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(. ), 1895-1975, .
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y, NJ: AS Barnes & Company. ISBN 0-498-02317-6.
Casetti, Francesco (1999). Theories of Cinema, 1945 1995. Austin, TX: University o
f Texas Press. ISBN 0-292-71207-3.
Cook, Pam (2007). The Cinema Book, Third Edition. London: British Film Institute
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Faber, Liz. Walters, Helen (2003). Animation Unlimited: Innovative Short Films S
ince 1940. London: Laurence King, in association with Harper Design Internationa
l. ISBN 1-85669-346-5.
Hagener, Malte. Toteberg, Michael (2002). Film: An International Bibliography. S
tuttgart: Metzler. ISBN 3-476-01523-8.
Hill, John. Gibson, Pamela Church (1998). The Oxford Guide to Film Studies. Oxfo
rd; New York: Oxford University Press. ISBN 0-19-871124-7.
King, Geoff (2002). New Hollywood Cinema: An Introduction. New York: Columbia Un
iversity Press. ISBN 0-231-12759-6.
Ledoux, Trish, & Ranney, Doug, & Patten, Fred (1997). Complete Anime Guide: Japa
nese Animation Film Directory and Resource Guide. Issaquah, WA: Tiger Mountain P
ress. ISBN 0-9649542-5-7.
Merritt, Greg (2000). Celluloid Mavericks: A History of American Independent Fil
m. New York: Thunder's Mouth Press. ISBN 1-56025-232-4.
Nowell-Smith, Geoffrey (1999). The Oxford History of World Cinema. Oxford; New Y
ork: Oxford University Press. ISBN 0-19-874242-8.
Rocchio, Vincent F. (2000). Reel Racism: Confronting Hollywood's Construction of
Afro-American Culture. Boulder, CO: Westview Press. ISBN 0-8133-6710-7.
Schrader, Paul (Spring 1972). Notes on Film Noir. Film Comment 8 (1): 8 13. ISSN 001
5-119X.
Thackway, Melissa (2003). Africa Shoots Back: Alternative Perspectives in Sub-Sa
haran Francophone African Film. Bloomington, IL: Indiana University Press. ISBN
0-85255-576-8.
Vogel, Amos (1974). Film as a Subversive Art. New York: Random House. ISBN 0-394
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