Beruflich Dokumente
Kultur Dokumente
homeland
News from Portugal
01
June
2014
14th International
Architecture
Exhibition
Venice
DIRECTOR Pedro Campos Costa
Enacting the
transitory P.14
Post-modern without ever Portuguese
Pavilion
Discussing the condition
of transiencein the specific
context of Porto
having been modern? Portugal is officially
represented at the
Somewhere between the exotic and
the peripheral, Portugal remains
forth between opulence and deca-
dence without ever having found a
and had an empire. In 1974 there was a
revolution, the empire was dissolved, de-
14th International
(even for the Portuguese) somewhat happy medium between the two. We mocracy was instated and modernization
Architecture Exhibition
Defining indecipherable.
The mythical past and an unclear
future collide in a present moment of
have been known to lose the plot; to
start things without finishing them.
Those who inhabit this space are the
came charging in; some thirty years later
the country has seen more change than in
the entire course of its history; we are now la Biennale di Venezia
Informal P.18
crisis and commonplace tragic des- Portuguese, scattered all around the in the midst of a crisis in a foggy Europe
tiny, now that the crisis has returned world in increasingly larger numbers and, post-modern without ever having been through a newspaper
to once gain tax the people of this occasionally, in their homeland. Forty modern; European and peripheral; no-
country, sentenced to swing back and years ago they lived under a dictatorship mads in the age of globalization. P.37
Extensively distributed in different edi-
From the knowledgeof
On the verge
Specifically, Homeland aims to address
the issues raised by architect Rem Kool-
haas (Fundamentals Absorbing Mo-
dernity: 1914-2014) through a critical
breakdown P.22
an essential element of urban and rural
environments and a social and cultural
reflection of its inhabitants.
Promoting new
Modern
procedures that allow
for the completion
of unfinished buildings
Housing
Rooftop 1914-2014,
Porto and
Hypotesis P.26 Lisbon P.04
Reversing the process of
55 notable examples of multi-family
degradation of the historic housing selected for their importance
city center as prototypes of the last 100 years from
Lisbon and Porto. Designed by such
masters as Cassiano Branco, Ruy
Athouguia, Nuno Teotnio Pereira, Vi-
tor Figueiredo, Fernando Tvora, Con-
Intimacy P.30
race houses and urban high-rises. The
buildings are illustrated with plans and
photographs.
11%
Rural
24%
Hype P.34 In Portugal as elsewhere, the way architectural modernity matured during the
MIGUEL Henriques
65%
Reflecting on the agricultural twentieth century was not simply a process of erasing national characteristics in favour
of universal trends: it was a negotiated adoption of modernity tropes (of language and others)
legacy inherited in Alentejo layered onto local custom and circumstance. The result was a varied and rich modern built
towards new living patterns environment, which can be discovered upon a closer inspection.
Dwellings used under Dwellings without lack Overcrowded
their housing capacity of or surplus rooms dwellings
2 NEWS FROM PORTUGAL Homeland, June 2014 Homeland, June 2014 NEWS FROM PORTUGAL 3
Public
SOCIETY
T
Cities are constructions for human tion, and as a social and cultural reflec- Paradoxically architects were more so-
freedom. Today they are asserting tion of those who inhabit it. licited to design museums, schools,
themselves as privileged sites for the Housing was always a fertile ground public buildings, tourism facilities, and he title of this short article
creation of wealth; cities face many for experimentation and one of the infra-structure equipments. The mar- seems far too easy and obvi-
challenges and opportunities that are main subjects of modernity. During kets totally conquered the collective ous. But after searching
often mistaken for problems or dead- this century there were decisive mo- housing sector, especially during the around for other solutions, I
ends. P.21 ments of modernity, relating to terri- 90s and they also influenced the urban found myself repeatedly re-
tory, urban process, social participa- process creating a territorial system, turning to it.
tion, political engagement with archi- during the 80s. As a result of this, the Talking about journal-
tecture. One of these historical mo- core experimentation in housing, in ism or architecture is, in
POLITICS ments was the SAAL Operations Lo- both quantity and quality, was mainly essence, talking about public space,
cal Ambulatory Support Service, which made through detached housing. in the broader and narrower sense
In the News!
MARTHA ROSLER, 1967-72
a state building operation, simply a further than that. We are using the Bi- eternal) speed and immediacy
group of architects making an Inquiry ennale of Venice to promote, engage, grew increasingly important in the
into Popular architecture, in 1954, 20 start processes, debates, make books process.
CULTURE years before SAAL. During the dicta- and projects in Portugal at this very But one of the obligations of jour-
torship of Salazar, they mapped Portu- moment. For the next 6 months , 6 ar- nalism is precisely to fight ephemer-
lvaro Domingues Director-General for the Arts President Lisbon Architecture Triennale
of moder nism a nd Por t uguese van der Rohe, Gerrit Rietveld, Adolf Loos dia. Sure, toasters and mass-produced But when it did, it did so in style. While a and discussing architecture. Media new intellectual proletariat, architects story, the interview, the news item,
architecture, and their contribu- and many others, whose relationship with carpets have offered a sense of domes- 40-year long fascist regime endured, presence undoubtedly echoed the rapid should rely on their practical knowl- the opinion piece or even the con-
tions to the editions of Homeland One of the essential characteristics of history varies radically. When he distin- tic modernity fostered by ever-more modern architecture was remitted with growth of a suddenly fashionable pro- edge to bring forth ideas on how to sus- troversial headliner. And it is on ex-
Tragic destiny of Portugal! The mythical Arthur Miller said, in 1961: a good News from Portugal will be their the European spirit as observed by Pan- guished between vanguard and experi- accessible technologies. But newspa- other cultural expressions to the fringes fession as, after being stable for near- cellent terms with photography and
past and awn unclear future collide in a newspaper, I suppose, is a nation talk- statement. The conceptualization ofsky e Saxl seems to be the way in mentalism, Manfredo Tafuri was making pers, the radio, and TV sets have deliv- ly a century, the number of registered video, growing ever stronger in
present moment of crisis that sentence ing to itself; Homeland News from of architecture as a trigger for the which it destroys things and then rein- an insightful reading into the specific fea- ered the sense that one was immersed
Today, absorbing architects multiplied from 5.000 in Like other newspapers and their digital ver-
Portugal, in 2014, I suppose, is a na- development of thought about soci- states them on new foundations, break- tures of two different attitudes that are in the long revolution happening out- 1990 to 25.000 in 2014. Yet, the appear- sions. None of this happened by
to swing back and forth between
opulence and decadence without ever tion talking to the world. ety, the economy, geography and ing with tradition only to return to it sometimes mistaken for each other. side. Drawing from popular media, modernity sounds ance of architecture in newspapers also professionals chance. Architectures presence in
having found a happy medium between
the two. P.37
The concept of having a newspa-
per as the device that represents
other disciplines is a useful exercise
to gain a perspective of history. Si-
from a completely new point of view
and this is what produces the renais-
Tafuri stated that Vanguards are al-
ways affirmative, absolutist and totalitar-
Martha Roslers House Beautiful:
Bringing the War Home series (1967- too much like
reiterated the fields association to no-
tions of economical growth, progress
in the new intellectual the newspapers became stable and
continuous owing to nothing else
Portuguese architecture at the
14th International Architecture
multaneously, the different ap-
proaches that will be explored in
sances in the true sense of the word []. ian. They aim to adamantly build a new,
never-seen-before context. On the con-
1972) gave this idea a poignant visual
expression. If newspapers carried modern, and the agitated reconstruction of a na-
tional or cosmopolitan identity. Archi-
proletariat, but the work of the architects them-
selves, their designs and ability to
Exhibition La Biennale di Vene- Homeland News from Portugal Although that was not one of its founding trary, the experimentalist attitude seeks home modernitys many conflicts and
progressive ideals tecture was brought home in manifold architects should intervene in and discuss public
MODERN HOUSING
1914-2014 porto & Lisbon
zia is a creative and innovative idea
that serves multiple purposes: it
constitute propositions for the fu-
ture, emphasizing the practical ap-
traits, part of the early development of the
Modern Movement (MM) was rooted in a
to deconstruct, reassemble, contradict, to
exacerbate accepted syntaxes and lan-
tensions, life-style magazines complet-
ed the picture with alluring visions of are being made
expressions fit to typical media topical-
ity: from the architect involved in local rely on their space. That and the desire to do so
together with everybody or before
shows, it reflects, and it publicizes.
One of the most fundamental pur-
plications of the project.
The display of Portuguese archi-
disbelief of history as the bedrock of man-
kinds progress, and the end of cyclical
guages. Its innovations can also be gener-
ously designed for the great unknown, but
how to make yourself and your envi-
ronment become modern. to disappear
polemics to buildings in the context of
social conflicts, from cultural achieve-
practical knowledge everybodys eyes. Newspapers are
the defined frontier where discus-
Ricardo agarez poses of a newspaper is to convey tecture, as well as the reflection of tragic fates, such as the one heralded by the springboard that gives impetus to the Amongst this domestic dialectic, ar-
into some ments to educational issues, from the to bring forth sion becomes absolutely public and
A potted history of everyday multifamily information. Homeland News renowned researchers about it, the start of World War I in 1914. Likewise, leap is firmly grounded. chitecture has permeated the news well-known protagonists to the new, visible to everybody.
housing sheds light on the eventful from Portugal shows Portuguese wont be locked up in a room in Ven- it found sustenance and grew from the op- Basically, this second path establishes whenever and wherever modernity homogenizing nameless producers of market-driven ideas on how to But none of that frightens architec-
process of modernity building in Portugal
in the first seven decades of the last
architecture by providing informa-
tion about what has been, is being
ice; it will circulate and it will be
taken back home by stakeholders in
timistic faith in the redeeming power of
technology, of mass production, of a form
a critical dialogue with, but not a denial
of, the past.
and media allied with a particular
sense of progress. In sophisticated reality
real-estate.
In 2005, shortly after I finished a sustain or rebuild ture.
The Pritzker prizes won by lvaro
century where universal currents
were persistently morphed by local
and will be done in the realm of Por-
tugals participation at the Interna-
the world of architecture. At a time
when everything reaches people
of reason in conflict with memory. This
was indeed a core issue.
Just as architects have positioned
themselves and evolved in different
modern metropolises, such as early
20th century Berlin and Vienna, ar-
study on the presence of architecture
in a major Portuguese newspaper, I
a crumbling society Siza or Souto Moura are a good ex-
ample of this joint work. Journalism
agency, resulting in technical and tional Architecture Exhibition. In- easily and immediately, having peo- We witnessed an initial impetus whose ways, Modernism has also adopted dif- chitecture was part of the cultural dis- concluded that a pedagogical and cel- has always liked and needed prizes
formal diversity. P.04 side the three editions you will find ple carrying the Portuguese pavil- radical anti-historical stance was manifest- ferent logical principles from country to cussion. With little distinction be- ebratory moment had reached its peak. and people who embody them. And
reports on the work being devel- ion around is a significant advan- ed in the discourse not only of the van- country, in response to specific issues tween specialist media and daily Even if in a deferred way, architectures the story could have ended there:
oped by six teams, in six cities, that tage. guards, from Neo-plasticism to Dadaism and taking on a spectral, heterogeneous newspapers, reflections on architec- of cultural and political resistance. After contribution to the urge of moderniza- tain or rebuild a crumbling society. two prizes for two architects, the
will have long-lasting effects in Renowned on the international the latter being wholly inconsequential in character, except when subjected to ide- ture by Siegfried Krakauer or Adolf the 1974 revolution and the European tion had been duly absorbed. With the And, as pointed by Jrgen Habermas, end. But the story we saw and read
Housing Types selection by their respective areas of interven- circuit, Portuguese Architecture is architecture , but also of leading figures ological coercion, as in the case of the Loos entered the domestic realm with Union, however, the country rejoiced 2008 crisis, however, things were probably there is still no better place went much farther than that. The
Faculty of Architecture of the University tion. The audience of the Portu- closely linked to the new tendencies such as Le Corbusier or schools like the Portuguese Estado Novo. unexpected ease. In Paris, Le Corbus- with the idea of modernization, and so about to change. Soon, architecture to contribute to the public sphere than prizes turned out to be not an out-
of Porto (FAUP). Study Centre of guese representation will get to see and innovations that are spreading Bauhaus, where history did not exist as a Through the Homeland newspaper ier would soon discover that it paid to architecture and its internationally ac- would make the news because of ar- newspapers. Particularly now, archi- come but the trigger for many other
Architecture and Urbanism (CEAU), Casa not a static image of what Portu- worldwide. Our natural insertion in course subject. However, the return to his- and the research process shared in its be a polemicist, if not also a publicist. knowledged heroes entered the realm of rested development, frozen projects tects should make the news and the pieces. The journalists interest was
Housing architectural design and forms guese architecture can punctually the milieu and the thriving endeav- tory was inevitable. As Eduardo Loureno pages, the Portuguese Representation In America, building cities equalled everyday media. Be it through ideals of and mounting unemployment. Perhaps public sphere with more than empty not the only reason for it to happen;
of dwelling (AdC), Faculty of Architecture produce, but multiple projects by ours of Portuguese architects na- once said we have but the past available to in the current Venice Biennale is the an- building nation, and, echoing anthro- production or consumption, architec- it was time for architects to approach forms. Paraphrasing Picasso, pure the fact is that architects had a lot
of the University of Lisbon (FAUL) national architects. tionally and internationally makes us. We imagine the future with it. At the swer to the challenge of identifying what pologist Arjun Appadurai, architects ture has come home to a much wider au- the media in novel ways. As I hinted at form-making is intrinsically stupid; more to show, propose and discuss.
Prof. Carlos Lameiro P.06 Homeland News from Portugal this representation at the 14th Inter- same time, this helps us understand some is nowadays essential and specific, after were as much heroes of production as dience by way of newspapers such as Ex- the end of my research, architects any cad-monkey can do it. But to medi- This newspaper is just one leg of the
is a project that fosters a plurality national Architecture Exhibition fit of the contradictions at the heart of MM, as 100 years of Modernist evolution and as- any others. Architects and buildings presso, during the 1980s, and Pblico, should now make the news with the ate form with political meaning, thats journey.
of approaches to architecture. Ex- for success. well as the underlying artificiality of a similation in our country. were often in the news, if not in the from the 1990s onwards. ability to expand their field of action, what makes man a modern animal.
4 NEWS FROM PORTUGAL Homeland, June 2014 Homeland, June 2014 NEWS FROM PORTUGAL 5
I
Architect and
Architectural Historian
layouts were studied and typified, urban ciples and with streetscapes modelled the universal eaves and shutters transplanted to the ficials, planners) tangibly changed to 55). Inner-city renewal models were ex- itself in the most important mid-century modernism in was not like that of Spain, Italy, Greece
Infante Santo residential complex, Lisbon.
1954-1959. Estdio Novais, n.d. [196-]. FCG/BA
design expressed an interest in the pic-
turesque (sweeping roads, careful use
on Dutch and German examples.
Meanwhile through private sector
was manipulated city) in bourgeoisie apartment build-
ings whose layouts were as convention-
foster architectural, as much as eco-
nomical, modernization. Speculative
plored, mostly through public design
commissions built by private enterprise;
housing scheme in Portugal, the Olivais
housing complex with a capacity of
Portugal was not or Lebanon. While it may seem univer-
sal at a glance, this is a local architec-
throughout the
Upper right Arch. Cassiano Branco (1897-
of topography), and compositions trans- commissions, speculative housing pro- al as those of their predecessors. Yet residential architecture was encour- some stood out for their dramatic siting 50.000 residents (1955-66), whose like that of Spain, ture: because skills and materials, build- 1970), Avenida lvares Cabral 34-36 and
lated Portugueseness for the masses,
while often being built with local skills
jects were filling the gaps of the con-
solidated city centres. In 1930s high-
century, with a their staid conservative lexicon, trying
hard to be Portuguese, was not merely
aged in towns and cities, and public-
sponsored schemes (state, municipal,
and use of public art (Fig. 3). Extensions
of 1940s neighbourhoods in Lisbon (Al-
architecture, evolving throughout a dec-
ade of important changes, echoed nota-
Italy, Greece or ing codes and planning procedures,
families and developers are different
44-48, Lisbon. 1935-1937 Estdio Novais, n.d.
[197-] FCG/BA
and materials: a nationalistic regional- density, moderne blocks of flats, mixed strong underlying political it had counterparts across mutual, subsidized) grew in scale and valade sector 8, Athoguia & Sanchez bly the Italian influence in Portuguese Lebanon. While seen up close, the buildings are differ-
ism (the diversity of Portuguese regions
being responsible for creating national
construction methods blended stone
masonry walls with the occasional con-
drive for expressing Europe, under fascism (Spain) and de-
mocracy (England, Belgium, France,
ambition, as intense urbanization re-
sponded to a growing Housing Prob-
1949-55) and newly-created extensions
in Porto (Ramalde, Tvora 1952-60) sig-
1960s culture. When industrial-scale
modernism took over the suburbs in the
it may seem ent. The universal adoption of a single
modern language in twentieth century
Bottom Right Arch. Armnio Losa (1908-
1988) and Cassiano Barbosa (1911-1998),
identity) that was not merely formal but crete elements (slabs, staircases), while identity emerging Switzerland). lem fed by rural exodus. Lisbon and nalled not only the commitment of their 1970s, cast-in-situ reinforced concrete universal, this is a architecture is an over-generalization Rua da Boavista 571-584 (Bloco da
was also reflected in structure and tech-
nology. Metropolitan schemes in Lisbon
skilfully executed faades took full ad-
vantage of chiaroscuro effects (Fig. 1). regularly Postwar Portugal saw a gradual with-
drawal of the state from conservative
Porto were densified with mid-rise
apartment blocks, either inserted along
designers to be in synch with recent
global developments, but also a clear
became the new traditional form of
construction in Portugal and typical local architecture that can be unpacked, in each specific
context, through close-to-the-grain ex-
Carvalhosa), Porto. 1945-1950
Estdio Novais, n.d. [195-]. FCG/BA
(Serafina, Alvito, Encarnao) and Por- This jazzy exuberance prompted criti- formal dictates and a pragmatic shift conventional street fronts (Fig. 2) or sub- support for the cause of post-war mod- modern formal solutions (exposed amination.
6 NEWS FROM PORTUGAL Homeland, June, 2014 Homeland, June, 2014 NEWS FROM PORTUGAL 7
Social Neighbourhood Carlos Loureiro lvaro Siza Rogrio Cavaca Frederico Caetano de Camacho Cassiano Branco Srgio Botelho de Nuno Teotnio Pereira,
Sidnio Pais (Arrbida Social Parnaso Building, Rua Nossa SAAL: Cooperativa guas COOP: O Lar do Trabalhador, Arco do Cego neighbourhood Rua Nova de So Mamede 7 Andrade Gomes Bartolomeu Costa Cabral
Neighbourhood), Rua Professor Senhora de Ftima, 231 / Rua de Frreas (Boua Neighbourhood), Rua Sol Poente, 9-139, Rua Diogo Rua Quatro de Infantaria 85 guas Livres Block, Praa
Ablio Cardoso, Porto Oliveira Monteiro 471-497, Porto Rua guas Frreas, Porto de Silves, Lea da Palmeira das Aguas Livres, Lisbon
Planta 2
CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK
Groundfloor Plan
Planta 2
Typical Floor Plan Typical Floor Plan
LOUREIRO Jos Carlos_Edifcio Parnaso_1 500
1925
Planta Tipo 3 Piso 1:500
19381947 19511954
Third Floor Plan
Planta 2
Jos Marques da Silva
Rua de Alexandre Braga Terrace Floor Plan
94, Porto Planta 1 Typical Floor Plan Paulino Montez Ruy Athouguia, Sebastio
Social neighbourhood Alvito Formosinho
1962
N 07
1931
J. Carlos Magalhes
Boavista's Residential Park (Foco),
Secon Floor Plan Av. da Boavista 1980-2118, Rua Planta 1
1956
Fernando Pessoa, Rua Eugnio Rodrigues Lima
4th Floor Plan
de Castro, Porto Block, Rua Almeida e Sousa, 57, 59, 61;
Rua Azedo Gneco, 66
1935
Henrique Albino, Nuno Craveiro
Lopes, Jos Croft de Moura
Planta 1 Av. Estados Unidos da Amrica
123/127, Lisbon
CREATO
Janurio Godinho
CREATOCON
1979
Duplex Houses
VERSIONEDIDATTICA
1990
Manuel Fernandes
COOP: Aldoar Housing Complex (1st phase),
DIDATTICADIDIUN
1947
Planta 0
PRODOTTOAUTODESK
19591968
1932
Nuno Portas, Bartolomeu
Typical Floor Plan Costa Cabral
Rua Cidade de Negage 193,
Eng. Jacinto Robalo, Olivais South, Lisbon
Gaveto, Colnias neighbourhood
CREATO CON LA V Rua Macau 1, Rua Timor 2
1950
Pedro Ramalho
Escobar 26-148,e Srgio
Porto Fernandez esc 1:500 A4
esc. 1.500
Duplex Houses
Fernando Tvora Upper Floor Plan Lower Floor Plan
Ramalde's Housing Unit, Rua
Doutor Vasco Valente 28-170, Porto
Aldoar
Habitacional Aldoar
1953
lvaro Siza
esc. 1.500
1.500
esc. 1.500
Henrique Taveira
Av. So Joo de Deus 7, Areeiro
1.500
esc. 1.500
Pisotipo1
Manuel
Pisotipo
1934
1.500
1.500
1.500
1.500
esc.
Piso
Piso
1992
Joo Simo
Rua Carlos Mardel,
104/112, Alameda Typical Floor Plan
8 NEWS FROM PORTUGAL CREATO CON LA VERSIONE DIDATTICA DI UN PRODOTTO AUTODESK Homeland, June 2014 Homeland, June 2014 NEWS FROM PORTUGAL 9
N 22 N 30
esc. 1.500
1.500
Piso Tipo
1.500
Piso tipo
Piso tipo
Fontainhas Housing Complex, Rua So Dionsio 191, PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
2011 PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL
1973
Paula Santos
Fernando Silva
Typical Floor Plan Andr Fernandes Rua das Amoreiras 72, Lisbon
Rua Professor Augusto Nobre 479, Porto
1973 1988
1.500
2007
Piso 3 Piso 3 Piso 2 Piso 2 Piso 1 Piso 1 Piso 0 Piso 0 Francisco Silva Dias, Antnio Manuel
Conceio Silva
esc. 1.5000
1st Floor Plan 3rd Floor Plan
Pinto Ferreira Gomes, Ana Salta
Towers, Av. Dom Lus/Rua Pinheiro Social Neighbourhood Alto do Moinho, Alfragide
Borges, Alfragide
1997
Ground Floor Plan
2001
Eduardo Souto de Moura,
Maia Block, Praceta Cavada, Rua Professor esc. 1.500 esc. 1.500 Ground Floor Plan
2011
Carolina de Freitas Soares Carvalho, Maia Paula Santos Paula Santos Typical Floor Plan
Adalberto Dias
25. Edifcio Stira 25. Edifcio Stira
Block Casas Brancas,
Rua Orfeo do Porto, 50-92, Porto deMM Arquitetura
Typical Floor Plan
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
19751978 19931997
Velho 689, Porto
1964
Typical Floor Plan
esc. 1.500
esc. 1.500 Toms Taveira Promontrio Architects
SantosSantos
Paula Paula Praa Dr. Fernando Amado 571, Rua Fernando Namora 38,
25. Edifcio Stira Stira
25. Edifcio
Raul Choro Ramalho, Condado Neighbourhood, Marvila Telheiras, Lisbon
2007
Ral Santiago Pinto
Rua Cidade da Praia 371,
Olivais South
AVA Arquitectos
Travessa de Salgueiro 196, Rua
PRODUCED BY AN AUTODESK EDUCATIONAL
esc. 1.500
Typical Floor Plan
PRODUCED BY AN AUTODESK EDUCATIONA
Duplex Houses
Upper Floor Plan
1934
1918 Social Neighbourhood Sidnio Pais (Arrbida Social
Neighbourhood), Rua Professor Ablio Cardoso, Porto 1935 Janurio Godinho, Small Neighbourhood for Thirty Worker
Families, Rua Arquitecto Marques da Silva 193-259, Porto 1950 Fernando Tvora, Ramalde's Housing Unit, Rua Doutor Vasco
Valente 28-170, Porto 1920 Edmundo Tavares and Frederico Caetano de Camacho,
Arco do Cego Neighbourhood, Rua Barbosa Colen
3 and 4, Lisbon
1931 Rodrigues Lima, Block, Rua Almeida e Sousa, 57, 59, 61;
Rua Azedo Gneco, 66, Lisbon 1932 Eng. Jacinto Robalo, Gaveto, Colnias Neighbourhood
Rua Macau 1, Rua Timor 2, Lisbon
Typical Floor Plan Floor 0 and 1 Typical Floor Plan Typical Floor Plan
Typical Floor Plan Typical Floor Plan Floor Plan 1,3,5,7,9
1997
(Boua Neighbourhood), Rua guas Rua Pinheiro Borges, Alfragide Telheiras, Lisbon
1968
Velho 689, Porto Rua Cidade de Negage 193, Olivais
Frreas, Porto South, Lisbon
ODUCEDPRODUCED
BY AN AUTODESK
BY AN AUTODESK
EDUCATIONAL
EDUCATIONAL
PRODUCT PRODUCT
0
varo
a | 1:100
| Bairro da Boua | 1:100
o 0 e Piso 1 | 1:100
BY AN AUTODESK
BY AN AUTODESK
PRODUCEDPRODUCED PRODUCT PRODU
EDUCATIONAL
EDUCATIONAL
Typical Floor Plan Floor 0 and 1 Typical Floor Plan Typical Floor Plan Typical Floor Plan Typical Floor Plan, Block B DUPLEX HOUSES Lower Floor Plan / DUPLEX HOUSES Upper Floor Plan
Temporary Temporary
porto city hall
1914/2014 What Language do We Speak? /Mariana Pestana and Pedro Bandeira paulo cunha e silva
1924
Adolf Loos
1960 (circa)
Erno Goldfinger
1976
Aldo Rossi
Exemplary actions act 1992
Peter Eisenman
1994
Rem Koolhaas & guilherme blanc
One can write the The architects medium ... is Logical thought is thinking as both the expression of The electronic paradigm More than ever, the city is all Alderman & Deputy
Parthenon drawings and drawings only in words. Analogical thought and the catalyst for the directs a powerful challenge we have
environmental crisis, while
A new
is archaic, unexpressed, to architecture because it
and practically inexpressible they combine, in a guerilla defines reality in terms of 2007
Bernardo Rodrigues
1954
Philip Johnson
1975
Colin Rowe and Fred Koetter in words tactic, useful immediacy with media and simulation, it values
exemplarity, everyday life Press is More
You cant learn architecture Collage is a method deriving appearance over existence,
political
any more than you can learn its virtue from irony, because with awareness what can be seen over what is
Bernard Tschumi
a sense of music or painting. it seems to be a technique There is no architecture
You shouldnt talk about art, for using things and without action, no 1993
habitation
1980
you should do it simultaneously disbelieving architecture Site Lebbeus Woods
in them, it is also a strategy without event, no Architecture is the subject I declare war on all icons
which can allow utopia to be architecture without matter or raw material of and finalities, on all histories
dealt with as image program art, and not the objective of that would chain me with my
a design process own falseness, my own pitiful
fears
F
It is vital to reassess the city from a less rigid perspective, offering new lexicons Numbers
rom the perspective of political
of hospitality, considering the transitory flows of its inhabitants
75%
genetics, the subject matter of
Enacting
temporary habitation is mani-
festly pertinent: a term of office
is in itself a transitory inhabita-
tion, one that coexists with the
passing of time and its ever-
reduction in the number of changing circumstances. In the
residents in the last 50 years course of a term of office, those who in-
Number of residents living in the habit the political space must answer
the transitory
inner city boroughs has dropped from effectively challenges of flexible,
21,072 to 4,260 in 50 years. This prompt and incisive adaptation and cre-
shows that the urban fabric of the city ation, to ensure the timely implementa-
can accommodate 4 to 5 times the tion of their vision, and respective ac-
population density that it has today. tion and maintenance mechanisms,
without losing sight of their time to
leave office.
The Porto city project that integrates
350,000 m2
Inside-out: The wide scale of the window panes opens up to the outside world Nuno Fangueiro
Meanwhile inhabitants
the Portuguese representation in this
Biennale addresses a number of propos-
als (and concerns) that coincide with
the way we inhabit the new Culture De-
partment of the Municipality of Porto.
out of a total of 1,030,000m2
Artistic residencies, internationaliza-
MARIANA PESTANA of the building stock of
tion projects, space for cultural think-
the inner city is in urgent
ing and decentralization all distin-
25,833
city be reassessed from a less rigid per- streets, cities, the country. In the words
spective: considering the architectural of Ulrich Beck, any attempt to create a
typologies and the morphology of the social cohesion model has to start from
city as ever transforming entities. the recognition that individualism is
Should the city through which such written into Western society; from its
transit flows be offering new lexicons fatalistic character, to quote Bauman.
vacant dwellings in PORTO
of hospitality? Our new residence is the stage for the where over 10% of the population lives The same applies to political practice.
The number of vacant buildings
If you have visited Porto you will LIKE ARCHITECTS project, an inhabited scenography that in council flats, we will be discussing Isolation, disjunction and closed inter-
have felt bewildered by the extent of in the city (according to the latest
information collected by the national
uses banal objects, such as a coffee ma- Besides the the relevance of this type housing mod- pretation of social phenomena are the
derelict buildings populating the city chine or a wall clock, to replicate a el from the perspective of an estate lo- hazards of political habitation.
centre. You might have also noticed the institute of statistics) is disturbing,
given that in Porto more than 10%
With the aim of drawing attention to homely environment. As in any other destabilizing cated in the eastern side of the city. Given that the goals of this project
growing offer of short-term accommo-
dation: hotels and hostels for all pock- of the population lives in council
the issue of temporary housing in Por-
to, we decided to inhabit a vacant shop
dwelling, meals are to be the main so-
cial gatherings, so most meetings and effect of living The series closes with a proposition-
al final week, where we will organise
match those envisioned by the Depart-
ment, we have embraced it without hes-
housing and there are currently
ets taking over the heart of the city,
conquering vacant houses and acceler- 330 families that meet the criteria
in Porto for one month. The idea is to
experience temporary housing from
debates will happen at breakfast,
lunch, dinner and supper.
behind a shop our findings from the previous weeks
and have an open discussion focused
itation. But we did not do it alone. Our
participation in this representation de-
ating their refurbishment to host tour- for these benefits but are still on a
waiting list for a house.
within, and to open up the debate about Each of the four weeks of the occupa- window our choice on exploring new housing solutions parts from a particular understanding
ists. To a certain extent, the private the problems and solutions it entails. tion, taking place between June and more suited to a shifting and transi- of political habitation: one that is car-
market of hospitality is driving the re- From our new address, we will invite July, will be focused on a relevant issue of residence tory society: New models of tempo- ried out with an open door, inviting dia-
generation of the city centre. While the citys stakeholders to identify op- concerning the subject of temporary
manifests a desire rary housing. logue between the executive team,
166
this may seem positive, given that the portunities and debate ideas that could housing in Porto. In order to find con- Besides the roundtables, thinktanks which in this case results in a joint ac-
future of many buildings might escape
the current desertification, the trans-
Outside-in: The spatial formality of a former bank is to be domesticated through a 30 day long action Nuno Fangueiro
materialize into real solutions.
Besides the destabilizing effect of liv-
crete ideas for action, we will gather
the perspectives from several agents of
to establish a close and public forums, every theme will
be complemented with a visit to a par-
tion between three Departments Cul-
ture, Urban Planning and Social Action.
formation provided by tourism is most- taking action. Instead of observing sions over dinner. The domesticity of ing behind a shop window, our choice the city, including residents, policy- connection with ticular site that embodies the issues Once we understood the architects
ly led by economic rules of profit. It is
therefore urgent that architects and
from a distance and theorizing about
the ways in which the city hosts tempo-
It is therefore the space is constructed through in-
habitation, step by step. It is in the suc-
of residence represents a desire to es-
tablish a closer connection with Portos
makers, councillors and property-own-
ers. Since the stage is a window to the Portos citizens being debated.
During the length of the project, we
ideas, we suggested they carried them
out in two different sites: one in Alia-
planners engage in this transforma-
tion, which is economic but also spa-
rary guests, they chose to become tem-
porary guests of the city themselves.
urgent that cession of encounters, acquisitions,
conversations, agreements and expe-
hostels & similar
types of accomodtion
citizens. By domesticating a commer-
cial space with a large storefront win-
city, anyone can join the discussion
spontaneously. All events will be open
will not only observe the city but also
be subject to intense observation by
dos, in the heart of the historical cen-
tre; and the other in a depressed and
architects
,
tial, social and political. To experience it from within, to per- riences that the typology of the space This number is likely dow we wish to involve the city in ac- to the public and anounced in due time. istic boom, and consequent price spec- its inhabitants. By temporarily isolated council housing estate. The
to double in the next few years.
We may have become accustomed to
thinking of hospitality as a word be-
form the subject of their research. By
enacting the very condition that is be- and planners morphs, gradually converting from
shop to house. Along this process the
tive debate, bringing the Venice Bien-
nale to the centre of Porto. For the first
On week 1, we will discuss the prolif-
eration of vacant properties in the city:
ulation, on Portos historic centre:
Hotels & hostels: the impact of tem-
blurring the boundaries between pub-
lic and private space, our aim is to
reason was that the city affords places
that are absolutely distinct in their so-
longing to the jargon of tourism ing investigated, they hope that they engage in this city lets itself be subject to the renova- time ever, many of the citys inhabit- Vacant buildings: is temporary hous- porary residents on the life of the city. destabilize our neighbours assump- cial and urban morphology, butshare
284
schools, institutions and hotel man- might become more conscious of the tion of one of its buildings: 66-68 Ave- ants will be able to take part in this in- ing a solution for (re)occuption?. On week 3, we will focus on the theme tions and convictions, inviting them a common pathology: that of aban-
agement. However, the act of giving challenges and opportunities that transformation, nida dos Aliados. The four inhabitants ternational event, because it will be On week 2, our aim is to forecast the Social Housing: when temporary so- to a more critical participation in the doned housing, a trend that has con-
shelter contains very significant ethi- transitory accommodation entails. who are also architects are in happening just across their street. impact and effects of the recent tour- lutions become permanent. In a city act of city making. taminated Porto in the last few decades
cal dimensions, as the philosopher In opposition to the reality and au- which is economic charge of the renovation. and is probably one of the most serious
Jacques Derrida pointed out in many thenticity of buildings, the architectur-
but also spatial, They act as temporary guests of problems we face today, whose social
30 66/68
Out of these, 63 are currently
tion of who is dwelling where. The con-
ceptual articulation between the vari-
oxymoron. Not unlike many modernist
architects, we manifest our unwilling-
make it their own and in doing so they
become more than guests for they mas- under construction, and 199 have 4 Main themes +50 Guests ing to their growing debt and the cur-
rent crisis, the notion of perennial hab-
been registered. Vacant buildings: is temporary housing Including some of the
ous dimensions of that which is a fun- ness to talk through the use of words in ter a precise terrain, which is governed itation has prevented the devising of
a solution for (re)occupation?, Hotels & citys decision makers, tem-
damental value of the contemporary this newspaper. Unable to replace the ing and being watched, by the city and by the city at large but entirely theirs models that are versatile enough to re-
hostels: the impact of temporary residents porary citizens and regular
condition, particularly relevant in the project in its authenticity, this text its inhabitants. From within, they ex- for a moment in time. The generous spond to social phenomena resulting
260,000
on the life of the city, Social Housing: when inhabitants that
Europe of today and absolutely vital as serves to set the scene and the general pose the practice of their everyday life, city gives them a place, a house, a bed. from a specific idea of time in the con-
temporary solutions become permanent will play an active part in
a resilient force of the Mediterranean plot of a story that will take place one making it subject to inspection, scru- And nonetheless I wonder watching temporary city.
and New models for temporary housing. the research project.
countries, concerns architects too. In week after the launch of this newspa- tiny and evaluation to others outside them face the loud bright city outside To act in accordance with the rhizo-
this project, the city works as a re- per. I invite you then to imagine, across the windowpane. Yet everyday, the the windowpane at night if they matic complexity of the city of Porto,
search laboratory of the conditions of my words, how hospitality might be boundary set by the window is crossed might at once foresee or maybe they Days Avenida dos Aliados, keeping a close eye on systems and
hospitality in the combination of its ju-
ridical, architectural, ethical and so-
cial forms. Four architects will share a
played out between the city of Porto, its
temporary inhabitants and their guests:
During thirty days, the four inhabit-
by the passage of insiders and outsid-
ers. It is the usual domestic affairs
what motivates such traffic and per-
will just suspect as a strange thought
that generates from the vulnerable in-
terior side of the glass, from the ex-
INHABITANTS IN PORTO
Porto is the second-largest city in
Portugal.
From the 22nd June
to the 21st July, 4
architects will live in
Porto, Portugal
The address where the research will
take place. 210m2 of prime shopfront
+351 222006898 symptoms within other systems and
symptoms is part of the way we inhabit
this Department. Bearing in mind that
house for thirty days in the centre of ants will domesticate an unused meability: from insiders leaving the posed perspective of the inner edge a temporary house (out of a 1200m2 commercial property) The telephone number of the closest public telephone, just outside our front door. the transience of our mission entails
Porto. Sympathizing with Mies Van ground floor retail unit exposed to the house to find nourishment or go for a that the city same city their city, in downtown Porto. will be domesticated. Call us if you have any questions! great responsibility.
Der Rohes modernist motto build, city through its large window. On dis- walk to outsiders entering the door to might be, after all, despite all, keeping
dont talk, their proposal consists in play, the inhabitants are at once watch- participate in the programmed discus- them hostages instead.
16 NEWS FROM PORTUGAL Homeland, June, 2014 Homeland, June, 2014 NEWS FROM PORTUGAL 17
wanted
Spontaneous
we need Ideas for new Architectural architecture
we need People who
have lived/live
modes of occupation of responses to the
symptoms of an
for temporary
in Porto on a
empty buildings ever-moving society,
where inhabitants
use in
temporary basis
In face of the vacant properties in the city centre of Porto.
live in transit. extreme
landscape
We are looking for testimonials
Needed required
and/or interviews from Casas de Abrigo, literally trans-
lawyers or lated as shelter houses, are
students, researchers, Researchers
isolated buildings that were
built over the centuries in the
academics Critical, radical, new breathtaking mountains of the
emigrants and artists but needed perspectives. Madeira Island. They were set-
tled in the dense woods in a no-
welcome contributions from People in the The rising presence Advertisement for a large urbanisation project on the outskirts of Lisbon published a few months before the Revolution of 74.
table way, solitary or in small
groups, electing high points and
any other circumstances of For developing field of law willing of tourism in the stunning views. Their typolo-
families on Europe
i ng bet ween 250m 2 a nd
housing, adapted to 400m2 that would lodge travel-
the contemporary Experience and ers and researchers; the second
awareness of category were temporary hous-
liquid society. Private Property needed es for forest rangers and care-
takers of the levadas (irrigation
Law essential
Researchers canals); and lastly the small
humble shelters usually single-
from the Through marketing, the real estate market managed to spread new models
storey and about 25m2, used to
support agricultural works in
the mountains.
field of and housing types which became the standard for the general public
Academics from the architecture
field of sociology or urbanism SANDRA MARQUES
and doors, some columns, etc. family types has on the Portuguese en to these developments, recalling
recruitment PEREIRA
Could we not expected or even wish
that the media hype that has sur- In what way
society as a whole and, above all, its
changing social image: an image
either nationalistic and traditional
narratives or more european and
Current or past
University Institute of Lisbon
the context of the about flexible tisement for a high-rise housing es- even architects. That epidermic aspect of the ous one, in expressing the greatness
the evolution
Estates in Porto
tate in the outskirts of Lisbon sells Let us return to the aforemen- house, on the other hand has of the dream that was being sold.
particularly significant.
research purposes.Squatters, gles, the irony seems to be served
by the bucketful.
ily. As for the other elements, from
the building to the materials and guese family go far beyond this.
for every family or solve your
housing problem. In the late 80s
tem, realizes the commercial val-
ue of architecture. And architects
illegal inhabitants within the Even so, Ill venture into the ter-
ritory of the houses of our content-
the amenities, not forgetting the
slogans, they all refer to its more
Theres a lot of talk about new
types of family. As if overnight we
and throughout the following dec-
ade, equality became an anachro-
take to the limelight. Meanwhile,
there are signs that something is
ment. In what way does the evolu- public, visible and, lets face it, more transitioned from a society of pre- nism and gave way to a desire for a not quite right. It only really hits
city of Porto, who are interested tion of housing in Portugal mirror superficial side. For that very reason, dominantly heterosexual couples higher social status which would in 2008 and, for the Portuguese, Casa de Abrigo do Rabaal
open call
the evolution of Portuguese society? they prove to work better as vehicles with children, to a society where take shape in different ways. even more so in 2011. From that
in being interviewed for To what extent do the rhythms and
contents of their respective trans-
of ideology and overall environ-
ments, that capture the spirit of a
the majority of us are lone individu-
als, single-parents or blended fami-
Through buildings that claimed a
stake to this singularity either
moment on, we all know the story,
but the houses of our contentment
a research project. formations move in tandem? These given time or the state of mind of a lies, gay couples, etc. This is not ex- through form, some in a more Por- live on and remind us that once
Inhabitants from are overarching questions that call
for a clarification on the type of
nation at a particular moment.
What seems clear is that the most
actly the truth. What has changed
is the influence that each of these
tuguese style, and others more
post-modern or by the names giv-
upon a time we felt like the happi-
est families in Europe.
open call Anonymity safeguarded the city of Porto house I am referring to. I will be ad- profound transformations in hous-
We are willing to share their dressing mainly the type of housing
advertised in real-estate ads. Why?
ing are centred far more on this ep-
idermic aspect than on the floor
experiences. The 74 revolution opened Portu- plan, whose evolution has added lit-
Anyone interested Looking for gal up to the world, but the coun- tle to its reference matrix, which is
trys modernization was not still the modern one. The few chang-
in debating the Researchers achieved immediately. It was only es observed keep to a quantitative
when the country entered the then logic, oblivious to any morphologic
challenges that the Casa Levadeiros no Paul
current models of from any EEC that the Portuguese popula- innovation. In a certain way and re-
field
Applications and New social policies for played a leading role, owing largely
to the real-estate market boom. In
has proven to be successful, the ma-
jority of transformations in the
lar architecture where tradi-
tions emerged from a commu-
housing are necessary,
letters of interest particularly those
this context, advertising gained a
special part in disseminating cer-
house have translated into an in-
crease in the number of suites. It
nity and result in a spontaneous
process of repetition. After the
tain house models and ideals, trans- has followed a steady course that 1940 they were also influenced
concerned with notions
Willing to Should be posted to 66-68 Avenida dos
forming them into the average con- started in the master suite, and then by Estilo Estado Novo, an archi-
we need contribute their Aliados, 4050-065 Porto Portugal
of flexibility, mobility
and affordability.
sumers point of reference. This
would be an individual that does not
extended to the other bedrooms.
Add to this the guest toilet, located
tectural style developed in Por-
tugal that wanted to create a
read architecture magazines and in the houses more public area, and genuine Portuguese architec-
findings about rarely ever goes to exhibitions on in some cases the walk-in closet ture style.
Reflections about the transitory the subject. If asked to name Portu- which, in the most generous homes, Although anonymous, and to-
the precarious character of the
guese architects, he/she would
bring up no more than one or two,
is doubled, one for the husband and
one for the wife. Curiously, this
day most of them empty, these
houses attract hikers that nowa-
condition of the contemporary probably only the two Pritzker somewhat random evolution seems days easily reach the mountains.
transitory inhabitants wanted proposals for prize laureates often mentioned on to head towards an important Floor Plan clipping of a flagship 1990s residential development in Lisbon. The captions emphasise the generous
They could be listed as nation-
society. the television. If asked about his/her change in the life of the Portuguese: sizes of the rooms (i.e. the master bedroom) and on the objects of desire of that time, from the fireplace to the al cultural heritage, both for its
of the city. New ways of A new paradigm for transitory architectures, ideal house, the average consumer
will tend to keep to the realm of the
a growing appreciation of intimacy
within the family itself, which is re-
satellite dish.
Look how big our room is!; Look at the built-in wardrobes, and theyre fitted with drawers!; Have you noticed theres double
architectural features, history
and location. Could they also be
where the city is hospitable for all.
inhabiting the city. Portuguese house: a detached
house painted yellow or pink, with
flected in a desire for more privacy
by each of its members.
glazing and the window frames are by Technal?; Have a look at the kitchens Miele cabinets!; Ready to create the best recipes
in the world!; How do you like the world seen through satellite TV?; How about some white wine by the fireplace?; Have you
our dreams house?
Carolina Sumares
noticed how our living room is really spacious?; I feel safe with these armoured doors by Fichet
a tiled roof, stone-framed windows But the changes in the Portu-
18 NEWS FROM PORTUGAL Homeland, June 2014 Homeland, June 2014 NEWS FROM PORTUGAL 19
Informal Informal
1914/2014 Informal Housing /Joana Pestana Lages burdens associated with house purchase Surplus Dwellings HOUSING NEEDS
1930s 1950s 1962/66 1969 1974-1976 1980s 1993 1995 2014 Decrease in the no. of home Owners with burdens in 2011 (in relation to the number of families) Decrease in the no. of dwellings needed Housing Overview in 2011
The rural flight as trigger Barracas, vilas and ilhas Repressing the informal From being passive to
taking control
Revolution and Right
to Housing
Densification of the
clandestines
Eradication of slums Urban requalification Thousands still waiting owners with financial burdens
1253342
The late process of The newcomers occupied A coercive displacement After entering the EU in Since 1995, due to a new Different types of
+45%
industrialization delayed vilas in Lisbon or ilhas due to the construction of In the 60s Brandoa became With the end of Salazars Post-colonial immigration 1986, slums became legal framework, responses have been
170000
the migration of the rural
poor to cities (mainly to
(islands) in Porto, very
small and overcrowded
the bridge over the River
Tagus, connecting Lisbon to
known for being the largest
clandestine neighbourhood
dictatorship in 1974, slum
dwellers started a claims
brought back over 1 million
people. In addition, the lack
unacceptable for political
leaders and public opinion.
thousands of dwellers of
the former clandestines
created in the last decades,
notwhitstanding laws,
2011 11%
Lisbon and Porto). Upon
arrival they found no
typologies. The construction
of a barraca (portuguese
Almada, forced 700 families
to literally transfer their
in Europe. With the collapse
of a 6-story building in
process all throughout the
country. Their slogan Casas
of housing public policies
generated a submarket
PER Rehousing Programme
targeted the eradication of
struggle with long and
bureaucratic processes for
regulations and planning
tools numerous territories
160000
24%
accommodation available, word for a shack in a slum) barraca, to an empty plot 1969, the passive attitude Sim, Barracas No! for informal housing, that barracas with the rehousing the urban requalification still waiting for intervention.
therefore building an on the outskirts of cities, owned by the municipality of the government gave (Yes to Houses, No to Slums) shaped the periphery of of thousands of families in and legalization of the Among those we find areas 150000
65%
informal shelter was the became an alternative. at the other end of the town, way to the first measures to echoed in the urban policies both Lisbon and Porto, massive housing blocks. neighbourhoods they built. with severe problems of
only possible solution. creating Musgueira. try and control this that legitimated the right forming the clandestines social-spatial exclusion.
140000
+48%
informal expansion. to housing. neighbourhoods.
+16%
130000
43% 120000
-22%
1981 110000 Dwellings used under Overcrowded
Building a precarious shelter Barracas at Rua do Sol a Chelas Bairro de Lata in Lisbon Panoramic view of Brandoa Self built housing View of Cova da Moura Demolition of Musgueira Serra da Luz in process Bairro do Talude Militar, waiting
their housing capacity dwellings
at Avenida do Brasil
Arquivo Municipal de Lisboa
Arquivo Municipal de Lisboa Arquivo Municipal de Lisboa Arquivo Municipal de Lisboa during SAAL programme
Cooperativa de Construo e Habitao
nowadays
Joana Pestana Lages
Arquivo Municipal de Lisboa of requalification
Joana Pestana Lages
for intervention
Joana Pestana Lages
2001 2011 2001 2011 Dwellings without lack
Econmica Semearrelvinhas Collection of or surplus rooms
Source: ine
is not formal, which is to say, every- ou descontraco. di forma: pittore i. manded by the troika, raised consider-
Parcial plan of Monte Xisto, highlighting Mr Albino Borges and Mr Serafim Paradas houses (left and top) PAULO MOREIRA
Informal Economy
- Roots
da family, bought by Serafims father
ATELIERMOB & over the years. After the tenants were Ilhas (islands) are a type of con-
PAULO MOREIRA rehoused in council housing, the fam- struction that appeared in city of
A
ily continued to receive the equivalent Porto in the 19th century and still
NELSON DAIRES
to the rents collected for the duration exist today.
The life stories of Albino and Serafims of one year, this amount was paid by the As with most illegal parcel- They were the solution found to
families cross paths on the Monte Xisto C.M.M.s public housing company. But ling, people looking for a sus- answer the need for housing, that
hillside. Albino and Claudemira met at after that, nothing else happened. Serafim RESIDENTS BIOGRAPHY tain for their lives, migrate increased with the migration of
school, in Gates, where they lived un- argues that they didnt even get a single to places where they can find workers from the rural space to
til they got married in 1970, moving to letter, nobody told them a thing. They it. Matosinhos as a destiny the industrial city.
Monte Xisto that same year. The house, just stopped receiving the rent money. Claudemira Oliveira (Vila Maria Crista (Matosinhos, 1950) was no different. Although Ilhas were constructed by the
Claudemira tells us, belonged to her Although they consider themselves do Conde, 1946) and Albino and Serafim Parada sharing the same basic mor- employers and were usually locat-
godmother and her husband who, be- lucky with the neighbors they have in Borges (Baio, 1945) TOP (Matosinhos, 1950) BOTTOM phology traces with other ed in the back of the employers
ing childless, had spare room to take the council housing estate to which they Claudemira Oliveira and Albino Maria and Serafim have lived in places in Portugal, the illegal parcel- houses. They are made of rows of
them in. Later, they bought the house were relocated, Albino voices his dis- Borges moved to Monte Xisto Monte Xisto since 1970. He was ling in Matosinhos has its own specific- 10/12 single-storeyhouses, with
from them and have been putting their like for life in the dormitory, which in 1970. She was a seamstress a printing technician until he was ity. As all north Portugal, it has small- approximately 15m2 are each,
savings into improving it ever since. justifies his daily comings and goings and he was a worker at RAR drafted for the army and sent to holdings which are rich in water and placed along a narrow corridor.
The house was built in the 60s on land to the freedom offered by Monte Xisto Aucar amongst other jobs theyve Mozambique, where he worked as nutrients in a temperate climate, per- Aereal view, Lisbon 2 Jordi Burch/kameraphoto
This typology appeared due to
purchased by Claudemiras family, and for the past eight years. I feel stifled held throughout the a cook, between 1971 and 1974. mitting excellent basic survival condi- the kind of land subdivision used
Colective Colective
1914/2014 Policies for social housing/Alessia Allegri , Miguel Eufrsia
1933
Affordable Houses Programme
1945
Affordable Rents Housing Initiative
1974
Local Ambulatory Support Service
1993
Special Rehousing Programme
2004
Urban Rehabilitation Societies
Architectural
crisis
A family that takes shelter under its own roof is [The Ramalde neighbourhood] was also the first, There was never an attempt to prefigure the city, daily For the construction of affordable housing, the State () This [Porto municipal] policy rests on a
naturally more economical, more stable and better legitimate and even necessary opportunity to () life or the forms of socialist life, there was never an grants subsidized loans for both the purchase of land deterministic logic of real-estate promotion of
constituted. That is why we are not interested in big erect our own Siemens neighbourhood, countering attempt to elaborate a counterplan outside the realm and respective infrastructure development, as well the prt--porter kind, aimed at a medium to
phalansteries, the colossal constructions for housing the narrow and petit bourgeois spirit of the recently of the dwellers conscience. The point was to propose, as the construction works; in addition to fiscal and high standard, abstract client, in detriment of a
the working class (). To our independent character finished Alvalade, with its functionalist method, with its through practice, a methodological alternative born parafiscal benefits, materialized in the exemption or participatory (re)housing process. That logic in fact
and to benefit our well-mannered simplicity, we rather outspoken subordination to faade exposure, with its out of a dynamic process of struggle and organization, reduction of taxes, fees and other costs. Decree-law leads to the destruction and imperviousness of the
wish for the small-sized, independent house, inhabited concept of core and free space, in a minutely defined which would constitute a process in itself and create its no. 162/93 central core of neighbourhoods, because it relies on
and fully owned by the family. zoning Nuno Portas, 1961 own provisional images and build its own theory. Alves urban cosmetic operations, where usually very
Costa, 1978 little is left of the pre-existing fabric beyond the
scenography of historical faades.Nuno Grande, 2013
On the verge of a
evolutions, complications,
CRISIs QUOTES and responsibilities of the
field can be found within the
most traumatic scenes.
Residential mortgage markets are MARK WIGLEY, Space in crisis, 2014
now equivalent to more than 40 percent of
gross domestic product (GDP) in developed In this recent text, Mark Wigley focus-
nervous breakdown
countries. (...) When a countrys system is es on the intricate and underrated re-
more developed and mature, lationship between crisis and architec-
the public sector can encourage a secondary ture. On the one hand he states that to
mortgage market, develop financial declare a crisis is to declare the need
innovations, and expand the securitization for architecture, and focuses on the
of mortgages. Occupant-owned housing, paradoxical idea that architectural de-
usually a households largest single asset sign it is propelled by crisis but at the
by far, is important in wealth creation, social same time its purpose is to removing
security and politics. the sense of crisis. On the other hand,
World Banks World Development Wigley portrays crisis as a potential
Can revolutionary verve trigger a new engagement between architecture and politics? Report, Reshaphing Ecnomic
Geography, 2009
and inventive force stating that since
the nineteenth century, theorists have
often portrayed crisis as a primary
agent of forward progress in all aspects
In 1994, Portuguese banks had of individual and collective life, conjec-
loaned out 3 thousand million euros for turing that it could be that every part
housing purchase. In 2007, the value raised of the built environment has been
5 fold: 15 thousand million. When the crisis shaped by prior crises. To Wigley, Cri-
happened, the total sum of outstanding sis is a crucial, unacknowledged and
mortgage credits was 104 thousand million recurrent concept in Architecture, act-
euros, a much higher amount than the 78 ing as an avant-garde trigger. However,
thousand million of the troika loan package. the actual experience of crisis is not so
MIGUEL EUFRSIA (...) In less than 10 years, the banks depleted intellectually stimulating. It is one of
the Portuguese families debt limits. We dramatic and intensified standoff be-
broke all the records. Between 1999 and tween Social values and Economic pro-
The widespread demonstrations that 2001, 3 out of every 4 loans concerned cesses.
took place in North African (Arab housing purchase. In fact, the Portuguese
Spring), North American (Occupy bankers built a marble tower on a swamp.
And it is a mix of cheap money, absolute self-
The right to the city is far
Wall Street) and European cities (the
Indignados) illustrate how the con- reliance, euphoria, and belief in the virtue of more than the individual
temporary condition is characterized the alleged virtues of financial innovations liberty to access urban
by a growing, and generalised, senti- that has brought us to this point. resources: it is a right to
ment of discontent and social dispute The destructive power change ourselves
towards the Democratic ideals in a of finance: real estate, offshores by changing the city. It is,
world increasingly dominated by the and shadow-banking, Pblico, moreover, a common rather
ever-expanding processes of Globali- 13 april 2013 than an individual right since
zation. The choice of public space as this transformation
the place in which to show public dis- inevitably depends upon the
satisfaction seems an all too obvious More than 11m homes lie empty
exercise of a collective power
one, but there is no overstating the ca- acrossEurope enough to house all of
Colective Politics
tenants
tiago matias
Alderman for Urbanism
Beyond
wasted homeland
In Portugal 4 out of 5 people live
in an owner-occupied home,
whilst the remaining are ten-
crisis
ants. Facing this reality the gov-
ernment is making an effort to
change the countrys housing
structure by introducing pro-
Dichotomy between center and periphery today does not make sense, it has arrived
T
grams to encourage and facili-
tate citizens to rent instead of
he participation of the munic- the time for rebuild and demolish buying their own homes.
ipality of Loures in the Portu- The first public incentive to be
guese representation at the launched in 2007 was Porta 65
Venice Biennaleoccurs dur- Jovem (Door 65 Youth). Trough
ing the review and public dis- this program, youngsters from
cussion of its main instru- 18 to 30 years old, can benefit
ment for managing the terri- young by opposition to the age- cumstances of its absence were from a monthly support for their
tory the Municipality Local ing centres, from being per- unable to replicate past experi- rents, a percentage based on
Development Plan. ceived as city. ences. Today, the subjective city their incomes and social situa-
At a time when interests act quickly This is already the younger holds but few instances capable of tion. In the last years the average
on issues that occur mostly in major generations memory of the city. fixating urban life this is a city wages from the selected candi-
urban centres, how can this document Today, the centre-periphery of brief moments, not systems, dates were between 727 to 1455
facilitate interventions that introduce dichotomy is anachronistic. and so architecture takes on a Euros. For those choosing to live
positive reactions? The challenge that Characteristics of the periphery prominent role in creating places. in historic centers the funding
is being proposed for the Municipality can be found to exist inside the increases 10 to 20%.
of Loures as part of the participation city. Neighbourhoods meant for The challenge of the In the archipelago of Azores,
at the Venice Biennale could be one of middle classes, with purchasing new city its autonomous government felt
the answers! power, have no added value the need to adapt this program
In a moment of near paralysis in when compared with peripheral Democracys 40 years of ex- to its local reality, so in 2009 it
construction, it is interesting to re- neighbourhoods. The building istence were also times when begun Famlias com Futuro
think the priorities of intervening in and construction industry has the static character of neigh- (Families with future), which ex-
the territory. Ensure better quality of become everymans opportuni- bourhoods changed. Research- tended its cut-off age for appli-
public space and better public facili- ty, as the urban expanse is in- ers do not always agree about cants to 35 and focused on young
ties; complete unfinished housing pro- creasingly scattered. Invest- whether gentrification pro- families, rather than individu-
jects (also a result of the economic dif- ment in suburban motorways cesses are present, or how they als. Around 1000 families under
ficulties of this sector) are priorities accelerated the process. The car happen. But the fact is that a this program are being helped
in city planning. is the key element in this off-bal- return to the historical city is with an average of 184 euros a
The Lawful expectation of seeing ance system. only possible with these ten- month and in the last year the
built the green spaces, playgrounds, This new, fast and discontin- sions between new inhabitants candidates increased 37%, indi-
schools or a sports facility, that were uous city that involved centres and the original ones (the age- cating the initiative is being ef-
patent in the drawings of the urbani- and generated metropolitan ing population). Boua, an old fective.
zation plans when a person purchases areas could not be farther from fragment of the participatory Joana Oliveira
a house, may even become a require- the models imagined by housing process in Porto, was
Crisis intensifies the visibility of the (lightly debated) influence of economics in urban transformations and architectural criteria. Moscavide #12 Helder Sousa ment of the residents for a better qual- learned urban design and city- completed in 2006. lvaro
T2 +Marquise
Le Corbusiers 1914s Dom-ino proto- reproduced in the contempo- for intervening in the city based
ADOC type. Therefore, this project can be un- so different rary world. An alternative to the on the complex identity of each
& MIGUEL EUFRSIA derstood both as a tribute and a site-
specific, contextual and retroactive from the past. speedy, discontinuous periph-
ery semi-rural settlements
neighbourhood.
Demolition will also be inev-
departure from the pervasive Mod- Rua General Silva Freire, Olivais, Lisbon MIGUEL HENRIQUES pressured by urban growth. Its itable. But in past decades, the
A survey carried out in the Loures ernist model. The theme proposed to Loures Con- social and even morphological rhetoric of increasing the space Glazed structures that end in
Council unsurprisingly pinned down vene the Collective aims to initiate heterogeneity affirms an unex- for circulation allowed for the balconies earned in the real es-
several unfinished and empty build- The project and coordinate procedures that allow the practice of land division, S.A.A.L operations mobile pected, collective space with biggest atrocities to be com- tate the statute of rooms!
ings. One of them, located in the vi- the conclusion of an incomplete building RICARDO CARVALHO the uncritical cutting up of the (pode sair) architectural units public spaces where cafs and mitted to the urban form of During the XXth century the il-
brant, compact and well connected ur- The Summoning the Collective initia- whose works have been suspended and Founder Partner at Ricardo Carvalho territory and housing that is set up to address the shortage of shops coincide. Portuguese cities. The appeal legal proliferation of the mar-
+ Joana Vilhena Architects and head
ban setting of Moscavide(384653.13N; tive gathered the necessary informa- which have not seen any expectation of of the Department of Architecture not a certainty for everybody safe and affordable housing fol- But public funded housing de- of demolition poses a vital quises brought a new image to
9 611.12W), assembled the ideal re- tion and drafted a proposal converting being taken over. Thus, this subject is UAL, Lisbon coincides with the State no lowing the carnation revolution. velopment, capable of actual question: how can we guaran- the Portuguese urban land-
quirements for our venture. It is a of the oversized and futureless com- most current in the context of the real- longer taking on the responsi- With these projects a recogniz- city-building, lost steam after tee the quality of what will be scape. To build a marquise
100x180m, 3 storey bare concrete mercial construction into a no-frills ity of our territory. bility of creating housing with able effort was made by several this endeavour. Bureaucratic built in its place? That is the would end up being much more
structure (see apicture above), which taylor-made housing experiment, max- Convene the architecture, through Houses have increased four a social interest. generations to use housing as a tools of planning and the cir- challenge for architects. than an illegal process, or the
was designed for 37 300 m2 of com- imizing typology diversity, ensuring fu- the redefinition of existing uses and of- times more than the popula- tool for policy, but for todays negligence of the global esthet-
mercial and office space plus 36 000 ture spatial adaptability as a method to ten deteriorated and abandoned spaces tion reads the 2011 Census. The open city generations of architects there ics: it became a cultural action.
m2 of belowground parking space. Its warrant financial and economic feasi- can, and should, be synonymous of From the housing scarcity that is nothing like it that they can This is a consequence of the
construction had halted due to the fail- bility. Surprisingly, the city council, the transformation and revitalization of characterized life under the The point of arrival of the hope for. space appropriation freedom
ure in finding potential buyers. How- proprietor, the developer and the build- our territory, in order to have more bal- Estado Novo dictatorship in contemporary city in general, when there isnt enough space
ever, precisely because of its impending ing company, displayed enthusiastic anced urban experiences in the future. Portugal, we finds ourselves to- not only in Portugal, is a far cry The subjective city or the antique housing typolo-
usage (commerce), with qualities such support for the project. Through the The Municipality of Loures still be- day in the opposite situation, from the learned debates about gies dont suit the now-a-days
as the forthrightly exposed concrete mediation of architectural agency, fi- lieves that this is a possible way for the without having found balance the polis. A far cry from a pos- For the last two decades, any necessities, and the difficulty of
slabs, columns and staircases, high nancial and bureaucratic stalemates transformation of urban territories, along the way. Present-day Por- sibility of citizenship that ema- type of housing, regardless of its legalizing the marquises is a
ceiling heights and spatial flexibility, have been overcome, but further chal- and the opportunity presented by this tugal is statistically urban, with nated from a radiant centre of spatial characteristics and or- constant battle to the bureau-
the structure condenses an immanent lenges lie ahead. One of the projects project being developed in the scope its apartment buildings in the enlightened power. The citys ganization, solar exposure, con- cracies, taxes and the missing
potentialthat in a way resonates with economically indispensible premisses of Portugals participation at the Ven- city and the countryside, but it limits are no longer set by its nection to public space or access of mutual consensus.
is the reduction of structural changes ice Biennales with the coordination is not however a country that is founding neighbourhoods, its to public transports, was easily During the XXIst century, the
to a bare minimum, that is to say, to un- of a team of designers and developers, growing demographically. On symbolic places, nor does it sold, through credit, to a popu- awakening to the impact and
The state of Crisis dertake the already built construction should be a vehicle able to produce the contrary. Yet, for its citi- even attempt to replicate that lation that concentrated itself in roots of the marquises trend
as an object trouve. However, features great transformation. zens, housing is not a certain- idea of centre. It is a vast subjec- large metropolitan areas. took us to reversed opinions and
does not imply such as the depth of 22m, the 4m floor But what is really crucial is the ty. This is one of the findings tive city, a fractal metropolis The Greater Lisbon area dis- initiatives. In 2009, Lus Mes-
a lesser need for to ceiling, the position and the size of
existing staircases raises flags regard-
The Project: Varying cubic meters of housing.The embryo that encapsulates
the invisible ability of architectural agency to engineer compromises between
forces and stakeholders with conflicting interests in the urban field. Architecture
chance to experiment with new forms
of urban intervention, meaning that for
of last years study The Qual-
ity of Democracy in Portugal:
that no longer has an identifia-
ble centre and is now founded
plays all the themes of the con-
temporary city, though not en-
quita Dias, Unilever manager,
created an impacting anti-mar-
Architectural ing building regulations and municipal
planning law. In fact, even if light abun-
enabling itself different urban situations there should
be innovative ways of acting.
the Citizens Perspective . It
shows that housing production
on ambiguity and de-politiciza-
tion, often without the bounda-
tirely free from conflict with a
more traditional idea of city.
quises campaign. The autar-
chies of Oeiras (2002) and Ama-
ingenuity. On dance, air salubrity and spatial quality Beyond the crisis and beyond the has been disconnected from a ries that separate private from The countrys 40 years of de- dora (2011) challenged the resi-
are ensured by fragmenting the built ity. On the contrary, Crisis demands planning: Crisis opens up the prospect pause or halted construction develop- strategic vision for society. public as described by the phi- mocracy do not seem to have dents to legalize them. Applica-
the contrary, mass (see model picture on the right), an increase of out-of-the-box thinking for the intensification of Architec- ments, the key signal is that we mustnt We are currently going through losopher Giorgio Agamben. brought into question the fledg- tions for urban rehabilitation
Crisis demands a strict reading of current legal frame-
work can thwart this or any housing
and radical intervention. The current
gridlock in the real estate market and
tures operative influence regarding
the decision-making forces in the con-
stop and there are many ways of deal-
ing with the same issues in a broad
an enforced interruption in the
voracious process of building
Portuguese architecture has
known times when the experi-
ling public space, the dubious
access to public transports, the
programs (like Recria and Re-
criph) were flunked by illegal
an increase of project for the site, an issue that reveals
a lack of touch with contemporary real-
the construction sector forces all of its
agents to make structural changes and
temporary city. The Summoning the
Collective project intends to exempli-
partnership, and liaising with the
agents that intervene on the territory.
the territory. Over the last 30
years there has been no overall
ence of collective housing laid
the foundation for policy.
absence of leisure areas or pres-
ence of qualified architecture
marquises. The real estate val-
ues this informal adaptation and
out-of-the-box ity that will be addressed further on. to search for innovative practices if fy the possibility of a more micro-po- Therefore, the population as a critical vision or regional strategy. The In the 1940s with the Alvalade at least in public buildings. But marquises earned the statute of
they want to endure. This is the reason litically engaged architectural prac- mass of these territories is an agent State has long ago exempted it- neighbourhood in Lisbon, a so- the fact is that this rarefication a room instead of being per-
thinking and radical The Politics why this is such an absolutely unique tice. The project will be developed who can never be forgotten and must self from the responsibility of cial city/garden city; later with of the metropolitan city has not ceived just like a laudry or a tid-
intervention The state of Crisis does not imply a
opportunity for architecture to desta-
bilize current homogenised proce-
throughout the three issues of Home-
land and will continue beyond the
always be part of the urban equation. being a driving force for quali-
ty. Too many houses, the result
the new-town of Olivais in Lis-
bon or the participatory ap-
stopped life and generations of
citizens from running their
ing up space.
Sara Neves
lesser need for Architectural ingenu- dures and models that compose urban 2014 Venice Biennale. of unchecked speculation and proach to architecture of the course, and this urban world, Rua Sargento Armando Monteir, Olivais, Lisbon MIGUEL HENRIQUES
26 NEWS FROM PORTUGAL Homeland, June 2014 Homeland, June 2014 NEWS FROM PORTUGAL 27
Rehab Rehab
1914/2014 Portugal rehabilitation /Jos Aguiar could create a new inhabited skyline
for Lisbon?
1879 1909-2014 1938-1940 1937-1959 1966-1970 1968 1988-2012 1999-2001 1970 2007
Lisboa, Santa Maria Coimbra, Praa de Lisboa, Castelo DGSU Study of the Porto, Barredo Lisboa, Chiado Porto, Praa da Batalha Guimares:
Lisbon Skyline Operation wants to
Guimares
de Belm Santiago de So Jorge Restoration of the Palace of Exploration and Defence of Porto, Barredo. Fernando During the fire. After the Before and after restoration Praa de Santiago reshape old rooftops allowing its full
Before and after restoration and restoration of the Before and after restoration the Dukes of Bragana Urban Landscape of Algarve Tvora: continue, thus restoration Before and after restoration use for housing, giving back this 5th
Santiago church innovating! facade as an asset for the city and as
a key element for Lisbons re-develop-
ment in the twenty first century. Top
floors present several construction
problems: the majority are badly built,
poorly insulated, and have low quality
of lighting and salubrity. By under-
standing the morphology of Lisbons
If Modernism
brought us flat
(Professor Maria Joo Neto) Boletim Monumentos, DGEMN Boletim Monumentos, DGEMN Boletim Monumentos, DGEMN Arch. Cabea Padro porto city hall lvaro Siza Fernando Tvora, Arch. Alexandra Gesta, Arch.
roofs as one of
Adalberto Dias Jos Aguiar
its revolutionary
ideas, can a
Economic changes and rundown housing reinterpretation
resulted in an urban battlefield of these spaces
Rooftop
revolutionise
the city?
Hypotesis
rooftops and channeling twenty first
century building technology, this op-
There is no need to endure claustrophobia when sunlight waits outside RUI PINHEIRO, 2014
eration will upgrade historical build-
ings and establish an effective strate-
Inverted City
gy for the citys regeneration. Thus,
condominiums and investors can en-
ter into a profitable and innovative
partnership. Skyline investments are
available for an enormous range of in-
vestors, from common citizens in
search of a home to call their own, to
big investors who always want to be
placed in the best location.
Building upside-down: A chance lies trapped under inefficient and forgotten ceilings Lisbon Skyline Operation starts by
revealing Lisbons roof-scape as a po-
dismantled, transforming the country tential physical resource for the reha-
ANDR TAVARES into a money-circulation platform, a bilitation of the consolidated city. For
service-oriented economy without a the last century these spaces re-
productive background. Successive Eu- Lisbon Skyline Operation is liter- ers need to organize and constitute a habited buildings. Nevertheless, most mained untouched. Can this be the
Graced with Atlantic breezes, Lisbons ropean economic crises have brought ARTRIA ally a top down strategy of spotting legal entity to manage their shared of todays uninhabited attics and por- ground to fund a Lisbonner house for
whitewashed appearance has re- this strategy to a dead end, forcing the places for investors and building a property stairs, halls, attics and por- ters lodges are wasted spaces in valu- the twenty first century? A house de-
mained largely unchanged since 1914. country to discover immediate export Lisbon today: an unique morphology requires more than design to achieve an endurable regeneration ARQUIVO MUNICIPAL DE LISBOA new and alternative model to rehabil- ters lodges. The condominium estab- able spots. signed to meet social, environmental
Gradually absorbed into the citys revenue; given Portugals warm cli- Driving along the citys hills, we become itate the deteriorated urban fabric. To lished itself as a simple way of manag- If Modernism brought us flat roofs and economic concerns and built upon
architecture, modernity has been mate and seaside location, tourism was aware of Lisbons beautiful city skyline, achieve this goal it is fundamental to ing collective housing. The scarcity of as one of its revolutionary ideas, can a collective premises. A house that can
scarcely noticed. However, this appar- an obvious choice to boost the econo- to do and what not to do. Despite this them out of the city center. There is a vanishing into the darkness of uninhab- revisit the concept of communal financial resources faced by the ma- reinterpretation of these spaces revo- invert the cycle of degradation in the
ent timelessness conceals Lisbons cru- my. Todays Lisbon is extremely differ- evidence, architects continue to dis- struggle going on, not only to conserv- ited roof-scape. For an architect, catch- space. Lisbons residential buildings jority of neighbours is often an obsta- lutionise the city? What if these com- historic city. In the inverted city, top
el decay: the city is no longer the same
as it once was. Lisbons population has
ent from the one that existed yesterday,
just as it will be different from the one
cuss the sex of angels: every week is a
good one for debating rehabilitation,
While the city atively preserve the downtown area,
but also to forestall the occurrence of
ing a sight of this is a trigger to engender
a new act. Above our heads lies a hidden
are based upon this notion. This verti-
cally layered organization has created
cle to undertaking the necessary
maintenance work, resulting in a
munal upper floors were used as an
economic resource to rehabilitate en-
floors are devices to activate rehabili-
tation and shape Lisbon for the twenty
been constantly decreasing over sev- we find tomorrow. While dramatically giving the impression that rehabilita- faces a number certain inevitable situations. And Lis- key for the citys rehabilitation. shared common areas, for which own- large number of deteriorated but in- tire buildings? What if these spaces first century.
eral decades, its service-based econo- raising expectations, tourism has also tion will provide complete redemption boners like tourism: tourists are beau-
my having driven the citys inhabitants piled enormous pressure onto a fragile for every architect. Meanwhile, the city of critical issues, tiful creatures and they bring much
out into the suburbs, leaving the his- urban fabric, which now seems to be is being transformed with some ex-
its urban fabric needed activity to the city. The difficul-
toric city center districts under the
thrall of extremely high land values.
The citys development has brought
reviving real estate funds that had sim-
ply been waiting for an opportunity to
resume their investments. Soon, the
tremely disappointing architectural
examples, predatory practices con-
firming that the goodwill of architects
has remained
ty is in avoiding those rehabilitation
processes that are gradually expelling
the citys inhabitants and, while doing
LISBON SKYLINE OPERATION
greater economic expectations, while similarities between Lisbon in 1914 and is clearly keen to meet the standard almost unchanged so, jeopardizing the uniqueness of a Eu- The degraded state of buildings in Lisbons historic districts
is obvious. Although there are a series of urban dynamics and
The citys hilly topography offers a unique view over its
rooftops, mansards, and terraces, while, in turn, from
an incongruous rent law has impeded 2014 will begin to disappear; it is a par- wishes of international companies; ropean capital that somehow seemed
a flexible use of housing. A complex adoxical situation, since tourism is identical carpets and air-conditioning since 1914 to have escaped the twentieth century. economic reasons that can explain this decay, this proposal
seeks to show the possibility of considering innovative
these places one enjoys outstanding urban panoramas of
Lisbons charms. Addressing the expectant rooftops as
combination of phenomena led to the highly attracted by those same unique systems have replaced the unique qual- That is the reason why design is not
solutions that can reverse the current cycle. In making certain commodity represents an alternative strategy both to the
current situation: a degraded urban qualities that it will seemingly help to ities of Lisbons heritage. Admittedly, enough, nor is it even fundamental.
design proposals for the citys deserted and undervalued mega-operations of reparcelling historic buildings to reach
fabric on the verge of collapse, very few extinguish. Nevertheless, the dice have this process is not confined to Lisbon, Architecture must be used to think ar-
rooftops, Lisbon Skyline is trying to find the necessary the required size for real estate investments, and to the
residents, high property values and been cast and transformations are now but Lisbon matters to us. How can we ily, unlike other economic activities. In chitecturally, to provide simple solu-
mechanisms that can trigger a participative rehabilitation unfulfilled expectations that the redesign of public spaces
scanty investment resources. taking place. reverse the trend of these ongoing de- Lisbon, it is only counterbalanced by tions to complex problems, such solu-
process. The roofs of a large number of Lisbons historical will, per se, activate the rehabilitation of private property.
The Portuguese economy has shifted It seems that design, and design velopments? One thing seems obvious: the enduring attractiveness of a capital tions being crucial for helping inhabit-
buildings are common property of their inhabitants; this Lisbon Skyline Operation provides us with the architectural,
its focus in an attempt to match Euro- alone, might be a useful tool for stimu- design is not enough. If we are con- city. However, in rehabilitating Lis- ants to continue living in the city, par-
significant asset might allow important investment solutions legal and economic concepts needed to engender
pean standards and practices. The pre- lating Lisbons urgently needed reha- cerned here with the fundamentals, bons historic districts, the challenge is ticipating in its life, and being part of
for the city. It might seem complicated, but it is, in fact, easy: rehabilitation through the collective endeavor of the citys
viously existing, and somewhat precar- bilitation. There are a number of good these are not to be found in design. to engender alternative economic mod- its continuing rehabilitation. In Lisbon,
the strategy is to recreate the citythrough its rooftops. inhabitants: step by step, house by house, roof by roof.
ious, agricultural, fishing and indus- rehabilitation practices to be found, Portuguese tourism is being devel- els that will enable inhabitants to with- today, architecture must be a tool to
trial structures have been gradually plenty of examples that teach us what oped as a monoculture, growing stead- stand the pressure threatening to drive combat undesirable trends. RUI PINHEIRO, 2014
52.496
CONSTRUCTION PERIOD
Tagus River 2001
53.387
62.041
22.389 <1951 25.578 19511985 5.420 19862001
28 NEWS FROM PORTUGAL Homeland, June, 2014 Homeland, June, 2014 NEWS FROM PORTUGAL 29
Rehab Culture
Manuel Salgado
In Portugal there are several
through
Alderman for Urbanism
municipal initiatives promot-
ing urban rehabilitation, not
just in the main cities as Lisbon
the
smaller urban areas. Beyond
quite a lot of tax benefits, RE-
challenge
CRIA, RECRIPH and SOLARH
are the names of the most
known programs.
F
looking
In Lisbon, the most recent ini-
tiative says Rehabilitate it First,
ounded as a trading post on the es- Pay for it Later. It is a coopera-
tuary of the river Tagus, Lisbon tion between the City Hall, the
has grown up around the castle. banks and potential buyers. The
glass
When the kingdom of Portugal idea is simple: the vacant munic-
was founded, the city extended it- ipal buildings in need of rehabil-
selfalong the riverfront and also to itation intervention are put up
the first row of hills. for sale by public auction. After
Until the 18th century the city was purchase, the investor is obliged
compact but fragmented, moulded to the to perform a rehabilitation work
topography of the land and punctuated by in order to put the housing on
Which card can be played by architec- some large buildings. the market. The payment is de-
ture when facing such an entangled In 1755 the big earthquake destroyed most layed until after the intervention
scenario with contradictory goals and of the city, afterwards rebuilt reaching out is completed, within a maxi-
eventually struggling players? It seems to the North according to a strict XVIII mum period of 3 years. At a time
one needs to immerse oneself in a won- century Enlightenment Urban Plan. when access to credit is ham-
derland scenario, ignoring the harsh During the dictatorship Lisbon, consoli- pered, the City Council believes
reality in order to transform it. A dated as the capital of a colonial empire, that the deferral of payment
colorful vision is needed and when was marked by strong urban and archi- stands out as a contribution to
coming back from the looking glass it tectural interventions. the reanimation of the construc-
is possible to have a better card to play. Today, after 40 years of democracy, Lis- tion sector.
Indeed, Lisbon Skyline Operation bon is trying to portrait itself as a city Since the program implementa-
aims to be the trump card amidst Lis- which has kept its roots, enhancing its re- tion in early 2013, 4 public auc-
bons urban struggles. lationship with the river, its cosmopolitan tions were held and 61 properties
The point of departure are the his- nature (which comes from being a port were sold. Contrary to the expec-
toric districts, their colorful heritage city), and the historical, scenic and archi- tation that only real estate compa-
and resistant Lisbonners. Lisbon is it- tectural heritage of a city which was not nies would participate, 55% from
self the source for regeneration. The destroyed by World War 2. the 165 applications submitted so
The phoenix
clash between an old city in need of But the last 40 years have not been ex- far were held by individuals.
rehabilitation with the urban regula- empt from contradictions. With the end This program aims to imple-
tions and real estate possibilities is of the colonial empire Lisbon City peaked ment the comprehensive reha-
meant to be mastered through a sharp to a maximum population of 800,000 in- bilitation of the municipal herit-
legal analysis. habitants in 1980. From then onwards the age of the capital. However, only
The ambiguous legal status of roof- inner city population has been declining about 7% of the citys derelict
tops and a buildings common areas as people move further and further out- buildings are from the City
allows one to envision the Skyline Op- side the city centre and towards the pe- Council. 67% belongs to individ-
eration. Maneuvering through the riphery. Now its population is reduced to uals or private companies. Not
arid field of legislation, architects can 550,000 inhabitants. solving the problem in its entire-
foresee a colorful reward. Thus, The freezing of rents, bad mortgage lend- A sequence, not a destination. Urban Regeneration as a powerful code for human evolution ty, the Board sets the example,
through architectural tools, the pos- ing policies, lack of control over of the pro- as an owner, of what may be a
sibilities discovered will directly inter- cess of urbanisation and the support for the possible solution for the future
act with the physical restraints of real- use of the private car are all factors which of vacant heritage.
ity. Eventually, such tools will be able have led to the sprawl and the lack of invest- Zara Ferreira
to transform the restraints into oppor- ment in the city centre. The middle class, streams; as it still is (and dubbed A constant squence
JOO SEIXAS
Reabilita
tunities. Furthermore, contemporary many young families, moved out of the city, rehabilitation) in most places. It
technologies and sustainable ambi- leaving the historical centre empty. Many Geographer, researcher and professor cannot be a simplistic salvific What to do, then? It is not so
Lisbon Skyline search engine: combining anarchitectural point of view with the investors at the University of Lisbon
tions are helpful to boost the previous building are unoccupied and in an acceler- door where some now fashion- much a question on how to be;
perspective on community requirements / www.lisbonskyline.pt Artria and Armanda Vilar , 2014
interactions into effective allies, con- ated state of deterioration. ably direct. That would turn out much rather on how to go. Not
verting what could be seen as offensive The phenomenon of young people and jobs In Greek mythology the phoenix to be a significant loss of its a destination, but a sequence.
or waste into profitable reward. leaving the city centre is threatening the was a beautiful bird that cyclical- main essence. Urban regenera- The supreme value must not be There are more than 21.000
To be effective, such strategy needs cohesion of the city which has started to be- ly died by fire or decomposition; tion must be an enduring and the future, but the present, buildings in Lisbon in need of ur-
to be deployed accurately. The propos- come polarised between the traditionally then regenerated itself every evolutionary culture. A Darwin- wrote the Mexican writer Oc- gent rehabilitation. Many build-
al finds its logic through the meanders upper class areas and the neighbourhoods morning, gaining new life from ian phoenix. tavio Paz. A cultural thus po- ings are completely empty; oth-
of the city, from its formal skyline to mainly inhabited by old people, immigrants its own ashes. As weve known litical stand, looking not to any ers have just one or two apart-
the deepness of its legal traps. Archi- and other underprivileged minorities living for a long time, myths are rele- A new paradigm sort of static city. For the city ments occupied by tenants.
tecture must be invisible, the purpose in low quality housing. The great challenge vant. Whether they extend, con- does not exist. What exists is ur- These buildings end up being left
for the future of Lisbon is to counter this fuse or mislead our perceptions In a heroic effort, in Lisbon-city ban fabric. Or better said, and as and neglected just waiting for the
trend. Is it possible to maintain the identity of reality, they are sacred narra- and over the last six years Deleuze and Guattari quite eco- end of their life cycle as owners
The proposal of the city while filling the empty buildings,
re-using the obsolete, renovating the ru-
tives, huxleyan doors to human
self-understanding.
(2008-2013) around a thousand
million euros (public and pri-
logically expressed, what exists
is a rhizome: an urban genome.
cannot afford the rehabilitation
of their properties because they
finds its logic ined buildings and regenerating these
neighbourhoods? All this whilst avoiding
The contemporary urban
magma, the highest human col-
vate money) were invested in
urban rehabilitation and urban cial, political and ecological
An urban genome: a collective
human projection; a multi-rela-
are decapitalized.
The Reabilita (literally Reha-
through the gentrification! It is not easy, mainly be- lective achievement ever, is ob- renewal. But this is not yet the Because the credit. Giving rise to huge tional human geography. A (pos- bilitate it), a Lisbon based small
cause public resources are lacking and the viously a proper landscape for economic mainstream ap- debts; and to important losses sibly) helicoidal structure with company, mediates between own-
meanders of the only business opportunities for private in- myths; the urban myth has be- proach for our cities; still seen city is, per of population densities, of hu- dynamics, sequences, relatio ers and investors while playing an
Detached Detached
How do we think
and create intimacy Intimacy as an architectonic scale of the territory
Detached International
Future
express the ethos of the discipli- of So Miguel, Azores. But not if
nary approach. These elements they were social houses meant to
become especially relevant in be bought by local families with
times of crisis, where divisions low incomes and they couldnt af-
are deepened, and binary polari- ford them.
T
ties surface as symptom of the Co-financed by local govern-
anxiety of contamination. This ment, the 27 detached houses
Albarquel Fort
Very exposed place, on the beach,
he Municipality of Setbal has
been putting in place a devel-
opment strategy for its terri-
phenomenon can be testified by
the recent growth of ethnic ten-
sions in many neighbourhoods of
would help prevent the youth
from migrating towards the city.
In early 2012 the first 11 built
it has a very strong relationship tory enhancing its enormous European cities, hitherto known houses were put on sale, and even
with the plain and the horizon line. landscape and environmental for their progressive social wel- though the government could
It is a place of absolute evasion, value and reinforcing the mu- fare policies. History has shown cover up to 25% of their price, no
both terrifying and peaceful, nicipalitys position as a real that architecture was often a ve- house was sold. Seven families
where one has the feeling of the regional pole of the Lisbon hicle for social inclusion, but also were in fact interested but the
infinite, born in the plaza-terrace Metropolitan Area. at times instrumentalized to ca- bank didnt finance them, or any-
and which seems to extend far out To that end we are concluding the revi- ter for the construction of fiction- one at that point. This lack of in-
to sea. Despite being close to the sion of the Municipal Local Develop- al identities and to facilitate divi- terest isnt surprising when we
city centre, visible from there, it is ment where we combine a detailed and sions of all sorts. In this context, learn that the maximum wage for
the sea and the Serras skyline, to rigorous mapping of our territory, based designing walls, windows, doors, a young couple eligible to apply for
the northwest, which dominate on various sectoral studies developed by balconies, and all sorts of archi- the financing program was only
the landscape. teams of high technical expertise, with tectural elements is part and par- 16 000 euros a year, not much
an ambitious strategic plan with well- cel of an all-encompassing chal- higher than the minimum salary.
structured objectives and measures. lenge to cope with otherness. A year later, with nature al-
Hill
All major development projects for the The housing projects designed by ready invading the reinforced
coming years are therefore defined, lvaro Siza in the 1980s for Ber- concrete homes, the govern-
and through these we endeavour to mo- lin and The Hague, two cities that ment agreed to buy the houses
Secret place, situated higher up bilise citizens, attract investment and illustrate the anxiety of contami- so the works could continue
above the city, from it one sees the transform Setbal into a more compet- nation, epitomize the extent to and now plans to rent them
Setbal and the bay. Located right itive, more cohesive and more sustain- which architecture can contrib- trough a financial support pro-
in the centre of the city and, able municipality. ute to rethinking the notion of gram to lower income families
nevertheless, it has that hidden, homeland as something that goes for 275 to 400 euros a month.
almost secret character, discrete Involvement of the beyond soil and blood. So lets hope there will be ten-
in the urban fabric, not disclosing local population ants for Pritzkers!
its size or dominant position. It is Enhancing collective Joana Oliveira
an inner-world turned upon itself, The involvement of the local population memory
it has its own order created by the is indispensable for the success of this
almond trees. At very precise
From Ramalho
strategy, with citizens being not only The building designed in the ear-
points, a very close relationship to active agents of change but also the pri- ly 1980s by lvaro Siza for the
the medieval fabric of the city mary recipients of results which will IBA-Berlin was often criticized in
centre can be established, translate into an improvement of eve- trade and popular media for be-
however, it is always a vigilant one,
which implies distance, a view
from the treetops.
ryones quality of life.
There is a fundamental component
in this participation process which
ing de-familiarized with Berlins
vernacular tradition. In Septem-
ber 1984, the editor of Der
to David
consists in a better knowledge of the Spiegel, one of those critical voic- The work of Choro Ramalho is
territory and its particularities, high- es, asserted that the simplifica- a reference when talking about
Fontainhas
er levels of identity and above all an tion (i.e. the monotony) of the fa- architecture on Madeira Island,
indispensable improvement of its self- ade designed by Siza made the not only because he was an en-
esteem. building downright stigmatized. thusiast of the modernism val-
Hard to access place, it has
It is in this context that the Munici- The graffiti painted on it testified ues, but also because of the way
the character of the inside of a
pality of Setbal supports with enthu- to this, he contended, with paint- in which... he binds these princi-
block, where vegetation grew
siasm and undisguised pride the inclu- ed slogans such as bonjour trist- ples with local vernacular archi-
spontaneously. It has a very close
sion of the SAMI Architects team in esse, high security area for el- tecture. Ramalho defended that
relationship with the river and the
the official representation of Portugal derly, and grey living, disgust- modernism would eventually
The Strangeness of
port. The view is punctuated by
at the 14th International Architecture ing death. This and other re- acquire national characteristics
the chimneys of old factories and
Exhibition of the Venice Biennale. marks seemingly implied that when influenced by its environ-
the ports cranes, denouncing a
Architecture has a key role in the there was a nexus between the ment. His buildings, mainly the
hard industrial landscape,
wealth and valorisation of a region, in buildings alleged de-familiariza- housing projects in Madeira, are
superimposed, however, to the
the cultural affirmation of its popula- tion and its popular reception. an example of this transforma-
beauty of the river and the bay,
tion and in the reinforcement of its However, Sizas project for the tion; they demonstrate his mas-
with the outline of Serra da
identity. Our teams reflection on the corner between the Schlesische tery in creating an acculturated
Arrbida, in the distance.
something familiar
subject of single-family houses and the Strae and the Falckenstein- modernism.
search for unique places within the strae was all but determined by 40 years have passed since Ra-
city are valuable contributions which alien factors. malho until we can again speak
Old Fort
Panoptic place surrounded by the
allow us all to look at Setbal in a dif-
ferent way.
The design decisions were in
fact sparked by an intense nego-
tiation with the stakeholders in-
about exceptional architecture
on the island. The construction
has not stopped in the decades
city, the farms, the Serra, the estu- Enhancement volved in the process, which in- in between, rather the opposite,
ary, the port and the bay. Its of heritage cluded architects, politicians, but there was probably too little
geographical position and the members of Berlins alternative time to reflect and the insularity
In a city often marked by massified and scene, and Turkish guest workers, isolated the architects that were
topography justify the ancient
construction of a fort, of which the rushed processes of urban growth and among others. Homeland Beyond Soil and Blood in lvaro Sizas Architecture of Dwelling working far away from the
remnants are still present and, where construction has not always re- The layout of the buildings mainland schools.
however, what characterizes it spected its surrounding landscape, ur- typical floor plan, for example, The exceptional architecture
best is the vegetation which grew ban regeneration , the rehabilitation of shows a complex articulation of nowadays in Madeira is refer-
spontaneously near the fragments remarkable buildings to be returned to different housing units, de- enced, with unquestionable
of the ancient walls of the fort. the population as public amenities, the signed to cater for different merit, to Paulo David through
Here there is a clear sensation of restructuring of degraded urban areas, groups, with diverse social and social-housing complex, this time The use of this access system is goal to mitigate ghettoization ality. Hence, not belonging to a the worldwide publicity it has
dominance over the landscape the revival of empty urban spaces to the cultural backgrounds. Despite in the Dutch city of The Hague. testament to Sizas commitment and avoid discrimination, work- situation may actually contribute achieved in such a short time.
and the infinite. detriment of new expansions, and the all this diversity and the inher- Here, as in Berlin, the buildings with enhancing collective mem- ing with the future residents to to an increase in the quality of David, such as Ramalho, fo-
enlargement of the urban perimeters, ent constraints it presents, Siza were meant to accom modate ory as an essential component create a layout that could ac- the decisions, which are less af- cuses on the context and gets in-
assume high priority in our agenda. strived to mitigate the residents dwellers with diverse social and cul- of urban renewal. In effect, the commodate the differences trig- fected by the shortcomings insti- spired by the extraordinary
Quarry
We have the ambition to harmonize social and cultural differences tural backgrounds. Only half were Haagse Portiek was strongly as- gered by the dwellers diverse gated by customs, reverence or landscapes, transforming it into
the economic development of an indus- enveloping the dwellings with a native Dutch, while the other half sociated with architectural ele- cultural, religious and even eth- precedent. a poetic architecture. In the 50s
trial and port city with the improvement continuous membrane perforat- were migrant workers mainly ments of the Dutch dwelling cul- nic background. Sizas projects for Berlin and Ramalho studied the work of the
Natural welcoming place where of the quality of life of its population and ed with repetitive voids. This from southern Europe, Turkey, ture, first and foremost its par- The Hague illustrate a discipli- craftsmen, analyzed the vernac-
an enormous stone wall designs the reinforcement of social cohesion. repetition, however, was bal- Morocco, and Surinam. The mas- ticular way of negotiating the The Objectivity nary ethos that fosters collective ular buildings and explored
and protects the space, extremely We want to look back and be proud of anced with moments of tension sive urban renewal operation in transition between the public of the Stranger memory as a notion that goes be- transition spaces integrating
beautiful through its texture, our past, our history and our culture. when the faade meets the floor, which this plan and ensuing pro- and the private realm. Many as- yond rootedness and tradition. In them in his architecture in a
where a white line, crystallized by But we want more, we want a more in- when it turns around the corner, jects were included determined sessed Sizas approach as a reac- Coming from a peripheral Euro- opposition to the nationalist idea contemporary way. David fol-
time, underlines the cut in the clusive, more intelligent, more sympa- or when it touches the sky. This the demolition of most of the tionary attitude, old-fashioned pean country, in the early 1980s of Homeland as something rooted lowed the steps of Ramalho with
mountain. A trail divides the thetic, more competitive, healthier, strategy, to be sure, pays tribute buildings in the Schilderswijk and conservative. This account Siza was a stranger both in cold in the soil and blood of a Volk, the advantage of being born and
landscape: it pushes the quarry more environmentally sustainable and to local culture, resonating with neighbourhood, a workers district changed over time, though. Af- war Berlin and in the welfare Siza embodied the condition of raised on the island, unlike Ra-
away from excessive composition, more cultured city. the architectural elements of the dating back to the late nineteenth ter the initial resistance, the state protestant culture of The the wanderer, thus praising ac- malho, and having since a young
makes it retract, creating that In this process, the research and famous tripartite composition of century. When confronted with would-be residents welcomed Netherlands. Though this condi- culturation, ambiguity and am- age a special sensitivity for the
natural place of being and thoughts of SAMI Architects is of par- Kreuzbergs nineteenth century the inevitability of the demolition, the Haagse Portiek as an alter- tion inevitably hinders familiar- bivalence, eschewing the myth of space that surrounds him.
sidelines the pre-existences (of ticular relevance as they can encourage faades. Hence, in this project, Siza decided to bring forth a plan native to the shortcomings of ity with local customs, rules and the authentic, and the evocation Davids and Ramalhos build-
the old industry) situated in the in us the rediscovery of unique spots differences and identities were to preserve the character of the collective access systems. In ef- norms, it also fosters something for the Heimat. The housing com- ings are true sources of inspira-
boundary between the recessed and the poetic vision of unlikely places. conflated in a tense negotiation neighbourhoods public space, es- fect, a critical engagement with that Georg Simmel called the plexes built in Kreuzberg and in tion and to be properly under-
stone wall and the open and Once again, Setbal gains and rein- between an ideal standard and a pecially its distinctive long streets, citizens participation was also objectivity of the stranger, the Schilderswijk accommodate stood need a visit. I guarantee its
infinite view over forces its self-esteem. contingent outcome. and to revive a traditional housing key in designing the layouts of whose uprootedness contributes and celebrate otherness and worth it.
the city and the bay. After Berlin, Siza received another access system, the so-called the typical housing units. At this to build up a more independent difference, negotiating univer- Carolina Sumares
commission to develop a plan for a Haagse Portiek. scale, Siza keenly pursued his and non-partisan account of re- sality with contingency.
34 NEWS FROM PORTUGAL Homeland, June 2014 Homeland, June 2014 NEWS FROM PORTUGAL 35
Rural Rural
Numbers
7.1
Billion euros
Total investment expenditure
approved by ProDer Portugals
Rural Development Program for
2007-13 which includes 3.5 billion
euros funding from the European
Agricultural Fund for Rural
Development (EAFRD).
34,4%
OF Portuguese population
Living in 2010 in predominantly
rural regions. The European
average for EU-27 member
states is 22.6%
Things are not always what they seem, some times to tackle one problem, you need to start in a completely different place David Freitas, 1955, Arquivo Fotogrfico CME
81%
Rural Hype
OF Portuguese territory
Classed as Predominantly Rural.
Against 12% Predominantly
Urban and 7% Intermediary
Regions in 2010.
Has the shift in agro-production created space for a new (rural) urban?
PEDRO CLARKE
People urge for
rural housing typology will find ways
of once more providing homes for the
Portuguese. Or does the proximity of
2014 international
580km
Fibre optics
the city, modern society and the new
a connection broadband network
It is a fallacy to consider that the rural
world is located in opposition to an urban
with the land,
dawning of the age of technology mean
that the rural world has forever been Year of Family Installed between 2007-08
in the vora County, to create
Farming
context. The hinterlands no longer serve transformed and is destined simply to a County wide community
their adjacent towns, and cities have
blurred their borders. Agriculture is no
but without live on as holiday destination, or a week-
end retreat for those that can afford it?
broadband network.
longer defined by manual labour and in any of the Traditionally rural houses, many times
1h20m
Granary Revamp
fact the rural industry which it has be- built by the inhabitants themselves, and The FAO (the United Nations
come, is probably more technologically
advanced than many contemporary cit-
hardships that integrated in a logic of rural-agricultur-
al subsistence, were a part of a larger pro-
Food and Agriculture
ies. From as early on Ebenezer Howards it entails ductive landscape, this seems to have
Organisation) has declared that
2014 is the International Year of
Garden Cities in the UK, on to the New changed. Ironically, if one was to swap Family Farming. With 500 million
Towns planned throughout Europe the fields for the office, the lifestyle family farms in the world the
(and further abroad) after the Second of many successful City workers would FAO wants to re-focus attention
Journey Duration
World War , or Frank Lloyd Wrights of the economical and political changes be fairly familiar to that of their rural In 2011 the railroad connecting
on the important role that
Utopian Vision for Broadacre City of 80s, 90s and early 2000s. ancestors (work-sleep-work-sleep). Whilst Lisbon to vora was reopened
which in an American context would But this is changing, Portugals agri- once the city was seen as the place to go they play in assuring food following upgrading works and
have ended up more like suburbia, than cultural sector, after years of decline, is to, today a return to the countryside is security, managing natural cut the journey between the two
793,169
sioned. These and other later cluster-like invest in agriculture instead of emigrat- People urge for a connection with the sharp decline in the numbers
town and country planning experi- ing, but will this mark a (cyclical) return land, but without any of the hardships of people employed in the sector, Ordinary exterior Structurally unsound Rich inner spaces
ments, involving the agricultural and in- to a rural way of life? that it entails. A change in the types family farming still accounts for The building presents an exterior without any special features, thus it Over a hundread years old, this building presents several structural The indoor spatiality is the more prominent architectural feature, the
dustrial, urban and rural spaces have Have the young become disenchanted of jobs available, faster train and car 80% of all labourers involved was decided that there were no reason for overprotecting the current problems, including severe cracking and warping of some of the walls. result of a rich system of arches and vaults, and the intention is to keep
been the centre of a debate as to how cit- with the city and urge for a return to land? journeys, and the internet are now mak- in agriculture. With the city faades. it as unchanged as possible.
ies and the countryside should be mod- As cities become denser, urban housing ing this a choice for some. Those who now closer to the countryside,
ernised, used and planned. in its different guises (flats, semidetached, can, are no longer bound by where they with a drive for self-sustainable Family Agricultural Population
In this modern context Portugal ap- blocks, towers, detached) adapts to the are, a farmer no longer needs to live on communities and an increasing in Portugal
peared to stand out as an exception, here different needs and types (condomini- a farm, and an architect no longer needs number of young families finding (2009) This represents a decline
the fields looked like they had been aban- ums, student housing, rented accommo- to work in the city. Portugals Interior of over 50% since 1989 when
that they cannot afford to live in
doned, the investment of a bygone rural dation, low-cost), and space becomes traditionally the least developed part Portugals Family Agricultural
the city, could the re-vitalization
state stood in the wait to being disman- scarce. Rising up above the streets, bal- of the country has seen investment in Population was 1,974,808. Despite
tled, and the countrys former breadbas- conies offer some respite, and a view out new infra-structure and has been chang- of the rural world be a solution the decline this still represents 80%
ket, the Alentejo, seemed to have been towards an ever changing landscape. ing, and a place like vora, the capital for many abandoned properties of the overall labour employed in
left out to dry. Not even the legacy of At the same time it would be foolish to of the Alentejo, cannot be simply defined and a way forward to help agriculture.
modern structures, silos and granaries, think that the countryside has not as a rural town. As a UNESCO world Portugal get out
rails and roads, a criss-cross of produc- changed. With tourism taking over, it heritage site, a University city and a cul- of this economic crisis? Source; INE, Dinheiro Vivo
tion, storage and distribution structures, remains to be seen if the fields, villages tural hub, vora is at home both in a re-
appeared to have much to say in the face and montes a traditional Alentejo gional and international setting.
36 NEWS FROM PORTUGAL Homeland, June, 2014 Homeland, June, 2014 NEWS FROM PORTUGAL 37
Rural Territory
VORA CITY HALL
Eduardo luciano
Inhabited
Paradise
Alderman for Urbanism
Cultural
Granary
Theres a western paradise in
the Atlantic serving as stage for
powerful architecture in sync
with overwhelming landscapes.
The 9 islands, punctuated by
spontaneous basalt stone con-
structions, lying in green fields
vora is a city surrounded by and overlooking the sea, are
rurality, which has been challenging a young generation
marking its development of architects to stand out from
rhythms and shaping its social the average sprawl of buildings
interactions. suffering from identity crisis.
It is therefore not surprising The archipelago suffered from
to find an old granary barn isolation for a long time and be-
within its walls, framed in the ing connected online with the
beauty of the two thousand year old rest of the world in the last years
city within which we discover many have opened up a pandora-box
different and distinct cities. of chances.
Today, dispossessed of their original
use, the granaries emerge as an ample
space in accelerated degradation that
the use of cultural programming is
stubbornly trying to prevent.
It was this space that astonishingly
binds together urban and rural reali-
ties that presented itself as a chal-
lenge for the architectural eye of
Miguel Marcelino.
This challenge aims to transform a
grain warehouse into a space for cul-
ture which embraces the city rather
than keeping it as a peripheral appen-
been modern?
but in fact to recover it into an inte-
grated space that spreads to its vicin-
ity attracting other uses, and does not
Granarys Exterior MIGUEL MARCELINO, 2014 exclude the surrounding area. Thomas Galler House , Biscoitos,
A complex of granary structures Terceira, Jos Castro Parreira\
Project description
that become a theater, artists resi-
dences, a restaurant, an ample exhibi-
tion space, a place for sharing of ideas
In Portugal its simultaneity and discontinuity that makes us think were post modern
between cultural agents, where differ-
ent perspectives and visions can inter-
sect, reflecting the intense cultural
life of vora.
All who visit the Granaries dream and mythological content of
that will support the old one, nor a of the possibilities they offer, that LVARO DOMINGUES countryside and country life has
MIGUEL MARCELINO decorative coating irrelevant from a appear to be endless, as if the light Geographer, researcher and professor at the
Faculty of Architecture, University of Porto opened up.
structural point of view. This is, effec- that invades them has the ability to Occasionally, in the diverse ge- House in gua d'Alto, So Miguel,
tively, a new entity, both in its plastic- redesign the space in function of ography of the country, from Port N2X Architects
This granary building was built in the ity and structural behavior. This new each dream. wine to olive oil or milk, a new,
late 19th century and was originally concrete envelope will be pigmented The Municipality of vora, owner of Placed somewhere between the hypermodern, global agriculture
part of Barahona Estate, which be- and textured to have a rough finish, the old granary barns, looks at the exotic and the peripheral, Por- produces technologic landscapes
longed to a wealthy noble family of creating a subtle dialogue with the architectural ensemble as a cultural tugal remains (even for the Por- that are in no way similar to the
farmers. In the mid 19th century it was granite stonework elements that are facility for the future, as soon as their tuguese) somewhat indecipher- peacefulness once found in the
taken over by the Public Company of characteristic of many buildings of rehabilitation is possible, bringing able. The mythical past and an countryside. Somewhere in the
Cereals (EPAC) and has since become voras historic center. All doors and them up to modernity without erasing unclear future collide in a present middle lie all the possible permu-
the property of the Municipality of vo- window openings will be kept exactly the marks of the common history moment of crisis and common- tations that neither fit in with the
ra, where they currently host four cul- the same as the original ones. which we wish to preserve. place a tragic destiny, now that mediatization of the city and the
tural associations in less than ideal con- Inside, punctual interventions will Its difficult to strike a balance be- the crisis has once again returned urban as the Historical centre,
ditions. be made in order to modernize and re- tween the critical intervention (even of to tax the people of this country, nor the countryside in the form
Besides the usual damp and energy program the entire building as an art- rupture) and the preservation of the sentenced to swing back and forth of the Typical Village.
conservation problems, the building ists residence and cultural cluster. This memory inscribed on each piece not between opulence and decadence Extensive urbanization takes
also presents serious structural issues. work envisions the creation of six stu- just of the building but also of the street without ever having found a hap- on extremely varied geographies
Additionally, given its age, it also lacks dio-lofts, an exhibition gallery, work- and square that support and frame py medium between the two. We and dimensions, heading towards
modernity in terms of telecommunica- shops, theater-auditorium, multipur- them. have been known to get lost along a near indifference of place that is
tions, heating, ventilation, accessibility pose room, reception, offices, a read- The proposal for the refurbishment the way; to start things without equivalent to the territorial
and fire safety features. ing room and a caf-restaurant. Palacio Barahona Plan of the Granaries is also the challenge finishing them. extension of social-technical sys-
The building has a very expressive The final result is a hybrid structure of regenerating the surrounding space, In the introduction to Franois tems that enable urbanization
and spatially rich interior, the result of that is intended to be more than the rendering the street livable to the crea- Lyotards 1979 seminal work, La the infrastructural prosthetics that
the system of arches and vaults of var- sum of its parts. The coming together tion and enjoyment of urban cultures. condition postmoderne, the au- support the mobility of people,
ious types that hold up the first floor of a centuries-old structure with a 21st Looking for the rural within the thor states that post-modernity is goods, information, energy, water, CZ House, Pico, Sami Architects
and roof. On the other hand its exterior century intervention, without any prej- city and re-envisioning the city in a above all an attitude of distrust to- waste It could be deemed radi-
is relatively unremarkable, with no out- udice about the buildings age. It is not space where the collective memory wards the great narratives of mo- its own inclusion in the multiple its mysteries, misunderstandings the State gives in to the mar- cally modern, were it not for the Without internet, it would be
standing features, and as such will not about hiding the new intervention nor tells us its rural, is a symbolic gesture dernity. Therefore, it is not a mat- frameworks of the European Un- and allurements. In the meantime, kets, which become the ultimate modernist complications of zon- impossible for a freelance jour-
be overprotected. The proposal starts presenting it in contrast with the exist- of the creative freedom which we ter of instituting the end of an era ion and globalization, in a sce- the Portuguese are emigrating social regulator for everything; ing and other illusions of order. nalist from Norway, to spend
with this premise to change as little as ing. It is simply the result of a pragmat- commissioned from the architect and and the start of another; instead, nario of persistent economic cri- (as usual). science, becoming ever more uni- Widely varied architectures trans- most of his time in his house in
possible the interior space. From the ic and economic approach to the prob- it is also a symbol of the existence that it is a matter of rewriting certain sis and deepening social and ter- Once upon a time, it was its re- versal, sails along technologic late a myriad of shapes and trans- Terceira island by Jos Parreira
outside a profound intervention, that lems, needs and qualities of the exist- well be able to dream up for the grain characteristics claimed by moder- ritorial inequalities. gional qualities illustrated and over- successes paid for by giant mul- genic provenances. The engineer architect. There, defying the
will also act as the structural rehabili- ing building. Thus, in a single opera- warehouse. nity. Hypermodernity (Baudril- Boaventura Sousa Santos is one romanticized by their landscapes ti-national corporations; individ- and the bricoleur can at last coex- waves on his stone house on top
tation, is proposed. tion, this project achieves both the In this process of constructing the lard), supermodernity (Marc Aug) of the authors who best explains that created a sweet intoxicating uals are fragmented by their many ist free from the suspicion of the on a cliff, he writes for interna-
The building will be entirely structural rehabilitation of the build- dream we engaged all who inhabit or late modernity (G.Vattimo), con- this hybrid condition and pro- poison that portrayed the invinci- references and near-tribal alle- savages and the virtuosos. tional magazines. In So Miguel,
wrapped in a new reinforced concrete ing and finds a way to seal it and pro- that space in an intense exchange of stitute other ways of classifying found exoticism of being Portu- ble Lusitanian soul and its heroes. giances; dissolved into ether, de- The inhabitants of this space a couple in their 50s, commis-
envelope, which will be bonded to the tect it, while creating a new image that views and sharing of projects and pro- the illusions of the certainty of guese as the result of a process Invariably set in a mythified past, mocracy will hit the internet are the Portuguese, scattered sioned a holiday house in the
existing walls, forming a new compos- is neither a break with the past nor un- posals, to explore how differences may knowledge to know in order to of semi-peripheral development Portugal lived this nostalgic fan- We live permanently in the pre- all around the world in increas- country side to local studio N2X,
ite structure. This is not a new wall critical continuity. become convergent, without anyone predict, as defended by Auguste for many centuries, Portugal tasy as a way to escape reality. sent, in a world-like, all-encom- ingly larger numbers and, oc- and after it was built they start-
Granarys Location GOOGLE EARTH loosing their identity or surrendering Comte , rationality, techno-sci- was at the same time at the cen- Nowadays, although the potion passing culture that processes casionally, in their homeland. ed to spend much longer periods
their genetic markers. Such are the ence, the State, democracy and tre of a great colonial empire and has not run out, landscapes get everything from global trends Forty years ago they lived un- there as mobility became much
participatory processes that we value. capitalism as guarantors of the on Europes periphery () [it] was deconstructed and tangled up in to neo-traditional localisms. der a dictatorship and had an easier. Or the case from a dentist
alentejo, espao
We know that the result will not be continuity and efficacy of the pro- the only colonizing country to be their own mythologies. Utter rest- The geography of this nerv- empire. In 1974 there was a from Lisbon that moved to Pico
unanimously welcome, but the engrav- gress of progress.To state that Por- viewed by other colonizing coun- lessness. If landscape, its narra- ous breakdown unfolds between revolution, the empire was dis- and got married there. By the
ing of a challenging perspective in a tugal is post-modern without ever tries as a native or wild country. tives and representations are spontaneous forms of urbani- solved, democracy was instat- time the couple decided to build
structures, houses at espao celeiros, vora, portugal that the journey so far has already
been worthwhile.
tory marked by imbalances and
the hegemony of Lisbon;
or during the grey years of the Es-
tado Novo dictatorship, 1933-74;
To the modern cosmopolitism
that holds everything up to the
With the loss of the traditional
rural world family-run sub-
midst of a crisis in a Europe
that melts into air post-mod-
of their dreams, between the
sea, Pico Mountain and the
and landscapes - the preservation of pre-mod-
ern characteristics;
or following the push to modern-
ize, especially during the 90s, hav-
standard of universal reason, a
radical modernity is now oppos-
sistence farming and its tradi-
tionalisms , we lost the gar-
ern without ever having been
modern; European and periph-
internet, of course.
Joana Oliveira
- the clash between these two ing joined the European Union ing it, free from the shackles that deners who tended to the land- eral; nomads in the age of glo-
facets in a country struggling with now appears before us with all had held it back until recently: scape and a crisis of meaning balization.
38 NEWS FROM PORTUGAL Homeland, June, 2014 Homeland, June, 2014 NEWS FROM PORTUGAL 39
talents
The Directorate-General for the Arts
Mnica Guerreiro,Mnica Antunes
Mnica Oliveira, Costanza Ronchetti
Margarida Silva, Susana Neves
Between 2007 and 2008, Cinemateca Portuguesa, the made during Salazars dictatorship. NUNO TEOTNIO ties into the space of the city. That is what a prison is, not
Portuguese Film Museum, hosted a cycle of twelve films
promoted by the Film Group of FAUTL (Faculty of Ar-
chitecture of the University of Lisbon). Each session was
PEREIRA: In this film, doors have the leading role.
5.
a building. NUNO PORTAS: Concentration camps didnt
need to be designed, they could have been built in a bro-
wnfield.
Curator
Pedro Campos Costa
COLOPHON
distinguished
by Archiprix
Editorial Director:
followed by a conversation featuring, as a rule, the films JOO BNARD DA COSTA: It is the mark of realism Alessia Allegri
director and an architect, moderated by Joo Bnard da that appears as the most important in the film and in 9. Authors:
Costa, director of the Cinemateca, and Jos Neves, co- that sense, it is a struggle, a final appeal for keeping thin- JORGE SILVA MELO: To film is to find the possible Adoc, Andr Tavares, architect editor
ordinator of the Film Group. In 2014, Dafne Editora will gs that should not be destroyed, it is mostly a cry of pro- fiction for a given place. PEDRO MAURCIO BORGES: Artria, Ateliermob, architect editor
publish a book with the transcripts of these conversa- test against that. And thats why the hiss of the train at In the Summer, holidays are a suspended time. Bodies
Like Architects, Mariana Pestana, architect
editor, Miguel Eufrsia, architect editor, Archiprix started in 1979 in the
tions, of which we now present brief excerpts. the end sounds like a cry to me. VTOR GONALVES: move slower. That somehow fills the spaces architects
Antnio Reis used to say that as we walk down the street designed for lounging and that are useless in the city.
Miguel Marcelino, Paulo Moreira, Pedro Clarke,
architect editor, Sami Arquitectos Netherlands and is internationally
1. we should always be framing with our eyes. PEDRO COS- Susana Ventura, architect editor
Contributors recognized as one of the most
PAULO ROCHA: I lived above V-V, and I heard that TA: When I watched Trs-os-Montes, I remember 10.
the local cobbler had killed a girlfriend who didnt want thinking for the first time that it was possible to make VTOR GONALVES: I was not interested in what
lvaro Domingues, Augusto Mateus
Joana Pestana Lages, Joo Seixas prestigious architecture and urbanism
to marry him. Somehow, the boys knife was my own. films in Portugal. ANTNIO BELM LIMA: What kid usually happens, building a very coherent and more or Joo Soares, Jos Aguiar, Jos Manuel
Fernandes, Jos Neves, Nelson Mota, academic awards for excellence.
EDUARDO SOUTO DE MOURA: Buildings should have didnt love a house with an attic, or a dark room or a very less natural looking space, in which the characters are
pilotis, and Paulo Rocha shot these beautiful scenes in narrow staircase leading to the basement? placed. What I was interested in was the tension betwe-
Pedro Bandeira, Pedro Gadanho, Ricardo Agarez
Ricardo Carvalho, Sandra Marques Pereira During 2013 an international Jury
the middle of pilotis. Buildings should have horizontal en the characters and the space. DUARTE CABRAL DE Copy-editors
Antnio Faria, Carolina Sumares, Joana selected two winner projects between
windows and the view of the city is given through that 6. MELLO: In this film, the good life is not on the imme-
cobblers window. LUIS MIGUEL CINTRA: Jos lvaro Morais is some- diate horizon.
Coutinho, Joana Oliveira, Joo Simes, Marta
Onofre, Pedro Silva, Pedro Vicente, Sara Neves, twelve shortlisted nominees.
one who understands the pleasure of such things, who has Zara Ferreira
Archiprix Portugal was established
Translation
2. worn a good suit and knows the comfort of being in a hou- 11. Inqurito Arquitectura Portugal: Architecture O Processo SAAL e a O Moderno Revisitado.
PEDRO COSTA: Vandas room could be a square or a se furnished that way. Someone who understands the ple- MARGARIDA GIL: The characters were always the
Rute Paredes
Revision-Edition Popular em Portugal 1965/1990 Arquitectura no 25 de Habitao multifamiliar by Serra Henriques Foundation (Lisbon)
street but at the same time it was the most secret of pla- asure of that architecture. BEATRIZ BATARDA: In that characters that revolved around his space, the neigh- Pedro Clarke Abril de 1974 em lisboa nos anos de
and Archiprix Foundation (Rotterdam)
ces, a room that was closed shut like no other. MANUEL film I find the fantasy of what the future of a certain class bours, the young girl from the caf, the lady who lived Graphic Design
AA.VV. Sindicato Nacional dos Portas, Nuno; Mendes, Manuel 1950
GRAA DIAS: To be able to live in those white apart- could be, years after the 25 of April [revolution]. RICAR- next door MANUELA DE FREITAS: Working with
Silvadesigners
Illustration Arquitectos, Lisbon, 1961 Moniteur, Paris, 1992 Bandeirinha, Jos Antnio, involving the Portuguese architecture
ments, you need to burn them down. DO AIBO: What is most important is not architecture. Joo Csar Monteiro reflected that respect for life, the Imprensa da Universidade de (Modern revisited. Multifamily
JOO LUS CARRILHO DA GRAA: The story works as rejection of naturalism as a copy of life that is a way of
Ana Arago, Armanda Vilar
Legal Support O Inqurito Arquitectura Nuno Portas and Manuel Coimbra, Coimbra, 2007 housing in Lisbon in the 1950s)
universities and the Order of Architects.
3. a support for a number of records, the same way space in denying life. JOAQUIM PINTO: The room has a bed, a Tiago Piscarreta
Photographers
Popular em Portugal (Survey Mendes offer a rich and Agarez C., Ricardo, Lisbon: The global network compromises similar
FERNANDO LOPES: As a kid, I ran through those cities or houses works as a support for ideas and sensa- bedside table and not much else. JOO PEDRO BNARD of Popular Architecture in stimulating reading of An analytic inventory of the Cmara Municipal
streets where Im filming Belarmino and because I star- tions that are being proposed and induced. DA COSTA: That police station really existed, the urinal
Helder Sousa, Jordi Burch/Kameraphoto,
Miguel Henriques, Nelson dAires, Nuno Portuga) is the name of a Portuguese architectural SAAL [Local Ambulatory de Lisboa, 2009 initiatives in Chile, Netherlands, Italy,
ted working at a very young age, I remember the street was there... JOS NEVES: If this cycle had a patron saint, Fangueiro, Paulo Catrica, Paulo Pimenta,
Pedro Verde, Rita Merncio, Rui Pinheiro,
compilation of the results of production from 1965 to the Support Service] operations. Turkey, Russia and Central Europe
cars perfectly, Martim Moniz, Barros Queirs Street 7. it would be Joo de Deus. fieldwork research carried early 90s. The over sixty Created as a decentralized In the 1950s, the streets
ALEXANDRE ALVES COSTA: Remember the JOO BOTELHO: We dont have the money for the big
Valter Vinagre
Back cover out between 1955 and 1960 projects presented in detail service and providing design of Lisbon were filled with (Austria, Slovenia, Hungary, Bosnia
keywords: history, city, transformation, reality, langua- scenes, castings or big shows but we have time. RAL 12. MANOEL DE OLIVEIRA: That is what and I Friendly Fire by teams of Portuguese display a stylistic richness and technical support, SAAL discreet, everyday buildings for and Croatia)
ge, identity, national/international, revolution. HESTNES FERREIRA: I have always been concerned hope the architect will forgive me architecture is for. PRODUCTION architects with the aim of that engages the cityscape in led to the construction of new multifamily housing that dealt
with creating a school where you could go outside freely. It serves to show works of art, it serves to take in the Lisbon Architecture Triennale making an objective catalogue a dialogue that is both subtle houses and infrastructures, with the circumstances of the
4. sick at hospitals, it serves to take in students at univer-
Winners
President of vernacular architecture and free of simplistic mimicry: considerably improving existing city while sporting
Jos Mateus
ALBERTO SEIXAS SANTOS: I devised the film as a 8. sities. It serves for a lot of things; it even serves to make Deputy director
in Portugal. The profound in Portugal, the poetics of housing conditions in run- typical post-war modernist
conflict between two spaces: an intimate space inside the JOO MRIO GRILO: Urbanism is a design for hu- films. Manuel Henriques mutation of Portuguese space and form are always at down neighbourhoods. The elevations. But just how
house, and a public space, which I left for the newsreels man guidance that endures and embeds certain proper- selection by JOS NEVES, architect Production territory and its buildings that the service of the spirit production that followed is modern were their layouts?
Isabel Antunes, head, Liliana Lino, Ins Galro we have been witnessing since of the place. considered to be the most How did economy weigh on
Ins Marques
Fundraising and Partnerships then makes the collected coherent manifestation of design solutions in this profit-
Sara Battesti material an invaluable and a 25th of April [revolution] driven architecture? What was
Management Assistant unique legacy. architecture, as well as one of the mayors office agency in
Ana Fernandes
Communication and Press
the most debated and globally creating this modernist face?
Maria Schiappa, head, Leonor Carrilho referenced periods of recent And who designed it? The
Local Communication Portuguese architectural book answers these questions
and Production Support
culture. by examining 115 works that
Studioquotazero: Daniele Vicentini and
Paolo Franzo reassess 1950s production in
Board the capital.
Jos Mateus, Chairman, Nuno Sampaio, Vice-
chairman, Jos Manuel dos Santos, Member
Maria Dalila Rodrigues, Member, Pedro Arajo
e S, Member The River as
1. Verdes Anos 2. Juventude em Marcha 3. Belarmino INSTITUCIONAL PARTNERSHIPS
Municipality of vora, Municipality of Lisboa
an Urban Element
1963, Paulo Rocha 2006, Pedro Costa 1964, Fernando Lopes Municipality of Loures, Municipality
of Matosinhos, Municipality of Porto,
Municipality of Setbal
Antnio Amado
Professor Dias Coelho
iNSTITUTIONAL SUPPORT
Faculty of Architecture of the University
of Porto (FAUP), Study Centre of Architecture
and Urbanism (CEAU), Atlas da Casa Housing
architectural design and forms of dwelling
(AdC).Faculty of Architecture of the University
of Lisbon (FAUL), Associate Professor
Carlos Lameiro. University of vora,
Head of Architecture Department Sofia
Salema.Autonomous University of Lisbon (UAL),
Head of Architecture Department Ricardo
Carvalho.Instituto Superior Manuel Teixeira
Gomes-ISMAT, Portimo, MIA, Mestre Ana
Bordalo, Professor Hugo Fernandes, Mestre
4. Brandos Costumes 5. Trs-os-Montes 6. Peixe-Lua Ins Cerol, Arch. Rui Sambado, Professor
1975, Alberto Seixas Santos 1976, Antnio Reis e Margarida Cordeiro 2000, Jos lvaro Morais Sandra Neto, Mestre Slvia Alves.
Eng. Gonalo Loureno
Arquitectura do Colquio Internacional AA.VV, Bloco das guas Visite o Andar
Acknowledgments quotidiano: pblico Habitar, Pensar, Livres a perfect building Modelo 30 anos de
Pedro Campos Costa and Lisbon Architecture
Triennale would like to present a special thanks
e privado no espao
domstico da burguesia
Investigar, Fazer A+A Books, Lisbon, 2014 publicidade de imobilirio
An Hybrid
Building, Central
to all the organizations and people who have
contributed to this project: Fundao Calouste,
portuense no final do Ramalhete, Filipa; The first volume of the Pereira, Sandra Marques,
Gulbenkian, Ordem dos Arquitectos, Arquivo sculo XIX Carvalho, Ricardoeditores Single book series Casal de Cambra,
Municipal de Lisboa, Arquivo Fotogrfico de
vora, Centro de Documentao 25 de Abril
Rosler Studio, Paulo Cunha e Silva, Arq. Brbara
(The architecture of the
cient.,Universidade Autnoma
de Lisboa, Centro de Estudos
dedicated to a single
architectural project
Caleidoscpio, 2014
Library and Lisbon
Maes ,Arq. Stefano Tornieri
The partners, sponsors and supporters of
everyday) Mota, Nelson,
Coimbra: Departamento de
de Arquitectura, Cidade e
Territrio, Lisbon, 2012
edited by A+A Books,
presents the guas Livres
A survey of over 150 real
estate advertisements printed Municipal Archive
this project and the contributors to this Arquitectura, FCTUC, 2010 Block, designed in Lisbon over the last 30 years of the
editorial project
PARTNER: The result of an International by architects Nuno Teotnio 20th century in a well known Joo Torres
This book examines ordinary Symposium held in January Pereira and Bartolomeu Portuguese weekly newspaper.
residential architecture 2011, Habitar. Pensar, Costa Cabral in 1953. With From this collection three
Professors Lobato Santos
7. Tempos Difceis 8. Longe da Vista 9. Agosto
1988, Joo Botelho 1998, Joo Mrio Grilo 1988, Jorge Silva Melo PRINTing SUPPORT:
in the Portuguese city of Investigar, Fazer (Inhabiting, an extensive presentation key findings come to light: and Mota Saraiva
Porto, exploring the vital role Thinking, Researching, of drawings, vintage a history of contemporary
performed by the boundaries Makin) is a multidisciplinary photographs, an historical/ Portuguese society, centred
Catering by:
between the public and the
private realm. Nelson Mota
collection of essays exploring
three fundamental domains
critical analysis and other
texts on the subject of artistic
on the evolution of the
predominant social values and Nominees
contends that the anxieties of of collective housing interventions, the book reveals environments; a reflection on Joana Almeida (Professor Srgio Barreiros
bourgeois everyday life were architecture: thinking about the richness of one of the the evolving housing models Proena); Marco Beltro (Professor Patrcia
embodied in the complex the work, research and most important Portuguese that have been created and Santos Pedrosa); Ins Gonalves (Professor
protocols that shaped modern architectural design. Architectural works of the idealized and a discussion on Filipa Viegas Serpa dos santos); Madalena Torres
residential building practices. 20th century. the operative framework of (Professor Joo Pedro Teixeira de Abreu Costa);
He thus argues both the real estate market offer and Joo Varandas (Professor Nuno Mateus); Ins
hybridity and the ambiguities the image of todays Lisbon. Martins (Professor Pedro Belo Ravara); Alexandre
of bourgeois housing are Vincente (Professor Joaquim Moreno); Joo
key to support an account of Schedel (Professor Filipa Vaz Monteiro); Teresa
10. Uma Rapariga no Vero 11. Recordaes da Casa Amarela 12. O Passado e o Presente modernization as a narrative Ferreira (Professor Joo Lcio Lopes); Pedro
of continuity.
1986, Vtor Gonalves 1989, Joo Csar Monteiro 1971, Manoel de Oliveira Miguel Santos (Professor Miguel Malheiro)
40 NEWS FROM PORTUGAL Homeland, June, 2014
This is the
CURATOR Contributors Copy-editors
Pedro Campos Costa lvaro Domingues Antnio Faria
Augusto Mateus Carolina Sumares
Editorial Director Joana Pestana Joana Coutinho
Alessia Allegri Joo Seixas Joana Oliveira
Portuguese
Joo Soares Joo Simes
Authors Jos Aguiar Marta Onofre
Adoc Jos Manuel Fernandes Pedro Silva
Andr Tavares Jos Neves Pedro Vicente
Artria Nelson Mota Sara Neves
Ateliermob Pedro Bandeira Zara Ferreira
Like Architects Pedro Gadanho
Mariana Pestana Ricardo Agarez Graphic Design
Pavilion
Miguel Eufrsia Ricardo Carvalho Silvadesigners
Miguel Marcelino Sandra Marques
Paulo Moreira Pereira
Pedro Clarke
SAMI Arquitectos
Susana Ventura
A
Cloning a Newspaper, in its graphic, In its style and mode of by itself as the history of modernity, but also as a tool of the chitectural students, with the aim of
representation allows us to use a simple and direct language, everyday, ephemeral and political. This is an opportunity engaging with conservation and reha-
bsorbing Modernity, you say? a hypertext as a possibility to debate a theme and go back- to speak about Home and Land, an attempt to engage with bilitation work in rural Portuguese vil-
Fuck it, Portugal was never wards and forwards in history, cross-referencing research society, with the territory and with the political context. lages, looking to improve the quality of
modern anyway! from different disciplines about the same subject , and to William Morris in his 1890 book News from Nowhere was life of populations, conserve and reha-
Like the Writer in the novel, question the present moment of crisis. What are we doing wondering about a future society, a utopian society, a fiction bilitate heritage and contribute to local
who never felt the little boy in Portugal? and what can we do? what do we think about that, directly or indirectly, architects are responsible for development. In 2013 one such inter-
Tadzio, Portugal only ab- what was the Modern Movement? how was it preserved? and building, a dream to transform reality into a better place. vention was held at the village of Covas
sorbed modernity in a platon- how can we deal with the new change? This newspaper is the Portuguese Pavillion: it aims to have do Monte, currently Terra Amada is
ic romance. We might have touched it The Architectural discourse is built by systems of repre- an influence on the present Portuguese situation, to start a working in the village of Vale de Papas,
once, by accident, ahead of time in sentation such as drawings, models, photographs, books, debate, to provoke some kind of reaction, to show possible Viseu district.
1755, with the reconstruction of Lis- films and advertisement. The relationship of architecture paths, using examples from the past and speaking about the http://ppl.com.pt/pt/prj/
bons downtown damaged area, after with the media was extremely important to the development future. Everything happens in a specific place, with specif- iniciativa-terra-amada-vale-de-papas
the earthquake. At the dawn of En- of modern architecture, Beatriz Colomina argues that archi- ic persons, in specific context, its not nowhere, but we
lightenment, while the rest of Europe tecture only becomes modern through its engagement with constantly forget that what we sometimes call Utopia is
was only beginning the debate on the the mass media. We want to use the newspaper not only as probably the only drive for modernity, without a notion of Thanks to the Biennale
urban space of modernity, Portugal
was already hands-on building it. En-
an memento for modernity in architecture, materializing
not only a kind of archeological artifact that can represent
future there is no modernity.
Pedro CAMPOS Costa something begins
lightenment high-tech without modern
reinforced concrete, premature mod-
to happen
ernization with the same reproductive The six largest banks operating in the