Beruflich Dokumente
Kultur Dokumente
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Barbara and Michael Leisgen's work has been included nationally and internationally in important
exhibitions such as the 9th Biennale de Paris (1975); documenta 6 (1977); the 1985 exhibition Lisible/
Illisible at the Centre Georges Pompidou in Paris; and their 1987 and 2000 solo exhibitions at the
Ludwig Forum fr Internationale Kunst in Aachen, Germany.
Their work is discussed in numerous publications, including "Feminism Art Theory: An Anthology 1968 2014" (2015) by Hilary Robinson, "Video Art Historicized: Traditions and Negotiations (Studies in Art
Historiography)" by Malin Hedlin Hayden (2015), "Une introduction a l'art contemporain" by Philippe
Coubetergues (2005), "Le Corps photographi" by Jean-Paul Blanchet, Dimitri Konstantinidis, ... (1996),
"Le sentiment de paysage la fin du XXme sicle" by Bernard Ceysson (1977), "Chroniques de l'Art
Vivant" (1974), amidst others.
Their work been the subject of several publications - mostly in conjunction with exhibitions, such as "Les
Ecritures du Soleil (Sonnenschriften)" (1978), "Die gyptische Wand" (1980), "Stellungsspiel" (1987), "De
la beaut use : Barbara et Michael Leisgen, [exposition, Paris, Maison europenne de la photographie,
10 septembre-9 novembre 1997]" (1997), "Kunst-Landschaft 1969-2000" (2000), "Zeitsprung" (2000), and
"Positions" (2006).
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Eintauchen
#2/3
1972
three black and white silver gelatin prints
on baryta-coated paper, mounted on Dibond
#2/3 of an edition of 3
each 50 by 75 cm (ca. 19.75 by 29.5 in.)
Le Serpent
#2/3
1972
two black and white silver gelatin prints
on baryta-coated paper, mounted on Dibond
#2/3 of an edition of 3
each photograph 22 by 28 cm (ca. 8.75 by 11 in.)
framed together
framed dimensions 50 by 80 cm (ca. 19.75 by 31.5 in.)
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Mimesis
1972-2012
two black and white photographs, graphite drawing
UNIQUE WORK
each photograph ca. 22 by 28 cm (ca. 8.75 by 11 in.)
framed together
framed dimensions 125 by 35 cm (ca. 49.25 by 13.75 in.)
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Vogel / LOiseau
#1/3
1973
three black and white silver gelatin prints
on baryta-coated paper, mounted on Dibond
#1/3 of an edition of 3
each 50 by 75 cm (ca. 19.75 by 29.5 in.)
Rhombus
#3/3
1974
five black and white silver gelatin prints
on baryta-coated paper, mounted on Dibond
#3/3 of an edition of 3
each 50 by 60 cm (ca. 19.75 by 23.75 in.)
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Sauvez le Soleil
#3/3
1976
black and white silver gelatin print
on archival Epson paper, mounted on Dibond
#3/3 of an edition of 3
120 by 80 cm (ca. 47.25 by 31.5 in.)
This is the last available print of an edition of only 3 of this important photograph currently included in the
exhibition SUBLIME - LES TREMBLEMENTS DU MONDE at the Centre Pompidou Metz.
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Sonnensprung
1980
Cibachrome / Ilfochrome print
mounted on Dibond Diaplex
#4/5 of an edition of 5
100 by 100 cm (ca. 39.25 by 39.25 in.)
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Sonnenblume
1982
Cibachrome / Ilfochrome print
mounted on Dibond Diaplex
#4/5 of an edition of 5
100 by 100 cm (ca. 39.25 by 39.25 in.)
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