
A;

3rd

10

lo

II

'

ci

5th

Uo
F#

root

II

5th

x x x

4.
4. 4
1

F# C# F#

x x

x x

4.

4fr

4
F~

x
6fr

Cp

4.,
F~

x x

4.

9fr

4, 4

F# Cjl

F~

x
9fr

11fr

x x x
11fr

4.

14fr

4, 4

I
f#sus4

F#sus2

(F#5add2}
Fsharp suspended second

(f#sus>
Fsharp suspended fourth

FR

root

B
4th

fto

II

C!I

5th

fto
F#
root

M
o
G~

2nd

fto

II

C#

5th

x x

x x

6fr

6fr

F# B C~ F#

x
9fr

x x
11fr

~F#BF~

f#add9

f#6

Fsharp added ninth

F-sharp sixth

tto

'

io
F~

root

ft<i
M

3rd

fto
ci

5th

II

'

G~

9th

fto
F~

root

io
Ati.
3rd

no
Cl

5th

~e

II
D#

6th

x x

Fe All

c~

G#

6fr

7fr

C#

A# D#

F~

x
11 fr

G#C#F#~

13fr

A#

G# tj F#

11fr

A# 0# F# C#

I
f #6/9

F#ma.i7

(filM7)
f-sharp major seventh

(filB add 9)
Fsharp sixth, added ninth

Jo
F#

root

#o
A~

3rd

~o

C#

5th

#o

tto

II
D~

6th

G#

9th

Uo
F~

root

~o
A~

3rd

Uo
C#

5th

~o

II
E~

7th

x x

x x

C# F~ ~

D#

G~

/'\

6fr

6fr

8fr

9fr

F#maj9

F#maj7#11

(f#M9)
f-sharp major ninth

'

go
F~
root

fto
A~

3rd

(f#M7#11)
F-sharp major seventh, sharp eleventh

tio

Cll

5th

#o

#~

jo

II
E#

7th

'

G~
9th

fio
F#

root

ffO
A~

3rd

go

no

II
c#

5th

E~
7th

B~
?11th

x x

x x
3fr

4fr

6fr

x
8fr

F# A# E# G#

x
11fr

G# CR F# A# E#

x
13fr

I
f#maj13

F#m

(f#M13)
F-sharp major thirteenth

'

fio
F~
root

fto
A~

3rd

fio
C#

5th

CF#-, F#min)
F-sharp minor

#_Q_
~o

#o

II
E~
7th

'

DP,

G#

9th

13th

#o
F~
root

~3rd

#o

II

5th

F# C# F#

AC# F~

x x

F~ C~ F~

x
6fr

9fr

x
10fr

x x

x x
11fr

11fr

F#m(add9)

F#m6

f-sbarp minor, added ninth

Fsharp minor sixth

(f~6, F#min6)

#o

'

#o
F#
root

~3rd

fto
Cli

5th

II

'

G~
9th

#o
F~
root

A
I.3rd

fio

~0

C#

D~
6th

5th

II

x
5fr

4fr

10fr

7fr

11fr

13fr

F#

x x

D# A Ci

x x
14fr

F# A C# G~

13fr

I
f#m~G <F~-<~e>, F~mtn~B>

f#m6/9

F-sharp minor, nat sixth

F-sharp minor sixth, added ninth

'

#O
F~

root

I.3rd

#o
c:

5th

II

'

D
!)6th

ijo

F#

root

~3rd

10
C#

5th

@o

~Q

II
G~

ot

9th

6th

x x

Ff ~ F~

Ff

x x
5fr

C# F:

5fr

7fr

7fr

9fr

F~ C~ F# A

11fr

x x

Gli C~ D~

x
12fr

D A C#

F~

12fr

F#m7~5

F#m7

(f #-7, F#min7)
F-sharp minor seventh

'

fto
F#

root

~3rd

lo
Cf

5th

CF#- n 5, f#min75)
F-sharp minor seventh, Oat fifth
0

0
0

II

'

~7th

#o
F#

root

A
!.3rd

II
c

~5th

~7th

F~

C~ Fq

F#

x x

10fr

9fr

F# C

E A

14fr

F#

A C#

11fr

Fr C

I
f#m<maj7)

f#m9

(f#m(+7))
F-sharp minor, major seventh

'

go
F#

root

~3rd

io ao
~

5th

(F#-9, F#min9)
F-sharp minor ninth

II

'

E~

7th

#o
F~
root

A
"3rd

#o

#o

II
C#

5th

G~

~7th

9th

F#~

EAC# G#

x x
4fr

Fi: AEG#

6fr

7tr

x x
9fr

7fr

E G~ C~

14fr

12fr

G# C# E

F#m9(maj7)

F#m9b5

(f#m9-5, f#min9~5)
F-sharp minor ninth, flat lifth

'

#o
F~

root

<F#m9+7, F#-e+n
F-sharp minor ninth, major seventh

#o

~3rd

II
c

~5th

'

G#

~7th

9th

Jo
F#

root

~3rd

go

~o

#o

II
C#

5th

E4

7th

G#

9th

x x
5fr

G# C

4fr

x
7fr

7fr

E G# C

F#

E:

G~

9fr

G~

9fr

x x

x
13fr

C G#

x
12fr

I
F#m11

F#m13

(f#-13, f#mlnl 3)
F-sharp minor thirteenth

<F#-11, f #minll >

F-sharp minor eleventh

'

fio

F?,

root

I.3rd

fto
C#

5th

#o

II
E

G#

b7th

9th

#.Q_

'

B
11th

#o
F~
root

A
b3rd

ao
C#

5th

#o

II
E

G#

b7th

9th

F#

C#

D~
13th

EAD#F~

x x
5tr

0#

7fr

7fr

F4AEG#B

x
9fr

9fr

F# B

E A C#

F#

A D#

12fr

F#

E A B

D#

A ~

F~

f#7sus4

f#7

(f#dom7)
F-sharp dominant seventh

'

#o
F~

root

#o
A~
3rd

(f#7sus)
F-sharp dominant seventh, suspended fourth

#o
~
5th

II

'

~7th

x x

4,

F~

root

lo

B
4th

~
5th

II
E

~7th

x x

4.

#o

~.

4, 4.,

F# A# Cjl

F;BC# E

x x

x x

Fi

C~

EA#

F# C# E

9fr

9fr

11fr

C# F~

A# E

C# F# B E

I
f#7b5

f #9

CF~7-5, F#domn 5>

F-sharp dominant seventh, nat fHth

'

ao
F;

root

lo
A~

3rd

I.5th

F-sharp ninth

II

'

E
b7th

x x

#O
F~
root

h~
A~

3rd

#O
c~
5th

~o

II
G:

~7th

9th

4t

4-,

4)

F~ A~

x x

x x
4fr

x
7fr

6fr

F:

x
9fr

F# C

A#

x
13fr

F~

8fr

x
11fr

f #9~5

F#9sus4

CF#95, Fftdom9~5)
Fsharp ninth, flat fnth

<F#9sus)
F-sharp ninth, suspended rourth

'

Jo
F#

root

e
B
4th

lo
~

5th

#o

II
E

~7th

'

G~

9th

io
F~

root

io
A~

3rd

#O

II
c

~5th

~7th

G#

9th

E G# C

x x

Sfr

A#

G~

9fr

Sfr

F# BE G# C#

x
12fr

E G~ B

x
9fr

I
f #7~9

f#7#9

(f#7+9, f#dom7#9}
F-sharp dominant seventh, sharp ninth

ff#7-9, F#domn e>

f-sharp dominant seventh, llat ninth

:<O

'

fto
F~

root

no
A#

3rd

fto
C#
5th

II
E
b7th

'

~9th

#o
F#
root

fto
A~
3rd

fto
C#

5th

II
Gx

~7th

#9th

4t

4, 4
x x
5fr

A#

x x
8fr

5fr

9fr

x
Sfr

GC#EA#

11fr

A#

13fr

f#7~5(#9)

f#11

<Fti7-5{+9), F~domn5C~9))
fsharp dominant seventh, Oat fifth, sharp ninth

Fsharp eleventh

:<O

'

@
o Uo
F#
root

A#
3rd

II
c

~5th

~7th

'

Gx

~9th

#o
F~
root

#o
A#
3rd

ao
C#

5th

_Q_

~o

II
E

~7th

B
11th

G#
9th

4t

4.,

4t

F~

7fr

GxCEA#

BEA#EF#B

7fr

8fr

F~A;EF~B

x
13fr

9f r

II
f#7#11

f#13

(F#dom13)
F sharp thirteenth

<Fi 7+11, Fi dom7#11)

Fsharp dominant seventh, sharp eleventh

#.Q.

#O

'

fto
F~
root

~o

fto

A#

C#

3rd

5th

I
E

~7th

'

B#
#11th

lo no
F~
root

A#
3rd

go

~o

II
c~
5th

G~
9th

~7th

D~

13th

4fr

C~

F~

6fr

B# E Aj!

x
9fr

F# B# E A~ C#

8fr

F~ Aji

x x

x
10fr

E G~ D~

x
14f

f#13sus4

f#+

(f~13sus)

f-sharp thirteenth, suspended fourttt

'

=o

B
4th

5th

Fsharp augmented

i.!!.
jo

II

#O
F~

root

c:

(F~aug, f~(#5)

G~

7th

9th

'

13th

#o
F#
root

fto
A~

3rd

XO

II
ex

~5th

x x

4t
4~4)

4fr

D~FF

5fr

BEG:

x
7fr

D# F~

F!BEG~~

11fr

F~

D~

11fr

CX F# A~ F~

I
f#+7

f#+9

(f#7~5)

(F#B,5, f #9+5)
F-sharp ninth, sharp fifth

Fsharp dominant seventh, sharp fifth

'

#o
F#

root

so
A~

3rd

XO

II
ex

~5th

'

~7th

x x

fio
F#

root

Bo
A~

3rd

XO

;o
II

ex

~5th

GF

~7th

9th

x x

4~ ~ ~

4)
E

A~exG#

x x

x x

F~

ex E

4fr

5fr

7fr

7fr

A:

F~

ex e

F#

9fr

Bfr

14fr

11f

ex

~ex

f#+7b9

f#+7#9

(f#7+5(~9))

(f#7+5(#9))
Fsharp dominant seventh, sharp fifth, sharp ninth

F-sharp dominant seventh, sharp fifth, nat ninth

0

'

fto
FR
root

=o
A;

3rd

XO

II
ex

~5th

~7th

'

~9th

x x

lo
F~
root

ao

A;

3rd

xo

xo

II
ex

~5th

~7th

Gx
#9th

4~4
4~

x x
5fr

ex E A#

AP

ex

Gx

x x
Bfr

5fr

F~ A#EGCx

Gx

ex

E Aj!

x
8fr

11fr

ex

A#

F# A; EGxCx

12fr

ex

Gx

ex F; A; E

I
f# O <F#dlm)

f#

(F#dim7)
Fsharp diminished seventh

Fsharp diminished

'

fto
F~

root

~3rd

II

'

~5th

fto
F~

root

~o

~rd

II
c

~5th

El>

~7th

x x

F~

F# AEl>ACF#

x x
Sfr

4fr

F# C EJ, A

x x
Bfr

Bfr

C F# A C

F# CE!>AC

x
10fr

11fr

F# C Eb

13fr

13fr

F# A C

F#

EJ,

65

(65 no 3rd)
Gfifth (power chord)

(GmaJ)
Gmajor

e
G
root

e
B
3rd

e
e

II
0
5th

root

5th

4.

,.-..,

4.

4,4,

4.

x x x

4.

4,U
G D G B D G

G 0 G

x x

x x
5fr

4,

Sfr

4,
4.,
G 0 G 8

G 0

x x

x
7fr

4,

10fr

4, 4.,

G D G

x
10fr

G 0 G B

12Jr

G 0

I
Gsus4

Gsus2

(Gsus}
Gsuspended fourth

'

(65add2}
Gsuspended second

e
G
root

4th

'

D
5th

G
root

2nd

II
D
5th

0 0

G C D G C G

G A D A D G

Sfr

G D G C D G

G D G A

x x
Sfr

7fr

G A D G

G D G C

7fr

G C D G

10fr

x x
12fr

10fr

G D G C

D A D G

Gadd9

GB

Gadded ninth

Gsixth
-&

'

e
G
root

8
3rd

II
D
5th

'

A
9th

G
root

8
3rd

II
D
5th

E
6th

4~

4.

G 8 D G B E

5fr

A D G B

x
10fr

G B D A 8

G D G 8

x
14fr

12fr

I
Gmaj7

66/9

(GM7)
Gmajor seventh

(G6add9)
Gsixth, added ninth
-&

'

e
G
root

II
B
3rd

D
5th

'

E
6th

9th

e
G
root

e
B
3rd

#e
I

0
5th

F~

7th

.,4

4.
.,

G B O G B Fij

ff

D F# B

x x

7fr

E A D G B

7fr

G B D F#

10fr

9fr

GOFg BD

Gmaj9

Gmaj7#11

{GM9)

Gmajor ninth

6 major seventh, sharp eleventh

0

'

e
G

root

{GM7~11)

#e

-0-

3rd

II
D

5th

F;

'

7th

9th

e
G

root

e
B

3rd

Me

#-a-

II
D

5th

F#

7th

CF

#11th

4t

4~
4,

GADABF~

GBDGC# FR

x x

B F# A

x x
7fr

5fr

G A D F# B

9fr

F~

GB F# Bci

12fr

A D G B F#

10fr

I
Gmaj13

Gm

CGM13)

Gmajor thirteenth

CG-, Gmtn)

Gminor

-&
-&-

'

e
G
root

*e

II

B
3rd

D
5th

F~

7th

9th

'

E
13th

a
G
root

~a

e,
J.3rd

II
D
5th

GB~

GBEADF'

DGDG

F~

GDGB~

DG

x x
7fr

Sfr

GBEF~B

B~

x
10fr

F# B

'

.
I

'1

12fr

x x

GDGB~

. I

10fr

lo

'

EADGBF~

12fr

Gm(add9)

Gm6

CGB, GminB>
Gminor sixth

Gminor, added ninth

-0-

'

e
G
root

~e

B'>
l.3rd

II
0

5th

9th

'

e
G
root

~e

"3rd

II
0

5th

6th

GDGBb DA

G Bb D Bb D E

x x
5fr

B~

GDGB~

EG

x x
6fr

A D G

Sfr

B~

G D

E B!.

x
11fr

Sfr

B~

GBb EGD

12fr

B~

DADG

14fr

E Bb D

I
Gm~&

Gm6/9

(6-( ~ 8), Gmln~ B>

Gminor, Oat slXth

'

e
G
root

Gminor sixth, added ninth

~e

B~

~3rd

-&

~o

II
0
5th

'

E1.
!.6th

D G B~

B G

e
G
root

~e

B~

~3rd

II
0
5th

6th

9th

E B~ 0

x x
6fr

3fr

B~

B~

x x
8tr

G B~

E1.

6fr

B~

10fr

G B~

Sfr

E1.

x x

B~

x
13fr

S B~ 0

13fr

Bb EADG

Gm7~5

Gm7

(67, Gmln7)
Gminor seventh

'

~a

eJ,

root

!>3rd

<G-n5, Gmln75)
Gminor seventh, flat fifth

II
D
5th

'

F
'7th

e
G
root

~e

&
'3rd

~a

II
o>

"5th

F
I.7th

&

x x
Sfr

8' D

G D F

eJ, D

B>

B~

G [)I,

I
6m(maj7)

6m9

(69, Gmln9)
Gminor ninth

(Gm(+7))

Gminor, major seventh

'

e
G
root

~e
B~

~3rd

Ma

II
D
5th

'

F#

7th

e
G
root

~e

Bl.

I.3rd

II
D
5th

~7th

9th

F Sb D A

x x

3tr

F# B~

G B~

x
5fr

GDF#

Sfr

B~

x x

B> F

7fr

Sfr

G B~ D F#

B~

10fr

13fr

A D F

Gm9~5

Gm9Cmaj7)

CGm95, Gmin9~5)
Gminor ninth, flat fifth

e
G
root

~e

et.

I.3rd

~e

{Gm9+7, 69+7)
Gminor ninth, major seventh

-&

II
[)\,

b5th

~7th

9th

e
G
root

~e

Bl>

~3rd

ie

-&

II
D

5th

F~

7th

9th

F;

Bb FADl.F

x x

B~

D~

x x

BJ. D

6fr

B~

5fr

AD~ F

x
Bfr

Bb

FAD~

8fr

GB~ F#

10fr

AD~

FB~

10fr

I
Gm11

Gm13

(611, Gmin11}
Gminor eleventh

(613, Gmln13)
Gminor thirteenth
-&

~0

'

B~

~3rd

~e

II

root

D
5th

-&

-&

A
9th

b7th

'

11th

-&

II

G
root

~rd

D
5th

E
13th

A
9th

~7th

F B~ C

G D F B> EG

6fr

GCFB~

DA

GB~

D F

FAC

S:, E

x
13fr

10fr

GCFBl.D

E Bl> O G

G7sus4

67

CGdom7)
6 dominant seventh

CG7susl
Gdominant seventh, suspended fourth

'

e
G

root

e
0

II
B
3rd

D
5th

'

~7th

e
G

root

II
c

4th

D
5th

~7th

4~

4,

4~

G C D G C F

x x

x x
5fr

5fr

10fr

10fr

12fr

12fr

D G C F

I
G7b5

69

(67-5, Gdom7!>5)
6 dominant seventh, flat fifth

'

e
G
root

~e

Gninth

II
B
3rd

D~

~5th

'

~7th

e
G

root

-0-

II
B

3rd

0
5th

~71h

9th

4~

4,

4,

4,

4,

4.,
Dl>

FGBF

O~

x x

x x
5fr

O], F

x x
7fr

D~

9fr

G D~

F A B

69~5

G9sus4

(685, Gdom9~5)
6 ninth, flat fifth

(69sus)
Gninth, suspended fourth

'

-a-

e
G
root

II
c

4th

5th

b7th

9th

'

~e

-aII

Db

root

3rd

b5th

b7th

9th

Db F A B F

D~

BF

6fr

5fr

Db F

10fr

9fr

10fr

13fr

Db

Db F

I
67~ 9

67#9

(67-9, Gdom~9)
Gdominant seventh, flat ninth

CG7+9, Gdom7#9)
Gdominant seventh, sharp ninth
0

~~

G
root

B
3rd

D
5th

Al>

~7th

b9th

#~

0
0

G
root

B
3rd

II
0
5th

~7th

A~
#9th

G B D Ai> D F

GBDA#BF

x x
4fr

4fr

Ai>

x x

A#

6fr

Ai> D F

x
12fr

Ab

14fr

Ill
67~5(# 9)

611

(675(+9), Gdomn 5C#9))

Gdominant seventh, flat fHth, sharp ninth

'

~0

6 eleventh

#&

II

G
root

B
3rd

DI>

~5th

'

A;

~7th

#9th

0
G
root

-9-

-9-

II
B
3rd

D
5th

~7th

9th

11th

A# D~ F

4fr

D~

BF~

G C F B D A

6fr

A#

D~

5fr

G C F B

Sfr

Bfr

14fr

A~ D>

10fr

I
613

67#11

(67+11, Gdom7~11)
6 dominant seventh, sharp eleventh

CGdom13)
Gthirteenth

-&

#-&

'

e
G
root

e
B
3rd

I
D
5th

F
~7th

'

c:

~11th

a
G
root

e
B
3rd

-&

II
D
5th

~7th

E
13th

9th

0 0

4~

4.,

4)

G A F A B E

GBDGCjtF

5fr

OGC# FB

x x

x
11fr

cil G B F

9fr

A E

G+

G13sus4

(613sus)
Gthirteenth, suspended fourth

'

(Gaug, 60 5))
Gaugmented

-0-

-0-

e
G
root

II
c

4th

D
5th

9th

'

E
13th

~7th

~o

D#

root

3rd

#Sth

G B Oji G B G

G D F C E G

D~

6fr

D# G

x
8fr

E G C

8fr

G B

D# G

10fr

12fr

0#

G+7b9

6+7#9

(67+5(~8))

(67+5(#8))
6 dominant seventh, sharp fifth, sharp ninth

Gdominant seventh, sharp fifth, nat ninth

'

*e

~ -&

root

3rd

~5th

II

~7th

'

A!.

~9th

*e

#-&

II

root

B
3rd

~5th

~7th

A~

~9th

0
~,

4t4~

A# ~ GB

GBl)#A!.D#F

x x

x x
3fr

B 0# A!.

D# A#

x x
6fr

A!. O~

6fr

x
9fr

GBF

A!. O~

9fr

GBFA# D~

x x

x
12fr

D# A), B

D# A# B

I
Go

67

(Gdim)
Gdiminished

(Gdim7)
Gdiminished seventh

G
root

B~

~3rd

'

(j,
bSth

G
root

~o
Bl,

~3rd

~o

~o

II
[)I,
~5th

Fl.

bl.7th

4~

4~
4)

Di>

x x

6fr

x x

x x
9fr

Sfr

G Db Fl. B~

A~

A~5

no 3rd)
A-Oat fifth (power chord)

(A~ma.i)

A-Oat major

'

~o

~o

~o

II

A~

root

3rd

(A~

'

EJ,
5th

~CBA~

~o

A~

root

II
a.

5th

x x x
4fr

4t

4fr

4, 4

x x

x x

6fr

6fr

4,
4

x x

8fr

11fr

11fr

13fr

I
A~sus4

A~sus2

CA~sus)

A-flat suspended fourtb

'

~o

~9

CA~5add2)

A-flat suspended second

~o

II

A~

DI.

8.

root

4th

5th

'

~o

~a

~o

II

A~

B~

eJ,

root

2nd

5th

4fr

6fr

x x
Sfr

x
11fr

Sfr

x
11fr

x
11fr

I
A~add9

A~6

A-Oat added ninth

A-flat sixth
~o

~o

~o

'

~o
A~

root

II
c

3rd

E},

5th

'

B~

9th

E},

Bl>

~o
A.,

root

II
c

3rd

E~

5th

6th

x x

E},

8fr

B~S~

6fr

~El.FC

Sfr

9fr

E}, B~

F ~

x
13tr

A!.El.~C

I
A~6/9

A~maj7

CA~8add9}

{A~M7}

A-flat major seventh

A-flat siXth, added ninth

~_Q_

'

~o

A~

root

~o

II
c

3rd

E!.
5th

F
6th

'

B~

9th

~o
Ab

root

~o

II
c

3rd

E!>

5th

G
7th

x x

G C et.

x x
5fr

Al.

S.

G C

x
8fr

8fr

FB~ E~

A!.C

Al. C El. G

10fr

Al. C F Bb B

11fr

~EJ.GCEb

A~maj9

A~maj7#11

{AhM9)

{AhM7#11)
A-flat major seventh, sharp eleventh

A-Oat major ninth

'

~o
A~

root

~o

..Q.

bo

II
c

3rd

s.

5th

7th

'

B~

9th

~o
A~

root

~o

II
c

3rd

5th

7th

D
~11th

A~

x x

AliCGB~

G C D

x x
Sfr

D G C

x
10fr

G B~

10fr

C G C D

13fr

11fr

~DGCS

I
A~maj13

A~m

(A~M13)

A-flat major thirteenth

~o
Ab
root

~o

~..Q_

II
c

3rd

&
5th

B~

7th

9th

AH

A-11at minor

..Q_

(A~min,

F
13th

~o
A~

root

~o

~o

II
Cl,,
~rd

Eb

5th

x x

Ab C F

& S G

x
4fr

4tr

x x
8fr

6fr

A> C F G C

A~m(add9)

A~m6

A-flat minor, added ninth

A-Oat minor sixth

CA~minB, A~-6)

~_Q_

'

~o

A~

root

~Q

a.

l>3rd

~o

II
E.

s,

5th

9th

'

~o
A~

root

~o

a.

l>3rd

~o

II
E.
5th

F
6th

x x

4. 4~

4)

4fr

x x
6fr

x x
7fr

x
12tr

4fr

I
A~m~6

A~m6/9

CAH~G), A~minbB}

Aflat minor, flat sixth

'

~o
A~

root

~o

A-flat minor sixth, added ninth

~o

~o

~a

II
c!.

~3rd

El.
5th

'

fl,
I.6th

x x

~o
A~

root

~o

~o

II
d.

~3rd

E;.

5th

F
6th

9th

x x
4tr

4fr

5fr

6fr

x x
9fr

7fr

x
11fr

x
9fr

A~m7

Abm7~5

(A~7, A~ min7}

Aflat minor seventh

'

~o
A~

root

~o

Aflat minor seventh, flat fifth

~o

bo

II
c~

"3rd

CA~-7~5, A~min7-5}

EJ,
5th

'

GJ,
~7th

~o
A~

root

~o

~~o

~o

II
c;,
~3rd

Sb

~5th

GJ,
~7th

x x
4fr

x
11fr

El,1,

G~

Q.

x
13fr

I
A~m9

A~m(maj7)

(Ab-9, A~min9)
A-flat minor ninth

<AH +7))
A-flat minor, major seventh

'

~o
Ab
root

~o

~o

II
ct.

I.3rd

5th

'

G
7th

x x

~o
AJ.

root

~o

~o

~o

~o

II
ct.

I.3rd

EJ,
5th

B!.

GJ,
b7th

9th

4t4~

4.,
Eb AJ. d. G

4fr

x x

x x
6fr

x x
1Hr

A~m9~5

A~m9Cmaj7)

(A~mB-5, A~mln9~5)

A-flat minor ninth, flat litth

'

~o
A~

root

~o

A-flat minor ninth, major seventh

~~ o

~o

II
cJ,
~3rd

(A~ms+ 7, A~B+ 7)

El.I,

~5th

'

&

~7th

9th

~o
A~

root

~o

~o

~o

II
a.

~3rd

s,
5th

G
7th

B~

9th

x x

4~

4~

4 ~

x x
3fr

4fr

x x
7fr

6fr

d. S.

G B~

9fr

x
11fr

11fr

I
A~ ml 1 <A~-11, A~m1n11>

A~ml 3

A-flat minor eleventh

A-flat minor thirteenth

<AH a, A~m1n1a>

~o

&
o
Ab

root

d.

~3rd

II
a

5th

GI.

b7th

9th

II

o1.

11th

d.

root

bard

5th

~7th

9th

13th

4fr

4fr

6fr

7fr

9fr

11fr

11 fr

G~

C(,

Ab7

Ab7sus4

CA~dom7)

A-flat dominant seventh

'

~o
A~

root

(A~7sus)

A-flat dominant seventh, suspended fourth

~o

~o

II
c

El.

3rd

5th

'

G~
~71h

x x

~o
A~

root

~0

~o

~o

II
o>

4th

EJ,
5th

~
~7th

4fr

4fr

x x

x x
6fr

~EJ,G~

6fr

9fr

9fr

11fr

11fr

C G~ ~

I
A~7~5

A~9

(A~7-5, A~dom7b5)

A-flat ninth

A-nat dominant seventh, Oat fifth

~~ o

'

~o
A~
root

~o

~o

II
c

3rd

EJ,j,
~5th

'

G~
~7th

~o
A~
root

~o

II
c

3rd

el.
5th

G~

~7th

B~
9th

G~ Bl>

x
4fr

x x

x x
6fr

5fr

Sfr

Sfr

x x

G!.

x
11fr

10fr

A~9sus4

A~9~5

(A~9SUS)

A-Hat ninth, suspended fourth

~o

'

A~
root

~e

~o

A-flat ninth, flat Orth

bo

bo
~~o

II
[),

4th

El.
5th

(A~9-5, A~dom9b5)

'

B~

Gl.

I.7th

9th

Al.
root

b~

II
c

3rd

SI,
I.5th

B~

9th

I.7th

~o

bo

4fr

5fr

6fr

7fr

x
9fr

I
A~7~9

A~7#9

<A~7-9, A~domne>

A-flat dominant seventh, flat ninth

~o

'

~o

Ab
root

A-flat dominant seventh, sharp ninth

~o

~~..Q.

II
c

EJ,
5th

Ql.

~7th

~o

~o

3rd

(A~7+9, A~dom7#9)

'

ffil,
b9th

~o

Ab
root

_Q_

II
c

EJ,
5th

3rd

Gb

B
#9th

b7th

BE\.Ab CGb

Ab

Gb Bl>i> C

x x
5fr

A!.CGb B

7fr

--

-------

\
\

x x

7fr

- \

..

B\,I, EJ, Gb

E\. Gf,

A~7~5(#9)

A~11

(Ab75(+9), Abdom7b5(~9))
A-flat dominant seventh, Oat fifth, sharp ninth
~~ o

'

~o
Ab
root

bo

A-flat eleventh

...Q..

II
c

3rd

SA.

~5th

G~
~7th

'

B
9th

~o
A~

root

~o

bo

bo

~o

II
c

3rd

EJ,
5th

G~
~7th

B~

9th

[)(,
11th

4~

4~

4~

4fr

4fr

7fr

BE!A.Gb C

10fr

9fr

11fr

11fr

BE!A.G~

I
A~7#11

A~13

<A~7+11, A~dom7#11)

A-flat dominant seventh, sharp eleventh

(~dom1 3)

A-flat thirteenth

_Q

'

~o
Ab

root

~o

~o

II
c

3rd

s..

5th

Gb

b7th

'

D
#11th

x x

~o
Ab

root

~o

~o

~o

II
c

3rd

eJ,
5th

G~

Bb

b7th

9th

13th

,,......,

~a4

4~

D Ab C G

4fr

Gb C D

x x
8fr

6fr

Al.DGC

FCGb A\.C

x
9fr

9fr

x
11fr

Al.DGb C6'

10fr

A!. C G Bb F

A~13sus4

A~+

CA~13sus>

A-Oat thirteenth, suspended fourth

'

~o
A~

root

~0

~o

bo

Db

El>

5th

AH#5))

A-flat augmented

..Q._

b..Q..
0

II
4th

(A~aug,

~7th

'

F
13th

9th

~o

A~

root

II
c

3rd

E
~th

ECEA~

CE

A!. C

x x
8fr

6fr

A!. C

x
9fr

9fr

A!. C E A!.

11fr

13fr

EA~

CA!.

I
A~+7

A~ +9

CA~7# 5)

A-flat dominant seventh, sharp tilth

0

'

~o

Ab
root

A-flat ninth, sharp fifth

~o

II
c

3rd

~5th

(A~9#5, A ~9+5)

'

Gb
b7th

ECE

A!.

Ab
root

II
c

3rd

~ 5th

Gb
b7th

Bb
9th

EBb

CGb

~o

~o

EA~

CGl.

x x
4fr

G~

Gb C E Bb

x x

x x
Gfr

7fr

EEGb C

x
9fr

9fr

Gl. C E AJ,

Gb C

Bb

x
11fr

Ab

G~

10fr

AJ, C G}, B~

A~+7~9

Ab+7#9

(A~7+5(~ 9))

A-flat dominant seventh, sharp fifth, flat ninth

0

'

~o

Ab
root

~o

A-flat dominant seventh, sharp fifth, sharp ninth

~~ o
0

II
c

3rd

~5th

(A~7+5(#9))

'

ebb

~7th

b9th

~o
A~

root

~o

II
c

3rd

E
#Sth

G~
~7th

B
f9th

EB~

EA!.CG~

EBEA!.cm

x x
4fr

G~

A!.CEB'.,i, EGJ.

7fr

7fr

B[.l. EGb C

E G~ B

x x

x
9fr

x
10fr

A!.CG~ B>l.

E GI. C

I
A~o

A~ 7

(A~dim)

A-flat diminished

'

~o

A~

root

(A~dlm7)

A-flat diminished seventh

PO

Cl,

I.3rd

~~o

'

E;,I,

~5th

~o
A~
root

~o

~~ o

~~ o

II
Cl.

&.

G!,i,

l.ard

!.5th

!.>7th

x x

-~

x x

x x

.,
x

x x
7fr

6fr

x x

10fr

10fr

x x

x
12fr

10fr

A {Aman

A5

CA no 3rd)
Afifth (power chord)

Amajor

'

io

II

ci;

root

3rd

5th

'
x

II

root

5th

x x

r-.

4tt

4 4~-,

A E A

AEAC#E

5fr

AEAC#EA

7fr

4t

.,.,,

C#

A E A

x x
9fr

C# E

4,

7fr

x
12fr

x x

4.

12fr

, 4t

C#

.,

A E A

5fr

4,

x x x

x x

A E A

I
Asus4

Asus2

(Asus)
Asuspended fourth

'

(A5add2)
A suspended second
0

root

II
D
4th

'

E
5th

x 0

root

e
B
2nd

II
E
5th

A B

4t 4.

4t4~

4t
A E A D E

x x
5fr

A E A D E A

B E A

x x
7fr

7fr

A E A D

Aadd9

A&

Aadded ninth

Asixth
0

'

root

~o

II
C4

3rd

5th

'

9th

root

fto
C#

3rd

*9
II

5th

F#

6th

4~

~-

4-
AEBC# E

AEAC# Fd

x x

x
Sfr

A C# E

4fr

F# C# E

9fr

E A C#

x
10fr

9fr

c;

E B

C# F# A

x
12fr

14fr

A C~

AEAC~

F#

I
A&/9

Amaj7

(A6add9)

Amajor seventh

Asixth, added ninth

'

root

=o
c;;

3rd

(AM7)

#e

..Q..

II
E

F~

5th

6th

'

B
9th

root

ijo

#O

II
C#

3rd

E
5th

G#

7th

4t
4~

4~

4,

4, 4.,
AF#BC~

AEG# C~

x x
4fr

AC#EG#

x
5fr

6fr

G~ C~

x x
9fr

F#BEAC#

x
11fr

C~

F~ B

9fr

Amaj9

AmaJ7#11

(AM9)

(AM7#11)
AmaJor seventh, sharp eleventh

AmaJor ninth

'

root

=o
~

3rd

~o

..0..

II
E

5th

G:

'

7th

9th

root

:Q

#_.Q_

#o
II

3rd

5th

G;

7th

0:

:11th

4t4

4)

AEBC~ G~

x x
6fr

ABEG~

C~

x x
11fr

AO:G:C:

14fr

BEAC;!G;

11fr

I
Amaj13

Am

(AM13)

Amajor thirteenth

'

A
root

Aminor

#O
0

#O

10

II
~

3rd

E
5th

(Amin, A)

G#

B
9th

7th

'

F#

13th

root

II
c

~3rd

E
5th

4t
4~4~

Sfr

x x
5fr

7fr

G~ C# F~

9fr

9fr

12fr

14fr

Am(add9)

Am6

(Amin&, A-6)
Aminor sixth

Aminor, added ninth

0
0

'

A
root

II
c

~3rd

5th

'

9th

A
root

#e

II
c

ii-3rd

5th

F~

6th

4t
4~
4
A

A E A C FF

5fr

A E A C E B

F# C

x x
7fr

E A B

Sfr

AEACF~

x x
Sfr

E F# C

x
9fr

ACF# AE

I
Am~G

AmG/9

(AC~ B), Amin~B)

Aminor, flat sixth

Aminor sixth, added ninth

_Q_

'

II

root

!.3rd

5th

I.6th

'

A
root

#e

II
c

~3rd

E
5th

Ff

6th

9th

F~

x x
Sfr

A C F# B

x
7fr

6fr

A E F

F~

x x
10fr

8fr

F# A

12fr

10fr

Fp

Am7~5

Am7

(A7, Amin7)
Aminor seventh

lA-71,5, Aminn 5>

Aminor seventh, flat fifth
0
0

'

A
root

II
c

~3rd

E
5th

'

~7th

~o

A
root

II
c
l>3rd

E~
~5th

G
~7th

AE!.ACG

5fr

G C eJ,

x x

x x
7fr

7fr

A E~ G

12fr

12fr

EJ, G

I
Am(maj7)

Am9

(A(+7))
Aminor, major seventh

'

A
root

(A-9, Amin9)
Aminor ninth
_Q_

#o

II
c

~3rd

E
5th

'

GF
7th

.,

A
root

II
c

b3rd

E
5th

B
9th

~7th

4t4t
4t
4

..,
AEG#CE

5fr

AEG~CE

x x

x x
7fr

E G# C

x
10fr

9fr

E G~

x x
12fr

E G#C

10fr

C G B E

Am9~5

Am9Cmaj7)

(Am9-5, Amin9b5)
Aminor ninth, flat fitth

(Am9+7, A-9+7)
Aminor ninth, major seventh
0

'

A
root

~o

0
0

II
c

~3rd

E~
~5th

b7th

9th

x 0

'

jo

..Q.

A
root

II
c

\,3rd

5th

G~

B
9th

7th

G# B

4~

4,
A

Eb

4~

x x
4fr

G C

E G~ C

x x

8fr

7fr

B Eb G

E G~

x
10fr

10fr

G B

Eb

C G~ B

x
12fr

12fr

BSGC

CEG# BE

I
Am11

Am13

CA11, Aminl 1)
Aminor eleventh

CA-13, Aminl 3)
Aminor thirteenth

_Q_

0
0

root

II
c

~3rd

E
5th

B
9th

~7th

D
11th

0
0

A
root

0
0

II
c

I.3rd

E
5th

B
9th

~7th

F#

13th

4~

4>

4~

A E G C F#

x
5fr

G C D

AEGCF#A

5fr

8fr

F#

Fe

A7

A7sus4

CAdom7)
Adominant seventh

CA7sus>
Adominant seventh, suspended fourth
0

'

A
root

fto
C#

3rd

II
E
5th

'

b7th

A
root

II
0

4th

5th

b7th

4.
4t

AEAC14G

5fr

AEGC~E

Sfr

x x

x x
7fr

C~

x x
9fr

C~

12fr

12fr

A E G C# E

I
A7b5

A9

CA75, Adomn5>
Adominant seventh, flat fitth

'

A
ro ot

Jo

c:

3rd

~o

Aninth
0

II
&
!>5th

'

G
~7th

A
root

~o

~
3rd

II
E
5th

B
9th

G
17th

AEBC:G

x
4fr

Cf

&

G B Cf

x x
7fr

E> G Cf

Sir

AEGCFEB

x x

x x
9fr

G A C:

A C: G

x
12fr

A E> G C:

AC~

GBE

A9~5

A9sus4

(A9sus)
Aninth, suspended fourth

(A9-5, Adom&5)
Aninth, nat fifth
_Q_

'

root

II
D
4th

E
5th

'

B
9th

G
7th

root

fio
C#
3rd

~o

II
e.

~5th

B
9th

~7th

A E B D G

AC~

GBebA

5fr

Cl G

7fr

D G

8fr

c~

B el. G

12fr

11fr

AC#GBB

II
A7~9

A7#9

(A7+9, Adom7#9)
Adominant seventh, sharp ninth

CA79, Adomn e>

Adominant seventh, Oat ninth
0

~o

'

10

Cj!

root

3rd

II
E
5th

G
b7th

'

Bi>

~9th

A
root

ci

3rd

II
E
5th

G
b7th

B#
#9th

x 0

fto

#o

B~

EAC~

C#

GB~

GBl>C~

EA

x x
6fr

6fr

A Ci GB~

ACI GB~

x x
8fr

Cp

B~

B#

G C~

A7~5(#9)

All

CA7-5( +9), Adomn 509))

Adominant seventh, flat fifth, sharp ninth

'

A
root

'Q
a

3rd

~o

Aeleventh
_Q_

~..Q_

II
Eb
"5th

G
~7th

'

BF

#9th

io

..Q.

II

C#

root

3rd

5th

~7th

9th

11th

x 0 0 0

ADGC~E

Sfr

Sfr

ADGC~EB

8fr

7fr

D G

C#

11fr

10fr

x
12fr

12fr

ADGC:E

I
A13

A7#11

(A7+11 , Adom7#11)
Adominant seventh, sharp eleventh

CAdom13)
Athlrteenth

#o

#..Q.
..Q_

'

root

10

~
3rd

II
E
5th

'

D#

~7th

#11th

AD~

A
root

~o

~
3rd

II
E
5th

B
9th

~7th

4.
GC#

FR

13th

44~

AEGC#

F~

x
4fr

5fr

7fr

9fr

G C# ~

x x

Fg

x x

C#GAC~

9fr

10f r

C~

GCiF; A

x
12tr

11tr

AC#GBF~

A+

A13sus4

CA13sus>
Athirteenth, suspended fourth

(Aaug, Al#5))
Aaugmented

~..Q.
..Q.
0

'

A
root

II
D
4th

5th

'

F#

B
9th

~7th

13th

x 0

A
root

fto
C#

3rd

no

II
EP

i Sth

4,

4~

A E G D F#

FR A

x x
7fr

9fr

F# ADGB

ADGBF~

x
10fr

10fr

12fr

10fr

c; E#

AE~

I
A+7

A+9

(A7#5)
Adominant seventh, sharp fittb

'

root

io
C#

3rd

lo

(A9#5, A9+5)
Aninth, sharp fittb
0

II
E#

#5th

'

~7th

root

fo
C#

3rd

~o

II
E~

~5th

B
9th

~7th

4,

4, 4'
BE~

AC#G

x x
Sfr

5fr

GC#ER B

Sfr

x
12fr

A E#GC!i

A+7~9

A+7#9

(A7+5(~9)}

(A7+5(#9))
Adominant seventh, sharp fifth, sharp ninth

Adominant seventh, sharp fifth, flat ninth

'

A
root

~o

C#
3rd

io

bo

I
E~

~5th

b7th

'

Bb

~9th

A
root

fo
C#
3rd

Jo

#_Q_

II
E~

gsth

b7th

B#
#9th

AE# Bl>C# G

x x

AC#

E~

Bb

E~

3fr

Str

8fr

8fr

Bb E# GC#

x x

x
10fr

C#

8fr

E# Sb

x
11fr

AC#GB~

E#

I
Ao

A0 7

(Adim)
Adiminished

'

A
root

(Adim7)
Adiminished seventh

~3rd

~o

~o

~o

'

s.

bSth

x 0

4. 4, 4
El>

II

root

~3rd

s.

I.5th

G~
~7th

AE!.ACG!>

x x

El> A

mC

S. A C

8fr

E!.

x x

x x
11fr

SACS.

AS. G!. C

11fr

13f r

E~

A S. mes.

B~

8~5

no 3rd)
e-nat fifth (power chord)

<Bbman
BUat major
~e

'

~e

II
B>

root

D
3rd

CB~

'

F
5th

x x

B~

root

F
5th

4.

x x
4t

4, .,

4, 4)

B~

D Bb D F

F Bb

3fr

81 F

8>

x x x
4t

6fr

~) 4)

B~

B~

B~

8~

x x

8~

x x

x
4)

8fr

8fr

4)
4)
E F

B~

x
10fr

B~

F B,

13fr

B~

B~

II
Bbsus4

Bbsus2

(B~sus)

(Bp5add2)
B-flat suspended second

B-flat suspended fourth

~e

'

~Q

e
~e

II

9,

e.,

root

4th

5th

'

II

89

root

2nd

5th

8> F

8~

x x
Jfr

8 , EP

8~

5fr

C F

8 1>

8,

6fr

8)

8> EJ, F

8~

8~

8~

x x
10fr

8fr

8~

8~

El>

8~

8>

10fr

0. e.,

F 0.

13fr

8~

B~add9

Bb&

8-flat added ninth

8-llat sixth
-&

~e

'

BJ.

root

e
~e

II
0
3rd

F
5th

'

9th

II

Be>

root

3rd

F
5th

G
6th

4t
4-~

B9FCDF

S,OGDF

3fr

Be> D

x x

6fr

Sfr

G D F

10fr

Str

e, D

B> F

x
10fr

Bl. D F C

13fr

Bl.

B~

I
8~8/9

B~maj7

(B~ Badd9}

Bllat sixth, added ninth

(8~ M7)

Bflat major seventh

-&

~e

'

B~

root

~e

II
0

3rd

5th

6th

"

'

9th

-&

II
0

3rd

5th

7th

4t

B~

B~

root

4,4~

mF

DGCF

Bii 0

eii

B~

B~maj9

B~maj7#11

CB~ M9)

B-flat maJor ninth

~a

'

root

(8~ M7# 11)

B-flat major seventh, sharp eleventh

-&

-e-

~a

II
D
3rd

5th

7th

'

9th

-e-

II
D
3rd

5th

7th

E
#11th

B~

root

-e-

DACF

Bb F A D E

C F B1 DA

D F Bb EA

x x

Sfr

B~

B~

x x
Sfr

10fr

B~

B~

CFAD

12fr

Bb D

12fr

el.DADE

I
B~maj13

Bbm

(8~ M13)

8-flat maJor thirteenth

~e

'

B!.
root

8-llat minor

-&

-&

-&

~e

II
D
3rd

F
5th

(8~mln, 8~-)

7th

'

G
13th

9th

B!.

root

~e

I
D~

b3rd

F
5th

B!.FADG

S.,

B~ D~

Sfr

B~

DGCFA

x
6fr

6fr

B~

D~

D~

x x
10fr

Bfr

81,0GAD

x
13fr

x
10fr

B~m(add9)

B~m6

B-flat minor, added ninth

B-Hat minor sixth

<B~ mlnB, B~-6)

-e~a

'

Bb
root

~e

e
~a

II
m

I.3rd

F
5th

'

c
9th

~a

II
Bi>
root

D~
I.3rd

F
5th

G
6th

Di> F

B~

Bi>

FGD~

6fr

B~

F Bi> Db F

5fr

Bi>

G Di> F

x x
8fr

Di>

6fr

Bb C

x x
Str

G D~

x
10fr

13!. Di> F C

11fr

&Di> G Bb F

I
B~m~6

B~m6/9

(8H~8), 8hmin~8)

8-flat minor, flat sixth

~e

'

Bl>

root

~a

8-flat minor sixth, added ninth

-&

~o
~a

II
D~

~3rd

5th

'

G!.

~6th

B~

root

~a

II
D~
I.3rd

F
5th

6th

9th

D!. F

x x
6fr

B~

FB!. D~ G!.

B~

E D~ G

x
8fr

7fr

D~

B~

G~

D~

C F G

B~m7

B~m7~5

(B~ -7, B~ min7)

8-flat minor seventh

~0

'

Bl.

root

~0

8-0at minor seventh, flat fifth

0

~
~e

II
D~
I.3rd

<B~-n5, B~ minn5>

F
5th

'

AJ,
b7th

~e

~0

l>-eII

B~
root

D~

"3rd

bSth

AJ,
~7th

AJ, Db F

Gfr

Sfr

B~

x x

Bb F AJ, Db AJ, Bb

I
B~m<maj7)

B~m9

C8H +7))
8-flat minor, major seventh

~0

'

B~

root

~0

8-flat minor ninth

-&
~0

I
D~
~3rd

F
5th

(8~ 9, 8bmln9)

'

7th

el.

root

~0

~-&

-&

II
D~

~3rd

F
5th

A:>

~7th

9th

B~

B~

FAD~

D~

B~

D~

B~

x x

Ali C F

F Ali D> F

x x
8fr

6fr

el.FAD>

x x

x
13fr

B~

D~

11fr

B~m9(maj7)

B~m9~5

(Bbm9-5, Bbmin9~5)
8-flat minor ninth, flat nfth

~e

'

~e

~e

~ -&-

(Bbm9+7, 8~ 9+7)
Bflat minor ninth, major seventh

-e~e

II

B~

D~

root

I.3rd

Fl.

~5th

'

A!.

~7th

9th

root

~e

-e-

-e-

II
Of,
~3rd

F
5th

A
7th

9th

D~

x x
Sfr

A!.

D~

B~

Fl. C

FADbFC

x x

8tr

9fr

D~

F~

D~

Ab

x
11fr

D~

11fr

B~ O~

Ab C F~

AC

x x
11fr

13fr

D~

I
B~m11

B~m13

(8~ 11, 8~ min11 )

8-flat minor eleventh

~e

'

Bl.

root

~e

b-e-

--&

(8H 3, 8~ min13)
8-flat minor thirteenth

b-e-

~e

II
D~

"3rd

5th

A1

~7th

9th

'

E~

11th

Bl.

root

~e

-&

b--e-

--&

II
D~
~3rd

A1

5th

b7th

G
13th

9th

x
4fr

6fr

6fr

9fr

Ali

D~

11fr

Sfr

A1 D~ G C

x
11fr

11fr

Bl.

D~

Ali C G

8~7

B~7sus4

(B~dom7)

e-nat dominant seventh

~e

'

Bb
root

B-flat dominant seventh, suspended rourth

[,.e~e

I
D
3rd

(8~7sus)

F
5th

'

AJ,
b7th

mFA~

~o

II
B~

root

4th

F
5th

AJ,
~7th

DF

x x

x x

B~

A~

6fr

6fr

81,FA!.DFB~

Bb FAJ,SFBb

x x

x x

Bb FA!.D

x x
11fr

10fr

Bb D

eJ, AJ, B.

I
8~7~5

8~9

(8~ 7-5, 8~dom7~ 5)

8-flat dominant seventh, flat fdth

~o

8-Dat ninth
~-&

II
B~

root

3rd

F'o
bsth

AJ,

~7th

~o

Bb

root

4 4,

-&

II
D
3rd

F
5th

AJ,
~7th

9th

4.,

B~

DAi>DFb

&DAI.CF

x
3fr

Al. C D

B~

x
Sfr

mFAi>DFC

x x

x x
Bfr

7fr

&oA!.c

x x

12fr

10fr

AJ, B~

B~

DAl>CF

B~9sus4

8~9~5

CB~ Ssus)

B-flat ninth, suspended four th

~e

'

~o

Bb

EJ,
4th

~-&

.a~e

F
5th

BJ,dom9'5)

B-Hat ninth, nat fifth

II
root

(8~9~5,

AJ,
b7th

'

9th

Bb
root

~e

~-&

-e-

II
D
3rd

Fb

b5th

AJ,
b7th

9th

4t

4J 4 ~

Bb DA!.CFb

x
4fr

A],

Bb

5fr

B~

EJ,

D AJ, C FJ> Bb

Gfr

BbFA!.El.FC

x
Sfr

9fr

x x

x
11fr

e.

AJ,

EJ,

12fr

DAI.CF~

I
8~7~9

8~7#9

(8~7-9, 8~ dom7~9)

8-flat dominant seventh, flat ninth

~e

'

81
root

Bflat dominant seventh, sharp ninth

l>e-

b-e~e

II
D
3rd

F
5th

(8~7+9, 8~dom7#9)

A!.

ti

'

~9th

~7th

4~

Bb

4~

A~

Cl.

II
D
3rd

F
5th

Al.

~7th

C#

#9th

4,

B~

root

l>& #-e-

x
3fr

5fr

OAl.C~FB~

Al. Cl. 0

x x
6fr

B~

7fr

FA!.DFC~

x x

x
9fr

Cl. F Al.

C#

F Al. D

x
12fr

8~7~5(#9)

8~11

(B~ 75(+9), B~dom~5(#9))

Bflat dominant seventh, Hat filth, sharp ninth

ij-e-

~a

'

BO
root

~a

Bllat eleventh

~e

II
0
3rd

11.

l>Sth

'

c~

AJ,
~7th

B9th

4. 4, 4,

B!.
root

b-e-

-e-

~-e-

II
0
3rd

F
5th

AJ,
~7th

9th

EJ,
11th

B!.El>Al.OF

6fr

B~

El>A!.D

Sfr

x x

x
12fr

F~

AJ,

12fr

AJ, C# F\.

9fr

A!. E],

11fr

I
8~7#11

e-nat dominant seventh, sharp eleventh

~e

'

8~13

(8~7+11 , B~ dom7# 11}

CB~dom13}
-&

Bflat thirteenth

-&

~-&

~e

II

sJ,

Al>

root

3rd

5th

b7th

'

~11th

~-&

-&

II

sJ,

Al>

root

3rd

5th

b7th

9th

13th

Bi.EAl>DF

Bb F .Al> DG

x
6fr

Sfr

AJ, D E

B~

F Al> D G

BJ.

x x
10fr

Sfr

G D Al> Bb D

E Al> D

x
11fr

Sfr

B~

Al> D G B~

Al>

x
12fr

13fr

Bi.EA~

B~

DAl>CG

B~13sus4

B~+

(8~ 13sus)
-&

B-nat thirteenth, suspended fourth

~e

'

B>
root

~o

8-Rat augmented

-&

~e

II
e

4th

F
5th

~
~7th

(8~ aug, 8~(#5))

c
9th

'

G
13th

a,
root

~e

I
D
3rd

F~

~5th

Bt

81 D

B~

F~

B~

F~

x x
6fr

7fr

B~

13fr

F~

11fr

I
8~+7

8~+9

(8~7#5)

8-flat ninth, sharp fifth

8-llat dominant seventh, sharp fifth

~e

'

B!.

root

#e

~
~e

II
D
3rd

F~
~5th

(8~9#5, 8~9+5)

'

AJ,

~7th

#e

-&

II
D
3rd

F~

~5th

AJ,

~7th

9th

e~

B!.

root

~-&

oAJ,oF;i

AJ,

B!. D Al. C F~

x x

x x
6fr

9fr

Sfr

11fr

F#

x x

x
12tr

11fr

B!. D AJ, C F;

B~+ 7~9 cu~1+5<~9

B~+7#9 ce~1+5(#9

BHat dominant seventh, sharp fifth, flat ninth

BOat dominant seventh, sharp fifth, sharp ninth

~ b-e0

#o

~-0- ~-0-

#o

II
B~

root

D
3rd

F#

#5th

Ab

b7th

a,

f3!,
root

b9th

4,

D
3rd

FR
#Sth

Ab

~7th

C#

#9th

4J
4.,

x x
4fr

6fr

Ab

9fr

...

-~-

-1.\
.

F~ A~

9fr

.-

'

F# AJ, C~

OF~~

x x
11fr

Ab D F# Cl,

x
12fr

BbOAb d

F#

12fr

BbDAbC# F#

I
e~o

8~ 7

(B~ dlm)

Btlat diminished seventh

Btlat diminshed

~a

'

~e

~e

~a

II
ab

root

CB~dlm7>

D~
~3rd

'

A,
~5th

~e

~e

~~

II
ab

root

D~
~3rd

A.

~th

A!ij,
~7th

4. 4, 4,

x
Sfr

D~ F~

B~ D~

x x
6fr

Sfr

D~

F~ Bb

x x
9fr

D~ F~ Bb D~

x x
12fr

x
12fr

85

(B no 3rd)
Bfifth (power chord}

CBmaJ)
Bmajor

'

B
root

tte

Me

#e
e

II
D~

3rd

'

F~

5th

B
root

F#

5th

x x

4. ,
B F# B

01!

B F# B

4fr

BD# F#

BD~

x x x
7fr

7fr

, 4.,
BFJBD!IF#B

B Fp B

x x

x x

4.

9fr

4.
B

x
11fr

FR

4.

x x
14fr

, 4.,
BD#F#B

F# B

I
Bsus4

Bsus2

(Bsus>
Bsuspended fourth

e
8
root

(85add2)
Bsuspended second

#e

II
E

4th

'

FF

5th

10

~
2nd

root

#e

II
F~

5th

4~
4) .,
aF; a a e

F~

B C:

F~

x x
4fr

F~

6fr

BF# BEF# B

F~

ci

x x
11fr

F# B

x
11fr

BEP.;B

x
14fr

I
Badd9

86

Badded ninth

Bsixth
-&

'

B
root

~e

~0

II
~

3rd

FR

5th

'

9th

B
root

~0

~0

#o

II
D~

3rd

FR

5th

::~
x

BF~

B[)#G#

4fr

BF#C#D# F#

x x

6fr

11fr

C# F# BD#

BFp G# D#

11fr

D~

F# C#

G# 0# F#

Bmaj9

Bmaj7#11

CBMB)

CBM7#11)
Bmajor seventh, sharp eleventh

Bmajor ninth

a *a

'

B
root

~
3rd

Ha

#-e- #-ea

II
F#

5th

A#

'

7th

9th

B
root

#a

#-e-

Ha #9II

D#

3rd

F~

5th

A~

7th

ER

h1th

B 0# A# Cl!

4fr

4fr

CpF# BD#A#

BD# A#C#

F#

A~

x x

x x
Sfr

D!i A# C#

x x
11fr

C# F# A# D;!

11tr

I
Bmaj13

#-&

Bmajor thirteenth

'

Bm

(8M13)

M
e

#e

lie-

Bminor

#-&
e

II

D~

root

3rd

FR

5th

<Bmin, B->

A#

7th

9th

'

G#

13th

*e

II

root

!>3rd

~
5th

x
7fr

7fr

BF~

BDF#

x x
9fr

G#

9fr

BF# ~D~

F~

11fr

11f

D F# B

BmCadd9)

Bm6

<BmlnG, B-6)
Bminor sixth

Bminor, added ninth

'

B
root

#-&

M
e

II
F~
5th

~3rd

'

ci

9th

x x

B
root

#e

#o

II
D
I.3rd

F#

5th

G#

6th

D B C# F~

BDG# DF#

G# D F~

x x
--~-

\
\ \

'

9fr
-

\...

7fr

x x
10fr

C~ Ff!BD

B F# ~ D

x
11fr

12fr

GR B

F~

I
Bm~G

Bm6/9

(8(~8), Bmln~ B)

Bminor, flat sixth

'

root

Bminor sixth, added ninth

e

~e

II
D

~3rd

F~

5th

'

G
"6th

root

~e

tio

#-&

II
D

"3rd

5th

~
6th

Cl:

9th

4,

BDG# C~ FR

B D G B F#

7fr

BF#BDGB

C~ Fi G~

x x

8fr

F~

10fr

CjlG# BD

Bm7~5

Bm7

(87, 8mln7)
8 minor seventh

'

B
root

8min7b5)

Bminor seventh, flat lifth

Me

-&

II
D
I.3rd

(87~ 5,

F;
5th

'

A
~7th

B
root

-&

II
D
..Jrd

PS th

. 7th

4. 4, 4,
BOA

4, 4,

BF~

B D A B F

F~

4.

F#

7fr

D F#

6fr

A D F

x x
7fr

9fr

B F A D

BF~ADAB

x x

x
9fr

B F# A

10fr

B D F A

I
Bm(maj7)

Bm9

(8-9, 8min9)
8 minor ninth

(8(+7))

8 minor, major seventh

'

B
root

#e

liee

II
D

~3rd

F#

5th

'

A~
7th

B
root

#e

-&

#-&

II
D

~ rd

F;
5th

ca

~7th

9th

B Fp

A#

D F#

x x
6fr

F#

7fr

A#

x x
7fr

x x

A C~

12fr

9fr

B F#

A#

x x

A C~

11fr

12fr

C#

F~

Bm9~ 5

Bm9(maj7)

(Bm95, Bmin9b5)
Bminor ninth, Oat Orth

'

8
root

(Bm9+7, 89+7)
Bminor ninth, mafor seventh

-e. #-e.
e

II
D

~3rd

F
I.5th

'

C#

~7th

9th

8
root

~e

#-e. #-e.

II
D

~3rd

Fj!
5th

A#

Cl!

7th

9th

BDAC~

x
7fr

c g FBDA

x x
6fr

x x
7fr

9fr

FADACj!

F;

~C#

10fr

C~

12fr

~ C~

I
Bm13

Bm11

CB-11, Bmlnl 1)
Bminor eleventh

'

B
root

*9

(B-13, Bminl 3)
Bminor thirteenth

-&
-&

#-&

II
D
I.3rd

F~

5th

c~
9th

~7th

'

E
11th

B
root

#9

#-e-&

#-&

II
D
I.3rd

F#

5th

G~
13th

C#

A
b7th

9th

4, 4)

4t

BDAC~

7tr

BEA

OF#

BF# ADG#B

x
5fr

10fr

F~

D Ga

B7sus4

87

(87sus)
Bdominant seventh, suspended fourth

(Bdom7)
Bdominant seventh

'

B
root

#a

#a

-&

II
D#

F#

3rd

5th

'

~7th

#a

-&

II
E
4th

F#

5th

~7th

BD~

B
root

F~

BEA

BF~

B F# A

E F~

BF#

A~F#

7fr

x x

x x
9fr

B F# A

9fr

Oii

B F~ A

x x
12fr

11fr

F~

B9sus4

89~5

(B9sus)

Bnjntfl, Oat fJfth

Bninth, suspended fourtb

0

*e

-e- #-e-

'

B
root

II
E
4th

(895, Bdom9~5)

F~
5th

'

C#

~7th

9th

B
root

M
e

-&

#-&

II
~

3rd

bSth

b7th

~
9th

BEAC#F~

x
Sfr

~~- - \-

C#

BD~

\-----

Sfr

ActFB

7fr

Sfr

9fr

10fr

BF# AEF#C#

A C#

12fr

x x

A Cl! E

13fr

B1r>9

87#9

(87-9, 8dom7t,9)
Bdominant seventh, flat ninth

B
root

#a

Be

(87+9, 8dom7~9)
8 dominant seventh, sharp ninth

-e-

-e-

II
D~

3rd

F:l
5th

A
,7th

~9th

B
root

te

*0

-e-

x-e-

II
~

3rd

F~

5th

~7th

Cx
'9th

B~ACF#

4fr

A C D#

x
6fr

B F# A Oil F# C

0# A Cx F# B

x x
8fr

[)# A

8fr

BDj!ACx

x x
10fr

F~

10fr

I
87~5(#9)

811

(87-5(+9), Bdomn5C#9))
Bdominant seventh, nat fifth, sharp ninth

Beleventh

-&

x-&

'

B
root

M
a

-&
0

II
D#

3rd

~5th

~7th

'

C>:

~th

B
root

#a

*0

-&

#-&

II
D~

F~

3rd

5th

~7th

E
11th

9th

BEAD#FJ

C~

BD#AC>< F

5fr

Cx F

BFAD# ACx

A O~

x
12fr

13fr

Off

BD#ABE

I
813

87#11

ce1+11, Bdomn11>
Bdominant seventh, sharp eleventh

'

B
root

#e

#e

-&

II
~
3rd

FR

5th

~-&

Bthirteenth

~-&

~7th

'

E#

~11th

B
root

~e

#e

-&

~-&

II
Oji
3rd

F#

5th

C#

~7th

G#

9th

13th

BE#AD#F~

BIJ#AC# G#

4fr

BF#

Da F# BE# A

AD3G~

x
6fr

BF#

A~G#

x x
11fr

9fr

G~

x
9fr

a A

0#

x
12fr

B13sus4

CB13sus>
Bthirteenth, suspended fourth

CBaug, 80 5))
Baugmented

#-&
-a-

B+

#-&

*e

'

B
root

II
E

F#

4th

5th

C#

~7th

'

G#

9th

13th

B
root

#e

110

II
D#

Fx

3rd

#St hi

4t
4~

4.,

BEAC~ G~

x
7fr

G~

C#

F~

0#

x x
7fr

9fr

G# B

A C~

12fr

AEG~

BE

Sfr

D~ F

0#

12fr

8+7

8+9

(87~5)

(88&5, 88+5)
8 ninth, sharp rlfth

8 dominant seventh, sharp fifth

-e0

'

B
root

~0

1;9

II
D#
3rd

~th

'

~7th

-e-

tt-e-

II
0#

3rd

Fx

~th

~
9th

~7th

B [)j! A

B
root

#e

;9

B Fx

x x

7fr

B Fx A

x
7fr

D~

D; F C:

x
10fr

Fx

x x

x x
9fr

10fr

12fr

12fr

8+7~9

8+7#9

(87+5(~8))

(87+508))
8 dominant seventh, sharp fifth, sharp ninth

8 dominant seventh, sharp fifth, nat ninth

'

B
root

#e

116

-&

x -&

-&

II
o=

3rd

~th

~7th

'

~9th

B
root

#e

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Bdiminished seventh
0

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root

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x x

x
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