Beruflich Dokumente
Kultur Dokumente
Please read this manual carefully to learn about all the functions of the
Contents
Usage and Safety Precautions........................ 2
Using Rhythms............................................. 24
Introduction.................................................... 3
Part Names..................................................... 4
to its factory
Restoring the
default settings......................................... 31
ZOOM CORPORATION
Copying or reproduction of this document in whole or in part without permission is prohibited.
Warning
Caution
Battery handling
Install the batteries with the correct +/- orientation.
Use a specified battery type. Do not mix new and old batteries or
different brands or types at the same time. When not using the unit
for an extended period of time, remove the batteries from the unit.
If a battery leak should occur, wipe the battery compartment and
the battery terminals carefully to remove all battery residue.
Other symbols
Required (mandatory) actions
Volume
Do not use the product at a loud volume for a long time.
Prohibited actions
Warning
Operation using an AC adapter
Use only a ZOOM AD-16 AC adapter with this unit.
Do not use or do anything that could exceed the ratings of outlets and
other electrical wiring equipment. Before using the equipment in a
foreign country or other region where the electrical voltage differs from
that indicated on the AC adapter, always consult with a shop that carries
ZOOM products beforehand and use the appropriate AC adapter.
Alterations
Usage Precautions
Interference with other electrical equipment
In consideration of safety, the
farther apart. With any type of electronic device that uses digital
control, including the
Cleaning
Use a soft cloth to clean the panels of the unit if they become dirty.
If necessary, use a damp cloth that has been wrung out well. Never
Precautions
Product handling
Do not drop, bump or apply excessive force to the unit.
Be careful not to allow foreign objects or liquids to enter the unit.
Operating environment
Do not use in extremely high or low temperatures.
Do not use near heaters, stoves and other heat sources.
Do not use in very high humidity or near splashing water.
Do not use in places with excessive vibrations.
Do not use in places with excessive dust or sand.
AC adapter handling
When disconnecting the AC adapter from an outlet, always pull the
body of the adapter itself.
During lightning storms or when not using the unit for a long time,
disconnect the power plug from the AC outlet.
Malfunction
If the unit becomes broken or malfunctions, immediately
disconnect the AC adapter, turn the power OFF and disconnect
other cables. Contact the store where you bought the unit or
ZOOM service with the following information: product model, serial
number and specific symptoms of failure or malfunction, along
with your name, address and telephone number.
Copyrights
Windows and Windows Vista are trademarks or registered
trademarks of Microsoft.
Macintosh and Mac OS are trademarks or registered
trademarks of Apple Inc.
All other trademarks, product names and company names
mentioned in this documentation are the property of their
respective owners.
Note: All trademarks and registered trademarks mentioned in this manual
are for identification purposes only and are not intended to infringe on the
copyrights of their respective owners.
Introduction
Feels just like using effect pedals
The three effects each have their own displays, parameter knobs and footswitches, allowing
Automatic saving
The auto save function reliably stores the changes you make.
can be used with Edit & Share software, which is a patch editor and librarian, on a
Bank
A set of 10 patches is called a "bank." The
Part Names
Top Panel
RHYTHM [
] key
TOTAL key
TAP key
Part Names
Displays
Rear Panel
INPUT jack
Bass guitar
Bass amplifier
STORE/SWAP key
GLOBAL key
Part Names
PAGE keys
ACTIVE/PASSIVE switch
Use this switch to set the
INPUT impedance.
or you are
PRE/POST switch
Use this switch to set the point when
the signal is output from the BALANCED
OUT connector.
effects.
GROUND switch
ZOOM AC adapter (AD-16)
USB connector
CONTROL IN jack
FP01/FP02
FS01
Computer
Always lower the amplifiers volume all the way before turning the power on.
eco: If the
The
Display information
Virtual knob
HINT
The positions of the virtual knobs change with the parameter values.
Page tabs
Parameter names
Parameter values
HINT
If there are 4 or more parameters that can be adjusted, multiple page tabs will be shown.
Adjusting Effects
Confirm that the Home screens are shown.
Adjusting Effects
Press , and .
OFF
ON
Press .
EDIT
To adjust parameters
Adjusting Effects
Turn , and .
Press .
NOTE
HINT
Selecting Patches
Confirm that the Home display is shown.
Selecting Patches
10
PATCH SELECT
Press
and
Selecting Patches
Press
NOTE
When pressing two footswitches at the same time, the sound could be affected by the footswitch that is
pressed slightly earlier. To avoid this, do not make sound when switching banks.
11
Storing Patches
The
Storing Patches
Press .
Store
12
Swap
STORE/SWAP
NOTE
The currently active patch
cannot be selected as the
destination.
Press .
13
Press .
NOTE
Settings made for total
p a r a m e t e r s a r e s ave d
separately for each patch.
PATCH
CHAIN/NAME
CTRL PDL/CTRL SW
NOTE
The setting range is 0-120.
HINT
To change the overall volume of all patches, adjust the master level
(see page 18).
NOTE
The setting range is 0-100. Set to 0 for only the original sound or 100
for only the effect sound.
14
TOTAL
: Turn
: Turn
symbol.
: Turn
NOTE
The following characters and symbols can be used.
NEXT
15
NOTE
INPUT VOL:
No function is assigned.
BAL:
HINT
Turn to show the different parameters that can be controlled by
the expression pedal.
See Effect types and parameters for details about the parameters
that can be controlled for each effect.
Rhythm and looper output levels are not affected when controlling
the Output Volume with an expression pedal.
HINT
The minimum value can be set higher than the maximum value.
When set this way, pushing the pedal down decreases the effect,
while letting it up increases the effect.
16
TOTAL
BYPASS/MUTE
Sets the effect to bypass or mute.
TAP TEMPO
Press the footswitch repeatedly at the desired tempo to set the
tempo used for rhythms, the looper and effects.
NO ASSIGN
No function is assigned to the footswitch.
NOTE
When more than one function can be assigned, use
to select one.
HINT
In order to use the function set, the corresponding effect must also be ON.
See Effect types and parameters for details about the parameters that can be assigned for each effect.
Press .
17
Press .
NOTE
Global parameter settings
affect all patches.
MASTER/1-2-3
BATTERY/CONTRAST
USB AUDIO/VERSION
NOTE
The setting range is 0-120.
HINT
You can also set the tempo using .
NOTE
The setting range is 40-250.
This tempo setting is used by every effect, rhythms and the looper.
18
GLOBAL
Setting the tempo by tapping
Press two or more times at the desired tempo.
HINT
You can also set the tempo using an FS01
footswitch (sold separately).
(See page 17.)
NOTE
The setting options are ON and 130 seconds.
HINT
The amount of power consumed can be reduced by dimming the backlight.
NEXT
19
Turn of the middle effect to set the battery type to ALKALINE or Ni-MH
(nickel-metal hydride).
: Operating on batteries
: Operating on adapter power
: Operating on USB bus power
NOTE
Set the battery type correctly in order to allow the remaining battery
charge to be shown accurately.
20
GLOBAL
HINT
Check the ZOOM website (http://
www.zoom.co.jp) for the latest
firmware versions.
10
: Left display
: Center display
: Right display
11
Press .
21
NOTE
Pressing
for 1 second
will bypass the effects.
Pressing
for 2 seconds
will mute the output.
NOTE
The standard pitch for middle A can be adjusted to 435-445 Hz.
CHROMATIC
The chromatic tuner shows the nearest pitch name (semitone) and
how far the input sound is from that pitch.
BASS
Depending on the selected type, the nearest string name and how
far the sound input is from that pitch are shown.
22
TUNER
NOTE
Drop tuning is not possible when the TYPE is set to CHROMATIC.
Play the open string that you want to tune and tune it.
CHROMATIC TUNER
BASS TUNER
Flat
Correct pitch
Sharp
Flat
Correct pitch
Sharp
HINT
The keys above the displays
also light to show the pitch
accuracy.
To end tuning
Press , or .
23
Using Rhythms
To activate a rhythm
Using Rhythms
Press .
The rhythm pattern starts to play automatically and the rhythm setting screens open.
HINT
You can use a rhythm pattern
while using the looper.
RHYTHM PATTERN
TEMPO
LEVEL
NOTE
See page 50 for types of patterns
HINT
You can also set the tempo using .
NOTE
The setting range is 40-250.
This tempo setting is used by every effect, rhythms and the looper.
24
RHYTHM
NOTE
The setting range is 0-100.
Using Rhythms
Press .
HINT
Press again to restart playback of the rhythm.
25
Note mark
Set the recording time by setting the tempo and the number of
quarter notes.
NOTE
The looper can record 1.540 seconds (20 seconds when UNDO is enabled).
If the setting (number of quarter notes) would not fall in this range,
it will automatically be adjusted.
Changing the TIME setting will erase the currently recorded loop.
NOTE
The setting range is 40-250.
Changing the tempo will erase the currently recorded loop.
This tempo setting is used by every effect, rhythms and the looper.
26
LOOPER
Recording
Playing
Press .
If set to Manual
When
HINT
NOTE
NEXT
27
To start overdubbing
During loop playback, press .
Playing
Overdubbing
To end overdubbing
Press again.
Overdubbing
Playing
Press .
28
LOOPER
NOTE
Returning to the Home Screens will not erase the loop.
Turning the power OFF will erase the loop.
Press .
NOTE
Turn
HINT
When Undo is ON, you can cancel the last overdubbing by pressing for 1 second.
After undoing, you can also redo by pressing
for 1 second again, restoring the last overdubbing.
STOP MODE
STOP
FINISH
FADE OUT
Turn
HINT
Even when set to FINISH or FADE OUT, you can stop loop playback immediately by pressing and
holding down
.
Turn
29
HINT
Open the GLOBAL menu to check the current firmware versions. (See page 21.)
30
NOTE
HINT
VERSION UPDATE
To complete updating
has finished updating, COMPLETE! appears on the display.
Restoring the
When the
NOTE
Press any key other than to cancel.
HINT
Executing the All Initialize function will restore all the settings of the
, including its patches, to factory
defaults. Do not use this function unless you are certain that you want to do this.
31
Compatible OS
Windows
Intel Mac
Quantization (bit-rate)
16-bit
Sampling frequency
44.1kHz
For details about recording, playback and other functions, please see the included
startup guide.
HINT
You can adjust the balance between the signals from the
NOTE
To monitor the signal of your connected bass guitar after it has passed through your DAW
software, set the USB AUDIO MONITOR balance to 100. (See page 20.)
At other settings, the signals from the computer and the
will be mixed, causing the output signal to
sound like a flanger effect is being used.
32
Parameter
Parameter range
Effect type
Footswitch function
Page02
Sense
12000
F.B
Level
0100
InputMute
Knob3
-10-1, 110
Effect screen
FS
Knob2
Mix
0100
0150
Parameter explanation
088 DynaDelay
Effect explanation
002 D Comp
0100
Knob2
P Tone
Level
0150
Sense
Knob2
010
Tone
Page02
003 M Comp
Knob3
0100
Knob3
010
Level
0150
Slow, Fast
Page02
050
Knob2
P Ratio
Knob3
110
Level
0150
110
004 DualComp This is a compressor which allows separate settings for the low frequency and high frequency range.
Knob1
Hi
Page01
Page02
050
Knob2
Lo
Knob3
050
Freq
300Hz 1.5kHz
Adjusts the compression depth in Adjusts the compression depth in Adjusts the crossover point between the
high frequency and low frequency range.
the high frequency range.
the low frequency range.
Level
0150
Tone
010
Page02
-600
Knob2
Ratio
Knob3
1.010.0
Gain
Hard, Soft
Level
0150
020
NEXT
33
This is a limiter that suppresses signal peaks above a certain reference level.
Knob1
THRSH
Page01
Knob2
P Ratio
110
Knob3
Level
0150
Adjusts the reference signal level for Adjusts the compression ratio of the
Adjusts the output level.
the limiter action.
limiter.
REL
Page02
050
110
007 SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.
Knob1
Time
Page01
008 ZNR
150
Knob2
P Curve
010
Knob3
Level
0150
ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.
Knob1
THRSH
Page01
125
Knob2
P DETCT
GtrIn, EfxIn
Knob3
Level
0150
120Hz
-1212
800Hz
4.5kHz
-1212
-1212
Level
0150
Page02
Page03
Freq1
Knob2
20Hz20kHz
Q1
0.5, 1, 2, 4, 8, 16
Adjusts EQ1 Q.
Freq2
Q2
20Hz20kHz
0.5, 1, 2, 4, 8, 16
Adjusts EQ2 Q.
Knob3
Gain1
-2020
-2020
0150
This effect divides the signal into two bands (high/low) and lets you freely adjust the mix
ratio of the two bands.
Knob1
Hi
Page01
Page02
Knob2
0100
Lo
0100
Knob3
Freq
80Hz2.5kHz
Adjusts the mix ratio of the high Adjusts the mix ratio of the low Adjusts the crossover point between the
high frequency and low frequency band.
frequency band.
frequency band.
Level
0150
010
Knob2
P Trebl
010
Knob3
Level
0150
34
-1212
Page03
Knob1
013 Exciter
-1212
Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at
500 Hz.
800 Hz.
4.5 kHz
Page01
012 Bottom B
Knob3
400Hz
Page02
10kHz
011 Splitter
-1212
Adjusts the amount of boost/cut at 50 Adjusts the amount of boost/cut at Adjusts the amount of boost/cut at
Hz.
120 Hz.
400 Hz.
500Hz
010 ParaEQ
Knob2
-1212
010
Knob2
P Trebl
010
Knob3
Level
0150
014 CombFLTR
This effect uses the comb filter that results from fixing the modulation of the flanger like
an equalizer.
Knob1
Freq
Page01
Knob2
P Reso
-10010
Knob3
Mix
0100
Adjusts the intensity of the resonance Adjusts the amount of effected sound
sound of the effect.
that is mixed with the original sound.
HiDMP
Level
010
0150
015 AutoWah This effect varies wah in accordance with picking intensity.
Knob1
Sense
Page01
Page02
016 Z Tron
-10-1, 110
Knob2
P Reso
0150
Knob1
Page02
-10-1, 110
Knob2
P Reso
Knob3
Dry
0100
0150
Knob1
Page01
Page02
Page03
0100
Knob2
P Sense
010
Chara
2Pole, 4Pole
Bal
Level
0100
Knob3
Reso
010
Fast, Slow
0150
Page02
110
Knob2
P Peak
010
Dry
Level
0100
Knob3
Mode
Up/Down
0150
110
Knob2
Reso
010
Knob3
Sense
-10-1, 110
Adjusts the frequency range processed Adjusts the intensity of the modulation
Adjusts the sensitivity of the effect.
by the effect.
resonance sound.
Bal
Page02
020 Step
010
This envelope filter with MOOG MF-101 low pass filter favor can be set in a wide range.
Freq
019 Cry
0100
Sense
018 A-Filter
Knob3
Dry
Page01
017 M-Filter
010
Page02
150
0100
Level
0150
Page02
0100
010
Knob2
Rate
050
Knob3
P Reso
010
0150
NEXT
35
Page02
Step
Knob2
28
PTTRN
18
Knob3
Speed
150
Shape
Reso
Level
010
010
0150
Page02
Page03
023 Booster
Speed
150
Knob2
P Range
0100
Type
Chara
2Pole, 4Pole
Knob3
Reso
010
0100
0150
Gain
0100
Knob2
P Bass
-1010
Knob3
Trebl
-1010
0150
024 OverDrive Simulates the ODB-3 overdrive bass machine from Boss.
Knob1
Page01
Gain
Knob2
P Tone
Page02
0100
0100
Knob3
Level
0150
0100
025 Bass Muff This is a simulation of the Electro-Harmonix Bass Big Muff.
Knob1
Page01
Page02
026 T Scream
Gain
0100
Knob2
P Tone
Mode
Bal
NORM, BsBST
Gain
0100
0100
Knob2
P Tone
Page02
0100
Knob3
Level
0150
0100
Simulation of the Boss DS-1 distortion pedal, which has been a long-seller.
Knob1
Page01
Gain
Page02
0100
Knob2
P Tone
0100
Knob3
Level
0150
0100
Simulation of the popular Pro Co Rat famous for its edgy distortion sound.
Knob1
Page01
Gain
Page02
0100
Knob2
P Tone
36
0150
Knob1
028 Squeak
Knob3
Level
Simulation of the Ibanez TS808, which is loved by many guitarists as a booster and has
inspired numerous clones.
Page01
027 Dist 1
0100
0100
0100
Knob3
Level
0150
029 FuzzSmile
Simulation of the Fuzz Face, which has made rock history with its humorous panel design
and smashing sound.
Knob1
Page01
Gain
Knob3
Level
0150
0100
Simulation of the Electro-Harmonix Big Muff, which is loved by famous artists around the
world for its fat, sweet fuzz sound.
Knob1
Page01
Gain
Page02
0100
Knob2
P Tone
031 MetalWRLD
0100
0100
Knob3
Level
0150
0100
Simulation of the Boss Metal Zone, which is characterized by long sustain and a powerful
lower midrange.
Knob1
Page01
Gain
Knob2
P Tone
Page02
0100
0100
Knob3
Level
030 GreatMuff
Knob2
P Tone
Page02
0100
0150
0100
032 BassDrive Simulation of the Sansamp Bass Driver DI, highly popular among bass players.
Knob1
Page01
Bass
Page03
Trebl
Page02
Knob2
-1010
0100
0150
-1010
Knob1
Bass
Page02
Page03
-1010
0100
Knob2
Trebl
-1010
0100
Knob3
Prese
-1010
0150
Color
CHAN
On/Off
CLN / DIST
This is a simulation of the Xotic Bass BB Preamp, which has a tube-like, thick sound.
Knob1
Page01
Page02
035 DI5
-1010
This is a simulation of the MXR Bass D.I.+, which has both clean and distortion channels.
Page01
034 Bass BB
0100
Knob3
Prese
-1010
Gain
0100
Knob2
P Bass
-1010
Dry
Level
0100
Knob3
Trebl
-1010
0150
Gain
0100
Knob2
Tone
Off, 16
Knob3
Level
0150
On/Off
NEXT
37
Bass
Page02
010
-1010
Knob2
Trebl
Knob3
010
Level
100Hz4.5kHz
038 SVT
Gain
0100
-1010
Knob2
Depth
Knob3
010
Level
-1010
LM_F
Mid
H-Mid
-1010
Bass
-1010
Trebl
-1010
Adjusts the high mid frequency level. Adjusts the high frequency level.
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
CAB
-1010
P Level
0150
See Table 1
Mix
0100
Page02
Page03
Bass
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
-1010
P Level
0150
Deep
Mix
On/Off
CAB
See Table 1
0100
Page02
Bass
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
TUBE
32Hz6.3kHz
0100
-1010
P Level
0150
Adjusts the center frequency of the Adjusts the mix of tube and transistor
Adjusts the output level.
type sounds.
mid-range.
Comp
Page03
041 SMR
32Hz6.3kHz
Adjusts the low mid frequency level. Adjusts the L-Mid center frequency.
Page03
040 HRT3500
Knob1
Page01
039 B-Man
0150
Page02
Off,110
CAB
See Table 1
Mix
0100
Page02
Page03
38
0150
Bass
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
-1010
P Level
0150
ENHNC
Mix
010
CAB
See Table 1
0100
Simulation of the Ampeg B-15 made famous by the Motown sound of the 1960s.
Knob1
Page01
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
Ultra
Page03
CAB
See Table 1
Mix
0100
Simulation of the Acoustic 360 well known for its gutsy midrange.
Knob1
Page01
044 Ag Amp
0150
043 Acoustic
P Level
-1010
Bass
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
-1010
P Level
0150
Page02
Bright
Mix
Page03
On/Off
CAB
See Table 1
0100
Page02
Bass
Page02
Bass
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
Char
Page03
Off, Deep,
Brght, Both
CAB
P Level
-1010
0150
See Table 1
Mix
0100
Simulation of the POLYTONE MINI-BRUTE III with its distinct midrange, often used by
045 Monotone
Jazz musicians.
Knob1
Page01
Page02
Page03
046 SuperB
Bass
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
-1010
P Level
0150
Char
Mix
CAB
See Table 1
0100
Page02
Page03
Bass
-1010
Knob2
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
-1010
P Level
0150
Prese
Mix
010
CAB
See Table 1
0100
NEXT
39
Page02
Bass
Knob2
-1010
Mid
Mid_F
Gain
32Hz6.3kHz
0100
CAB
0150
See Table 1
Mix
0100
This simulation of the Eden WT-800 can be used with a wide variety of playing styles.
Knob1
Page01
Page02
Page03
Bass
Knob2
-1010
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
-1010
P Level
0150
ENHNC
Mix
010
CAB
See Table 1
0100
Page02
Page03
050 Tremolo
-1010
P Level
049 Mark B
Trebl
Page03
048 Heaven
Knob3
-1010
Bass
Knob2
-1010
Mid
Knob3
-1010
Trebl
Mid_F
Gain
32Hz6.3kHz
0100
-1010
P Level
0150
Color
Mix
06
CAB
See Table 1
0100
Page02
Depth
Knob2
0100
Rate
050
Knob3
P Level
0150
UP 0UP 9,
DWN 0DWN 9,
TRI 0TRI 9
051 Slicer
Page02
052 4-Phaser
Knob2
120
Speed
050
Level
Knob3
Bal
0100
0150
Knob1
Rate
Knob2
P Reso
Page02
050
Off800Hz
-1010
40
150
Knob3
Level
0150
Adjusts the intensity of the effect character. Adjusts the output level.
053 8-Phaser
This is an 8-stage phaser effect that produces a swooshing sound. Compared to the
4-stage phaser, the effect sound is more detailed.
Knob1
Page01
Rate
-1010
Knob3
Level
0150
Adjusts the intensity of the effect character. Adjusts the output level.
Off800Hz
Speed
050
Knob2
P Depth
0100
Knob3
Bias
0100
Wave
Mode
Level
0100
VIBRT, CHORS
0150
RateA
150
Knob2
P RateB
150,
SyncA, RvrsA
Knob3
Level
0150
Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. Adjusts the output level.
Page02
Page03
ResoA
010
ResoB
010
Link
Knob2
P Reso
Page02
050
Adjusts resonance of LFO A modulation. Adjusts resonance of LFO B modulation. Sets how two phasers are connected.
DPT_A
1100
DPT_B
1100
057 Chorus
Speed
150
Knob2
P Reso
Knob3
Level
0150
Go, Back
This effect mixes a shifted pitch with the original sound to add movement and thickness.
Knob1
Depth
Page01
Page02
058 Detune
010
0100
Knob2
Rate
150
Knob3
Mix
0100
LoCut
Level
PreD
Off800Hz
0150
On/Off
By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect
type has a chorus effect without much sense of modulation.
Knob1
Cent
Page01
Knob2
PreD
050
Knob3
Mix
0100
Adjusts the detuning in cents, which Sets the pre-delay time of the effect Adjusts the amount of effected sound
are fine increments of 1/100-semitone. sound.
that is mixed with the original sound.
Tone
Page02
-5050
010
Level
0150
LoCut
Off800Hz
Page02
09
Knob2
Rate
150
Sets the sensitivity of the compressor. Sets the speed of the modulation.
Level
Knob3
Mix
0100
0150
NEXT
41
Page02
061 Ensemble
Knob2
0100
Rate
LoCut
Level
Off800Hz
Page01
Page02
Rate
Tone
Page02
010
Level
Mix
0100
0150
Knob2
0100
Rate
050
Knob3
P Reso
-10-1, 0,110
PreD
Mix
Level
050
Page03
0100
0150
Off800Hz
Page02
Knob2
0100
Rate
050
Knob3
P Reso
-10-1, 0,110
PreD
Mix
Level
050
Page03
0100
0150
Off800Hz
The volume of the effect sound changes according to the input signal level with this
dynamic flanger.
Knob1
Page01
Page02
Depth
0100
Knob2
Rate
050
Reso
Level
-10-1, 0, 110
Knob3
P Sense
-10-1, 110
0150
Page02
0100
010
Knob2
Rate
050
Knob3
P Bal
0100
0150
This effect adds sound one octave below the original sound.
Knob1
Oct
Page01
Page02
42
Knob3
150
Knob1
066 Octave
0150
Knob2
0100
Depth
065 Vibrato
Page01
064 DynaFLNGR
0100
063 Flanger
Mix
Depth
062 VinFLNGR
Knob3
150
0100
Knob2
P Dry
0100
Knob3
Tone
010
Adjusts the tonal quality of the oneAdjusts the level of the one-octave
Adjusts the level of the original sound.
octave lower sound component.
lower sound component.
Low
010
Mid
010
Level
0150
Tone
010
-25-1, 0, 125
Level
Knob3
Bal
0100
0150
068 MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.
Knob1
Shift
Page01
069 H.P.S
Tone
010
Page02
Knob2
-12-1, 0,
112, 24
-25-1, 0, 125
Level
Knob3
Bal
0100
0150
This intelligent pitch shifter outputs the pitch-shifted sound according to scale and key settings.
Knob1
Scale
Page01
Knob2
Key
C, C#, D, D#, E,
F, F#, G, G#, A,
A#, B
Knob3
Mix
0100
Page02
Knob2
-12-1, 0,
112, 24
Sets the pitch of the pitch-shifted Sets the tonic (root) of the scale used Adjusts the amount of effected sound
sound added to the original sound.
for pitch shifting.
that is mixed with the original sound.
Page02
Tone
010
Level
0150
070 BendCho This effect bends the pitch using the input signal as the trigger and processes each note separately.
Knob1
Depth
Page01
Page02
071 RingMod
Knob2
0100
Time
0100
Mode
Tone
Level
Up, Down
010
0150
This effect produces a metallic ringing sound. Adjusting the "Freq" parameter results in a
drastic change of sound character.
Knob1
Page01
Page02
150
Knob2
P Tone
010
Knob3
Bal
0100
0150
Page02
073 Bomber
Knob3
P Bal
Freq
072 BitCrush
050
416
Knob2
SMPL
050
010
Level
Knob3
P Bal
0150
Page02
Page03
HndGn, Arm,
Bomb, Thndr
Decay
1100
THRSH
Power
050
Level
FS
Knob2
0100
030
Trigger
Knob3
P Bal
0100
010
0150
NEXT
43
074 MonoSyn
This effect produces the sound of a monophonic (single-note playing) bass synthesizer that
detects the pitch of the input signal.
Knob1
Decay
Knob2
0100
Wave
075 StdSyn
Synth
0100
Dry
Page01
Page02
Page02
Sound
0100
Dry
Tone
0100
010
Decay
0150
Knob2
0100
Type
0100
Knob3
Synth
0100
Tone
010
0150
Page02
Knob2
0100
Sense
Synth
Knob3
030
Range
-1010
Dry
0100
P Level
0150
This effect type adds synthesizer harmony components to single notes played on the
bass. The harmony components are determined by the Mode and Scale parameters.
Knob1
ATTCK
Page01
Page02
Knob2
010
Mode
Knob3
19
Scale
1, 2
0100
Dry
0100
P Level
0150
Page02
Page03
Wave
Knob2
Saw, Sqr
Decay
0100
Knob3
P Tone
010
Freq
Range
010
020
Reso
020
Sets the cut-off frequency of the low- Adjusts the amount of cut-off frequency Adjusts the intensity of the filter
pass filter.
modulation.
resonance.
Synth
0100
Dry
0100
Level
0150
44
Knob3
14
Decay
080 Z-Organ
0150
Knob2
0100
Knob1
079 Z-Syn
P Level
This effect produces a synthesizer sound similar to a talking modulator producing vowels.
Page01
078 4VoiceSyn
0100
Knob1
077 V-Syn
010
076 SynTlk
Reso
Page01
Page02
Knob3
Saw, Pulse,
PWM
Upper
0100
Knob2
P Lower
0100
Knob3
Dry
0100
HPF
LPF
Level
010
010
0150
Adjusts high-pass filter cutoff frequency. Adjusts low-pass filter cutoff frequency. Adjusts the output level.
081 Defret
Turns the sound from any bass guitar into a fretless bass sound.
Knob1
Sense
Page01
082 Delay
Color
150
Page02
15000
FS
Knob2
F.B
0100
HiDMP
P-P
Level
010
MONO, P-P
12000
P F.B
0100
HiDMP
Level
010
FS
Knob2
Time
Knob3
Mix
12000
150
0150
FS
Knob2
F.B
0100
0150
Knob1
Time
Page02
15000
0100
FS
Knob3
Mix
0100
HiDMP
P-P
Level
010
MONO, P-P
0150
Adjusts the treble attenuation of the Sets delay output to mono or pingAdjusts the output level.
delay sound.
pong.
102500
F.B
0100
HiDMP
Level
010
FS
Knob2
Hold, InputMute
Knob3
Bal
0100
0150
087 MultiTapD This effect produces several delay sounds with different delay times.
Knob1
Time
Page02
Hold, InputMute
Time
Page01
0100
Knob1
Page02
0100
Knob2
F.B
InputMute
Knob3
Mix
086 ReverseDL This reverse delay is a long delay with a maximum length of 2500 mS.
Page01
0100
Page01
InputMute
Knob1
085 AnalogDly
0150
Adjusts the treble attenuation of the Sets delay output to mono or pingAdjusts the output level.
delay sound.
pong.
Page02
Time
Page01
0100
Knob1
Page02
Hold, InputMute
Knob3
Mix
Page01
0150
Knob1
083 TapeEcho
Knob3
Level
110
Page02
Knob2
030
13000
010
FS
Knob2
PTTRN
18
InputMute
Knob3
Mix
0100
Sets the tap pattern, which varies from Adjusts the amount of effected sound
rhythmical to random patterns.
that is mixed with the original sound.
Level
0150
NEXT
45
088 DynaDelay
Page02
089 FilterDly
Sense
12000
0100
Level
Page01
Page03
0150
FS
F.B
P Depth
Mix
0100
Reso
0150
Time
12000
Pitch
-1212
0100
Tone
Knob3
P Mix
010
Knob1
TimeL
Page02
Page03
TimeR
12000
12000
FS
LchFB
Knob3
Mix
0100
RchFB
0100
Level
LchLv
0100
RchLv
12000
Time
150
FS
F.B
0100
4 STG, 8 STG,
inv 4, inv 8
101000
030
25100
46
0100
0150
FS
InputMute
Knob3
Mix
0100
Sets the time that the sample-and- Adjusts the amount of effected sound
that is mixed with the original sound.
hold sound is produced.
Level
0150
FS
Knob1
Decay
0100
Knob2
Duty
InputMute
Knob3
Mix
Page02
0150
0100
Knob2
Knob1
Page01
Page02
0100
Adjusts delay feedback of left channel. Adjusts delay feedback of right channel. Adjusts the output level.
Page01
InputMute
Adjusts delay time of left channel Adjusts delay time of right channel Adjusts the amount of effected sound
that is mixed with the original sound.
delay.
delay.
Time
093 TrgHldDly
0150
Knob2
Knob1
Page02
0100
Level
Page01
InputMute
Sets volume of pitch shift applied to Adjusts the amount of effected sound
that is mixed with the original sound.
delayed sound.
FS
Knob2
This stereo delay allows the left and right delay times to be
set separately.
Page01
010
Knob1
Page02
0100
Page01
InputMute
Knob3
0100
Knob2
12000
150
0100
Page02
091 StereoDly
Mix
InputMute
Knob3
-10-1, 110
Knob1
090 PitchDly
FS
Knob2
Knob2
Tone
010
InputMute
Knob3
Mix
0100
PreD
Level
1200
HPF
010
0150
095 Hall
010
1100
Level
Knob3
Mix
Decay
0150
130
1100
FS
Knob2
Tone
010
Level
Decay
130
1100
Tone
Decay
Level
130
FS
Knob2
Tone
1100
Level
Knob1
010
InputMute
Knob3
Mix
0100
0150
130
1100
FS
Knob2
Tone
010
Page02
Page01
0100
Decay
Level
InputMute
Knob3
Mix
0100
0150
Page02
101 Air
Knob3
Mix
0150
Page02
100 EarlyRef
010
InputMute
Knob1
099 Arena
FS
Knob2
Page01
0150
098 Spring
0100
Knob1
Page02
InputMute
Knob3
Mix
097 TiledRoom This reverb effect simulates the acoustics of a tiled room.
Page01
Knob1
Page02
0100
Page01
InputMute
096 Room
Tone
Page02
130
FS
Knob2
130
010
Knob2
Shape
-1010
Knob3
Mix
0100
0150
Page02
1100
Knob2
Tone
010
Ref
Level
010
Knob3
Mix
0100
0150
NEXT
47
Page02
Page03
103 Oct+Dist
THRSH
Knob2
050
Gain
Knob3
P Level
0150
Sets the level that activates the compressor. Adjusts the gain.
Dry
Ratio
0100
Tone
0100
110
110
Page02
104 Awah+Dist
0100
0100
Knob2
P Gain
Knob3
0100
Level
0150
Dry
Chain
0100
Tone
0100
Befr/Aftr
Sense
Knob2
-10-1, 110
Gain
0100
Knob3
P Level
0150
Dry
Tone
Reso
0100
0100
010
Befr/Aftr
106 PH+Dist
THRSH
Knob2
050
Sense
-10-1, 110
Knob3
P Level
0150
Sets the level that activates the compressor. Adjusts the sensitivity of the effect.
Dry
Ratio
0100
Reso
110
Adjusts the intensity of the resonance sound. Adjusts the compression ratio.
010
110
This effect combines a phaser and distortion in the style of the Roland JET PHASER.
Knob1
Page01
Page02
Gain
Knob2
0100
Mode
050
14
010
Knob3
Reso
010
0150
108 PedalWah
150
Knob2
P DryMX
0100
Knob3
Level
0150
Adjusts the mix with the unaffected sound. Adjusts the output level.
150
Knob2
P DryMX
0100
Knob3
Level
0150
48
Knob2
P Reso
Page02
150
0100
010
Knob3
Level
0150
110 PDL Pitch Use an expression pedal to change the pitch in real time with this effect.
Knob1
Color
Page01
Bend
Up, Down
Level
0100
0150
This is a pitch shifter specially for monophonic sound (single-note playing), which allows
the pitch to be shifted in real time with the expression pedal.
Knob1
Color
Page01
Knob2
19
(See Table 3)
P Tone
Knob3
010
Bend
Page02
Up, Down
Level
0100
0-150
Table 1
Table 2
Type
ORGN
8x10 AG
4x12 SB
4x12 BM
4x10 HA
4x10 SWR
4X10 AL
Setting
6
5
4
3
m
m
3
4
5
6
Scale used
Interval
6th down
5th down
4th down
3rd down
3rd down
3rd up
3rd up
4th up
5th up
6th up
Major
Minor
Major
Table 3
Color
4x10 GK
4x10 E
1x18 AC
1x15 PT
1x15 AG
1x12 MB
Knob3
010
Tone
Page02
Knob2
19
(See Table 3)
Pedal min
Pedal max
0 cents
+1 octave
0 cents
+2 octaves
0 cents
-100 cents
0 cents
-2 octaves
0 cents
-1 octave + original
+1 octave + original
Doubling
Detuned + original
- (0 Hz) + original
+1 octave + original
Table 4
Note played on bass
Scale1
(Example : C)
Scale 2
Mode 1
Scale1
Scale 2
Mode 4
F on C
Cm
Mode 2
F on C
Mode 5
C 7 (omit 5)
C m7 (omit 5)
C MaJ7 (omit 5)
C m MaJ7 (omit 5)
Mode 3
Scale1
Scale 2
Mode 7
C7
F7
C MaJ7
F MaJ7
C sus4
C add9
Mode 8
Mode 6
Mode 9
C dim
dim
49
Troubleshooting
The unit will not turn ON
Rhythm List
#
50
Tim Sig.
Tim Sig.
GUIDE
Pattern Name
4/4
15
DnB
Pattern Name
4/4
29
5Per4_1
Pattern Name
Tim Sig.
5/4
8Beat1
4/4
16
Funk1
4/4
30
5Per4_2
5/4
8Beat2
4/4
17
Funk2
4/4
31
Latin
4/4
8Beat3
4/4
18
Hiphop
4/4
32
Ballad1
4/4
8SHFFL
4/4
19
R'nR
4/4
33
Ballad2
3/4
16Beat1
4/4
20
Pop1
4/4
34
Blues1
4/4
3/4
16Beat2
4/4
21
Pop2
4/4
35
Blues2
16SHFFL
4/4
22
Pop3
4/4
36
Jazz1
4/4
Rock
4/4
23
Dance1
4/4
37
Jazz2
3/4
10
Hard
4/4
24
Dance2
4/4
38
Metro3
3/4
11
Metal1
4/4
25
Dance3
4/4
39
Metro4
4/4
5/4
12
Metal2
4/4
26
Dance4
4/4
40
Metro5
13
Thrash
4/4
27
3Per4
3/4
41
Metro
14
Punk
4/4
28
6Per8
3/4
Specifications
Effect types
111 types
A/D conversion
D/A conversion
Signal processing
LCD x 3
Input
Output R
L/Mono/Phone
Specifications
Sampling frequency
Balanced output XLR connector
Output impedance
100 (HOT-GND, COLD-GND), 200 (HOT-COLD)
PRE/POST (switch selectable)
GND LIFT (switch selectable)
Control input
For FP01/FP02/FS01
Dimensions
USB
USB Audio
Weight
1.2kg
Options
0dBm = 0.775Vrms
51
For EU Countries
Declaration of Conformity:
This product complies with the requirements of
EMC Directive 2004/108/EC,
Low Voltage Directive 2006/95/EC and
ErP Directive 2009/125/EC
ZOOM CORPORATION
4-4-3 Surugadai, Kanda, Chiyoda-ku, Tokyo 101-0062 Japan
http://www.zoom.co.jp
B3-5000-1
This has the characteristic mid range of the Polytone MINI-BRUTE, which is popular among jazz players. Switch the EQ on for a tighter low end when using an amplifier.
SLAP WAH
bass tank
Frank Bello
David Ellefson
Doug Wimbish
ARTIST
This reproduces the sound of that legendary master of the fretless bass. Explore the world of Word of Mouth with chorus and distortion!
Larry
This reproduction of that Jet Phaser sound favored by Larry Graham is a great enhancement to wild bass solos!
M Miller
This simulates the slapping sound of Marcus Miller using SWR amplifiers.
STANLEY
This simulates the bass sound of Stanley Clarke on School Days and is optimized for chord stroking and slapping.
Tim B
This reproduces the sounds of the wild guy of Fudge and BBA. Try to control the depth of distortion with your picking touch.
pino
Octaver into a Flip Top B-15 simulator, emulates the classic d'angelo pino p sound.
Hartke
SansCmp
A basic combination of SansAmp and Punch Factory, which are two favorite effects among bass players. Add EQ to your taste.
Jaco Jazz
Jaco Jazz Ah yes the famous Jaco and his sound this sound emulates a fretless bass very well.
BasicSet
This basic compressor, overdrive and preamp setup can be used like a chain of compact effect pedals.
The all-tube Ampeg SVT is combined with an 810E cabinet. Switch the EQ on for a tighter low end when using an amplifier.
RockSet
This rock setup of octave, booster and preamp effects can be used like a chain of compact pedals.
My basic beefed up octave sound, big lows and fat sine wave.
POPSet
An all-round pop setup of compressor, booster and exciter effects that can be used like a chain of compact effect pedals.
The AVALON U5 model contributes to this clear and crispy bass sound.
FusionSet
A setup of compressor, chorus and delay effects for fusion that can be used like a chain of compact effect pedals.
SVT
tl octave
RecU5
W10 Big D
JumpSet
This set is stuffed with three wild weapons. Use any of these when you need to be in-your-face!
Z TRON
This auto-wah sound with a heavy bottom end is a combination of the Q-Tron-inspired Z Tron effect and a preamp.
DblComp
This patch gives a hard compression sound using two compressors in a row and is good for cool slapping solos.
3 W10 StepUp
PHASER
4 W10 Up Top
5 W10 Bottom
6 W10LesFret
0 JP&360Amp
ARTIST
Polytone
G
CLEAN
This uses modeling of the all-around Markbass sound. Switch the graphic EQ on for a tighter low end when using an amplifier.
4 WahAttack
This adds an auto-wah sound to the natural dry sound of the bass.
This slapping sound cuts though with natural compression and low and high registers enhanced by an exciter.
SLAP
6 SLAP SOLO
TAPPING
This patch is optimized for tapping. The signal is compressed fairly heavily and enhanced with EQ for a broader sound.
CHORD
This patch is optimized for chord work. Room and reverb effects add depth to the sound.
9 W10 BowTie
HintoCliff
This patch is a tribute dedicated to my friend Cliff Burton. I think of him when I hear it.
0 HARMONICS This patch is effective for harmonics. Chorus and reverb effects contribute to the floating sound.
GalePlus
9 PULL MELO
This patch is a kind of straight-ahead vibe plus a little more "stuff " I added to it
Bassman
2 Smoothfun
This patch says to me that this bass sound is so smooth, I should have some fun with it.
Super Bass
WahTalkin
With this patch, I have this picture in my head of having a conversation with a wah pedal.
Aguilar
Horrorfuzz
This patch is my horror movie bass sound. To me it sounds like its from a horror movie soundtrack.
G-Kruger
Tremozep
When Im playing with this patch, it sounds like it has a Led Zeppelin vibe to it. Tremolo all the way!
FollowMe
Use this patch for beautiful melodies played with a pull-off technique.
This is a simulation of the Fender Bassman 100 amp once used by Paul McCartney. Switch the graphic EQ on for tighter low end when using an amplifier.
This is a simulation of a Marshall 1992 Superbass with a 1935A cabinet. Switch the graphic EQ on for tighter low end when using an amplifier.
This models the powerful and clean sound of an Aguilar amp. Switch the graphic EQ on for tighter low end when using an amplifier.
This is a simulation of a Gallien-Krueger 800RB with a 410RBH cabinet. Switch the graphic EQ on for tighter low end when using an amplifier.
5 nice warm
Just a nice tube amp warm patch, good for any use.
This is just like the name suggestsa typical sound of British hard rock. Perfect with a pick.
When I hear this patch, it makes me feel like there is a sound following me every note I play.
7 LeStandard
With this patch, I just wanted to have a cool, straight ahead bass sound to jam to.
7 huge clean
Nice eq'd lo mid boosted sound sent into an SWR style amp.
Believe it
This patch has a journey-bass sound vibe to it. Big Chorus going on.
8 REC CLEAN
This clean sound is suitable for recording and has added fatness from Hartke HA3500 modeling.
Cureme
This simulation of an amp sound with punchy lows and highs is suitable for recording slapped basses.
BritHardRk
I think-This patch has a Cure-ish (the band) vibe to it. Fun with the Flanger!
REC SLAP
0 Crunch Fuz
2COMP
Synth & OptComp creates a modern alt metal talk box type sound.
1 ReggaeNo.1
2 UR No Good
Derived from Van Halen II You're No Good bass intro. Classic Phaser and Compression. Great bass intro patch.
2 NORMAL DIS This standard distortion sound blends well with the mix. This sound is good for everything but ballads!
D.I Plus with the Vibe gives useful effect for blues or rock songs.
Amused
Wid Sprd
4 Nat Bg Wah
A natural bass wah created with Bottom B, Pedal Wah and Early Reflection.
Big Room
Oct Stomp, Reverb and Flip Top create an ambient hall setting with a lower octave added.
Space Driv
Exciter, Phaser, Fuzz. Good for solo bass and oddity pieces.
Bass Synth
Mono Synth creates outstanding effect for solos and special effects.
Lo Down
9
0
DISTORTION
0 MarkBoost
SOLO DIS
This patch simulates settings for recording using both studio and pedal compressors.
This popular reggae sound has a big bottom. Add the octaver if you like a more aggressive sound.
This distortion sound accompanied by a delay effect is suitable for soloing with fast passages.
4 LudditeSyn
This synth bass is simulated only with analog-type effects. Of course, the whole thing is still digitally simulated!
oct OD
Heavy fuzz and the bottom end give this patch a retro feel.
BigJet
MuffCmp
8 meshugger
Distorted, sounds amazing with bass tuned to low c with roundwound strings.
Spc Fusion
70fuzzoct
cto Stomp
REC DIST
A combination of Bottom B and Flip Top rounded out through the 160 COMP delivers a FAT SOLID SOUND.
1 Pump House
SVT Amp with a twist of Mono Pitch and 160 Comp creates controllable Sub Low with the expression pedal. PUMP IT!
1 BottomSyn
This fat bass synth sound with a pleasant attack is suitable for recording.
A Bass Drive merged with Trigger Hold then the 160 Comp evens it out. Expression Pedal makes it pulse.
Big Brass
This is another big brassy cool analogue sound very useful in synth sounds.
Fast Pick
This is a sound emulating you playing very fast 1/8 notes very accurate.
Propeller
With the Vibrato, Arena Reverb and Exciter, you create a Whirling Leslie Vibe.
SPECIAL FX
Victor Wooten
DEMO
Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective owners and do not
indicate any affiliation with ZOOM CORPORATION.
All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product.
Swirl
Jaco Solo
Jaco Solo is a very dreamy sound thick with a nice reverb can be used for solo's or a main sound.
Earth W&F
This is a cool synth patch emulating the famous tune Let's Groove Tonight by Earth Wind & Fire.
Anthony J
This patch simulates Anthony Jacksons trademark sound with a flanger. The swelling effect of the flanger fits nicely with tight rhythmic figures played with a pick.
6 Duck Wah B
No, this is not the sound of the Stax legend. This is a sonic imitation of a real duck!
Fat&Bright
Use this patch for a fat and bright slapping sound. Remember that funky guy who performed with Miles and the Stones?
7 Retro Game
This is a simulation of the sound of those 8-bit game machines that took the world by storm in the 80s.
Slplss Tny
This simulates the sound of that impressive intro played by that skinhead guy with a disciplined British prog group. Try slapping with this.
fairwarnin
Sub bass analog synth sound, most effective tracked slowly with long sustains.
Percy J
A set of the favorite effects used by the legendary fretless player of Brand X.
DistSeq
4 longambien
Reverse delay into a rich delay with mega feedback. Excellent ambience for looping.
This is a very cool impression of the Mini Moog synth very analogue.
Big Moog
This spacey sound combines Dist1, Seq Filter and Stereo Delay effects.
B3-PatchList-E-1
This USB/Sequel LE Startup Guide explains how to install Sequel LE on a computer, make connections and settings for this unit, and perform recording.
Sequel LE installation
Windows
HINT
No special steps are necessary for canceling the USB connection.
Simply disconnect the USB cable from the computer.
Sequel LE installation
To start Sequel LE, double-click the Sequel LE shortcut icon that was
created on the desktop.
After Sequel LE starts, click the button in the bottom left corner of the
Multi Zone area of the Sequel window to open the settings page. Click
the Audio Connection item and select "ZOOM G series ASIO" from
the pop-up menu.
When you change the ASIO driver, a confirmation window will
appear. Click the "Switch" button.
Pilot Zone
NOTE
During the installation of Sequel LE, a screen asking about installation
of activation (software license authentication) management software
appears. Install this software, because it is required for registering
Sequel LE.
Arrange Zone
or
This unit
[OUTPUT] jack
Batteries
[INPUT] jack
or
This unit
[OUTPUT] jack
Batteries
Multi Zone
USB cable
Audio system or other
hi-fi playback equipment
Next, click the "Setup..." button to open a window where you can set
the latency of the ASIO driver. Set the latency as low as possible
without causing the sound to drop out during recording and playback.
Macintosh
[INPUT] jack
Pilot Zone
USB cable
Audio system or other
hi-fi playback equipment
Arrange Zone
NOTE
If you monitor the audio signal during recording via the audio output
of the computer, there will be an audible delay. Be sure to use the
[OUTPUT] jack of this unit to monitor the signal.
When this unit is operated on USB bus power via the USB cable,
insufficient power may result in unstable operation or error
indications appearing on the computer screen or unit display.
In such a case, power the device from an AC adapter.
Use a high-quality USB cable and keep the connection as short as
possible. If USB bus power is supplied to this unit via a USB cable
that is more than 3 meters in length, the low voltage warning
indication may appear.
HINT
AC adapter
MacOS X
AC adapter
If nothing happens when you insert the CD-ROM, open the Start menu
and select "Computer" ("My Computer" in Windows XP). Then
double-click the "Sequel LE 2 for windows" CD-ROM icon to display
the contents of the CD-ROM, and double-click the executable file
"Setup" ("Setup.exe").
HINT
When you connect this unit for the first time to a computer running
Windows 7, a message saying "New Hardware Found" will appear.
Before proceeding, wait a while until this message disappears.
Insert the CD-ROM. When the contents of the CD-ROM are shown,
double-click "Sequel LE2 for Windows" and then select "Setup.exe".
When the language selection screen appears, choose the language to
use.
After making the selection, follow the instructions on the screen.
NOTE
Sequel LE installation
Multi Zone
Next, click the "Setup..." button to open a window where you can set
the latency (buffer size) of the driver. Set the latency as low as possible
without causing the sound to drop out during recording and playback.
NOTE
If you monitor the audio signal during recording via the audio output
of the computer, there will be an audible delay. Be sure to use the
[OUTPUT] jack of this unit to monitor the signal.
When this unit is operated on USB bus power via the USB cable,
insufficient power may result in unstable operation or error
indications appearing on the computer screen or unit display.
In such a case, power the device from an AC adapter.
Use a high-quality USB cable and keep the connection as short as
possible. If USB bus power is supplied to this unit via a USB cable
that is more than 3 meters in length, the low voltage warning
indication may appear.
Continued overleaf
Continued overleaf
Sequel LE installation
Windows
MacOS X
Record to a track.
This will close the currently open project and create a new empty
project file. If the currently open file has been changed, a message
appears asking if you want to save it or not.
Use the track "Volume" slider to adjust the input volume of the track
so that distortion does not occur during recording.
1. Press
Start playback
File menu
Turn the "Record Ready" button on for the added track so that you can
hear the sound of the instrument input on that track.
The level meter to the right of the track setting area moves in response
to the input.
Project menu
Track volume
Edit menu
Track meter
2. At the right side of the Pilot Zone are several buttons used
for recording, playback and other controls. Among these,
the second one from the right is the "Cycle" button.
Confirm that this button is OFF (same color as other
buttons).
Stop playback
You can stop playback using one of the following methods.
In the Mac OS X version, the "File", "Project" and "Edit" menus
appear at the upper left corner of the screen.
HINT
In order to record with better sound quality, adjust the volume so that
it is as loud as possible without the signal distorting.
NOTE
NOTE
After installing Sequel LE, the first time you launch it, a demo project is
automatically opened. Even after creating a new project, you can open
this demo project again any time by using "Open Project..." from the
"Project" menu.
While a track is record ready, the signal input to this audio interface
is output directly and the same signal is also output after it passes
through the computer once, resulting in a flanger-like sound. To
avoid this, set the USB level of the interface all the way to DAW.
The meter above shows the signal level after processing with
Sequel LE. For this reason, after playing the guitar or other
instrument, a slight delay might occur before the level meter moves.
4. After you are done performing, press the space key on the
computer keyboard to stop recording.
2. Click the "Audio" button at the top of the dialog shown.
3. Select "empty" at the top of the Name list and click the
"OK" button to add an audio track to the project.