Beruflich Dokumente
Kultur Dokumente
DO IT WITH
IffireOreffi
Agatha Christie
They Do It W ith Mirrors
Collins
Collins
H arp erC o llin s Publishers
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C ollins is a registered trad em ark o f H arperC ollins Publishers Lim ited.
T h is Collins English Readers ed ition published 2012
R e p rin t 10 9 8 7 6 5 4 3 2 1 0
First published in G reat B ritain by C ollins 1952
A G A TH A C H R IS T IE M ISS M A R P L E T hey D o It W ith M irrors
C o p y rig h t 1952 A gatha C h ristie L im ited. All rights reserved.
C o p y rig h t 2012 T h ey D o It W ith M irrors abridged edition Agatha
C hristie Lim ited. A ll rights reserved,
w w w. agathachristie .com
ISBN: 978-0-00-745167-8
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C over by crushed.co.uk H arp erC o llin s/A g ath a C hristie L td 2008
T ypeset by A ptara in India.
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Contents
S to ry
C h a ra c te r list
102
C u ltu ra l n o te s
104
G lossary
107
Chapter 1
R u th Van R ydock was beautifully dressed. H er face, w ith its
expensive m ake-up, appeared alm ost girlish at a distance. H er
h air was m ore blue than grey and perfectly styled. E verything
that m oney could do for M rs Van R ydock had been done.
R u th Van R ydock sm iled at her friend. D o you th in k m ost
people w ould guess, Jane, that you and I are the same age?
Miss M arple answ ered loyally. N o t for a m om ent, Im sure.
Im afraid, you know , that I look every day o f m y age!
Miss M arple was w hite-haired, w ith a soft, pin k and w hite
w rin k led face and innocent blue eyes. She looked a very sweet
old lady. N o b o d y w ould have called M rs Van R ydock a sweet
old lady.
I guess you do, Jane, said M rs Van R ydock. She grinned
suddenly, A nd so do I. O n ly no t in the same way. She sat on a
silk-covered chair. Jane, I w ant to talk to you.
Miss M arple leant forw ard to listen carefully. She looked out
o f place in this grand bedroom o f an expensive hotel, dressed
as she was in old-fashioned black and carrying a large shopping
bag.
Im w orried, Jane. A bout C arrie Louise.
C arrie Louise? Miss M arple repeated. O h, the nam e took her
a long way back, to the exciting days before the First W orld W ar
w hen she was a student in Florence, sharing an apartm ent w ith
tw o A m erican sisters. T hey had been very different to young
Jane M arple, quietly brought up in a gentle English cathedral
tow n. R u th was tall and full o f energy w hile C arrie Louise was
small, delicate and dreamy, but bo th had that direct A m erican
way o f talk in g and she had liked them at once.
W h e n did you last see C arrie Louise, Jan e?
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just too bad about dear Jane. Som etim es she doesnt have enough
to eat and shes m uch too proud to ask old friends for anything.
You couldnt offer h er m oney but a nice long rest in lovely
surroundings, w ith an old friend and w ith plenty o f good food,
R u th Van R ydock paused and then added, N o w go on be
angry if you w ant.
Miss M arple opened her blue eyes in gentle surprise. B ut w hy
should I be angry at you, R u th ? It was a very good approach. Im
sure C arrie Louise responded.
Shes w ritin g to you. Honestly, Jane, you dont m in d . . . ?
She hesitated and Miss M arple pu t her thoughts neatly into
words. G oing to Stonygates and pretending to be in need o f
charity? N o t in the least. You th in k it is necessary and I agree
w ith you.
M rs Van R ydock stared at her. B ut why? W h a t have you
heard?
I havent heard anything. Its you that I trust, R u th .
Chapter 2
Before she caught her train back to St M ary M ead, Miss M arple,
in a business-like way, asked for details.
Its ju st the facts I need, R u th dear - and some idea o f w ho I
w ill m eet at Stonygates.
W ell, you k n o w about C arrie Louises m arriage to
G ulbrandsen. T here w ere no children and C arrie Louise was
very upset by that. G ulbrandsen was a w idow er, and had three
g ro w n -u p sons. Eventually he and C arrie Louise adopted a
child. Pippa, they called her - a lovely little girl just tw o years
old. A nd th e n ex t th in g that happened was that C arrie Louise
had a baby after all. I understand from doctors that that quite
often happens.
Miss M arple nodded. I believe so.
Anyway, it did happen, but then their daughter M ildred,
w hen she arrived, was a very unattractive child. She looked like
the Gulbrandsens, w ho are good people bu t very plain. C arrie
Louise was so anxious to m ake no difference betw een the adopted
child and her ow n that I th in k she gave even m ore attention to
Pippa - w hich m ade M ildred unhappy. Pippa grew up a very
beautiful girl and M ildred grew up a plain one. G ulbrandsen left
an equal am o u n t o f m oney to b o th daughters - and at tw enty
Pippa m arried an Italian aristocrat. M ildred m arried C anon
Strete a nice m an, but he often had colds in the head. H e
was about fifteen years older than she was. It was quite a happy
m arriage, I believe.
H e died a year ago and M ildred has com e back to Stonygates
to live w ith h er m other. B ut Ive m issed a m arriage or tw o. Ill
go back to them . Pippa m arried her Italian, Guido. A year later
Agatha C hristie
Chapter 3
Miss M arple got out o f the train at M arket K indle station, holding
tightly a string bag and an old leather handbag and looking m ore
poorly dressed th an usual.
Miss M arple was looking around the w indy station there
w ere no passengers or railway staff anyw here - w hen a young
m an came up to her.
Miss M arple? H is voice had an unexpectedly dram atic
quality, as th o u g h he was playing a part in a theatre. Ive com e
to m eet you from Stonygates.
T h e personality o f this young m an did no t m atch his voice.
H is loud voice was m eant to m ake h im seem im portant, w hen in
fact he was alm ost nervous.
O h th ank you, said Miss M arple. T h eres ju st this suitcase.
T h e young m an raised a hand at a p o rter w ho was pushing
some large boxes past on a handcart. B ring it out, please, he
said, and added im portantly, for Stonygates.
I w ont be long, the p o rter said cheerfully.
Miss M arple th o u g h t that the young m an was n o t too pleased
about this delay.
T aking Miss M arple towards the exit, he said, Im Edgar
Lawson. M rs Serrocold asked m e to m eet you. I help M r
Serrocold in his w ork.
H e behaved as if he w ere a busy and im p o rtan t m an w ho
had, very charm ingly, put im portant business on one side to be
polite to his em ployers wife. A nd again it was no t com pletely
successful it had a theatrical flavour.
Miss M arple began to w onder about Edgar Lawson.
T hey came out o f the station to w here a rather old Ford was
standing - ju st then a new tw o-seater R olls B entley came into
II
Agatha C hristie
12
13
A gatha C hristie
14
15
Agatha C hristie
16
Plan of Stonygates
STUDY
V D
gm
VH
)
GREAT
5
UJ un
HALL
U -O
>
DINING
LIBRARY
Terrace
ROOM
IIGUEST
HROOMV
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BAIZE
DOOR
KITCHEN
1
[ BATH
17
Chapter 4
Before M rs Serrocold could say anything m ore, her husband
came in from the hall carrying some letters.
Lewis Serrocold was a short m an, b u t he had a strong
personality. H e was full o f energy and he concentrated com pletely
on w ho he was speaking to.
Bad news, dearest, he said. T h at boy, Jackie Flint. H e s in
trouble again. A nd I really did th in k he m eant to stay honest
this tim e. H e seemed so sincere about it. You k n o w he always
liked railways - and D r M averick and I tho u g h t that i f he got a
railways jo b he w ould be good at it. B ut its the same story. H e s
been stealing from the parcels office. W e havent got the answer
to his troubles yet. B ut Im no t giving up.
Lewis - this is m y old friend, Jane M arple.
O h how do you do, said M r Serrocold, n o t really noticing
Jane. J ackie is a nice boy, too, not too m any brains, bu t a really
nice boy. Terrible hom e he came from . I -
H e suddenly gave all his attention to the guest. W hy, Miss
M arple, Im delighted youve com e to stay w ith us. It w ill m ake
such a great difference to C arrie to have a friend from the old
days she can exchange m em ories w ith. She has in m any ways
a bad tim e here - so m uch sadness in the stories o f these poor
children. W e do hope youll stay w ith us a long tim e.
Miss M arple could understand w hy her friend had been so
attracted to this charm ing m an. T hough she was sure that Lewis
Serrocold w ould always th in k that causes w ere m ore im portant
th an people. It m ig h t have m ade some w om en angry, bu t not
C arrie Louise.
Lewis Serrocold took out another letter. A nd w e do
have some good news. This is from the bank. Y oung M orris is
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21
Chapter 5
T h e next m o rning, Miss M arple w ent out into the gardens. T hey
w ere in a very bad way, the grass was long, the flower borders
w ere full o f w eeds and the paths w ere overgrow n. T he kitchen
gardens, on the o th er hand, w ere full o f vegetables. A nd a large
part o f w hat had once been law n and flower garden, was now
tennis courts and a bow ling green.
As Miss M arple pulled up a weed, E dgar Lawson appeared
in a neat dark suit. She called him , asking i f he knew w here any
gardening tools w ere kept. Its such a pity to see this, said Miss
M arple. I do like gardens. N o w I dont suppose you ever th in k
about gardens, M r Lawson. You have so m uch im p o rtan t w ork
to do for M r Serrocold. You m ust find it all m ost interesting.
H e answ ered quickly, Yes yes it is interesting.
A nd you m ust be o f the greatest help to M r Serrocold.
H is face becam e troubled. I dont know . I cant be sure . . .
H e broke off.
T here was a garden seat nearby and Miss M arple sat dow n.
I am sure, she said brightly, that M r Serrocold relies on you.
I dont know , said Edgar. I really dont. H e sat dow n beside
her. Im in a very difficult position.
O f course, said Miss M arple.
T his is all highly confidential. he said.
O f course, said Miss M arple.
A ctually, m y father is a very im portant m an. N o b o d y knows
except M r Serrocold. You see, it m ight do m y fathers position
h arm i f the story got out. H e smiled. A sad, dignified smile.
You see, Im W in sto n C h u rch ills son.
O h , said Miss M arple. I see. A nd she did see. She
rem em bered a rather sad story in St M ary M ead and w hat had
happened afterwards.
22
E dgar Law son continued and w hat he said seemed m ore like
a young m an acting on a stage than talking about his life. T here
w ere reasons. M y m other wasnt free. H e r ow n husband was in
a m ental hospital - there could be no divorce - so there was no
question o f m arriage. I dont really blam e them . M y father has
always done everything he could privately, o f course. B ut the
trouble is, h es got enemies and theyre against m e, too. T hey
keep us apart. T h ey w atch me. W herever I go, they spy on me.
A nd they m ake things go w rong for m e.
Miss M arple shook her head. Dear, dear, she said.
In L ondon I was studying to be a doctor. T h ey changed
m y exam answers. T h ey w anted m e to fail. T hey follow ed
m e, told things about m e to m y landlady. T hey follow m e
w herever I go. M r Serrocold b ro u g h t m e dow n here. H e was
very kind. B ut even here, you know , Im no t safe. T h ey re here,
too w o rk in g against m e - m aking the others dislike me. M r
Serrocold says th at isnt true bu t M r Serrocold doesnt know.
O r else I w o n d er som etim es Ive th o u g h t . . . H e got up.
T his is all confidential. You do understand that, dont you? B ut
i f you notice anyone follow ing m e spying, I m ean let m e
k n o w w ho it is!
H e w ent away, and Miss M arple w atched him and w ondered.
T here was som ething a little w ro n g about Edgar Lawson perhaps m ore th an a little. A nd E dgar Lawson rem inded her o f
som eone.
A voice spoke. Crazy. Just crazy.
W alter H u d d was standing beside her. H e was frow ning as he
stared after Edgar. W h a t k ind o f a place is this, anyw ay? he said.
T h ey re all crazy. T h at Edgar guy w hat do you th in k about
him ? H e says his fathers really G eneral M ontgom ery. H e told
G ina he was the heir to the R ussian throne. Hell, doesnt the guy
k now w h o his father really was?
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Agatha C hristie
24
T h ey D o It W ith M irrors
W alter gave her a look. Youre the only one Ive talked to so
far. I do n t k n o w w hat it is about you I kn o w youre English
but you do rem in d m e o f m y A unt Betsy back hom e.
N o w th ats very nice.
She had a lot o f sense, W alter continued thoughtfully. She
looked w eak, b u t she was tough yes, m aam , Ill say she was
tough.
H e got up. S orry about talking to you in this way. For the
first tim e, Miss M arple saw h im smile. It was a very attractive
smile, and W alter H u d d was suddenly changed from an aw kw ard
bad-tem pered boy into a handsom e and charm ing young m an. I
had to say it, I suppose. B ut I w asnt right to w orry you.
N o t at all, m y dear boy, said Miss M arple. I have a nephew
o f m y o w n.
Youve got o ther com pany com ing, said W alter H udd.
T h at w om an doesnt like me. G oodbye, m aam. Thanks for the
talk. H e w alked away and Miss M arple w atched M ildred Strete
com ing across the law n to jo in her.
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Agatha C hristie
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A gatha C hristie
Its a m edical problem th ats w hat w eve got to get the police
and the law courts to understand. D o look up, youll see how
w e begin.
Miss M arple looked up over the doorw ay and read:
R E C O V E R H O PE A L L YO U W H O E N T E R H E R E
28
Chapter 6
O n the w hole it was rather an exhausting day.
Enthusiasm can be extrem ely tiring, Miss M arple thought.
She felt dissatisfied w ith herself. T here was a pattern here
perhaps several patterns and yet she could no t get a clear view
o f them . A ny w o rry she felt was centred ro u n d E dgar Lawson.
S om ething was w ro n g about Edgar Lawson som ething that
w ent beyond the adm itted facts. B ut Miss M arple could no t see
how that w rongness, w hatever it was, affected her friend C arrie
Louise.
W h en , on the follow ing m o rn in g C arrie Louise came and sat
dow n on the garden seat beside her and asked her w hat she was
th in k in g about, Miss M arple replied, You, C arrie Louise.
W h a t about m e?
Tell m e honestly is there anything here that w orries yo u ?
W orries m e? T he w om an raised clear blue eyes. B ut Jane,
w hat should w o rry m e?
W ell, m ost o f us have w orries. Miss M arples eyes w ere
bright. I w o rry about things eating the vegetables I grow in
m y garden g ettin g sheets properly repaired. O h , lots o f little
things it seems u n n atu ral that you shouldnt have any w orries
at all.
I suppose I m ust have, said M rs Serrocold. Lewis works
too hard, and Stephen forgets his meals, w orking so hard at the
theatre, and G ina is very nervous bu t Ive never been able to
change people I dont see how you can. So it w ouldnt be any
good w orry in g , w ould it?
M ild red s n o t very happy, either, is she?
O h no, said C arrie Louise. M ildred is never happy. She
w asnt as a child. Q u ite unlike Pippa.
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Agatha C hristie
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32
you should ask som ebody in the house here. Miss Believer, for
instance.
C hristian G ulbrandsen was staring at her very hard.
Som etim es, he said simply, it is hard to k n o w w hat is the best
th in g to do. I w ish to act for the best. I am particularly anxious
that no harm and no unhappiness should com e to that dear lady.
B ut it is n o t easy n o t easy at all.
M rs Strete cam e into the room at that m om ent. C hristian, D r
M averick w ants to kn o w i f you w ould like to discuss anything
w ith him .
N o, I w ill w ait u n til Lewis returns. B ut I w ill have a w ord
w ith him .
G ulbrandsen h u rried out. M ildred Strete stared after him
and then stared at Miss M arple. I w onder i f anything is w rong.
C hristian is very u nlike him self. D id he say anything?
H e only asked m e about your m others health.
H er health? W h y w ould he ask you about th at? M ildred
spoke sharply, her large square face w ent red.
I really do n t know .
M o th ers health is perfectly good. Surprising for a w om an o f
h er age. I hope you told h im so?
I dont really k n o w anything about it, said Miss M arple. H e
asked m e about h er heart.
T h eres n o th in g w ro n g w ith M o th ers h ea rt!
Im delighted to hear you say so, m y dear.
W h at on earth pu t all these strange ideas into C hristians
head?
Ive no idea, said Miss M arple.
Chapter 7
T h e next day seem ed uneventful.
C hristian G ulbrandsen spent the m o rn in g w ith D r M averick
in the Institute. In the early afternoon Gina to o k h im for a drive,
and after that he asked Miss Believer to show h im the gardens.
It seemed to Miss M arple that he w anted a private talk w ith her.
T h e only disturbing th in g happened about four o clock. Miss
M arple had gone out in the garden to take a w alk before tea.
C o m in g ro u n d some overgrow n bushes she m et Edgar Lawson,
w ho was rushing along, talking to h im self and w ho nearly ran
into her.
H e said, I beg y our pardon, but Miss M arple was startled
by the strange staring expression o f his eyes. A rent you feeling
well, M r Law son?
Well? Ive had a shock - a terrible shock. T he young m an
gave a quick look past her, and then an uneasy look to either side.
Shall I tell y o u ? H e looked at her doubtfully. I dont know. I
dont really know . Ive been spied on so m uch.
Miss M arple took h im firm ly by the arm . I f w e w alk dow n
this path there, now, there are no trees or bushes near. N obody
can overhear.
N o no, youre right. H e took a deep breath, bent his
head and alm ost w hispered, Ive m ade a terrible discovery.
E dgar Lawson began to shake. H e was alm ost crying. I trusted
someone! I believed them , bu t it was lies all lies. Lies to keep
m e from finding out the truth. Its so cruel. You see, he was the
one person I trusted, and now to find out that all the tim e h es
been m y enemy! Its he w ho put spies to w atch me. B ut he cant
get away w ith it any m ore. I shall speak out. I shall tell h im I
k now w hat he has been doing.
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Agatha C hristie
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Agatha C hristie
38
Agatha C hristie
Miss Believer cam e back into the H all, holding several keys.
T ry these, she said breathlessly.
At that m om ent the lights cam e on again. Stephen R estarick
began try in g the keys. T hey heard the inside key fall out as he
did so.
A nd that w ild, desperate sobbing w ent on.
W alter H udd, co m ing lazily back into the H all, stopped and
dem anded, W h a ts going o n ?
M ildred said tearfully, T h at awful m ad young m an has shot
M r Serrocold.
Please. It was C arrie Louise w ho spoke. She got up and came
across to the study door. G ently she pushed Stephen R estarick
aside. Let m e speak to him .
She called very softly Edgar, Edgar, let m e in, w ill you?
Please, Edgar.
T hey heard the key pu t into the lock. It tu rn e d and the door
was opened.
B ut it was n o t E dgar w ho opened it. It was Lewis Serrocold.
H e was breathing hard as though he had been ru n n in g
otherw ise he was n o t affected.
Its all right, dearest, he said. Its all right.
W e thought you had been shot, said Miss Believer, her relief
obvious.
Lewis Serrocold frow ned. H e said w ith a little show o f anger,
O f course I havent been shot.
T hey could see into the study by now. E dgar Lawson had
fallen by the desk. H e was sobbing and breathing heavily. T he
g un lay on the floor.
B ut we heard the shots, said M ildred.
O h yes, he fired tw ice.
A nd he missed you?
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A gatha C hristie
W alter H u d d picked up the gun. W h ere the hell did you get
m y g u n ? he dem anded. You little thief, you took it out o f my
ro o m !
Lewis Serrocold stepped betw een the frightened E dgar and
the angry A m erican. A h, heres M averick. Take a look at him ,
w ill you?
D r M averick cam e tow ards E dgar enthusiastically. This
is n o t acceptable, Edgar. You cant do this sort o f thing, you
know .
H e s m ad and dangerous, said M ildred. H e s been shooting
a gu n at m y stepfather.
E dgar cried out in fear.
Careful, please, M rs Strete, D r M averick w arned.
Im sick o f you all! I tell you this m ans m ad, M ildred insisted.
E dgar pulled away from D r M averick and fell to the floor
at Serrocolds feet. H elp me. Help me. D o n t let them take me
away and lock m e up. D o n t let th em !
You com e w ith me, Edgar, said D r M averick. You go to
bed now and w ell talk in the m orning. N o w you trust me,
do n t you?
R isin g to his feet and shaking, Edgar looked doubtfully at the
y oung doctor and then at M ildred Strete. She said I was m ad.
N o, no, youre not.
Miss Believer came in, red faced. Ive telephoned the police,
she said grimly.
J olly! C arrie Louise cried in dismay.
E dgar began crying again.
I told you, Jolly, I did not w ant the police, Lewis Serrocold
said angrily. T his is a m edical m atter.
T h at m ay be so, said Miss Believer. B ut I had to call the
police. M r G ulbrandsens been shot dead.
42
Chapter 8
C hristian shot? D ead? C arrie Louise said. T h a ts impossible.
G o and look for yourselves, said Miss Believer angrily.
Lewis Serrocold put a hand on C arrie Louises shoulder. N o,
dearest, let m e go.
H e w en t out. D r M averick and Miss Believer follow ed
him .
Miss M arple gently led C arrie Louise to a chair. She sat dow n,
her eyes looking h u rt and shocked. C hristian shot? she said
again. She sounded like a hurt, confused child. B ut w ho could
possibly w ant to shoot C hristian?
Crazy! W alter said quietly. T h e w hole lot o f them .
G inas young, startled face was the m ost vivid thing in the
room .
Suddenly the front door opened and together w ith a rush o f
cold air a m an in a big overcoat came in.
H is cheerful greeting seemed shocking. Hello, everybody. A
lot o f fog on the road, I had to drive very slowly.
Miss M arple saw that this m ust be the other R estarick brother,
Alex, but w here Stephen was thin, the new com er was a m uch
bigger y o ung m an, handsom e and w ith the all the authority and
good h u m o u r that success brings to some men.
H e said, doubtfully, You w ere expecting me, w erent you?
You got my telegram ?
H e was speaking now to C arrie Louise. She put her hand out
to him . H e took it and kissed it gently w ith real affection.
A lex dear things have been happening.
M y brother, C hristian, M ildred said w ith a grim relish that
Miss M arple disliked, has been shot dead.
G o o d grief. A lex said, clearly upset. Suicide, do you m ean?
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Agatha C hristie
always good to me. Softly, she touched the top of his head with
her fingers. Bless you and thank you, dear Christian.
Lewis Serrocold said with more emotion than Miss Marple
had seen in him before, I wish I could have saved you from
this.
His wife shook her head gently. You cant really save anyone
from anything, she said. Things always have to be faced sooner
or later. And therefore it had better be sooner.
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Chapter 9
Inspector C u rry and his Sergeant found Miss Believer alone in
the G reat H all w h en they arrived.
She came forw ard. I am Juliet Believer, com panion and
secretary to M rs Serrocold. M ost o f the household are in the
library. M r Serrocold rem ained in M r G ulbrandsens room to
see that n o th in g was touched. D r M averick, w ho first exam ined
the body, w ill be here soon. H e had to take a case over to the
Institute. Shall I lead the way?
Please.
For the next tw en ty m inutes it was the routine o f police
procedure that was m ost im portant. T h e photographer took
pictures. T h e police surgeon arrived and was jo in ed by D r
M averick. H a lf an h o u r later, the am bulance took away C hristian
Gulbrandsen, and Inspector C u rry started his official inquiry.
H e looked carefully round the people gathered there, m aking
notes in his m ind. A n old lady w ith w hite hair, a m iddle-aged
lady, the good -lo o k ing girl he had seen driving her car ro u n d the
countryside, that A m erican husband o f hers. A couple o f young
m en, the capable Miss Believer, and Lewis Serrocold.
Im afraid this is all very upsetting to you, he said, and I
hope I w ill not keep you too long this evening. W e can look
at everything m ore thoroughly tom orrow . It was Miss Believer
w ho found M r G ulbrandsen dead, so Ill ask her to give me a
description o f the general situation. M r Serrocold, i f you w ant to
go up to your wife, please do.
46
voice and m anner. H e looked quiet and serious. Ive had the
m ain facts from M r Serrocold. M r C hristian G ulbrandsen was
one o f the trustees here and he arrived unexpectedly yesterday.
T h at is co rrect?
Yes.
Inspector C u rry was pleased by her short answer. H e
continued, M r Serrocold was away in Liverpool. H e returned
this evening by the 6.30 train.
Yes.
A fter dinner, M r G ulbrandsen w ent to w ork in his ow n
room , leaving the rest o f the group here. C orrect?
Yes.
N ow , Miss Believer, please explain how you found him dead.
S om ething unpleasant happened this evening. A young
m an becam e very unbalanced and threatened M r Serrocold
w ith a gun. T h ey w ere locked in this ro o m and you can see
the bullet holes in the w all there. F ortunately M r Serrocold was
u n h u rt. A fter firing the shots, this young m an was in such a bad
condition that M r Serrocold sent m e to find D r M averick. As
I was com ing back, I w ent to M r G ulbrandsens room to ask if
there was any th in g he w ould like before he w ent to bed. W hen
I saw that M r G ulbrandsen was dead, I rang you.
C o u ld anyone have com e into the house from outside
w ith o u t b eing heard o r seen?
C ertain ly by the side door to the terrace. People com e in
and out th at w ay to go to the C ollege buildings.
A n d you have, I believe, tw o h undred and fifty juvenile
delinquents in the C ollege?
Yes. B ut the C ollege buildings are locked and guarded. It
is m ost unlikely that anyone could leave the College w ithout
perm ission.
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Chapter 10
Lewis Serrocold came into the study and sat dow n, no t in the
chair Miss M arple had ju st left, bu t in his ow n chair beh in d the
desk.
H e looked at the tw o police officers thoughtfully. H e had the
face o f a m an w ho was suffering badly in very difficult conditions,
and it surprised Inspector C u rry because, though C hristian
G ulbrandsens death m ust have been a shock, G ulbrandsen had
n o t been a close friend or relation. H e was only a rather distant
connection by m arriage.
Lewis Serrocold said w ith a sigh, H o w difficult it is to know
the rig h t th in g to do.
I th in k w e w ill be the judges o f that, M r Serrocold, said
Inspector C urry. N ow , M r G ulbrandsen arrived unexpectedly,
I u n d erstand?
H e did.
A nd you have no idea o f w hy he cam e?
Lewis Serrocold said quietly, O h yes, I know w hy he came.
H e told m e.
Business connected w ith the G ulbrandsen Institute, I
suppose?
O h no, it was n o th in g to do w ith the G ulbrandsen Institute.
Lewis Serrocold continued seriously. I fully realize that w ith
G ulbrandsens m urder, I have got to pu t all the facts before you.
B ut I am w o rried about m y w ifes happiness and peace o f m ind.
It is n o t for m e to direct you, Inspector, bu t i f you can find a way
to keep certain things from her I w ould be grateful. You see,
Inspector C urry, C hristian G ulbrandsen came here to tell me
that he believed m y w ife was being slowly and cold-bloodedly
poisoned.
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Agatha C hristie
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Agatha C hristie
Inspector C u rry sighed. You can tell everyone that they can
all go to bed. Ill talk to them tom orrow .
W h en Serrocold had left the room , Inspector C u rry said to
Lake, W ell w hat do you th in k ?
H e know s or th inks he know s, w ho did it, said Lake.
Yes. I agree w ith you. A nd he doesnt like it at all.
Chapter 11
G ina greeted Miss M arple w ith a rush o f w ords as she came
dow n to breakfast the next m orning. T h e police are here
again. T h ey re in the library this tim e, theyre going to speak
to everybody. I th in k the w hole th in g s horrible. I hate it.
A nd Jo lly s very bad tem pered, H olding on to her arm , Gina
took Miss M arple into the d in in g room . I th in k its because
the police are in charge and Jolly cant m anage them like she
m anages everybody else.
Alex and Stephen, continued G ina severely, as she saw the,
tw o brothers finishing their breakfast, just dont care.
G ina dearest, said Alex, you are m ost unkind. G ood m orning,
Miss M arple. I care very m uch. Except for the fact that I hardly
knew y o u r U ncle C hristian, Im obviously the best suspect.
W h y ?
W ell, I was driving up to the house at the right tim e. A nd
theyve been checking on things it seems that I took too m uch
tim e betw een the gate and the house - tim e enough, apparently,
to leave the car, ru n round the house, go in through the side
door, shoot C h ristian and rush back to the car again.
A nd w hat w ere you really doing?
I stood for several m inutes looking at the fog in the cars
headlights and th in k in g w hat I w ould use to get that effect on a
stage. For m y n ew Lim ehouse ballet.
B ut you can tell them th at!
O h , you k n o w w hat policem en are like. T hey have doubting
m inds.
It w ould am use m e to see you in trouble, Alex, said Stephen
w ith his rather cruel smile. N ow , Im all right! I never left the
H all last n ig h t.
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Chapter 12
Lewis Serrocold w ent away, and Inspector C u rry sat dow n and
gave Miss M arple a rather know ing smile. So M r Serrocold has
been asking you to keep a close eye on his w ife, he said.
W ell, yes. I hope you dont m ind.
I th in k its a very good idea. Does M r Serrocold know just
how well qualified you are for the jo b ?
I do n t quite understand, Inspector.
H e thinks yo u re just a very nice elderly lady w ho was at
school w ith his w ife. H e shook his head. W e k now youre m ore
than that, Miss M arple, arent you? Y oure very fam iliar w ith
crim e. M r Serrocold only knows one part o f it the beginners,
these juvenile delinquents. It makes m e sick. T here are plenty
o f good young m en about, boys w ho are w orking hard. A good
start in life w ould m ake a lot o f difference to them . B ut there it is,
honesty has to be its o w n rew ard m illionaires dont leave trust
funds to help the good young people. W ell, Ive seen boys - and
girls w ith everything against them , bad hom es, bad luck, every
disadvantage, and th eyve had the determ ination to succeed,
despite all th eir problem s. T h a ts the kind o f person I w ill leave
m y fortune to, i f I ever have one. B ut then, o f course, I never
w ill have a fortune. Just my pension and a nice bit o f garden. H e
nodded at Miss M arple. Superintendent Blacker told m e about
you last night. H e said youve had a lot o f experience o f the
bad side o f hu m an nature. Well now, lets have your view. W h o
killed Gulbrandsen? T he A m erican husband?
T h at, said Miss M arple, w ould be very convenient for
everybody.
Inspector C u rry smiled to himself. A nd his m anner doesnt
help. So, w h o s been poisoning M rs S errocold?
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Agatha C hristie
You m ean th at you w ere all listening to the argum ent going
on in M r S errocolds study.
Miss M arple n o dded in com plete agreem ent. Yes, w e were
all very frightened. E dgar Lawson really looked m ad. A part from
M rs Serrocold, w ho was calm , we all feared that he w ould h u rt
M r Serrocold. H e was shouting, you know , and saying the m ost
terrible things and w hat w ith that and w ith m ost o f the lights
being out I d idnt really notice anything else.
You m ean th at w hilst that scene was going on, anybody could
have left the H all, shot M r G ulbrandsen and com e back again?
I th in k it w ould have been possible. Miss M arple considered.
B ut I can say that M rs Serrocold did no t leave because I was
w atching her. It surprised m e, you know , that she was able to
rem ain so calm .
A n d the others?
Miss Believer w ent out but I am alm ost sure that was after the
shot. M rs Strete? I really dont know. She was sitting behind me.
G ina was over by the far w indow . I th in k she stayed there the
w hole tim e, b u t I cannot be sure. Stephen was at the piano, but
he stopped playing w hen the argum ent began.
So w e can only exclude those people w ho did not have the
opportunity. T h a ts Lewis Serrocold and y oung E dgar Lawson in
the study, and M rs Serrocold in the Hall. Its very unfortunate, o f
course, that G ulbrandsen should be shot on the same evening that
this trouble happened betw een Serrocold and young Lawson.
Just unfortunate, you th in k ? said Miss M arple.
O h? W h at do you th in k ?
I did w onder, said Miss M arple, if it had been planned.
So th ats y o u r idea?
Well, everybody seems to think it very strange that Edgar
Lawsons condition should suddenly get worse. H e says that
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Chapter 13
Alex R estarick talked a lot. H e also w aved his hands about. I
know , I know ! Im the best suspect. I drove here alone and on the
way I had a creative thought. I do not expect you to understand.
H o w could you?
I m ight, C u rry said, bu t Alex R estarick rushed on.
Its just one o f those things! T hey com e to you theres
no kn o w in g w h en or how. A n idea and everything else goes
out o f your m ind! Im producing Limehouse Nights next m onth.
Suddenly last n ig h t it was w onderful. T h e perfect lighting.
Fog the way the car headlights lit the fog so brightly and yet
there was n o th in g to be seen, the buildings just disappeared.
E verything helped to create the right atm osphere! T he shots
the ru n n in g footsteps. A nd I thought th ats it - bu t how am I
going to get these effects . . .
Inspector C u rry interrupted. You heard shots? W h e re?
O u t o f the fog, Inspector. Alex w aved his hands. O u t o f the
fog. T h at was the w onderful part about it.
You d id n t th in k that anything was w ro n g ?
W ro n g ? W h y should I?
A re shots so usual?
Ah, I k n ew you w ou ld n t understand! T h e shots fitted into
the scene I was creating. I w anted shots, danger. W h a t did I
care w hat they w ere really? Som eone shooting rabbits? I was
im agining m yself in Lim ehouse or rather in the theatre
looking at Lim ehouse.
H o w m any shots?
I dont know , said Alex carelessly. Two or three. Two close
together, I do rem em ber that.
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Chapter 14
It was very difficult, Inspector C u rry thought, to get a true
understanding o f som eone from w hat other people said. Several
people had described E dgar Lawson that m orning, but looking
at him now, C u rry s o w n view was very different.
E dgar did n o t seem strange to h im or dangerous, or selfim p o rtan t or n o t n o rm al. H e seemed a very ordinary and rather
sad young m an, sorry for him self and sorry for w hat he had done.
H e was only too anxious to apologize. Ive done w rong. I
d o n t know w hat happened to me really I dont. M aking all
that trouble shooting o ff a gun. At M r Serrocold too, w h o s
been so good to m e and so patient, too.
H e tw isted his hands nervously th in hands, w ith bony
wrists. If Ive got to go to prison, I deserve it. Im guilty.
N o charge has been m ade against you, said Inspector C urry.
A ccording to M r Serrocold, shooting the g u n was an accident.
T h ats because h e s so good. T here never was a m an as good
as M r Serrocold! H e s done everything for me. A nd I repay him
by acting like this.
W h at m ade you act as you did?
E dgar looked embarrassed. I m ade a fool o f myself.
Inspector C u rry said, So it seems. You told M r Serrocold
that he was y o u r father. Was that tru e ?
N o, it w asnt.
W h at put th at idea into your head? D id som eone suggest it
to yo u ?
W ell, its hard to explain.
Inspector C u rry said in a kindly voice, Suppose you try.
W ell, you see, I had a rather hard tim e as a kid. T he other
boys were bad to m e because I dont have a father. M um was
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Agatha C hristie
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Chapter 15
As C arrie Louise came dow n the m ain staircase, three people
m et her: Gina, Miss M arple, and Juliet Believer.
Gina spoke first. D arling! she exclaim ed passionately. Are
you all right? T h e police havent threatened you, have they?
O f course not, Gina. W h a t a strange idea! Inspector C u rry
was m ost k in d .
So he should be, said Miss Believer. N ow , C arrie, Ive got
all your letters here and a parcel.
B ring them into the library, said C arrie Louise.
All four o f th em w ent into the library. C arrie Louise sat
dow n and began opening her letters. T here w ere about tw enty
or th irty o f them .
As she opened them , she handed them to Miss Believer, w ho
sorted them into piles, explaining to Miss M arple, T here are
three m ain types. O n e from relations o f the boys. Those I give
to D r M averick. Letters asking for m oney I reply to myself. A nd
the rest are personal and C arrie gives m e notes on how to deal
w ith them .
T he letters finished, M rs Serrocold tu rn ed to the parcel.
Inside was an attractive box o f chocolates. Som eone m ust th in k
its m y birthday, said M rs Serrocold w ith a smile. She opened
the box. Inside was a visiting card. C arrie Louise looked at it
in surprise. W ith love from A lex, she read. H o w strange for
him to post m e a box o f chocolates on the day he was com ing
here.
Miss M arple felt a sudden uneasiness. She said quickly, W ait,
C arrie Louise. D o n t eat one yet.
M rs Serrocold looked even m ore surprised.
W ait w hile I ask Is Alex here, G ina?
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Chapter 16
Miss, is it true, Miss, theres a poisoner at work?
Gina pushed the hair back from her face. T here was paint on
her cheek and on her trousers. She and her helpers had been busy
on or their next theatrical production.
It was one o f these helpers w ho was n ow asking the question.
E rnie, the boy w ho had given her such valuable lessons in
opening locks, was also a very good w o o d worker.
His eyes n o w w ere bright w ith pleasure. Everyones talking
about it, he said. B ut it w asnt one o f us, Miss. N o t a thing like
that. N o b o d y w ould h u rt M rs Serrocold. W h a t poison was it,
M iss?
I dont k now w hat youre talking about, E rnie.
E rnie shut one eye in a w ink. O h yes, Miss! M r Alex it was
w ho did it, so they say. H e brought those chocolates dow n from
L ondon. B ut th ats a lie. M r Alex w ouldnt do a th in g like that,
w ould he, M iss?
O f course he w o u ld n t, said Gina.
You really see life here! E rnie said. O ld G ulbrandsen
m urdered yesterday and now a secret poisoner. D o you th in k its
the same person doing both? W h at w ould you say, Miss, if I told
you I k now w ho it was w ho killed h im ?
You cant possibly know .
O h, cant I? Supposing I was outside last n ight and saw
som ething.
H ow could you have been out? T h e C ollege is locked up at
seven, after everybody has been checked in.
I can get out w henever I like, Miss. Locks dont m ean
anything to me. I can get out and w alk around the grounds just
for the fu n o f it, I can.
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Agatha C hristie
T he setting sun lit the west side o f the house, w ith its terrace
and steps leading d ow n to the lawns.
Is this w here you stopped your car last n ig h t? Inspector
C u rry asked, looking towards the house.
N ear enough, Alex R estarick agreed. Its difficult to tell
exactly because o f the fog. Yes, I w ould say this was the place.
C o m in g o u t from a covering o f thick bushes, the drive tu rn ed
here in a slow curve through a line o f trees and then w ent on
betw een the lake and the house.
D o dgett, said Inspector Curry.
Police C onstable D o d g ett started o ff im m ediately and ran as
fast as he could across the law n towards the house. R eaching
the terrace, he w ent in by the side door. A few m om ents later
the curtains o f one o f the w indow s w ere violently shaken. T hen
Constable D o d g ett reappeared out o f the garden door, and ran
back to them , breathing very hard.
Two m inutes and forty-tw o seconds, said Inspector C urry,
holding up his stop-w atch. T hey dont take long, these things,
do they? H is tone was pleasantly conversational.
I dont ru n as fast as your C onstable, said Alex. A re you
tim in g m y supposed m ovem ents?
Im ju st p o in tin g out that you could have done the m urder.
T h a ts all, M r R estarick.
Alex R estarick said kindly to C onstable D odgett, w ho was
still not breathing norm ally, I cant ru n as fast as you, but I
believe Im fitter.
I had bronchitis last w inter, said D odgett.
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T h ey D o It W ith M irrors
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Agatha C hristie
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Chapter 1 7
You say som ebody has been try in g to poison m e? C arrie Louise
was simply unable to accept the idea. You know , she said, I
really cant believe it.
Lewis said gently, I wish I could have protected you from
this, dearest.
She stretched out a hand to h im and he took it.
Miss M arple, sitting close by, shook her head sympathetically.
Is it really true, Jan e? C arrie Louise asked.
Im afraid so, m y dear.
T h en ev erything . . . C arrie Louise stopped. She continued,
Ive always th o u g h t I knew w hat was real and w hat was not.
This doesnt seem real but it is. So I m ay be w ro n g everywhere.
B ut w ho could w ant to do such a th in g to me? N obody in this
house could w ant to kill m e.
T h a ts w hat I w ould have th ought, said Lewis. I was w rong.
A nd C h ristian k new about it? T h at explains it.
Explains w h at? asked Lewis.
H is behaviour, said C arrie Louise. It was very strange, you
know. N o t like him . H e seemed upset about me. A nd he asked
m e i f m y heart was strong, and i f Id been well lately. B ut w hy
n o t say som ething straight out? Its so m uch simpler.
H e d id n t w ant to cause you pain, C arrie.
Pain? B ut w hy O h, I see. H er eyes w idened. So thats w hat
you believe. B ut youre w rong, Lewis, quite w rong. I am sure o f
that.
H er husband avoided her eyes.
Im sorry, said M rs Serrocold after a m om ent or two. B ut
I cant believe any th ing that has happened lately is true. Edgar
shooting at you. T h at silly box o f chocolates. It just isnt tru e.
N o b o d y spoke.
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Agatha Christie
Miss Marple came down the stairs and into the Great Hall to
find Alex Restarick standing near the large entrance door, with
his hand held out in a theatrical way.
Come in, come in, said Alex happily. Im just thinking
about last night.
Lewis Serrocold, who had followed Miss Marple down from
Carrie Louises sitting room, crossed the Great Hall to his study
and shut the door.
A re you trying to reconstruct the crime? asked Miss Marple
with pleasure.
No, not exactly, Alex said. I was looking at the whole thing
from an entirely different point of view. I was thinking of this
place like it was a theatre. Just come over here. Think of it as a
stage set with lights, actors entering and leaving, noises off stage.
All very interesting. It wasnt all my own idea. The Inspector
gave it to me. I think hes rather a cruel man. He did his best to
frighten me this morning.
A nd did he frighten you?
Im not sure. Alex described the Inspectors experiment
and the timing of the performance of the breathless Constable
Dodgett. Time, he said, is so very misleading. You think things
take such a long time, but really, of course, they dont.
No, said Miss Marple. W hat had Carrie Louise meant, she
wondered, when she had said to her husband, So thats what you
believe but youre wrong, Lewis!
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Chapter 18
Miss M arple was standing at the place w here Inspector C u rry
had m ade his experim ent w ith C onstable D odgett.
Miss Believers voice behind her startled her. Youll catch a
cold, Miss M arple, standing about like that after the suns gone
dow n.
Miss M arple w alked obediently alongside her and they w ent
quickly towards the house.
I was th in k in g about magic tricks, said Miss M arple. So
difficult w hen youre w atching them to see how theyre done,
and yet, once they are explained, so very simple. D id you ever'
see the Lady W ho is C u t in H a lf such an exciting trick? It
fascinated m e w hen I was eleven years old, I rem em ber. A nd I
never could th in k how it was done. B ut the other day there was
an article in some paper explaining exactly how they do it. I
dont th in k a new spaper should do that, do you? It seems its not
one girl b u t tw o. T h e head o f one and the feet o f the other.
You th in k its one girl and its really tw o and the other way
round w ould w ork equally well, w ou ld n t it?
Miss Believer looked at her w ith surprise. Miss M arple was
no t often so vague and unconnected as this. Its all been too
m uch for the old lady, she thought.
W h e n you only look at one side o f a thing, you only see one
side, con tin u ed Miss M arple. B ut everything fits in perfectly
w ell i f you decide w hat is reality and w hat is illusion. She added
suddenly, Is C arrie Louise all right?
Yes, said Miss Believer. Shes all right, but it m ust have
been a shock, you k n o w discovering that som eone w anted to
kill her. I m ean particularly a shock to her, because she doesnt
understand violence.
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Chapter 19
T hey found the fam ily in the library. Lewis was w alking up and
dow n, and there was a sense o f tension.
Is any th in g w rong? asked Miss Believer.
Lewis said, E rnie Gregg is missing. M averick and some o f
the staff are searching the grounds. If w e cannot find him , w e
m ust call the police.
G randm a! G ina ran over to C arrie Louise, w orried by the
w hiteness o f her face. You look ill.
I am so unhappy. T he poor boy.
Lewis said, I was going to question h im this evening to find
out if he had actually seen anything last night. I have the offer
o f a good jo b for h im and I thought that after discussing that, I
w ould m ention the other m atter.
Miss M arple said softly, Foolish boy. P oor foolish boy. She
shook her head, and M rs Serrocold said gently, So you th in k so
too, Jan e?
Stephen R estarick came in. Hello, w h ats happening?
Lew is repeated his in fo rm atio n , and as he finished
speaking, D r M averick cam e in w ith a fair-haired boy w ith
p in k cheeks and a suspiciously in n o c e n t expression. Miss
M arple rem em b ered h im being at d in n e r on the n ig h t she had
arriv ed at Stonygates.
Ive b ro u g h t A rth u r Jenkins along, said D r M averick. H e
seems to have been the last person to talk to E rnie.
N ow , A rth u r, said Lewis Serrocold, please help us if you
can. W h ere has E rnie gone?
I do n t know , sir. Honestly, I dont. H e didnt say anything
to m e, he d id n t. H e was all excited about the play at the theatre,
th ats all.
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Chapter 20
Ive b ro ught you a cup o f soup, C arrie Louise, said Miss M arple.
N o w please d rin k it.
M rs Serrocold sat up in the big bed. She looked very small
and childlike. H er cheeks had lost their pin k flush, and her eyes
seemed very far away. She to o k the soup obediently. First,
C hristian, said C arrie Louise, and now Alex and poor, silly
little Ernie. D id he really kn o w an ything?
I th in k he was just telling lies, Miss M arple said as she sat
dow n in a chair beside the bed. M aking him self im portant by
saying he had seen som ething. B ut som ebody believed his lies.
C arrie Louise shivered. H er eyes w ent back to their far away look.
W e m eant to do so m uch for these boys. W e did do
som ething. Some o f them have done w onderfully well. Several
o f th em are in really responsible jobs. A few failed that cant
be helped. M o d ern life is so com plicated too com plicated for
some simple and undeveloped characters. You know Lew iss
great scheme? H e always felt that transportation was a thing
that had saved m any crim inals in the past. T hey w ere shipped
overseas and they m ade new lives in simpler surroundings. H e
wants to start a m odern program m e like that. H e wants to buy a
group o f islands, to finance it for som e years, then m ake it a selfsupporting co-operative - w ith everyone taking a share in it. B ut
far away from the bad old ways o f the cities. Its his dream . B ut it
w ill take a lot o f m oney.
Miss M arple picked up a little pair o f scissors and looked at
them closely. W h at a strange pair o f scissors, she said. T h ey ve
got tw o finger holes on one side and one on the other.
C arrie L ouises eyes came back from that frightening far
distance. Alex gave them to m e this m orning, she said. T h ey re
A gatha C hristie
supposed to m ake it easier to cut your right hand nails. D ear boy,
he was so enthusiastic. H e m ade m e try them .
A nd I suppose he collected the nail clippings and took them
away, said Miss M arple.
Yes, said C arrie Louise. H e . . . She stopped. W h y did you
say th at?
I was th in k in g about Alex. H e had brains. Yes, he had brains.
You m ean th ats w hy he died?
I th in k so yes.
H e and E rnie.
A nd then C arrie Louise said quietly and unexpectedly, H ow
m uch do you know , Jan e?
Miss M arple looked up quickly. T h e eyes o f the tw o w om en
met.
Miss M arple said slowly, I f I was quite sure.
I th in k you are sure, Jane.
W h at do you w ant m e to do?Jane M arple asked.
C arrie leaned back against her pillows. It is in your hands,
Jane Youll do w hat you th in k right. She closed her eyes.
Tom orrow , Miss M arple hesitated, I shall have to try and
talk to Inspector C u rry if h ell listen.
90
Chapter 21
Miss M arple stood in the G reat H all and asked the Inspector to
stand beside her. Its som ething I w ant to show you. S om ething
Alex R estarick m ade m e see. Its a question o f m agic tricks.
T hey do it w ith m irrors, you kn o w that sort o f thing i f you
understand m e.
Inspector C u rry did no t understand. H e w ondered i f Miss
M arple was quite right in the head.
I w ant you to th in k o f this place as a stage set, Inspector.
As it was on the n ight C hristian G ulbrandsen was killed. Youre
here in the audience, looking at the people on the stage. M rs
Serrocold and m yself and M rs Strete, and Gina and Stephen
and ju st like on the stage there are entrances and exits and the
characters go out to different places. Only, w hen youre in the
audience, you do n t th in k w here they are really going. T h ey go
out to the front d o o r or to the kitchen and w hen the door
opens you see a little bit o f painted scenery. B ut really o f course
they go out to the sides o f the stage - or the back o f the stage
w ith carpenters and electricians, and other characters w aiting to
com e on. T h ey go out to a different w orld.
I do n t quite see, Miss M arple.
O h , I k n o w I suppose it sounds very silly but if you th in k
o f this as a play and the scene is the G reat H all at Stonygates
w hat exactly is behind the scene? I m ean w hat is behind the
stage? T h e terrace isnt it? T he terrace and a lot o f w indow s
o pening on to it.
A n d that, you see, is how the m agic trick was done. It was
the trick o f the Lady C ut in H a lf that m ade m e th in k o f it.
T h e Lady C u t in H alf? Inspector C u rry was now quite sure
that Miss M arple was mad.
91
Agatha C hristie
92
com ing here was the m ost likely reason som ething to do w ith
the G ulbrandsen Trust. M oney, in fact. Suppose that there had
been em bezzlem ent em bezzlem ent on a very big scale you
see w here th at points? To just one person.
Inspector C u rry gasped, Lewis Serrocold? he said in
disbelief.
Lewis Serrocold. said Miss M arple.
93
Chapter 22
Part o f a letter from G ina H u d d to h er aunt M rs Van Rydock:
and so you see, darling A u n t R u th , the whole thing has been ju st
like a nightmare especially the end o f it. I ve told you all about this
fu n n y man Edgar Lawson. H e always behaved like a rabbit and
when the Inspector began questioning him and breaking him down,
he lost his nerve completely and ran like a rabbit. H e jum ped out o f
the window and ran round the house and down the drive and there
was a policeman waiting, and Edgar ju s t turned to one side and ran
fu ll speed fo r the lake. H e jum ped into an old boat that has been
lying there falling apart fo r years and he pushed off. Quite a mad,
senseless thing to do, o f course, but as I say, he was ju st a rabbit in a
panic. A n d then Lewis gave a great shout and said That boats got
a hole in it, and raced o ff to the lake, too. The boat went down and
there was Edgar struggling in the water. H e couldnt swim. Lewis
jum ped in and swam out to him. H e got to him but they were both
in difficulty because theyd become caught among the reeds. One o f
the Inspectors men went in with a rope round him, but he got trapped
in the reeds, too and they had to pull him out. A u n t Mildred said
T h ey ll drown theyll drown theyll both drown in a silly sort
o f way, and Grandma ju st said Yes. I cant describe to you ju st how
she made that one word sound, fu s t Y E S and it went through you
like like a knife.
A m I being silly and dramatic? I suppose I am. B u t it did sound like
that.
A n d then when it was all over, and they got them out, the Inspector
came to us and said to Grandma, I m afraid, Mrs Serrocold, theres
no hope.
94
Gina paused and sucked the end o f her pen. She started again:
A bout me and Walter were coming back to the States as soon as
we can.
95
Chapter 23
W h at m ade you guess, Jan e?
Miss M arple to o k her tim e before answering. She looked
thoughtfully at th e o th er tw o - C arrie Louise, th in n er and frailer
and yet strangely un to uched and the old m an w ith the sweet
smile and the thick w hite hair. D r G albraith, Bishop o f Crom er.
T h e Bishop to o k C arrie Louises hand in his. T his has been a
great sadness for you, m y p o o r child, and a great shock.
Sadness, yes, b u t n o t really a shock.
N o , said Miss M arple. T h a ts w hat I discovered, you know.
Everyone kept saying how C arrie Louise lived in another
w orld from this and was out o f touch w ith reality. B ut actually,
C arrie Louise, it was reality you w ere in touch w ith, and not
the illusion. You are never fooled by illusion like m ost o f us
are. W h en I suddenly understood that, I saw that I m ust trust
w hat you th o u g h t and felt. You w ere quite sure that no one
w ould try to poison you, you couldnt believe it - and you w ere
quite right n o t to believe it, because it w asnt so! You never
believed that E dgar w ould harm Lewis - and again you were
right. H e never w ould have harm ed Lewis.
So therefore, i f I was to go by you, all the things that seemed to
be tru e w ere only illusions. Illusions created for a reason in the
same way th at m agicians create illusions, to trick an audience.
We were the audience.
Alex R estarick got an idea o f the tru th first because he had the
chance o f seeing things from a different angle from the outside
angle. H e was w ith the Inspector in the drive, and he looked at
the house and realized the possibilities o f the w indow s - and he
rem em bered the sound o f ru n n in g feet he had heard that night,
and then the tim in g o f the Constable showed h im w hat a very
96
97
A gatha C hristie
99
Agatha C hristie
IOO
10 1
C h a r a c t e r list
Ruth Van Rydock: a rich American, married and divorced three times;
Carries sister
Miss Jane Marple: an elderly lady and close friend of the two sisters
called Stonygates
Eric Gulbrandsen: Carrie Louises first husband who died when she was
thirty-two
Johnnie (John) Restarick: Carrie Louises second husband who left her
A childless widow, who had married a senior priest (now dead) of the
Church of England.
Gina Hudd: Pippa and Guidos daughter, brought up by her grandmother,
marriage
102
C haracter list
103
C ultural n o te s
Philanthropic causes
People who were very rich and didnt have to work for money often liked
to spend their time helping people who were not as lucky as they were.
They did this by working for different charities or by setting up different
philanthropic organizations. In the story, Carries first and last husbands
were both interested in helping people in this way.
Education for all
Carries first husband, Mr Gulbrandsen, spent his time and his money
trying to make important changes to the lives of people in Britain. One
of these changes was the education for all cause mentioned by Ruth at
the beginning of the story. Gulbrandsen believed that everybody should
be able to go to school, not just children younger than twelve, and the
children of the rich, whose schooling was paid for by the parents.
However, a series of laws were passed giving free education to every
child. Before the war, free education was offered to children up until the
age of twelve and, in 1944, until the age of fifteen, which meant that it
was no longer necessary for people like Gulbrandsen to fight for this
cause.
Juvenile delinquents
Another cause, this time one that Carries current husband, Lewis, was
involved in at Stonygates was trying to help young people who had
committed crimes. These people were officially called juvenile
delinquents. Lewis believed that if you helped these young people, by
teaching them how to do different jobs - and by giving them selfconfidence - they would stop being criminals and would be able to live
normal lives.
104
C ultural N otes
Up until the Second World War there was a strict and very clear class
system in Britain. People got married to other people of the same social
class; working class servants worked for the upper classes, the upper
classes, especially women, didnt usually work at all; and everyone knew
how they should behave. Because of the war, this all started to change.
All the classes fought and died together; women started doing all the
jobs that men had done previously - the men were all fighting in the war
and someone had to do the work.
People fell in love and got married very quickly. They did not know if they
were going to be killed fighting or have a bomb dropped on them at
home and so the traditional class rules became less important. Before
the war it was unusual for an upper-class girl like Gina to marry a man
who had no money or profession, especially an American.
105
C ultural N otes
In 1952, when this story was published, Winston Churchill had just
become Prime Minister of Britain for the second time. The first time,
1940-1945, was during the Second World War. Churchill was famous
during this time for the way he spoke to the people of Britain, both live
and on the radio, encouraging them to be brave and not to even think
that they would not win the war. Many people admired Winston Churchill
and thought he was a good prime minister.
General Montgomery was an officer in the British army who became a
General during the Second World War. He is probably the most famous
British General from that time because he had key roles in many of the
battles throughout the war. Many people admired him.
The trick of the Lady Cut in Half
The trick of the Lady Cut in Half is a popular magic trick where a woman
or girl gets into a long rectangular box. The magician closes the box and
at one end we can see the ladys feet and at the other we can see her
head. The magician talks to the lady and asks her to move her feet, which
she does and we see her talking and laughing. The magician covers the
box with a cloth and cuts the box into two pieces and takes away the
cloth. The lady is alive - talking and laughing and she moves her feet
again even though they are now in another box.
The title of the story: They Do It With Mirrors is also connected to
magicians and the tricks they do.
106
G lo ssary
Key
n = noun
v = verb
adj = adjective
adv = adverb
excl = exclamation
exp = expression
phr v = phrasal verb
absent-minded (adj)
,
someone who forgets things and doesnt pay attention to what they are doing
is said to be absent-minded
accomplice (n)
a sexual relationship between two people who are married, but not to
each other
affection (n)
proof that you were somewhere else when a crime was committed,
showing why you cant be guilty of a crime
107
Glossary
arsenic (n)
condition in which the joints in someones body are swollen and painful
at close range (exp)
two small telescopes joined together side by side which you look through
to see things that are far away
Bishop (n)
to stop talking before you have said everything you were going to say
bring a charge (exp)
108
Glossary
case (n)
the person in a bank that customers pay money to or get money from
cathedral (n)
a high area of land with a very steep side, especially next to the sea
cold-bloodedly (adv)
109
Glossary
Constable (n)
a business or organization run by the people who work for it, who share
its benefits and profits
counterweight (n)
a heavy object used in the theatre to balance scenery
crank (n)
a large building used for storing things at the place where ships are
loaded
dose (n)
IIO
Glossary
earnest (adj)
'
a wire which melts and stops the electric current if there is a fault
good grief (excl)
unpleasant or serious
grin (v)
to smile widely
groan (v)
III
Glossary
heir (n)
someone who has the right to receive a persons money, property, or title
when that person dies
humble (adj)
ideas that you believe are right and worth trying to achieve
illegitimate (adj)
a person who is illegitimate was born of parents who were not legally
married to each other
illusion (n)
Glossary
knit (v)
to make something from wool using two knitting needles
knock someone out (phr v)
a woman who allows you to live or work in a building which she owns, in
return for rent
lawn (n)
an area of grass that is kept cut short and is usually part of a garden or
park
leper (n)
a person who has the disease leprosy, often kept separate from other people
live on (phr v)
directing someones attention away from what you are really doing
modestly (adv)
113
Glossary
motive (n)
employer
persecution (n)
when people are deliberately targeted to be harmed
philanthropic (adj)
giving money to people who are ill, disabled, or poor
plain (adj)
114
Glossary
procedure (n)
a person who is trained in psychology, the study of how the mind works
purr (v)
to make the sound a cat makes in its throat when it is happy
reconstruction (n)
enjoyment
revenge (n)
the French and Italian coast that was and is popular for tourism
sample (n)
someone who has the illness schizophrenia, a serious mental illness that
prevents people from relating their thoughts and feelings to what is
happening around them
115
Glossary
Sergeant (n)
a police officer above the rank of Constable
show off (phr v)
to try to impress people by showing in a very obvious way what they can
do or what they own
single-minded (adj)
behaving badly because you have always had everything you want
spy (v)
116
Glossary
surgeon (n)
money that is kept for someone and is used to make more money by
investing it
unacknowledged (adj)
not recognized
unconvincing (adj)
117
Glossary
weed (n)
a document where you say what you want to happen to your money and
property when you die
willpower (n)
a long, thin piece of metal that is used to fasten things or to carry electric
current
wrinkled (adj)
118
Sparkling Cyanide
Six people sit down for dinner at a table laid for seven. No one can forget
the night exactly a year ago that Rosemary Barton died at this same
table surrounded by the same people, her beautiful face turned blue with
cyanide poison.
Rosemary had always been memorable - and people had strong reactions
to her. Did one of the six people at dinner feel strongly enough about her
to kill her?
Crooked House
The Leonides family live together in a large and crooked house in a
wealthy London suburb. When the elderly millionaire Aristide Leonides
is murdered with a fatal injection, the family reluctantly suspect his
glamorous, young second wife.
Charles Hayward, who is engaged to the late millionaires
granddaughter, observes the family closely and makes a terrible and
shocking discovery . . .
Destination Unknown
Famous scientists from around the world are disappearing and nobody
knows why. The one woman who can help uncover the truth is dying after
a plane crash. How can they discover where the scientists are without her?
Meanwhile, in a hotel room in Casablanca, Hilary Craven decides to end
her life. But her suicide attempt is interrupted by a man who offers her an
exciting alternative . . .
120
4 .5 0 From Paddington
A woman is murdered on a train.
When Miss Marple telephones her friend Lucy Eyelesbarrow and asks her
to go undercover to investigate, Lucy quickly accepts the challenge!
Who is the dead woman? What was the motive for her murder? And why
was the body thrown from the train and later hidden at Rutherford Hall?
When a second murder takes place, everyone at Rutherford Hall seems in
danger, so Miss Marple sets a trap to catch the murderer.
121
T h e A g a t h a C h r is t ie S e r ie s
The Mysterious Affair at Styles
The Man in the Brown Suit
The Murder of Roger Ackroyd
The Murder at the Vicarage
Peril at End House
Why Didnt They Ask Evans?
Death in the Clouds
Appointment with Death
N o rM?
The Moving Finger
Sparkling Cyanide
Crooked House
They Came to Baghdad
They Do It With Mirrors
A Pocket Full of Rye
After the Funeral
Destination Unknown
Hickory Dickory Dock
4.50 From Paddington
Cat Among the Pigeons
122
rs
BN 978-0-00-745167-8
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