Beruflich Dokumente
Kultur Dokumente
Code 270975
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING
- When using electric products, basic precautions should always be followed, including the following:
1. Read all the Safety and Installation instructions and explanations of Graphic Symbols before using the product .
2. This product must be earthed. If it should malfunction or breakdown, grounding provides a path of least resistance for
electric current to reduce the risk of electric shock. This product is equipped with a cord having an equipment-grounding
conductor and a grounding plug. The plug must be plugged into an appropriate outlet that is properly installed and
earthed in accordance with all local codes and ordinances.
DANGER - Improper connection of the equipment-grounding conductor can result in a risk of electric shock.
Check with a qualified electrician or serviceman if you are in doubt as to whether the product is properly grounded. Do
not modify the plug provided with the product - if it will not fit the outlet, have a proper outlet installed by a qualified
electrician.
3. To reduce the risk of injury, close supervision is necessary when this product is used near children.
4. Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a
swimming pool or the like.
5. This product should only be used by a stand or cart that is recommended by the manufacturer.
6. This product, either alone or in combination with an amplifier and headphones or speakers, may be capable of
producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high
volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should
consult an audiologist.
7. This product should be located so that its location or position does not interfere with its proper ventilation.
8. This product should be located away from heat sources such as radiators, heat registers, or other products that
produce heat.
9. The product should be connected to a power supply only of the type described in the operating instructions or as
marked on the product.
10. This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature. If
you are unable to insert the plug into the outlet, contact an electrician to replace your obsolete outlet. Do not defeat the
safety purpose of the plug.
11. The power-supply cord of the product should be unplugged from the outlet when left unused for a long period of time.
When unplugging the power supply cord, do not pull on the cord, but grasp it by the plug.
12. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.
13. The product should be serviced by qualified service personnel when:
A. The power-supply cord or the plug has been damaged; or
B. Objects have fallen, or liquid has been spilled into the product; or
C. The products has been exposed to rain; or
D. The product does not appear to be operating normally or exhibits a marked change in performance; or
E. The product has been dropped, or the enclosure damaged.
14. Do not attempt to service the product beyond that described in the user-maintenance instructions. All other servicing
should be referred to qualified service personnel.
15.
WARNING - Do not place objects on product power cord or place it in a position where anyone could trip
over, walk on or roll anything over it. Do not allow the product, or its bench, or its pedal board to rest on or to be installed
over power cords of any type. Improper installations of this type create the possibility of fire hazard and/or personal
injury.
16. Electromagnetic interference (RFI). This electronic product utilizes digital sampled wave processing technology (S.W.P.)
that may adversely affect radio/tv reception. Read FCC information inside back cover for additional information.
AHLBORN
Classic Organ
OWNER'S MANUAL
ENGLISH
AHLBORN - HYMNUS IV
STOPS
Control tabs are placed in a horizontal row above manual I and are divided into three, easily
identifiable sections. From left to right: GRANDE ORGANO I (Great), PEDALE (Pedal) and
RECITATIVO II (Swell).
The tabs are of the light-up type: if the lower half of a tab is pressed, the corresponding stop will be
activated, lighting up the relative LED. Pressing it once again, deactivates the stop and the LED goes
out. Such a system permits a clear visualisation of the stops drawn and correct use of the combination
action.
Tabs are numbered progressively from 1 to 31 above their name. The organist may use this general
number to note down quickly the registrations chosen. The name of the stop is written on the central
part of the tab together with the number of ranks which form it.
The bottom half of the tab shows the conventional pitch of the stop. In each section, stops are
displayed from the lowest to the highest footage. When two stops have the same pitch, they appear
in the order given by the sound family to which they belong: Principals (or Foundation), Flutes and
Bourdons, Strings, Mixtures, Undulating stops and Reeds.
This last group is placed on the right hand side of each section, before the Couplers, and their tabs
are marked in red.
AHLBORN - HYMNUS IV
SPECIFICATION
GRANDE ORGANO I
Bordone
16'
Principale
8'
Flauto a camino
8'
Ottava
4'
Flauto in VIII
4'
Decimaquinta
2'
Ripieno
4 file
Sesquialtera
2 file
Tromba
8'
Unione
II-I
RECITATIVO II
Bordone
Viola da gamba
Principale
Corno di notte
Nazardo
Flautino
Terza
Cimbalo
Voce celeste
Oboe
Tremolo
8'
8'
4'
4'
2 2/3'
2'
1 3/5'
3 file
8'
8'
PEDALE
Principale
Subbasso
Ottava
Bordone
Decimaquinta
Ripieno
Controfagotto
Regale
Unione
Unione
16'
16'
8'
8'
4'
4 file
16'
4'
I-Ped.
II-Ped.
Grouping of the different families of stops in the three organ sections is proportional to their
importance and to the role they are asked to play in order to perform music from the vast organ
literature. A detailed examination of these divisions follows:
1)
AHLBORN - HYMNUS IV
Example:
Principale 8'
Ottava 4'
Decimaquinta 2'
Ripieno 4f.
Sesquialtera 2f.
2)
RECITATIVO II
Bordone 8'
Corno di notte 4'
Nazardo 2 2/3'
Flautino 2'
Terza 1 3/5'
PEDALE
Subbasso 16'
Bordone 8'
The family of Flutes and Bourdons ranks next in importance. The sounds of these stops move from
the round and mellow tones, at 16' and 8', to the higher-pitched and more brilliant voices.
Flutes 8' and 4' on the Great offer an excellent basic accompaniment for solo Swell registrations.
Numerous solo registrations are obtainable with the stops of this family on the Swell:
RECITATIVO II
1)
Bordone 8' + Corno di notte 4' + Nazardo 2 2/3' + Flautino 2' + Terza 1 3/5' (5 rank Cornet)
2)
Bordone 8' + Nazardo 2 2/3' + Flautino 2' + Terza 1 3/5' (4 rank Cornet)
3)
Bordone 8' + Nazardo 2 2/3' + Terza 1 3/5' (Sesquialtera combined with a flute sound)
4)
Bordone 8' + Corno di notte 4' + Nazardo 2 2/3'
5)
Bordone 8' + Nazardo 2 2/3'
6)
Bordone 8' + Nazardo 2 2/3' + Flautino 2'
7)
Bordone 8' + Flautino 2'
8)
Bordone 8' + Corno di notte 4' + Terza 1 3/5'
etc.
The importance of Cornet V (Ex. 1) and Cornet IV (Ex. 2) should be noted; they were frequently used
in ancient music. Flute Sesquialtera (Ex. 3) may be a good solo registration. In Pedal, Subbasso 16'
and Bordone 8' offer a perfect support for all mf combinations obtainable on the Manuals.
To the registrations described above, more may be added if Flutes and Bourdons are combined with
stops from the Foundation family. Some examples follow:
GRANDE ORGANO I
1)
Principale 8' + Flauto 8'
2)
Principale 8' + Flauto 4'
3)
Flauto 8' + Ottava 4'
4)
Flauto 8' + Flauto 4' + Decimaquinta 2'
5)
Flauto 8' + Decimaquinta 2'
etc..
RECITATIVO II
1)
Bordone 8' + Principale 4'
2)
Bordone 8' + Principale 4' + Cimbalo 3 file
3)
Bordone 8' + Corno di notte 4' + Cimbalo 3 file
4)
Bordone 8' + Cimbalo 3 file
etc..
AHLBORN - HYMNUS IV
3)
STRINGS
RECITATIVO II
Viola da gamba 8'
This incisive and delicate stop adds a graceful note of colour to the fundamental sounds. It is
particularly useful in romantic and modern music, where it creates a rich contrast with the deeper and
more penetrating sounds.
If Gamba 8' is blended with Nazardo 2 2/3' it will imitate the sound of an Oboe for solo purposes.
4)
UNDULATING STOPS
RECITATIVO II
Voce celeste 8'
The Voce celeste 8' from the Swell possesses a typical string character. Played on its own or together
with other gentle 8' stops, the Voce celeste 8' is a stop suited to romantic and modern organ music.
It is interesting to note that in the HYMNUS IV model, the phenomenon of acoustic undulation is
completely natural. In fact, on one of the channels the note played is in tune, while on the other the
note is sharp. The undulation, therefore, originates in the air between the two separate sound
sources.
NOTE: It is the norm to exclude the undulating stops from all registrations in which the Mixtures,
Reeds or stops above 8' are present. This is because the phenomenon of acoustic undulation gives
rise to a lack of the necessary basic stability. For the same reason, their use is not recommended for
accompanying choral or other instrumental music.
5)
REEDS
GRANDE ORGANO I
Tromba 8'
PEDALE
Controfagotto 16'
Regale 4'
Last but not least is the Reed family whose sounds add colour and sharpness to the other stops.
The Great features a Tromba 8' which can be usefully employed as a solo stop to outline a cantus
firmus or to enrich the sound of the Organo Pleno.
In the Swell the Oboe 8', used alone or with fundamental stops and with the help of the expression
pedal, serves the romantic and late-romantic repertoires very well.
In the Pedal the Controfagotto 16' is suitable to support the plenum with or without reeds,
emphasizing the virtuosic pedal solos and chorale melodies in long passages entrusted to the feet.
The Regale 4', with its incisive timbre rich in colour, is used to state the cantus firmus in the tenor
in the numerous Chorale Preludes which call for a 4' Pedal solo.
Apart from all schematic family subdivisions, one can easily imagine the numerous and interesting
possible combinations which the HYMNUS IV offers, enhanced by the accurate timbre of every
stop.
RECITATIVO II
Oboe 8'
AHLBORN - HYMNUS IV
COUPLERS
Couplers I-Pedal and II-Pedal allow those stops which have been drawn on Manuals I and II to play
on the Pedals also.
Coupler II-I adds the stops drawn on the Swell to the Great manual.
The corresponding controls appear as stop tabs on the extreme right of the relative section, as thumb
pistons under manual I.
The thumb pistons are reversible: pressing once activates the couplers; pressing again they are
deactivated. It is also possible to deactivate the couplers manually when they have been activated
with the thumb pistons and vice versa.
COMBINATION ACTION
HYMNUS IV offers 5 general combinations with automatic return to hand-set registration.
The corresponding controls appear as thumb pistons numbered from 1 to 5 under Manual I.
The LEDS indicating the setting of the 5 combinations are located above Manual II.
Thumb pistons below Manual I (from left to right):
F
=
COMBINATION SET
O
=
HAND-SET REGISTRATION
1 to 5
=
COMBINATIONS
A
=
GENERAL CANCEL
TO SET A COMBINATION
1)
Press the tabs of the desired registration.
2)
Press and HOLD the F thumb piston and press any one of the thumb pistons numbered from 1 to 5.
3)
Release both pistons. The selected registration is now memorised.
4)
Bring all tabs to zero, using the A thumb piston and repeat the operation on thumb pistons which
are still available.
TO MODIFY A COMBINATION:
1)
Press the numbered thumb piston corresponding to a previously memorised combination.
2)
Add, cancel or change the stops required.
3)
Press and HOLD the F thumb piston and press the same numbered piston that was pressed in
stage 1 above.
4)
Release both pistons. The modified registration is now memorised.
It is possible to effect a temporary change to the combination by hand, without the use of the F control.
In this case, if the same numbered thumb piston is pressed, the original registration will be restored.
TO ERASE COMBINATIONS PARTIALLY OR TOTALLY:
1)
Press the A control, checking that no stops are activated.
2)
Press and HOLD the F thumb piston and press the numbered piston relative to the combination
that is to be cancelled. Its contents are now erased.
AUTOMATIC RETURN TO HAND-SET REGISTRATION (O-PISTON)
While playing with a hand-selected registration, it may be necessary to use one or more combinations
that have already been fixed. In this way, the original hand-set registration will be either cancelled
or modified. However, by pressing the O piston, the original hand-set registration will be automatically restored. If you wish to cancel this also, press the General Cancel piston A.
AHLBORN - HYMNUS IV
PRESETS
The Presets are activated through the corresponding thumb pistons located under Manual I. Their
contents are ADDED to the hand-set or combination registration inserted.
The contents of the Presets have been factory-set in the following manner:
RIPIENO I
GRANDE ORGANO I
PEDALE
Principale 8'
Principale 16'
Ottava 4'
Ottava 8'
Decimaquinta 2'
Decimaquinta 4'
Ripieno 4 file
Ripieno 4 file
RIPIENO II
RECITATIVO II
PEDALE
Bordone 8'
Subbasso 16'
Principale 4'
Ottava 8'
Cimbalo 3 file
Decimaquinta 4'
TUTTI
All stops
(except: Voce celeste 8'/II - Tremolo/II)
PROGRAMMABILITY OF THE PRESETS
All the presets indicated above can be programmed by the organist in the following manner:
1)
Select the desired registration by means of the stop tabs.
2)
Press and HOLD the F thumb piston (to the extreme left under Manual I) and press one of the
desired pistons.
3)
Release both pistons. The selected registration in now memorised.
4)
Press the General Cancel piston A to switch off the tabs.
Each time the reversible piston relative to the programmed preset is pressed, the stop tabs will
NOT illuminate.
To restore the factory-set Presets, carry out the operations described above after drawing the stops
indicated in the table.
AHLBORN - HYMNUS IV
TRANSPOSER
The Transposer is particularly useful when providing accompaniment for voices or other instruments. Adjusting the knob to the required position, it is possible to vary the pitch of the music by 6
SEMITONES BELOW or 3 SEMITONES ABOVE standard pitch. This avoids the necessity of
effecting laborious manual transpositions.
NOTE: Before any normal performance, care should be taken to ensure that the Transposer knob is
in its 0 position.
REVERBERATION
A digital Reverberation device has been incorporated into HYMNUS IV in order to improve the
sound performance of the instrument, especially in small rooms with little resonance.
The relative REVERB EFFECT and REVERB LEVEL controls are located in the appropriate
control panel (see next section).
MASTER EFFECT
LEVEL
REVERB
PHONES
AUX-OUT
THRU
IN
OUT
MIDI
AHLBORN - HYMNUS IV
AUX-OUT LEFT/RIGHT
Output for stereo tape recording (Max. level: + 0 dB, 600 ohms).
MIDI IN - OUT - THRU
MIDI (Musical Instrument Digital Interface) is a standard code for interchange of data between
musical instruments. The principal advantage of MIDI lies in the possibility of connecting different
instruments by means of simple IN-OUT-THRU connections, permitting a reciprocal exchange of
information. The information exchanged via MIDI concerns the primary operations carried out by
the instruments (note on/off, various controls etc.). In practice, it is possible to play another MIDI
compatible instrument by means of the HYMNUS IV keyboards or vice-versa.
Connecting , for example, the HYMNUS IV MIDI OUT socket to the MIDI IN socket of another
instrument, it is possible to play both instruments by means of the HYMNUS IV keyboards and
pedalboard. The MIDI THRU socket enables more than two instruments to be connected with each
other, utilizing the first as principal transmitter (piloting instrument).
MIDI language can be received by most personal and home computers available on the market,
provided they are equipped with the special MIDI interface and MIDI IN/OUT ports. One of the
many features of this interfacing is the capability of writing the music performed on the HYMNUS
IV on a computerised stave in a very short time. Vice-versa, it is possible to write music on a
computer video which can be performed by the HYMNUS IV under the direct control of the
computer.
In order to make possible the interchange of MIDI data, it is necessary that both transmitter and
receiver communicate on the same MIDI channel, selected from any of the 16 available channels.
On the HYMNUS IV organ, MIDI channel selection is carried out by means of the remote control
(see the relevant operating instructions).
For additional information, refer to the MIDI IMPLEMENTATION CHART at the back of this
manual.
AHLBORN - HYMNUS IV
INTERNAL AMPLIFICATION
HYMNUS IV is supplied with internal amplification specially studied to enhance the tonal resources
and vast sound channelling possibilities.
The presence of two small diffusers (Top Tweeters) pointing upwards permits an improved
expansion of the acoustic sounds in the environment, offering the organist maximum sound
definition, such as could be obtained by playing, for example, in the vicinity of the pipes.
By means of the remote control (Interactive Programmer) it is possible to choose two special effects
that broaden the sound front (Panoramic 1 and 2), as well as all the normal perspective sound
configurations (central peak, wing, lateral wing etc.), or else the complete exclusion of the Top
Tweeters, if required. Refer to the INTERACTIVE PROGRAMMER Owner's manual, SECTION
C/WINDCHEST LAYOUT, page 26.
Following the description relating to the 10 types of sound channelling, the section HOW TO
OPERATE should be modified as follows:
A) SECTION CHANNELLING.
HOW TO OPERATE
1)
Press for approx. 3 seconds the WINDCHEST LAYOUT button: the display will show the
following information:
CHEST LAYOUT
Panoramic = off
(flashing)
2)
3)
Press the DECR. or INCR. buttons to select the section which requires the sound
channelling.
The sections will appear in the following order:
SWELL
GREAT
PEDAL FLUES
Press ENTER: the values or the configurations of the left or right channels (see previous
indications) will flash.
4)
5)
Press the EXIT button once to proceed with the adjustment of another section, repeating the
operations at points 2-3-4.
Or: press the EXIT buttons twice to escape from the WINDCHEST LAYOUT control.
NB: the free selection of the section channelling is possible only when Panoramic = off.
AHLBORN - HYMNUS IV
HOW TO OPERATE
1)
2)
3)
After entering the WINDCHEST LAYOUT section, press the DECR. or INCR.
buttons until the display shows the following information:
CHEST LAYOUT
Top Tweeters = on
(flashing)
2)
Press ENTER: the word on will start to flash. Press the DECR. or INCR. buttons to
switch the Top Tweeters off or on.
EXTERNAL AMPLIFICATION
Naturally, the instrument can also be connected to external amplifiers and acoustic speakers, as
described in the following paragraph.
1)
With the position Panoramic = off, the external amplification will conform to the section
channelling selected by remote control.
2)
With the position Panoramic = 1, the external amplification will be automatically configured
to left/right (c/c sharp).
3)
With the position Panoramic = 2, the external amplification will be automatically configured
to mono (50% - 50%).
10
AHLBORN - HYMNUS IV
REMOTE BOX
POWER SWITCH
OUTPUTS
AUX IN
MIC. LEVEL
12V-1A
1)
LEFT
RIGHT
LEFT
RIGHT/MONO
MIC. IN
2)
REMOTE BOX
POWER SWITCH
12V-1A
OUTPUTS
It is not advisable to locate the speaker cabinets too far away from the HYMNUS IV
console: an excessive distance can cause an irritating time lag.
3)
AUX IN
MIC. LEVEL
LEFT
RIGHT/MONO
MIC. IN
MIC. LEVEL
This control regulates the sensitivity of the previous input (MIC IN) from a maximum of -50dB
to a minimum of - 15dB.
11
AHLBORN - HYMNUS IV
FEATURES
- Two 61-note Manuals (C-C).
- 30-note Pedalboard (C-F); straight (parallel).
- Combination Action with 5 general pistons. Set and general cancel pistons. Automatic return to
hand-set registration.
- Thumb pistons for Couplers, Pleno I, II, Tutti.
- Swell expression pedal. Slider controls for Great and Pedal volume.
- Pleno I, II, Tutti: all programmable.
- Transposer (-6 / +3 semitones).
- Volume control: general and for Headphones.
- Digital Reverb.
- Headphone output.
- MIDI IN-OUT-THRU ports.
- Internal amplification: 70 W. RMS (basses) - 2 x 40 W. RMS (medium and treble) / 10" woofer
(bass reflex)) - 2 middle range - 4 tweeters.
- 10 divided chest configurations (C/C sharp) and Panoramic 1 - 2.
- Two channels for external amplification.
- Auxiliary Stereo Inputs / Microphone Input.
- INTERACTIVE PROGRAMMER (Remote control device) for all voicing functions and for
instrument control (supplied).
- SEQUENCER: 4-track (incorporated).
- FLOPPY DISK DRIVE on request.
- Dimensions: Width 130 cm. (4'3") / Height 110 cm. (3'7") / Depth 68 cm. (2'23/4") [with
pedalboard 95 cm. (3'11/2")] - Net Weight (excluding bench and pedalboard ): 118 Kg. (260 lbs.).
12
AHLBORN - HYMNUS IV
13
AHLBORN - HYMNUS IV
MANUFACTURER
MODEL
Generalmusic S.p.A.
Date: 15.02.1993
- - - HYMNUS IV - - -
Version: 1.0
Transmitted
Recognized
Basic Channel
Default
Changed
1-16
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
************
Mode 3
X
X
True Voice
32 - 98
32 - 69
************
32 - 98
32 - 69
32 - 98
Velocity
Note ON
Note OFF
X
X 9nH v =
X
X
After Touch
Keys
Chs
X
X
X
X
07
92
96
97
70
71
O
O
O
O
O
O
O
O
O
O
O
O
True #
O (-127)
**********
O (-127)
O (-127)
System common
Song. Pos.
Song. Sel.
Tune
X
X
X
X
X
X
Clock
Commands
O
O
O
O
Local ON/OFF
All Notes OFF
Active Sense
Reset
X
O
O
X
X
O
O
O
Note Number
Pitch Bender
Control change
Program Change
Aux Message
NOTES:
(1)
for manuals
for pedals
Section Volume
Tremolo
Data increment
Data decrement
(1)
(1)
Master Volume
Start / Stop
Continue
14
Remarks
O : YES
X : NO
AHLBORN
Classic Organ
MANUALE D'USO
ITALIANO
AVVERTENZE D'USO
Il simbolo del fulmine con la freccia all'interno di un triangolo equilatero serve a segnalare la presenza
di "tensioni pericolose" all'interno dell'apparecchio, che possono essere di intensit sufficiente a
costituire un rischio di scossa elettrica.
Il punto esclamativo all'interno di un triangolo equilatero serve a segnalare l'esistenza di importanti
istruzioni duso e di manutenzione nella documentazione che correda lo strumento.
4.
5.
6.
7.
8.
9.
10.
11.
12.
a.
b.
c.
d.
13.
AHLBORN - HYMNUS IV
REGISTRI
Le placchette che ne comandano l'inserimento sono disposte in fila orizzontale sopra il II manuale
e sono suddivise in tre settori facilmente identificabili. Da sinistra verso destra: PEDALE,
GRANDE ORGANO I e RECITATIVO II.
Le placchette sono del tipo particolare ad inserimento luminoso LED. Premendo la parte inferiore
della placchetta, il registro si inserisce e si illumina la relativo LED. Premendo una seconda volta,
il registro si disinserisce ed il LED si spegne. Tale sistema permette di rendere evidente l'inserimento
dei registri e di realizzare correttamente le funzioni delle Combinazioni aggiustabili.
Sulla parte alta di ciascuna targhetta riportato un numero progressivo generale da 1 a 31 per mezzo
del quale l'organista pu annotare sinteticamente la registrazione prescelta.
Al centro si legge il nome del registro e il numero delle file che lo compongono.
In basso ne indicata l'altezza convenzionale in piedi. Nell'ambito di ciascun settore i registri sono
disposti dai piedi pi gravi a quelli pi acuti. A parit d'altezza, l'ordine col quale si presentano dato
dalla famiglia sonora cui appartengono: Principali, Flauti e Bordoni, Violeggianti, Ripieni,
Battenti ed Ance. Queste ultime sono raggruppate alla destra di ciascun settore e le relative placchette
portano le scritte incise in rosso.
AHLBORN - HYMNUS IV
RECITATIVO II
Bordone
Viola da gamba
Principale
Corno di notte
Nazardo
Flautino
Terza
Cimbalo
Voce celeste
Oboe
Tremolo
8'
8'
4'
4'
2 2/3'
2'
1 3/5'
3 file
8'
8'
PEDALE
Principale
Subbasso
Ottava
Bordone
Decimaquinta
Ripieno
Controfagotto
Regale
Unione
Unione
16'
16'
8'
8'
4'
4 file
16'
4'
I-Ped.
II-Ped.
La ripartizione delle singole famiglie di registri nei tre corpi d'organo proporzionale alla loro
importanza e al ruolo che esse sono chiamate a svolgere nella realizzazione di una vasta letteratura
musicale. Esaminiamo in dettaglio tale ripartizione:
1)
PRINCIPALI E RIPIENI
GRANDE ORGANO I
Principale 8'
Ottava 4'
Decimaquinta 2'
Ripieno 4 file
(11/3' - 1' - 2/3' - 1/2')
RECITATIVO II
Principale 4'
Cimbalo 3 file
(1' - 2/3' - 1/2')
PEDALE
Principale 16'
Ottava 8'
Decimaquinta 4'
Ripieno 4 file
(22/3' - 2' - 11/3' - 1')
I registri appartenenti a questa famiglia sono da considerarsi la struttura portante di ogni organo
classico razionalmente concepito.
La composizione dei Ripieni stabilita in funzione della differente base sonora dei tre corpi d'organo.
Il Pedale dispone a sua volta di una gamma completa che va da 16' a 1'.
Per quanto riguarda l'uso dei registri di questa famiglia, occorre rilevare che il loro timbro neutro e
puramente organistico si fonde assai bene con la voce umana. Pertanto essi sono particolarmente
indicati nell'accompagnamento del canto corale e solistico. Nella letteratura organistica classica,
l'insieme dei Principali e dei Ripieni realizza la sonorit solenne e incisiva dell' Organo pleno. Le
Unioni di manuale e di pedale possono eventualmente essere aggiunte per rinforzare e amalgamare
le sonorit.
I registri appartenenti alla famiglia dei Principali consentono inoltre di ottenere registrazioni di
dettaglio e di stabilire interessanti dialoghi fra i manuali.
La Sesquialtera 2f. (22/3' + 13/5') del Grande Organo ha timbro di principale ed un registro solistico
di grande importanza e di antica tradizione. Non va mai usata sola, ma sostenuta da registri di fondo
adeguati.
AHLBORN - HYMNUS IV
Esempi:
GRANDE ORGANO I
1)
2)
3)
4)
GRANDE ORGANO I
Principale 8
Ottava 4
Decimaquinta 2
Ripieno 4f.
Sesquialtera 2f.
2)
FLAUTI E BORDONI
GRANDE ORGANO I
Bordone 16'
Flauto a camino 8'
Flauto in VIII 4'
RECITATIVO II
PEDALE
Bordone 8'
Subbasso 16'
Corno di notte 4'
Bordone 8'
2/3
Nazardo 2 '
Flautino 2'
Terza 1 3/5'
Seguono in ordine di importanza, i Flauti e i Bordoni, le cui sonorit vanno dai timbri rotondi di 16'
e 8' alle voci pi acute e brillanti.
I Flauti di 8' e 4' del Grande Organo costituiscono un'ottima base di accompagnamento per tutte le
registrazioni solistiche possibili al Recitativo. Seguono alcuni esempi di registrazioni al II Manuale:
RECITATIVO II
1)
Bordone 8' + Corno di notte 4' + Nazardo 2 2/3' + Flautino 2' + Terza 1 3/5' (Cornetto a 5 file)
2)
Bordone 8' + Nazardo 2 2/3' + Flautino 2' + Terza 1 3/5' (Cornetto a 4 file)
3)
Bordone 8' + Nazardo 2 2/3' + Terza 1 3/5' (Sesquialtera combinata con timbro di flauto)
4)
Bordone 8' + Corno di notte 4' + Nazardo 2 2/3'
5)
Bordone 8' + Nazardo 2 2/3'
6)
Bordone 8' + Nazardo 2 2/3' + Flautino 2'
7)
Bordone 8' + Flautino 2'
8)
Bordone 8' + Corno di notte 4' + Terza 1 3/5'
ecc..
Si segnalano per importanza il Cornetto 5 f. (Es.n.1) e il Cornetto 4f. (Es.n.2) di uso frequente
nell'antica musica francese. La Sesquialtera con timbro flautato (Es.n.3) costituisce una valida
registrazione solistica. Al Pedale, il Subbasso 16' e il Bordone 8' forniscono un sostegno ideale per
tutte le registrazioni di media sonorit componibili ai manuali.
Agli amalgami omogenei sopra descritti, vanno aggiunti quelli che si ottengono combinando Flauti
e Bordoni con i registri della famiglia dei Principali. Ecco alcuni esempi:
AHLBORN - HYMNUS IV
GRANDE ORGANO I
1)
Principale 8' + Flauto 8'
2)
Principale 8' + Flauto 4'
3)
Flauto 8' + Ottava 4'
4)
Flauto 8' + Flauto 4' + Decimaquinta 2'
5)
Flauto 8' + Decimaquinta 2'
ecc..
RECITATIVO II
1)
Bordone 8' + Principale 4'
2)
Bordone 8' + Principale 4' + Cimbalo 3 file
3)
Bordone 8' + Corno di notte 4' + Cimbalo 3 file
4)
Bordone 8' + Cimbalo 3 file
ecc..
3)
VIOLEGGIANTI
RECITATIVO II
Viola da gamba 8'
Il timbro delicato e mordente di questo registro aggiunge una gradevole nota di colore alle sonorit
di fondo. Usata particolarmente nel repertorio romantico e moderno, crea effetti suggestivi che si
contrappongono felicemente a registrazioni pi robuste e penetranti.
La fusione di Viola da gamba 8' + Nazardo 2 2/3' produce un caratteristico Oboe combinato con
funzioni solistiche.
4)
BATTENTI
RECITATIVO II
Voce celeste 8'
La Voce celeste 8' del Recitativo possiede una timbrica di tipo violeggiante. Impiegata da sola o con
altri registri dolci di 8', la Voce celeste un registro adatto alla letteratura musicale romantica e
moderna.
E' interessante rilevare che nell'organo HYMNUS IV il fenomeno del battimento acustico avviene
nel modo pi naturale. Infatti a uno dei due canali indirizzato il suono accordato giustamente,
all'altro quello crescente. Il battimento avviene pertanto in aria, tra due fonti sonore separate.
NOTA - E' buona norma escludere i registri battenti da tutte le registrazioni in cui sono presenti i
Ripieni, le Ance o registri di altezza superiore a 8'. Ci perch, col fenomeno del battimento acustico,
viene a mancare la necessaria stabilit di base. Per lo stesso motivo il loro uso sconsigliato
nell'accompagnamento del canto o di altri strumenti.
5)
ANCE
GRANDE ORGANO I
Tromba 8'
PEDALE
Controfagotto 16'
Regale 4'
Ultima, ma non certo per importanza, la famiglia delle Ance le cui sonorit aggiungono colore e
incisivit ai timbri organistici.
Al Grande Organo la Tromba 8' pu essere utilmente impiegata come registro solistico per
evidenziare un cantus firmus oppure per arricchire la sonorit dell' Organo pleno.
RECITATIVO II
Oboe 8'
AHLBORN - HYMNUS IV
Al Recitativo l'Oboe 8', usato da solo o anche unito a registri di fondo e con l'ausilio della staffa
espressiva, servir egregiamente nel repertorio romantico e tardo-romantico.
Al Pedale il Controfagotto 16' adatto a sostenere il plenum con o senza ance, mettendo in evidenza
gli assoli virtuosistici di pedale e melodie corali in valori lunghi affidate al basso.
Il Regale 4', col suo timbro incisivo e ricco di colore, indicato ad evidenziare il cantus firmus al
tenore nei Preludi-Corali di cui la letteratura organistica ricca.
Al di l di ogni schematica suddivisione per famiglie, si intuisce facilmente quanto siano numerose
e interessanti le possibilit combinatorie offerte dall'HYMNUS IV, favorite anche dall'accurato
equilibrio timbrico di ciascun registro.
UNIONI
Le Unioni I-Pedale e II-Pedale fanno s che risuonino al Pedale anche i registri che sono stati inseriti
ai rispettivi Manuali. L'Unione II-I aggiunge al Grande Organo i registri che sono stati inseriti al
Recitativo.
I relativi comandi sono disponibili sotto forma di PLACCHETTE all'estrema destra delle relative
sezioni, di PISTONCINI sotto il I Manuale.
I pistoncini sono reversibili: al primo tocco l'Unione si inserisce, al secondo tocco si disinserisce.
E' anche possibile disinserire tramite le placchette quanto stato inserito con i pistoncini, e viceversa.
COMBINAZIONI AGGIUSTABILI
HYMNUS IV dispone di N. 5 combinazioni aggiustabili generali e ritorno automatico della
combinazione preparata a mano.
I relativi comandi sono disponibili sotto forma di PISTONCINI numerati da 1 a 5 sotto il I Manuale.
Le indicazioni luminose LED delle cinque combinazioni si trovano sopra il II Manuale.
PISTONCINI sotto il I Manuale (da sinistra a destra):
F
=
FISSATORE AGGIUSTABILI
O
=
ANNULLATORE AGGIUSTABILI, CON RITORNO DELLA COMBINAZIONE PREPARATA A MANO
da 1 a 5
=
AGGIUSTABILI
A
=
ANNULLATORE GENERALE PLACCHETTE
PER FISSARE UNA COMBINAZIONE:
1)
Preparare a mano, tramite le placchette, la registrazione desiderata.
2)
Premere il pistoncino fissatore F e, tenendolo premuto, agire su uno qualsiasi dei pistoncini.
La registrazione scelta fissata.
3)
Annullare le placchette, servendosi dell'annullatore generale A e ripetere l'operazione sui
pistoncini numerati ancora disponibili.
PER MODIFICARE UNA COMBINAZIONE GI FISSATA:
1)
Premere il pistoncino numerato relativo a una combinazione gi fissata.
2)
Aggiungere, togliere o sostituire i registri desiderati.
3)
Premere il pistoncino fissatore F e, tenendolo premuto, agire sullo stesso pistoncino
numerato. Sollevare entrambi i pistoncini.
La registrazione modificata fissata.
AHLBORN - HYMNUS IV
E' possibile anche modificare in via provvisoria il contenuto di una combinazione aggiustabile, senza
passare attraverso il fissatore. In tal caso, ripremendo lo stesso pistoncino numerato, ritorner la
registrazione originale.
PER ANNULLARE TUTTE O PARTE DELLE COMBINAZIONI:
1)
Premere l'annullatore generale A, assicurandosi che nessuna placchetta sia inserita.
2)
Premere il pistoncino fissatore F e, tenendolo premuto, agire sui pistoncini numerati da
annullare. In tal modo il loro contenuto viene azzerato.
FUNZIONE DEL PISTONCINO O DI RITORNO AUTOMATICO:
Pu accadere che, suonando con una combinazione di registri preparata a mano, si desideri utilizzare
una o pi combinazioni aggiustabili gi fissate. In tal modo la registrazione manuale d'inizio verrebbe
cancellata o modificata. Premendo invece il pistoncino O essa ritorna automaticamente come in
origine. Volendo poi annullare anche quest'ultima, si premer il pistoncino annullatore generale A.
COMBINAZIONI COLLETTIVE
Dette combinazioni si inseriscono tramite appositi pistoncini reversibili R.I - R.II - T che si trovano
sotto il I Manuale. Il loro contenuto SI AGGIUNGE alle registrazioni preparate manualmente o
tramite le combinazioni aggiustabili. Il contenuto delle combinazioni stato stabilito dalla Ditta nel
modo seguente:
RIPIENO I
GRANDE ORGANO I
PEDALE
Principale 8'
Principale16'
Ottava 4'
Ottava 8'
Decimaquinta 2'
Decimaquinta 4'
Ripieno 4 file
Ripieno 4 file
RIPIENO II
RECITATIVO II
PEDALE
Bordone 8'
Subbasso 16'
Principale 4'
Ottava 8'
Cimbalo 3 file
Decimaquinta 4'
TUTTI
Tutti i registri
(esclusi: Voce celeste 8'/II - Tremolo/II)
PROGRAMMABILIT DELLE COMBINAZIONI COLLETTIVE
Tutte le combinazioni collettive sopra indicate sono programmabili da parte dell'organista, operando
nel modo seguente:
1)
Scegliere, tramite le placchette luminose, la registrazione desiderata.
2)
Premere il pistoncino fissatore F (all'estrema sinistra sotto il I Manuale) e, tenendolo
premuto, agire sul pistoncino che interessa.
Sollevarli entrambi. La registrazione scelta fissata.
3)
Premere l'annullatore generale A per spegnere le placchette.
Ogni volta che verr inserito il pistoncino reversibile relativo alla combinazione collettiva
programmata, le placchette dei registri NON si accenderanno.
Se si desidera ritornare alle combinazioni stabilite dalla Ditta, eseguire tutte le operazioni sopra
descritte, dopo aver inserito i registri indicati in tabella.
AHLBORN - HYMNUS IV
TRASPOSITORE
Il Traspositore di tonalit si rivela particolarmente utile nella pratica di accompagnamento del canto
o di altri strumenti. Portando nella posizione voluta l'apposito comando, possibile variare la tonalit
del brano musicale eseguito, nell'ambito di N. 6 SEMITONI VERSO IL GRAVE e di N. 3
SEMITONI VERSO L'ACUTO. evitata in tal modo la necessit di effettuare laboriose trasposizioni.
NOTA: Prima di ogni normale esecuzione, controllare che il TRASPOSITORE si trovi nella
naturale posizione 0.
RIVERBERO
Per arricchire la resa sonora dell'organo HYMNUS IV, particolarmente in ambienti piccoli e poco
risontanti, stato inserito un efficace Riverbero digitale.
I relativi controlli di EFFETTO (Reverb Effect) e di VOLUME (Reverb Level) si trovano
nell'apposito pannello di controllo (vedi sezione successiva).
CONTROLLI E COLLEGAMENTI
Nella parte superiore del vano tra le tastiere e la pedaliera, all'estrema destra del mobile, si trova in
piccolo pannello comprendente alcuni controlli e prese di collegamento.
MASTER EFFECT
LEVEL
REVERB
PHONES
AUX-OUT
THRU
IN
OUT
MIDI
AHLBORN - HYMNUS IV
AHLBORN - HYMNUS IV
AMPLIFICAZIONE INTERNA
HYMNUS IV dotato di un'amplificazione interna appositamente studiata per valorizzarne le
eccezionali risorse timbriche e le vaste possibilit di canalizzazione dei suoni.
La presenza di due piccoli diffusori (Top Tweeters) rivolti verso l'alto consente di espandere meglio
i suoni acuti in ambiente, offrendo inoltre all'organista la massima definizione sonora, quale potrebbe
avere, per esempio, suonando un organo in vicinanza delle canne. Tramite il TELECOMANDO
(Interactive Programmer) possibile scegliere, oltre alle usuali configurazioni prospettiche dei suoni
(a cuspide centrale, ad ala, ad ali laterali ecc.), due particolari effetti di ampliamento del fronte sonoro
(Panoramic 1 e 2), oppure la completa esclusione dei "Top Tweeters", se lo si desidera. A tale scopo
si rimanda al manuale d'uso del Telecomando, SEZIONE C/WINDCHEST LAYOUT (pag. 26).
Dopo la descrizione dei 10 tipi di canalizzazione dei suoni, la voce COME OPERARE deve essere
modificata nel modo seguente:
Tenere premuto per circa 3 secondi il tasto WINDCHEST LAYOUT: sul display compaiono
le seguenti indicazioni:
CHEST LAYOUT
Panoramic = off
(lampeggia)
2)
3)
4)
5)
Premere i tasti DECR. o INCR. per scegliere la sezione di cui si desidera regolare la
canalizzazione.
Le sezioni si presentano sul display nell'ordine seguente:
SWELL
=
RECITATIVO
GREAT
=
GRANDE ORGANO
PEDAL
=
PEDALE
Premere ENTER: i valori o le configurazioni dei canali sinistro e destro (vedi prospetto)
cominciano a lampeggiare.
Premere i tasti DECR. o INCR. per portarsi sul valore scelto.
Premere una volta il tasto EXIT se si desidera passare alla regolazione di un'altra sezione,
ripetendo le operazioni di cui ai punti 2-3-4.
Oppure: premere due volte il tasto EXIT se si desidera uscire definitivamente dal controllo
WINDCHEST LAYOUT.
NOTA BENE: una libera scelta della canalizzazione per sezioni possibile solo in posizione
"Panoramic = off".
AHLBORN - HYMNUS IV
COME OPERARE
1)
2)
3)
Premere DECR. o INCR. per passare alle posizioni "Panoramic 1" o "Panoramic 2".
NOTA BENE: in presenza di Panoramic 1 e 2 esclusa la possibilit di regolare la
canalizzazione delle sezioni. Pertanto sul display NON compariranno le indicazioni di cui al
paragrafo A).
Dopo essere entrati nella sezione WINDCHEST LAYOUT, premere i tasti DECR. o
INCR. finch sul display compaiono le seguenti indicazioni:
CHEST LAYOUT
Top Tweeters = on
(lampeggia)
2)
AMPLIFICAZIONE ESTERNA
Lo strumento pu essere naturalmente collegato anche ad amplificatori e casse acustiche esterne,
come descritto nel paragrafo seguente.
In tal caso:
1)
In posizione "Panoramic = off" l'amplificazione esterna seguir la canalizzazione per sezioni
che stata liberamente scelta tramite il telecomando.
2)
3)
10
AHLBORN - HYMNUS IV
REMOTE BOX
POWER SWITCH
OUTPUTS
AUX IN
MIC. LEVEL
12V-1A
1)
LEFT
RIGHT
LEFT
RIGHT/MONO
MIC. IN
REMOTE BOX
POWER SWITCH
12V-1A
OUTPUTS
2)
RIGHT
AVVERTENZE IMPORTANTI
Nella collocazione delle casse acustiche nell'ambiente, opportuno non separare eccessivamente la parte sinistra dalla parte destra (distanza consigliabile: 2 4 metri).
L'effetto lato Do/lato Do diesis deve essere analogo a quello riscontrabile su un somiere
di organo a canne.
sconsigliabile allontanare eccessivamente la consolle dell' HYMNUS IV dalle casse
acustiche. Una distanza eccessiva potrebbe causare fastidiosi ritardi dovuti esclusivamente alla propagazione del suono nell'ambiente.
3)
AUX IN
MIC. LEVEL
LEFT
RIGHT/MONO
MIC. IN
MIC LEVEL
Questo controllo regola la sensibilit dell'ingresso MIC IN da un massimo di -50 dB a un
minimo di -15 dB.
11
AHLBORN - HYMNUS IV
CARATTERISTICHE
- Due manuali di 61 note (Do-Do)
- Pedaliera di 30 note (Do-Fa) piana parallela/piana radiale.
- N. 5 Combinazioni aggiustabili generali e ritorno automatico della registrazione preparata a
mano.
- N. 14 pistoncini al manuale per Fissatore, Combinazioni aggiustabili, Annullatori, Unioni,
Ripieno I, Ripieno II e Tutti.
- Staffa Espressione II - Volume Grande Organo - Volume Pedale.
- Ripieno I, Ripieno II, Tutti: programmabili.
- Traspositore di tonalit: - 6 / + 3 semitoni.
- Volume generale e della cuffia.
- Selettore del riverbero digitale.
- Presa per cuffia.
- Prese per collegamento MIDI (IN-OUT-THRU).
- Amplificazione interna: 70 W. RMS (bassi) - 2 x 40 W. RMS (medio-acuti) / Woofer 10" (bass
reflex) - 2 middle range - 4 tweeters.
- Canalizzazione separata dei suoni (lato Do / lato Do diesis) in 10 configurazioni e Panoramic 1
- 2.
- Canalizzazione esterna a 2 uscite (sinistra/destra).
- Ingresso ausiliario stereo.
- Ingresso per microfono.
- INTERACTIVE PROGRAMMER (Telecomando) per tutte le funzioni di intonazione e di
controllo dello strumento: in dotazione.
- SEQUENCER a 4 tracce incorporato.
- FLOPPY DISK DRIVE fornibile a richiesta.
- Dimensioni della consolle: Larghezza cm. 130 / Altezza cm. 110 / Profondit cm. 68 (con
pedaliera cm. 95) - Peso netto: Kg. 118 (senza panca e pedaliera).
12
AHLBORN - HYMNUS IV
13
AHLBORN - HYMNUS IV
MANUFACTURER
MODEL
Generalmusic S.p.A.
Date: 15.02.1993
- - - HYMNUS IV - - -
Version: 1.0
Transmitted
Recognized
Basic Channel
Default
Changed
1-16
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
************
Mode 3
X
X
True Voice
32 - 98
32 - 69
************
32 - 98
32 - 69
32 - 98
Velocity
Note ON
Note OFF
X
X 9nH v =
X
X
After Touch
Keys
Chs
X
X
X
X
07
92
96
97
70
71
O
O
O
O
O
O
O
O
O
O
O
O
True #
O (-127)
**********
O (-127)
O (-127)
System common
Song. Pos.
Song. Sel.
Tune
X
X
X
X
X
X
Clock
Commands
O
O
O
O
Local ON/OFF
All Notes OFF
Active Sense
Reset
X
O
O
X
X
O
O
O
Note Number
Pitch Bender
Control change
Program Change
Aux Message
NOTES:
(1)
for manuals
for pedals
Section Volume
Tremolo
Data increment
Data decrement
(1)
(1)
Master Volume
Start / Stop
Continue
14
Remarks
O : YES
X : NO
AHLBORN
Classic Organ
MODE D'EMPLOI
FRANAIS
AHLBORN - HYMNUS IV
JEUX
Les dominos sont placs horizontalement sul le II clavier et sont diviss en trois sections facilement
identifiables: Pdale, Grand-Orgue, Rcit.
Chaque domino est un commutateur lumineux bascule. Une impulsion vers le bas tire le jeu, une
autre impulsion le repousse. Ce type de commande permet une slection rapide ainsi quune
visualisation efficace de la registration en cours. De plus, pour faciliter la notation dune registration,
les dominos sont numrots de 1 31.
Les jeux sont placs sur la console selon un ordre logique. Classs dabord en fonction de leur
hauteur, il sont ensuite, pour une mme hauteur, classs selon leur famille en respectant lordre
suivant: Principaux, Fltes, Bourdons, Gambes, Mixtures, Jeux ondulants, Anches. Cette dernire
famille est place droite des autres jeux, juste avant les accouplements, et sont facilement reprables
grce leurs noms crits dune couleur rouge.
AHLBORN - HYMNUS IV
RCIT II
Bourdon
Gambe
Principal
Cor de nuit
Nasard
Flte
Tierce
Cymbale
Voix cleste
Hautbois
Trmolo
8'
8'
4'
4'
2 2/3'
2'
1 3/5'
3 file
8'
8'
PDALE
Contrebasse
Soubasse
Basse
Bourdon
Octave
Fourniture
Bombarde
Clairon
Tirasse
Tirasse
16'
16'
8'
8'
4'
4 r.
16'
4'
I-Ped.
II-Ped.
Les diverses familles de jeux sont rparties sur les trois plans sonores, proportionnellement leur
importance dans lexcution classique du rpertoire qui se veut le plus vaste possible.
ACCOUPLEMENTS
Les commandes des tirasses I-Pdale et II-Pdale permettent dajouter au pdalier les jeux soit du
G.O., soit du Rcit ou des deux. La commande daccouplement II-I ajoute les jeux du Rcit au G.O.
Ces commandes sont ddoubles et sont actionnables depuis diffrents commutateurs qui sont placs
soit ct des dominos de jeux, soit sous le premier clavier, soit en tirasse, devant le pdalier.
Un accouplement appel par un commutateur particulier peut tre annul par nimporte quel autre.
COMBINATEUR
LHymnus IV offre 5 combinaisons ajustables. Les appels de combinaisons sont effectus par 6
boutons placs sous le clavier du G.O.
Des voyants lumineux placs sous le clavier du Rcit indiquent le numro de la combinaison
slectionne (de 1 5).
Boutons disponibles sous le clavier du G.O. (de gauche droite):
F
=
FIXATION DUNE COMBINAISON
0
=
DESACTIVATION DE COMBINATEUR (Retour de le registration prpare manuellement)
15
=
APPEL COMBINAISON
A
=
ANNULATEUR GENERAL DES JEUX
ENREGISTREMENT DUNE COMBINAISON
1)
Slectionner la rgistration dsire laide des dominos de jeux.
2)
Appuyer sur le bouton F plac sous le G.O. et, tout en maintenant F appuy, pousser un des
boutons du combinateur numrots de l 5.
AHLBORN - HYMNUS IV
3)
4)
COMBINAISONS FIXES
Des combinaisons fixes sont accessibles par des boutons placs sous le clavier du G.O. Le contenu
de ces combinaisons fixes est ajout la rgistration en cours.
PLENUM GRAND-ORGUE
GRAND-ORGUE
Montre 8'
Prestant 4'
Doublette 2'
Plein-jeu 2 r.
PDALE
Contrebasse 16'
Basse 8'
Octave 4'
Fourniture 4 r.
PLENUM RECIT
RCIT
Bourdon 8'
Principal 4'
Cymbale 3 r
PDALE
Soubasse 16'
Basse 8'
Octave 4'
TUTTI
AHLBORN - HYMNUS IV
TRANSPOSITEUR
Le transpositeur est utile pour laccompagnement du chant ou dautres instruments. Il permet de
transposer jusqua 6 demi-tons en dessous et 3 demi-tons au dessus.
Avant chaque excution normale, bien vrifier que le transpositeur est sur la position normale 0.
REVERBERATION
LHymnus IV dispose dune rverbration numrique intgre lui permettant de rcrer artificiellement les caractristiques acoustiques dun local de diffrentes dimensions.
Les contrles dEFFET (Reverb effect) et de VOLUME (Reverb level) se trouvent sur le relatif
botier (voir section successive).
AHLBORN - HYMNUS IV
CONTROLES ET BRANCHEMENTS
Le botier de contrle et de branchement se situe sous les claviers, du ct droit de la console.
MASTER EFFECT
LEVEL
REVERB
PHONES
THRU
AUX-OUT
IN
OUT
MIDI
AHLBORN - HYMNUS IV
AMPLIFICATION INTERNE
HYMNUS IV est quip dune amplification interne expressment tudie pour valoriser les
exceptionnelles ressources des timbres, ainsi que les vastes possibilits de canalisation des sons.
La prsence de deux petits diffuseurs (Top Tweeters) pivots vers le haut permet de mieux diffuser
les sons aigus prsents, en offrant en plus lorganiste la dfinition sonore maximum quil pourrait
avoir, par exemple, en jouant dun orgue prs des tuyaux. Grce la tlcommande (Interactive
Programmer) on peut choisir, outre les usuelles configurations perspectives des sons (en mitre,
cromatique, ailes latrales, etc), deux effets particuliers dagrandissement du front sonore
(Panoramic 1 et 2), ou encore la complte exclusion des Top Tweeters, si on le dsire. Pour ces
fonctions, consulter le mode demploi de la commande distance, SECTION C/WINDCHEST
LAYOUT.
Aprs la description des 10 types de canalisations des sons, il faut modifier la mthode COMMENT
PROCEDER de la manire suivante:
CHEST LAYOUT
Panoramic = off
clignote
(lampeggia)
2)
3)
4)
5)
Appuyer sur DECR. ou INCR. pour choisir la section sur laquelle on dsire rgler la
canalisation.
Les sections se prsentent de la manire suivante sur le display:
SWELL
=
RECIT
GREAT
=
GRAND-ORGUE
PEDAL
=
PEDALE
Appuyer sur ENTER: les valeurs ou les configurations des canaux gauche et droit (voir
tableau) commencent clignoter.
Appuyer sur DECR. ou INCR. pour se placer sur la valeur choisie.
Appuyer une fois sur EXIT si lon dsire passer au rglage dune autre section, en rptant les
oprations illustres aux points 2-3-4.
Ou: appuyer deux fois sur EXIT si lon dsire dfinitivement sortir du contrle WINDCHEST
LAYOUT.
NOTE: ce nest que sur la position Panoramic = off que lon a le libre choix des canalisations
par sections.
AHLBORN - HYMNUS IV
COMMENT PROCEDER
1)
2)
3)
Aprs tre entrs dans la section WINDCHEST LAYOUT, appuyer sur DECR. ou
INCR. jusqu ce que le display affiche les messages suivants:
CHEST LAYOUT
Top Tweeters = on
clignote
(lampeggia)
2)
AMPLIFICATION EXTERNE
Naturellement, linstrument peut aussi tre branch a des enceintes acoustiques externes, comme
illustr dans le paragraphe suivant.
Dans ce cas:
1)
Sur la position Panoramic = off lamplification externe suivra la canalisation par sections qui
a t librement choisie au moyen de la commande distance.
2)
Sur la position Panoramic 1 lamplification externe sera automatiquement rgle gauche/
droite (ct Do/ct Do dise).
3)
Sur la position Panoramic 2 lamplification externe sera automatiquement rgle en mono
(50% - 50%).
AHLBORN - HYMNUS IV
REMOTE BOX
POWER SWITCH
OUTPUTS
AUX IN
MIC. LEVEL
12V-1A
LEFT
RIGHT
LEFT
RIGHT/MONO
MIC. IN
1)
2)
OUTPUTS
RIGHT
AVERTISSEMENTS
Lors du positionnement des enceintes, il est dconseill de placer les enceintes droite et
gauche trop loin lun de lautre. (Distance conseille: 2 4 mtres). Leffet strophonique
do/do# doit tre analogue celui cr par la disposition des tuyaux sur un sommier.
Il est dconseill de disposer les enceintes trop loin de la console de lHymnus IV afin
dviter que le dlai de propagation du son ne soit gnant pour lorganiste.
3)
AUX IN
MIC. LEVEL
LEFT
RIGHT/MONO
MIC. IN
AHLBORN - HYMNUS IV
CARACTERISTIQUES
- Deux claviers de 61 notes (Do-Do)
- Pdalier de 30 notes (Do-Fa) radial-parallle.
- N. 5 Combinaisons ajoustables gnrales avec retour de la registration prpar manuellement.
- N. 14 boutons pour: Fixateur, Combinaisons ajustables, Annulateur gnral, Accouplements,
Mixtures I et II, Tutti.
- Expression II - Volume Grand-Orgue - Volume Pdale.
- Mixtures I, Mixtures II, Tutti: programmables.
-
Transpositeur: - 6 / + 3 demi-tons.
Volume gnral et du casque.
Slecteur de la rverbration numrique.
Prise pour casque.
AHLBORN - HYMNUS IV
10
AHLBORN - HYMNUS IV
MANUFACTURER
MODEL
Generalmusic S.p.A.
Date: 15.02.1993
- - - HYMNUS IV - - -
Version: 1.0
Transmitted
Recognized
Basic Channel
Default
Changed
1-16
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
************
Mode 3
X
X
True Voice
32 - 98
32 - 69
************
32 - 98
32 - 69
32 - 98
Velocity
Note ON
Note OFF
X
X 9nH v =
X
X
After Touch
Keys
Chs
X
X
X
X
07
92
96
97
70
71
O
O
O
O
O
O
O
O
O
O
O
O
True #
O (-127)
**********
O (-127)
O (-127)
System common
Song. Pos.
Song. Sel.
Tune
X
X
X
X
X
X
Clock
Commands
O
O
O
O
Local ON/OFF
All Notes OFF
Active Sense
Reset
X
O
O
X
X
O
O
O
Note Number
Pitch Bender
Control change
Program Change
Aux Message
NOTES:
(1)
Remarks
for manuals
for pedals
Section Volume
Tremolo
Data increment
Data decrement
(1)
(1)
Master Volume
Start / Stop
Continue
O : YES
X : NO
11
AHLBORN - HYMNUS IV
12
AHLBORN
Classic Organ
GEBRAUCHSANLEITUNG
DEUTSCH
AHLBORN - HYMNUS IV
REGISTER
Die Registerwippen sind in einer Reihe oberhalb von Manual II angeordnet. Von links nach rechts:
PEDALWERK, HAUPTWERK (Man.I) und SCHWELLWERK (Man.II).
Beleuchtete Registerwippen: Wird auf den unteren Teil der Registerwippe gedrckt, ist das
entsprechende Register aktiviert und die LED-Anzeige leuchtet auf. Wird auf den unteren Teil
nochmals gedrckt, wird das Register ausgeschaltet und die LED erlischt.
Dadurch wird bersichtlich angezeigt, welches Register gerade eingesetzt ist und ein sinnvolles
Arbeiten mit Setzerkombinationen ermglicht. Die Registerwippen sind oben von 1 bis 31 durchlaufend
numeriert. Der Organist kann somit die gewhlte Registrierung schnell schriftlich festhalten. Die
Registerbezeichnung mit Fulagenangabe steht in der Mitte jeder Registerwippe. In jedem Teilwerk
sind die Register beginnend mit der tiefsten bis zur hchsten Fulage angeordnet. Bei gleicher
Tonlage ist ihre Reihenfolge durch die Klangfamilie gegeben: Prinzipale, Flten und Bordune,
Streicher, Mixturen, Schwebungen und Zungen. Letztere befinden sich rechts von jedem Teilwerk
mit rotem Namen.
AHLBORN - HYMNUS IV
DISPOSITION
HAUPTWERK
Bordun
Prinzipal
Rohrflte
Oktave
Spitzflte
Superoktave
Mixtur
Sesquialter
Trompete
Koppel
SCHWELLWERK
PEDAL
Gedackt
8'
Prinzipalbass
16'
Gamba
8'
Subbass
16'
Prinzipal
4'
Oktavbass
8'
Gemshorn
4'
Gedecktbass
8'
Nasard
2 2/3'
Oktave
4'
Blockflte
2'
Mixtur
4 f.
Terz
1 3/5'
Contra Fagott
16'
Scharff
3 f.
Regal
4'
Vox celeste
8'
Koppel
I-Ped.
Oboe
8'
Koppel
II-Ped.
Tremulant
Die Art der Anordnung der Registerfamilien in den Einzelwerken ist entsprechend ihrer Bedeutung
und ihrer Rolle bei der Interpretation der verschiedensten Orgelliteratur.
1)
16'
8'
8'
4'
4'
2'
4 fach
2 f.
8'
II-I
HAUPTWERK
SCHWELLWERK
PEDAL
Prinzipal 8'
Prinzipal 4'
Prinzipal 16'
Oktave 4'
Scharff 3 f.
Oktavbass 8'
Superoktave 2'
(1' - 2/3' - 1/2')
Oktave 4'
Mixtur 4 f.
Mixtur 4 f.
(1 1/3' - 1' - 2/3' - 1/2')
(2 2/3' - 2' - 1 1/3' - 1')
Die Register aus dieser Gruppe sind die Grundlage jeder Orgel. Der Aufbau der Mixturen hngt von
der unterschiedlichen Grundeinstellung der drei Werke ab. Prinzipalstimmen harmonieren wunderbar
mit der menschlichen Stimme, deshalb werden sie bei Choral- und Solobegleitungen
gebruchlicherweise verwendet. In der traditionellen Orgelmusik bilden die Prinzipale und Mixturen
den charakteristischen Klang des "Organo Pleno". Mit den Manual- und Pedalkoppeln kann man den
Klang noch weiter auffllen. Die Prinzipalregister werden gerne beim zweimanualigen Spiel
eingesetzt (Dialog). Der Sesquialter (2 2/3' + 1 3/5') ist eine wichtige, charakteristische Solostimme
mit langer Tradition. Er wird nie alleine eingesetzt, sondern immer von einer passenden Prinzipaloder Fltengrundierung getragen, wie folgende Beispiele zeigen:
Beispiel:
HAUPTWERK
1)
Prinzipal 8' + Sesquialter 2 f.
2)
Prinzipal 8' + Oktave 4' + Sesquialter 2 f.
3)
Rohrflte 8 + Sesquialter 2 f.
4)
Rohrflte 8 + Spitzflte 4' + Sesquialter 2 f.
Der Sesquialter im Plenum sorgt fr Brillanz und Farbe.
Beispiel:
Prinzipal 8'
Oktave 4'
Superoktave 2'
Mixtur 4 f.
Sesquialter 2 f.
AHLBORN - HYMNUS IV
2)
SCHWELLWERK
Gedackt 8'
Gemshorn 4'
Nasard 2 2/3'
Blockflte 2'
Terz 1 3/5'
PEDAL
Subbass 16'
Gedecktbass 8'
Die Flten und Bordune sind die nchstwichtige Registerfamilie. Ihr Klangcharakter reicht
von weichen runden Tnen in 8und 16-Lage bis zu brillanten Klngen in den oberen
Fulagen. Die 8 und 4-Flten im Hauptwerk bieten eine hervorragende Basis fr zahlreiche
Soloregistrierungen auf dem Schwellwerk, wie folgende Beispiele zeigen:
SCHWELLWERK
1)
Gedackt 8' + Gemshorn 4' + Nasard 2 2/3' + Blockflte 2' + Terz 1 3/5' (5 f.Cornett)
2)
Gedackt 8' + Nasard 2 2/3' + Blockflte 2' + Terz 1 3/5' (4 f.Cornett)
3)
Gedackt 8' + Nasard 2 2/3' + Terz 1 3/5' (Sesquialter 2 f. mit Fltengrundstimmen)
4)
Gedackt 8' + Gemshorn 4' + Nasard 2 2/3'
5)
Gedackt 8' + Nasard 2 2/3'
6)
Gedackt 8' + Nasard 2 2/3' + Blockflte 2'
7)
Gedackt 8' + Blockflte 2'
8)
Gedackt 8' + Gemshorn 4' + Terz 1 3/5
etc.
Die beiden Kombinationen 5 f.Cornett (Bsp.1) und 4 f.Cornett (Bsp. 2) sind besonders hufig in alter
Musik zu finden, wobei der Sesquialter 2 f. mit Fltengrundstimme (Bsp.3) eine gute Soloregistrierung
abgibt. Die beiden Pedalregister Subass 16 und Gedecktbass 8 bieten eine perfekte Grundlage fr
alle mf - Kombinationen in den Manualen. Die beschriebenen Kombinationen kann man
aufregistrieren, wenn die Flten und Bordune mit Prinzipalen aufgefllt werden.
HAUPTWERK
1)
Prinzipal 8' + Rohrflte 8'
2)
Prinzipal 8' + Spitzflte 4'
3)
Rohrflte 8' + Oktave 4'
4)
Rohrflte 8' + Spitzflte 4' + Superoktave 2'
5)
Rohrflte 8' + Superoktave 2'
etc..
SCHWELLWERK
1)
Gedackt 8' + Prinzipal 4'
2)
Gedackt 8' + Prinzipal 4' + Scharff 3f.
3)
Gedackt 8' + Gemshorn 4' + Scharff 3f.
4)
Gedackt 8' + Scharff 3f.
etc..
3)
STREICHER
SCHWELLWERK
Gamba 8'
Dieses zarte, streichende Register gibt den Grundstimmen eine anmutige Frbung.Man verwendet
es in romantischer und moderner Musik als Kontrast zu tieferen und durchdringenderen Stimmen.
Mischt man Gamba 8 mit Nasard 2 2/3', so bekommt man einen oboenhnlichen Klang.
AHLBORN - HYMNUS IV
4)
SCHWEBENDE REGISTER
SCHWELLWERK
Vox celeste 8'
Die Vox celeste 8' im Schwellwerk hat einen typischen Streicherklang. Sie wird einzeln oder
zusammen mit anderen leisen 8-Registern in der romantischen und modernen Musik verwendet.
brigens ist das Phnomen der akustischen Schwebung auf dem HYMNUS IV-Modell vollkommen
natrlich wiedergegeben. Denn der gespielte Ton wird auf dem einen Kanal in normaler Stimmung
wiedergegeben und auf dem anderen leicht hher gestimmt. Die Schwebung entsteht dadurch in der
"Luft" zwischen den beiden getrennten Schallquellen.
BEACHTE: Die schwebenden Register sollten bei allen Registrierungen mit Mixturen, Zungen
oder anderen 8-Stimmen ausgeschaltet bleiben, damit die Schwebung nicht die notwendige
Grundstabilitt strt. Deshalb wird sie auch bei Begleitung von Chorlen oder Soloinstrumenten
nicht verwendet.
5)
ZUNGEN
HAUPTWERK SCHWELLWERK
Trompete 8'
Oboe 8'
PEDAL
Contra Fagott 16'
Regal 4'
Nicht zuletzt gibt die Familie der Zungenregister den anderen Registern Farbe und Schrfe. Die
Trompete 8 im Hauptwerk kann man z.B. als Solostimme fr einen Cantus Firmus oder zum
Auffllen des Plenums verwenden. Die Oboe 8 im Schwellwerk, allein oder mit zarten Grundstimmen
gespielt, ist unter Zuhilfenahme des Schwellers eine berzeugende Registrierung fr romantische
und sptromantische Literatur. Das Contra Fagott 16 im Pedal trgt das Plenum, mit oder ohne
Zungen, und hebt virtuose Pedalsolos und langgezogene Choralmelodien im Ba hervor.
Das Regal 4 mit seinem obertonreichen scharfen Klang wird in vielen Choralvorspielen verwendet,
die den vom Pedal gespielten Cantus Firmus im Tenor haben.
Nun knnen Sie sich sicherlich leicht vorstellen, wie viele und interessante Kombinationen Ihnen die
HYMNUS IV auerhalb aller schematischen Einteilungen bieten kann, und wie sie durch die
natrliche Tongebung noch an berzeugung gewinnen.
KOPPELN
Mit Koppel I/Ped. und Koppel II/Ped. knnen die im I. und II. Manual eingeschalteten Register auch
auf der Pedalklaviatur gespielt werden. Koppel II/I lt die im Schwellwerk eingeschalteten Register
auch im Hauptwerk erklingen. Die entsprechenden Registerwippen befinden sich rechts von dem
jeweiligen Werk, die Handpistons unter dem I.Manual. Beim ersten Drcken der Handpistons
werden die Koppeln eingeschaltet. Erneutes Bettigen lst sie wieder aus. Koppeln knnen
wahlweise mit den entsprechenden Pistons oder Handregisterschaltern gesetzt oder ausgelst
werden; Handregisterschalter und Pistons reagieren dabei gleichberechtigt.
AHLBORN - HYMNUS IV
SETZERKOMBINATIONEN
Die HYMNUS IV verfgt ber 5 Setzerkombinationen sowie die Mglichkeit, automatisch in die
Handregistrierung zurckzukehren. Hierfr gibt es 5 Handpistons (von 1 bis 5 numeriert) unter
dem I.Manual. Die LED-Anzeige fr die 5 Kombinationen befindet sich ber dem II.Manual.
Handpistons unter dem I.Manual (von links nach rechts):
S
=
SETZER
HR
=
HANDREGISTRIERUNG
1 bis 5
=
EINSTELLBARE KOMBINATIONEN
O
=
GENERALAUSSCHALTER (Ausschalten aller Komb. und Register)
DAS SETZEN EINER KOMBINATION
1)
Gewnschte Registrierung vorbereiten.
2)
Den Setzer (S) drcken und HALTEN, gleichzeitig einen der von 1 bis 5 numerierten Pistons
drcken.
3)
Beide wieder loslassen. Die Registrierung ist nun unter der gewhlten Nummer gespeichert.
4)
Mit dem Generalausschalter alle Registerwippen wieder auf Null stellen; wiederholen Sie den
Vorgang mit den noch freien Kombinationsspeichern.
DAS NDERN EINER GESETZTEN KOMBINATION
1)
Drcken Sie den Piston der zu ndernden Kombination.
2)
Gewnschte Registernderung vornehmen.
3)
Den Setzer (S) drcken und halten, gleichzeitig den Piston der zu ndernden Kombination
drcken.
4)
Beide loslassen. Die nderung ist nun gespeichert.
Zu einer gesetzten Kombination knnen auch jederzeit von Hand Register hinzugefgt oder
weggenommen werden; diese Abnderung knnen Sie jedoch durch erneutes Drcken desselben
Kombinationspistons wieder rckgngig machen.
LSCHEN VON KOMBINATIONEN, TEILWEISE ODER KOMPLETT
1)
Generalausschalter O drcken.
2)
Den Setzer (S) drcken und HALTEN, gleichzeitig den Piston mit der Nummer der zu
lschenden Kombination drcken. Die betreffende Kombination ist nun gelscht, whrend der
Inhalt anderer Speicher erhalten bleibt.
AUTOMATISCHE RCKKEHR ZUR HANDREGISTRIERUNG (HR)
Es mag vorkommen, da man einen oder mehrere Setzer abrufen mchte, whrend man eine
Handregistrierung ausgewhlt hat. Diese bleibt auch bei der Anwahl der Setzer erhalten und kann
jederzeit durch erneute Bettigung des Handregisterpistons "HR" wieder aktiviert werden. Gelscht
wird eine Handregistrierung ber den Generalausschalter "O".
AHLBORN - HYMNUS IV
FESTE KOMBINATIONEN
Die festen Kombinationen werden mit den zugehrigen Pistons unter dem I.Manual aktiviert. Ihr
Inhalt kommt zur Handregistrierung oder Setzerkombination hinzu. Folgende Festkombinationen
wurden werksseitig programmiert:
PL HW
PL SW
TUTTI
HAUPTWERK
PEDAL
Prinzipal 8'
Prinzipalbass 16'
Oktave 4'
Oktavbass 8'
Superoktave 2'
Oktave 4'
Mixtur 4 f.
Mixtur 4 f.
SCHWELLWERK
PEDAL
Gedackt 8'
Subbass 16'
Prinzipal 4'
Oktavbass 8'
Scharff 3 f.
Oktave 4'
Alle Register
(auer: Vox celeste 8'/II - Tremulant/II)
AHLBORN - HYMNUS IV
TRANSPOSITION
Diese Funktion erweist sich bei der Begleitung von Gesang oder anderen Instrumenten als
besonders ntzlich. Mit dem Schiebeschalter kann die Tonlage um 6 Halbtne nach unten und
um drei Halbtne nach oben gendert werden. Aufwendige Transpositionen von Hand
entfallen hierdurch.
BEMERKUNG: Bei normalem Vortrag sollte dieser Schiebeschalter auf "0" stehen.
HALLEFFEKT
Die HYMNUS IV-Orgel besitzt eine digitale Halleinrichtung. Hiermit wird der Klang der Orgel
insbesondere in kleinen Rumen mit geringer Akustik den dort herrschenden Verhltnissen
angepat. Die Regelungsmglichkeiten ersehen Sie aus dem nchsten Abschnitt.
AHLBORN - HYMNUS IV
MASTER EFFECT
LEVEL
REVERB
PHONES
AUX-OUT
THRU
IN
OUT
MIDI
AHLBORN - HYMNUS IV
Bei der HYMNUS IV-Orgel trifft man die Auswahl des MIDI-Kanals durch die Fernbedienung
(siehe Bedienungsanleitung hierzu).
Die MIDI-Tabelle im Anhang gibt hierzu weitere Informationen.
INTERNER VERSTRKER
Die HYMNUS IV-Orgel ist mit einem bereits integrierten, hchst leistungsfhigen Abstrahlsystem
ausgestattet, das die natrliche Klangabstrahlung in nahezu alle Richtungen ermglicht. Dadurch,
da in das Instrument zwei kleine Hochtonlautsprecher (Top Tweeter) eingebaut sind, die in der
Orgelkonsole nach oben abstrahlen, erhlt der Spieler nahezu den Eindruck, er knne die Brillanz
und Durchsichtigkeit der Pfeifen hren. Mit Hilfe des INTERACTIVE PROGRAMMERS knnen
Sie zwischen zwei Abstrahlvarianten whlen, welche unterschiedliche Raumverteilung vermitteln
(Panoramic 1 und 2, siehe auch Windladenlayout); ebenso kann die obere Hochtonabstrahlung
ausgeschlossen werden, falls gewnscht. Bitte lesen Sie in der Bedienungsanleitung fr den
INTERACTIVE PROGRAMMER, ABSCHNITT C / WINDLADENLAYOUT Genaueres nach
(Seite 26).
Wenn Sie sich nach der Einstellbeschreibung der 10 Abstrahlvarianten richten, mssen Sie im
Abschnitt ABLAUF nur folgende nderung beachten:
CHEST LAYOUT
Panoramic = off
(flashing)
2)
3)
4)
5)
Whlen Sie nun mit der DECR. oder INCR. Taste das fr die Klangverteilung
vorgesehene Teilwerk und die dazugehrige Registergruppe aus. Die Teilwerke und
Registergruppen erscheinen in folgender Reihenfolge:
SCHWELLWERK
HAUPTWERK
PEDAL LABIALE (Flues)
Drcken Sie ENTER. Die einzelnen Werte und Einstellungen fr den linken oder rechten
Kanal blinken (siehe Tabelle oben).
Drcken Sie die DECR. oder INCR. Taste zur Auswahl des Wertes.
Drcken Sie EXIT, um ein anderes Teilwerk oder eine Registergruppe abzundern und
wiederholen Sie die Schritte 2-3-4. Wollen Sie diese Funktion verlassen, drcken Sie
nochmals EXIT.
BEACHTE: Die freie Kanalwahl fr die Teilwerke und Registergruppen ist nur in der Stellung
"PANORAMIC=off" mglich.
AHLBORN - HYMNUS IV
ABLAUF
1)
2)
3)
Gehen Sie in die Funktion WINDCHEST LAYOUT, drcken Sie die DECR. oder
INCR. -Taste sooft, bis im Display folgendes erscheint:
CHEST LAYOUT
Top Tweeters = on
(flashing)
2)
Drcken Sie ENTER. Das Wort "on" blinkt. Drcken Sie die DECR. oder INCR. Taste,
um die Hochtner an- oder auszuschalten.
EXTERNE VERSTRKUNG
Sie knnen natrlich auch jederzeit das Instrument an einen externen Verstrker oder Tonstrahler
anschlieen, wie im folgenden Abschnitt beschrieben.
1)
In der Einstellung "Panoramic=off" erfolgt die externe Klangverteilung wie mit dem INTERACTIVE PROGRAMMER ausgewhlt.
2)
In der Position Panoramic = 1wird die externe Klangverteilung automatisch in C/Cis-Lade
eingestellt.
3)
In der Position Panoramic = 2 ist die externe Verstrkung automatisch auf mono (50%-50%)
eingestellt.
10
AHLBORN - HYMNUS IV
ANSCHLUSSFELD
REMOTE BOX
POWER SWITCH
OUTPUTS
AUX IN
MIC. LEVEL
12V-1A
1)
LEFT
RIGHT
LEFT
RIGHT/MONO
MIC. IN
AUTOMATISCHER TONSTRAHLER-NETZSCHALTER
REMOTE BOX
POWER SWITCH
2)
OUTPUTS
WICHTIGER HINWEIS:
LEFT
RIGHT
Es ist bei der Einrichtung darauf zu achten, die Tonstrahler wegen des C/Cis-LadenEffektes nicht zu weit voneinander aufzustellen (ca.2 bis 4 Meter).
Unangenehme Zeitverzgerungen in der Akustik lassen sich durch nicht zu weit entfernte
Positionierung der Tonstrahler verhindern.
3)
AUX IN
MIC. LEVEL
MIC. IN (- 40 dB / 10 Kohm).
Eingang fr ein Mikrophon.
LEFT
RIGHT/MONO
MIC. IN
MIC. LEVEL
Dieser Regler erlaubt die Anpassung der Vorverstrkung (MIC.IN) von maximal -50 dB bis
minimal -15 dB.
11
AHLBORN - HYMNUS IV
AUSSTATTUNG
- Zwei 61-Tasten-Manuale (C-C).
- 30-Tasten-Pedal (C-F) parallel .
- 5 Setzerkombinationen. Setzer und Generalnullsteller. Automatische Rckkehr zur Handregistrierung.
- Handpistons fr Koppeln, Plenum I, II, Tutti.
- Schweller fr Lautstrke Schwellwerk. Separate Schieberegler fr Manual I und Pedal.
- Plenum I, II, Tutti: frei programmierbar.
- Transpositeur (-6 / +3 Halbtne).
- Regler fr Gesamtlautstrke und Kopfhrerlautstrke.
- Digitalhall.
- Kopfhreranschlu.
- MIDI IN-OUT-THRU-Anschlsse.
- Interne Abstrahlung: 70 W. RMS (Bsse) - 2 x 40 W. RMS (Mittel- und Hochtner) / 10" woofer
(bass reflex) - 2 Mitteltner - 4 Tweeter.
- 10 verschiedene Windladenkonfigurationen (C/Cis-Lade) und Panoramic 1 - 2.
- Zwei Kanle fr externe Abstrahlung.
- Stereo-Ein- und Ausgnge/Mikrophon-Eingang.
- INTERACTIVE PROGRAMMER (Fernbedienung) zur Intonation und Ansteuerung aller Kontrollfunktionen des Instrumentes (beigefgt).
- SEQUENZER: eingebauter 4-Spur-Sequenzer.
- Diskettenlaufwerk auf Anfrage.
- Mae: Breite 130 cm. (4'3") / Hhe 110 cm. (3'7") / Tiefe 68 cm. (2'23/4") [mit Pedal 95 cm. (3'11/
2")] - Netto-Gewicht (ohne Pedal und Bank ): 118 Kg.
12
AHLBORN - HYMNUS IV
13
AHLBORN - HYMNUS IV
MANUFACTURER
MODEL
Generalmusic S.p.A.
Date: 15.02.1993
- - - HYMNUS IV - - -
Version: 1.0
Transmitted
Recognized
Basic Channel
Default
Changed
1-16
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
************
Mode 3
X
X
True Voice
32 - 98
32 - 69
************
32 - 98
32 - 69
32 - 98
Velocity
Note ON
Note OFF
X
X 9nH v =
X
X
After Touch
Keys
Chs
X
X
X
X
07
92
96
97
70
71
O
O
O
O
O
O
O
O
O
O
O
O
True #
O (-127)
**********
O (-127)
O (-127)
System common
Song. Pos.
Song. Sel.
Tune
X
X
X
X
X
X
Clock
Commands
O
O
O
O
Local ON/OFF
All Notes OFF
Active Sense
Reset
X
O
O
X
X
O
O
O
Note Number
Pitch Bender
Control change
Program Change
Aux Message
NOTES:
(1)
for manuals
for pedals
Section Volume
Tremolo
Data increment
Data decrement
(1)
(1)
Master Volume
Start / Stop
Continue
14
Remarks
O : YES
X : NO
AHLBORN
Classic Organ
HANDLEIDING
NEDERLANDS
AHLBORN - HYMNUS IV
REGISTERS
De diverse schakelaars zijn boven het Zwelwerkmanuaal gesitueerd en zijn onder te verdelen in
aparte secties. Van links naar rechts: PEDAAL, HOOFDWERK I (manuaal I) en ZWELWERK
(manuaal II).
De registerschakelaars zijn voorzien van een ingebouwde LED; wanneer op het onderste gedeelte
wordt gedrukt, dan wordt het betreffende register ingeschakeld en zal het LED gaan "oplichten".
Wanneer ditzelfde register wederom wordt ingedrukt, wordt het register uitgeschakeld (het LED gaat
uit).
Dit systeem geeft duidelijk aan welke registers zijn ingeschakeld, ook wanneer we gebruik maken
van geprogrammeerde geheugencombinaties (=Setzers).
De registerschakelaars zijn boven de registeraanduiding genummerd van 1 t/m 31. Hierdoor kan snel
en eenvoudig en registratie worden opgeschreven. De registernaam wordt aangeduid in het midden
van de registerschakelaars tesamen met het aantal "koren" waaruit het register is opgebouwd. De
onderste helft van de registerschakelaar geeft de toonhoogte aan (z.g. voetmaten). Voor iedere sectie
geldt dat ze zijn gerangschikt van de laagste naar de hoogste voetmaten. Wanneer twee registers
dezelfde voetmaat bezitten worden ze gerangschikt naar z.g. registerfamilies waartoe zij behoren:
Prestanten,Fluiten en Gedekten, Strijkers, Mixturen, Zwevende Registers en Tongwerken.
Deze laatste groep is uiterst rechts van iedere sectie ingedeeld, vr de koppels en hun registerbenamingen zijn in rood gedrukt.
AHLBORN - HYMNUS IV
DISPOSITIE
HOOFDWERK I
Bourdon
Prinzipal
Rhrflte
Oktave
Spitzflte
Superoktave
Mixtur
Sesquialter
Trompete
Koppel
16'
8'
8'
4'
4'
2'
4 fach
2 fach
8'
II-I
ZWELWERK II
Gedackt
Gamba
Prinzipal
Gemshorn
Nasard
Blockflte
Terz
Scharff
Voix Celeste
Oboe
Tremulant
8'
8'
4'
4'
2 2/3'
2'
1 3/5'
3 fach
8'
8'
PEDAAL
Prinzipalbass
Subbass
Oktavbass
Gedecktbass
Oktave
Mixtur
Contra Fagott
Regal
Koppel
Koppel
16'
16'
8'
8'
4'
4 fach
16'
4'
I-PED.
II-PED.
KOPPELS
De Koppels I-pedaal en II-pedaal schakelen de ingestelde manuaal registers ook door naar het pedaal.
De koppel II-I voegt de ingeschakelde registers van het Zwelwerk II bij die van het Hoofdwerk I.
De desbetreffende schakelaars bevinden zich uiterst rechts naast de diverse betreffende registerschakelaars en als duimpistons onder het Hoofdwerkmanuaal I.
Deze duimpistons worden bij het eerste maal indrukken ingeschakeld en de tweede druk wederom
uitgeschakeld. Het is mogelijk om de koppels met de gewone schakelaars uit te schakelen, ook
wanneer ze ingeschakeld zijn met de duimpistons en vice versa.
SETZER-COMBINATIE
De HYMNUS IV biedt 5 vrij te programmeren Setzer-combinaties met terugkeermogelijkheid
naar de Handregistratie.
Deze 5 Setzers zijn te bedienen door drukknopjes (duimpistons) genummerd van 1 t/m 5 onder
manuaal I.
Door middel van z.g. LED's boven manuaal II wordt zichtbaar welke Setzer is ingeschakeld.
Duimpistons onder manuaal I(van links naar rechts):
S
=
Programmeerknop voor het geheugen (Combination Set)
HR
=
Handregistratie
1 tot 5
=
nummer van de combinaties
O
=
GENERAL CANCEL = alle registers worden uitgeschakeld
INSTELLEN (PROGRAMMEREN) VAN EEN COMBINATIE
1)
Stel de gewenste registratie in d.m.v. de registerschakelaars.
2)
Druk op de S-piston en houdt deze ingedrukt, terwijl u n van de 5-duimpistons indrukt.
3)
Bij het gelijktijdig loslaten van beide pistons is de registratie in het betreffende geheugen
opgeslagen.
4)
Schakel alle registers uit d.m.v. de O-piston (General Cancel) en herhaal bovengenoemde
handelingen voor 't verder programmeren van de andere geheugencombinaties.
AHLBORN - HYMNUS IV
AHLBORN - HYMNUS IV
4)
Door het indrukken van de O-piston (General Cancel) worden alle registers uitgeschakeld om
vervolgens andere preset-geheugens te programmeren.
Bij het inschakelen van een geprogrammeerde preset, zullen de betreffende registers NIET
OPLICHTEN.
VOLUME-BALANS EN ZWELPEDAAL
De HYMNUS IV is voorzien van volumeregelaars voor elk van de 3 onderstaande secties:
1)
HOOFDWERK VOLUME; Deze schuifregelaar bevindt zich naast de registers van het
hoofdwerk.
2)
PEDAAL VOLUME; Deze schuifregelaar bevindt zich naast de registers van het pedaal.
3)
ZWELWERK PEDAAL; Dit Zwelwerkpedaal is boven het (bas) pedaal geplaatst.
Wanneer de volume-niveaus van het Hoofdwerk en Pedaal eenmaal onderling op elkaar zijn
afgeregeld, behoeft dit later nauwelijks nog veranderd te worden.
Het Zwelwerkpedaal regelt alleen het volume van het Zwelwerk (manuaal II) waardoor een
dynamisch effect wordt verkregen.
Middels een juist gebruik van dit pedaal verandert ook het Timbre van de Zwelwerkregisters, zoals
dit normaal ook gebeurd bij de traditionele pijporgels, wanneer de lamellen (sluiters) van de
Zwelwerkkast worden geopend of gesloten.
TRANSPOSER
De transposer is bijzonder geschikt voor het begeleiden van zang of andere instrumenten. Met deze
transposerknop is het mogelijk om de toonhoogte 6 halve tonen lager of 3 halve tonen hoger te zetten
dan de standaard toonhoogte. Op deze manier kunnen vaak ingewikkelde transponeringen op de
manualen worden voorkomen. Dit maakt het transponeren simpel en eenvoudig!
OPMERKING:Controleer voordat u het orgel gaat bespelen altijd of de transposerknop op de
normale "O" stand staat!!
REVERB EFFECT
De Hymnus IV beschikt over een digitaal nagalm-systeem om het klankbeeld, vooral in kleinere
ruimtes met weinig eigen nagalm, te verbeteren.
Deze "Reverb-Effect" en "Reverb Level" regelaars zijn ondergebracht in een daarvoor bestemd
regelpaneel (zie volgende hoofdstuk).
AHLBORN - HYMNUS IV
REGELAARS EN AANSLUITINGEN
Het regel- en aansluitingspaneel bevindt zich uiterst rechts aan de onderkant van de speeltafel.
MASTER EFFECT
LEVEL
REVERB
PHONES
AUX-OUT
THRU
IN
OUT
MIDI
AHLBORN - HYMNUS IV
voornaamste zal fungeren. Via dit instrument wordt n.l. de rest aangestuurd. MIDI-taal kan door de
meeste P.c. en Home-computers ontvangen worden, mits deze over een speciale MIDI INTERFACE
en MIDI IN/OUT poorten beschikken. Een van de vele mogelijkheden is om bijv. muziek die
gespeeld wordt op de Hymnus IV via de computer in het notenschrift uit te laten printen. Omgekeerd
is het ook mogelijk om bijv. eigen geschreven muziek (of eigen composities) op de computer via de
Hymnus IV te laten weergeven.
Om het mogelijk te maken dat MIDI-data onderling uitgewisseld kan worden is het van belang dat
zowel het instrument wat MIDI-informatie "zend" en het instrument dat deze informatie "ontvangt"
via hetzelfde MIDI-kanaal communiceren, waarbij gekozen kan worden uit 16 verschillende MIDIkanalen.
Het kiezen van de MIDI-kanalen bij de Hymnus IV vindt plaats middels de afstandsbediening (Zie
hiervoor de handleiding van de Interactive Programmer en het betreffende hoofdstuk). Voor verdere
informatie verwijzen wij u naar de MIDI IMPLEMENTATION kaart achterin deze handleiding.
A) SECTIE UITSTURING
Handelswijze
1)
CHEST LAYOUT
Panoramic = off
(flashing)
2)
AHLBORN - HYMNUS IV
3)
4)
5)
Druk op ENTER: de waarden of de configuraties van de rechtse en linkse kanalen (zie vorige
beschrijving) begint te "knipperen".
Druk op DECR. of INCR. om de gewenste waarde te kiezen.
Druk eenmaal op EXIT om verder te gaan met het aanpassen van andere registerfamilies door
de punten 2-3-4 te herhalen.
Of: druk op Exit om de WINDCHEST LAYOUT functie te verlaten.
OPMERKING: de keuze van de sectie uitsturing is alleen mogelijk wanneer Panoramic = off
is ingeschakeld.
HANDELSWIJZE
1)
2)
3)
CHEST LAYOUT
Top Tweeters = on
(flashing)
2)
Druk op ENTER; waarna het woord "on" begint te knipperen. Druk op DECR. of INCR.
om vervolgens de Top Tweeters aan- of uit te schakelen.
EXTERNE WEERGAVE
Natuurlijk is het mogelijk om dit instrument via een externe versterking en weergavesysteem weer
te geven, zoals beschreven in de volgende paragraaf:
1)
In de positie "Panoramic = off" zal het extenre weergavesysteem het geluid van de diverse
sectie uitsturing zo weergeven zoals gekozen met behulp van de afstandsbediening.
2)
In de positie "Panoramic = 1" zal het externe weergavesysteem automatisch ook het C/cis-lade
effect weergeven (links/rechts).
3)
In de positie "Panoramic = 2" zal het weergavesysteem automatisch "mono" (50% - 50%) gaan
weergeven.
AHLBORN - HYMNUS IV
REMOTE BOX
POWER SWITCH
OUTPUTS
AUX IN
MIC. LEVEL
12V-1A
1)
LEFT
RIGHT
LEFT
RIGHT/MONO
MIC. IN
(Commando voor het aan- en uitschakelen van externe speakers met POWER SWITCH
ingebouwde versterking).
Hiermede wordt een 12 V D.C. - 1A stroomsignaal bewerkstelligd, waardoor
de aangesloten speakers gelijktijdig worden ingeschakeld, wanneer het orgel
12V-1A
wordt ingeschakeld. In geval van een storing worden deze schakelingen
automatisch onderbroken. Nadat de storing is verholpen zal d.m.v. het opnieuw aanzetten van
het orgel, het geheel weer normaal gaan functioneren.
2)
OUTPUTS
LEFT
RIGHT
WAARSCHUWINGEN
Plaats de linker- en rechter speakers niet te ver uit elkaar (geadviseerde afstand 2 tot 4
meter). Het C-cis lade-effect komt op deze wijze in verhouding het best overeen met de
windlades in het pijporgel.
Plaats de speakerparen niet te ver van de Hymnus IV. Een te grote afstand kan zodoende
een storende factor zijn m.b.t. het indrukken van de toetsen en het tijdstip dat u het geluid
hoort.
3)
AUX IN
MIC. LEVEL
LEFT
RIGHT/MONO
MIC. IN
MIC. LEVEL
Hiermee wordt de gevoeligheid geregeld van de Mic. In ingang van max. -50 dB tot min.-15dB.
AHLBORN - HYMNUS IV
KENMERKEN
- 2 manualen, elk 61 toetsen (C-C).
- 30-tonig baspedaal (C-F); vlak (parallel).
- 5 Geheugencombinaties (Setzers), vrij te programmeren van 1 t/m 5. Duimpistons voor opslaan
van een registratie en het uitschakelen van een registratie. Automatische terugkeermogelijkheid
naar handregistratie.
- Duimpistons voor het bedienen van de Koppels, Plenum I, II Tutti.
- Expressiepedaal (=volume) voor het Zwelwerk. Schuifregelaars voor het regelen van de volumes
van het Hoofdwerk en Pedaal.
- Programmeermogelijkheden voor Plenum I, II, Tutti.
- Transposer (-6 / +3 halve tonen).
- Totale volumeregeling voor het orgel en hoofdtelefoon.
- Digitale nagalm.
- Hoofdtelefoon-aansluiting
- MIDI IN-OUT-THRU aansluitingen.
- Interne versterking en weergave: 70 W. RMS (bas) - 2 x 40 W. RMS (midden/hoog) / 10" woofer
(bas reflex)) - 2 speakers (midden) - 4 tweeters (hoog).
- 10 verschillende windladeconfiguraties (C-cis lade) en Panoramic 1 en 2.
- 2 kanaalsuitsturing naar externe versterkers.
- Stereo in- en uitgangen/microfooningang.
- INTERACTIVE PROGRAMMER (Afstandsbediening) voor het aanpassen/veranderen van de
klankopbouw (intoneren) en het verdere afregelen van het instrument (bijgeleverd!)
- SEQUENCER: 4-sporen (ingebouwd).
- FLOPPY DISK DRIVE op aanvraag (Benelux standaard ingebouwd).
- Afmetingen: Breedte 130 cm. / Hoogte 110 cm. / Diepte 68 cm. [met pedaal 95 cm.] -Netto
gewicht (excl. bank en pedaal): 118 Kg.
AHLBORN - HYMNUS IV
INTERACTIVE PROGRAMMER
(Afstandsbediening)
INTONATIEMOGELIJKHEDEN (afzonderlijk per register):
- Klankvolume.
- Mensuurverloop (afregelen van de volumeverhouding tussen bas, midden en hoge gedeeltes van
het register).
- Chiff (= aanblaas hoeveelheid/voorspraak).
- Uitsterftijd.
- Hoeveelheid windruis in de orgelklank.
- Klankschommelingen (levendigheid).
- Aanwezigheid van de hoeveelheid (harmonische) boventonen in elke tongstem.
- Individuele toonvorming per register binnen 1 koor pijpen.
- Fijnafstemming van de toonhoogte onderling tussen de registers.
EXTRA FUNCTIES:
- Regelen van de Tremolo snelheid en diepte d.m.v. amplitude (= volume) en frequentie (=
toonhoogte) modulatie.
- Fijnafstemming van de toonhoogte over het totale instrument.
- Stemmingen/temperaturen: Middentoonstemming, Chaumont, Werckmeister III, Kirnberger III,
Tartini-Vallotti, Kellner (op A 440 en 415).
- Omkeren van beide manualen.
- Mogelijkheid tot expressie van het Hoofdwerk en Pedaal.
- Uitsturen van geluiden via diverse kanalen. (Algemeen of onafhankelijk per sectie): -monofoon
-C-cis lade in verschillende percentages -Vleugelconfiguratie/topconiguratie/zijdelingse vleugelconfiguratie.
- Ensemble effect.
- Digitale galmkeuze.
- Totaal volume.
- Toewijzen van de MIDI kanalen voor elke sectie.
- Bediening van de ingebouwde SEQUENCER (4-sporen, standard 13.000 note / 26.000 events).
Functies: Record, Play, Continue, Quantize, Clear, Punch-In, Metronome, Measure.
- Bediening van de ingebouwde FLOPPY DISK DRIVE (3.5" micro floppy disk DS. 1 M. Byte 135
TPI). Functies: Load, Save, Erase, Format.
10
AHLBORN - HYMNUS IV
MANUFACTURER
MODEL
Generalmusic S.p.A.
Date: 15.02.1993
- - - HYMNUS IV - - -
Version: 1.0
Transmitted
Recognized
Basic Channel
Default
Changed
1-16
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
************
Mode 3
X
X
True Voice
32 - 98
32 - 69
************
32 - 98
32 - 69
32 - 98
Velocity
Note ON
Note OFF
X
X 9nH v =
X
X
After Touch
Keys
Chs
X
X
X
X
07
92
96
97
70
71
O
O
O
O
O
O
O
O
O
O
O
O
True #
O (-127)
**********
O (-127)
O (-127)
System common
Song. Pos.
Song. Sel.
Tune
X
X
X
X
X
X
Clock
Commands
O
O
O
O
Local ON/OFF
All Notes OFF
Active Sense
Reset
X
O
O
X
X
O
O
O
Note Number
Pitch Bender
Control change
Program Change
Aux Message
NOTES:
(1)
Remarks
for manuals
for pedals
Section Volume
Tremolo
Data increment
Data decrement
(1)
(1)
Master Volume
Start / Stop
Continue
O : YES
X : NO
11
AHLBORN - HYMNUS IV
12
AHLBORN
Classic Organ
MODO DE EMPLEO
ESPAOL
AHLBORN - HYMNUS IV
REGISTROS
Las plaquetas que controlan la seleccin de los registros estn situadas en filas horizontales sobre el
II Manual y estn divididas en tres secciones fcilmente identificables. De izquierda a derecha
PEDALE, GRANDE ORGANO I y RECITATIVO II.
Las plaquetas son de tipo de sealizacin luminosa. Presionando la parte inferior de la plaqueta, el
registro resulta activado y encendido su LED correspondiente. Presionando la plaqueta otra vez, el
registro se desactiva y el LED se apaga. Este sistema permite visualizar claramente los registros
activados y usar correctamente la seccin de combinaciones ajustables.
En la parte superior de cada etiqueta hay un nmero progresivo de 1 a 31. El organista puede usarlo
para anotar rpidamente la seleccin elegida.
En la parte central de la etiqueta est escrito el nombre del registro y el nmero de filas que lo
componen.
En la parte inferior est indicada la altura convencional de los registros en pies. En cada sector los
registros estn ubicados en una secuencia de pies, desde los ms graves a los ms agudos. Cuando
dos registros tienen la misma cantidad de pies, aparecern segn el orden dado por la familia de
sonido a la que pertenecen: Flautados, Flautas y Tapados, Gambados, Mixturas, Ondulantes y
Lengetas. Este ltimo grupo est ubicado en la parte derecha de cada sector y las plaquetas
correspondientes estn grabadas en rojo.
AHLBORN - HYMNUS IV
RECITATIVO II
Bordone
Viola da gamba
Principale
Corno di notte
Nazardo
Flautino
Terza
Cimbalo
Voce celeste
Oboe
Tremolo
8'
8'
4'
4'
2 2/3'
2'
1 3/5'
3 file
8'
8'
PEDALE
Principale
Subbasso
Ottava
Bordone
Decimaquinta
Ripieno
Controfagotto
Regale
Unione
Unione
16'
16'
8'
8'
4'
4 file
16'
4'
I-Ped.
II-Ped.
La subdivisin de las familias de registros por las tres secciones del rgano es proporcional a su
importancia y al papel que les toca durante la realizacin de una literatura musical muy vasta.
ACOPLAMIENTOS
Los acoplamientos I-Pedal y II-Pedal permiten que los sonidos activados para tocar en los teclados
I y II puedan tocarse en el pedal tambin. El acoplamiento II-I aade los registros del Recitativo a
los del Grande Organo.
Los controles correspondientes aparecen bajo forma de PLAQUETAS en la extremidad derecha de
las secciones respectivas, bajo forma de PULSADORES debajo del teclado I manual.
Los pulsadores son reversibles: pulsando la primera vez se activan los acoplamientos, al repetir
la operacin se desactivan.
Es posible tambin, por medio de las plaquetas, desactivar todo lo que ha sido activado con los
pulsadores y viceversa.
COMBINACIONES AJUSTABLES
HYMNUS IV ofrece 5 combinaciones ajustables generales y retorno automtico de la combinacin
preparada a mano.
Los controles correspondientes aparecen bajo forma de PULSADORES numerados de 1 a 5,
ubicados debajo del teclado I Manual. Los LEDS luminosos que indican las 5 combinaciones, estn
localizados sobre el II Manual.
PULSADORES bajo el I Manual (de izquierda a derecha):
F
=
FIJADOR AJUSTABLES
O
=
ANULADOR AJUSTABLES CON RETORNO DE LA COMBINACION
PREPARADA A MANO
1-5
=
COMBINACIONES AJUSTABLES
A
=
ANULADOR GENERAL PLAQUETAS
AHLBORN - HYMNUS IV
COMBINACIONES COLECTIVAS
Estas combinaciones se activan por medio de pulsadores especiales reversibles R.I - R.II - T.
ubicados debajo del I Manual. Su contenido SE AADE a los registros preparados a mano o por
medio de las combinaciones ajustables. El contenido de estas combinaciones ha sido establecido por
la Fbrica en el siguiente modo:
RIPIENO I
GRANDE ORGANO I
PEDALE
(Lleno)
Principale 8'
Principale16'
Ottava 4'
Ottava 8'
Decimaquinta 2'
Decimaquinta 4'
Ripieno 4 file
Ripieno 4 file
RIPIENO II
RECITATIVO II
PEDALE
Bordone 8'
Subbasso 16'
Principale 4'
Ottava 8'
Cimbalo 3 file
Decimaquinta 4'
TUTTI
Todos los registros
(excepto: Voce celeste 8'/II - Tremolo/II)
AHLBORN - HYMNUS IV
TRANSPOSITOR
El transpositor de tonalidad es particularmente prctico cuando es necesario acompaar coros u otros
instrumentos. Ajustando el botn en la posicin requerida es posible variar la tonalidad de la meloda
ejecutada entre 6 SEMITONOS HACIA EL GRAVE Y 3 SEMITONOS HACIA EL AGUDO (-6/
+3 semitonos). Se evita de esta forma, la necesidad de efectuar laboriosas transposiciones.
NOTA: antes de cada ejecucin, controlar siempre que el TRANSPOSITOR est en la posicin
natural O.
REVERBERACION
Para mejorar el rendimiento sonoro del instrumento, especialmente en ambientes pequeos con baja
resonancia, ha sido incorporada una reverberacin digital al rgano HYMNUS IV.
Los controles de EFECTO (Reverb Effect) y de VOLUMEN (Reverb Level) estn localizados en
el panel de control (ver seccin siguiente).
AHLBORN - HYMNUS IV
CONTROLES Y CONEXIONES
En la parte superior del vano entre los teclados y el pedal, en la extremidad derecha del mueble, est
situado un pequeo panel que encierra algunos controles y tomas de conexin.
MASTER EFFECT
LEVEL
REVERB
PHONES
AUX-OUT
THRU
IN
OUT
MIDI
AHLBORN - HYMNUS IV
El lenguaje MIDI puede ser comprendido por la mayor parte de las computadoras personales y de
hogar disponibles en el mercado, siempre que estn provistas de interface MIDI con tomas IN-OUT
correspondientes.
Una de las muchas ventajas de esta conexin es la posibilidad de escribir a gran velocidad con la
computadora, la msica que est ejecutando HYMNUS IV. Viceversa, es posible escribir msica
con la computadora y tocarla con el HYMNUS IV bajo directo control de la computadora.
Para favorecer la comunicacin MIDI, es necesario que todas las partes utilizen el mismo canal MIDI
seleccionado entre 16 canales de transmisin posibles. En el rgano HYMNUS IV, la seleccin de
canales MIDI se puede actuar mediante el control remoto.
Para informacin adicional, ver MIDI IMPLEMENTATION CHART al final de este manual.
AMPLIFICACION INTERNA
HYMNUS IV est equipado con una amplificacin interna especialmente estudiada para valorizar
los excepcionales recursos de timbre y las vastas posibilidades de canalizacin de los registros.
La presencia de dos difusores (Top Tweeters) orientados hacia arriba, permite expandir los sonidos
agudos en el ambiente, ofreciendo al organista la mxima definicin sonora, como la que podria tener
por ejemplo, al tocar un rgano en proximidad de los tubos. Mediante el control remoto (Interactive
Programmer) es posible elegir, adems de las configuraciones de sonidos (como en mitra, en ala, en
alas laterales, etc), dos efectos especiales de ampliacin del frente sonoro (Panoramic 1 y 2), o la
exclusin de los difusores si lo desea. Para este asunto, consultar el manual del control remoto,
SECCION C/WINDCHEST LAYOUT (pag. 26).
Despus de la descripcin de los 10 tipos de canalizacin de sonido, el prrafo COMO OBRAR debe
ser modificado de la siguiente manera:
CHEST LAYOUT
Panoramic = off
(parpadea)
(flashing)
2)
3)
4)
Presionar las teclas DECR. o INCR. para elegir las secciones de las cuales se desea
regular la canalizacin.
Las secciones se presentan en la pantalla en el orden siguiente:
SWELL
=
RECITATIVO
GREAT
=
GRANDE ORGANO
PEDAL
=
PEDALE
Presionar ENTER: los valores o las configuraciones de los canales derecho e izquierdo (ver
prospecto) empiezan a parpadear.
Presionar las teclas DECR. o INCR. para ubicarse sobre el valor deseado.
AHLBORN - HYMNUS IV
5)
Presionar una vez la tecla EXIT si se desea regular otra seccin, repitiendo las operaciones de
los puntos 2-3-4.
De otra forma: presionar dos veces la tecla EXIT si se desea salir definitivamente del control
WINDCHEST LAYOUT.
ATENCION: La canalizacin por secciones y familias puede ser elegida libremente slo en
la posicin Panoramic = off.
COMO OBRAR
1)
Ubicarse en la posicin Panoramic = off, como indicado anteriormente.
2)
Presionar ENTER: la indicacin off empieza a parpadear.
3)
Presionar DECR. o INCR. para pasar a las posiciones Panoramic 1 o Panoramic 2.
ATENCION: en presencia de Panoramic 1 y 2 no es posible regular la canalizacin de las secciones
y de las familias de registros. Por lo tanto, las indicaciones del prrafo A) NO aparecern en
la pantalla.
CHEST LAYOUT
Top Tweeters = on
(parpadea)
(flashing)
2)
AMPLIFICACION EXTERNA
El instrumento puede conectarse tambin a amplificadores y altavoces externos, como descrito en
el prrafo siguiente.
En tal caso:
1)
En la posicin Panoramic = off la amplificacin externa respetar la canalizacin por
secciones y familias que ha sido elegida por medio del control remoto.
2)
En la posicin Panoramic 1 la amplificacin externa se regular automticamente en
izquierda/derecha (lado Do/lado Do diesis).
3)
En la posicin Panoramic 2 la amplificacin externa se regular automticamente en mono
(50% - 50%).
AHLBORN - HYMNUS IV
REMOTE BOX
POWER SWITCH
OUTPUTS
AUX IN
MIC. LEVEL
12V-1A
LEFT
RIGHT
LEFT
RIGHT/MONO
MIC. IN
1)
2)
OUTPUTS
RIGHT
PRECAUCIONES IMPORTANTES
Al momento de instalar los altavoces en un ambiente, es oportuno no colocar la seccin
derecha e izquierda de cada par demasiado lejos una de otra (distancia recomendada
24 metros). El efecto lado DO/lado Do diesis debe ser an logo al que produce un
rgano de tubos.
No es conveniente colocar los altavoces demasiado lejos de la consola del HYMNUS IV,
porque una distancia excesiva puede provocar atrasos en la audicin que se deben
exclusivamente a la propagacin del sonido en el ambiente.
3)
AUX IN
MIC. LEVEL
LEFT
RIGHT/MONO
MIC. IN
AHLBORN - HYMNUS IV
ESPECIFICACIONES TECNICAS
- Dos teclados manuales de 61 notas (Do-Do).
- El pedal de 30 notas (Do-FA) paralela-radial.
- N.5 Combinaciones componibles generales y retorno automtico de los registros preparados a
mano.
- N.14 pulsadores en el teclado manual para Fijador, Combinaciones componibles, Anuladores,
Acoples, Mezclas I, Mezclas II, y Tutti.
- Pedal de Expresin II- Volumen Grande Organo - Volumen Pedal.
- Mezclas I, Mezclas II, Tutti: todos programables.
- Transpositor de tonalidad :-6/+3 semitonos.
- Volumen general y de los auriculares.
- Selector para Reverberacin digital.
- Salida para auriculares.
- Conexiones MIDI (IN-OUT-THRU).
- Amplificacin interna: 70 W.RMS (medio-agudos)/Woofer 10" (bass reflex)- 2 middle range 4 tweeters.
- Canalizacin separada de los sonidos en 10 configuraciones (lado Do/lado Do diesis) y Panoramic
1 - 2.
- Canalizacin externa para 2 salidas (izquierda/derecha).
- Entradas y salidas auxiliares estreo/ Entrada para micrfono.
- INTERACTIVE PROGRAMMER (control remoto) para todas las funciones de afinacin y
control del instrumento en dotacin.
- SEQUENCER de 4 pistas incorporado.
- FLOPPY DISK DRIVE entrega por pedido.
- Dimensiones de la consola: Ancho = 130cm / Alto = 110cm / Profundidad = 68cm (con el pedal
= 95cm).- Peso neto (sin banco ni pedal) = 118 kg.
AHLBORN - HYMNUS IV
PROGRAMADOR INTERACTIVO
(CONTROL REMOTO)
Control de voces de cada registro:
- Volumen de sonido.
- Ecualizacin (relacin de volmenes entre registros de graves, medios y agudos).
- Cantidad de transitorio de ataque.
- Final del sonido.
- Cantidad de efecto de tubo en el sonido (proporcional).
- Fluctuacin del sonido.
- Cantidad de presencia de armnicos en cada sonido de lengeta.
- Individualizacin de notas en cada rango.
- Afinacin entre sonidos.
Funciones accesorias.
- Velocidad del Tremolo y regulacin de la profundidad con efectos en la amplitud y frecuenciade
la modulacin.
- Regulacin de la afinacin del instrumento (pitch).
- Temperamentos: Meantone, Chaumont, Werckmeister III, Kirnberger III, Tartini-Vallotti, Kellner (on A 440 y 415).
- Inversin de los teclados manuales.
- Posibilidad de expresin Grande Organo y Pedale.
- Canalizacin de salida del sonido (general o independiente para cada seccin): Monofnico. Lateral. -En ala/central. -En ala/lateral.
- Efecto de unin (ensemble).
- Selector de reverb digital.
- Volumen general.
- Programabilidad de los canales MIDI para cada seccin.
- Control del secuenciador incorporado (4 pistas - 13.000 notas stndard / 26.000 notas de eventos).
Funciones: grabacin, reproduccin, continuar, borrar, cuantizar, modificar, medida, metrnomo.
- Control del grabador de discos incorporado (Micro Floppy Disk 3,5"DS.1M. Byte 135 TPI).
Funciones: Load, Save, Erase, Format.
10
AHLBORN - HYMNUS IV
MANUFACTURER
MODEL
Generalmusic S.p.A.
Date: 15.02.1993
- - - HYMNUS IV - - -
Version: 1.0
Transmitted
Recognized
Basic Channel
Default
Changed
1-16
1-16
1-16
1-16
Mode
Default
Messages
Altered
Mode 3
X
************
Mode 3
X
X
True Voice
32 - 98
32 - 69
************
32 - 98
32 - 69
32 - 98
Velocity
Note ON
Note OFF
X
X 9nH v =
X
X
After Touch
Keys
Chs
X
X
X
X
07
92
96
97
70
71
O
O
O
O
O
O
O
O
O
O
O
O
True #
O (-127)
**********
O (-127)
O (-127)
System common
Song. Pos.
Song. Sel.
Tune
X
X
X
X
X
X
Clock
Commands
O
O
O
O
Local ON/OFF
All Notes OFF
Active Sense
Reset
X
O
O
X
X
O
O
O
Note Number
Pitch Bender
Control change
Program Change
Aux Message
NOTES:
(1)
Remarks
for manuals
for pedals
Section Volume
Tremolo
Data increment
Data decrement
(1)
(1)
Master Volume
Start / Stop
Continue
O : YES
X : NO
11
AHLBORN - HYMNUS IV
12
PRINTED IN ITALY
GENERALMUSIC S.p.A.
Sales Division: I -47048 S.Giovanni in Marignano (FO) - Italy Via delle Rose, 12 tel. +39 541 959511 tlx 550555 GMUSIC I fax +39 541
957404