Beruflich Dokumente
Kultur Dokumente
vv o ::~ 1 <i
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RUNN I NG PRE SS
P H IL AD ELPHIA LONDON
ThiJ book may not be reprodwd in 11tolc or in pari, in any jrmn or by any means, electronic
or mrdxmica!, indudingphotocoppng, recording, or by an)' infomtation stomge and retrinldl
J)'Jtmt flOP.' Jmo)Jin or hereafter iYFJJmted, without writtm permiJJion fivm the pubhilxr.
9
8 7
ISBN 0-7624-0300-4
This book may be ordered by mall from che publisher.
Please include $2.50 for postage and handling.
For my jathe~
Harry Waltet Moss)
a man of many words who
would nevertheless have
enjoyed this book.
C ONTENTS...
SPECI A L TH AN K.S
To Bev Johnson for bdievmg in me right from the starr, and for so
much more; and co John Kokor, who goc me starred one cold wimcr
day in Syracuse, NY (and I don't mean my car). Thanks also
to
Introduction ...
... 6
Alex
Jovanovich, Inc., who rook rime to help me lay the groundwork when
this was bm a fledgling idea; to M. Scott Radovich for his always usdul
counsel and good humor; to Ken Simon for reasons I can't pinpoinr
exactly, bur who somehow had a hand in all this; and to Dean Chri.ltianson and his many ralemed writing students over the years.
And thanks also ro Steve Rupp and Diane Urbani for their com
menrs and suggestions;
to
to
to
to
Introduction
of 1987, ir was a gamble. I wasn't really sure writers could pull it off.
Admittedly, most stories sent ro us that year weren't very good, but
every now and then a riny gem would shihc up from the typewritten
page, submitted by someone who truly understood the genre. I've often
tried explaining these 55-word creations co people, but most of them
think I'm crazy. Now I have rhis book to show them, a collection culled
from the cop stories sem ro us over the years.
I NTRODUCTIO N
If you've already glanced through these pages, you know what I'm
talking about. You've probably also noticed that many stories have
ending Many writers have sensed that wirh so litde ro work with, the
"Peanuts" comic srrip. Crabby old Lucy was once asked by Linus to
pleas14-please, please tell him a srory. Lucy grudgingly obl iged. Said she:
create a satisfying payoff, and rhey have plotted rheir tales accordingly.
The famous "Twilight Zone" episode featunng Burgess Meredith
as a bespectacled bookworm who finds himself the sole survivor of a
nuclear holocaust, and who breaks his glasses amidst books aplenty,
could easily have been written as a Fifty-Five Fiction srory.
a story be and still be considered a good srory? \Vhat's the briefest pos-
word is chosen with utmost care on irs way to achieving its fullest effect.
sible narrative that still allows for a satisfying read? r chink I've found
It's whar 0. Henry might have conjured up if he'd had only the back of
the answer. A.nd since you'r~: holding this book in your hands right
a business card ro write upon, or what "T he T\.vilight Zone" would have
been like if it were only a minme long. It's H. H. Munro's famous mini-
Consider for a moment that the paragraph you just finished read.ing conrains ex~~dy 55 words. Ir's an absurdly tiny number. No, it's an
impossibly tiny number. So how could ir allow for any kind of scope or
absurd, creepy and touching, and just plain wild. But most of all,
srory, and that it does. I also know that in the following pages, you'll find
murder and suspense, horror and imrigue, love and betrayal, plus dis-
leisurely across the page would find ~:heir attempts at Fifcy-Five Fiction
frustrating.
Introduction
Bur maybe not. Some vvho've taken the Fifty-Five Fiction chal-
lenge have later said chat the discipLne of making every word counr
easily transferred to their longer works, and char this righrly focused
Fiction story? Does such a stingy word counr allow for a really satisfying read? You already know what I think.
in rhe introduction
to
& Co.), "Like all fiction that matters, their success depends nor on their
length, bur on their depth, their clarity of vision, their human signifi-
become a jumping-off point for new fiction writers testing the wacers
cance-the extenr to which the reader can recognize in. chem rhe real
stuff of real life."
of their imagmations when the water (not to mencion that empty page
in from of them) seems vast and iruimidacing. Many who began wrir-
srories. I'd like to think at least one of them is now finishing up a first
novel-and that it's 555 pages long.
Sreve Moss
and narrative down co their utter essences and thinking hard abour
1995
each word and judging irs appropriateness are pan of rhe Fifty-Five
Fiction process. ft's difficult
to
joy of the eHort, the emotional rush of creating something small, orderly,
and beautiful out of absolurely nothing.
Vlhen 0. Henry finished writing ''The Gift of the Magi," he must
have fdt something similar. No doubt H. H. Munro did, roo, when he
completed his cla.1sic mini-story, "The Open Window:"
One thing I didn't expect was thar wriring instructOrs would rake
a fancy
to
praise- and hundreds of student samples- from both high school and
college teachers who've been using ir regularly and enthusiastically over
the years. One creativc-\ovriring teacher put it this v.ray: "The srudcms
have learned word economy, editing skills, and rhe basic essentials of the
short story in a very simple and easy-co-cake manner. And
to
cop it off,
ir was fun."
1V i tl1
Ivlu:cde :c
in Ivlind.
* * *
BEDTIME STORY
.!
..
. I
: :J
..
"C
-~,.
professional."
"How about me?"
'
........ . ,
. .
"
.: .,...
..
~:-.
:..
.,
...... -
. ;!
:.
~--
J',.
13
MuRDER Musr
AD\TERTI SE
ACCIDENTS
R egma!d Cooke had buried chree wives
before he n1arried Cecile Northwood.
"Tragic accidents," he told her.
"Ho\v sad," replied Cecile. "Were they
. . . V\realthy?"
~t\.nd bcatttiful," said Reginald.
They honeymooned in the Alps.
Later, Cecile told her ne\v husband'
"You know; darling, n1y first husband died
in a tragic mountaineering accident."
"How sad," replied Justin Marlo\v.
..,_(. -.
MA RK C OHEN
Fe1nal~
munlerou.rb'fashionabl~ seeks
adventuresome male...
L.
14
1~
J.
B A RN ET T
o amn.
I liked Dawn. Nice girl. Weak back,
though.
Oh, well.
H ave
. ' to burv her somewhere. In the
.
basen1en~n1aybe?
What's that?
Nice girl.
Guess I'll be busy tonight.
From Dusk to Da\vn.
BRU CE H ARMOR
16
DEATH AND
DENOUEMENT
''n
~tty grisly; eh Jacques?"
"~
'{;{;6man,'.'sir."
JoE HUI3JHL L
18
19
DE ATH IN THE
AFTERNOON
"C
Bang/
".. . and anothcr.I"
Bang/
"Louis! Tony! Supper!"
"Co1n1n,
. 'Mom.I"
PRISC iLLA MtNTLI:\iG
21
1\ ,
1 , 1 1, c~ 1\ N Y c ) N
he
SORR Y
ASKED
"I
beneficiary shoved.
.I
CURT H OMAN
22
23
OU T O F T HE
Lyn
Foe .
24
TH E MYSTERY
"Y
this crime."
Hohnes stood up and gestured
broke do-vvn!"
. "You a doctorF
"Right."
TOM FoRD
;.1: ...
.......
26
DoLOR EZ
RourF.
27
I N T 0 T f-I E N I G H T
Look, smile, teeth, lips, voice, sexy car,
feel~
29
~~~----------------~---- ---
GOURMET
C01v1ESTIBLES
DECE MBER
8, 1980 ,
5:59P.M.
,,
II
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W
ithy Mrs. W igdswortlls eyes
glcan1ed when she ordered tender fillet of
filly fron1 Pat R. Hamn1, proprietor of
Gourn1et Co1nescibles, for a dinner party
honoring the police chief.
co be late."
DAvro CoNGALT ON
I.
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30
31
FINAL WITNESS
Pandemonium erupted. The next witness
was walking through the courtroom doors.
"Order in the court!" the judge
bello\ved, ciacking his gavel.
in shock.
C A NDICE C. MUTSCHLER
32
MALICE
AFORETHOUGHT
GRANDMA MEETS
THE Ax MURDERER
"Y
'
tried to stopyou!"
w\Vh,z vou filrhv liar-"
J ; .,'
./
almost full.
knitting. The Inurderer raised his 'blood-
'
'
back there?"
MIKE PHILLIPS
DIANE ELLIOT T
34
35
' l'}
... ..
-"'
.,
. .
..
~!
'
'
'
'
.
'
. .
R oADI<- I LL
'
-''H
hunt ronighd"
"Sounds fun, son."
"There's a rurnor we'll have LO find at
kast one roadkill!''
"... Okay."
.. Dad, its so nice out this evening, you
oughta go for a walk!"
"... Hrorrun. Think 1 -vvilL Sec you
,
1.atcr.
"For sure!"
I
'3 7
.~
I
ON T H E Bus
.Were
curtains.
have windo\vs.
J A N E O RV I S
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39
..
The World's Short est Storie.s
Hi s Ass i STANT
Carmine the Magnificent could not
40
I WANT TO REPORT
WINDIGO
A.N ACCIDENT
"C
Umberto."
I
[
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-Convict 338412
.._, ...
L A RRY
TOM FORD
42
43
J. } U HL
45
lv1INDY
"N
"""\ 1 T
I
for help.
free ..."
Thev follovv me home, dovvn tnirrored
j
CU RT HO MAN
46
47
BLOOD SURE
"C
"Sure.,
"Blood sure?"
"Look, Ty-"
"Oh, I forgot. .Doctor. Ever since you left
the holler, you's better' n us kinfolk and
our v;.rays.
48
''H
BIRD Ti\LI<
BREAK~
IN THE CASE
"E
efficient."
The criminologist polished his glasses.
"Yes. Also slight, lefr-handed, 1nyopic.
\vhereabouts."
Sco r r D.
I-
SHAW
Screech of brakes.
"Where?" cried the inspector.
"Here," said the other, grinning hugely
as he slainmed h01ne the blade.
\'V IL L.IAM E. BLUND ELL
50
51
Yes,
J.Jove
Happens_
L.
T!LTO::"J
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* * *
O N THE R EBOUND
"\1 T
VVhy?"
54
!
The World's Shortest Stories
THE AFFAIR
"R
I N TI-1E
GARDEN
"Oh, .7"'om.t"
"Tina, rny flower\"
H OPE A. T ORRE\
57
56
TH E DREAM
As
of
wolves.
59
THE BEGINNING
he
He
PILGRINI's TAL E
cmcrcd sheepishly and knelt at his
vvife's bedside.
D AVTD
DEVos
60
61
THE S A LON VI S I T
";\
f i n}'lay," the \Voman in the chair
continued, "his vvife's sogullible/ Bill
alvvays says he)s going bowling; she ahvays
believes hin1!"
look unforgettable."
ELT:!.ABETH Et.:LA
.:.-...
.'
62
I
I
LoUNGE ANGEL
Bare
. I
he
the beach.
.
"For freeing rne," said the genie, "I will
...,-;,.
He sold cars.
"I produce Broadvvay plays."
"Oh-I'd hoped you \Verethis beautiful
drearner I once rnet on a car lot," she said
leaving.
He called vvork
Quit.
And follovved her into the night.
RUSTY EV.--\NS
65
64
WERLING
Wling
67
RITE S OF PASSAG E
SECON D CH ANCE
the grootn.
-.
M ARK TURN ER
68
69
./
plantied; later.
lvleanwhile, vve roamed the vast estate,
happily discussing arrange1nenrs.
70
AT AN
APEELING PARTY
He
"0
that babe."
"Perfectly shaped breasts," said Jim.
machine."
He paced. ''I'm only doing this once.
old guys."
"Yeah . . . guess they've got nothing
better to-do than-oh, mama, Tim, would
''
72
'l
f
!
'
73
EDWA RD E . GOTO
RENDEZVOUS
he
phone rang.
75
THE DANCE
LIIZE Two SHIPS
H e shufflesto my locker. Skinny Stev
H e entered the elevator.
... ~
"Hi, Sue."
"You wanted to ask me so1nething?"
blame her.
Nice perfume, he thought as they
phone number?"
JOY JOLISSAIN T
CHRIS MACY
77
76
MASTER THIEF
Coins. Nickels, pennies, shining dollars.
Inspecting purses, browsing pockets,
poking couches. Everything moves from
my long fingers into my deep pockets.
Fell in love once. Beautiful meter 1naid.
-- ...
__
78
E.
McD ONALD
JUST DESSERT S
WINDS OF CHANGE
proached.
He explained that since he'd stopped
M.
couldn't stop.
They left together in anticipatory bliss.
SH A RP
REB ECCA
81
80
L.
CONNE R
PHOTOGRAPHER's
REGRETS
G.
WALLACE
82
83
LOVE
Brenda promised the horizontal hokeypokey if he wore a chicken suit_;:tnd spoke
French. Wayne sewed and studied for
six months.
l(nocking on her door, he was one
sharp bird who could conjugate like a
Parisian in heat.
Brenda greeted him with the news-she
was now into vegetables and Swahili.
Love is cruel.
DANIEL
85
J.
EGGERT
GALILEO
the Cove.
She was definitely a California girl.
Blonde, beautiful, tanned.
She had freckles, as the midnight sky
has constellations. On her right thigh, the
Pleiades. On her left, Orion's belt. The
never forget.
J AY B ONES TELL
TIM HAR TW IG
86
87
MOMENT OF
DECISION
She could
clanging shut.
Freedom would be gone forever, control
escape . .
She turned to the groom with a smile
88
89
SCHATCHEN
l(IM
"I .
Our
remembered saying.
Playing matchmaker had been his
mother's only fault. He winced now as dirt
ofMoms?
Tess would have come to the funeral
even without the promise she'd made to
the dying woman she'd nursed during her
final days.
~;
..,. ...
ANNETTE AMIR
90
91
M.
DoMINGUEZ
Now
Sandra towel-dried her hair on the
veranda. The briny smell of the ocean
lingered in the breeze.
Inside, the shower was still running.
She thought about Pete and the kids.
That life seemed years ago. Wasn't that
the American dream? Would they
understand?
"I loved watching you swim," said
I(athy; handing Sandra the hairbrush.
R AE SILVE R
92
THE WISH
deserted beach.
''I'll never understand women."
94
95
P A R S ON S
FoR
BRIEF
INTERMISSION
"I
'm drowning."
and macho.
She was white, Protestant, divorced, and
'Tm falling."
"N,
0.
steamed oysters.
I RIS A L EXA N DRA
96
-
---
- - - - -
97
'
FIRST ENCOUNTER
.,.
~.~]1
'
~
1 '
;,.
ARTHUR
99
L.
WILLARD
FAST TALI(ER
"-c'
('\ _L
Please/"
Perspiration trickled down his neck; he
stepped harder on the accelerator.
"But ... there's so much I want to tell
you! So much that hasn't been said!"
"Ten," she murmured.
J.en.?"
"'""1:
J..~e
1es.I,
"\J.::
SYLVI A R E I C HMAN
100
tl1.e
City
of~
* * *
"Six."
_L
THE LAND
OF THE FREE
103
ON
THE
5:25
SUBURBAN
He
HEADED FOR
TRO UBLE
h e scantily
unstable."
She sat there silently He turned
away; looking at the slanting rain. His
lips trembled.
"Nobody seems to care," he said.
Later at dinner, her friend asked,
'Anything wrong?"
Her fingers danced as she signed:
"That-man-on-the-train. He-looked-upset."
MARK CoHEN
104
105
GRATITUDE
h
106
DISTRESSED
IN THE BAR
"r-r
iake the bimbo on the end."
"Why not?"
"She's obviously the reject."
"''res.,,
"Rea11y.)"
"Definitely."
"Being over forty is harder than
I thought."
"No, it hones a person's tastes."
"What if I take her, then?"
EMILY TI LTO N
108
109
~ r. :. :. t>
PATROL
I,-
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'
nightly vigil.
With the dome light on, he read
headlines of the newspaper propped
against the steering wheel. The radio
blared, calling his number. The dome light
went off, replaced by the red and blues.
Hoping not to make headlines himself,
he pulled into the night.
TI MOTHY GRAF
111
LATE SNACK~
ing hours.
Early one n1orning he crawled beneath
his car.
over indulgence.
DoLOREZ RouP E
112
113
DI C K SKEEN
"I
114
Stories
THE ORDEAL
No
WORDS LEFT
ToM McGRANE
11 6
he could have.
E.
117
K A R L FOU L K JR .
IT
WAs A YEAR
Aco
119
EL
MUERTO
night's work
T OM 0D E N C RANS
DOUGLAS
120
] 21
L.
H ASKINS
SOBER INTELLIGENCE
122
_.-----
--
--. - ..... . . - - - - -
........,_,.,.,.__
--=-';,.~-
__
HERE
h
Now
Vo x PoPULI
"H
u,....
of Jesus.
"We're going to pray for you now; Billy,"
they repeated.
MI C H A EL J U LIAN P H IL LIP S
124
125
GE TTiNG TO
I(Now You
.....
~-
"I
f'
f .
l _.,
I
127
AUTUMN SONATA
THE TRUTH
Is FouND
1 :e truth is
believed true.
Another drunk responded, "Belief
con1es before truth."
Beer glass held high, he continued, "I
believe by dropping this glass, it'll break --
128
MI CHA E L \ V. T A Y L O R
129
HARRY's LOVE
H
130
THE PROMISE
THE DEMISE OF
OLD CUSTOMS
"I
"s
"She's alive."
'1\nd our pron1ise to let her die
with dignity?"
"But she gave us our lives!"
"Then we ovve her dignity in death."
L EW I S A. H EN BU RY
132
133
HIGHER
"C
EDUCATION
134
THE DEAL
TYPEC AS T
"M
kinda guy"
!
a john.
The buyer inspected the goods; the
seller inspected the cash.
T HOMAS QUINTANA
Pi7
DECEJ\1BER STORY
Nck
0 EA N C H R IS Tl AN S 0 N
138
Storie s
D A DD Y's HOME
"M
.
here?"
"Soon, very soon," she said. "The war's
. "
over ... no n1ore worryu1g.
1Hl
.,
'Ona.e -'-'
Y
* * *
- .~
MEPHISTOPHELES ,
WHI S I<Y, A ND THE
WRETCHED SouL
M
A banker strolled by
"Ten bucks for your soul."
"Try a million and a private jec."
"Look paL Avarice, extortion, wickedness, and infidelity-Ten bucks is a steal
for your \Vretched soul. The Reaper
won't be so kind."
~ -
"Thirteen. No less."
"D ea11."
Both grinned.
SL\N C H R IS T OPH ER WEIR
142
Yonde r
HONEYMOONERS
TK
N EW LIFE
111e
mandibles.
144
145
Yonder
E N GLI S.H
lA
"U
. .
))
contatntng com1nas.
My laser bea1n crackled out a response.
One down.
147
----
-~ -
---
,._, . .,
_____
Yonder
.. \
i
How
GoT
THE CHrcr<E N
ITS REPUT A TION
W I SHFUL THINKINc;
Bob
he asked.
"You da boss. I'm just the genie."
"C001".
feelings.
148
"
J OSHUA H t\N I'>
149
150
EDMUND's
DISCOVERY
Edmund's car wouldn't lecture him
when he forgot to buckle up. The instant
teller's cryptic note in1plied his PIN
number didn't exist. The motion detector
above the supennarket door refused to
notice him.
Troubled by these developments,
Edmund sat in his empty aparnnent
and thumbed reluctantly to the obituary
column.
''I'll be damned," he said.
PAU L TUCKER
152
Yo nder
DR AG ON T A L E
PE RS PEC T I V E
"I
move.
COLIN CAMPII li l I
] ANA S E ELY
154
155
Yonder
FIRST STEP
I t's been three days since I've had a drink
Recently I learned about support groups.
There's one for just about everything
these days. I checked around and found
a meenng.
Last night \:vas the first time I had the
nerve to stand up and say, "H ello. I'm
Sandy, and I'rn a van1pire."
Maybe there's hope.
T ! 1vf S COTT
157
-- - --
FAT TEETH
Yond e r
COMlv'IUNIQUE
158
D AVID RI C HARD S
159
THE
Bus
STA TIO N
"0
160
E. HU N T
Yonder
OH, GOD
.>~ !
. .,
...
,
.
-~
.. I
~
. I.
em out.
f~>n y
163
Sto ries
Yonde r
THE DYIN G
h
AR T
h
Vs.
CO MM ERCE
"Is he alive?"
"Poor guy"
RoN BA S T
164
165
&.
GUITAR
Hell never hold me as he holds that
gwtar. Has!lt touched me that wqy tl1 years
!11get tnstde the guzia1~ to be z/1 his
arms agazn.
She spent aU day, sacrificing shape,
voice, everything but desire to be held.
166
M.
DANI E L
Yonder
THE SPACEMAN
COMETH
TYPHOID ALEX
"W
general beamed.
ne\vspaper folded.
i
l
I
1 68
1
I
Yonder
SEEING RED
hose
STRII(E
THE BAND
"H
unblinking eyes!
he puffed.
UP
knell of n1idnighr.
The spade struck wood.
in the moonlight.
M.
nevv baton."
17 0
171
he
, ... ,
THE END
"You didn't!"
"Because you
know."
"I did."
"Dead?"
.
""\7
1es.
"But I won't-"
t'
"Too late."
"-tell-"
"Why?"
"She knew."
"Wh
au'"
";\b
n.. out me. "
"But what?"
"Th."
lS.
'An alien!"
"\.T "
ltS.
"Indeed."
"What now?"
"No\v yo~."
"011, no.,,
"Oh, yes."
been completed."
"Excellent.
"But \vhy?"
"Indeed."
CHARL E S \VEST
174
* * *
BAD LUCI(
176
E.
M AYER
Furthe r Voice s
THE REUNION
EQUAL RITES
"H
of the tnen.
. -.
in five years.
"'\7:
178
MARK P LANT::i
')
d.D'~
'-
Furthe r Voice s
MISLAID P LA N S
181
- - - - - - - - - - - - - -- - - - - -- - --
- - - - - --
- ----
... .
- - ----------
T -HE FALL OF
A LEGEND
DEATH OF A.
NEIGHBOR
MY
I ad1nired.
O~~l~sted
foren1an.
"Couple hours tops," spat the burly
logger.
"Let's get it over with."_.
ANDREW
182
MA RY Y<>llr--!t .
E. H UNT
183
AT THE HosPITAL
"S
of tumor."
184
Deep
Furth er Voices
THE FOREST
"D
little man.
"D on't be stupid,'' the large man replied.
"It doesn't feel anything."
the ridge.
Grandn1other had called this The
Seasoi1 of Deer Rutting. Seeing one pass
meant you'd travel soon.
I left in the morning fog, arnid sounds
of rifle fire. Deer season had begun.
over both .
ST EV EN M A C L EOD
186
187
Further Voic es
WAR GAlvfE
C
fell silent.
-.:
. -- :'
. . - :i' .
-' .:-~-.-... y.
. ~/:~::-.. ,
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189
MAID TO SERVE
"H
Further Voice s
COWBOY MOVIE
Jack's father died. The machines confirnled it. The nurse entered the room,
EMILY TILTON
E R N E s T M . G i\ IZc:! t\
190
191
ALL A T SEA
Her
192
- -- - - - - --
--- --
--
Further Voices
LAST FLIGHT
On a Greyhound bound for the Grand
Canyon, she traveled unnoticed among
the tourists, but carried no luggage or
sensible shoes.
The driver slowed, announcing, "Scenic
overlook ahead."
Passengers unloaded, fumbling for
binoculars and cameras.
She stepped close to the edge. It had
gone on long enough. Fight or flight?
Fight or flight?
Flight.
VvENDY L I EPMAN
195
Further Voic es
FooTSTEPS
IN THE SAND
D
' _,_,. .I
-,.
~'
'
'
;'.<
''
Ro ss
. 1'-::t'!-.:
.
''1-~
'
':;:;.-.'
19 7
PAR SON S
IN
Stori es
Further Voices
THE ROUGH
CH AME LEO N
SCHLEMIELEON
chip was teed off
A midsemester move
to
a new school.
anyone else.
Doubting my calculations, the teacher
198
S WAN S 0
I've failed.
N
PATRIC
199
S.
TR A Y
Further Vo ic e s
FAIR PLAY
lrv
ogling won1en.
"That one?" Irv asked.
"Nope," Ivan said. "Too fat."
"Her?"
"Nope, too skinny"
201
DENTIST's THEATER
h
Further Voic es
Stories
Wen
were supportive.
202
203
N.
TOGN AZZ I N I
Further Voices
GRAPPLEMEYER
"0
205
Further Voices
CARE FOR
LosT
ANOTHER BITE?
"M
sometimes hid.
Shoppers stared.
sizzling steaks.
Later, he savored a mouthful. As the
well-marbled n1eat slid down his throat,
the animal began its own revenge.
BRIAN BARNE S
206
207
Further Voices
EVE N I N G SURP R I SE
s himmery stockings stretched over
(( { j
H I L L 1\ R Y C L A Y
209
F11rther Voices
FATE
SEQUEL TIME
'
separate forever.
.
wreckage.
]. RIP P
UP TON 0. Goo D
210
211
Further Voices
"H
n1an said.
"Ic's a fake collar, understand? I'm on
H. W . M oss
2 1"3
12, 1994,
10:03 P.M.
Further Voices
SOLITAIRE
JUNE
"J
.
.
J"
eez~ 0. ].-some~1n1es y~u start~c me.
to stay
a\vay "
"Hiya, Ron!"
so long.
"Hey; 0. ]."
"'Night, 0. ]."
"'Night, Nicole."
LACH MACDONALD
214
215
Stories
MY
R ECIPE FOR
WR I TERS JAM
<1
216
55
fiction
Tl1.e
R.ule s
* * *
The Rules
stretching back a full eight years w a rime when finding good copy co
fdJ our arts and enteminmcnt publica Lion, New Times, was tough to
ow hard
1S
it
to
dandv section of Official Fiftv- Five Fiction Rules so vou can know
'
'
obVi OUS,
to
but l t 's broken more often chan you might chink. vVe tell them
errant thoughts. A Jot of people have a hard t1me geuing that straight,
as it looks.
thinks they're simple to execme-it's just that rhe people who do rhem
thing so short 1s really possible. They usually end up '.'Vith only part of a
story, often with their charaCter stranded in a situa tion going nowhere.
ired space 1S a link like carving a beautiful sculpture from a tiny block
of wo~d. Tbe working range is truncated and nmmare, bur the goal is
'
to
per-
For those who think this limiting ro their creativity, consider for a
momrnt that:
srarrs with fair sroryrclling and gw berrer with practice. Ray Bradbury
have co have a setting of some kind, even if tt':; the other s1de of the uni-
verse, the inner reaches of someone's mind, or just rhe house next door.
to
write, thev
'
should compose a shorr story every day. "If you do that," he said, "by the
end of rhe year you'll have \vrinen 365 stories-and, at the very least,
microbes. Anythmg.
to
By confhcr, we merely mtan that in the course of the story, something has ro happen.The lovers argue, The deer flees. The astronauts wait
to
doesn't necessarily mean that there's a moral (}mice is its own reward,"
\vritten that great novel that's been inside you, struggling ro gn om.
"In the end, love triumphs") , or even that rhe conflict itself is resolved. Ir
218
219
Bm what it does mean is that when rhe story end~. someone has to
have learned something. Tony found out his wife wanted co kill him
The Rules
.1 11
after aU; the soldiers successfully eluded the enemy when they thought
chan they bargained for, in a Lale w1d1 only one sentence using almosr
all nouns.
father. lt's even possible co have none of rhe characters leam anyrhing.
Bm if char's rhe case, then we rhe readers must.
sides havmg a terrific swry idea, \Vhirmore also goes about cdlmg ir.
rhey're easy co work with, and because many writers instincnvely ~um
for the impact of a twist <l t the encl. H. H. Munro had similar instincts
in his Iindy crafted mini-short srories. So dtd Rod Sterling and Alfred
characters are lovers, but the author never says so. \Ve also know there's
a gun in rhe storv bur it's never directlv mentioned. ln fact, \Vhitmore's
, .
rale is acrually two stories. T he second one-the other conspiracyreveals itself in rhc final rwo words.
You can write abour anything you Lke, bur you can't use more
and ycr we see rhe entire scene perfectly The author rhen stretches the
than 55 words. Yes, vou can use fewer if 'vou'cl like to' but we don't know
form by having his srory srart even bd ore his narrative begins, and wd
beyond his final phrase, making it seem longer than just 55 words.
T he main advamage co suggestion is conveying information eco-
nomically- when rhe reader knows vvhar you're ralki ng about \Vid1our
your saying so, fe.vvcr words are needed. The disadvanrage, of course. is
IS
"blue-green dress" is three words, nor cwo. Excepriom r.o rhis are any
\VOrJs rhar don't become two complen: free-standing words when rhc
trying to cell roo compLcated a srory in such a tiny space. Fifry- Five
1.1
Also, please note rh;n your story's ririe isn't mcludccl Jn d1e word
C~n ~n entire story be cold Wlth every word starring with the same
lcner of the alphaber? Sure ir. can. You'll find iron page 67
220
counr. Bur remember char it can't be more chan seven words long.
Contractions count as single words, so if you're really seeking
\VOrd economy (as you should
will JUmp," it's r.hrec \vords. But if you write, "He'll JUmp," ir's only two.
Very.. economtcal. By the same token, anv comr:tcrion Lhar's a shorrened
.
~
.-
22 1
The Rules
form of a word is also counted as a full word. Like using" 'err:\' for "them."
.Make sure your name, address, and telephone number are included
each one in case your stories get separated. Too many rimes, we've been
when it's pan of an acronym like MGM, NASA, or IBM. The rea-
unable to conrnct authors of great stories simply becau~ they forgot this
simple procedure.
soning here is chat rbe wide usc of these acronyms has in effect made
them inco single words.
Remember rhat numbers count as words, too, expressed as either
when written out, but only one when expressed as 28. Don't cheat your-
words, so don't worry about being miserly wirh them if they work w
some effect.
There are a few cliches we suggest you avoid. Unless you can come
STEVE
up with really fresh rakes on these old chestnuts, stay away from stories
where the reader eventually discovers the protagonist is a car (or some
orher animal); charilcters who appear to be having sex, bur it turns our
they're doing something innocent and mundane, and you just have a
diny mind; and any character who wakes up at the end and says, "Gosh,
1t was all a dream!" These go m the trash faster than the speed of light,
as well they should.
So now that you've digested all the rules and you're pmring all
chose great ideas of yoms on paper, what are you going ro do with the
best ones afcer you've shown them ro friends who all thi nk you're brillianc? Good question. Here's a good answer. Send them to us so we Ci111
consider them for our next Fifrv-Five Fiction book.
J
You can submit as many srories as you want, bur remember that
each story must be typed on its own sheet of paper. That means one
story per page.
222
223
M oss
A B0
UT TH E
to
to
scudied arr at Brooks Institute, UC Santa Barbara, and Syracuse University, bur eventually swirched
to
more fun w hang out wirh. He's been a reporter, editor, busboy, an
director, construction grunt, advertising copywriter, and graphic artist:.
He's rhe editor and co-pubLsher of New Times in San Luis Obispo,
where he started Fifry-Five Fiction as an annual writing contest, and he
can't imagine doing anything else. He now lives in Pismo Beach, Calif.,
with his hot cub.
A B0
UT
TH E
l L L U ST R AT 0
R:
224