Beruflich Dokumente
Kultur Dokumente
10/12/2016, 18)07
Informativa:.
questo sito o gli strumenti terzi da questo utilizzati si avvalgono di cookie necessari al funzionamento ed utili
alle finalit illustrate nella cookie policy. Per maggiori informazioni o per negare il consenso all'uso dei cookie
consulta la cookie policy. Cliccando su OK, scorrendo questa pagina, cliccando su un link o proseguendo la
navigazione in altra maniera, acconsenti alluso dei cookie.
Ok
Toolbar
Dcouvrez la playlist vito 17 avec Gergely Jrdnyi, Istvn Lantos & Eva Marton
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 1 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
All about Bottesini - I think it is written only in Italian but it's the most complete
resource in the world.
Page 2 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 3 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 4 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 5 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 6 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
Let's go on
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 7 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 8 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 9 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 10 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 11 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 12 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 13 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 14 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
Nanny
Well, sorry for my no correct English, but I will try to explain that the famous
Concerto in A major by Dragonetti, was written by Edoard Nanny and edited from
Sankey. It's not only my opinion but also important musicologies have noted
something wrong.
First of all FIONA PALMER who has written a wonderful book about Dragonetti in
the English period, strangely doesn't talk of a A major concerto like the one we study
more. In the page above (dr. Palmer doesn't kill me for copyright!!!), in fact, we can
see the A major original Concerto no. 3 (Ed.Malaric, a little bit far from the one that
we can find in the British Museum ... much more different).
Well, maestro Ubaldo Fioravanti has recorded the other "fragments" of concerts
written by Dragonetti, but the one written by Nanny/Dragonetti is invisible. In the
British Museum it seems there's no trace of this Concerto.
Ok, now we analize another point of you. I have seen the Dragonetti's Gasparo da
Sal 1590. Dragonetti wasn't a "giant", so when he wrote compositions for double
bass or in duet with other instruments, he always used the same technique. Let's see
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 15 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
the 12 waltz, the other complete musics. We can say: this Dragonetti 's signature. I.e..
It was very difficult that he wrote a lot of harmonic notes (compare the second time
in the two concerts ... ) probably because the same had some problem to reach them
easily.
At the contrary if we give a look at Nanny's works they are very similar with the one
attribuited to Dragonetti. It's "lapalissiano" (like to tell: it's impossible that Dragonetti
could write in Nanny's way).
So, the motives could be very different. Perhaps Sankey needed a Concerto to put
asap on the market. I don't know! Surely, none would have bought a Nanny Concerto
in A major. Perhaps under the name of Dragonetti it was much better. A lot of things
we have found but others live in a mistery.
Today in International Competition we read"Concerto in A major" by
Nanny/Dragonetti !! It's absurd!!
Probably to say: pay attention is not the one by Malaric,but the one by Nanny (first
time is very difficult, 2nd not so beautiful, 3rd very difficult and here we know
the hand of maestro Domenico Dragonetti, in the original one).
By the way, if we compare Malaric's revision
of the original one with the Stefano Sciascia's
performance ... well ... there are differences.
Asap, an interview with maestro Stefano Sciascia.
dr.Vito Liuzzi
BOTTESINI and THUMB POSITION: two Schools in comparison
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 16 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
Page 17 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
without
touching the fingerboard. This was the way of his playing. How can it be possible?
I don't know, but I think that the action of his three gut strings should be quite
high. It's no possible to play in his way with the 1st string at mm. 5 from
fingerboard.
But there's another thing.
Bottesini was convinced that his way of playing in the thumb position was the
better at that time, because all the notes play very clear and powerful.
But why did he specified it?
Because he knew that there were another School of Thought for which the better
way to play in the thumb position was to press all the fingers on the fingerboard
whith great force. But Bottesini tell us he didn't like it because of the quality
sounds.
So two Schools in comparison. And Dragonetti what sort of technique used?
It's an aspect very important, because I think
the "ancient" concertos or sonatas ... at that time were played much slower respect
to the one we do nowadays!! So if my thesis can be exact (I don't know),
Dragonetti, Sperger, Vanhal, Dittersdorf, bottesini and so on must be play much
slower. Why? A question of philology!! But the Double Bass seems to be the
instrument among the bows for which the
concept of philology doesn' t exist.
Everyone tell us his trascription is the original one and the best, other Editions are
totally different and so on. Why? The answer is simple. All must work.
Ops ... sorry! There was another "school": in thumb position they used to push the
string towards their left. In Cantabile it was good, but in fast passages??
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 18 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
Vito Liuzzi
ITALO CAIMMI
Scale e Studi (Scales and Studies)
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 19 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 20 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 21 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 22 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 23 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 24 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
10/12/2016, 18)07
Page 25 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
Italo Caimmi
Benfield
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 26 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
LUCAS DREW
MUZZI Franco
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 27 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
ZIMMERMAN Fred
JISKRA
HEGNER Ludwig
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 28 of 29
"From the neck to thumb position" and much more - Vito D.Liuzzi - THE CLASSICAL DOUBLE BASS "Il Contrabbasso classico"
10/12/2016, 18)07
MANOLY
Torna su
Versione standard
Informazioni legali | Privacy | Sitemap
Vito Liuzzi Webmaster MADEMYSELF
http://www.vitoliuzzi.com/from-the-neck-to-thumb-position-and-much-more/?mobile=1
Page 29 of 29