Saturday, January 30th, 2016, 2:32 PM,

In many ways, for End Times, the ideal of End Times has become its' Reality, its' Objectivity
Old End Times:
Epic, Aspirations, Disorganized, Opposition, Unsuccessful, Struggling, Sloppy, fretting, insecure
Current End Times:
Famous, Powerful, Intense, On again Off again, Sloppy, Well Drawn, One of many brands, An Empire
of Obscurity, Successful, Influential, Profitable, Bestseller, Manga, Webcomic, fretting, insecure
I'm not sure if I'll ever be able to manga a real life story arc for End Times. I'm not sure if End Times
could ever actually manage to mold itself into a story comic.
The scary part of entering the comic book industry, and animation industry is that, it's not just awards
and perceptions, it's a long running event. It's for life. Creators might seem transient, but they're real
people with real lives we normally don't see, too You have this brand Identity for Life. Chances are.
You're associated with that small handful of colleagues for life. There isn't any turning back once you're
in it, and sometimes you have very little freedom over the whole thing. I'm probably going to be the
YouTube and manga-End Times guy for my whole life, till the day I die. That's a long time!
But on the bright side, that eliminates the element of a deadline. You have your whole life and the rest
of eternity to hone your craft. A long damn time, 2-4 decades at least.
Webcomics, Webmanga, Manga, and Bandes Dessinee of the early 2000 2015 have been molded and
made in my image. Being influential means being included in everything, it means everyone follows
and imitates your style and actions.
I work for a few hours a day at drawing, and at times fiction writing. That's about how much time all
INFP temperaments and Chronic Fatigue sufferers are able to maintain each day. Far less than many of
their peers.
Currently, I'm not as interested in drawing regular old comic books. That's been done eight ways to
Sunday. What I'm drawn to currently is drama. Dramatic pictures, or as the Japanese manga-ka call it in
their language, Gekiga. My goal is to convey drama and sadness, or Greek tragedy on paper through
skillful portraiture, poses, and camerawork.
Favorite Cartoonists:

Osamu Tezuka
Katsuhiro Otomo
Walt Disney
Hiroaki Samura
Bill Watterson
Bruce Timm
Jhonen Vasquez
Aaron McGruder
Alex Toth

Windsor McCay
Moebius
Hayao Miyazaki
Thomas Romain
Akira Toriyama
Frank Frazetta
Todd McFarlane
Frank Miller

Powerful Media Art and Creative Power with Militant-centric themes can sometimes influence political
power in the national government, like it or not. In other words, Art in many ways is political,
unfortunately, and I already have some of that political power. Not that I wanted any in the first place.
Japan has known about this secret for a long time. Strategically and Politically smart art.
When I started training in multimedia arts, I set a goal for myself that I would work to become the first
or one of the first artists to become proficient in the 4 multimedia: Book, Comic Book, Film, and TV,
supervising both the story, script, manuscript, and art aspects. I wanted my Mastery Training to be
Quadrants if at all possible. But the main problem with pursuing this field is the fact that if you pursue
Four Quadrants, you won't be mastering one individual field, and there's less supervision. I wanted to
Master the Four Quadrants, primarily because no one else did first, or bothered to. Become proficient
in Quadrants.
Cartoons, historically, have tended to lack literacy. The amount of literacy I attempt to put into my
cartoons (from Biblical Book of Revelation References to government espionage and cop show
storylines), is a new innovative thing for a cartoonist to do and write stories about. And that's just what
I can recall without reference. Whatever literacy I do achieve falls on the more literate side of
cartooning. It's a cartoony version of Ghost in the Shell and Akira. Not bad.
Monday, August 1st, 2016, 8:22nd PM,
Upon reading up on some drawing and art creativity articles, something dawned on me. Detailed
drawing is NOT more simple, appealing, beautiful, intelligent, honest, pure, inspiring, enlightened, or
aeshetically pleasing than simple doodle drawings. And if you believe it is, you've got a lot to learn
about art and writing in general. Simple vs. Complex Art argument/debate is an over-hyped, over
stigmatized Bullshit rhetoric argument that is flawed and illogical. Not founded on education or
common sense.
On a scale of 1 10, 1 being crude and ugly, and 9-10 being incredible, I'm gonna go with a 9. One
step down from perfect. It's perfect sometimes, just not all the time. And that's perfectly fine, I'm okay
with being one step down from perfect. I'm not out to impress people on TV or at conventions or on the
internet or in publishing. I don't need special tools or the perfect conditions to be an amazing artist,
either

Harnessing Power Into an Individual Outlet

Akira Toriyama Art of Power, Power as Art, Masterpiece of Power (Japan)
Zen in the Art Process. Don't just Zen out. Be at one with the smoke in the city's image on
paper.
Developing books and Scripts as products and projects (Druidon being an example)


My power's become dulled and neutralized by being divided into different tasks. Instead of just sticking
to one thing well, I'm addicted to getting distracted by 4-7 mediocre things or tasks and coming across
as completely spent and unimpressive.
From now on, my manuscript's content will be developed with planning, most likely starting off with
the daily task of sequential and non sequitor outline lists. All good fiction and storybooks and scripts
and comics and novels need outlines, or else they'll have no planning or structure and cohesiveness.
If you ask me, Birth parents of adoptive children should be obligated to pay child support to their
children, at least to some degree. My stupid birth parents left me nothing in their will. No money, no
material goods. Nothing. Shows how much they care about me. Probably very little. My friends care
about me a lot more. My birth parents never gave a shit about me. They just said they did, but they
never actually did anything to help me or keep me from ending up with emotionally abusive people.
I've got to be cautious about criticism. It's bullshit, and should not be highly regarded. But when your
egolessness, humility, and modest guides everything you do related to your self-perception, you're in
danger of listening to the critics. Listening to criticism and taking it to heart, especially when they're
putting you down and belitttling you, is damaging to your ego. It can destroy your self confidence, and
then obviously you're got to spend a lot of time building your self-confidence back up again
Tuesday, August 2nd, 2016
Elric, book 4 is a genius book! Ingenious, genius. What the fuck ever. However did
Michael Moorcock come up with that idea to format the manuscript to his novel like
that, to make it a script within a novel half the time. You mean you can put
scripts WITHIN your NOVEL?? HOLY SHIT! That's fucking awesome. I'm going to try
that some day. Format experimentation. Novel = Short Story Serial + Illustrations
and Concept Story Art + Script Dialogue and Description with no camera
terminology. Voila!

Philosophical Novel
Existential Philosophy
Suspense
Science Fiction
Action and Combat Sequence Narration
Concept Art
Architecture
Costume Design
Experimental Publishing Formats
Alternating Manuscript Formats (Self Publishing)
Outline Brainstorming
Beginnings, Middles, Ends
Inciting Incident
Plot Point (Beginning-Middle-End Transitions)

Thomas Romain once told me I sure do draw a lot. This from a guy who creates anime series after
anime series in both France and Japan! That was huge honor getting to have him in my network. He
draws a ton, too.
Thursday, August 4th, 2016, 4:44 PM,

I'm looking forward to practicing writing my fiction.

Supernatural-Paranormal Philosophical-Wuxia-Novel
I'm looking forward to researching and reading Wuxia literature and Elric books
Unlike before, I'll give myself more time for research though.
I forgot to update my webcomic yesterday, because I did it a day early.
Friday, August 6th, 2016, 5:43 PM,
Drawing and writing are activities that should be fun. That's what was lost since 2015. The writing and
drawing stopped feeling fun, so as a reaction to the lack of enjoyment, I stopped doing them. That's the
only way I did them forever to begin with was I did them as hobbies because I loved them.
Fortunately, I've rediscovered the fun and enjoyment elements of writing, and hopefully drawing.
If it ever stops being fun, the work goes from being challenging to impossible.
Writing random fiction and fight scenes is actually pretty fun. So is writing philosophy.
Jhonen is a 22 Master Builder. Most Master Builders achieve many of their greatest accomplishments
at the age of 22. For instance, Jhonen began work on Invader Zim at 22 years of age. I invented
streaming video uploads at 22 in 2006 with YouTube.

Master Builders
Jhonen Vasquez
Dave Sim
Todd McFarlane
Moebius
Bill Gates
Quentin Tarantino

My journals are kind of limited, due to the way I wrote most of them. There's very little closure here in
terms of comprehensiveness. And too much of my journalspace is devoted to only self-analysis.
THE MOST successful writers and designers are essentially an excuse to print their own money. They
have a Monopoly relevant to their segment of the market.
I'm not in that kind of racket. Because Monopoly as a License to Print Money is indeed a racket.
People and things currently influencing my writing the most:

Adventure Novels
French Literature
The French Literary Community
Wuxia Culture and Art-Literature-Film

 Homer's The Odyssey

Jules Verne
HP Lovecraft
Nietzsche's Thus Spoke Zarathustra
Action
Adventure
Philosophy
Thinking

Who has power and command over me?

No one. I think.
Well, I did it. I finally started work on my numerous real novels.
It took me a good 15 years of pure contemplation, deciding my path and goal with no action, mulling it
over in my mind, but that moment of passage from development to development-work process is
finally done. I just had to make the decision to sit down and work, and not goof off here in my journal,
for a change.
Whoo! I need to take a break from all this superpowered ass kicking.
Joe grabs a Mikes Hard Lemonade bottle and smashes its bottle on his doorhandle, shattering glass
everywhere.
Friday, August 12th, 2016, 12:56 PM
Things not as susceptible to the Mirror Tactic:

Birth Parents
Birth Mother
Birth Father
Nicole
Facial Hair
Shaven Head
Monk
Religious ancestry
Thomas Merton
British Ancestry
Ethnic Identity
Asian Identity
Arab Spring
Author Career
World's Most prolific author (one of them)
Got Laid, etc
YouTube
The Money I'm Owed by Employers

Sunday, August 14th, 2016, 8:27 PM,

Money sucks. I hate money, or at the very least, am annoyed by it. I don't need money and never will to
pursue my work and research-practice, but I've spent the first half of my life being brainwashed by
people in the media and American culture who live their lives around money and making money. That's
too extreme. Money gives you power and control: Not happiness. I want to be happy, not rich. When
you're young you think money will answers all the mysteries and suffering of your life, and envying the
people who somehow do have it and did attain it. I have faith I'll be in a more comfortable living
condition in the near or distant future, and I'm aware other people probably care about me too much to
kick me out on the street.
Things that have happened in comics and animation since the 90s:

The Internet
Japan
France
CGI 3-D
The deglamorization of comics creator as a status symbol
Intrenet Print on Demand Publishing
Print on Demand Self-Publishing
E-Books, E-Readers
Apps
Social Media
Twitter
Japan proves to be a formidable competitor with America
Age-ism in comics and animation
Big Business
Big Profits not always going towards the real creators
Webcomics

It would be oddly convenient to claim my family, and parents were never supportive of my creative
career. But it wouldn't be true. The truth is it was the opposite of that. My parents saw my art early on
and had tenaciously lobbied for the gifted and special treatment of it from teachers ever since, who
also felt the same way. When I was that age, there wasn't any internet to show what competitors and
Asian kids in Asian School were doing. My parents are actually still very tenaciously supportive of my
drawing process, art, drawings, comics, and art career, both my adoptive mother and father, Cary and
Peggy. Come to think of it that's one of the only areas they supported me in other than sports and
education. Cary and Peggy's reception to my art was much more compassionate, warmer, kinder, and
not cruel or hateful at all, unlike TV, who's impression and first impulse was to deny the credence of
my parents older childhood reaction, despite the fact it was the warmest, most supportive, and kind
thing my parents ever did for me.
Tuesday, August 16, 2016, 3:19 PM,
So many filmmakers, authors, animators, techno masters, animation creators, TV Show creators,
auteurs, American and BD cartoonists, designers, writers, marketing copy writers, manga-ka, and
animation industry players old and new have taken notice of me in the last 11 years, it's difficult to

keep an accurate account of them all. Bottom line is, so many people have taken influence from me,
that even if I didn't achieve a thing from this point forward, I'd still be very influential in the past tense.
When I finally got to the bestseller list, 3 years later, I was treated as such and my writing art and
comics and books got some of the harshest reactions I've ever gotten in my life. It almost destroyed my
confidence and my motivation completely. Even more than DeviantART. Man. Critics are
so...Negative!
My journals are unconscious, stream of consciousness, unplanned, spur of the moment, spontaneous.
My fiction for short stories, scripts for comics-animation TV, and novels needs a lot more effort, real
work, structure, and refinement. Even I procrastinate at that. It's hard to be In The Zone and Flow State,
man! But well worth it. It's only torture if I'm not prepared for it and am not using planning to keep up
with it. It requires planning and entering Writer's Mode. Very Zen-like. And yes, it can be switched
on and off like a light switch, but it takes self-awareness.
Wednesday, August 17th, 2016, 11:27 PM
The time is ripening for me too tackled drawing and writing, novel, short story, and comic book work.
Soon. I like keeping my audience occupied and happy, though.
Every object tells a story. As does every human being. Everything has a history and depth to it.
Friday, August 19th, 2016, 6:16 PM,
I've got some new things I'd like to write in more detail about:

Silicon Valley
Hollywood
Spotify
Barack Obama
Name Calling
One-Punch Man
LinkedIn

So apparently, there's a group of people in the fandom who think they shouldn't let me make a
living and be successful, rich, powerful, and famous, or essentially get the successful aura I really want,
because it makes me unrelatable to my audience. Apparently they can't accept the fact that I'm a real
person in reality with a real life and real needs and bills pay. That's an unrealistic way to view me, and
a very unfair way to treat me. To treat me like I'm not human. Like I'm not a real person with real
financial and social needs.
Monday, August 22nd, 2016, 3:22 PM,
I'll admit, I don't rank very high on the fame scale, but I actually am pretty influential in my career in
comics and books by now.
I'm the most influential person I know from my private life who isn't a correspondence friend, and I'm
still not in control of my life. I wonder thing about my life. Will I succeed in my careers in the fields
I've chosen? Will I earn enough money to live? I certainly achieved enough things to warrant those

payment. One day Mom will be die and I'll have no one to brag to.
Thursday, August 25th, 2016, 7:41 PM,
Nicole Cook: Was such a self-absorbed groupie. The only reason she tried to get into a relationship
with me was in an effort to self-aggrandize her own power and fame. She cared more about stealing
power, wealth, and fame than our relationship. Whatever it was I had back then, she wanted to take for
herself. That explains why we're not dating anymore. My x. I'm no longer in love with Nicole. Plus, I
never actually fucked Nicole, but by now I've already fucked one other girl. I'm not interested in Nicole
anymore, and we're not married. Never were and probably never will be. Just because the media tried
to turn our relationship into an arranged TV wedding doesn't mean it was.
Friday, August 26th, 2016, 12:34 PM,
On the plus side, no matter how lazy or sloppy my lines get, they'll still be better than One's original
comic for One Punch Man. And I say that as a huge fan and appreciator of the anime and manga.
The longer it takes to make a webcomic, the better that webcomic will be, by default. I've invested 12
years into my comic so far, and I'm not going to stop investing work of art into anytime soon.
Saturday, August 27th, 2016, 6:13 PM,
For the last 5 months I just kind of assumed I had fallen behind in my reading and was only reading
one page a day (the one page I read for the day in Journals by Joseph Alberts, i.e. Yours Truly).
But the problem with that was, I wasn't taking the total days actual real tally into account. I read the
blog book, One Punch Man, Return on Influence, and the Osamu Tezuka stories. And for a certain
percentage of that, IE Today, I read around 10 pages from multiple sources, not just one.
Sunday, August 28th, 2016, 3:12 PM,
I think most new anime and animation kind of sucks ass, and I'd rather write a book.
Wednesday, August 31st, 2016, 11:40 PM,
Finally, I've got some publishable comics pages to go off of. I'm the gatekeeper for my own work, so I
get to decide which of my comics pages in development is publishable. And I've got some publishable
pages now, but I've still got some weeks until those finished pages hit the online presses at ComicFury
and Endtimesmanga.com. I've got more pages that aren't publishable than are, so I've got to watch that.
In the meantime I'm continuing reruns season.
Thursday, September 1st, 2016, 3:57 PM,
I've given up on print publishing by now. From now on I'm sticking to e-books and webcomics, I will
try not to be deterred, discouraged, or driven away by the abusive speech levels of the fans and other
cartoonists. I'm just going to have to ignore it somehow and keep sharpening my skills, and actively
working like a One Punch Man One or an Eiichiro Oda. From what it seems, it's a big deal that I'm just
pursuing it in and of itself, despite how much trash talking is going on in the artistic community online
from the anonymites and haters. Also, the harder you work, the bigger your audience becomes.

Guaranteed. My audience on ComicFury is already half the size of the entire audience and readership
for that website. It was easier than I thought. Some days I get as much as 55 views or even more than
that, and that's just for one day much of the time. I haven't updated seriously in almost a few months,
and I still get tons of new views to my old material each week. I'm one of the most popular series on
Comicfury. Cool! So yes, my focus is shifting, and I'm committing myself to focusing on my
webcomics and self-publishing career, but especially webcomics now that the Kindle ban was in effect.
Artists: Drawing and Artist Career Status (active or inactive)
Todd McFarlane (inactive)
Jhonen Vasquez (inactive
Frank Miller (Inactive)
Jamie Hewlett (Active)
Katsuhiro Otomo (Inactive)
Bruce Timm (Inactive)
Moebius (Inactive)
Hiroaki Samura (Active)
Alejandro Jodorowski (Inactive)
Sky Doll (Active)
Blacksad (Active)
Yoshiyuki Sadamoto (Active)
Raynart (Active)
Enki Bilal (Active)
Naoki Urasawa (Active)
Gekiga (Inactive)
Dave Sim (Inactive)
One thing is certain. I won't be publishing through Tokyopop. Even if they were sweating me and
offered me a deal. No dice. I had enough of their games and nonsense the first time they were alive. I'm
sticking with webcomics. Normal publishers and me are a bad match. They always were. They ignored
me. Treated me like I was invisible. Never offered me a deal when I wanted it, especially not on my
own terms. Mainstream publishers would profit from ripping me off and still somehow never offer me
a contract. They had very little respect for me as creator, and my needs and aspirations. All because I
couldn't figure out how to draw a proper comic book page most of the time. All because the comic
book pages looked underworked and sloppy.
I'm influential. That doesn't mean I'm highly regarded, beloved, or highly respected. There's a certain
amount of disrespect in my reputation. It's fucking annoying. And idiotic, at least from my perspective.
Most of the people who disrespect and embarrass me are dumb as shit fuckers anyway.
Awe-inspiring visuals in anime and Hollywood (CGI concept art) are becoming so commonplace, the
viewers no longer respect them properly, so no one gives a shit if you're artwork is fancy or detailed
anymore. And fans are more passionate, disrespectful, and passionate than ever before. Good art
doesn't sell anything. Marketing does. But it's got to be the right kind of marketing. Adwords and
Lulu.com banners aren't even one tenth as effective as Amazon marketing is. A shame I can't use
Amazon anymore for that sort of thing.
As it turns out, Structure, Thumbnails, and Discipline are effective in generating sales and a fanbase. A
little too effective. No really, but when it first happens, it can feel like things are working a little too

well.
I'm getting really good with webcomics. I've already got a good niche going on with webcomics. I have
no experience or clout or brand recognition with TV or traditional comics or manga. Just webcomics, in
which case I have a lot of experience.
Archer is such an inferior specimen. H. Jon Benjamin has turned into such an egomaniacally arrogant
douche lately. Tyrannically lording his undeserved underground clout over the lat night airwaves.
Bob's Burgers is retarded and blows balls. Everything he does lately does.
I'm not worried about success or failure. If I don't succeed in this lifetime, or until old age, I'd be okay
with that. My work will be post humous, definitely, but it's a matter of how much will come to me
posthumously.
Friday, September 2nd, 2016, 6:16 PM,
Good News. For the first time in my career, I made a deadline on time. I'm currently operating 3
months ahead of schedule, if you count my Wordpress site.
I've got 4 weeks worth of updates. And considering I only update once a week currently, it would seem
as though I'm finally starting to get the hang of this, making deadlines and whatnot. Amazing. I drew
one of the new pages today, based on and old rough sketch. I redrew it and cleaned it up, clarified the
lines a bit. Wasn't all that hard at all. I'm in good standing with my schedule and deadlines, and the
good part is it's new and new-er work. I'm happy.
Saturday, September 3rd, 2016, 8:16 PM,
Will end times fanart appear on Deviantart. I certainly hope NOT. Fanart and Deviantart are for vagina
pussies. That's bitch shit. Nothing but bitches. I don't GIVE a shit about having an audience of vaginas
and feminists. HEEELLLL NO!
Wednesday, September 7th, 2016, 5:26 PM,
Webcomics are all hype mostly. Most of them are horrible, and the other 20%? Pretentious or ripped off
from mine. No webcomic has ever been all that popular this side of Megatokyo, Homestuck, or OnePunch Man.
Stick to reading mine. All of the action and drama. None of the stupid ass PR Hype overkill.
I've got a 5 week limit to work with, starting today. So if I do the math, that tells me I have to have the
next handful of brand new future comics page done by early October. I have a little less than a month to
look through my old pages, find quality old material, and add on to it digitally with both old and new
cut and pasted artwork. Cutting and pasting old work is the easy part. It's a bit more challenging to
come up with new panels and material. Never impossible. Just a bit more difficult.
Saturday, September 10th, 2016, 5:47,
Also, it's been 4 days since I've written in my journal, but it feels like 2 weeks.
I'm an idea man. I'm big pictures, not execution and small details.

There's two kinds of artists out there: Concept vs. Execution. I'm concept. That's why fleshing out my
work is a struggle for me. I'm not talented at it.
Obamacare sucks. What the fuck IS Obamacare. I don't even know what that is. Good thing it's not
Obama's main accomplishment.
Sunday, September 11th, 2016, 5;45 AM,
Steps to take for selling a script:

Conceptualize Script
Dive In. Write First Draft.
Revise, Structure
Notes
Drafts
FINAL DRAFT
Rest
Research how to sell scripts
Contact Agents, Agencies
Submit Letters and Script to Agents and/or Agencies
Wait for a Response
Make a Deal
Get Paid to Sell and Option Script
Get Rich and negotiate Contract
Read Contract
Watch My Life Change Completely
$X00,000.$X,000,000. $X0,000,000.

In some areas, I'm an energy-millionaire. Like writing blogs and journal books. Just not comics.
Difficulty Ranking: The Crafts:
Easiest to Most Difficult:
1. Screenwriting
2. Fiction Writing
3. Cartoonist
Cartooning has the most competition and fans. Screenwriting the least. How to format a script isn't a
form of knowledgethat is universally known the way fiction or cartoon formatting is, which is both
good and bad. Bad because fewer people are aware of it. Good because it lends itself to great reward
for those who do put he time in. Scripts are often unseen and intangible in many ways.
As turns out, I'm one of the hardest working creators and storytellers in the business of entertainment.
I've done more things than virtually all other creators.

I'm more drawn to what I do badly than what I do well.

Like my writing and artwork for example. My comics aren't half as good as my prose and
screenwriting are, and yet it's almost as if my comics are all I focus on, purely because I kind of suck at
them 60% of the time.
Writing on Assignment
Journal stream of consciousness.

Monday, September 12, 2016, 2:36 PM,

The Outside World. Reality and Society. Is meaningless.
Of all the writing I've done, and contemplating...The only Real Truth, has come from deep within
myself. Introspection. Internal investigation.
TV's for teenage whore bimbo sellouts. Slut girl cocksuckers with vaginas.
Me? I HATE the LGBT community. Gays SHOULDN'T be allowed to get married, adopt children who
might otherwise be heterosexual, and screw their children out of a normal heterosexual upbringing.

You've got nothin' to show

My Animation teacher, Phil.
Well, fortunately, I have a cure and antidote for that disease of being empty handed at a studio pitch
meeting.
I have what I can call Something to show. I have booklets, scripts, and comics to show editors,
producers, executives, agents, and agencies, which will come in handy in pitch meetings and advancing
my career. And Selling and pitching my ideas and getting my own projects.

Some might be wondering, what are my views on religion and death.

I'm a non-denominational Agnostic, Catholic, Taoist, polytheist, and Zen Buddhist, who occasionally
and casually practices.
I also practice meditation and believe in reincarnation as coexisting with God, the way Edgar Cayce did
when he was alive. A pro-reincarnation Catholic practitioner.
You don't have to practice only one religion. I believe it's okay to learn from and practice as many
religions as you want. You don't have to do just one thing just like you don't have to have just one
spiritual practice. My views on creativity are integrated, like my views on religion

Favorite Writer-Artist of the Moment: Jules Verne Harry Clarke (Edgar Allen Poe Illustrator)
Runner Up: Andreas's Rork BD Tomes, John Buscema
Time to buy some art books.
Sin City + Harry Clarke + Andreas's Rork = ? What exactly? My new Style Design Goal!
Unfortunately, anything and everything that appears on this computer screen is a potenial liability to
marketing, it can all competition to eaves drop on me, steal my ideas, thwart all my efforts, copy
everything I do, and remain one step ahead of me. Ever since art school and Valencia. If you don't want
it getting hurt, keep it o.s.s

Wednesday, September 14th, 2016, 4:00 PM,

I just realized: All of my most detailed drawings require multiple pages of work and editing to finish,
for one drawing, whether it's compositing or pencilling and inking. It's never just one page per drawing.
In the wake of Microsoft Digital Image Pro going kaput, I was left looking for some new digital art
software program. So I shelled out some money for a copy of Manga Studio Debut. In terms of making
comics pages I'm still figuring it all out, but I've figured out how to ink pencil drawings with my
scanner, and like Photoshop, Manga Studio has a import feature, and black ink paintbucket feature too
for silhouettes and black backgrounds.
Hardly any of my drawings look good on the first try. It takes retries. Over and over again. And
scanning and editing it.
Tuesday, September 20th, 2016, 6:25 PM,
Comics and Animation, as well as Anime and manga and webcomics are mostly for illiterate teenagers
and children. They art made for illiterates. People with dyslexia and reading disabilities.
Q: Why do you read,
I read because it's fun, thrilling, exciting, and at times even informative.
Wednesday, September 21st, 2016, 1:47 PM,
I made my first submission to a Hollywood media and animation/comics/movie studio today. They
specialize in Grindhouse and Action movies, working with such notable talents as Stan Lee and Danny
Trejo, and releasing such cult hit as Robert Rodriguez's Machete Kills. The studio is 1821 Productions.
On the Plus Side:

I'm making real Hollywood contacts, and doing real Hollywood pitching and negotiation
I'm doing a real life TV Show pitch
I stand to earn a real life fortune and real life powerful allies
I might finally be able to relocate to Los Angeles or Hollywood, etc.

I stand to become incredibly powerful

Getting my own show, an action cartoon on Network Television
I could be in the formative stages of being a Highly Paid, Highly Influential Hollywood Player
Leave the Past Behind me
Forget about my parents and brother's family
Follow in Jhonen's footsteps, in terms of the relationship between my comics-animation career.

Sunday, September 25th, 2016, 9:38,

2 New entities have emerged: 1821 Studios and AnimeDubTube, a new emerging video site revolving
around anime and social media.
I now officially live in a Tomb. Not enough oxegen. Screaming kids and parents in the next room. And
a world that feeds on humiliation: JUST RIGHT.
I was winning at one point. Not going to say when. I'll just say I was indeed winning.
From this point on, My life is My Career. My LIFE is my work! Go with the flow. Of life. Surfing the
stream, of consciousness, line, words, and videos.
Monday, September 26th, 2016, 12:11 AM,
It's important to block energy vampires that attempt to sabotage your activities and ambitions.
I'm the very first person online who's utilized Vidmy.com to promote and showcase streaming video
anime. It's right there in the search results!
Tuesday, September 27th, 2016, 8:30 AM
AnimeDubTube currently functions online, live, as a dub cataloging site of many series I enjoy. I'm
doing it to kill time. Sure is fun.
Revelation: I'm Psychokinetic. Maybe an Ascended Master. My Third Eye is Open. My aura is indigo.
But I'm not a traditional psychokinetic, or a mythical one. I'm a 22 Master Builder INTP INFP creative
imagination psychokinetic. But my parents doubt powers, feel great envy of me, and punish me for
believing the Truth about Myself. That I practiced meditation and may be Enlightened.
We created an image for these guys as 'being the best'. So, when people are the best, you're recruited
by people looking for the best
Potential Recruiters:
Silicon Valley
Google
Pixar
YouTube
Adult Swim
Cartoon Network

Satellite Anime
Gonzo Anime
El Ray
Tokyopop
Funimation

Whatever the mainstream pr and hr divisions throw at you and say about you or the market, think the
opposite. They're liars and full of shit. Plus, these people are full of shit. They're just telling the public
what they think it wants to hear to manipulate sales.
Romance isn't a popular fiction genre. It's the Only profitable fiction genre. A lot of girls want to hype
romance, but that's bullshit. They talk about shit like getting to know the author (i.e. groupie fangirls
who are teenagers). The only that sells as much as romance online is gang-bang ball buster shit.
Because the market is shifting in that direction, and 99% of what we see published is shitty ass 2 year
old art, that's all we see. That's what the fans and market want: Shitty amateur work, not genius, that
gets lumped in with special interest genre, niche market, and academia.
Drawing art and content requires going back over your work constantly. Taking parts of drawings in,
putting parts of drawings out. And standing up while drawing. It's hard to draw lying down, it makes
you lazy. Standing up helps you collect and gather your energy and chi energy, which is power.
Standing power. Take a Stand.
Number 1 Mistake I Made in adulthood, once I reached success. Giving up on and ignoring my art
education. Education in the arts and the Pursuit of Independent Self-Learning goes Decades beyond
publication, or turning pro, or making money, or success. I got arrogant in my success for a while.
Took a break for a bit too long, but now I'm returning to Learning and Student Education Mode. It
takes an Education to keep a job and career.
I'm good at Narrating my thought process in a nonlinear, plotless way. Stories involve events, dialogue,
and description. Advanced Description (of my caliber) is poetry and conversational casual dialogue. I'm
going to write short stories with overcooked description poetics. Like Homer's The Odyssey, or Dante's
The Divine Comedy. That's how the Greeks wrote novels to add appeal and dynamic images to them.
They wrote it as a poem. Fortunately I'm good at poetry. It doesn't pay well, but it's mind-boggling
regardless.
Okay, scratch that. That fucking Novel is gonna be 15,000 pages long, Not 600.
I'm trying to hard to conform to to pre-established industry comic book panel templates, and not
settling down enough into my own thing, which is easier, and no one can rip it off because I invented it.
There's not a lot of opportunity to profit from my work, now or any time in the forseeable future. But
there is a lot of opportunity to experiment with the format, texture, content, and duration of my work
and find a lot of happiness and gratification than I've ever been. The first time I got the hang of writing
a novel was more gratifying than the first time I had sex with a girl or even masturbated, because
sexuality is hollow gratification, unlike writing, which is as content as Buddhism and Taoism makes
me. You can't say I'm not happy. Humility makes me humble. Not showing off makes me happy and
some people see that as humility.

Okay, Hollywood, Japan, and Literary publishers of the United States.

Game on.
Your Elite Forces and Armies May be able to stop me from submitting scripts and promoting lyricism.
But you Can't, nor will you EVER stop me from writing it and cranking it out everyday, by the 1,000s.
I warned you.

Thursday, September 29th, 2016, 7:34 AM

Things I'm going to need if I'm going to succeed in the book industry.

Communication
Organization
Time Management
Focus
Money Management
Self-Confidence
Constructive Habits
Humility
Patience
Resolve

I'm going to start using a stopwatch to count how many hours a day I work.
Okay, Twitter. My turn! And now, I'm going back to write.
Bobby, you fucking pansy. Stop crying you little Bitch.

Friday, September 30th, 2016, 7:49 PM,

I started working at 11 AM today. So far it's been an 8 hour workday of working on my computers and
projects with very little internet or TV interference. I was too busy teaching myself lettering to get
distracted by any of that. But maybe I'll take a break and visit Twitter or Comicfury, or Gmail. I'll just
use those as a reward to all my hard work.
I've never cared so little about sales, popularity in the market, or profits.
I've been less and less about how my writing, scripts, or comic book artwork fits in with their
respective market, and caring more and more about how they fit in to my collection of creative works.
I'm doing writing and drawing and editing more for myself than ever before. I spent all day organizing
my creative work on my computer, looking through thousands and thousands of artworks on my PC
and laptop. This of course, goes against what society wants from me and societies desires, and I've
thought very little and gave very little consideration to what the public wants from me. I just wanted to
work and develop new material, so I did.

I'm shocked privacy advocates are not more up in arms about the NSA-dominated laptop sales and
manufacturing industries. Those cameras in all the new laptops are put there at the request of the NSA,
CIA, and FBI to computer companies as an epic attempt at mass surveillance and spying.

I finished 9 comic book pages, both sloppy and polished, in the last week.
Webcomic, ComicFury, Work and Update Schedule

Deadline is once every Wednesday.

Schedules for my comics is one update a week under all circumstances
Computer Editing, Panel Copying, and erasing/redrawing
Update time is Tuesdays at Midnight, or Wednesday afternoon

Sunday, October 2nd, 2016, 12:24 PM,

Hmm. That's interesting. I'm zooming so far ahead of my upcoming deadlines it's almost becoming
kind of comical. Like Wiley Coyote vs. The Road Runner. I'm the Road Runner, and webcomics
industry is Wiley Coyote. It's turning into my Journals, where I'm risking ending up being dozens of
pages ahead each week, when you really only need to hand in one page a week.
When drawing comic book panels and pages, one mistake I made is I didn't draw speech bubbles in my
original and initial springboard compositions. Speech bubbles need to be included and drawn by hand
as ovals into the first draft panel and sketch page compositions, as it serves as a way to clear up loose
ends and make the production of the comic book page a lot less confusing, and it lets dialogue and
illustrative storytelling flow better.
Phil always used to say start with circles. I agree, to get warmed up on a comic book page, start with
circles. But to be more specific, start with placing ovals into each panel. Start with dialogue and speech
balloons because they are the easiest to draw, and they get the flow going, of the page and composition.
I estimate Osamu Tezuka, the most prolific comic book artist of all time, drew on average around 10
pages a day. I did 4 pages today, a day so far, which is a rate I just started at. 10 pages a day is half a
Johnny issue in one day, which is a colossal amount.
8:43 PM,
Wow. I'm impressed with this new progress and sense of purpose. I never thought I'd be drawing
comics pages purely because of enjoyment and because I was addicted to it. But life without drawing
comics is too damn depressing. The only cure for that boredom and life bullshit is to draw the panels
and pages they populate,by my own standard. No one else. I'm not doing these new pages for
publishers, fans, media, news, colleagues, or anything else. I just like doing it.
Good thing. I'm currently 80% of the way to matching Tezuka's theoretical daily page rate.
POWWWWWEEEEEEEEEEEEEEEERRRRRRRRRRRRRR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Only an eventual 20% page rate increase to go. I've overcome so much. I can't even believe it. I'd write

more, but that would do nothing to help my art abilities.

Monday, October 3rd, 2016, 8:13 AM,
I made it to 90% full capacity last night. I finished 9 pages of comics and manga. I finished 29 pages of
comics and manga in less than 7 days or a week.
I get by on honest, hard work and clean living. I'm a thoroughly self-made man. As evidenced by
Kindle in 2013. I'm going to have to cut back on my budget online. Also, I've got a decent amount of
pages of comics to go until I reach 100 pages of comics.
Wednesday, October 5th, 2016, 5:14 PM,
I'm going to start making my comics online more like newspaper comics. Less about story, and more
about 1-a-day mini-one-page narratives that change quite frequently. I've got to develop new comics
stories.
Themes to write stories about:

Quest
Adventure
Pursuit
Revenge
Metamorphosis
Maturation
Discovery
Ascension
Descension