Beruflich Dokumente
Kultur Dokumente
This Session
CVs and Examples
Quotes from Industry
What to do next?
A CV is a marketing document.
Unlike other industries which employ personnel
staff to filter job applications, your CV may arrive
directly on the desk of the person with the authority
to give you a job - small production house etc.
This person will be very busy.
Your CV has only seconds to make an impression.
So
Digital Design CVs - more emphasis on layout, font, colour (design elements for obvious
reasons)
Be Positive.
Be concise.
2 pages should usually be the maximum length of your CV. A
lot of companies are now saying even 1 page.
Use the space wisely.
This takes a great deal of thought and planning.
Is it easy to read?
Avoid long sentences.
Use the active tense rather than the passive eg
"undertook various roles" rather than "various roles
were undertaken".
Does the font/layout you choose reflect the
image of the job?
http://www.misterstevenson.com/
http://www.smashingmagazine.com/2009/04/01/10-handy-tips-for-web-design-cvs-and-resumes/
You can play about with the order, making sure that
you highlight skills and abilities wherever possible.
Make the CV work for you and make the most of
your experiences.
A Personal Profile
Include a short, punchy, positive statement about yourself
to make a prospective employer sit up and take notice.
Personal profiles are hard to write well and can easily sound
arrogant and crass. But a well-written profile can be very
effective. Many employers take them seriously and they do
get people jobs.
Some tips
Clear layout.
Easy to read.
Production Experience.
Equipment used.
Software.
A Personal Profile
Describe what you do
Describe your key selling points - sought after skills,
experience and knowledge
Describe your attitude to work/studying and personal
qualities that make you desirable to employ.
A Personal Profile
Be short - no more than thirty words
Make sure that the description you provide of yourself
can be substantiated with experience
cited in the rest of your CV
Be positive!
www.cristina-dascalescu.com
Profile
I am a creative and extremly enthusiastic person who loves everything
about digital art. I am organized, motivated and a good team player. My
objective is to obtain full time employment as a multimedia designer in
a company where I can contribute my ideas, maximise my abilities and
learn further.
Relevant experience
09.2013 - 03.2014
CRISTINA DASCALESCU
09.2013 - 04.2014
multimedia designer
Skill Set
Contact
07472 223623
info@cristina-dascalescu.com
Education
2011 - 2014
2004
2004
2000 - 2004
Employment
04.2012 - present
05.2010 - 04.2011
11.2008 - 05.2010
08.2006 - 09.2008
Interests
I enjoy outdoor activities like mountain climbing and camping. Ive been
practising swimming for 5 years. I have a passion for music, films and
animations.
References
Available on request.
Cristina Dascalescu
www.cristina-dascalescu.com
e-mail: info@cristina-dascalescu.com
Key Skills/Skillset
You can list these as an alternative to a Personal Profile, or
to complement it.
Describe your key skills and experience succinctly, ideally as
bullet points, including any equipment you have worked on,
and languages, if appropriate.
Put the skills the employer is likely to be most interested
in at the top.
Personal details
Age. This shouldn't be significant, but there is no law
against age discrimination. In a "young" industry it may be
better to include your age on the second page.
Some experts suggest it is better to include your
date of birth rather than state your age. No DOB
There is no need to give both.
Interests & Achievements.
Important to show your personality
Personal details
Passport. If you are applying for work that requires
overseas travel, your nationality may be relevant as
some passports require visas to visit certain places.
Driving Licence. Holding a full licence and owning a
car can be essential to location work, so include these
details, but only if they are relevant.
Remember:
The letter should be addressed to the right person research this thoroughly beforehand.
The letter should be brief and to the point.
It can reinforce key points from your CV but shouldn't
repeat information from it.
It should have three parts:
EDITING
We expect our editors to be good-natured and
hard working. Being in a suite with demanding clients
can be a draining experience. We need our staff to keep
a level head in pressured situations.
Experience, if not directly relevant, must demonstrate
an ability to learn quickly, and editors do still need a
technical understanding of the equipment, even in these
times of convergence.
EDITING
Poor CVs generally come from those looking for junior
or entry level positions. A list of productions worked on
at college doesn't tell a prospective employer very much.
We need to know what the person is like.
A good personal statement is far more useful.
A degree is never irrelevant or necessary at entry level.
A good degree demonstrates dedication to task and
hard work.
EDITING
An applicant without a degree, but an obvious enthusiasm,
displayed e.g. by doing background research on the
company and industry, would stand a very good chance
at interview. Many applicants send in showreels with a cold
application. Nine times out of ten little attention is paid to
these reels. We're all busy and only view reels when we're
trying to fill a specific post. If the employer is interested
they'll ask. Save your money for the pub.
Simon Partington, Group Operations Manager
M2 Television Ltd, London
EDITING
Applicants need a healthy dose of realism about their
capabilities. They should take the trouble to research the
company and our client requirements. They should also
acknowledge the limits that a college education can offer
them without some commercial experience to go with it.
Poorly presented CVs with little information padded out to
read like lots is transparent. Offer the qualifications you do
have, rather than the aspirations you might want to have! Be
realistic about how far you can go with what you know.
Rowan Bray , Facility Manager, Arena Digital, London
Freelance Producer/Director
07931 35 35 15
hello@aptvpd.com
Watch my showreel at aptvpd.com
Profile
2008-2010
The creativity I bring to every script, shoot and edit is strengthened by sound editorial
judgement. Efficient and effective, I deliver high quality on time and on budget but with a
sense of fun that makes people want to work with me again and again.
2007
Directing and editing inserts for live studio show focussing on issues with a religious
and/or ethical dimension.
Sympathetically handled emotional films and vulnerable contributors with topics
including missing children and alcoholism.
Executive Producer: Chris Loughlin
Recent Credits
Countryfile, BBC1
Directed the first prime-time programme, raising the bar and setting the style for
future shows.
Achieving consistently high audience figures, share and AIs culminating in a TRIC
Award for Best Factual Programme.
Producing high profile presenters including Matt Baker, Julia Bradbury and John
Craven across all strands of the programme location features, obs doc and
journalistic investigations.
Frequently working under challenging circumstances - from climbing mountains to
abseiling into caves and always under fast-turn around pressures.
Re-designed production schedule to improve the quality of the programme.
Series Producer: Teresa Bogan
2012
Producer of a campaign film aimed at children and their parents to warn them about
the perils and pitfalls of social media.
Commissioned animation to give the film extra impact and take it beyond a public
information film.
Executive Producer: Andrew Tomlinson
2008 - 2012
2011
Directed two films for the Bang! event that were then broadcast on BBC1, making
specialist science accessible and compelling.
Successfully negotiated access and worked with the players and staff of
Manchester City FC. Negotiated sports rights clearances.
Self-editing the films to a high standard using Final Cut Pro.
Executive Producer: Helen Foulkes
2007
Countryfile: Summer Diaries director and edit producer for daytime spin off
To Buy Or Not To Buy P/D on long-running property format
Housecall Live AP on strands including food, gardening, antiques
Come and Have A Go Live OB AP on BBC Entertainment quiz show event
BBC Election stringer at several elections for BBC News
Panic Mechanics shooting AP on car make-over challenge
Top Gear AP/Director on motoring show
Freelance Producer in commercial radio
Andrew Painten
Freelance Producer/Director
07931 35 35 15
hello@aptvpd.com
Watch my showreel at aptvpd.com
http://aptvpd.com/putting-together-a-showreel/
Andrew Painten
http://www.suzcruz.co.uk/
http://www.chapterspeople.co.uk/crew/chris-openshaw/
INTERACTIVE MEDIA
I look for the following from applicants: firstly, creative talent and ideas!
(The rest can be taught on the job, if necessary); good presentation skills; an
awareness of the market for interactive media;
team working and good organisation skills; and, if possible, good references.
There is a shortage of sales and marketing skills in interactive media. I'm not
looking for sales staff per se, but good production staff who can sell themselves
and the company, i.e. producers with client management ability.
The worst things I see in applications are: mis-types, bad spelling and bad
grammar; hype - it's easy to be found out; too much talk about software skills
and not enough creative passion.
Stef Brammar, Managing Director, Mousepower Productions Ltd, Wiltshire
REVIEW
They look at CVs, degree, experience, portfolio of work - make it
memorable and stand out from the crowd.
Needs to be versatile and polished.
They look to see how that person uses social media - their creativity,
personality. How passionate they are about their skills.
ASSESSMENT
Initial interview - would they be a cultural fit? what is their knowledge
and can they think independently? how do they talk about their work?
They set a work challenge - process, output, presentation.
Discussion - can they explain and justify their decisions and work?
CASE STUDY
One of their recent employees made a scrolling CV as a PDF.
He showed them his processes - important
ADVICE CVs and Portfolios
Check your spelling
Dont give any reasons not to hire you
2 pages MAX for CVs
Only relevant information
Look unique
Easy to read
Include links to work online
ANIMATION
Send a showreel and/or portfolio. Something unique has to stand out
and there are ways to express your creativity, even if you don't have
much money.
You're taking the viewer on a journey, so send documentation with the
showreel, indicating its length, running order and your contribution.
ANIMATION
Showreels should show your best work to date and be no longer than
5 to 6 mins. Say how long it took you to do the work - we need to know
that people can deliver quality work on time.
We're looking for basic skills - a walk cycle, a run cycle, as well as acting/
miming ability.
Take pride in your work and be professional: check that your work is actuall
on the tape - some people send in blank tapes, one even sent a recording of
the previous night's Eastenders!
We're not just looking for animators, we also need art directors,
production designers, storyboard artists.
Keep an open mind - once in the workplace you may find your
strengths lie elsewhere.
It's rare for a person to go straight from college to working on
commercials and you need to have realistic expectations.
There will be lots of knock backs, long hours and you have to start
from the bottom. Do it for the passion, love and enthusiasm.
Helen Brunsdon
Development Executive
Aardman Animation Ltd, Bristol
CAMERA (documentary)
I need to see a reel showing a mixture of situations and demonstrating
that the operator has a developed eye, can cope in a controlled
situation, can light and has an intuitive understanding of framing.
I can tell when watching reels how much is down to the camera operator
and how much is the work of the director.
Experience is crucial, but many experienced camera operators send
in poor CVs.
As well as a list of credits, broken down into sub-divisions (e.g. drama,
docs, etc.), I am looking for a sense of personality and what makes them
tick. Some are good at actuality work and human interest stories, others
prefer more controlled situations. Indicate this in a good personal
statement and play to your strengths.
DIRECTION (documentary)
I read between the lines when looking at directors' CVs and very often
important information is left out, such as the channel that screened the
work, or the commissioning editor or executive producer.
Give a context - it acts as a barometer of where people are and what
they've done.
CVs are critically important and should show your passion and where
your interests lie. If you can operate a camera as well, say so.
In small teams it's important to know that the director can also operate.
The worst thing is directors who can't offer examples of their work, either
because they don't have them or they have only poor copies. It's surprising
how often this happens. I prefer to see whole programmes, but I'm also
happy to look at 4 to 5 minute showreels. What I need to see is how a
director develops storyline, character, and narrative.
Malcolm Brinkworth, Managing Director, Touch Productions,
CAMERA (TV)
Applicants must have experience if they want to work on national
television.
Ring TV companies and find out where they get people from.
BROADCAST JOURNALISM
The worst thing is people who say they'll do anything. Be specific.
Recruiters see through people who haven't made up their minds and
they are very wary of people who want to be on TV. That's a totally
different route.
Enthusiasm counts. And persistence. Don't take rejection personally. It
usually means that someone else had a bit more experience on the day.
Try again later and in the meantime keep adding to your CV.
Karen Illingsworth, Recruitment administrator
YTV, Leeds
http://www.wearesource.co.uk/blog/showreel-tips/
http://creativeskillset.org/job_roles_and_stories/job_roles
http://www.slideshare.net/equatoragency/the-creative-cv-guide
http://www.myfirstjobinfilm.co.uk/cvadvice.html
ARTICLES
http://www.plotr.co.uk/advice/articles/20-most-creative-ways-people-have-landed-a-job/
http://www.telegraph.co.uk/women/womens-business/11359554/CV-writing-How-to-impress-an-employerin-8.8-seconds.html
http://12ptcourier.com/finding-a-job/rsums-curriculum-vitae-pa/
http://www.thecallsheet.co.uk/news/page-1-blog-cv-tips
Good article on how to find a job - tv/film
https://stephenfollows.com/how-to-find-a-job-in-film-and-tv/
http://www.majorplayers.co.uk/
http://www.mandy.com/
We have provided the following Art Task for candidates to complete and include with their CV if they
wish.
Motion Graphics Art Task
Using any digital media you would like, design a logo for a fictional game called Hardcore Racing.
To help demonstrate your motion graphics skills, take your logo and producing a 10 second sting that
can bring your design to life.
We will be looking at the creative ideas and technical ability of each candidates work.
Submissions to Bizarre Creations
A 10 sec video in either .wmv or .mov format @ 25fps. And a brief description of what tools and
processes you used.
More Info:http://www.bizarrecreations.com/jobs/job_view.php?id=motiongraphicsdesigner
EDITOR: (Final Cut Pro) We are looking for either past experience working as an editor on an animated
film or TV series coupled with an interest in genre films or past experience working on a genre film
(suspense, horror, Sci) and a willingness to get to grips with the different working methods of animation.
You will get to work closely with the Director and Creative Development Team and will be expected to
contribute to the whole filmaking process not just brought in at the end to fix things. There will be some
technical support within the team but we expect a fair degree of self reliance so you will need to be able
to organise your workflows and follow good data management practices. Key Tasks: Cut Animatic,
Continuity Editing, Assembly of Final Picture (approx 40+ wks) - Daily travel to Cardiff
Salary dependent on experience.
Welsh translation available on request.
More Info:http://www.goodstoryproductions.com
CV Format
Website url
References
X
2
Profile/Statement
Relevant Experience - list
credits etc
Skill Set
Education
1 Industry
1 Academic
CV
Format
Design layout on paper first - look for inspiration and make it
industry pitched
lastly
Examples
http://jonnybriggs.tumblr.com/
http://creativeplatforms.nickdownie.com/post/47575077230/my-cv-and-a-some-sample-stationaryincluded-in-my
http://ottorizzo.tumblr.com/page/2
The CT Study Support Centre is starting this week between 1200 and1400 every weekday, please see
attached for the software/programming support being offered by six demonstrators this year.
2D Graphics Design, 3D Modelling/Animation, Web Development, VFX, Programming, Game Development,
and Music/Sound Technology etc.
Our Moodlepage 'CT Study Support Centre'is available now for all CT students. Please point them here to
book an appointment via the Eventbrite system before drop-in to the tutorials.
We will be located in the Common Room 1.18, First Floor, North Wing, Eldon Building.
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