Beruflich Dokumente
Kultur Dokumente
Vibrational Spectroscopy
journal homepage: www.elsevier.com/locate/vibspec
Microchemistry and Microscopy Art Diagnostic Laboratory, University of Bologna, via Guaccimanni 42, 48100 Ravenna, Italy
Department of Chemical Engineering, Imperial College London, London, SW7 2AZ, UK
c
Istituto Superiore per la Conservazione e il Restauro, Piazza San Francesco di Paola 9, 00184 Rome, Italy
b
a r t i c l e
i n f o
Article history:
Received 11 March 2010
Received in revised form 19 April 2010
Accepted 19 April 2010
Available online 28 April 2010
Keywords:
Fourier transform infrared spectroscopy
Attenuated total reection
Imaging
FTIR imaging
ATR microscopy
Conservation studies
Painting materials
a b s t r a c t
Macro-attenuated total reection Fourier transform infrared (ATR-FT-IR) spectroscopic imaging is presented as non-destructive analytical methodology with respect to the sample for the study of paint
surfaces. This paper illustrates new opportunities offered by a conventional diamond ATR accessory coupled with a focal plane array detector to obtain chemical images of multi-layered paint cross-sections.
The use of a large internal reection element permits to increase the eld of view of the imaging area
up to 700 m 500 m and to obtain FT-IR images of the complete stratigraphy of the sample. This
approach represents a versatile analytical tool to determine the composition of the inorganic and organic
painting materials and to obtain information on their distribution within the different layers. In the
optical arrangement used, a spatial resolution of approximately 15 m is achieved without the use of
infrared microscope. This study demonstrates the possibilities offered by macro-ATR-FT-IR imaging for
a simple identication of the different compounds present in paint cross-sections before performing
further molecular and elemental analyses which may be time consuming or require particular sample
preparation.
2010 Elsevier B.V. All rights reserved.
1. Introduction
Fourier transform infrared (FT-IR) spectroscopy is commonly
used for the study of the inorganic and organic components of
paintings and represents a useful analytical tool in the understanding of painting techniques, state of conservation and causes of
degradation. The characterisation of the pigmentbinder interactions and degradation processes taking place within the complex
multi-layered paint structures is generally carried out on crosssectioned micro-samples collected from paintings. FT-IR imaging,
which makes use of a focal plane array (FPA) detector, is one of
the few methods, providing both spectral and spatial information
on the characterisation and distribution of the different painting
materials within each individual paint layer constituting a complex
heterogeneous matrix. In particular the combination of attenuated
total reection (ATR) FT-IR spectroscopy and an imaging system
provides an improvement of the spatial resolution due to the high
refractive index of the ATR crystal, according to the Rayleigh cri-
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Fig. 1. (a) View of the fragment under stereomicroscope; (b) FT-IR image representing the integrated absorbance of the natural resin band between 1270 and 1210 cm1 ;
(c) FT-IR image representing the integrated absorbance of the natural resin band between 1720 and 1685 cm1 ; (d) FT-IR image representing the integrated absorbance of
the oxalate band between 1355 and 1290 cm1 ; (e) FT-IR image representing the integrated absorbance of the sulphate band between 1215 and 1185 cm1 ; (f) FT-IR image
representing the integrated absorbance of the silicate band between 1100 and 1060 cm1 ; (g) FT-IR image representing the integrated absorbance of the amide II band
between 1570 and 1485 cm1 ; (h) FT-IR spectrum extracted from the top central area of b, marked sp1, compared with a reference spectrum of shellac; (i) FT-IR spectrum
extracted from the top right corner of d, marked sp2. The size of the FT-IR images is 700 m 500 m. The gure is available in colour in the online version via Science Direct.
Fig. 2. Detail of a cross-section from the polychrome sculpture (Fe2): (a) visible microscopic image; (b) image of sample under ultraviolet light; (c) FT-IR image created by
plotting the integrated absorbance of the embedding resin band between 1330 and 1200 cm1 ; (d) FT-IR image showing the distribution of the silicate integrated absorbance
between 1050 and 1000 cm1 ; (e) FT-IR image showing the distribution of the azurite integrated absorbance between 970 and 920 cm1 ; (f) FT-IR image showing the
distribution of the carbonate integrated absorbance between 1335 and 1440 cm1 ; (g) FT-IR image showing the distribution of the amide II integrated absorbance between
1580 and 1480 cm1 ; (h) FT-IR image showing the distribution of the triglycerides integrated absorbance between 1765 and 1725 cm1 ; (i) FT-IR spectrum extracted from
the right area of h, marked sp1. The size of the FT-IR images is 700 m 500 m. The gure is available in colour in the online version via Science Direct.
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Fig. 3. Detail of a cross-section from the terracotta altar-piece (MCR8): (a) visible microscopic image; (b) image of sample under ultraviolet light; (c) FT-IR image representing
the integrated absorbance of the natural resin band between 1330 and 1200 cm1 ; (d) FT-IR image representing the integrated absorbance of the gypsum band between 1175
and 1085 cm1 ; (e) FT-IR image representing the integrated absorbance of the carbonate band between 1440 and 1340 cm1 ; (f) FT-IR image representing the integrated
absorbance of the amide II band between 1570 and 1505 cm1 ; (g) FT-IR image representing the integrated absorbance of the fatty ester band between 1760 and 1720 cm1 ; (h)
FT-IR spectra of different areas of b, extracted from the inner layers 13, marked sp1 and from the top layers 57, marked sp2. The size of the FT-IR images is 700 m 500 m.
The gure is available in colour in the online version via Science Direct.
and a white ground layer 0 are visible (Fig. 2a). Under UV illumination, an uppermost brownish layer (layer 5, 15 m thick), which is
observed with difculties in the reected light microphotograph,
uoresces yellowish and a strong uorescence is also evident in
the white ground and light blue layers (Fig. 2b). Macro-ATR-FT-IR
imaging measurements have been performed and the whole data
cube has been analysed in order to obtain chemical images for
each identied painting material. In order to determine the area of
the cross-section which was analysed, an FT-IR image was created
for the polyester embedding resin by plotting distribution of the
integrated absorbance of the ( CO) band at 1253 cm1 (Fig. 2c).
The integrated absorbance of the SiO stretching band occurring
between 1050 and 1000 cm1 has been used to characterise a silicate based blue pigment (Fig. 2d). Azurite (a natural basic copper
carbonate blue pigment) has been dened by integrating the C O
bending at ca. 950 cm1 (Fig. 2e). Finally a distribution plot of lead
white (a basic lead carbonate), which has been already characterised by the authors in a previous work [23], has been obtained
by integrating the C O asymmetric stretching band between 1440
and 1340 cm1 . The carbonate absorption bands of lead white and
azurite are overlapped, resulting in an inaccurate image for the
localisation of lead white, which also represents the distribution
of azurite (Fig. 2f). On the other hand, the integration of the amide
II band at ca. 1530 cm1 has been used to plot the distribution of
a proteinaceous binder (Fig. 2g) which seems to be present in all
painting layers. The spectra collected from the dark blue outer layer
4 are additionally characterised by a carbonyl band at 1730 cm1 ,
associated with triglycerides, suggested the use of egg tempera as
binding medium (Fig. 2h). The same band is visible in the uppermost
layer 5 and a mixture of siccative oil and natural resin together with
proteinaceous materials seems to have been used as varnish. In fact,
the spectrum extracted from the red area in the layer 5, as shown in
Fig. 2i, points out the presence of triglycerides (1732 cm1 ) together
with some characteristic absorbance bands of a natural resin (1710,
1454, 1413, 1272 cm1 ) as well as the amide I (1635 cm1 ) and
amide II (1534 cm1 ) bands. Some degradation products, such as
oxalates at 1379, 1315 cm1 and deposition materials (silicates
at 1004, 981 cm1 and calcium sulphate at 1159, 1114 cm1 ) are
also present. The thickness of the painting layers in respect to the
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