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SOLOS FOR TREBLE INSTRUMENT

ESPECIALLY SOPRANO RECORDER

COLLECTION 4
AMERICANA TO 1865
Arranged/composed by Clark Kimberling

Here youll find a treasure of free sheet music! Use the music however you wish but
always keep these two things:
the attribution to arranger/composer (top of page)
the copyright notice (bottom of page).
Collection 4 has 220 solos, of which 45 of the finest do not appear here because they are
published commercially just google Solos for Soprano Recorder, Collection 4 (after
August 1, 2009).
The solos are arranged especially to show the amazing capabilities of the soprano
recorder, but they also play well on violin, flute, clarinet, oboe, and other instruments.
Many of the solos include newly composed contrasting segments, especially in cases of
very short originals. The arrangements develop melodies through upward transpositions,
ornamentations, and additions of note not found in the original melodies. To locate
original versions, use Historical Notes 4 and Google.

When performing these arrangements, use a sound system and/or a percussionist.


A percussionist can work wonders and manage your sound system.

These melodies represent American music from colonial times until the end of the Civil
War. The melodies reflect, in the way that only music can, characteristics of the people
who sang them and danced to them. Those Americans were a wonderfully diverse
people, and so was their music.

WHERE THESE SOLOS CAME FROM


There are several sources of the melodies that have been arranged here for solo
instrument:

Folk songs (composer unknown)


Popular music (composer known)
Dance melodies, originally for violin or keyboard
Hymn tunes
Minstrel songs
Patriotic songs and marches
Solos composed for this collection by Clark Kimberling

During the first decades of music publishing in America, many favorite melodies were
brought over from the British Isles. These included very American melodies such as
America and Hail to the Chief. During the 1830s, and continuing for several decades,
a particularly American kind of musical performance developed, called minstrelsy. From
this era, we have Blue-Tail Fly, Buffalo Gals, Dixie, and the songs of Stephen Collins
Foster.
During the middle of the nineteenth-century, dances from Europe swept across America,
and many waltzes and polkas, as well as marches, quicksteps, quadrilles, galops, and
schottisches, were composed by Americans. The Library of Congress offers several
magnificent websites pertaining to historic American music. A good way to start is to
type Greatest Hits, 1820-60 into Google.

PLAYING THE SOLOS


Both recorder and flute are capable of a wide spectrum of articulation, ranging from
slurring to extreme staccato-with-chiff, or staccatissimo so short as to be useful as a kind
of pianissimo playing. In a few of the solos (such as Arkansas Traveler and Zaccato),
passages are marked staccatissimo but the interpretation of this and other articulations
may vary greatly from one player to another.

INVITE A PERCUSSIONIST
PERCUSSIONIST
Many percussionists are able to supply drum beats and other effects extemporaneously.
A snare drum can be especially effective in performances of patriotic songs, such as
Yankee Doodle and When Johnny Comes Marching Home. When playing without a
percussionist, foot-tapping is effective during highly rhythmic solos, especially those
descended from fast dances, and especially the five-beat pieces. (Just try playing
Zantadiega up to tempo without tapping your foot! youll find that tapping helps

establish that steady and amazing 3+2 feel that makes five-beat music so much fun to
play and hear.)

NOTES FOR RECORDER PLAYERS


Very high notes on a soprano recorder, beginning at high C (thats c3, printed two lines
above the treble-clef staff, pitched an octave higher), are listed here with fingerings.
These are all played with half-open thumb hole.
Note
c3
c#3
d3
d#3
e3
f3
f#3
g3
a3
c4 (highest note on a piano)

Left hand
2
2,4
2,4
3,4
3
3,4
3
2
2
3

Right hand
2,3
2,4,5
2,4
3,4
all open
3,4,5
3
2
2,4
2,4

Chart copyright Mel Bay Publications, Inc. 2004. Used by permission.

Many recorder players use a modern vibrato, based on diaphragm or throat motion, or
some combination of those two. Performers apply vibrato to music composed after 1800
in much that same way that flautists, violinists, and vocalists do. Well-modulated vibrato
is highly recommended for the solos in this collection.
On the subject of vibrato, notes that are held for more than one second, such as a high
note at the end of a phrase and especially at the end of a piece, may be played in the
manner of many vocalists: start the note straight, then develop vibrato gradually over a
short time interval, until full vibrato is on.
At least two special effects should be cultivated by recorder players: chiff and recorderglissando. The word chiff (which derives from the sound made by the chiff-chaff, a
European warbler) is often applied to the sound at the beginnings of notes played on
certain pipe organs, especially fine tracker organs and electronic organs that explicitly
offer a chiff choice. While some chiff is possible on all the notes of a soprano recorder, it
is fairly easy to produce a truly remarkable chiffs in the lowest octave. In fact, one may
speak of octave-chiff for these lower notes, obtained by careful plosive overblowing. As
the name suggests, the attack on the note actually causes the note an octave above to
sound briefly, like an accented grace-note. Chiffing can add quite an intriguing
percussive effect, as called for in Zaccato.

The other special effect, recorder-glissando, is denoted by a straight segment between


two notes. Ascending recorder glissandi work especially well between certain pairs of
notes, such as e2 to g2 and e2 to a2. Descending favorites are d2 to d1 and d2 to f1 To
perform these, simply roll the fingers gradually from one fingering to the other.

NOTES FOR FLUTE PLAYERS


Bottom C on flute is middle C on piano, but when a soprano recorder plays the same
written note (the lowest on the instrument), the sound is actually an octave higher. In
other words, loosely speaking, the recorder plays an octave higher than the flute.
Consequently, music written for soprano recorder, when played on flute, is pitched a bit
lower than most flute music. When played as written on flute, the solos in this collection
have a pleasing low effect and, in some cases, may be regarded as specialized flute
music, especially if amplified by a sound system.

ARRANGEMENTS
In order to arrange the melodies for recorder or flute, a number of liberties have been
taken. This is especially true in cases where the original melody was too short to fill a
page. One obvious technique of arrangement, used repeatedly in these solos, is
transposition. The original key may have been relatively unfriendly; for example, a piano
piece in D-flat may lend itself easily to lowering to the key of C. Transposition from one
key up to another, perhaps several times, has been used repeatedly as a means of musical
development. See, for example, Amazing Grace, where one of the objectives is to let
the recorder play in some venturesome keys.
A second technique can be called the contrasting segment; that is, one that separates
renderings of the original melody. Take a look, for example, at Advice to the Ladies:
Hewitts melody occupies measures 1-41, and then a contrasting segment bridges to a
final appearance of the melody.
Another technique is chording. With a one-note-at-a-time instrument, chords, in the
usual sense, are not available. However, playing the notes of chords rapidly in
succession can achieve desirable harmonic effects, as well as enhancing a melody in
other ways. Examples: America, Bangor, and The Star-Spangled Banner.

GROUPINGS
Hymn tunes, especially suitable for use in church: Amazing Grace, Bangor, Battle
Hymn of the Republic, Beach Spring, Coronation, Morning Song, Nettleton, Simple
Gifts, Wondrous Love.

Patriotic melodies: America, American Chivalry Quick Step, Battle Hymn of the
Republic, Hail to the Chief, The Star-Spangled Banner, When Johnny Comes
Marching Home, Yankee Doodle.
Melodies by Stephen Collins Foster: Beautiful Dreamer, Camptown Races, Gentle
Annie, Jeanie with the Light Brown Hair, Oh! Susanna.

For a list of all the solos, consult Historical Notes 4, which includes Internet links and
provides access to all 12 collections in this series:
Collection 1:
Collection 2:
Collection 3:
Collection 4:
Collection 5:
Collection 6:
Collection 7:
Collection 8:
Collection 9:
Collection 10:
Collection 11:
Collection 12:

African-American and Jamaican Melodies


Christmas Carols
Irish Melodies
Americana to 1865
Americana after 1865
British Melodies
Melodies by Women Composers
Eastern European and Jewish Melodies
American Indian Melodies
Latin American Melodies
African Melodies
Western European Melodies

This work is licensed under the


Creative Commons Attribution 3.0 License.
To view a copy of the license, visit http://creativecommons.org/licenses/by/3.0/
or send a letter to
Creative Commons
171 Second Street, Suite 300
San Francisco, California, 94105, USA.

ACRES OF CLAMS

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APPLETREE
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Copyright 2004 Clark Kimberling


Source: Klocko-Ingalls p81

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George R. Poulton
arr. Clark Kimberling

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Source: AmerHymnsON p379

BEHOLD A LOVELY VINE

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Source: Klocko-Ingalls

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BLISSFUL HOURS

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Source: MinstrelOfZion, #57

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BOSTON
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Source: ContinentalHarmony p67

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Source: Levy Box 184 Date 1841


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Source: LC 1846

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THE BUGLE HORN
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The United States Sacred Harmony


arr. Clark Kimberling



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.
.
.
.

.
.

. n . . .# . # . .

n##
.
>
.

.
.
.

.
.
.
.

. . .b
. . .
## . . . # . . .

. .

.
&
25

.
## . . . # . . . . . b . . .
.
.

. #
&
29

# # j . . . .
&

. . .

.
# # j . . .
&

. . .

33

37

.
.

. . .

.
. . .

. . . .

. . .

Copyright 2005, Clark Kimberling

Charles E. Horn
CHERRY RIPE
arr. Clark Kimberling
q
## 4

& 4

## .
j
.

j
j

. .
&
.
. .
J
.7

## . . j
. .
j
. . j

J . . J
&

J
13

.
&


25
m
##
.




&

19

##

# # n n b b n a m

n

&
31

# # - n # ,


&
37

.
# . . .
.
.

&
J
43

# . j . . J . . J . . .

.
&
J
J
J
J -
.
55
.


# .
j

J

&
49

# .

&
61

Copyright 2004, Clark Kimberling


Source Levi (1825)

A. Reinagle
THE
CHESAPEAKE
arr. Clark Kimberling
q
m
r


# ## 2 r




& 4

# ##

&
7

13

&

20

&

25

&

# # # m
# ##
# ##

n a .

nnn

& #
#
31

37

&


&

&

m

&
53

43

48

Copyright 2006, Clark Kimberling


Source: Levy Box 003 Item 077 undated

James Bellak
arr. Clark Kimberling

CHESNUT STREET POLKA


q
. . . .

2

&4

&

&
11

.
J

m. . . .

. . . .

. # . . . .

. . .

&
16

# . . . .

&
. . .
21

m. . . .

. .
.

.
. .

.
.

. . . .

. . . . .

.

&

26

# n #
&
31

# # . . . .

##
. . . .

&
36

41

&

46

&

##

j
#

##

. . n . . # #

.
. . . .

Copyright 2006, Clark Kimberling


Source LC 1849

.
J

.
J

. . . .
.
J

CHILDREN OF HUNGER

q
. .
4
& 4 .

Irish-American
arr. Clark Kimberling

. . .
J

.
. .

&

.

6

b
. . . J . J
&

J
11

6 . .
&
4
16

b b b b b 44
J

. .

bb b

&

21


.
.

bb b



&

26

.
bb b . n n b . . . J
&
31

.
. . . J . .


&b
36

. .
. . . J

&b
41

b
b n . .

&b
46

Copyright 2005, Clark Kimberling


Joyce #41

W. C. Rayner
arr. Clark Kimberling

CINCINNATI HOP WALTZ


q.
# 3
. .
j

& 8 .

#
&
7

#
&
12

17

&

#
&

27

37

&

.
&
42

# .

. # .

.
.

. .

. .

#
J

n .

. # .

Copyright 2006, Clark Kimberling


Source LC 1850

# .

.
m
J
.

&
46

#
J

# n
&

&

22

32

American Traditional
arr. Clark Kimberling

CINDY

### 2
& 4

q
.


J

# ##

j
&

# ## j
& J .
15

. .

n nn b .


b
J

bb b j
&

22


J
J

.
# .
#
bb
j
n

#
J
n n
&
. . J
29

# ##
n nnn b .
###
n

n
b j j

&

3
36

43

&

# ##

n b n n nb b
j .
j

J
.
.

J
3

nn
J


b
&

J
50

&
57

allarg. ,
3
b b 3
b
&J

64

j
. . .

.
j J
a tempo

Copyright 2004, Clark Kimberling


Source: Lomax p 233

.
J

British-American
COLLEGE HORNPIPE
arr. Clark Kimberling
h
.

.

.
.


& 22
.
.
8
.

.
.

.
.
.


&

.
.
15

&

. . . # .
.
.


. .

. . #
&
.
22

. . . .

& .
.
29

. # # n n . . . . . . . .
.

. . 45 j 22
& .
36

# # # n n

5
2

&2

42

legato

# .
# n
j 2

&4
2
. . #
.
49


#
.

&

.
#
55

61

&

. .
.

Copyright 2004 Clark Kimberling


Source: Robbins200Jiggs...

Traditional American
COLONEL CROCKETT
arr. Clark Kimberling
q
# 2
. .
. .

& 4

&


.

.
&
6

&
#
10

14

#

&
18

n n

. .
.
26
. . # .

&

#
&
22

.
. . .
&

30

.
#
&

35

.
&

40

&

45

. .
J

Copyright 2006, Clark Kimberling


Source: Levy Box 041 undated

CONNECTICUT SHAKER DANCE


q.
j
6
&b 8
.
b
&
7

J
j

>

j J

J .

j
.
&b J

J
13

.
&b
19

25

& b .

.
.
j

.
b
&

J
32

.
w
b
&
J

40

# j J .
&
47

Shaker Dance
arr. Clark Kimberling

j # 6 J .
n 8
faster


. .
m

J .

#
j J
. .
&
J
m

j > > .

> > m
> >
62
> > > > > > . U . , >
# j >
j


.
.
.
&
m
> > > m
55

Copyright 2004, Clark Kimberling


Source PattersonNine, p 18

allarg.
j

4
&b 4

James Hook
CONTENTED SHEPHERD
arr. Clark Kimberling
q
. . . . . .

.
. . .
. .
.
. .
.

. . . . .
. . . . . .
.

J
b
.
&
.
7

legato

. j n b . . . .
b

. .
&

. . . . . . . .
18
6 . .

6
4

J 44
& b 4 4
4
13


. .

4
#

J
J
.

&b 4
22

28

&b

.
# n # n j .
# . j

. .

# . . #

n n
.

.
&
J
J
.
33

. .
# . . . . . . . .


&
. .
. .
39

. . . . . .
# . . . . . .

&

J
44

legato

# . # n . . . .
. . . .

&
.
J
. .
.
54
. .

# 6

4
6
J
&
4 4
4
49

Copyright 2004 Clark Kimberling


Source: Levy Box 31 undated

William Jarvis Wetmore


COUSIN CARRIE
arr. Clark Kimberling
q.
# 6 . j
. . . . . . j . #

& 8 J
J
J
. .
J

# . . j . . .
.

.
&

J
. .
J
8

# .
&
J
16

. j . # J
J

j #
j


. # J #
# J

# # . . N . j
. . . . .

&
J
J J J
. .

. j
J

# . # . . j . . .
.

.
&
J
J

. .
J

23

30

.
# # # . . N

& J
38

.
# . . . . . . . b N

&
46

. . . . . . .
. . # J
J

. . . . . . . . . . .
J
.
# J

.
.
.
# J . . . . . . b N . J . # # #

&

52

# # # . j . . . . .
.

.
&
J

. j . # J .
J

# # # . J m # m. . m. .
. .
J
&
m

b J j .

58

66

Copyright 2004, Clark Kimberling


Source Levi 1849

DETROIT
# 4
& 4
#

q
. j
.

&
7

13

& .

. j
.

.
J

.

J


J .

b
b
&

19

American, 1820
arr. Clark Kimberling

n b q
.
b

J
faster:

.
. .

J
J

b .
b
J
&
.
25

. J 6

bb 6 # j n # n n # # 4 . .
& 4w
4
J
-
31

. J

## .
-



&
J
37

.
##

. .

&
J

J
43

Copyright 2004, Clark Kimberling

A. Couse
DETROIT
SCHOTTISCHE
arr. Clark Kimberling
h . .
. . . .
## 2
. .
.

. . . . .

.
.

& 2

. ..
.

# # . . . .
. . .
&
. .. ..
11
.
. . . .
##

.
& . . . . . . . . . . .
.
6

. . .
. . . .
.
.

.
. .
. . . . . . .
. . . .. ..

. . . . . .
# # . . # j j #
.
.
. . .

.
.
# . .
&
J
. .
22
. . . .
. . .
.
.

# # j # j j #

.
.
.

.
# . .
.
&
J
J
.
17

~~~

~~~

~~~

~~~

##

. . . .

~~~

. . . . . . . .

.
&
. . . . .
. . . .
.
31
. . n n # . . . . . # .
##
.
.

& . . . . . .
. ..
.
36
.
.
# N . . . . . . # .


&

27

. . n n

N .
#
j

.
#

#

&

42


. . . .
. . - faster
#

.
&
. m.
53
. . . .
. . .
# . . . . . .
.

&
.
. . . . . . . .
m
48

Copyright 2004 Clark Kimberling


Source: LC 1854

. . . .
.

.
.
. .

.
. .

American Traditional
arr. Clark Kimberling

EXULTATION
b 4
&b 4

q

.

& b J J .
7

13

&

bb

nn


& J J j J .
& .

# J J m m .
&
#

& .


J J


J J

m
m m

# #
#
J J

31

37

19

25

.
.
m
J J J J


##

J J

#
j J .
& # J J
43

J m

## n nnb

J J


&
49

j .
J
&b J J
55

J J .

Copyright 2004, Clark Kimberling


Source:Buchanan page 20

Samuel Wakefield
arr. Clark Kimberling

FADING FLOWERS
h
2


&b 2

sempre molto legato

&b

17

&b

bb
&bb
b
& b bb
42

&

-
&

b
&b
67

&

75

&

.
bb

bb

Copyright 2004, Clark Kimberling


Source: MinstrelOfZion, #15

n

n

. b bbb

nn n n

50

59

26

34

w
.

FAREWELL EARTHLY GLORY


q
bb 3 2
& 4
4
>

4
4

b 3 . 2 3
b
& 4
4
J 4
7

2
4

b
& b 43 . J 42 43 .

Shaker Hymn
arr. Clark Kimberling

>
42 43

>
4
2
3
4
. J 4 4
n n 42
>

13

. 2
42 > 43
43
J 4

& 24 43
19

>
2
4
3 . 2
3
&4
J 4 4 .
. J 4 4
25

3
2
&2
4
32

& 24
38

44

3
4
& 4 4
44

44 42

44 42 .
22 43

42

3
4 .

2
2

44 43
J

44

42

44 42 44

2
b b b b 42 44
4

bb 2 3 2 3 . J 2 3
& b 4
4
4
4
4
4

4
4

bb . 2 3 . J 2 3 .
& b
J 4
4
4
4

51

58

Copyright 2004, Clark Kimberling


Source PattersonNine, p 16

Traditional American
FASHIONABLE COTILLION 1
arr. Clark Kimberling
q
# 2

& 4

.
J

.
. . . . . . . . . . . . . . . . . .
.
13
.

~

& . . . . . . . . . . . . . . . ~ ~ J
.
7

&

&

19


&
25

# nbb

#
&

31


b
b
&
. # .
37

# #
bb

&
. # .

43

nn

&


49

&
55

.
J

. .
.
.

. .
. . .


&
.
60

. . . . . . . . .
.
.
. .
.

Copyright 2006, Clark Kimberling


Source: Levy Box 108 undated

. . . . . .

.
. . . . . ~~~~ J
s
Glis

Traditional American
arr. Clark Kimberling

FASHIONABLE COTILLION 2

# 2 q



& 4 . .

# n
#

&
6

. . .

& . . # n
11

.
# . . . .

&

16

.
& . .
.
21

# . . . . . . . . . .

&

staccatissimo

# . .

&
31

. . .
.

. . .
. .
.
.. . . . .
.

. .

. . . . . .
~G~~li~ss

26

. . . . . . . .
. .



&

36

.
# . .
n

&


. .

.
46


J

&

41

Copyright 2006, Clark Kimberling


Source: Levy Box 108 undated

Traditional American
arr. Clark Kimberling

FASHIONABLE COTILLION 3
q
. .
2 j .

. .
&4
.

&

. .

# . .

.
.

. . # . .

&
.
11

. .
&
16

26

31

&

.
.

. .

# # # . . # . .

&
## .
&

. N

. .

. . . . # . . # . .

##
&
46

# # . . . .

36

41


&
21

&

. m .

Copyright 2006, Clark Kimberling


Source: Levy Box 108 undated

FIGHT ON
q
# 3
& 4

#
&
9

17

&

25

&

b
&b
33

40

&

47

&

bb
bb

>

>
b
&b
55

J. P. Rees
arr. Clark Kimberling

. j .

j
. .

.
.

.
J .

J

.
.


J
>
>
>

.
J
> >
>

>

. J

> . > .
J

Copyright 2004, Clark Kimberling


Source: Sacred Harp p276

nb b

. j
> .
>

> .

A. F. Winnemore
arr. Clark Kimberling

THE FLAG OF TEXAS

q
j
## 3

& 4


# # . .
&
8

##
. .


&
J
&

##

##
j b
. .



&
J
j

&

36

&b

b
&
57

b

faster

nn

. .
J
&b
50

29

43

15

22

&b J
64

Copyright 2004, Clark Kimberling


Source:LCAmerMemory 1836

.
J

h.
& 43
big breath

&

13

&

19

&

44

&

& .
50

57

&

##

##
&
63

. .

.
J
. . .

J
. .

J
. . .

. .
J

.
J
. . .

big breath

#
J

.
J
. . .

##

. .

&

. . .

31

.
&
&

25

38

J. C. Miszner
arr. Clark Kimberling

FLOWER OF GEORGIA

Copyright 2006, Clark Kimberling


Source LC1850

FOUNDATION

American Traditional
arr. Clark Kimberling

q
# 4
& 4 . .
. .
. .
. .
#

& . . J J . . J J
faster: q
11
j
#
n
6
4

& 4 J 4

6

&
J J

16

J J .

&J J
46 J J
21

m .

. J

4 .

&4

faster: q
m
31

#
. . # . . . . . .
j
#

J
& j
.
.
. .
36
# . . . . . J J . . . . . . . . . . .
&
26

44


J J

. .

. .

. .


. . . .

J J
. .
#

&
41

rit. 6 J .
# J J J
J
J
&
4
46

Copyright 2004, Clark Kimberling

q.
# 6
& 8

THE FOX HUNT




J

Traditional American
arr. Clark Kimberling

&
.
J J
J
m
6

j
#
&

.
J J
m
3
12


j
&

18

J .
&
24

# J .
&
30

.
J
J

j .


.
& j


36

& .

J
3
42

.
#
&
.
J J
m
48

54

&

. . . . . . .

.
.

. . . . . . .
.

.
j

.
J
Copyright 2006, Clark Kimberling
Source: Levy Box 041 undated

q
#
#

& # 44
# ##
&
5

.
m
. . . . . . .

.
.
m
. .

m

# # # . . . .

&
8

11

&

# ##

A. Reinagle
arr. Clark Kimberling

GAVOTTA

. . . . . . . .

. . .
.

.
# # # m

&
m
14

17

&

20

&

###

# ##


. . .

&
. .
.
. .
26

#
. .
##

-
&
23

# ##


# # # m


&

30

Copyright 2006, Clark Kimberling


Source: Levy Box 003 Item 077 undated

B. R. Lignoski
GEORGIA QUADRILLES
arr. Clark Kimberling
q . . . .
. # . .
.
.

.
#

# #

2
&4

. # . . # . . . . . . # # n . . # .
&
7

# n . . # n . . .

&
J
13

. .
&

19

# n

. . . .

.
#

. j . . .

&J
.
31
. .
. .

&
25

.
. .
#

. . # n

#
.
. j
J
.


.
. . .

&

#
J
37

.
.

.
. . .

. . .
.

&

J
J
43

. # . . .
. . . . # . .

.
#

& J
49


# n . . # .
. # . . # . . . . . . #
&
55

.
#
&
61

# n . .

Copyright 2006, Clark Kimberling


Source: LC1851

# n
. J
J

James Pierpont
GERALDINE
arr. Clark Kimberling
q
3 . j
b
& 4

sempre molto legato
8

&b
16

&b
24

&b

.
J

j

.

>

. .
b bb

31

&b
b > .
b
&
37

43

&

bb

b b
b > .

b
&b
49

> n

>
bb n
&
54

b .
b
&

60

Copyright 2004 Clark Kimberling


Source: LC 1854

rit.

q
# 2

& 4 . . . . . . . .

GIVE US BACK OUR OLD COMMANDER

#

&
8

Septimus Winner
arr. Clark Kimberling

. . . . .


. . . .

j
#

. .

j
#

. .

j . .

.

. .
q.
22

# # j . .
6 j j # . .

.
.

&
8
J
J

& .
15

. j j #
J
J J
. . . .
36
.

# n #
# n j .
2

. .
&
4
J J
J J
. . .
.
.
.
42

. . . # . . .
# . .

&
# # n # N # n j . .
&
J
J
29

47

&

.
# . # .

#
&
52

57

&

j
#

. #

. .
T . .
. . . . . . .

.
.

.
#

# .

# n

. . . . . . .
. . . . .
#
&
62

Copyright 2005, Clark Kimberling


source Levy Box 88

j
#

. . . .

GOD BLESS AMERICA!


# 4 q
j . .

& 4

.
# . . . .

&
J
7

Robert Montgomery Bird


arr. Clark Kimberling

. j . j #

#
. . .
&

J
13

. . .
3

4 . .
#
. .

&

4
4

3
25
. . ~
#
. .
.

&
J
20

.
.
J

&
. .
37
~

&

31

## .
&
J
43

. .

. . #
#

. . . . . . m


J
3

. . .
. . . j . . . #
. .
##

J
&
J
49

.
# # . . m
&
56

. . . .
. . .

. .
.

..
. . .

.
.
# # . . 6
4 . .

&
4
4 3
61

Copyright 2004, Clark Kimberling


Source:LCAmerMemory 1834

GONE TO ALABAMA

Edwin Pearce Christie


arr. Clark Kimberling

# # # 2 q
. .

& 4

. .
J
7

&

# ##

n . .

. . . . . . J
m

# # # n .
&

. . .

m. .

12

# ##
n n n . . . . . .

&

17

. . .

&
. .
. . . .
&

27

32

&

. .

. b . .

#
#

##

&
37

22

. . . .

. . . .
J

n . .

##

&
42

46

&

##

. .

Copyright 2006, Clark Kimberling


Source: LC1847

q.
6 j
&8
6

&

GONE TO BALTIMORE

J

J


J
j

j .

J
J
&
J
11

.
J

.
J

E. C. Phelps
arr. Clark Kimberling

98 j . 68
J
J

6
. J J .

&8 J

J
J
16

22

& .
27

&
32

&


J
j

.
J
.

. . . . . . .

. . . . .
b

.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .

&b
36

.
b
&
41

. . . .
. . . . . . . . . . . . . . .

. . . . . 9
.
.
&b
8
J
46

68

Copyright 2004 Clark Kimberling


Source: LC 1853

.
J

A GRACE OF NORTH CAROLINA


h.

. j
3
&4

&
m

13

&
#

&
19

.
# . . .

&
25

31

&

37

&

# # m

## N
&
43

. . .

60

&

##

##

Copyright 2006, Clark Kimberling


Source: LC1841

m.

. . .

.
.

. . . .

. . . # .

. . .

. .

. .

# # . . . . . .
&
. .
# # . .
. .
&

.
# . . .

49

54

J. F. Brandt
arr. Clark Kimberling

HAMPTON FIVE-STEP WALTZ

J. A. G'Schwend
arr. Clark Kimberling

q
or faster
.
.
.

5 . . . . . . . # . . . . . . . . . . # . . . . . . . . . . . # . n . . .

&4

sempre 3+2

. . . . . . # .
# . . n . .
. . . . . . # .
.
.
.

.
.
.
.

.
.
.
& . .
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. . .
5

&

. . . . . . . . .

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.
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.

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.
.
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. . . . . .
.
.
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13

&

. . . . . . . . .

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.

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n
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21

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.
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. . . . . . # .
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.
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29

33

&

37

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. . . . . . . . .

. . . . . . . . . .
.
.
.
.
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.
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#
.
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.

. . # . . . . . . . n
. . . . .
.

.
.
.

.
.
. .
. . . . . #
Copyright 2004 Clark Kimberling
Source: LC sm1852

Jeremiah Ingalls
arr. Clark Kimberling

HARVEST

q.
## 6
j # j
j
.

& 8
J

##
j

j 98
&

7

# # 9 . n n b 6 N
J N

& 8 #
8
7

13

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& b n
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19

N
.


J
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J
3
25

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.
#

&

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31

37

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nnb


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7

43

# .
b
&
J
49

.
& #
54

n n# #

J
J

J

# #
&
J
59

Copyright 2004 Clark Kimberling


Source: Klocko-Ingalls p21

j
# .

Swedish-American
HEAR
ME,
MAIDEN
arr.
Clark Kimberling
q

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b 3

b

& 4

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b
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& b # . # . #
7

b
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25

31

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37

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43

j ###

# ## a
&

>

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&

n n
J
J

49

55

61

&

# # # m

a m

Copyright 2005, Clark Kimberling


Source: New England Cons. of Music Library (rare)

q
## 4
& 4
.
6

&

##

HE LEADETH ME
j

William B. Bradbury
arr. Clark Kimberling

,
j

6

j
j
.
4 .

44

,
##
6

&
4

44

11

## 4
6
& 4 4 .

16

b

&
19

n J

nn 4
b 4

46
&
23

44


. J
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27

j
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32

37

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.

n 43 .

faster:

. . . . . . . . . . . . . . . . . . .
.

. .

J

. .

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4
4
4

4
&4
47

Copyright 2004, Clark Kimberling

4
4

#
& # 68

American Traditional
HENRY CLAY'S QUICK STEP
arr. Clark Kimberling
.q.. . . . . . . . . . J. . J. > . . . . . . . . .
.
.
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J
J
J

.. . .
. .
# # . . . . . . > . . . . . . . . . . . . . . . . . . . > . . . .

&
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J J
J
7

# # . . . . . . . . . . . . . . . . . . > . . . # # #

. a
&
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14

20

&

# ##

.
. . .


.
.
.

. J J
. J
J
. . .

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.

.
.
.
.
# # # n . . . n # #


J J
J J
&
J
26

# # . . . . . . . . . . > .
&
J J
J
32

. . n #

# j

&
J J
J J
39

.
.
.
.
.
.

.
.

.
.
#


~~
J
J J
&
J J
J
47

staccatissimo

. . . . > . . . . . . . . . . . . . . . . . . . > . .

. . . . . .
# J J . J
J
J
J J
&
~~

54

. . . . . . . . . . . . . . . . .
. . . . . . . . . . . > .
.

#
J J . . .
&
61

Copyright 2004, Clark Kimberling


Source LC1831

HEY, DANCE TO THE FIDDLE AND TABOR

British-American
arr. Clark Kimberling

# 6 q.
j

.

& 8

&
J
6

j
n #

J
J


#
n


J
J
J
&
11

16

&

# .

# .
&
22

98 . . 68


& J .
27

&
J . .
32

37

&

.
J

n .

b
n
J J

&
42

b J n J . . .
&
.
&
J
53

47

n
J

.

J

Copyright 2005, Clark Kimberling


Source: Levy Box 030

Joseph Dale
HONEY MOON
arr. Clark Kimberling
m m m
m
# # 2 q



& 4
9

&

##

m m

##

&

17

##

&

25

33

&

41

&

47

&

56

&

##
##
##

m m m
m




m

J
J

m
n # #


# . . . . #

&

73
.

# . #

b
&

81
m m . .
N

.
b
&
. .
.
.
90
.

. . . . . . . . . .
.

. .

&b
65

Copyright 2004 Clark Kimberling


Source: Levy Box 109 undated

American Traditional
HOPE
arr. Clark Kimberling
q.
#
j
j J J

j J
#

J
J

m J
J

6
&8

.
. J
j
# # j
&
J J .
J
J
7

> j
##
# #
j
#

J
#
J
& # . #
J
>
14

20

&

##

# j
#

.
# # . # # > j > . n n b N J # .

&
J J
J #
26

32

&b
39

&b

#. .
.

J
#

# .

. J # . > > .

J # J

# # j . J

J J J

&b
46

.
#
J
> # > .

b
J
J

.
&
J
J J J
J
J
53

Copyright 2004 Clark Kimberling


Source: Klocko-Ingalls p 40-41

J. C. Beckel
arr. Clark Kimberling

INDEPENDENCE DAY

q
# 4 . . .

& 4
# . .
&
7

. . . . .

m .

.
.

. . .

. . .

.
. . . . .
.

&
. . . . . .
11

# . .
&

15

T

.

. . . > > > >

# > . . . . > . . > . . 6 > . .

.
&
4
19

>
# 4 > > > > . .
& 4
22

25

& .
30

&

34

#
#

.
. .

. . . 4
4

.
. . .
. . . . .
.
.

. .

&

. .

.
. . . . .


Copyright 2006, Clark Kimberling
Source Levy Box 012 undated

m . .
. .
.

John R. Jennings
INDIANA WALTZ
arr. Clark Kimberling
h.
m. . . m. .

m. .

&4
J
>
8
# m. . . m. . .

&
.
>
15

&

22

&

. .

&
&

. . # . . .

. . . .
.

& #

. . # . . .

.
.

.
b
&
J
50


b
&

b n

# m. . .

&
>
m. . .
74

&
>
66

. . . .
. . . . . . . .
#
.
J

43

57

. .

. . .
.
.
.
.
.
.
.
.


. #

#
J
.

29

36

.
m. .
. .

.
m. .
.

Copyright 2006, Clark Kimberling


Source LC1840

## 4
& 4

q
j
.

.
j. j

.
J

&

##

. J . J . j

& J

18

23

&

j
# .

.
J

# . . .

&
J
J .
27

32

&

# .

# 6 # n j

&
4
# 6

&
4
40

# ### . .
& #
J

n#

j

J

.
J


. .
#


.
.

36

44

. j

.
. . j j . j
J
. .

# # j .

&
J .
7

13

T. V. Wiesenthal
arr. Clark Kimberling

THE INGLE SIDE

.
m
.

44 # #
. .


#
#

#
4

a
J J
# # # 4 J a J

J J

Copyright 2004, Clark Kimberling


Source Levi c1840

JEFFERSON
q
2
&4
&
10

j
j

&
19

j
j

&

28

38

&

bb

Tennessee Harmony, 1818


arr. Clark Kimberling

bb

&

56


bb

&

47

b
&b
67


nn #

#
&
76

# . .
&
85

94

&

. .
. .

. .

J
. . J

. .

. .
J
. . J
Copyright 2004, Clark Kimberling
Source: SacredHarp1991, p51

JUST AS I AM

William B. Bradbury
arr. Clark Kimberling

# # 6 h.
j
& 4 . . j -
6

&
11

&

16

&

##

. J

##

j
. j
. j

##


j
. .

n b n nb .
J

j
.

.
b


& .

J
J
21

&b
26

. .
J

.
J

.
.
b

J
&

J
J
J
31

& b .
36

.
b b b J . J

,
bb . 9 . 6 . .
&
J 4
4
J
.
41

Copyright 2004, Clark Kimberling

American Traditional
KATE OF CAROLINA
arr. Clark Kimberling
q
.
bb 2 j .

& 4
.

j . .

b
&b
8

b .
b
&

14

&
20

. n n b . N.

. .

. .

&

n . .

26

.
. .

. .

.

&
33

.
.
&

39

.
.
&
45

50

&

55

&

. # #

allarg.
.

.
#

&
60

Copyright 2004, Clark Kimberling


Source:LC (1847)

KEDRON
h

3
& b 2 .
.

.
fl

The United States Sacred Harmony, 1799


arr. Clark Kimberling


fl .

j j2
. .
.

&

.
. . 2
6

b . .
&b
12


fl .

b
.
& b . J J 22
17

b 2
b
& 2
23

. . . .

b b 32

fl .

2
2

> >
>

32 .

w.
bb .
j

&
.
J
30

. . .
J
& .
fl
37

. .

faster
n nn .
.
J
fl

. .

. . . .
.
J J
.

> > > > . > >


J
&
43

. > . . w
> . > >

.
>
>

& J
2
.
.
48

Copyright 2004, Clark Kimberling

3
2

J. C. Cook
arr. Clark Kimberling

KENTUCKY POLKA

# 2
& 4

q

j .
# .

. .
3

. .

&

. .

j
#

. .

. .
J

#
#

j
& .
16

21

&

##

# # .

&
&

36

##
#

.
.

&

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#

n#

j
.

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#

#
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.

#
& .
.

j
#

j
.

j
#

j
#

.
J

. . .

. .

. .
3

. .

. .
3

41

45

. #

. #

. .

26

31

##

. .

& .
.
3
11

j
#

. .

j
#

. .

. .
J



3
.
.

J J

Copyright 2006, Clark Kimberling


Source LC1850

T. L. Jephson
arr. Clark Kimberling

KENTUCKY PRIDE

q.
j .
6

&8

j
.

. j
.

&

#
J
J

# . N

. .

N
& j # J
11

. .
& #
16

#.

.
&
21

. . . . . .
# . .

. . . . . . . . .

.
. . . . . . .
&

j # j .

26

.
. . . # .
&
# .
31

36

&

41

&

46

&

##

## .

j # j

J .

# # .

. . . . . .

# .


J #

# . N j # . N # #

# # . .

Copyright 2006, Clark Kimberling


Source LC1857

Jeremiah Ingalls
KNOWLEDGE OF JESUS
arr. Clark Kimberling

.
# 6 q. . j

j
J
& 8

J .

. J j .

.
J

#
&
J .
7


.
n

j J
. b b
J
&

J
13

.
J

J

bb
b
&
J J .
19

25

&

bbb

n
. n n
J
J

. j
bb b j
n

&
. n n

37
.

&

J
31

43

&


J
J .

. J j J
J

J .

##


##

&

54
m
# # m .

&
49

## .
&
60


Copyright 2004 Clark Kimberling
Source: Klocko-Ingalls p24

~~~
.
J
J

Scottish American
LADY OF THE LAKE
arr. Clark Kimberling
q
#
2 # # .

.
&4

&

# .

T
#

#
.

.
j

. .
#

&
.
11

&
16

. . . . . # . . . .
J

. # # . .
j


&
21

. . . # m # . . .

&
J

. # # .

26

31

&

36

&

# # .

.
# #

.
j

T
# #

&

# #

&

.
. #

41

45

Copyright 2006, Clark Kimberling


Source: Levy Box 041 undated

LEXINGTON RONDO

q
# 2
& 4 . . . . # . .
.
.
.
.
.
9
# . . . . # . . .
&
. . . . . . .
.

.
.
17
.

. . . . . . . . .
#
.
&
. . . . . . . . . . .
.

.
.
25
.

.. . . . .
.
#
&

Wilhelm Iucho
arr. Clark Kimberling

#
. . .
. . .

. .
. . # . .

. .
. . . . . . . . . . . . . . .
.
. .
. . . . . . . . . . .. . . .
. n

. . . .
.
. . . . . .
. . . . . . . . . . . .

&

33

. . . . . . . .

&
45

&
55

64

. . . . . . . .

.
.
. . . . . . . . .
.
.
.

. . . . # . . . . . . #

.
.
.
.
.
.
. . .
.
.
.
.
.
74
.

.
.
.

.
. .
.
.
# .

&
. . . . . . . .
. . . . . . . .
.
.
.
83

. . . .
#
. . . . . . . .

&

&

. . . . . . . .

.
.
. . . . . . . .
.
.

. . . . . . . . . . . . . .
. . . . . . . . . .
.
.

.
.
.

.
.

. . . .
. . . .
#
.
&
90

Copyright 2004, Clark Kimberling


Source:LCAmerMemory 1831

American Traditional
arr. Clark Kimberling

LIGHT

q
j

. . J .

& 44

j
. .
& .
J
7

## . .

&
J
19

##
. .

&
J
31

&

43

&

47

&

53

&

##

##

##

.
J

# # m
# .


. j

## .
&
25

37

.

J . J

j .

J .

j
& .
13

~~~~~~~

n # > . . J
J

> . J .

.
J

> . >
>

.
>
# .
.

.

J
J
&

J
J
60

Copyright 2004, Clark Kimberling


Source:Buchanan page 28

Jessie Brinley
arr. Clark Kimberling

LINCOLN QUICKSTEP

.
q.. . . .

.
.
.
.
. . . . . J J . . . . . . . .
6 .

&8
. .
J .
&
8

. .

. . . . . . .
J .
&
15

.
.

.
.
.
.

. . . . .
J
J . . .
. .

. . . . . . . . . J J
J
J
J

.
. . . . . . . . . . .
J
J
&
22

. .

. . . . . . . . . #
J

# . . . . . . . . . # .

J
J
&
29

36

&

# #

. . . . . .
J

. .

. . . . .

# .

# # #
. . . . .
J

&
43

. .

. .

. . . .

9
# 8

~ . . . . . . . . . . . . .
~
~

.
~
68
J
J
& 98 .
49

. . . . . . .
.
.
.

J .
&
54

. .
&
61

. .

. . . . . . .
.
.
.

.
. . . . . . . . . .

J

Copyright 2004, Clark Kimberling
Source:LC 186?

J .

. .

LITTLE CHESHUNT
3
q
.
# 2 . . . . # . .
.
.
& 4 J
. .
J
3
8
. . . # . .

.
.

& . . . J
J
. .
. .
# # . . . .
.
&
15

English-American
arr. Clark Kimberling

m. .
.
# . . .
. m. .
.

.
J

legato

# ~ # . n
.
&
22


J
3

# #
# #


&
J
J
J
3
29

#
#

.
&

J
36

# 3 q.
. >
& 8
>
3
51
# . . . . . . . . . . . . . . . . . .
&
43

. . .
. . . . . . . . .
. . . . . .

# .#

.
&
59

bb .
&
68

.
J
. .
3

3
8

q .
. n b 2 . .# .
b 4

. m. . # . . .
. .
.
. .

bb . # j n . b .
J
&
75

Copyright 2004 Clark Kimberling


Source: ContinentalHarmony p122

legato

LOOZYANNA LOW GROUNDS

h
. .
# 2 . .
.


& 2

Daniel Decatur Emmett


arr. Clark Kimberling

,
#

j

.

&

J
7

.
.

.

&


J
13

19

&

25

&

# n.

, n.

n
n

n.

n.

# n
n
&
31

n.

,
,
,


&

37

43

&

# . . . .

,
j

.
.
J

.
&

49

,
. j

,
#

j

.

&

J
55

Copyright 2004, Clark Kimberling


Source: Nathan p379

LOVED ONES AT HOME

q
# 4
& 4 #

sempre molto legato

13

. j

j
#

. . # #

&

## .

&
J
19

25

&

# n

& . j
7

.
J

James Pierpont
arr. Clark Kimberling

##

#
. J
#

## . #
# . .

#
&
J
31

#
m

## .


&
J
37

~~~
## . .
J

&
J
42

48

&

53

&

. .

##

##

. J 6

4
m

. .
44
J
J

Copyright 2004 Clark Kimberling


Source: LC 1855

MARCHING TO THE PROMISED LAND

# 2 h

& 2 . . . . .
.
# .
& . w
8

###

American Traditional
arr. Clark Kimberling

. .
. j

. .

# ##
.
&
J J w
15

nnn

. J . .

&

J
21

&w
27

. .

. .

. .
.
.
#

.
.


&

34

# . . w

&
41

# # . .
&
48

# # . . . .

. .
. . .

. . . . .
##

&
56

Copyright 2004, Clark Kimberling


Source: MinstrelOfZion, #81

# 2
& 2
6

& .
10

&

14

&

18

&

#
#
#

A. Reinagle
MARYLAND HORNPIPE
arr. Clark Kimberling
h

.
. .
>
. . .

.
. .

. .
.
>
. .
.

. .
. . . . . . . . . . . .

. .

. . . . . .

. . . . . . 3 .
2
&
22

. . .
. . .

bb 2 . . .A # . . . #
& 2
26

nbb 2
2

# .

...

n# 2
bb . . . . . . # . . . # . 3 #
n
&
2
2 . .

30

#

&
>
.
40
# . # .
&
35

.
. .
.

.
#


&
. .
45



.
>
. . . .

Copyright 2006, Clark Kimberling


Source: Levy Box 003 Item 077 undated

Irish-American
MEETING OF THE WATERS
arr. Clark Kimberling
q.
# ## 6
j

& 8

J
J

# ##
j
J j .

&

13

&

# ##

j j

# ## j
.
&
20

n n m
n

n nnn 6
# ## n
n

j
9
b 8
8 .

&
27

J

J
&b
32

# # # # a m

.

&b

38

# ##

&
44

.
. . . . . .
j n n . n n n . . . .

. . . . .

J

. . . . . . . . . . . . . . . . . .
. . . .

. . . . . .
. . .
&
J
J
J
50

j . . ##

J J
&
56


##



&
J
J
63

Copyright 2004, Clark Kimberling


Source Levi 1820s

MIDDLEBURY
# 2 h
& 4
7

&
#
&

13

American Traditional
arr. Clark Kimberling

J
J

# ##

# ##
.

&

19

25

&

31

&

# ##

###

> .
&
37


&
43

J
faster: h.
> >
n n n 3 >
n

4

>
> >
>J J

>
>
. . .


. . J .
J J

h
## 2

&
4

49

55

&

61

&

##
##

J
.

Copyright 2004, Clark Kimberling

m
J

MORNING TRUMPET

American Traditional
arr. Clark Kimberling

q
. # .
# 2
j

.
.
.

& 4 . . .

J
. .
J J
9

.
. . . . # . . . . J # J

&

. .

# .

& J J
17

# . . # > #
j
&
J
J J >

.
. . . .

25

33

&

bb

b
b
&

41

nbb
b


J
J

j
J

. .
# # . > > > . # J .
J
&

J
J
>

. .
# # . # . . > > > . # J . J
J
&
> J
66

&

## #


J J

. n

. n

. . . . .

>
. . . . . . # J # > j
J J

Copyright 2004, Clark Kimberling


Source: AmerHymnsON p302

. # . n . n # . . . . # .
n #

49

57

. .
. .

MOUNT VERNON POLKA

q
# 2 j j
#
#
& 4
7

&

19

&

25

#
#

&

# j
&

31

37

j > > .

&
m
43
# > .

&
#

j # j #

j # j #

# j

J
&
#

13

Hauser
arr. Clark Kimberling

>


J
J
m

j

j
j # j #
& # #

55
# m m m
j # j #
&

49

61

faster

&

Copyright 2004, Clark Kimberling


Source Ford p 166 and LC1850s

Henry Rowley Bishop


MY HEART AND LUTE
arr. Clark Kimberling
q .
.

.
2
j

.
& 4

sempre molto legato

-.

.
.

.
.

n
n 43

&b

J
9

. .

3
2

.
& b 4 A J 4
17


43
J

. .
j

3
2

.
& 4
4

25

.
. 3 j n# 2
b
&
4

4

33

.
# 2 . .
j

.
.
& 4
J
42

-.

# .

.
.


#
# 43

J

&

51

J
. .

4 J 4
3


.



J
.
~~ U

.
rit.

# 3 N 2 . .
J 4
.
& 4
57

64

&

71

&

77

&

#
#
#

Copyright 2004 Clark Kimberling


Source: Levy 1830 LC gr.hit.1830

# ## 4
& 4

Henry Rowley Bishop


arr. Clark Kimberling

MY PRETTY JANE

q rubato
.
.

sempre molto legato

j
# ## .
.

#
.
J
&
J
6

11

&

# ##

# ##

&
16

j j

j

J

. j j 6
4
J
J

# ## 6 . b . 4 . 6
. j 4
j n##

& 4 J
4 u .
J 4 J
21

5

.
.

## .

#
- # J
&
J
26

## .

#
&
31

##

&
36

##
&
41


- -
j

. j 6 . b J .

J J
J J J
4

~
# # 4 . J 6 .
.
4

4
& 4
4
J
3
3
46

Copyright 2004 Clark Kimberling


Source: Levy c1830

- - - .

J 44

Edwin P. Christy
arr. Clark Kimberling

NANCY TEASE

q
2
.
& 4 . .


. .

ben marcato

&

. . .



&
14

.
.
&
20

26

&

. .



&
. .
&

43

&

49

&

## .
##

61

&

##

.
m

. .

. . .

.

.

. . . . . . .

.
# # . .

&
55

.
## .

.

.

##

. . .

31

37

.
.
.

. .



. .

. .

Copyright 2006, Clark Kimberling


Source LC1848


. .

NASHVILLE SULPHUR SPRING WALTZ

q
>
J J

b
& b 43
bb >J
&
6

j

J >

b > A
b
& J

j
b
fl

j j n

>

11

b j . .
b
&
J
>
b
b
& b

b
&bb

26

j j

J
>
. .

J
>

j j # J
>
. .
j
b
b b b
J

16

21

j

J >


J >

J n

Carl Heinrich Weber


arr. Clark Kimberling

>
J

>
n
J

>
J

n j n n n # # j >
J J
J
>
. .
36

>

>
# # >

j
j

J b

& J J J
J
J fl
>
>
41

>
## j j # J
> j >

J
J j
&
J
J
>
46
>
>
## j

J

& #
J
J J
J
J
>
50
b .

> >
## j
J
J

&
J
>
bb
b
&
31

Copyright 2006, Clark Kimberling


Source LC1841

American Traditional
NEW UNION
q.
arr. Clark Kimberling
.
# 6 j

.

& 8 J
J
J
J
J
J
J

#
j .
&
J

.
13
nb
#
j .
A

&


J J
.
19
bb J
j

&

J
J
.
25

bb

J
& . J
J
J J
7

J
J
J
.

n### 6
b j
j
9

n
8 . .
&
8 J J
J . .
37
.
# ## a
.

J
J J
&
J
J
J
31

43

&

49

&

55

&

61

&

67

# ##
# ##

& .

j . j

nnn
.
J

.
.

J
J
.
J J

J
J




.
Copyright 2004 Clark Kimberling
Source: Klocko-Ingalls p30

.
J

.
J

j
.

NEW YORK LADIES 1


q
## 4
. # . #

& 4
#
J
J
m
6

&
10

&

14

&

18

&

22

&

26

&

30

&

34

&

38

&

. #
J

William Dressler
arr. Clark Kimberling


#
n
.

##

#
m

##

. #

#
J

##

# # #

#
#

##

. #
J

##

# #

# n

.
j

J n

#
J
# .

##

#
m

. #
J

##

#
m

. #
J

##

. #

#
J

##

# . # #

#
J

. #
J

Copyright 2006, Clark Kimberling


Source LC1851


#
n
.

# #

# n

William Dressler
NEW YORK LADIES 2
arr. Clark Kimberling
b 4 # n
#

b
& 4

animato

b n .
b
&

b
&b
8

j
#

bb #
&

j
n

b n .

. . . n . . . . b . . . .
J

. . . . . . . . . . . . . . .
n

bb . n .
.

J
.
&
J
J
16

j
#

bb A. . . . . . . . . . . . . . . .
.
&

20

. . . .....
bb . . . .
&
23

27

&

bb

bb . . . n . . . . b . . . .
&
31


n .

. n .

12

. . . n . . . . b . . . .

. n .


j
#

b

&b

. . . n . . . . b . . . .

38

Copyright 2006, Clark Kimberling


Source LC1851

j #

b n .
b
&
34

# n

n .
j
#

j
n

b n .
J

j
#

. n .

Aaron J. R. Conner
NEW
YORK
POLKA
WALTZ
arr.
Clark Kimberling
q
#

& 42

#
j

.
&
.
.
7


&

13

# . . # . . . .
&
19

.
j . . . . . . b . . . .
.

# . . . . . . . . . . . # . . . .
b

&
25

. .
.

# . .
&
31

. . . . . . .
.

b
.

.
J

. . . .
.
j

b
. .

. . . .

&
#
42

# n . . .
&
3

47

j

&

. . .
37

j
.

n . . . .

. . . . . . . .

. . .

m. .

. . . .
.
.
.

.
. . . . . . . . j

&
.

.
59

&

53

Copyright 2006, Clark Kimberling


Source LC1846



.
. J
J

H. Craven Griffiths
NIAGARA SCHOTTISCH
arr. Clark Kimberling
h (fast)
# 2 . . . . . . . . . . . . . . . . . . . . . . . . . . # . . . . . . . .

# .
& 2 . . .
.
3
3

. . . . . . . .
T

.
. . # . . . . n .

.
.

.
. #

. . .
& . # . .
6

11

&

16

&

#
#
#

. . .
.
. . . . . . . . . .
.
.

..
3
.
. . . . . . . . . . . . . # . # . . . . . . . . . . . . . . . . . .
.
. .
. # . .
3
3
3
.. .
.

.
.
.
.

.
.
.
# # . . a . . . . .
. . . . . .

. . .

.. .
3
3

21

&

##

. . . . . . . # . . . . # . . . . . . . . . . . . . . . . . .
. . . . . .

# # . . . . . . . . . . . . . . . . . . . . # . . . . # .

&
26

.
.
.
# # . . . . . . . . . . . . n n . N. . . . . . . . . . . . . . . . . . . . .
&
3

31

.
. # . . . . . . . . # . . . . . .

. . . . . # .

&
36

. . # . . n . # . . . . . . . . . . . . . . .

&
3

&

. . . . . # .

. . . . . . . . . . .
.

40

44

.
. . . . . . . .
3

.
. # . . . . . . . . . . . . . . . . . . . . . . . . . . .
#
.
. .

Copyright 2004, Clark Kimberling


Source Levi 1852

OH TAKE ME BACK TO TENNESSEE

#
& 68

q.


.
J . J . J

Charles H. Chandler
arr. Clark Kimberling

J . J

& . J . J
7

13

& .

&
.
19

25

& .

.
.
.
. . . . . . . . j .

. .
. .

.
.
. . . . . . .

# . . .
. .
.
& . . . . .
36
# . .
J
&
30

.
##
. . . . . . . . J J .
.
.

# # .
.
.
J J
&

J . J . J

J
##

.
.
&
48

##
.


&
60

&

## .

j
.

.
J

42

54

. . . . . . . . . . .
.
J
Copyright 2006, Clark Kimberling
Source Levy box 023

.
J

John H. Hewitt
OK GALLOPADE
arr. Clark Kimberling
.
# # 2 q

J
& 4 J
. .
>
>
7
.

# # . . . .



&
J
J
. .
>
13
. . .
##

# . N

. .
n

&

J
>
.
.
19
.
# # # . # . . .
. . b n n . # . J
&

.
. .
.

. .
.
#

. # #
. .
#
. .

&

25

31

&

# b n n . # .

.
J

##

# # # .

&
J
.
43
. b .
# # # # . . .
j

&
.
3
3
.
49
.
N

.
J
&
.
. .

55

>
.


# .
3
2
n

.
&b 4
4J
.
.
. . . .
61
.

.
#
J J
&
37

##

J m

Copyright 2004 Clark Kimberling


Source: Levy Box 041 - 1840

n nn

43

OLD JIM RIVER


q . . . .
2

& 4 J

Daniel Decatur Emmett


arr. Clark Kimberling

. . . . . . . . . . .

&

. .

&

.
&

. . . b . . . b

14

21

27

&

33

&

. .

. .
b
. .

.
m

##

j #
#

# # .
.
&
38

# # . .

&
45


.
.

. .
## #

&
51

Copyright 2004, Clark Kimberling


Source: Nathan p313

OMEGA
q
.
4
&4

.
&
8

.
&
J
## .

&

14

20

Oliver Holden
arr. Clark Kimberling

##
m

m
.

##

&
.
27

. .

. b . b

##
n
n

&
34

. N
. b .

## n
a

&

40

# # n b n n . n . . n n b

&
46

&b
52

. . .

&b
59

. . . . ~~
. .

J
Copyright 2004 Clark Kimberling
Source: ContinentalHarmony p77

PAUVRE GENEVIEVE
q
#
& 68 j J J J J j .

James L. Hewitt
arr. Clark Kimberling

J J

#
j j

j .

&
.

J
7

#
# .
#

#
. . .
J J
&
13

# ##
j j

&
.

J
J J
J J

19

# ##


j .

& .

J
m
faster: q.
31
###

n nn

. n

&
25

&
J
37

.
& J
43


&
49

# # . m m
&
55

# # J .

&
61

Copyright 2004 Clark Kimberling


Source: Levy Box 111 - undated

Valentine Dister
PENNSYLVANIA COTILLION
arr. Clark Kimberling
q. .

.


bb 6 J
J

J
J
& 8
J

J
J
ben marcato

bb J . . J J
&
J
J
J
J J
7


bb .

J
&

J
.
19
.

.
.
J
&b
. .
. .
14

.
. . .

.
. .
.
25
. . b .
J .
b
J
&b
J
J J
J

bb J . b b b
&

J
J
31

b b . . n nb b A n
b
&

J
37

bb A n n
&
J
43

J A n A n

bb

J
&

J
J
J
48

bb .
&
54

b
b
&
59


J
.

m
.

J
. J
J
J
J

J
Copyright 2006, Clark Kimberling
Source LC1846

James Bellak
PHILADELPHIA LIONS
arr. Clark Kimberling
q
. .
. .
. .
## 2 j

& 4 . . . . . .

##
. . j . .

&
. . . . . .
.
.
8

15

&

22

&

##

.
j
.
m .

##

##

&
29

36

&

##

.
.
j # # # . . .

# # # . . . . . . . . . .
j

&
.
J
43

# # # . . . . . . . . . . . . .

J
. J
&
m
58

nn

# ##

n
J
&
50

66

74

&
&



J
J



J
J

Copyright 2004 Clark Kimberling


Source: LC 1849

.
J .

W. Newland
arr. Clark Kimberling

PHILADELPHIA RONDO

q
# 2
& 4
8

&
15

&
#

&
23

31

&

#
> >
3
45
. . .
.
.
.

.
.
.
.
.
#
n

.
.
#


& #
.
52
. . .

. . # . . . n . . . . . # . . . . . # . . . n . . . . . . .
.
.


# .
&
.
.
> > >
58
.
.

. . . . . . . . .

&
..

38

&

&

&

66

74

Copyright 2004, Clark Kimberling


Source:LCAmerMemory 1835

American Traditional
arr. Clark Kimberling

PISGAH

h

bb 2
j
3

& 2 .
2
2
b
& b .
7

bb 3 2
& 2
2
.
13

b .
b
&
19

j j .
J J J J

j j
J J

bb . nslightly
n

nfaster

32 22
&
m
31
2 .

&2


25

3
2

2
2
&
37


>

&
.

43

&
49

2
. 3

2
2

slightly faster


.
2
b
& 2
55


. 3
2

&
2
2
61

Copyright 2004, Clark Kimberling


Source:Buchanan page 84

PRESIDENT WASHINGTON'S MARCH

American Traditional
arr. Clark Kimberling

# 4 q
& 4 .
.
#

&
.
.
8

# . . . . . . . m


&
.
.
3
3
20
. . . . . . . . m
# . . . . . .

&
.

14

# . . . .
.

&
m
26

.
. . . . .
. . .

# . .
. . . . . . . . .

.
&

33

. m # . .

. . . . . . . . .
& . .
39

n . . # . . . . .
.
.

.
& . .
45

. .. . 6
n 4

4
&
. .
4

.
m

56

.
.

&

51

faster

..
. . . . . . . . .
&
63

Copyright 2004, Clark Kimberling


Source Levy before1800

PRIMROSE

# 3 h
& 2

2 #
2

# 3

& 2
7

&
2
13

19

&

25

&

# ##
# ##

slightly faster

&
37

&w
43

&

##

w
-

faster

3
2

###

3
2

n
2

nn n



&

3 n
2
n w

50

56

2 #
2

# ## 2
& 2

3 n
2
w

31

American Traditional
arr. Clark Kimberling

##

>
>
32

>
Copyright 2004, Clark Kimberling
Source: AmerHymnsON p311

22 #
w

q
>
# 3

& 4 . .

. . .

# . . . . . . #

&

.
J


. . . . .

.
# . . . . . . .

&
> . . .

37

#m

&
&

48

&

54

&

.
J

. . .
#~~~~

.
J

. .

~
. .
.
.

. . n

. . . . . . .
.

. . .
. . .

. . >
.

# #
&
43

.
J

25

31

~~~


&
13

# .
&

. . .
.

.
.
.

.

. . > .

19

American Traditional
arr. Clark Kimberling

PRINCETON SONG

.
. . . . . . .

Copyright 2004, Clark Kimberling


Source:Keller p26

American Traditional
arr. Clark Kimberling

REDEEMING GRACE

>
# 3 q
j
& 4

>
>
>
>
7
> >
# > m

J
&
>
>
>
13

&
>
>

>


>

J
>

#
j


&

19

> > >


j n


&

>
>
31
> > > > > >
J
&

25

> > >


> j
# # 8 > . > . .

&

8
J
>
> . .
. . . . . . . . . .
43

.
. .
##
. .
&
. . .
fl .
. . . . . . . . . .
. . . . . . . . . >
47

#
.
J
J
& #
37

.
.
# # . . . . . 3 . . .
J
J
&
4
52

Copyright 2004, Clark Kimberling


Source: Buchanan p 26

Jeremiah Ingalls
arr. Clark Kimberling

YOUTH REJOICE

h
# 2
j

.
& 2

#

&
8

# . J

# . J .

# . j
&

w
.
14

bb

b
&b

20

&

26

. J

bb .
&

J .
&

##

##
&
41


j
n
b

b
.

31

36

n # nn##

##
nn
n

&

47

.
.
#

J
J

&
54

&
61

. #
w
J.
m
Copyright 2004 Clark Kimberling
Source: Klocko-Ingalls p94

RESTORATION

Southern Harmony, 1835


arr. Clark Kimberling

q
4

&4

&
m
7

q.
>
> >
.

b
6
6

J
& 4 b b b 8 J
J J
>
13

bb b J j 9 . .
8
&

6 J
8

19

bb b j .
&

J
25

&b
31

&b
37

.
& b 46
43

46

. J
4

J J
3
3

. . . . . .

b

&
48

53

&b

n n b 4 q

4

Copyright 2004, Clark Kimberling

REUNION POLKA 1

# 2 q
. .. .
& 4 . . . . . . . .
. . .
7
m
#
.
.
.

& . . . . . . . . .
.
..

. . . . . .

E. J. Xaupi
arr. Clark Kimberling

. . . . . . . .
. . . .
.
.
.
.

. . .

. . . . . .

. . . . . . . .

.
.

. . . . . . . .
.
subito legato
19

#

&

# . .

&
13

25

&

# J
&
31

.
. n . n . . .
.

. . . .

.
.

. . . . . . . . . . . . . . # n . .
.
.

.
.
.

# n
. .

. .

&
36

. . . .
.
.
.
. . .

&
41

. . . # . .

. . . .

. . . . . . .

# . . . # . . . . .

.
.

&

. . .
. . . . . .
52
. . . .
.
.
. . . .

.
.
.
&
.
.
.
57
# . . . n . . . . . . . . # n . . . . . . .

&
J
46

Copyright 2004 Clark Kimberling


Source: LC sm1851

E. J. Xaupi
arr. Clark Kimberling

q
. .
. .
. . J
## 2

. .

#
#
& 4 . .
. .
REUNION POLKA 2

# # . . . .

#
&
7

13

&

##

m. N

# # . . . . J

.
&
.
.
. . . . .
25
.

.
# . . .

&
19

31

&

. . . . . . . .

#
.

.
# . . .
&
36

41

&

##

. .

#
. .

. . . . n n #
. .
#

.
.

. . . . .

.
.
.

. . .

. .

. . .

. .

. . . . .

. . . . . . . .
J .

. .
. .

#
. .

. . J

##

. .

. . . .
# # . .
#

#
&
46

53

&

##

# N

m.

# # . . J
&
60

. .
. .

. .

. .
. .
. .

. .
J
Copyright 2004 Clark Kimberling
Source: LC sm1851

RONDO FANFARE

#
& 42

q
j #

. .

&

. . .
6

Anthony Philip Heinrich


arr. Clark Kimberling

.
.

.
.
#


#
&
. .
.
.
11

16

j
. .

.
j
# n

&
.
.
21

& j


&

26

.
#
n #


&

. .
3
. .
.

36
.
.

.
. . . #

&


31

#
. .
. . .
46
.

.
#
.

&
.

. . .

&
J
41

Copyright 2004 Heinrich(DaCapo) p159

. .
.

.
J

q
. . . .
2

& 4 . . .
8

&b

ROSA LEE

. .
. . . .
.
.


b
.
&
15

. # . # # n #


. . .
#

.
b

&

22

&b
29

. . . .

. . .

Minstrel Song,
arr. Clark Kimberling

. # . # # n

. .

. # . . .

###
. .
&
35

. .
.
.

#
n##

. . . .

. . .


. .

. . . .
# # # .

.
&
41

# # # . .

&
47

. .

&
53

. .
n n n . . . . .

. .

m. . .
. . . . . . . . .

&
59

Copyright 2004 Clark Kimberling


Source: Levy Box 17; 1847-8

. .

. . . . . . . . . . . . . .

. .

Alfred Squire
arr. Clark Kimberling

ROSE OF TENNESSEE

q
j
.
m

2
&4

& .
7

j
b

13

& .
.
.
&
18

. . .

.
. #
. . .
.

. .
m .

.
. .

. .
.

& .

# 3
4

& b .

23

27

.
&b

. . .
.

b
J

J b 42


b
&
32

37

.
3

.
. . .
.

m. . . .

42

. .

.
.

. .
.

46

. .

.
.

&b
&b

n
3
4

Copyright 2006, Clark Kimberling


Source LC1852

Traditional American
ROSE ON THE MOUNTAIN
arr. Clark Kimberling
q
## 2 #

& 4
6

&

##

## #

&
11

##

&


.
.
21
. . m . .
# # . .

&
16

.
.
.

. n n b



&b

26

#m



& b
32

n#

&b
38

##
#


&
43

47

&

##

## #

&
52

Copyright 2006, Clark Kimberling


Source: Levy Box 041 undated

SALVATION
# 2 h
j
& 2
.
# . j
&
8

Kentucky Harmony
Clark Kimberling

# . j
nb b


&


16

b .

& b J
24

b 3 h. .
bb . j

bb 4

&

J
32

b
&bb
40

b
& b b .
48

.
. . . . . . . . .

J
J
J

b b . . . .
b
&
60

m
.

h
. .
.
.
.

.
2
nb
2
faster:

.
.
.
. .

.
.

.
.
.
J .
&b J
68

b
J
&
75

molto rit.

. m
J

Copyright 2004, Clark Kimberling

SAVANNAH
q

## 4
& 4
6

&

##

Foundery Collection, 1742


arr. Clark Kimberling

n . j

~ ~

##

.
a . j

6
n

J
&
4
11

## 6
& 4 .
16

#
n 44

&

J
m

21

# n # n a . n
J
&

26

# T
6
4 .
&
31

36

&

# ##

### 4

# .
J

Copyright 2004, Clark Kimberling


Source UMHymnal 562

Irish-American
arr. Clark Kimberling

SIEGE OF PLATTSBURG

q
# 4 .

& 4

&

&
J J

11

16

&
21

&

bb

n b . n
b

. n

bb n n J J .
n


J
&

26

b
b

&

31

& .
36

40

&

m
nn #

# m . . . .

m
# . . . .

&
45

# J J
J

Copyright 2004, Clark Kimberling


Source: J&ALomax p510

American Traditional
arr. Clark Kimberling

SION'S SECURITY
# 3 q
& 4
. .
. .
7

&
. .
#
&
13


&

25

&

.
.
. . .

.
. .

. . .

19

. .

. .

.
.
. . .

bb

nbb

.
. .

. .
. .
bb

&
. . .
. n .

37
.

.
.
.


bb
nn . . . .

&

31

43

&
49

&

. .
.

. . #
. .

##

.
.

&
55

61

&

##

. . . .
. .

. .


. .

.
.
. . .

.
. . . . .
Copyright 2004, Clark Kimberling
Source:Buchanan page 92

SISTERS
q
# ## 2 j

.
& 4

J
J
molto legato

# ##
& J
13

&

# ##

# ## .
&
19

25

&

# ##


J
J

. J
m

n##
j
. J

## .
#
&
J
3

##

&
49

##
& J

#
J

62

&

##


J
J

#
J

##

&


J
## .
J
&

37

43

31

56

.
m

James Hook
arr. Clark Kimberling


J
.


.
J

Copyright 2004 Clark Kimberling


Source: Levy Box 48 undated

SOCIETY IN HEAVEN
# # 6 q.j
j .
j


J
& 8

Samuel Wakefield
arr. Clark Kimberling

##

j . j j m

##

j j j . n n nbb

.
j
J

bb

j
.

J
#
#

b
&b

j J # n j J . #

&
13

&

19

&

25

31

&

37

bb n #

&b

m
#


J
. b

J
J

J
J
J J

m m
.

&b J
J
43

Copyright 2004, Clark Kimberling


Source: MinstrelOfZion, #16

Henry Rohbock
SOUNDS FROM KENTUCKY
arr. Clark Kimberling
q
. #

. .
.
3

&4

J
J
J
J
7

&
14

&

.
J

.
&

.
J

25

. . . . &
J
31

37

&b

&b

# . J

. .

&b

# .
j

.
J

. # # . . # .

.
.

.
J

. m .

#
J

# > . N

&b
J
54

59

. #

b
J
&
43

48

&
19

. #
J

# .

. #
.

.
.

Copyright 2006, Clark Kimberling


Source LC1851

James B. Taylor
SPARKLING
AND
BRIGHT
arr.
Clark
Kimberling
h
.
.
.

.
.
.
& 22 . . . J .

. . . . . . . . j . .

&

J
. . . .

14
.

..
.
.

. . .
.
&

7

.
. . . . . . . . .
.

&
..
28
. . . . . . . . . . . . . . # #

.

&
a
22

.
. . . .
##


.
&
J
.
34

.
# # . . . . . . . j

J

&
J J
40

# # . . n n n

&

3
3
46

.

m

.
# n
32 # n 22
& b # n
52

# . . . . . J . . . . . . . J . .

&
58

. . .

. . . . .

#
J
&
66

Copyright 2004 Clark Kimberling


Source: Levi (on LC hit list for 1830

SPIRIT OF THE NORTH



# 2 h

& 2
9

&

m . .
. .

# .

. . j
.

m . .
.

. . . . # . . m

# .
&
17

# .

&
J
25

. J

. .
. .
.

. .
. .
.

. b
J

Patrick S. Gilmore
arr. Clark Kimberling

.
.

# b . # . . . . . . . . . . .

&

. . . .
~~ ~

33

40

&

# .

m
. . . . . . . m . .
.
.
.

# j . . . .
&
.
49

# . .
&
56

. .
.
.
. .
.
.

. .
.
.

..
. .
.

. .
. . . . . . # . m .

. . .

.
J

. J

. . .

. . . . .
.

. . . .
.
# # b # . . .
~

. ~~
&
65

Copyright 2004, Clark Kimberling

STAR IN THE EAST

American Traditional
arr. Clark Kimberling

h
& 22 w
. .
. . . . . .
9
.

. . w
.
&

.
&
J
17

25

&

. J w
w

& b
33

big breath

& - - - - -
44
. . .
.

.
.
.
.

. . .
& b .
39

. . . . . . . . . . .
. . .
. . . . . . . . .
.
subito staccassimo
,
. . . . . . . .

. . . . . - - - -

- . . .


n b


&b
49

legato


. . . . .

&b

55

.

3

b
&
2

60

Copyright 2004, Clark Kimberling

w.

SWEET FLORIDA GOOD BYE


q.
## 3 j
j
j

.
& 8
m # n
J
##

.
&

j
m # n

17

&

24

&

m
# .

##

m
.


&b

&

38

.
J

&b

&b

j
n #


J
.

53

&b
69

&b

m n b
b
&
76

nn b .

.
J

m
#
m

j m

j m
n b

45

61

##

##

31

James G. Drake
arr. Clark Kimberling

j m
n b
#

.
-
J

.

j

j m
n b

Copyright 2006, Clark Kimberling


Source: Levy Box 122 1835

q
.
. .
# # 5 . .

& 4

>
>
> .
>
sempre 3+2
5
.
m

# # . .


#
&

.
9
m .
. .
# # . .

&
.
THE SYLPHIDE FIVE-STEP WALTZ

Theodore Fry
arr. Clark Kimberling

.
m

. .

&

.
.
.
17
# # # a . . . . . .
. . . .
.
&
.
.
.
21
. . . . .
# # # . . . . . .

.
&
. .
13

##

###

.
n#

. . m .
. .
. .

&
.

. .
30
# # . . m
#n # > . . . > .

#
&

.
. . >
. . >
. . # >

35

.
.
# .
# . . . . > .
. # > .
#


&
25

40

&

45

&

##

#
#

. . >
. . > .

. . >
m . . >

>

.
.
.

. . >
m >

>
>

.
Copyright 2004 Clark Kimberling
Source: LC sm1850

Gustave Blessner
TEXAS
QUICK
STEP
arr. Clark Kimberling
. . . . . . . . . . . . . . . . . . . . .
# # 2 .q

& 4
7

&
13

&

##
##

. . . . . . . . . . . . . . . . . . . . . . . . . . . .
J
3
3
.

.
. . . . . . . . . . . . J .

3

##

&
20

##

&
28

.
.
.


m
# . #
N . .
.
.

. .
3

# # . . . . . . . . . . . . . . . . . . . . . . . . 3 . . .
# 2
n

&
4
4
3

35

# 2 b .

& 4
3

41

# # #
&
49

# N b .

&
57

b . J

#
# #
n
b .


J b

.
. N . . . . . . . . . . . . . . . . . . . .
&b
65

. . . . . . . . . .
.
b

&
J
76
. . . . . . . . . .
.

b
&
3

71

. . .
3

.
3

Copyright 2004, Clark Kimberling


Source Levi 1842

. . . . . .
3

.
. . . . . .

J
3

THE NORTH OF AMERIKAY

q
# 4
& 4 . . . .

Irish-American
arr. Clark Kimberling

# #



&
5

# .


&
. . . J
. .
3

. .

.
# . # . .


&
..
13

# . . . . . . . . . . . . . .


&
. .
3
3
21
6
# . . . .


&
4

18

# 6 . . . . . # # # # 4 .

. . . J

& 4
4
25

29

&

# # # . # . .




46
3

# ## 6
& 4 . .

j n b nn n b 4 .
b 4
. J
b

33

36

&


bb
n

b
b
&
39


. . .

46

3
Copyright 2005, Clark Kimberling
Joyce #15

THOUGH RIVERS BETWEEN US ROLL

Samuel Wakefield
arr. Clark Kimberling

h
. . j

b
.
.
& 2
J
J
. n
b
&
J .
7

. j

.
. .
J
J

13

&b

.
b

.
&
19

25

&b

31

&b

&b
37

# ##
&
43

# ##

&
55

&

# ## .

### . . .
n
J
J
J

. #

.
.
J

J
3

49

~
.

J
J

Copyright 2004, Clark Kimberling


Source: MinstrelOfZion, #80

F. A. Wagler
TIPPECANOE
HORNPIPE
arr.
Clark
Kimberling
h

2

&2

. .
.
7
.
.

.
. . . #
&

13

&

.
. - . J . j

. .


&

19

. . - . . j

&
#

J
25

.. . . . .. ... .

. . . . .
.

&

31

.
# . # .

. . . . . . . . . . . . . . . 3 . 2 . . j
&
2 .
2 J
.
43
. .
3


&

2
37

. . . # # 2
3

&2
2

. .
. .
.

55
.

.
.
.
##
.

&
49

. . ##

&

61

Copyright 2006, Clark Kimberling


Source: Levy undated

TURKEY IN THE STRAW

Traditional American
arr. Clark Kimberling

. . . . . .
. .
2

&2
. .
.
.
.
. . . . .

& . .
7

. . . .

.
.
. J . b b b b 3 h.
bb 4
&
J

14

bb b

& bb

.
.

.
32
.



b bb .
.
b

& b
21

b
& b bbb
43

.
.
. . .

h. .
#
n n n n n # 22 A

. . . . . . . . . . . .
. .
##

.
&
.
.
.
.
..
..
.
.
51

.
.
. .
# # . . . .
. . . . . . . . . . . . . . .

&
57

. . . . . . . . . . . . .
.

. . . . J . . m. .
##

J
&
62

Copyright 2004, Clark Kimberling

VERMONT

William Billings
arr. Clark Kimberling

# 2 h
.
& 2
.
#
&
w
8

# . J # . J #

# . . . . j
. w
&
..
# #
&

. . . . j
.
w
..

~
# # ~
.

J
&
29

#
&
36

43

&

# ~~ w

n . N .

w
&
&


.

# ~~
. J

50

57

# . J # .

15

22

# . # .

. . . . . .
.
w
J

..
. .
# . # . . . . . # # w
.J
& J
65

Copyright 2004, Clark Kimberling


Source, WBCollectedWorks p 180

VERNON

American Traditional
arr. Clark Kimberling

q
j j
j
2
j
b

& 4
.
.
j j
b

&
. j

j
J J J J
.

12

j j
b
& .
J
23

.
&


33

j
& .
44

55

&

#
j
j
n

J .

j
j


J .

>
>

>
>
>
>
>
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Source: Levy Box 003 Item 077 undated

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Source, WBCollectedWorks p 227

American Traditional
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Source: MinstrelOfZion, #53

WHO KILLED COCK ROBIN?

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Clark Kimberling
ZANTALOUIS
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ZAPPA ZETTA

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ZATALPA

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