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RESEARCH
CCPANICN
Introduction
The Creeks adapted many of their mon
sters trom the Near East
, but it was in
mcient Creek culture that monsters reached
an apogee of sorts, with both pictorial
md literary depictions of monsters flourishin
g to a degree not seen betore. For the
Creeks, monsters embodied a \ arietv of
fears: the potential of chaos to overcom
e
order, of irrationality to prevail over reaso
n; the potential victory ot nature
cigairiSt the encroaching ci
ilizations of mankind; the littleunderst
ood nature of
the female in contrast to the male. The Cree
k myths repeatedly present monsters
being conquered by gods and men; the
forces ot order, reason, civilization, and
patriarchy inevitably prevail in Creek thou
ght.
That is to say, to a large extent monsters
are culturally determined. Each
culture has its own preoccupations and
tears, its own definitions of normal,
its own manner ot looking at reality. As
Catherine Atherton observes, monsters
get defined in relation to communities and
to their standards of what is good.
acceptable, normal, or natural
In different times, places, and cultures,
or from
ditferent viewpoints within a single cultu
re, different answers ivill emerge
\lonsters often arise from the desir
e to domesticate and thus disempower v
hat a
...
\i Idn.t ill
(,rieLr cuituur,
p.
2.
C rt aid Rat nit, C LIt,,i a,
CIaoinI I itciifi,ic S rn iflari: I tant
i Fdittri, l)8t, P
ii is firs
ad
lain. fis a.
ii
til 6
e
7
i
9
10
104
Ei\IBRAcI \G
THE
MON STROLlS
11
12
13
14
Monstrous Origins
Some of the earliest monsters in Greek litera
ture appear in the Greek creation
myth, the most detailed version of which surv
ives in Hesiods eighth-century BCE
Theogony (origin of the gods). This 1022-line
poem describes the physical origins
and organization of the cosmos, At first there
is nothing but Chaos, an empty
void; then Gaia, the Earth, comes into bein
g, and Tartarus, a dim, underworldlike region. The fourth original entity is
Eros, an abstraction representing the
reproductive impulse, necessary for continue
d creation in the cosmos.
These early entities begin a tortuous, chao
tic, and essentially experimental
process of reproduction resulting in various
monstrous creatures. Chaos produces
several generations of abstractions that Hesi
od considered monstrous in the sense
that they brought misery to mankind: for exam
ple, from Chaos came Night, which
bore Doom, Ruin, Death, and Deception,
among many 7
others. Gaia, reflecting
the fertility attributed to the Earth by early
societies, produces many offspring via
parthenogenesis including Ouranos, the
Sky; thus, as in many early cosmologies,
the two primary beings are Earth and Sky.
Mating with Ouranos, Gaia births the
twelve Titans. Hesiod does not describe these
beings physically in any detail but
seems to conceive of them as semi-anthropo
morphic and even describes one of
them as 8
lovely. Hesiod envisions the other offspring
of Gaia and Ouranos as
deformed: three Cyclopes, terribly strong
giants with one huge, round eye in the
middle of their foreheads; and three Hecatonc
heires or Hundred-Flanders, each
15
R1,?L
IIM,
1 1)
1 .f1PAc r.e;
In! AlL)\,IItOhlS
to
1
4
J
1
,I
t
I.
amd
THE
24
25
26
27
28
Theogony 83035.
r
Figure 4.1
Armed with his lightning bolt, Zeus battles the winged, serpentlegged Typhoeus. Greek (Chalcidian) black-figure hydria (water-jug),
circa 540 BCE.
29
30
ouranic, indicate not that these beings are associated with the sky but only
that the
109
Rrjrc TING
Al O\ STROllS
31
32
33
34
35
36
37
38
R EJLC 11 \ ;
\ I)
E BR
ICI \
r; I HE
\ 5 HWUS
di init, gien the respecti\e origins of Apollo and of the serpent. ,q loreoer,
\pollo oluntarilv undergoes punishment and purihcation to atone for having
killed the guardian serpent of Gaias shrine, indicating that the new male order
must at least acknowledge the past power ot teminine diinitv.
49
41
42
newbv spring for the ritual hut the) did not return, Upon irnestigation, Cadmus
found that a huge serpent. a guardian of the spring (which was sacred to Ares),
had devoured his men. [-Ic killed the snake and, after atoning for shedding the
guardians blood, was able to found the city of Cadmeia, which became Thebes.
The killing of a dragon to found a settlement represents, for the Greeks, the advance
of culture over natureJ
Essentially, in Greek mythology, once Zeus calmed the cosmos, order had to he
established in the world of men as well. The older generations of gods may have been
deposed, but their monstrous progeny lived on: Tvphoeus, for example, had fathered
the Chimacra, the Hvdra, Cerberus, the Sphinx, the Nernean lion, and Scylla, among
many others. The stability represented by the reign of Zeus was mythologically
concurrent with the age of men, and it was up to men to civilize the world in the
same way in which Zeus had tamed the cosmos. So among men, heroes arose who
would bring social order by ridding the earth of the monstrous creatures from elder
times, making the countryside and the roadsthe latter particularly emblematic
of civilizationsafe for their fellow man. Thus the monsters in Greek myth, such
as anthropophagus giants, tended to represent uncivilized, lawless forces, as did
untamed elements of nature often represented by the monstrous female. These
elements were to he conquered and replaced by the culture-bringing male.
The earliest generation of heroes included Perseus, Bellerophon, and Heracles
(Hercules to the Romans). Perseus is best known as the slayer of Medusa, one of
three snaky-haired Gorgon sisters. Perseus traveled to the Gorgons lair in the
far west to cut off her head, viewing her reflection in a shield to avoid looking at
her petrifing gaze directly. Ihis early myth reflects the theme of the younger,
patriarchal society replacing an older, pre-agricultural, Gaia-dependent world,
as the Gorgons had come into existence in the earliest days of the cosmos, their
snaky hair reflecting their chthonic 14
origins. Perseus also encounters one of the
first major sea monsters in Greek mythology. After slaying Medusa, Perseus
passes Ethiopia where he sees the princess Andromeda chained to a rock, about
to be sacrificed to appease a monster. Farly literary sources do not describe the
monster in detail, but its name. Cetus, also means 4
vhale. Perseus slays the
43
44
Uhe tact that images of monsters are scarce in Paleolithic and Neolithic art, and that
such images became widespread with the emergence of early cities and states in
the
Near East about fi e millennia ago, lends support to this primary theme underlying
stories of heroes tighting monsters.
The Gorgons ere either children or grandchildren of Gaia, depending on
the vari.ant.
\lso. [lelienistic .ercionsif the myth av that \ledusa was a lovely young woman
turned into a hideous Gorgon for angering \thena and as thus not one of the original
Gorgons.
Cetus and other i monsters of Greek myth represent not only the chthonic connection
(given their serpent-like bodies) hut also the dangers of the sea and ea travel.
Because
Pcrseus, \ndromeda, Cassiopeia, and een Cetus sere, according to myth, turned
Into con-teliations at their deaths, a detailed erdon ot their story appears in one of
the les.er-kno n Roman epic poems, Marcus Maniliuss .-4trouonuca
(first century
CF) Manilius includes a lengthy digression to explain the origin of the constellation
114
Rotc
Ji:\t
t\I)
\iid romeda i5538e 15). For a detailed terarr anal\ i., see Paul \ In rgatro 1, , I ,iiuea/
\ flew o: 0 t-ieai Lit, rju, (London: Put kworth fltiE), pp 1 4 ( I.
\tt, is the I 1 and 2fl I I turns (7ii , i
,,uld ha
in hcIic e, fs es ro-inp
.
\Itdusa s head.
Or, in some ariants, P e tr( nt p iris ot a lion the middle of a
snako
\w ording to I lesiod, P gasus as c en favorite ot the Muws
it ro
LI
goat,
Ti-ir ASTIGATE
49
50
51
52
3
54
55
56
from five
Theogonti 312.
See Woodford, Images of \4ths in Classical Antiqu
itu, pp. 1745, for discussion of the
number of Cerberuss heads as represented in
Greek art.
Eurvstheus, a king of Mvceneae and cousin of
Heracles, was in charge of assigning the
hAeke I aburs. After Heracles killed
his own wife and children in a Hera-induced fit of
madness, the Delphic oracle required the hero
to serve Eurystheus for twelve years.
Heracles wears the skin of the Netnean lion, retlecti
ng his own dual nature as a creature
of society but also as a creature of superhuman
strength and brutality.
116
Figure 4.3
The Argonauts were headed to Colchis on the far shore of the Black
Sea and encountered
first giants and then the Harpies before coming up agains
t fire-breathing bulls and
a giant serpent guarding the Fleece. The Harpies (Snatchers)
were hybrid female
monste
Fii .1cHC4 EL
118
RE JEC rF\ C
F \1 BR
CI.\ U 1111
1 RVHS
Charles
67
68
09
70
Odiscij 10,113.
c)di,seu 10.12022.
But thex have spears of ome sort:
piercing the men hke rish, the carri
ed them ax,n
for a 06 less least (10 124) -josless
from Odx sseus s point ot view,
that is. [he phrase
corns to refer either tn lishing spears
r o roasting spits.
Modem audiences might consider
Circe a type nf monster, or at least
consider her
hehax ior monstrous. The Greeks cons
idered her dangerous because he
wa a witch,
119
Figure 4.4
71
hose seen before, the Sirens also, perhaps more mundanely, repre
sent the dangers
i sea travel and this episode points out how sailors must not allow
themselves to
be distracted.
emphasizes the Sirens voices rather than their
appearance, hut in warning
Circe
od\ cseus about Scvlla, she describes the creature in great
physical detail. Scvlla is
baneful monster dwelling in a cave very high in
a cliff. Her voice sounds like
puppies yelping. Worse:
72
3
4
3
121
TO
MOysi-ERS l\D
THE
MOSrROfb
er.
78
7Q
00
01
Rip.
n G ifl
wi.
i\c. I u
\1
.i& uj..
1) uPs ,U. mci the ,entaurs, hilt human Ii ill h re hsbri I.. Hut
in iddition to
mi tholagic at dnrit . ts 0 li.is. sarina cthntgraphial a count nrite
n hi Creeks
.sho trai clod to flras as p1 ias mci sn t pndrou, .ghb
u heard im wing
rqnwr, aid r<i riled them. Sttph ii sma pI.iin.
.
e pkrer. oldier.. intl
ft idi r. pe.letr ited ,ft inge tin Is tlits absorbed Inc ii It tends md
encountered
.iataniiliar reature. bi inqing .111 thir. hat k to urh in t,rocs.e
and Rome. .\. in the
mi thokgkal is counts of hero jcsurntss, these rc ii icxoun
t of cthnographer.
uid historians de.a nbc raw. that ite tranqer. mi re hit hark
, cs. human md
Its,. hum mold the farther ass .ms from (,reat one tr.msels. \k.t
ancknt Creeks
and Romans ..on idernd all human ethnic gisup. other than
theii own to be
barbarians. tim it is. It... th,rlited. And. a .\.ma put it
the literature of the
ant ientc res eats tcintinuuin of degree., is herth rate. at
men decline further
and tut thor ass as Ire m their c thnecenlric starting place.
I or esample. foreign
iaces on 11w fringes of the Greek world such a. the
I hracians md Sci thians to
the north and eat or the Lqs ptians to the ,niith, have
ditfercnt custom. and
different pIn ical features from the Greks but ire not
nmonctrous farther away
race. that the (,rec$.s .ass rarely (or net at alh are much more
.trangt. deformed,
mud overall pIn 4ologically 3
unhkel it not impo sible such is the rates farther
auth in I itna and farther at in India. It .eem. that
the Greek. sublimated
nman instinctise fears in he monsters c t their nn ths.
but hei also rationall.d
those Fears in another. non m thological torni is ith their itc reaing
lv enaggerated
dcscnptions of monstrous raas md animals ni .tnt is
Inch tImes nnai,ined tetise
.vn tar
144.15.
st
;p I%_
2ifi)
r r
Ih,i p in
tie:nf.iz. ctfen nit re. h.
14
is
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arid cc I
...r.
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5?,
ut
liii uiornat ii nih i crc m. ng
I. .1, tIer data,. .nd ft ii :gn I aiid.
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viq
He,,,,ic.n iult
AMa c c cell m..,
2(7j.p 41
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ii.:. us
31i rp I
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,t
Herodotus 4.25.1.
Ibid. 4.191.4. The emphasis here and below is
in the original Greek.
90 Ibid. 4.105.2. See also Ashen et al.,
Cornmentart, pp. 656, 71314, for discussion
of the
Neuri.
91 Herodotus 3.102.
92 Ibid. 3.1078.
93 Ibid. 3.116. Throughout his Histories,
Herodotus alternates between being highly logic
al
and astonishingly credulous. For discussion
, see James Romm, Herodotns (New Haven
and London:
93
95
96
97
98
It has three iv.es of teeth, human eats, and light blue eyes
like a man s It
has a tail like a land ccoqnon ott which there is a stinger motr
than a cubit
long. It also has tingers on either side of the tail as well ac
on the end like a
scorpion
...
101 Jbid.,p.l1l.
102 IbId., 1
p. 13. Also see Steels esa in this volume for eitended diswsckn of medieval
accounts and images of Cynocephaloi.
103 See Nichols, Complete Fnvgnients, pp. 113 14 and
121-2: also fames S. Romm, The Ede.
of the Earth in Ancient Thought rairii4y frcpieratioi,
and Fietion (Prin,.eton: Princeton
Universih Press, 1992), pp. 7781.
ji)
fhe &iapodes(%hade-footed or Shady-feefl were also
described by an earlier writer,
Sq lax of Carvanda (fifth century BCE),
isha according to later sources recorded that
the Sdapodes hase iery broad feet and at midday
they drop to the ground, stretch
their feet out above them, and give themselves Jiade.
Stylax
other .$range marvels similarly recorded by Ctesias (Nichols,abc wrote of countless
Complete Fraqments, pp.
116 and 125: see also
125
ilL
lSHr
IL
Ri
ii
Coii
4\1O It)
clO\ Ii
Rs 1\D 1111
,Io,ss (POlls
ith
text.
1)7 Murgatrosd, 1:ii 1
itS \\ ittkon cr tare dc
100 lhid,p (64,
ut r- p
the Fact,
REJECTI\G in
E \IBR.-tCl\G
THE
MO\STROIIS
Other bizarre creatures on Plinys list include the arnphisbaena, an African twoheaded snake; the catoblepas, a monstrous animal the size of a hull, with a horses
mane, and which, like the hasilisk, had a gaze fatal to anyone who met it; and a
tree-climbing octopus that was at home on land as well as in the sea.
6 In cataloging
such creatures, Pliny was not only reflecting the encyclopedic mentality that
110 (irliri A B,,ron, The Srrnrt el the ,1 iu hut Ronzans: The Gladiater iiid tl,e tenter
(Princeton: Princeton Ijniversitv Press, 1993), p. 85.
Ill Ibid., P. 85.
112 Ibid., p. 86.
I 13 Asma, On ,.kmq,rs, p. 33.
114 Wittkower, NIar\ els of the East, p. 166. Also, as Van Duzer notes, Plin s descriptions
of monstrous races sere themselves heavily influenced by (tesias (for example, his
description of the manticore Natural Histort 8.30.79).
119 Natural Hzfar, 8.33.78.
116 On this last, see Camilla Asplund [ngemark, lhe Octopus in the Sewers: An Ancient
I egend Analogue. [ounal f Fe/dare Recarc), 432 (2(1(18), pp. 145.70.
127
was becoming popular during his time, hut also aiming for that audience ot
Romans interested in the unusual and strange. Increasing curiosity in the world
around them, a result of Roman military and economic expansion, served only
to stimulate rather than modify such interest: the more extraordinary the actual
discoveries, the greater the hope of still more wondrous things to come.
17 Pliny
himself commented: Nature always persuades me, when I observe her, that
nothing about her is impossible to believe.
118
We also have a good example of the Roman interest in hybrids and other
oddities of nature in the Mirabilia of the Greek author Phiegon of Tralles (second
century CE). Phiegons work includes an entire section on monstrous births,
such as a child that had four heads, a child born with a head growing out of its
left shoulder, and a child born with the head of the Egyptian god Anubis (the
head of a jackal). Children with such manifest congenital abnormalities were
often believed to be portents sent by angry gods, which did not bode well for the
children: In Rome a certain woman brought forth a two-headed baby, which
on the advice of the sacrificing priests was cast into the River Tiber.
21 At the
same time, Plutarch, writing in the first and second centuries CE, describes
117 Mary Beagon (trans. and comm.), The Elder Pliny on the Human Animal: Natural History
Book 7 (Oxford: Clarendon Press, 2005), p. 17.
118 Natural History 11.2.6.
119 Phlegon of Tralless Mirahilin is probably the most famous classical example of
infants, possessing a greater or smaller than usual inventory of extemal body parts
appear very frequently in the list of prodigies compiled by Julius Obsequens (Liber
Prediiorum). Garland, The Eye of the Beholder, pp. 155fl, discusses Aristotles theory,
set forth in his Geueration of Animals, that a fusion of sperm causes such deformities.
Regarding the child with the head of Anubis, Hansen comments (p. 153): Rather than
simply saying that the child had the head of a dog, Phlegon compares it to Anubis
either because the overall image of the childs human body and canine head was most
familiar as that of the mixed-form god Anubis, or because the childs head resembled
that of Anubis specifically in being jackal-like. Moreover, he may have wished to avoid
the word dog-headed, which was somewhat imprecise, since it might be taken as a
reference to the Cynocephaloi.
121 Hansen, Phleon of Frolics Book of Marvels, p. 47. Of course, it was not unusual for
children born with physical disabilities or abnormalities to he exposed in the wilderness
or alloed to die in some other manner, as such children would have been both a
tinancial burden and an embarrassment to their parents (Hansen, p. 150). Hansen (p.
128) addc that the usual term for strikingly abnormal offspring in Greek is teras, from
which derives the modem term teratology, the study of congenital malformations.
ihe Greek teras diftered from the term ektrapeloi, which meant deviants (literally,
turning from the path) and referred to humans whose deformities were not obvious
at birth but who developed abnormally as they grew. As Pliny the Elder notes, there
was no Latin equivalent term for the Greek ektraploi (Natural History 7.16.76).
128
t
Rziic ri
tsD
122
l2
129
Coios \1Oi
exotic to relieve his aching boredom. u At the same time, we might consid
er wh
uc ourselves find such exhibits fascinating: people still flock to the dinosa
ur halls
in museums and to the mans Ripleys Believe It Or Not exhibitions
around the
country; Diane Arbuss photos of human deviants remain contro
.ersial but
highly popular; and the number of visitors to the Mutter Museum
(of human
pathology) in Philadelphia increases with each passing yearJ
Conclusion
Representations of monsters in the ancient world in both art
and literature
became so common that various ancient authors mocked their
countrymens
obsessions with them.
14 We have already seen Flerodotuss skepticism and
Plutarchs disgust at peoples gullibility and fascination with monste
rs. The Greek
geographer Straho (first century CE) and the Roman grammarian
Aulus Gellius
(second century CE) were also highly critical of such beliefs. The
second-century
CE author Lucian, in his True History, parodies the tales of monstr
ous creatures
and races found in Homer, Herodotus, Ctesias, and other author
s by creating
even more exaggerated creatures and races such as three-h
eaded vultures as
large as horses; birds with grass for feathers and lettuce-leaves for
wings; and
a race of eel-eyed, lobster-faced people, to name only a few)
These creatures
,ucceed as parodies in being hybrids even more bizarre than
those found in
previous authors: animals are mixed with vegetable matter, for
example. Lucian
also places his vastly exaggerated fabulous races at an even farther
distance than
any other ancient author: these races live on the 6
Moon. Lucian, in announcing
up front that the True History is a parody of Homer, Ctesias, and
others, invites
his readers to spot the allusions, exaggerations, and allegories. u
132 [hid., p. 90.
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