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1.

CREATE
ORIGINAL ART

EXCEEDING

MEETING

PROGRESSING

EMERGING

Ideas are original and creative. A


personal style develops.

Ideas are original--unique to the


artist or borrowed ideas are
merged/changed to create
something new.

An attempt has been made to use


original ideas that is somewhat
unsuccessful, low level changes are
made.

Ideas are un-original, copied, or


plagiarized.

Artist puts forth needed effort to


develop new skills successfully.

Artist attempts to learn new skills,


but gives up when presented with
challenges.

Artist stays at their current skill level.

An original message is attempted,


but it becomes lost or confused.

There is no original message or


meaning in the artwork.

2. DEVELOP ART Artist's development/effort exceeds


expectations.
MAKING SKILLS

3.
COMMUNICATE The work has impact and makes a The work has a discernible message
that is accessible to the viewer.
THROUGH THEIR personal connection with the viewer.
ARTWORK

4. TAKE RISKS

Artist embraces the potential of risk


to take work to the next level.

Artist selects options where the


outcome is unsure.

Artist takes limited risks where the


outcome is somewhat predictable.

Artist selects familiar options with


predictable outcomes.

5.
COLLABORATE/
WORK WITHIN
COMMUNITY

Artist takes on leadership roles


within groups. Searching out other
art communities, or starting one
when one can't be found.

Artist actively collaborates. Learning


to interact as an artist with other
artists.

Artist collaborates passively. Only


interacting with those in our art
studio.

Artist works alone. Sitting quietly by


one's self and not sharing or caring
about/with others.

6. SOLVE
PROBLEMS

Artist generates solutions to


problems independently.

Artist is self directed in seeking out


and attempting solutions.

Artist can solve problem with help.

Artist gives up when confronted with


problems.

7. REFLECT

Artist can independently analyze


artwork and apply observations to
past, present, and future work

Artist can independently understand


strengths and weaknesses of
artwork.

Artist needs help to analyze work.

Artist does not reflect.

8. GLOBAL
AWARENESS OF
ART MAKING

Artist understands and takes


inspiration for art making from
current/historical global sources

Artist understands examples of art


outside their personal experience.

Artist has limited awareness of art


outside of their personal experience.

Artist understands art in a personal


context.

NOTES

9. OBSERVE

Artist attends to "details" in visual,


audible, and written contexts. Artist
applies these details and highlights
these details.

Artist moves beyond ordinary


"looking" and notices things that
otherwise might be overlooked.

Artist can see things more closely


with help.

Ordinary "looking".

10. PLAN

Artist creates several sketches,


mockups, based on research.

Artist creates multiple sketches.

Artist creates a sketch and edits as he


works.

Artist "goes" with first idea.

11. RESEARCH

Artist does first-hand observing of a


topic. Artist includes both written
and visual research. Artist draws
from multiple sources.

Artist does research and collects


research into a single place. Uses
several sources to determine the
"look" of idea/subject.

Artist does research, but only bases


artwork on one image.

Artist finds one image with no


further research.

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