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Georg Simmel (1858-1918) ranks with Karl Marx, Max Weber, Emile
Durkheim, and a handful of others, among the relativelyfew seminal
thinkersthatthe sociologicaltraditioncan boast so far. In addition,this
dazzlinglybrilliantman made contributionsto many other fields,from
philosophy and its historyto esthetics,ethics, and cultural criticism.
These, though perhaps not quite as importantas his sociological writings, still make him a figureto reckon with in most diverse fields of
German scholarshiparound the turnof the century.A prolificwriterin
command of a brilliantprose style,and a virtuosoon the platform,his
was a toweringpresence infinde siecleBerlin. Even though he was never
granted the academic recognitionhe deserved, partlybecause of antiSemitismand partlybecause of his refusal to specialize in any of the
fieldsthatclaimed his interestsand attention,he occupied a commanding position in the German, indeed the European, intellectualworld of
his days. Aftera period of eclipse of his reputation,there has been a
veritable Simmel renaissance in Germany and in America in the last
twentyyears. Both in this country and in his native land he is now
generallyconsidered of exceptional staturein the social sciences and in
humanisticstudies. But curiouslyenough his seminal insightsinto the
social positionof women have been totallyneglected untilrecently.And
therebythis raises questions that will be of interestto sociologistsof
knowledge,but not to them alone.
In 1911, Simmel published a volume entitledPhilosophische
Kultur
[Signs:Journalof Womenin Cultureand Society1977, vol. 2, no. 4]
? 1977 by The Universityof Chicago. All rightsreserved.
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ity;thisstateof affairsis givennormativesignificanceand claims a transsexual validityas the yardstickof truthand justice for both men and
women."
Given this state of affairs,Simmel continues to argue, it stands to
reason thatwomen are judged in termsof criteriathatwere created for
the male sex. "Under theseconditionsthe autonomyof the femalecannot
[Simmel's emphasis] be perceived." As long as it is simplya question of
the brutalizationof females by males, it is always possible to appeal to
norms of justice governing males and females alike. "But when the
higher court of appeal is again male-dominated,then one cannot even
imagine how female nature can ever be judged in termsof norms attuned to its requirements."
In addition to the alleged absolute standardsbywhichmen appraise
women, men also use relativestandardswhichare equally rooted in male
prerogatives.That is, theymay often expect fromwomen the opposite
of what theyexpect of men. Men may require thatwomen engage in a
typeof femalebehavior thatmen deem desirable in termsof theirpolar
relationshipsto women. But in thesecases as well,women are grantedno
moral autonomy.They are eitherto behave like men or theyare asked to
play female roles that are complementaryto the dominant male roles.
Women, in other words, are judged in termsof two yardsticks,both of
whichdo not allow an autonomous assessmentof theirtruemoral worth.
To the extent that men are determinedby a divisionof labor that
forcesthem into one-sided specializationof their faculties,theylook to
women to complementthisone-sidedness by a differentone-sidedness.
Being foreverbound to the requirementsof the male, women are never
allowed to act out theirspecificfemalequalities. This is whythere arose
the naive supposition"thatthe femalecharacteris rooted in the relationship of men to women so that nothing would remain if one were to
abstract from that relationship. In fact, however, what would remain
would not be a neutralhuman being but a woman." Women are asked to
behave in a manner appropriate to theirfemale role requirements,and
theyare judged to be inferiorto men preciselybecause, being enslaved
by these requirements,theycannot live up to allegedlyobjectivelyvalid
panhuman standards. "Almost all discussionsof women deal only with
what theyare in relationto men in termsof real, ideal, or value criteria.
Nobody asks what theyare forthemselves.... And since one alwayssees
them in termsof their relationshipto men, it becomes understandable
thatone ends up byconcludingthattheyare nothing[Simmel'semphasis]
in themselves,which only proves the point that has already been assumed in the way the question has been posed."
Simmel's thoughtwas rooted in Kantian moral philosophy,according to which human beings are never to be treated as means to an end,
alwaysas ends in themselves.That is whyhe is so particularlysensitiveto
the factthatin male culture it is "the social and physiologicaldestinyof
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dards. Even here, perhaps, so far so good. But what are the peculiar
spheres in which women can make their unique contributionsin the
future?It turnsout that in the occupational world it is only in the arts,
and more particularlyin the art of the theater,thatwomen can pursue a
course that,accordingto Simmel,is peculiarlytheirown, where theycan
accomplish things that men cannot attain. Beyond that, their cultural
contributionis limitedto the creationof a home as a work of art and to
theircivilizinginfluenceon men. Alas, poor Simmel,when itcame to his
prescriptionforcuringthe illsof modern women he ended up bysaying:
more of the same. The female culture of the future,it turnsout upon
inspection, has a close familyresemblance to the world of cultivated
women in his Berlin. His diagnosis was resplendentlymodern, his cure
was Wilhelminian.When itcame to remediesto the predicamentshe had
outlined with such extreme acuity, Simmel's sociological imagination
failed him. But neitherthisnor his other failingsshould obscure forus
the major contributionhe has made to an understandingof the rootsof
our present discontentsin the sexual dualities of modern civilization.
of Sociology
Department
StateUniversity
ofNew Yorkat StonyBrook