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A minstrel was a medieval European singer.

1 Description
2 Minstrels in literature
3 See also
4 References
5 External links

Minstrels performed songs whose lyrics told stories of distant places or of existing or imaginary historical
events. Although minstrels created their own tales, often they would memorize and embellish the works of
others.[1] Frequently they were retained by royalty and high society. As the courts became more
sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering
minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed
into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th
century, and which has some continuity in the form of today's buskers or street musicians.
Initially, minstrels were simply servants at court, and entertained the lord and courtiers with chansons de
geste or their local equivalent. The term minstrel derives from Old French mnestrel (also menesterel,
menestral), which is a derivative from Italian ministrello (later menestrello), from Middle Latin ministralis
"retainer," an adjective form of Latin minister, "attendant" from minus, "lesser".
In Anglo-Saxon England before the Norman Conquest, the professional poet was known as a scop ("shaper"
or "maker"), who composed his own poems, and sang them to the accompaniment of a harp. In a rank much
beneath the scop were the gleemen, who had no settled abode, but roamed about from place to place, earning
what they could from their performances. Late in the 13th century, the term minstrel began to be used to
designate a performer who amused his lord with music and song. Following a series of invasions, wars,
conquests, etc., two categories of composers developed. Poets like Chaucer and John Gower appeared in one
category, wherein music was not a part. Minstrels, on the other hand, gathered at feasts and festivals in great
numbers with harps, fiddles, bagpipes, flutes, flageolets, citterns, and kettledrums. Additionally, minstrels
were known for their involvement in political commentary and engaged in propaganda. They often reported
news with bias to sway opinion and revised works to encourage action in favor of equality.[2]
The music of the troubadours and trouvres was performed by minstrels called joglars (Occitan) or
jongleurs (French). As early as 1321, the minstrels of Paris were formed into a guild. A guild of royal
minstrels was organized in England in 1469. Minstrels were required to either join the guild or abstain from

practicing their craft. Some minstrels were retained by lords as jesters who, in some cases, also practiced the
art of juggling. Some were women, or women who followed minstrels in their travels. Minstrels throughout
Europe also employed trained animals, such as bears. Minstrels in Europe died out slowly, having gone
nearly extinct by about 1700, although isolated individuals working in the tradition existed even into the
early 19th century.

Minstrels in literature
Minstrelsy became a central concern in English literature in the Romantic period and has remained so
In poetry, The Lay of the Last Minstrel (1805) by Sir Walter Scott, Lalla Rookh (1817) by Thomas Moore,
and The Village Minstrel (1821) by John Clare were three of many. Novels centring on minstrelsy have
included Helen Craik's Henry of Northumberland (1800), Sydney Owenson's The Novice of St. Dominick's
(a girl using a minstrel disguise, 1805), Christabel Rose Coleridge's Minstrel Dick (a choirboy turned
minstrel becomes a courtier, 1891), Rhoda Power's Redcap Runs Away (a boy of ten joins wandering
minstrels, 1952), and A. J. Cronin's The Minstrel Boy (priesthood to minstrelsy and back, 1975).

See also
Minstrels' gallery

1. A history of English literature: in a series of biographical sketches, By William Francis Collier
2. Bahn, Eugene; Bahn, Margaret (1970). History of Oral Interpretation. Minneapolis, MN: Burgess Publishing
Company. p. 72.
3. See, for example, Maureen N. McLane: Balladeering, Minstrelsy, and the Making of British Romantic Poetry
(Cambridge, UK: CUP, 2011).

External links
Stella Fortuna: Medieval Minstrels (1370) (, from
Ye Compaynye of Cheualrye Re-enactment Society. Photos and Audio Download.
Essays on the Origin of Western Music ( Word
Document Download.
Edward II and Minstrels (31 Jan 2009) (, Edward II Blog.
Terry Jones' Medieval Lives (2004) (, Series 1, Episode 6.
Retrieved from ""
Categories: Entertainment occupations Medieval performers
This page was last modified on 29 July 2016, at 23:04.

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