Beruflich Dokumente
Kultur Dokumente
Desh
1. Anoushka Shankar 2. CHiranji Lal Tanwar 3. Benji Wertheimer & Steve Gorm
FACT SHEET
Key Words
Bols- Independent rhythm parts in a tala: they
create exciting syncopations by going against the
main beat
Instruments:
Sitar- 7 metal strings (inc.2 drone strings) +
around 12 sympathetic strings= twangy sound:
uses techniques such as meend and tan
Sarangi- Fretless, bowed string instrument- gentle
tone for accompanying singers
Rag Desh - 1. Anoushka Shankar 2. CHiranji Lal Tanwar 3. Benji Wertheimer & Steve Gorm
FACT SHEET
Rag Desh 2 - Mhara janam maran Chiranji Lal Tanwar (voice)Voice, sarangi, sarod, pakhawaj cymbals tabla
Structure:
0.00-0.50: Alap: Slow, unmetered, improvisatory- features the sarangi and the voice
introduce notes of rag.
0.50-end: Bandish/Bhajan: Fixed composition (a song in verse form). Tabla enters
(Keherwa tal- 8 beats)
1.10: short sarod solo, 1.22=sarangi solo. Dynamics and tempo increase= exciting! Main
pattern- verse,refrain, solos, x3. Ends with a short tihai.
Rag Desh 3 - Benjy Wertheimer (esraj & tabla) & Steve Gorn (bansuri)
Tambura, bansuri, esraj, tabla
Structure:
0.00-8.35: Alap: Slow, unmetered, free, improvisatory- Tambura plays drone (sa +pa),
bansuri and esraj play the notes of the rag. VERY long section.
0.00- 4.41: Gat 1: Slow tempo. Tabla enters at 0.31 (Rupak tal- 7 beats). Fixed
composition starts at 0.43: improvisation happens around the gat. Tabla gets more
complex. Bansuri (wooden flute) plays the gat whilst tabla improvises- then swap. Tihais
are heard to signal the end of sections. Last one leads to 2nd gat
4.41:end- Gat 2- A fast tempo in Ektal tal (12 beats). Bansuri plays elaborate gat- scalic