You are on page 1of 14

Visualising the Fretboard

Part 2 - Playing Over Changes


Note in Brackets represent the note I'm visualising from
Standard tuning
Cm7 - II

F7 (F9 Voicing) - V

Bbmaj7 - I

Ebmaj7 - IV

00:5:25 - Autumn Leaves Chords


1

8
8
8

8
8
7
8

8
Am7b5 - II

6
7
7
6
D7alt (D7#9 Voicing) - V

Gm7 - I

4
5
5

G7alt (G7#5 Voicing) - V back to Cm7

6
5
4
5

8
7
8
6

C Dorian - 1 2 b3 4 5 6 b7 - Cm7

3
3
3

4
4
3

F Mixolydian - 1 2 3 4 5 6 b7 - F7

Bb Major - 1 2 3 4 5 6 7 - Bbmaj7

00:07:50 - Scale choices for Autumn Leaves


9

10

10

11

10

12

10

11

or Bb Lydian - 1 2 3 #4 5 6 7 - Bbmaj7

10 12

10

12

10
6

Eb Lydian - 1 2 3 #4 5 6 7 - Ebmaj7

12

10

10

10

10

8
5

G Dorian - 1 2 b3 4 5 6 b7 - Gm7

G Altered - 1 b9 #9 3 b5 #5 b7 - G7alt

16

10

14

D Altered - 1 b9 #9 3 b5 #5 b7 - D7alt
15

10

A Locrian - 1 b2 b3 4 b5 b6 b7 - Am7b5

13

17

7
3

5
3

1/14

Cm7

F7

Bbmaj7

00:08:48 - Arpeggio Example


18

19

20

Ebmaj7

10

Am7b5

21

23

Gm7

11

D7b9

22

8
5

G7b9

Bb

Eb

00:14:07 Finding Root Notes


24

25

26

6
3

Bb

Eb

27

Bb

Eb

8
5

00:15:39 Root Notes Only


28

29

10

Bb

30

Eb

32

15

33

13

10

11

31

Bb

Eb

34

8
12

12

12

35

12
10

8
10

00:18:55 Bach Style Phrase in E Major


36

37

(12) 11

38

12

12

12

(9) 11 9 8 9

(7)

9 6 9 7 9 6 9

2/14

39

40

(7)

b3

(9)

00:21:34 Two notes per chord example 1


41

42

(8)

43

(8)

b3

45

(8)

46

(7)

44

b3

47

(5)

b3

(6)

48

(5)

(5)

00:22:15 Two notes per chord example 2


49

50

(8)

V.N.

b3

51

b5

53

7
(8)

10

(8)

b7

54

(7)

b3

10

V.N.

52

V.N.

10

(8)
10

b3

b7

55

(7)

b9

56

8
(5)

V.N.

(5)

00:25:53 Two note per chord example 3


57

58

8
(10)

12

59

(10)

11

60

(8)

(8)

3/14

V.N.

b3

b5

V.N.

61

b9

62

(7)

10

(7)

Cm7

b3

63

11

(12)

F7

b7

64

9
(10)

Bbmaj7

10

Ebmaj7

00:30:26 Improvised two notes per chord on Autumn Leaves - try to figure out the intervals
65

66

67

Am7b5

Cm7

Gm7

80

Cm7

F7

81

Bbmaj7

82

Ebmaj7

83

84

7
7

11

G7

79

76

D7
78

10

Ebmaj7

75

10

Am7b5
77

Bbmaj7

74

G7
72

F7

73

Gm7
71

3
5

70

D7

69

68

11

4/14

Am7b5

D7

85

Gm7

86

10

13

87

15

Cm7

G7
88

11

11

12

F7

12

Bbmaj7

15

Ebmaj7

00:33:54 - 13 5 Mapped to every chord


89

90

91

Am7b5

b3

96

G7

95

Gm7

94

D7

93

92

b7

10

10

11
(8)

00:38:00 Three notes on each chord


97

98

(5)
5

b5

b7

(6)

101

99

b9

b3

10

V.N.

(7)

b3

7
(8)

10

4
(5)

b9

104

107

6
5

b7

(8)

106

(5)

10

10

103

105

7
(8)

102

8
(7)

100

11
(8)

108

7
(8)

10

10

5/14

b7

b3

b9

109

110

(10)

b3

V.N.

111

(7)

Cm7

b9

b7

112

(5)

F7

(5)

Bbmaj7

Ebmaj7

Identify the intervals


113

114

115

Am7b5

F7

124

10

Ebmaj7

123

13

10

Bbmaj7

10

G7
120

122

Cm7

13

119

121

Gm7

118

D7

117

11

116

11

7
10

Am7b5

D7

125

Gm7

126

10

10

b4

G7

127

128

10

b7

(4)

00:45:23 Four notes on each chord


129

130

(5)

5
6

131

2
(3)

132

(3)

6/14

b3

b5

b7

133

b9

b7

b3

134

(7)

(7)

b3

V.N.

135

Cm7

b7

b9

136

F7

(5)

(5)

Bbmaj7

Ebmaj7

00:47:28 - Identify the intervals


137

138

139

Am7b5

Cm7

F7

8
5

11

Am7b5

10

10

6/13

b7

G7

V.N.

152

2/9

Ebmaj7

151

10

Gm7

11

10

150

148

D7

149

147

G7

Bbmaj7

146

144

145

143

Gm7

142

D7

141

140

4/11

10

#4/#11 3

00:49:42 - Chord tone, Scale Tone, Chord Tone, Chord Tone


153

154

(5)

155

(3)

156

(3)

6
(4)

7/14

6/13

b7

2/9

b7

6/13

4/11

2/9

6/13

00:51:57 Chord tone, Scale tone, Chord tone, Scale tone


157

158

5
(3)

159

(8)

Cm7

F7

Bbmaj7

(8)

Ebmaj7

00:54:36 Using Rhythmic Motifs


160

161

162

Am7b5

10

10

10

F Mixolydian from the 5th

11

167

G7

166

C Dorian from the root

11

Gm7

165

10

D7

164

163

6
6

Bb Major from the 3rd

Eb Major from the root

01:02:15 Using Scales to Outline Harmony


168

169

8 10 11

8 10 12

170

10

A Locrian from the b5th

7 8 10

8 10 11

5 7 8

SPAIN CHORDS

Gmaj7 #11
176

#4

5 7

2
4
4
5

10 8

10 8

G Superlocrian from the #5th

3 5 7

3 5 7

b9

#9

b5

#5

b7

F 7alt
178

175

G Lydian
177

10 8 7

174

11 10 8

G Dorian from the 5th

173

6 8

10 8

D Superlocrian from the root

172

5 7 8

171

179

3
3
2
2

8/14

Em9

b3

b7

E Dorian

180

181

7
7
5
7

182

b9

#9

b5

#5

10

b7

11

b9

#9

5
6
5

b5

5
6

Gmaj7 #11

#4

1
190

3
1

5
b9

7
#9

b5

#5

b7

b9

#9

b5

b7

10

#9

b5

#5

b7

b3

b7

F#

10

11

C#

F#

01:17:13 Finding Root Notes for Each Chord


199

8
7

B Dorian

198

8
8
7

195

197

b9

#5

7
7
7

B Superlocrian

b7

191

C Superlocrian

194

3
3
2

196

10

Bm7

193

7
6
7
5

5
4
3
4

F Superlocrian

187

189

B7alt

C 7 alt

2
4
4

192

G Lydian

188

F 7alt

D Major

186

9
1

DMaj7

185

b7

A Half Whole Diminished

184

183

A Superlocrian

A Mixolydian

A7

10

11

9
12

12

12

11

11

9/14

F#

200

D#

C#

201

V.N.

2/9

202

F#

12
9

#4/#11

2/9

01:17:57 Two notes per chord/bar


203

204

(5)

205

#5

206

b7

#5

b9

F 7alt
207

208

b3

209

7
(9)

4/11

Em9

11

b5

#9

b9

10

A7alt

211

212

8
(9)

10

213

12

2/9

Dmaj7

214

8
(7)

2/9

Gmaj7 #11

215

216

(7)
7

210

217

218

(8)

10

10/14

b9

#5

C 7alt

#9

b9

F 7alt

219

220

(6)

b3

221

10

b7

Bm7

222

11

10

(7)

#9

b9

B7alt

223

224

10

(7)

225

10

226

10

7
8

Gmaj7#11

01:24:46 Motif Playing over Spain - Analyse the Intervals


227

228

10

229

7 8

230

7
9

10

7 8

F#7alt
231

232

10

7 8

233

7
8

10

7 8

Em9

A7

235

236

234

10

7 8

237

238

7
9

10

7 8

11/14

Dmaj7

Gmaj7#11

239

240

10

10

241

9 10

C#7alt

10

10

9 10

F#7alt

243

244

242

245

4 6

246

Bm7

5 7

B7alt

Corrected ending!
247

248

5 7

249

250

4 6

Gmaj7#11

01:36:44 Longer Lines Resolving to Chord Tones


251

252

(3) 7

4 7 4 (5) 7

4 7 4 6 7

5 7 (8)

(8)

(5)

F#7alt
253

254

7
(4)

Em9

(4) 5

8 (10)

A7alt

255

256

7 6 5

8 7 (5)

7 4

5 7

(7) 5

(7) 8

11

12/14

Dmaj7

Gmaj7#11

257

258

10

9 7

10 7

(7) 9

9 7

7 9 11

11

C#7alt

(10) 8

10

11

260

10 9 7

(6) 7

8 7

10 7 (9) 10

(9) 10

Bm7

9 10

10

11

(11) 12

10 12 14

11

B7alt

261

Gmaj7

262

10

(12)

11 9

10

12 9

10 11

10

INNER URGE CHORDS/SCALES R

F m7 5

11 10 9 11

b2

b3

263

b5

10 (9) 7

b6

b7

#4

b3

b5

b6

4
2

E maj7 #11

268

269

F Lydian

6 (7)

7
b7

266

1
2
2

F Locrian Nat 9

265

Fmaj7 #11

F Locrian

264

10
9
9
8

F#7alt

259

267

#4

10

E Lydian
270

8
7
7
6

10

13/14

D maj7 #11

#4

Emaj7 #11

D Lydian

271

272

273

6
5
5
4

D Maj7 #11

D Lydian

275

6
5
5
4

BMaj7 #11

DMaj7 #11

D Lydian

CMaj7 #11

283

7
6
6
5

B 7 #11

284

285

11

#4

b7

B Lydian Dominant
286

5
5
6

282

A Lydian

4
6
6

11

AMaj7 #11

C Lydian

281

#4

278

7
6
6
5

280

4
3
3
2

B Lydian

279

9
8
8
7

277

274

276

E Lydian

10

10

F#m7b5

Gmaj7 #11G Lydian


287

01:45:16 Long Lines over the Chords

288

289

2
4
4
3

290

5
(2)

Fmaj7

(9)

Ebmaj7

291

292

(8) 10

7 9

8 10 12
(10)

etc

293

10 8

9 7

10 (8) 7

294

8 10

8 10

13 10

10

14/14