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Theatricality and Performativity: A General Bibliography

Source: SubStance, Vol. 31, No. 2/3, Issue 98/99: Special Issue: Theatricality (2002), pp. 280-
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Theatricality and Performativity:
A General Bibliography

Theatricality

La Th~itralit", Paris: Presses de la Renaissance, 1987.


Abensour, Gerard. "Blok face a Meyerhold et Stanislavski ou la probleme de la theatralite,
Revue des 6tudes slaves, vol. 54, 1982, pp. 671-679.
Alter, Jean. "From text to performance: semiotics of theatricality," Poetics Today, 2:3, Spring
1981, pp. 13-139.
Amiard-Chevrel, Claudine. "Evreinov et le theatre politique des anndes vingt," Revue des
etudes slaves, no. 53, 1981, pp. 59-70.
Amossy, Ruth. "Drama, theater, performance: a semiotic perspective," Poetics Today, 2:3,
Spring 1981.
Apostolides, Jean-Marie. Le roi-machine. Spectacle et politique au temps de Louis XIV. Paris:
Minuit, 1981.
Auslander, Philip . "Presence and theatricality in the discourse of performance and the
visual arts," in From Acting to Performance: Essays in Modernism and Postmodernism.
London: Routledge, 1997.
Baikova-Poggi, Tamara. "La theatralite chez Evreinov," Revue des etudes slaves, no. 53,1981,
pp. 47-57.
Baillon, Jacques. "D'une entreprise de theatralite," Travail thiatral, no. XVIII-XIX, 1975,
pp.109-122.
Banu, Georges. "A la recherche de la thealite," Revue roumaine, vol. IX, no. 2, 1972, pp.107-
116.

Barish, Jonas. 1981. The Antitheatrical Prejudice. Berkeley: UC Press, 1981.


Barthes, Roland. "Le theatre de Baudelaire," in Essais critiques. Paris: Seuil, 1964, pp.41-47.
Bernard, Michel. "Esquisse d'une theorie de la theatralite d'un texte en vers a partir de
l'exemple racinien," in Dramaturgies, langages dramatiques. Melanges pour J. Scherer. Paris:
Nizet, 1986.
- . L'Expressivite du corps. Recherche sur lesfondements de la theatralite, Paris: J.P. Delarge,
1976.

. "Esthetique et theatralite du corps" in Quel corps? No. 34/35, May 1988, pp. 2-21.
"'Ecriture et th'atralit'" in Actions et recherches sociales, June1988, no. 2, Editions Eres,
pp.71-78.
Besson, Jean-Louis. Le theiatre de Georg Buchner. Belfort: Circ6, 2002.
Boireau, Nicole. Drama on Drama: Dimensions of Theatricality on theContemporary British
Stage. New York: St-Martin's, 1997.
Bourgaux, Jacques. Possessions et simulacres: aux sources de la thcdatralite. Paris: EPI, 1973.
Bunjevac, Milan. "La marque de la theatralite," Degres: Revue de synthese ia orientation
semiologique. Fall 1982, 32, el-e6.
Burns, Elizabeth. "Acting," in Theatricality. A Study of Convention in the Theatre and in Social
Life. New York: Harper & Row, 1972, pp.144-183.
- . "La metaphore thiatrale. Le monde comme scene et le theatre comme paradigme,"
Discours social, no. 5, 1975, pp.5-21.
Carlson, Marvin. "Theatrical Performance: Illustration, Translation, Fulfillment, or
Supplement?", Theatre Journal, March1985, pp.5-11.

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Bibliography 281

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Summer 1995, 20:2, pp. 90-96.
Carnicke, Sharon Marie. "L'instict thdatral: Evreinov et la theatralite," Revue des etudes
slaves, no. 53, 1981, pp.97-108.
Debord, Guy. The Society of the Spectacle. New York: Zone Books, 1994.
Durand, R6gis. "Une nouvelle theatralit&: la performance," Revue frangaise d'etudes
americaines, Paris, 1980, 10, pp. 199-207.
Duvignaud, Jean. Sociologie du theatre. Essai sur les ombres collectives, Paris: Presses
Universitaires de France, 1965.
Evreinoff, Nicolas. Le theaitre dans la vie. Paris: Stock, 1930.
Febvre, Michele. Danse contemporaine et thdatralitd. Paris: Chion, 1995.
-. "Quand la danse fait theatre: jouer avec la representation," Protee, 21, no 3, Fall 1993,
pp.29-37.
Felman, Shoshana. Le scandale du corps parlant: Don Juan avec Austin ou la seduction en deux
langues. Paris: Seuil, 1980.
Feral, Josette. "Performance et theatralit6: le sujet demystifie," Th~itralite, &criture et mise
en scene. Montreal: HMH, 1985.
-. "La theatralit&. Recherche sur la specificite du langage theatral," Poetique, no. 75,
September 1988, pp. 348-361.
Fischer-Lichte, Erika. "From Theater to Theatricality: How to Construct Reality," Theatre
Research International, 20:2, Summer 1995, pp.97-105.
- . "Theatricality Introduction: Theatricality: A Key Concept in Theatre and Cultural
Studies," Theatre Research International, 20:2, Summer 1995, pp.85-89.
Franko, Mark, "La theatralite du corps dansant; Actes du XXXe colloque de Tours," in
Jean Ceard, Marie-Madeleine Fontaine, Jean-Claude Margolin, Le corps a la Renaissance.
Paris: Amateurs de livres, 1990, pp. 243-252.
Fried, Michael. La place du spectateur: esthetique et origine de la peinture moderne, Paris:
Gallimard, 1990.Translated from the English: Absorption and Theatricality:Ppainting and
Beholder in the Age of Diderot. Berkeley: University of California Press, 1980.
Gluckman, Max. "On Drama, and Games and Athletic Contests" in Moore, S. et Myerhoff,
B., eds., Secular Ritual. Assen, Holland: Royal van Gorcum, 1977, pp. 227-243.
Goffman, Erving. La mise en scene de la vie quotidienne. Paris: Minuit, 1993.
. 1967. Interaction Ritual: Essays in Face-to-Face Behavior. Chicago: Aldine, 1967.
-. 1956. Frame-Analysis. An Essay on the Organization of Experience. New York: Harper &
row, 1974.
Gourfinkel, Nina. "'Theatralite' contre 'realisme,"' La Table Ronde, Paris, 1963, pp. 139-144.
Grathoff, R. The Structure of Social Inconsistencies: A Contribution to a Unified Theory of Play,
Game and Social Action. The Hague: Martinus Nijhoff, 1970.
Hamon-Sirejols, Christine, Jacques Gerstenkoorn, and Andre Gardies, eds. Cinema et
th~itralitd. Lyon: Alias, 1994.

Helbo, Andre. "Le texte simiotique. L'oeil, la voix, la scene," Semiotic.Theory and Practice.
Berlin & New York: Mouton de Gruyter, 1988, pp. 371-381.
- . "Theatre et spectacle" in Les mots et les gestes. Lille: Presses de l'Universit6 de Lille,
1973, pp. 28-35.
Herman, Vimala. Dramatic Discourse. Dialogue as Interaction in Plays. London: Routledge,
1995.

Jachymiak, J. "Sur la theatralite," Litteirature, sciences, iddologie, no. 2, 1972, pp. 49-58.
Jarry, Alfred. "De l'intituld du theatre au theatre," Mercure de France, September 1896.
Reprinted in Tout Ubu, Paris: Livre de Poche, 1962.
Jourheuil, Jean. Un thedtre du regard: Gilles Aillaud, le refus du pathos. Paris: Bourgois, 2002.
Kowzan, Tadeusz. "Le texte et son interpretation theatrale," Semiotica, 33:3-4, 1981, pp.
201-210.

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282 Bibliography

-. "Texte ecrit et representation theatrale," Poetique, no. 75, September 1988, pp. 363-
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-. "Le spectacle theatral, lieu de rencontre priviligie entre la littirature, les arts plastiques
et la musique," Semiotica, 44, 3:4, 1983, pp.297-305.
Krysinski, Wladimir, "Changed textual signs in modern theatricality," Modern Drama, vol.
XXXV, no. 1, 1982, pp.3-16.
Laillou-Savona, Jeannette, ed. "Theatre et theatralit6: essais d'etudes s miotiques," Etudes
litteraires, 13:3, Quebec, December 1980, pp. 383-558.
Leclercq, Etienne. "Du rituel a la theatralit&: une lecture de Victor W. Turner," Cahiers
internationaux de sociologie, Jan.-June 1992, pp.181-198.
Marshall, David. The Figure of Theater: Shaftesbury, Defoe, Adam Smith, and George Eliot.
New York: Columbia University Press, 1986.
Myerhold, Vsevolod. Ecrits sur le thedatre. vols. 1 & 2, Lausanne: La Cite-L'Age d'Homme,
1973.
Pavis, Patrice. "Theatralite," in Dictionnaire du theitre. Paris: Editions sociales, 1987.
- . "Du texte a la scene: un enfantement difficile," Thedtre/Public, no. 79, Jan.-Feb. 1988,
pp.27-35.
Pradier, Jean-Marie. "L'oreille, le cerveau et la peau," Internationale de l'imaginaire, 6/7,
Fall 1986, pp.84-96.
Quinn, Michael. "Concepts of theatricality in contemporary art history," Theatre Research
International 20:2, Summer 1995, pp.106-113.
Roberti, Jean-Claude. "Nicolas Evreinov, historien du theatre," Revue des 6tudes slaves, vol.
53, 1981, pp.109-114.
Rouventa-Frumusani, Daniela. "Oti commence la communication thdatrale? Theatralite
du theatre et theatralite du quotidien," Revue Roumaine de linguistique. Bucharest, 1990,
pp. 55-61.
Rozik, Eli. The Language of the Theatre. Glasgow: Theatre Studies Publications, 1992.
- . "Theatre at One of its Borderlines: Reflections on Suz/o/Suz by La Fura dels Baus,"
Theatre Annual. A Journal of Performance Studies. 49: Fall 1996, pp.92-104.
Sarrazac, Jean-Pierre. "L'invention de la 'theatralite,"' Esprit, no. 1, Jan. 1997, pp. 60-73.
Schechner, Richard. "From Ritual to Theatre and Back," Essays on Performance Theory. New
York: Drama Book Specialists 1977; revised edition, New York: Routledge, 1988.
- . Between Theatre and Anthropology. Philadelphia: University of Pennsylvania Press,
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Schramm, Helman. "The Surveying of Hell. On the Theatricality and Styles of Thinking,"
Theatre Research International. 20:2, Summer 1995, pp. 114-118.
Sennett, Richard. The Fall of Public Man. On the Social Psychology of Capitalism. New York:
Knopf, 1977.
Sidnell, Michael J. "Performing Writing: Inscribing Theatre," in Modern Drama. Vol XXXIX,
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Siguret, Frangoise. L'wail surpris. Perception et representation dans la premiere moitie du XVIIe
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Taylor, Diana, Juan Villegas and Jacqueline Lazu. Negotiating Performance: Gender, Sexuality
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Thoret, Yves. La Theatralitd: itudefreudienne. Paris: Dunod, 1993..
Turner, Victor. From Ritual to Theatre: the Human Seriousness of Play. New York: Performing
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Vinaver, Michel. "La mise en trop," Theatre/Public, no. 82-83, July-Oct. 1988, pp.69-72.
Winnicott, D.W. Jeu et rdalite. Paris: Gallimard, 1975.
Zumthor, Paul. Introduction a la podsie orale. Paris: Seuil, 1983.

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Barba, Eugenio. "L'energie qui danse, L'Art secret de l'acteur." Bouffonneries, no. 32-33,
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