Stop Motion Animation Production Booklet

Stop Motion Animation Pre-production Booklet
Pre-Production Booklet for Animation

Name: Milly Loader
Order of contents (italics show areas you must add in yourself)
Assessment criteria
LO2
Mind maps of ideas
Risk assessment
Format of your animation
Subject and storyline
Character notes and profiles
Movement of characters
Moodboard
Sets/backgrounds
Audio and soundtrack
Sound table
Props list
Audience
Storyboard and script (add script to booklet)
Frame rates
Lighting design
Production schedule
Crew details
Frame Numbers
Dope Sheets
LO3
How to use this booklet

You will need to complete every page of this booklet, and all sections / questions
required.
Assessment criteria for Distinction grade;
LO2
Plans will show a full consideration of movement and continuity, perspective, point of view,
transitions and special effects.
Precise and workable planning of timing and synchronisation to a soundtrack will be
produced. It will be clear at this stage, from the documentation, what the finished piece will
look and sound like.
Learners will follow industry conventions and terminology used in storyboard production
correctly.
Plans for the construction of models, sets and props will be realistic and clear.
Drawings, script and storyboard will all show a creative interpretation of the idea.
LO3:
The documentation linked to the production will be full and detailed and there will be
evidence that the production management and scheduling of the project has been effective
and carried out in a professional manner. The techniques used in the production of the work
are likely to be related to an understanding of current trends in the industry.
Both LO2 and LO3

In all practical activity learners will be capable of working autonomously and effectively. They
will work on their own initiative, will not need constant support or supervision, will give the
work their full commitment, work positively and cooperatively with others, and meet
deadlines. In other words, they will have the kind of self-management skills that would be
expected of them in a professional context. Note also that this criterion should not be taken
to mean that learners do not seek advice or that they work without discussing things with
their tutor, but rather that they are not dependent upon the support of others and that when
they take advice they weigh it carefully for themselves.
Planning
Brainstorm / mind map (add extra pages if necessary)

Attach a 400 word treatment of your idea
Treatment
My idea involves using three wooden art mannequins. Two of the mannequins start
of being in love and happy and then one day the guy mannequin sees the girl
mannequin with a different guy mannequin. He goes over and starts shouting at her
and the new guy mannequin starts beating up the other one and they walk off and
leave him half dead on the street. He then starts to lose everything and ends up
sleeping on the street. One day he starts to turn his life around and has a house and
a really good job. At the end you see him open his door and the ex-girlfriend is stood
outside the house begging him to take her back. Then it cuts out and you dont know
whether or not he will take her back or not. I cut it at the end so it leaves the viewers
to decide the ending they want to believe.
The way I am going to film the back ground is by using a lot of cardboard boxes and
add different back drops on them. When they are outside and sat in the town there
will be different backgrounds so the viewers will be able to see that they are in
different places. I will make seats for them to sit on out of jenga because it will be
able to hold their weight. The lighting I will use will depends on the mood that I am
trying to portray. When he is heartbroken and has nowhere to go I will make there be
less light so the viewers will understand that he is not in a good place. To show when
he was in a good place the lighting will be bright which the viewers will associate with
being happy. This makes the lighting a key part of my production for the viewers to
understand what is going on.
As I am doing a music video the music has try mellow in with the theme of love and
betrayal. The song also has to mean something to the viewers. The song I have
chosen is called with You - Jonah Johnson. I chose this song because it is from a
movie called my sisters keeper which is very emotional film which everyone feels
something for this film. So I thought by using this song it can bring a good amount of
emotion to the stop motion.
How will you meet the requirements of your brief?

I will meet the requirements of the brief by making my production no longer than 30
seconds.my stop motion is going to be fresh and engaging to people who are watching it.
Though my story I show my creativity to the Bullion Production House and when my final
product is finished they will see my editing skills. The brief asks to bring emotion to the stop
motion, I will achieve emotion in my stop motion because my story brings something that a
lot of people would find upsetting. My stop motion will have 2 main characters in it which
meets the briefs requirements of asking for at least one character in it.
HAZARD
ACTIVITY
RISK
H/M/L
PRECAUTIONS
IN PLACE
REVIEW
DATE
REVIEWER

Lights
Set could catch

fire
Make sure
the lights
arent that
close to the
cardboard
Yes
Cables
Trip hazard
Tying them
down so
they arent
in the way
Yes
Please leave this section blank:

Risk Assessment checked by: Name ..
. Date
Signed
Discuss any legal issues you may face. Eg; sound, plagiarism, age restrictions
The music I am using might not be of a very good equality so I could have to take loads of
time trying to find a good enough quality. Also be using a song that isnt my own could be
plagiarism so I will have to email the company who made the song to ask them if its ok for
me to use it in my stop motion. The only age restrictions there would be is making sure
children under 11 dont watch it only because they might not understand what is going on
and could influence them to do bad things.
Use of possible formats

Circle which of the following formats your animation will take;
stop-frame techniques
time lapse photography
plasticine animation
Claymation
using found objects
modelling
puppetry
combined formats
Why are you using that particular format?

I have to use stop-frame technique because that is how I am going to create my stop motion
film through taking a lot of pictures and putting them together. I am using found objects
because It will be easier to make them and the mannequins I am using have joints so
moving them will be easier than using plasticine animation. By using wooden art
mannequins, it is in keeping with theme of my idea. If I used play dough or Lego, you
wouldnt achieve that emotion from the production. It also wouldnt make sense because
play dough and Lego are toys that children play with which couldnt bring any emotion to the
stop motion which will make it harder for the viewers to feel the feelings I am wanting them
to feel.
http://www.plagiarism.org/ this website shows the copy right laws
http://www.bbfc.co.uk/what-classification/12a-and-12 this shows the restrictions for the age I
have chosen for my restrictions.
What are the different possibilities you could explore using this format?
Using stop-frame techniques allows me to change the angles of anything I want in shot.
Using found object lets me change them within the limits they are allowing me to move them.
As I am using found objects I can chose which object I want to use which means I could
choose ones that have easily moveable ones which will make my stop motion easier to
make then if I picked an object that has restrictions.

What are the limitations of using this format? (i.e what problems/ obstacles might you
have?)
The limitations I might have our moving the models to much and when I go to make the film
the picture might not flow and for the viewers this wouldnt be nice to watch. By using found
object you might be limited to how much you can move them.
What imaginative or inventive animations have you seen which use this format?
Add in links and screen shots of three examples of animations using this format.
https://www.youtube.com/watch?v=qBjLW5_dGAM this short clip is called Western
Spaghetti by PES. They have taken every day object and making Spaghetti out of them.
https://www.youtube.com/watch?v=C3Ue1AXSzyw this clip is called Animated In Bed Wonderful Stop Motion. This stop motion is also using people.
https://www.youtube.com/watch?v=MPNlg-cgLgE - this stop motion is called Stop-Motion

Karate. The start of it isnt stop motion but then the guys start fighting and it becomes stop
motion. They use people in this stop motion which made it easy for them to film because
they can be easily moved.
https://www.youtube.com/watch?v=J6jvxjqtny8 this stop motion is called Christmas Stop

Motion Animation (Jingle Baby) they use little toy snow men that cant move other than
forward and back.
Subject
What will the subject of your animation be?
The subject of my animation is a music video. My genre for my music video is romantic.
Storyline
Describe the storyline of your animation. What events will happen to your characters?
Theres one main character who is guy. He is in love with this girl character and it shows
them being all happy. Then he is walking in town one day and he sees her with someone
else. The main guy gets really angry and starts yelling at the girl then the other guy steps in
and starts beating the guy up. Then he is half broken on the floor. It takes a while for him to
get better again but when he gets his life back on track the girl mannequin decides to come
back into his life and the ending sense is him deciding whether to go for her or not.
Characters
What characters will be in your animation?
There will be three characters. Two guys and one girl.
Complete the character profiles for each character in your animation
Name:
M/F:
Age
Costume:
Guy 1
M
28
None
Occupation:
He works in the city, 9 till 5, working as an accountant. He really

wanted to become a lawyer but wasnt clever enough to get into
university to do law.
Hobbies:
He enjoys being outside, at the weekends he goes cycling with his

friends and joins in football matches. He is a very active person. He
loves going on long walks. He walks home from work every day just
to enjoy the fresh air.
His parents both died when he was 10 in a car crash. He lived with
his grandparents until he was 11 then he got sent to boarding where
he stayed until he was 18. He went to university where he got a
degree in finance. Then started a job in the city.
Character
Background:
Name:
M/F:
Age
Costume:
Girl 1
F
27
none
Occupation:
She works in Harrods in London most days except Friday Saturday

and Sunday. She works as a shop assistant there. She wanted to
become a model but her modeling career never took off due to the
fact she wants tall enough.
Hobbies:
She enjoys swimming and going to the gym in her feel time. She
loves going out for dinner, she will usually go with anyone who asks
her. She goes out to bars every weekends to meet friends or to
make new ones. She loves to socialize.
Character
Background:
Brought up by both her parents in the city. Her mama doesnt need
to work but she runs her own shop. Her father is a very successful
lawyer. She is an only child. They spend their holidays either skiing
or in the sun.
Add in images and drawings/ sketches of what they will look like.
What will they be made of?

They are wooden art mannequins that arts use to draw from. You can buy them in any art
store or online.
Movement of characters
How are you going to make your characters move?

The wooden mannequins have joints on their knees, elbows and feet. This will make it easy
for me to use them in my production.
What is the purpose of an armature?

An armature is something that helps the movement of clay models that are used in big
productions. They are put there to help move the clay object without them falling apart.
Aardman use armatures to help them move their characters just little bits at a time so they
dont fall or brake off because fixing them will cost them more time and money.
Will you use them for your characters?

No I wont be using an armature because my characters are already bigger versions of
armatures so they dont need any.
If so, how will you make it?
Mood board
Create a mood board showing what look your animation will have. Add images showing
ideas of mise-en-scene, characters, costumes and colours that will be present in the
different shots.
Sets / backgrounds
Will your set be;
A three wall set
A blue/green screen
An existing location
A Combination of two or more of the above
Draw sketches of how your sets/backgrounds will look. Add in labels to your diagrams and
details of locations / lighting etc.
Add in photographs of your sets/backgrounds.
Audio and Soundtrack

What audio will you have for your animation?
As my animation is a music video I will have a song called with you- Jonah Johnson.
Complete the sound list, detailing what sounds you will use, where you will source them,
what equipment you will need to record them and when you will use them in your animation.
You will need to design your own soundtrack. You cannot use copyrighted music, and it
must be more than simply adding a track.
What actions will need sound effects?
Think of the scenes in your animation. Each scene should have different sounds/music to
give information about the mood / emotions of the characters.
Sound Table song

With You - Jonah Johnson
Production Name:
Producer:
Shot
Action
Description
of Sound
Diegetic/non/diegetic
Atmosphere
created
Musice type
and
atmosphere
All
All
Song
All
Romantic
With youJonah
Johnson
Props List
What props / models / furniture etc will you need to make your animation?
PROPS LIST
Production Name:
Producer:
Item
Script page
Description
Character/location
sofa
A sofa
Girl 1 and guy 1
bench
Bench made out

of jenga
Guy 1 and girl 1
A ring
Tin foil ring
Guy 1 and girl 1
Mirror
Mirror made out

of tin foil
Guy 1
Table and
chair
Chair and table
Guy 1 and
interviewer
house
Made out of
cardboard
Guy 1
Notes
Audience
Define the following characteristics of your audience;
Gender
There is no specific gender to my production but I feel some boys will be able to relate to it
more then to others.
Age
Over 16 because anyone under 16 probably wouldnt understand what is going on and might
influence them in the wrong ways.
Interests
The type of interests the audience would have are people who like going on walks and being
with there friends.
What forms of animation might they already watch?

They wouldnt watch childrens animation. They would watch animations like the Tim burton
movies and Aardman animations because they have good adult humor and this is the type of
audience that will watch my animation.
What images do you think they enjoy watching?

The type of images they would enjoy is romantic images and stories that have meaning as
my animation has a lot of emotion in it.
https://www.youtube.com/watch?v=G5Mv2iV0wkU&index=3&list=PLRNGf69jPtYLyoCALT1l
1_5H6O2AaqkAH this is an example for the type of music videos they would like.
What might they consider distasteful or offensive?

They would be offended by Swearing and too much violence that isnt needed. In my
production there is only music that is the only sound so they wont be offended by anything.
How will you ensure that your animation will suit your chosen audience?
I will do this by making sure that my animation doesnt become to violent or over the top
about anything specific topics. I will make my animation exciting and plain. I will tell an
interesting story to keep the audience attention.
How will they physically watch your animation? (i.e in an exhibition format, on screen,
projection, online?)
My animation will be available online. It will be on YouTube channels and Vimeo for people
who want to listen to the song can watch and they can enjoy my animation.
I sent out a survey monkey for people to tell me what age group they throught would be most
appropriate for. The results I got back were the ones I wanted because it was the same as the group
group I chose for it. They also wrote how it would be inappropriate for people under the age of 12
because they wouldnt understand it.
https://www.surveymonkey.co.uk/r/HL3YX7H this is the lynk to my survey monkey.
Storyboard
Who?
Complete a storyboard for your animation.
Where?
Which
characters/
objects are in
the scene?
What is the
location for the
shot?
Say What?
Lighting
Is there any
dialogue/text?
Natural
Ambient
Torchlight
Spotlight
Direction of
light?
And
then.?
What happens?
Describe the
action.
Camera?
Time?
What is the
camera angle?
Duration of the
shot / number
of frames
action is held
for.
Is there any
movement from
the camera?

Think carefully about the shots you will be using. Consider the range of shots/angles
to give interest and perspective
Shots
Camera Angles
Extreme long shot

Long Shot
Medium Shot
Two Shot
Over the Shoulder
Medium Close up
Close up
Extreme close up
Birds-eye view
High angle
Eye-level
Low angle
Oblique / canted angle
Worms-eye view
Ground Shot
Movement
Editing
Pan
Tilt
Tracking Shot
Zoom
Montage
Cross cutting
Match cut
Shot, reverse shot
Eye-line match
Jump cut
Tracking shot

You will need to convey all movements and actions. Copy and paste the storyboard to
make it as long as you need to show all the detail of your animation.
You will need to add pages to this section for your full storyboard
Frame Rates
What is the duration of your animation in minutes? (minimum 30 seconds)
My animation will be around 1 minute and 30 seconds
In seconds?
My animation will be 90 seconds long.
How many frames per second for video?

15 x 60= 900
900 2 = 450
900 + 450= 1350
For my whole animation I will have 1350 frames
There are 60 seconds in a minute. How many frames (ie. Individual photos) will you
need to take?
For my stop motion I will use 15 frames per second because if I did any less it would look
any good.
Lighting Design
Where will you be photographing your animation?

I will be creating my animation at home in maidenhead.
SL6 6LP
Does it have natural daylight?

I will be filming it in my room which has a window that brings in natural light. But to add effect
I will use spot lights. To change the mood, I will add different colored gels to the lights to help
the audience know what to feel. For example, using a red light to show anger.
If so, you will need to block this out. Explain why.

I will have to block this out because I wont be able to control the amount of light coming. If I
am filming over a few days the natural light might change depending on the weather which
will mess up my animation because the lighting wont look the same.
Do you have a constant light source(s) such as a lamp?

I will use lamps in my stop motion so I can be in control of the amount of light that will be in
it.
Where will you place your light source(s) to create interesting effects?
To make it interesting I could place the light source on the side of the production instead of it
hanging over. I could use this when guy 1 sees girl 1 with guy 2 to show how happy they are
together and how low guy 1 is.
(LO3)
Frame numbers
You will need to label your images as frames
The first 24 frames will be written as;
0_1
0_2 etc etc
the following 24 will be

1_1
1_2
1_3
Ensure your clips are labeled as such. Screen shot the folder your clips are in, and copy the
image underneath.
Dope sheets
A dope sheet is an animation tool which helps a animator organise the animation shot-byshot.
This gives the camera operator instructions on each shot type and how many frames this will
be used for.
A dope sheet is usually split into 5 different sections.
To indicate what action occurs on which frame number

To see what action is happening in this shot.
To see what dialogue used in this scene.
To show what level of animation is happening.
To give camera instructions (angle).
For example;
Because you will be working with video, you will be using 30fps. You will need to complete a
dope sheet for EVERY SECOND of your animation.
i.e, if you make a 30 second animation, you will need to complete 30 dope sheets.
This will be a time-consuming task, but it will help you understand what will need to
happen in each of the shots you take. The higher marks will come from a detailed and
careful collection of dope sheets. For example, if your characters speaks, you will need to
show the mouth forming every shape in order to look effective.
Frame
0_1
Path of action
Man walks to sofa
Dialogue /
Soundtrack cue
With you- Jonah
Johnson
0_2
With you- Jonah

Johnson
0_3
With you- Jonah

Johnson
0_4
With you- Jonah

Johnson
0_5
With you- Jonah

Johnson
0_6
With you- Jonah

Johnson
0_7
With you- Jonah

Johnson
0_8
With you- Jonah

Johnson
0_9
With you- Jonah

Johnson
0_10
With you- Jonah

Johnson
0_11
With you- Jonah

Johnson
0_12
With you- Jonah

Johnson
0_13
With you- Jonah

Johnson
Frame
Path of action
Dialogue /
Soundtrack cue
1_1
With you- Jonah

Johnson
1_2
With you- Jonah

Johnson
1_3
With you- Jonah

Johnson
1_4
With you- Jonah

Johnson
1_5
With you- Jonah

Johnson
Animation
Camera
instructions
Man walking
Mid-shot
Animation
Camera
instructions

1_6
With you- Jonah

Johnson
1_7
With you- Jonah

Johnson
1_8
With you- Jonah

Johnson
1_9
Man sits on sofa with

girlfriend
With you- Jonah

Johnson
1_10
With you- Jonah

Johnson
1_11
With you- Jonah

Johnson
1_12
With you- Jonah

Johnson
1_13
With you- Jonah

Johnson
Frame
Path of action
Dialogue /
Soundtrack
cue
2_1
With you- Jonah

Johnson
2_2
With you- Jonah

Johnson
2_3
With you- Jonah

Johnson
2_4
With you- Jonah

Johnson
2_5
With you- Jonah

Johnson
2_6
With you- Jonah

Johnson
2_7
With you- Jonah

Johnson
2_8
With you- Jonah

Johnson
2_9
With you- Jonah

Johnson
2_10
2_11
Man and woman cuddle

on the sofa
With you- Jonah

Johnson
With you- Jonah
Man moved to
sit on sofa
Mid-shot
Animation
Camera
instructions
Sitting on sofa
Mid- shot

Johnson
2_12
With you- Jonah

Johnson
2_13
With you- Jonah

Johnson
5_1
With you- Jonah

Johnson
5_2
With you- Jonah

Johnson
5_3
With you- Jonah

Johnson
5_4
With you- Jonah

Johnson
5_5
With you- Jonah

Johnson
5_6
With you- Jonah

Johnson
5_7
With you- Jonah

Johnson
5_8
With you- Jonah

Johnson
5_9
With you- Jonah

Johnson
5_10
With you- Jonah

Johnson
5_11
With you- Jonah

Johnson
5_12
With you- Jonah

Johnson
5_13
With you- Jonah

Johnson
6_1
With you- Jonah

Johnson
6_2
Man and woman kiss on

the sofa
With you- Jonah

Johnson
Sat kissings on
the sofa
Close up

6_3
With you- Jonah

Johnson
6_4
With you- Jonah

Johnson
6_5
With you- Jonah

Johnson
6_6
With you- Jonah

Johnson
6_7
With you- Jonah

Johnson
6_8
Man and woman on a

walk in the park
With you- Jonah

Johnson
6_9
With you- Jonah

Johnson
6_10
With you- Jonah

Johnson
6_11
With you- Jonah

Johnson
6_12
With you- Jonah

Johnson
6_13
With you- Jonah

Johnson
7_1
With you- Jonah

Johnson
7_2
With you- Jonah

Johnson
7_3
With you- Jonah

Johnson
7_4
With you- Jonah

Johnson
7_5
With you- Jonah

Johnson
7_6
With you- Jonah

Johnson
7_7
With you- Jonah

Johnson
7_8
With you- Jonah

Johnson
Walking in the
park
Wide- shot

7_9
With you- Jonah

Johnson
7_10
With you- Jonah

Johnson
7_11
With you- Jonah

Johnson
7_12
With you- Jonah

Johnson
7_13
With you- Jonah

Johnson
8_1
With you- Jonah

Johnson
8_2
With you- Jonah

Johnson
8_3
With you- Jonah

Johnson
8_4
With you- Jonah

Johnson
8_5
With you- Jonah

Johnson
8_6
Man and woman stop

walking in the park
With you- Jonah

Johnson
8_7
With you- Jonah

Johnson
8_8
With you- Jonah

Johnson
8_9
With you- Jonah

Johnson
8_10
With you- Jonah

Johnson
8_11
With you- Jonah

Johnson
8_12
With you- Jonah

Johnson
8_13
Man and woman kiss in

the park
With you- Jonah

Johnson
Standing in the
park
Wide-shot
Kissing in the
park
Mid-shot

9_1
With you- Jonah

Johnson
9_2
With you- Jonah

Johnson
9_3
With you- Jonah

Johnson
9_4
With you- Jonah

Johnson
9_5
With you- Jonah

Johnson
9_6
With you- Jonah

Johnson
9_7
With you- Jonah

Johnson
9_8
With you- Jonah

Johnson
9_9
With you- Jonah

Johnson
9_10
With you- Jonah

Johnson
9_11
Man and woman continue With you- Jonah

walking in the park
Johnson
9_12
With you- Jonah

Johnson
9_13
With you- Jonah

Johnson
10_1
With you- Jonah

Johnson
10_2
With you- Jonah

Johnson
10_3
With you- Jonah

Johnson
10_4
With you- Jonah

Johnson
10_5
With you- Jonah

Johnson
10 _6
With you- Jonah

Johnson
Carry on
walking
Wide-shot

10_7
With you- Jonah

Johnson
10_8
With you- Jonah

Johnson
10_9
With you- Jonah

Johnson
10_10
With you- Jonah

Johnson
10_11
With you- Jonah

Johnson
10_12
With you- Jonah

Johnson
10_13
With you- Jonah

Johnson
11_1
With you- Jonah

Johnson
11_2
With you- Jonah

Johnson
11_3
With you- Jonah

Johnson
11_4
Man and woman find a

bench and the woman
goes to sit on it
With you- Jonah

Johnson
11_5
With you- Jonah

Johnson
11_6
With you- Jonah

Johnson
11_7
With you- Jonah

Johnson
11_8
With you- Jonah

Johnson
11_9
With you- Jonah

Johnson
11_10
With you- Jonah

Johnson
11_11
11_12
Man and woman are sat

on the bench
With you- Jonah

Johnson
With you- Jonah
Johnson
Finds a bench
Wide-shot
Sat on bench
Mid-shot

11_13
With you- Jonah

Johnson
12_1
With you- Jonah

Johnson
12_2
Man gets on one knee

and proposes
With you- Jonah

Johnson
12_3
With you- Jonah

Johnson
12_4
With you- Jonah

Johnson
12_5
With you- Jonah

Johnson
12_6
With you- Jonah

Johnson
12_7
With you- Jonah

Johnson
12_8
With you- Jonah

Johnson
12_9
Woman stands to say yes With you- Jonah

too man
Johnson
12_10
With you- Jonah

Johnson
12_11
With you- Jonah

Johnson
12_12
With you- Jonah

Johnson
12_13
With you- Jonah

Johnson
13_1
Both stand and look at

the ring
With you- Jonah

Johnson
13_2
With you- Jonah

Johnson
13_3
With you- Jonah

Johnson
13_4
With you- Jonah

Johnson
Man is kneeing
Wide-shot
Woman stands
Wide-shot
Both standing
Wide-shot

13_5
Man and woman hug
With you- Jonah

Johnson
13_6
With you- Jonah

Johnson
13_7
With you- Jonah

Johnson
13_8
Man and woman kiss

after her saying yes
With you- Jonah

Johnson
13_9
With you- Jonah

Johnson
13_10
With you- Jonah

Johnson
13_11
With you- Jonah

Johnson
13_12
With you- Jonah

Johnson
13_13
With you- Jonah

Johnson
14_1
Man is walking to work
With you- Jonah

Johnson
14_2
With you- Jonah

Johnson
14_3
With you- Jonah

Johnson
14_4
With you- Jonah

Johnson
14_5
With you- Jonah

Johnson
14 _6
With you- Jonah

Johnson
14_7
With you- Jonah

Johnson
14_8
With you- Jonah

Johnson
14_9
With you- Jonah

Johnson
14_10
With you- Jonah

Johnson
Hugging
Mid-shot
Standing and
kissing
Close up
Walking by
bricks
Wide- shot

14_11
With you- Jonah

Johnson
14_12
With you- Jonah

Johnson
14_13
With you- Jonah

Johnson
15_1
With you- Jonah

Johnson
15_2
With you- Jonah

Johnson
15_3
With you- Jonah

Johnson
15_4
With you- Jonah

Johnson
15_5
With you- Jonah

Johnson
15 _6
With you- Jonah

Johnson
15_7
With you- Jonah

Johnson
15_8
Man sees woman with a

different man
With you- Jonah

Johnson
15_9
With you- Jonah

Johnson
15_10
With you- Jonah

Johnson
15_11
With you- Jonah

Johnson
15_12
With you- Jonah

Johnson
15_13
With you- Jonah

Johnson
16_1
With you- Jonah

Johnson
16_2
With you- Jonah
Man spots
woman with
man
Wide-shot

Johnson
16_3
With you- Jonah

Johnson
16_4
With you- Jonah

Johnson
16_5
Man stops and looks at

her and asks why
With you- Jonah

Johnson
16 _6
With you- Jonah

Johnson
16_7
With you- Jonah

Johnson
16_8
With you- Jonah

Johnson
16_9
With you- Jonah

Johnson
16_10
With you- Jonah

Johnson
16_11
With you- Jonah

Johnson
16_12
Woman starts to
approach the man
With you- Jonah

Johnson
16_13
With you- Jonah

Johnson
17_1
With you- Jonah

Johnson
17_2
With you- Jonah

Johnson
17_3
With you- Jonah

Johnson
17_4
With you- Jonah

Johnson
17_5
With you- Jonah

Johnson
17 _6
With you- Jonah

Johnson
17_7
With you- Jonah

Johnson
Man stood still

looking at man
and woman
Close-up
Woman walking
to man slowly
Wide-shot

17_8
Man and woman standing With you- Jonah

Johnson
17_9
With you- Jonah

Johnson
17_10
With you- Jonah

Johnson
17_11
With you- Jonah

Johnson
17_12
With you- Jonah

Johnson
17_13
With you- Jonah

Johnson
18_1
With you- Jonah

Johnson
18_2
With you- Jonah

Johnson
18_3
With you- Jonah

Johnson
18_4
With you- Jonah

Johnson
18_5
Woman hands back the

ring to the man
With you- Jonah

Johnson
18 _6
With you- Jonah

Johnson
18_7
With you- Jonah

Johnson
18_8
With you- Jonah

Johnson
18_9
With you- Jonah

Johnson
18_10
With you- Jonah

Johnson
18_11
With you- Jonah

Johnson
18_12
With you- Jonah

Johnson
18_13
With you- Jonah
Stood in front of
each other
Mid-shot
She stands in
front of him
handing back
the ring
Mid-shot

Johnson
19_1
With you- Jonah

Johnson
19_2
With you- Jonah

Johnson
19_3
With you- Jonah

Johnson
19_4
With you- Jonah

Johnson
19_5
With you- Jonah

Johnson
19 _6
With you- Jonah

Johnson
19_7
Man stood holding the

ring woman walks away
19_8
19_9
With you- Jonah

Johnson
Man standing
whilst woman
walks away
Mid-shot
Man stood still
Close-up
With you- Jonah

Johnson
Man looks at the ring
With you- Jonah

Johnson
19_10
With you- Jonah

Johnson
19_11
With you- Jonah

Johnson
19_12
With you- Jonah

Johnson
19_13
With you- Jonah

Johnson
20_1
With you- Jonah

Johnson
20_2
With you- Jonah

Johnson
20_3
With you- Jonah

Johnson
20_4
With you- Jonah

Johnson
20_5
With you- Jonah

Johnson
20 _6
With you- Jonah

Johnson
20_7
With you- Jonah

Johnson
20_8
With you- Jonah

Johnson
20_9
Man throws ring on the

floor
With you- Jonah

Johnson
20_10
With you- Jonah

Johnson
20_11
With you- Jonah

Johnson
20_12
With you- Jonah

Johnson
20_13
Man turns around to look

at the woman
With you- Jonah

Johnson
21_1
With you- Jonah

Johnson
21_2
With you- Jonah

Johnson
21_3
With you- Jonah

Johnson
21_4
Man goes to hit woman

and other man steps in to
stop him
With you- Jonah

Johnson
21_5
With you- Jonah

Johnson
21 _6
With you- Jonah

Johnson
21_7
With you- Jonah

Johnson
21_8
With you- Jonah

Johnson
21_9
With you- Jonah

Johnson
21_10
With you- Jonah

Johnson
21_11
With you- Jonah
Man stood with

ring on the floor
Mid-shot
Man turns
around
Wide-shot
Man goes to hit

woman and
other guy stops
him
Wide-shot

Johnson
21_12
Other man pushes over

man who went to hit the
woman
With you- Jonah

Johnson
21_13
With you- Jonah

Johnson
22_1
With you- Jonah

Johnson
22_2
With you- Jonah

Johnson
22_3
With you- Jonah

Johnson
22_4
With you- Jonah

Johnson
22_5
With you- Jonah

Johnson
22 _6
With you- Jonah

Johnson
22_7
With you- Jonah

Johnson
22_8
With you- Jonah

Johnson
22_9
With you- Jonah

Johnson
22_10
With you- Jonah

Johnson
22_11
With you- Jonah

Johnson
22_12
Man is on the floor

because the other man
pushed him over
With you- Jonah

Johnson
22_13
With you- Jonah

Johnson
23_1
With you- Jonah

Johnson
23_2
With you- Jonah

Johnson
23_3
With you- Jonah

Johnson
Other man
Mid-shot
pushes over one
man
Man lying on the

floor
Close up

23_4
With you- Jonah

Johnson
23_5
With you- Jonah

Johnson
23 _6
With you- Jonah

Johnson
23_7
Other man and woman

With you- Jonah
walk away and leave man Johnson
on the floor
23_8
With you- Jonah

Johnson
23_9
With you- Jonah

Johnson
23_10
With you- Jonah

Johnson
23_11
With you- Jonah

Johnson
23_12
With you- Jonah

Johnson
23_13
With you- Jonah

Johnson
24_1
With you- Jonah

Johnson
24_2
With you- Jonah

Johnson
24_3
With you- Jonah

Johnson
24_4
With you- Jonah

Johnson
24_5
With you- Jonah

Johnson
24 _6
With you- Jonah

Johnson
24_7
With you- Jonah

Johnson
24_8
With you- Jonah

Johnson
24_9
With you- Jonah

Johnson
24_10
With you- Jonah
Man still on the

floor and people
walk away
Mid-shot

Johnson
24_11
Other Man and woman

have left and man left on
the floor
With you- Jonah

Johnson
24_12
With you- Jonah

Johnson
24_13
With you- Jonah

Johnson
25_1
With you- Jonah

Johnson
25_2
With you- Jonah

Johnson
25_3
With you- Jonah

Johnson
25_4
With you- Jonah

Johnson
25_5
Man sits up
With you- Jonah

Johnson
25 _6
With you- Jonah

Johnson
25_7
With you- Jonah

Johnson
25_8
man picks up the ring and With you- Jonah

looks at it
Johnson
25_9
With you- Jonah

Johnson
25_10
With you- Jonah

Johnson
25_11
With you- Jonah

Johnson
25_12
With you- Jonah

Johnson
25_13
With you- Jonah

Johnson
26_1
With you- Jonah

Johnson
26_2
With you- Jonah

Johnson
Man left on the

floor
Mid-shot
Man sits up
Close-up
Man sat looking

at the ring
Close-up

26_3
With you- Jonah

Johnson
26_4
With you- Jonah

Johnson
26_5
Man throws ring away
With you- Jonah

Johnson
26 _6
With you- Jonah

Johnson
26_7
With you- Jonah

Johnson
26_8
Man lies down
With you- Jonah

Johnson
26_9
With you- Jonah

Johnson
26_10
With you- Jonah

Johnson
26_11
People start to walk past

him
With you- Jonah

Johnson
26_12
With you- Jonah

Johnson
26_13
With you- Jonah

Johnson
27_1
With you- Jonah

Johnson
27_2
With you- Jonah

Johnson
27_3
With you- Jonah

Johnson
27_4
With you- Jonah

Johnson
27_5
With you- Jonah

Johnson
27 _6
With you- Jonah

Johnson
27_7
With you- Jonah

Johnson
27_8
With you- Jonah

Johnson
27_9
With you- Jonah

Johnson
Man throws ring
Close-up
Man lies down
Mid-shot
People walk
past
Wide-shot

27_10
A blanket covers him

whilst his asleep on the
street
With you- Jonah

Johnson
27_11
With you- Jonah

Johnson
27_12
With you- Jonah

Johnson
27_13
With you- Jonah

Johnson
28_1
With you- Jonah

Johnson
28_2
With you- Jonah

Johnson
28_3
With you- Jonah

Johnson
28_4
With you- Jonah

Johnson
28_5
With you- Jonah

Johnson
28 _6
With you- Jonah

Johnson
28_7
With you- Jonah

Johnson
28_8
Man gets up and looks

around
With you- Jonah

Johnson
28_9
With you- Jonah

Johnson
28_10
With you- Jonah

Johnson
28_11
Man walks away
With you- Jonah

Johnson
28_12
With you- Jonah

Johnson
28_13
With you- Jonah

Johnson
29_1
With you- Jonah

Johnson
29_2
With you- Jonah

Johnson
Lying on the
street with a
blanket
Wide-shot
Man looks
around
Wide-shot
Man walks away
Wide-shot

29_3
With you- Jonah

Johnson
29_4
With you- Jonah

Johnson
29_5
With you- Jonah

Johnson
29 _6
With you- Jonah

Johnson
29_7
With you- Jonah

Johnson
29_8
With you- Jonah

Johnson
29_9
Man walks over to the

mirror and shaves his
beard off
With you- Jonah

Johnson
29_10
With you- Jonah

Johnson
29_11
With you- Jonah

Johnson
29_12
With you- Jonah

Johnson
29_13
With you- Jonah

Johnson
30_1
Man gets in shower
30_2
30_3
With you- Jonah

Johnson
Man gets out of shower
With you- Jonah

Johnson
With you- Jonah
Johnson
30_5
With you- Jonah

Johnson
30 _6
With you- Jonah

Johnson
30_7
With you- Jonah

Johnson
30_9
Mid-shot
Man gets In
shower
Wide-shot
Man gets out

shower
Wide-shot
Man dries
himself
Mid-shot
With you- Jonah

Johnson
30_4
30_8
Man look sin

mirror
Man dries himself
With you- Jonah

Johnson
With you- Jonah

Johnson
30_10
With you- Jonah

Johnson
30_11
With you- Jonah

Johnson
30_12
With you- Jonah

Johnson
30_13
With you- Jonah

Johnson
31_1
With you- Jonah

Johnson
31_2
With you- Jonah

Johnson
31_3
Man walks out of shower

room
With you- Jonah

Johnson
31_4
With you- Jonah

Johnson
31_5
With you- Jonah

Johnson
31 _6
With you- Jonah

Johnson
31_7
With you- Jonah

Johnson
31_8
With you- Jonah

Johnson
31_9
With you- Jonah

Johnson
31_10
With you- Jonah

Johnson
31_11
Man walks into sofa room
With you- Jonah

Johnson
31_12
With you- Jonah

Johnson
31_13
With you- Jonah

Johnson
32_1
With you- Jonah

Johnson
32_2
With you- Jonah
Man walks out
Wide-shot
Man walks into

sofa room
Wide-shot

Johnson
32_3
With you- Jonah

Johnson
32_4
With you- Jonah

Johnson
32_5
With you- Jonah

Johnson
32 _6
With you- Jonah

Johnson
32_7
With you- Jonah

Johnson
32_8
With you- Jonah

Johnson
32_9
With you- Jonah

Johnson
32_10
Man sits on the sofa
32_11
With you- Jonah

Johnson
Man sits on the

sofa
Wide-shot
With you- Jonah

Johnson
32_12
Man gets up because he

hears someone at the
door
With you- Jonah

Johnson
Man stands up
Wide-shot
32_13
Man walks to the door
With you- Jonah

Johnson
Man walks to
the door
Wide-shot
33_1
With you- Jonah

Johnson
33_2
With you- Jonah

Johnson
33_3
With you- Jonah

Johnson
33_4
With you- Jonah

Johnson
33_5
With you- Jonah

Johnson
3 3_6
With you- Jonah

Johnson
33_7
With you- Jonah

Johnson
33_8
With you- Jonah

Johnson

33_9
With you- Jonah

Johnson
33_10
With you- Jonah

Johnson
33_11
With you- Jonah

Johnson
33_12
Man opens the door
33_13
34_1
He sees the woman

standing at the door
He asks what she wants
With you- Jonah

Johnson
See woman
standing at the
door
Wide-shot
With you- Jonah

Johnson
Talks to woman
Mid-shot
She speaks
Mid-shot
He speaks back
Mid-shot
With you- Jonah

Johnson
She says she wants him
back
34 _6
34_7
Wide-shot
With you- Jonah

Johnson
34_4
34_5
Man opens the

door
With you- Jonah

Johnson
34_2
34_3
With you- Jonah

Johnson
With you- Jonah

Johnson
With you- Jonah
Johnson
He says no
With you- Jonah

Johnson
34_8
With you- Jonah

Johnson
34_9
With you- Jonah

Johnson
34_10
With you- Jonah

Johnson
34_11
With you- Jonah

Johnson
34_12
He shuts the door
With you- Jonah

Johnson
Shuts door
Mid-shot
34_13
He walks away
With you- Jonah

Johnson
He walks away
Wide-shot
Copy and paste as many dope sheets as you need. Remember to change the frame
numbering so that the first number refers to the second of animation ie, 1_24 is the 24th
frame of the first second, 3_17 is the 17th frame of the 3rd second.

Liaising with client (write notes on discussions between you and your client)

Stop Motion Animation Production Booklet

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Dokumentinformationen

Originaltitel

Copyright

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Dokument teilen oder einbetten

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Copyright:

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Stop Motion Animation Production Booklet

Hochgeladen von

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Stop Motion Animation Pre-production Booklet

Pre-Production Booklet for Animation

Mind maps of ideas

Format of your animation

Subject and storyline

Character notes and profiles

Audio and soundtrack

Storyboard and script (add script to booklet)

Stop Motion Animation Pre-production Booklet

How to use this booklet

Both LO2 and LO3

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

How will you meet the requirements of your brief?

Stop Motion Animation Pre-production Booklet

Set could catch

Please leave this section blank:

Stop Motion Animation Pre-production Booklet

Use of possible formats

Why are you using that particular format?

Stop Motion Animation Pre-production Booklet

https://www.youtube.com/watch?v=MPNlg-cgLgE - this stop motion is called Stop-Motion

https://www.youtube.com/watch?v=J6jvxjqtny8 this stop motion is called Christmas Stop

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Complete the character profiles for each character in your animation

He works in the city, 9 till 5, working as an accountant. He really

He enjoys being outside, at the weekends he goes cycling with his

She works in Harrods in London most days except Friday Saturday

Stop Motion Animation Pre-production Booklet

What will they be made of?

Stop Motion Animation Pre-production Booklet

How are you going to make your characters move?

What is the purpose of an armature?

Will you use them for your characters?

If so, how will you make it?

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

A three wall set

A Combination of two or more of the above

Stop Motion Animation Pre-production Booklet

Add in photographs of your sets/backgrounds.

Stop Motion Animation Pre-production Booklet

Stop Motion Animation Pre-production Booklet

Audio and Soundtrack

What actions will need sound effects?

Stop Motion Animation Pre-production Booklet

Sound Table song

Stop Motion Animation Pre-production Booklet

Girl 1 and guy 1

Bench made out

Guy 1 and girl 1

Tin foil ring

Guy 1 and girl 1

Mirror made out

Chair and table

Stop Motion Animation Pre-production Booklet

What forms of animation might they already watch?

What images do you think they enjoy watching?

What might they consider distasteful or offensive?

Stop Motion Animation Pre-production Booklet