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This document provides further reading recommendations for understanding José Garcia Villa's poetry, including:
1) An 1964 article that defines the "mysticism" in Villa's poetry as portraying the "Self as God."
2) A 1962 book chapter that closely analyzes Villa's poetry in discussing his aesthetic conflict with his harshest critic.
3) A 1942 review of Villa's book "Have Come, Am Here" that emphasizes his poetic technique.
4) A 1988 journal article about cryptography and coincidence in the works of Bulosan, Theseus, and Villa.
This document provides further reading recommendations for understanding José Garcia Villa's poetry, including:
1) An 1964 article that defines the "mysticism" in Villa's poetry as portraying the "Self as God."
2) A 1962 book chapter that closely analyzes Villa's poetry in discussing his aesthetic conflict with his harshest critic.
3) A 1942 review of Villa's book "Have Come, Am Here" that emphasizes his poetic technique.
4) A 1988 journal article about cryptography and coincidence in the works of Bulosan, Theseus, and Villa.
This document provides further reading recommendations for understanding José Garcia Villa's poetry, including:
1) An 1964 article that defines the "mysticism" in Villa's poetry as portraying the "Self as God."
2) A 1962 book chapter that closely analyzes Villa's poetry in discussing his aesthetic conflict with his harshest critic.
3) A 1942 review of Villa's book "Have Come, Am Here" that emphasizes his poetic technique.
4) A 1988 journal article about cryptography and coincidence in the works of Bulosan, Theseus, and Villa.
FURTHER READING FURTHER READING Abad, Gemino H. "The Self as Genius and God as Peacock: A Study of 'Mysticism' in Jos Garcia Villa's Poetry." University College Journal 8 (1964): 172-85. Defines the purported "mysticism" evident in Villa's poetry as "a 'theology' of Self as God." Demetillo, Ricaredo. "Jos Garcia Villa vs. Savador P. Lopez." In The Authentic Voice of Poetry, pp. 294-321. Quezon City: University of the Philippines, 1962. Closely analyzes Villa's poetry in a discussion of the aesthetic conflict between the poet and his harshest critic. Moore, Marianne. "Who Seeks Shall Find." The Nation 155 (October 17, 1942): 394. Favorable review of Have Come, Am Here, which emphasizes Villa's poetic technique. Solberg, S. E. "BulosanTheseusVilla: A Cryptography of Coincidence." MELUS 15, No. 2 (Summer 1988):... [The entire page is 291 words long]
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