Ai Inta201 w5 A2 Part II Landis J

INTA201 MATERIALS AND SPECIFICATIONS
Week 5 / Assignment 2 Part 2

J. D. Landis
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HEALTH & FITNESS CENTER
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TABLE OF CONTENTS
COVER ................................................................................................................................. 1
TABLE OF CONTENTS ............................................................................................................ 2

CONCEPT AND DESIGN NARRATIVE ...................................................................................... 3
FINISH PLANS AND ELEVATIONS ........................................................................................... 4
FINISH INDEX ....................................................................................................................... 5
FINISH SCHEDULE ................................................................................................................ 6
MATERIAL DETAILS, JUSTIFICATIONS, MAINTAINENCE & COST ESTIMATIONS ................... 7-16
MATERIALS AND SPECIFICATIONS.................................................................................. 17-32
MANUFACTURER INTERVIEWS AND TRENDS ................................................................. 33-36
LIGHT AND COLOR ........................................................................................................ 37-40
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INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS
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CONCEPT AND DESIGN NARRATIVE

There are multiple choices for health and fitness facilities in the Des Moines area. After reviewing the
clients desires and analyzing the competition, it was determined that our focus for the health center
design will be based on active hospitality to promote of health, wellness and community.
The active hospitality environment will be different from much of the franchise based fitness centers
in the area. The hospitality based design will utilize refined finishes to provide direction and focal interest not only to draw patrons and guests into the space but help create an energized attitude. Architecture will be layered to create balance with the uniformity of the space. The use of multiple finish types, such as concrete, tile, steel, and wood will be contrasted with carpet, fabrics, and natural
foliage will help balance the overall concept. The colors of steel and concrete will be promoted with
punches of golds, orange, yellows greens and strikes of blue to compound the desired energy.
Part of the design parameters is not only to create a space that is exciting and inviting it also has to
be easy to maintain and environmentally friendly. From a maintenance standpoint, the finishes selected for this project will be under very stressful conditions, and will need to be durable while maintaining their aesthetic qualities. So particular attention will be paid to this need. While the project
will not be a LEED certified project, when making selections we will lean toward environmentally
friendly and sustainable materials.
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OVERALL FLOOR PLAN - SCOPE OF WORK
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WF-2
MW-2
MW-1
WF-1
MW-2
RECEPTION ELEVATION
PT-4
PT-1
WF-5,6
PT-1
WF-5,6
PT-4
CPT-2
MW-8
CPT-2
PT-3
PT-3
WF-4
PT-1
CPT-1
FL-1
PT-1
PT-1
PT-1
FL-1
PT-4
PT-1
PT-1
PT-5
MW-3, 8, 9
PT-4
MW-1, 2, 6
PT-1
PT-1
MW-7, 8
PT-5
FL-2
WF-5
WF-4
WF-3
MW-2, 6
PT-1
MW-8, 9
PT-1
PT-1
MW-3
JUICE BAR ELEVATION

FL-1
CPT-2
MW-3
PT-1
MW-3
MW-7, 8
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RETAIL SPACE ELEVATION
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FINISH INDEX
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FINISH SCHEDULE
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MATERIAL DETAILS AND JUSTIFICATION - WALL FINISHES
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* SEE BELOW
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*COST ESTIMATION & BUDGETING

This Type I wallcovering material cost is approximately $1.42 per s/f. This does not include preparation, installation. In the world of commercial sizing and estimation
this would run with a cost of around $19.17 per yard. Note when estimating cost of wallcovering mark-up and installation should be added to the overall s/y cost. For
estimation and budgeting purposes, estimating vendor mark-up and installation, I would give this a cost installed between $29.00 to $32.00 per yard.
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* SEE BELOW
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The material cost associated with the specific style for this faux stone effect works out to be around $16.00 a square
foot cots. For the material. This does not include the preparation of the substrate and installation cost. For that you
would add roughly and additional $8.00 per s/f which brings the treatment up to about $24.00 per s/f.
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MATERIAL DETAILS AND JUSTIFICATION - FLOOR FINISHES

* SEE BELOW
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This carpet has several adjustments related to cost. This stems from the product having the ability to customize the backing on the product. If you look in the product description it calls for and ER3 backing. The budget cost for the product only ranges about $31.00 per yard. With the aforementioned backing add approximately another $1.00 per yard. With additional 7% attic stock and on the proposed
layout you would require 150 Yards estimating a material cost of $4,800 + $12 for profit and installation per yard, you are looking at about $6,600.00 for space.
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MATERIAL DETAILS AND JUSTIFICATION - MILLWORK & ARCHITECTURAL FINISHES
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* SEE BELOW
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The material cost associated with stone varies from material to material. This depends on availability and
where it comes from. Black Absolute in 3CM form usually runs as low as $85 per s/f to $110 per s/f. With the
influx of stone from China the $85 version has a lot of variance and is usually acceptable for barthrooms or
kitchens in an apartment building but in a residential setting steer more toward the higher quality material.
Keep in mind that the stone per s/f is a fabricated and installed price with material mark up included.
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MATERIALS AND SPECIFICATIONS
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MANUFACTURER INTERVIEWS AND TRENDS
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LIGHT AND COLOR - LIGHT TEMPERATURE

The sample to the right are pictures of PT-1 (14 Carrots)
from Benjamin Moore. The sample obtained was an Eggshell finish matching the specification I am calling for on
the walls. I had the opportunity to photograph the sample in four types of light; natural, LED, incandescent, and
fluorescent. As you can see there are slight variations to
NATURAL DAYLIGHT
the color. Some of this is because of the position of the

light source. For example the natural daylight was well
washed in light whereas the other gradate slightly. The
color rendition of the paint samples will vary from
source to source but what you as a designer need to un-
LED LIGHT SOURCE
derstand that while the type of light source does effect

the look, ultimately it is the color of the light source
which provides the color rendition of the selections you
will make. This color is measured in temperature; kelvin.
The color sources I used for these images ranged be-
INCANDECENT LIGHT
SOURCE
tween roughly 3500 to 4500 kelvin. I have placed a chart
to the far right side which gives you a little more information related to lighting temperature. It is a good idea
to become familiar with lighting temperatures, especial-
FLOURESCENT LIGHT
SOURCE
ly when your design pallet is dependent on how it is lit;

which is every project.
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http://www.feit.com/color-temperature
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LIGHT AND COLOR - LIGHT SOURCE CONDITION

The sample to the right is a sample of CPT-2. The sample was photographed under several different light
sources. The first was daylight, the second LED, the third halogen, and the fourth fluorescent. As explained
in last weeks analyzation that the color of any material is determined by the temperature of the lamp
identified in Kelvin. This is sample certainly shows the effect on how the temperature of the lamp can
change the color of material. The image ranged from greens to reds which means their light range from the
cooler to warmer tones. In addition to lamp temperature you should also be conscience of the difference
NATURAL DAYLIGHT
in the light source itself. For example, if you look at the image to the right, the halogen lamp provides a
warm tone with a crisp defined shadow. This is because the light source is not diffused. If you look at the
fluorescent image you do not see a crisp defined shadow. This should be kept in mind when you want to
draw more or less attention to texture of a wall, floor or ceiling finish. Again, color rendition is important
for color consistency and harmony of a space but utilizing a non diffused light source can provide more in-
LED LIGHT SOURCE
terest than the utilization of a diffused light sources. If you look at the images below you can see how the
shadow is more crisp with the LED source versus the fluorescent one.
HALOGEN LIGHT SOURCE
FLOURESCENT LIGHT SOURCE

LED Source
Fluorescent Source
http://www.lrc.rpi.edu/programs/nlpip/lightingAnswers/LEDUndercabinet/img/Figure5_800.jpg
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LIGHT AND COLOR - MATERIAL REFLECTION
INCANDECENT LIGHT SOURCE
The last few weeks I have discussed how the color of light and light source effect the rendering quality of
material. This week I would like to focus on the material and the effect it has on light. When illuminating a
material or textured material it is important to understand the reflective qualities in the physical material.
The tile sample to the right has a couple of things that und effect its color. The material has a small metal-
LED LIGHT SOURCE
lic aggregate that reflects light. So the color of the light is embedded in the material. So if you use a warm
tile with an LED light source it will be a little cooler then you may want it. If you use an incandescent light
source the warmth of the light enhances the color of the tile. As you can see there is a consistency between the light sources which stem from week to week originating from the temperature of the light but
know that these can be used to your advantage, but be mindful of the disadvantages. I apologize for not
having a outdoor source, very cloudy and the effect would not be what I would have desired.
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LIGHT AND COLOR - INCIDENCE & REFLECTION

Through the past few weeks I have discuss aspects of how color is perceived under different types of light from
NATURAL LIGHT SOURCE
temperature, type of light, and how material can capture light. This week I decided to see how different types of
light work with a difficult product, black stone. As you can see, even with the black stone material there are certainly differences. The color off of the reflective lighter color aggregate in the stone pick up the temperature of
the light source but what I found most challenging was that photographing a polished stone. It was difficult to get
a photo without seeing the point of instance from the light source. This reminded me that when selecting a material that that has a reflective quality, be sure the reflection of the light source does not make it difficult to per-
LED LIGHT SOURCE
form the task in the space. For example; for those of you who have under cabinet lighting, stand at your counter
and see if you can see the light source being reflected in the counter. If it is apparent as you stand at the counter,
the position of the light is not desirable. When utilizing polished, or semi-polished material, keep in mind the human factor, glare and reflected light make it difficult to see and can hinder your design.
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http://www.kmdlightingdesign.com/optics.html

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INTA201 MATERIALS AND SPECIFICATIONS

Week 5 / Assignment 2 Part 2

TABLE OF CONTENTS ............................................................................................................ 2

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

CONCEPT AND DESIGN NARRATIVE

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

OVERALL FLOOR PLAN - SCOPE OF WORK

JUICE BAR ELEVATION

HEALTH & FITNESS CENTER

RETAIL SPACE ELEVATION

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIAL DETAILS AND JUSTIFICATION - WALL FINISHES

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIAL DETAILS AND JUSTIFICATION - WALL FINISHES

HEALTH & FITNESS CENTER

*COST ESTIMATION & BUDGETING

MATERIAL DETAILS AND JUSTIFICATION - WALL FINISHES

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIAL DETAILS AND JUSTIFICATION - WALL FINISHES

HEALTH & FITNESS CENTER

*COST ESTIMATION & BUDGETING

MATERIAL DETAILS AND JUSTIFICATION - FLOOR FINISHES

HEALTH & FITNESS CENTER

*COST ESTIMATION & BUDGETING

MATERIAL DETAILS AND JUSTIFICATION - FLOOR FINISHES

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIAL DETAILS AND JUSTIFICATION - FLOOR FINISHES

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIAL DETAILS AND JUSTIFICATION - MILLWORK & ARCHITECTURAL FINISHES

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIAL DETAILS AND JUSTIFICATION - MILLWORK & ARCHITECTURAL FINISHES

HEALTH & FITNESS CENTER

*COST ESTIMATION & BUDGETING

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIAL DETAILS AND JUSTIFICATION - MILLWORK & ARCHITECTURAL FINISHES

HEALTH & FITNESS CENTER

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS

INTA201 MATERIALS & SPECIFICATIONS | J. D. LANDIS

MATERIALS AND SPECIFICATIONS