Beruflich Dokumente
Kultur Dokumente
CAREER BEGINNINGS
pencil.[13] From the age of seven, Picasso received formal artistic training from his father in gure drawing and
oil painting. Ruiz was a traditional academic artist and
instructor, who believed that proper training required disciplined copying of the masters, and drawing the human
body from plaster casts and live models. His son became
preoccupied with art to the detriment of his classwork.
The family moved to A Corua in 1891, where his father became a professor at the School of Fine Arts. They
stayed almost four years. On one occasion, the father
found his son painting over his unnished sketch of a
pigeon. Observing the precision of his sons technique,
an apocryphal story relates, Ruiz felt that the thirteenyear-old Picasso had surpassed him, and vowed to give
up painting,[14] though paintings by him exist from later
years.
In 1895, Picasso was traumatized when his seven-yearold sister, Conchita, died of diphtheria.[15] After her
death, the family moved to Barcelona, where Ruiz took
a position at its School of Fine Arts. Picasso thrived in
the city, regarding it in times of sadness or nostalgia as his
true home.[16] Ruiz persuaded the ocials at the academy
to allow his son to take an entrance exam for the advanced
class. This process often took students a month, but Picasso completed it in a week, and the jury admitted him,
at just 13. The student lacked discipline but made friendships that would aect him in later life. His father rented
a small room for him close to home so he could work
alone, yet he checked up on him numerous times a day,
judging his drawings. The two argued frequently.
2 Career beginnings
2.1 Before 1900
Picassos training under his father began before 1890. His
progress can be traced in the collection of early works
now held by the Museu Picasso in Barcelona, which provides one of the most comprehensive records extant of
any major artists beginnings.[17] During 1893 the juvenile quality of his earliest work falls away, and by 1894
his career as a painter can be said to have begun.[18] The
academic realism apparent in the works of the mid-1890s
is well displayed in The First Communion (1896), a large
composition that depicts his sister, Lola. In the same
year, at the age of 14, he painted Portrait of Aunt Pepa,
2.2
Blue Period
The
a vigorous and dramatic portrait that Juan-Eduardo Cirlot has called without a doubt one of the greatest in the
2.2
whole history of Spanish painting.[19]
In 1897 his realism became tinged with Symbolist inuence, in a series of landscape paintings rendered in nonnaturalistic violet and green tones. What some call his
Modernist period (18991900) followed. His exposure
to the work of Rossetti, Steinlen, Toulouse-Lautrec and
Edvard Munch, combined with his admiration for favorite
old masters such as El Greco, led Picasso to a personal
version of modernism in his works of this period.[20]
Picasso made his rst trip to Paris, then the art capital of
Europe, in 1900. There, he met his rst Parisian friend,
journalist and poet Max Jacob, who helped Picasso learn
the language and its literature. Soon they shared an apartment; Max slept at night while Picasso slept during the
day and worked at night. These were times of severe
poverty, cold, and desperation. Much of his work was
burned to keep the small room warm. During the rst
ve months of 1901, Picasso lived in Madrid, where he
and his anarchist friend Francisco de Ass Soler founded
the magazine Arte Joven (Young Art), which published
ve issues. Soler solicited articles and Picasso illustrated
the journal, mostly contributing grim cartoons depicting
and sympathizing with the state of the poor. The rst issue was published on 31 March 1901, by which time the
artist had started to sign his work Picasso; before he had
signed Pablo Ruiz y Picasso.[21]
Old
Guitarist
(1903),
Blue Period
CAREER BEGINNINGS
3.3
Crystal period
5
writer Alfred Jarry, and Gertrude Stein. Apollinaire was
arrested on suspicion of stealing the Mona Lisa from the
Louvre in 1911. Apollinaire pointed to his friend Picasso,
who was also brought in for questioning, but both were
later exonerated.[30]
3
3.1
3.2
Cubism
Analytic cubism (19091912) is a style of painting Picasso developed with Georges Braque using monochrome
brownish and neutral colors. Both artists took apart objects and analyzed them in terms of their shapes. Picasso and Braques paintings at this time share many similarities. Synthetic cubism (19121919) was a further development of the genre, in which cut paper fragments
often wallpaper or portions of newspaper pages were
pasted into compositions, marking the rst use of collage
in ne art.
In Paris, Picasso entertained a distinguished coterie of
friends in the Montmartre and Montparnasse quarters,
including Andr Breton, poet Guillaume Apollinaire,
1916, L'anis del mono (Bottle of Anis del Mono), oil Parade at Thtre du Chtelet, Paris 18 May 1917
on canvas, 46 54.6 cm, Detroit Institute of Arts,
Michigan
3.4
Fame
Pablo Picasso and scene painters sitting on the front cloth for
Lonide Massine's ballet Parade, staged by Sergei Diaghilev's
Ballets Russes at the Thtre du Chtelet, Paris, 1917
3.4
Fame
Parade, 1917, curtain designed for the ballet Parade. The work
is the largest of Picassos paintings. Centre Pompidou-Metz, Metz,
France, May 2012.
Maya (5 September 1935 ) (Born Maria de la Con- In February 1917, Picasso made his rst trip to Italy.[38]
cepcion Picasso) with Marie-Thrse Walter
In the period following the upheaval of World War I,
Picasso produced work in a neoclassical style. This
Claude (15 May 1947 ) (Born Claude Pierre Pablo "return to order" is evident in the work of many European
Picasso) with Franoise Gilot
artists in the 1920s, including Andr Derain, Giorgio de
Chirico, Gino Severini, Jean Metzinger, the artists of the
Paloma (19 April 1949 ) (Born Anne Paloma Pi- New Objectivity movement and of the Novecento Italcasso) with Franoise Gilot
iano movement. Picassos paintings and drawings from
this period frequently recall the work of Raphael and
Photographer and painter Dora Maar was also a constant Ingres.
companion and lover of Picasso. The two were closest
In 1925 the Surrealist writer and poet Andr Breton dein the late 1930s and early 1940s, and it was Maar who
clared Picasso as 'one of ours in his article Le Surraldocumented the painting of Guernica.
isme et la peinture, published in Rvolution surraliste. Les
Demoiselles was reproduced for the rst time in Europe
in the same issue. Yet Picasso exhibited Cubist works at
3.5 Classicism and surrealism
the rst Surrealist group exhibition in 1925; the concept
of 'psychic automatism in its pure state' dened in the
Manifeste du surralisme never appealed to him entirely.
He did at the time develop new imagery and formal syntax for expressing himself emotionally, releasing the violence, the psychic fears and the eroticism that had been
largely contained or sublimated since 1909, writes art
historian Melissa McQuillan.[39] Although this transition
in Picassos work was informed by Cubism for its spatial
relations, the fusion of ritual and abandon in the imagery
recalls the primitivism of the Demoiselles and the elusive
psychological resonances of his Symbolist work, writes
McQuillan.[39] Surrealism revived Picassos attraction to
primitivism and eroticism.[39]
During the 1930s, the minotaur replaced the harlequin
as a common motif in his work. His use of the minotaur came partly from his contact with the surrealists,
who often used it as their symbol, and it appears in Picassos Guernica. The minotaur and Picassos mistress
Marie-Thrse Walter are heavily featured in his celebrated Vollard Suite of etchings.[40]
3.6
3.6
10
5 POLITICAL VIEWS
strained relationship with Claude and Paloma was never sculpture which was ambiguous and somewhat controverhealed.[51]
sial. What the gure represents is not known; it could
By this time, Picasso had constructed a huge Gothic be a bird, a horse, a woman or a totally abstract shape.
home, and could aord large villas in the south of France, The sculpture, one of the most recognizable landmarks
such as Mas Notre-Dame-de-Vie on the outskirts of in downtown Chicago, was unveiled in 1967. Picasso reMougins, and in the Provence-Alpes-Cte d'Azur. He fused to be paid $100,000 for it, donating it to the people
was an international celebrity, with often as much inter- of the city.
est in his personal life as his art.
4 Death
Pablo Picasso died on 8 April 1973 in Mougins, France,
while he and his wife Jacqueline entertained friends for
dinner. He was interred at the Chateau of Vauvenargues near Aix-en-Provence, a property he had acquired
in 1958 and occupied with Jacqueline between 1959 and
1962. Jacqueline Roque prevented his children Claude
and Paloma from attending the funeral.[52] Devastated
and lonely after the death of Picasso, Jacqueline Roque
killed herself by gunshot in 1986 when she was 59 years
old.[53]
5 Political views
The Chicago Picasso a 50-foot high public Cubist sculpture. Donated by Picasso to the people of Chicago
11
expressed anger and condemnation of Francisco Franco
and fascists through his art, he did not take up arms
against them. The Spanish Civil War provided the impetus for Picassos rst overtly political work, The Dream
and Lie of Franco which was produced specically for
propagandistic and fundraising purposes.[55] This surreal fusion of words and images was intended to be sold
as a series of postcards to raise funds for the Spanish Republican cause.[55][56]
In 1944 Picasso joined the French Communist Party, attended an international peace conference in Poland, and
in 1950 received the Stalin Peace Prize from the Soviet
government,[57] But party criticism of a portrait of Stalin
as insuciently realistic cooled Picassos interest in Soviet politics, though he remained a loyal member of the
Communist Party until his death. In a 1945 interview
with Jerome Seckler, Picasso stated: I am a Communist and my painting is Communist painting. ... But
if I were a shoemaker, Royalist or Communist or anything else, I would not necessarily hammer my shoes in
a special way to show my politics.[58] His Communist
militancy, common among continental intellectuals and
artists at the time (although it was ocially banned in
Francoist Spain), has long been the subject of some controversy; a notable source or demonstration thereof was a
quote commonly attributed to Salvador Dal (with whom
Picasso had a rather strained relationship[59] ):
Picasso es pintor, yo tambin; [...] Picasso es
espaol, yo tambin; Picasso es comunista, yo
tampoco.
(Picasso is a painter, so am I; [...] Picasso is
a Spaniard, so am I; Picasso is a communist,
neither am I.)[60][61][62]
In the late 1940s his old friend the surrealist poet and
Trotskyist[63] and anti-Stalinist Andr Breton was more
blunt; refusing to shake hands with Picasso, he told him:
I don't approve of your joining the Communist Party nor
with the stand you have taken concerning the purges of From the beginning of his career, Picasso displayed an
the intellectuals after the Liberation.[64]
interest in subject matter of every kind,[75] and demonstrated a great stylistic versatility that enabled him to
work in several styles at once. For example, his paintings of 1917 included the pointillist Woman with a Mantilla, the Cubist Figure in an Armchair, and the naturalistic Harlequin (all in the Museu Picasso, Barcelona). In
1919, he made a number of drawings from postcards and
photographs that reect his interest in the stylistic conventions and static character of posed photographs.[76] In
1921 he simultaneously painted several large neoclassical paintings and two versions of the Cubist composition
Three Musicians (Museum of Modern Art, New York;
Massacre in Korea, 1951
Philadelphia Museum of Art).[38] In an interview published in 1923, Picasso said, The several manners I have
In 1962, he received the Lenin Peace Prize.[65] Biogra- used in my art must not be considered as an evolution,
pher and art critic John Berger felt his talents as an artist or as steps towards an unknown ideal of painting ... If
were wasted by the communists.[66]
the subjects I have wanted to express have suggested dif-
12
7 ARTISTIC LEGACY
ferent ways of expression I have never hesitated to adopt was in the personal collection of Los Angeles philanthem.[38]
thropist Frances Lasker Brody, who died in November
[80]
Although his Cubist works approach abstraction, Picasso 2009. On 11 May 2015 his painting Women of Algiers
never relinquished the objects of the real world as subject set the record for the highest price ever paid for a paintit sold for US$179.3 million at Christies in New
matter. Prominent in his Cubist paintings are forms easily ing when
[81]
York.
[77]
recognized as guitars, violins, and bottles.
When Picasso depicted complex narrative scenes it was usually in On 21 June 2016 a painting by Pablo Picasso titled
prints, drawings, and small-scale works; Guernica (1937) Femme Assise (1909) sold for 43.2 million ($63.4 milis one of his few large narrative paintings.[76]
lion) at Sothebys London, exceeding the estimate by
highPicasso painted mostly from imagination or memory. Ac- nearly $20 million, setting a world record for the[82][83]
est
price
every
payed
at
auction
for
a
Cubist
work.
cording to William Rubin, Picasso could only make
great art from subjects that truly involved him ... Unlike Matisse, Picasso had eschewed models virtually all
his mature life, preferring to paint individuals whose lives
had both impinged on, and had real signicance for, his
own.[78] The art critic Arthur Danto said Picassos work
constitutes a vast pictorial autobiography that provides
some basis for the popular conception that Picasso invented a new style each time he fell in love with a new
woman.[78] The autobiographical nature of Picassos art
is reinforced by his habit of dating his works, often to the
day. He explained: I want to leave to posterity a documentation that will be as complete as possible. Thats
why I put a date on everything I do.[78]
ing many rarely seen works which reveal his rm grounding in classical techniques. The museum also holds many
precise and detailed gure studies done in his youth under
his fathers tutelage, as well as the extensive collection of
Jaime Sabarts, his close friend and personal secretary.
The Picasso Administration functions as his ocial Estate. The US copyright representative for the Picasso Administration is the Artists Rights Society.[87]
In the 1996 movie Surviving Picasso, Picasso is portrayed
by actor Anthony Hopkins.[88] Picasso is also a character
in Steve Martin's 1993 play, Picasso at the Lapin Agile.
In "A Moveable Feast" by Ernest Hemingway, Hemingway tells Gertrude Stein that he would like to have some
Picassos, but cannot aord them. Later in the book,
Hemingway mentions looking at one of Picassos paint7 Artistic legacy
ings. He refers to it as Picassos nude of the girl with the
basket of owers. Presumably, he is talking about Young
At the time of Picassos death many of his paintings were Naked Girl with Flower Basket.
in his possession, as he had kept o the art market what
he did not need to sell. In addition, Picasso had a considerable collection of the work of other famous artists, 7.1 Recent major exhibitions
some his contemporaries, such as Henri Matisse, with
whom he had exchanged works. Since Picasso left no Picasso: Masterpieces from the Muse National Picasso,
will, his death duties (estate tax) to the French state were Paris, an exhibition of 150 paintings, sculptures, drawpaid in the form of his works and others from his col- ings, prints and photographs from the Muse National Pilection. These works form the core of the immense and casso in Paris. The exhibit touring schedule includes:
representative collection of the Muse Picasso in Paris.
In 2003, relatives of Picasso inaugurated a museum ded 8 October 2010 17 January 2011, Seattle Art Muicated to him in his birthplace, Mlaga, Spain, the Museo
seum, Seattle, Washington, US.
Picasso Mlaga.
19 February 2011 15 May 2011, Virginia Museum
The Museu Picasso in Barcelona features many of his
of Fine Arts, Richmond, Virginia, US.
early works, created while he was living in Spain, includ-
Several paintings by Picasso rank among the most expensive paintings in the world. Garon la pipe sold for
US$104 million at Sothebys on 4 May 2004, establishing
a new price record. Dora Maar au Chat sold for US$95.2
million at Sothebys on 3 May 2006.[79] On 4 May 2010,
Nude, Green Leaves and Bust was sold at Christies for
$106.5 million. The 1932 work, which depicts Picassos
mistress Marie-Thrse Walter reclining and as a bust,
13
Museu Picasso is located in the gothic palaces of
Montcada street in Barcelona
Art Museum Pablo Picasso Mnster Arkaden
See also
Picassos poetry
Pierre Le Guennec
Notes
[24] The Frugal Repast, Metropolitan Museum of Art. Retrieved 11 March 2010.
Theat-
14
9 NOTES
[79] Picasso portrait sells for $95.2 million, Today, Associated Press. Retrieved 5 May 2006.
[59] Failed attempts at correspondence between Dal and Picasso. Larepublica.com.pe. Retrieved 26 August 2010.
15
[82] This early Picasso Cubist painting sold for $63.4 M, CNN,
22 June 2016
[83] Pablo Picasso, Femme Assise (1909), 43.269,000 GBP
(Hammer Price with Buyers Premium), Sothebys London, 21 June 2016
[84] 2004 Art Market Trends report (PDF). Retrieved 26
August 2010.
[85] S. Goodenough, 1500 Fascinating Facts, Treasure Press,
London, 1987, p 241.
[86] Revealed: The extraordinary security blunders behind
Paris art gallery heist The Daily Mail
[87] Most frequently requested artists list of the Artists Rights
Society. Arsny.com. Retrieved 2014-07-17.
10
[88] IMDB
Art-
References
Rubin, William (1981). Pablo Picasso: A Retrospective. Little Brown & Co. ISBN 978-0-316-70703-9.
Wattenmaker, Richard J. (1993). Great French
paintings from the Barnes Foundation: Impressionist,
Post-impressionist, and Early Modern. New York:
Alfred A. Knopf. ISBN 978-0-679-40963-2.
Wertenbaker, Lael Tucker (1967). The world of Picasso (1881 ). Time-Life Books.
11 External links
Berger, John (1989). The success and failure of Picasso. Pantheon Books. ISBN 978-0-679-72272-4.
Cirlot, Juan Eduardo (1972). Picasso, birth of a genius. New York and Washington: Praeger.
Daix, Pierre (1994). Picasso: life and art. Icon Editions. ISBN 978-0-06-430201-2.
FitzGerald, Michael C. (1996). Making modernism:
Picasso and the creation of the market for twentiethcentury art. Berkeley: University of California
Press. ISBN 978-0-520-20653-3.
Granell, Eugenio Fernndez (1981). Picassos Guernica: the end of a Spanish era. Ann Arbor, Mich.:
UMI Research Press. ISBN 978-0-8357-1206-4.
Krauss, Rosalind E. (1999). The Picasso papers.
MIT Press. ISBN 978-0-262-61142-8.
Malln, Enrique (2003). The visual grammar of
Pablo Picasso. New York: Peter Lang. ISBN 9780-8204-5692-8.
16
Picasso in the National Portal of the Museums in
Israel (Tel Aviv, Israel)
Museo Picasso Mlaga (Mlaga, Spain)
Museu Picasso (Barcelona, Spain)
Picasso at the National Gallery of Art (Washington
DC, USA)
Picassos Little Recognised Contribution to the Performing Arts (with images)
11
EXTERNAL LINKS
17
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File:2004-09-07_1800x2400_chicago_picasso.jpg Source:
https://upload.wikimedia.org/wikipedia/commons/0/05/2004-09-07_
1800x2400_chicago_picasso.jpg License: Public domain Contributors: J. Crocker Original artist: J. Crocker
File:Commons-logo.svg Source: https://upload.wikimedia.org/wikipedia/en/4/4a/Commons-logo.svg License: CC-BY-SA-3.0 Contributors: ? Original artist: ?
File:Costume_design_by_Pablo_Picasso_representing_skyscrapers_and_boulevards,_for_Serge_Diaghilev{}s_Ballets_
Russes_performance_of_Parade_at_Thtre_du_Chtelet,_Paris_18_May_1917.jpg Source:
https://upload.wikimedia.org/
wikipedia/en/c/c9/Costume_design_by_Pablo_Picasso_representing_skyscrapers_and_boulevards%2C_for_Serge_Diaghilev%27s_
Ballets_Russes_performance_of_Parade_at_Th%C3%A9%C3%A2tre_du_Ch%C3%A2telet%2C_Paris_18_May_1917.jpg
License:
PD-US Contributors:
https://archive.org/stream/picasso00raynuoft#page/n357/mode/2up Original artist:
Pablo Picasso
File:Garon__la_pipe.jpg Source: https://upload.wikimedia.org/wikipedia/en/9/9c/Gar%C3%A7on_%C3%A0_la_pipe.jpg License:
PD-US Contributors:
[1] Original artist:
Pablo Picasso
File:GertrudeStein.JPG Source: https://upload.wikimedia.org/wikipedia/en/d/d6/GertrudeStein.JPG License: PD-US Contributors:
http://www.metmuseum.org/toah/works-of-art/47.106 Original artist:
Pablo Picasso
File:Les_Demoiselles_d'Avignon.jpg Source: https://upload.wikimedia.org/wikipedia/en/4/4c/Les_Demoiselles_d%27Avignon.jpg License: PD-US Contributors:
Museum of Modern Art, New York
Original artist:
Pablo Picasso
19
File:Metzinger,_Nu__la_chemine_(Nu),_1910,_Salon_d'Automne,_Les_Peintre_Cubist,_Apollinaire_published_1913.jpg
Source: https://upload.wikimedia.org/wikipedia/en/8/8a/Jean_Metzinger%2C_1910%2C_Nu_%C3%A0_la_chemin%C3%A9e%2C_
published_in_Les_Peintres_Cubistes%2C_1913.jpg License: PD-US Contributors:
Most recent image: Scanned from Guillaume Apollinaire, Les Peintres cubistes, Mditations Esthtiques, Eugne Figuire et Cie, diteurs,
1913. First and second images: [http://books.google.es/books?id=qYATQ3Rw6qgC&q=metzinger#v=snippet&q=metzinger&f=false
Guillaume Apollinaire, Les Peintres Cubistes (The Cubist Painters) published in 1913], (translated and analyzed by Peter F. Read, University of California Press, 25 Oct. 2004 - 234 pages). Original artist:
Jean Metzinger
File:Office-book.svg Source: https://upload.wikimedia.org/wikipedia/commons/a/a8/Office-book.svg License: Public domain Contributors: This and myself. Original artist: Chris Down/Tango project
File:Old_guitarist_chicago.jpg Source: https://upload.wikimedia.org/wikipedia/en/b/bc/Old_guitarist_chicago.jpg License: PD-US
Contributors:
The Art Institute of Chicago and jacquelinemhadel.com Original artist:
Pablo Picasso
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%28Woman_with_Gloves%29%2C_oil_on_cardboard%2C_67_x_52.1_cm%2C_Philadelphia_Museum_of_Art.jpg|PD-US|
[[http://www.philamuseum.org/collections/permanent/51076.html?mulR=17249 http://www.philamuseum.org/collections/permanent/
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Pablo Picasso}}
File:Pablo_Picasso,_1901-02,_Femme_au_caf_(Absinthe_Drinker),_oil_on_canvas,_73_x_54_cm,_Hermitage_Museum,
_Saint_Petersburg,_Russia.jpg
Source:
https://upload.wikimedia.org/wikipedia/en/2/23/Pablo_Picasso%2C_1901-02%2C_
Femme_au_caf%C3%A9_%28Absinthe_Drinker%29%2C_oil_on_canvas%2C_73_x_54_cm%2C_Hermitage_Museum%2C_Saint_
Petersburg%2C_Russia.jpg License: PD-US Contributors:
http://www.arthermitage.org/Pablo-Picasso/Absinthe-Drinker.html Original artist:
Pablo Picasso
File:Pablo_Picasso,_1904,_Paris,_photograph_by_Ricard_Canals_i_Llamb.jpg Source: https://upload.wikimedia.org/wikipedia/
commons/1/13/Pablo_Picasso%2C_1904%2C_Paris%2C_photograph_by_Ricard_Canals_i_Llamb%C3%AD.jpg License: Public domain Contributors: Photo (C) RMN-Grand Palais Original artist: Ricard Canals i Llamb
File:Pablo_Picasso,_1905,_Au_Lapin_Agile_(At_the_Lapin_Agile),_oil_on_canvas,_99.1_x_100.3_cm,_Metropolitan_
Museum_of_Art.jpg Source:
https://upload.wikimedia.org/wikipedia/en/8/8d/Pablo_Picasso%2C_1905%2C_Au_Lapin_Agile_
%28At_the_Lapin_Agile%29%2C_oil_on_canvas%2C_99.1_x_100.3_cm%2C_Metropolitan_Museum_of_Art.jpg License: PD-US
Contributors:
Metropolitan Museum of Art Original artist:
Pablo Picasso
File:Pablo_Picasso,_1917-18,_Portrait_d'Olga_dans_un_fauteuil_(Olga_in_an_Armchair),_oil_on_canvas,_130_x_88.8_cm,
_Muse_Picasso,_Paris,_France.jpg Source:
https://upload.wikimedia.org/wikipedia/en/6/6e/Pablo_Picasso%2C_1917-18%2C_
Portrait_d%27Olga_dans_un_fauteuil_%28Olga_in_an_Armchair%29%2C_oil_on_canvas%2C_130_x_88.8_cm%2C_Mus%C3%
A9e_Picasso%2C_Paris%2C_France.jpg License: PD-US Contributors:
Agence Photographique de la Runion des Muses Nationaux, and pixhder Original artist:
Pablo Picasso
File:Pablo_Picasso,_1918,_Pierrot,_oil_on_canvas,_92.7_x_73_cm,_Museum_of_Modern_Art.jpg
Source:
https:
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Museum_of_Modern_Art.jpg License: PD-US Contributors:
MoMA and here Original artist:
Pablo Picasso
File:Pablo_Picasso,_1919,_Sleeping_Peasants,_gouache,_watercolor_and_pencil_on_paper,_31.1_x_48.9_cm,_Museum_of_
Modern_Art,_New_York.jpg Source:
https://upload.wikimedia.org/wikipedia/en/a/a3/Pablo_Picasso%2C_1919%2C_Sleeping_
Peasants%2C_gouache%2C_watercolor_and_pencil_on_paper%2C_31.1_x_48.9_cm%2C_Museum_of_Modern_Art%2C_New_York.
jpg License: PD-US Contributors:
Museum of Modern Art (MoMA) Original artist:
Pablo Picasso
File:Pablo_Picasso_and_scene_painters_sitting_on_the_front_cloth_for_Parade_(Ballets_Russes)_at_the_Thtre_du_
https://upload.wikimedia.org/wikipedia/commons/8/8e/Pablo_
Chtelet,_Paris,_1917,_Lachmann_photographer.jpg Source:
Picasso_and_scene_painters_sitting_on_the_front_cloth_for_Parade_%28Ballets_Russes%29_at_the_Th%C3%A9%C3%A2tre_du_
Ch%C3%A2telet%2C_Paris%2C_1917%2C_Lachmann_photographer.jpg License: Public domain Contributors: V&A Original artist:
Lachmann [1]
File:Pablo_Picasso_in_NMW.jpg Source: https://upload.wikimedia.org/wikipedia/commons/8/82/Pablo_Picasso_in_NMW.jpg License: Public domain Contributors: Mieczysaw Bibrowski (1979). Picasso w Polsce. Wydawnictwo Literackie. ISBN 83-08000-80-0,
p. 294 Original artist: H. Romanowski
File:Pablo_Picasso_with_his_sister_Lola,_1889.jpg Source: https://upload.wikimedia.org/wikipedia/commons/1/14/Pablo_Picasso_
with_his_sister_Lola%2C_1889.jpg License: Public domain Contributors: [1] Original artist: Anonymous
File:Pablo_picasso_1.jpg Source: https://upload.wikimedia.org/wikipedia/commons/9/98/Pablo_picasso_1.jpg License: Public domain
Contributors: http://www.magicasruinas.com.ar/revistero/internacional/pintura-pablo-picasso.htm Original artist: Argentina. Revista Vea
y Lea
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