IN PUMAPE, NORTH COAST OF PERU Isabelle C. Druc The petrographic analysis of ceramic fragments from the Formative site of Pumape on the north coast of Peru (figure 1) revealed the presence of skeletal and non- skeletal fragments (bioclasts) of microfossils, non-skeletal allochems, algae remains, and organicderived porosity, which provide information in regards to the resource areas exploited by the ancient potters. This ceramic corpus was first examined in the late nineteen nineties focusing on the mineral composition of the paste, but the technical report, in Spanish, was only recently published (Druc 2014). The desire to elaborate a map of ceramic technological traditions for the Jequetepeque Valley and adjacent areas prompted a reexamination of the Pumape ceramics. The close analysis of the minute bio- and non-biogenic remains and voids in the thin sections brought to light new data, which is presented here and interpreted following the concepts of technological tradition and cultural technology (e.g. Gosselain 1992, 2000; Lemonnier 1976, 1986, 2010) and related interpretative framework of community of practice (e.g. Cordell and Habicht-Mauche 2012). Considering that a technology is an integral part of a social organization, these concepts highlight the importance to recognize the numerous socio-cultural factors influencing craft production and distribution, as well as the behavior of producers and consumers. In the case of ceramic production, these factors influence the choices made in terms of types of raw materials used, resource areas mined, paste recipes, and elaboration techniques. These choices are in great part determined by the community to which the potters belong, technological tradition, habits, and network of relationships a potter has. The environment and local geology are however important to consider, mostly in terms of conditions of production and available resources. Indeed, it is only by recognizing the variety of resources available locally and regionally that the choices made by the potters regarding the raw materials used can be acknowledged. The reasons for such choices are then to be explained or understood taking into account the potters' community of practice and the socio-cultural or political factors affecting production. Consequently, mapping the technological traditions of the Formative ceramics found in the Jequetepeque Valley and adjacent areas should help us not only better understand ceramic production and distribution at the local and regional scales, but also the sociopolitical relationships occurring at that time in this region. So far, the analysis of the ceramics from the highland ceremonial site of Kuntur Wasi in the upper Jequetepeque
3 - Charophytes in my plate: Ceramic production in Pumape
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basin, as well as the examination of ceramics from sites in the Middle and Lower Jequetepeque suggest that each site is characterized by a particular technological tradition or set of traditions (Druc 2012, 2013; Druc and Inokuchi 2015).
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