Beruflich Dokumente
Kultur Dokumente
over my assignment before I turn it in? I want to help: show off my glittering
knowledge of writing and usage, astound my friends with eloquence and prose. But
sometimesokay, lets be honest, most of the timeI am just not confident in my
editorial decisions: Um, I think you would use feel good, but let me consult Merriam
Websters or Hmmm . . . I think that farther is supposed to be used for physical
distance, but further is used otherwise . . . I think.
As I have been learning about editing, these inquiries have made me evaluate the
idea of pursuing a career in editing. If I cant help those around me even with their
school papers, who is going to want to hire me professionally? For as Carol Saller says,
If you arent trained and confident in at least the basics of copy editing . . . you cant
hope to give the readers what they deserveor gain the respect of your writer (p. 8).
Would I, could I, make a good editor?
My answer is yes, but Im going to need to work at it.
Saller suggests that a good copy editor should be three things: careful,
transparent, and flexible (p. 23). Transparent? No problem. Im a master at
transparently making others aware of changes Ive made. Flexible? No sweat. Flexibly
allowing others styles to shine forth is a pleasure. I dont mind leaving out Oxford
commas per the writers (and in-house styles guides) request. But carefulness . . .
Alyssa Nielsen 3/21/2016 5:35 PM
laboring painstakingly over each letter, punctuation mark, and figure of a manuscript in
an agonizing effort to ensure e-a-c-h (space) c-h-a-r-a-c-t-e-r (space) i-s (space) p-e-r-f-ec-t? Thats the hard one. I particularly abhor checking charts and graphs. Ensuring that
index entries and their corresponding page numbers match is a migraine in the making.
And checking hyphenationoh the hyphenation!makes me hold back a shudder (oh
gods, oh gods, must we endure?).
Carefulness, when did you become my nemesis?
Why did you decide to be an editing minor in the first place, then? Yes, I know
this is what you are wondering. Stop whining and get on with another minor already.
I chose to be an editing minor because of editings redeeming qualities. The bursts of
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sunshine of editing usually conquer the forces of darkness (and when I say forces of
darkness, I mean you, straight quotes). Those bursts of sunshine include fixing
pretty good handle on writing: I didnt find any misplaced commas or ungrammatical
clauses. However, Jeremys style seemed to lack a certain grace. Together, we worked
through his cover letter, optimizing his voice so that his experiences leapt off the page.
When we finished, his desire to contribute to the company was clear and precise. Both
Jeremy and I were well-satisfied with the finished product. To be honest, I never heard
whether he got the internship or not, but I know both of us felt he had put his best foot
forward.
That is an editors role, is it not? To shine the light of readership on an author so
it hits at the best angle? Indeed, in his book on editing for global English, John R. Kohl
states that applying principles of global English enable[s] writers and editors to take
the clarity and consistency of technical documents to a higher level, leading to faster,
clearer, and more accurate translation (p. 2). I think we can extend this sentence to
cover an editors purpose: to take the experience of reading any document to a higher
level of clarity and consistency.
So, will I make a good editor? I think that in some ways, I will make an
outstanding editor. I think I would collaborate well with authors. I think I would be
able to make deadlines. I think I would be transparent with the changes Id hope to
make. In order to reach my potential as an editor, however, I mostly need to focus on
being careful. Going through manuscripts with vigilance will help me turn the beam of
remarkable writing to shine on any author I might chance to edit.
Works Cited
Kohl, John R. The Global English Style Guide: Writing Clear, Translatable Documentation for
a Global Market. Cary, NC: SAS Institute, 2008. Print.
Saller, Carol. The Subversive Copy Editor: Advice from Chicago (or, How to Negotiate Good
Relationships with Your Writers, Your Colleagues, and Yourself). Chicago: U of Chicago,
2009. Print.