Beruflich Dokumente
Kultur Dokumente
Primed in China
2 3 4 56 7 8 9 I 15 14 1312 II 10 09 08
"'~l'fTIO~ 6 Demon Girl 83
Throt Card Reader 84
The Experiment 86
Dragon Lady: Drawing a Possessed Character 88
~ Genre Comparison 9
~len vs. Occult Men 10
11
Victorian Inspirations 91
1taditional Men's Garmenrs and Accessories 92
Traditional Women's Garments and Accessories 94
Occult Gothic Costume 96
Layering 98
The Long Train zoo
Using Embellishment 101
Popular Occult Costume Styles 102
Combining Horror with Fantasy 104
Weapons JOB
~~ampire 41
,f rhe Vampires 42
::JC Vampire 44
.~r Vampire 46 From Woman to Cat Creature Ill
:.re Youth 48 From Vampire to Bat 112
-::-~le Vampire so From Human to Winged Wolf 114
:J2i; and a Prayer 52 From Man to Winged Panther:
One Wing Style Is Not Enough 54 The Coil-and-Spring Technique U6
~-e Poses for Women with Wings ss From Woman to Unicorn Panther:
-=- as Expressive Thols 57 The "Good" Transformation 118
--s of Vampires 58 From Man to Dragon: The Visual Metaphor 120
en-Style Vampire and From Woman to Dragon:
3east Trainer 64 Transformation by Magic 122
..,. 1'2.&
67 Establishing Mood with Shadows 125
....:.:: : Assassin 68 Using Shadows: You Don't Need a Reason 127
~-A nimal Hybrid 7rJ Shadows on the Ground 128
- Car Girl 72 Special Effects Shading 129
Mirrors and Reflections 130
maror Samurai 76 Dreams and Nightmares 132
Symbols of the Occult 1.14
Eerie Backgrounds 136
- ss 81 Sequence 138
- :ed Beast: Wolf-Demon 82 The Colors of Manga Occult and Horror
I~IJ X t44
futru~u~tluu
7
~ workl of omllt ancl
horror I~ fll~ with ~trikin~ly
~ool ~hara~tm. ~ clan~oo~ ~tw ......
ancl ~clt.Ktlve quality of t~
~nre make~ It a ~li~htly more
mature ~tyle. It I~ t~ ultimate
~ombu~tlble ~omblnMion of evil
ancl roman~e. T~ ma~netk
~hamter~ require ~AI
r>roporlion~
ancl ~AI
flourl~~ to brl~ oot
t~rr Wkkeclnffi, ~ t~ art
t~hnlque~ l~luclecl ~re are
~lAIIy cle~l~necl to mate
t~~ allurln~ ~reature~
of t~ clarkne~~.
G~nfral Genr~ romparisou
h'l one thln.g ro dt:scnbc:
the ddlcrenc.e. between occult honor
01nd the other genres of mango~ lr:':l another w aaually t.tc. them
(.ompJrod side by side, For thr GOnparisons nn the next fe""
p:tacs. the occ~lt~a.ndhorror 5lyle is juxtaposed with the $hOl\JC'
(pl'OilOuna!d show~joe) style, &lnc.c ~houio (farttou$ for it8 young
c.hAI'ii(.!NS w-ith big eyc::s) is the mOtSt popul<~r manga sc.yle in thf
\\'c,t 1\S you cal\ see, there re sil;nlllcam st~listk dltfere.ncu
~buuju M~u u~. Urrult M~o
Can )'OU """" tht-
po~er ot the CK4 uh
cba.raaer i6$ h~.& pw:I'Ctn.g
eye look rtllht t~rou&h
w your wu1" Tht t~ptc:.tl
man;a (l r: . ~>htni)C))
m.n- boy relly-
would be- no Jn.Jh.h tur
thf': occult ~Y. who
~
..,,""''O ~
Just oou' phylul nd
mrnt.;l1 power (J\g,iln,
for che purpoM" of
n-.<~
co.npatson, t'm uslng
$houjo mongo , w 1 nay
rtttr to chr. shoujo style
as typical~ rnt'lngJ ) ~ ~ Lit/
1.\~fl"'r:tl,N.!n:
""""'"'
~
r..
""'
l.fLDO'
"V' ~
ttmlrn ~oo m
~
"""
_,
'\...7 ~
.._. .__....
n ~ 'TW"YT UJI',.'11"11)(r-"l
'UII\'!'li!IU
~huuju Wum~o u~. u~~ult Wum~o
Sll2\IJ2 Q((\lll As "'th the men. man" sm.tU
.&djU$1ments in the features
of 1h~ occult character's lace
add lJP ro a huge ddlerenc~
ln final drawing. In -.ddtlion
to heT slightly more de.,tou.!
Jook, full athletic shoulders
create a .sr.xy and strong
--
nw.w o'CTNP appco~~rttnce. (Dangerous
Q (I.O)t fC n1ale.s should look stronge1
thdn more lnn.ocent
character'$.) Noticr. too. that
~
female occult r,.ostumes
u~uallylook heavy. Thah
~ because lhey make use ot
Knthk details. tn~l\lding ties,
r
.... knOt."- butwns and so on.
Oh. and get a look .n tfut
tanoo on her shoulder.
~
........
n tT
- _A _ __ _
_,__...,
_..._...,
'l"tta ..,...,.~,
-- --
. . . . . . . . tnJir.sMQt.-.,IOjftll'
Lr..
.....
llt.er o1iUmaboc
Wby rho - m ahot.IJ>d ...~
n.e-....,.,~,.
'llnlc """"of w. wraau. ....,
lwl .U..pk had """ ( "llkll.
... lll<lrwne l!nplla jrlar "'-a
!he ho,.J<I alone), Th .,..J om
~hot tf'\'t~lt.t b1t blthe nt:t.t
ilnd ,h,ulJrn ntl thl&au('!:
------
.... __
...........CJI/tlllaJtiAl,.., ....
,.._II( ........____
._,.,~n_..,...
....................
_....,
.....
..
1h,. IJt ult ~.nrc hcf.IU"'r tht"
myM~rtou- lllllOd uf 1ht
rh.~t11llrr,: l.tlnttKMird huo
th(l) l'C~IUIIIf\ lhC" lOili( net k, .1nd
th wLdt' houhht'!ll l<rtncwlng
ll1,.., r lrnwnLA dt~er-at tw hnm
tht- tntlll:t \.1, thl kh)(.f t){ lwc
t>..C..blb.hn tho M\ lnnd KJconMtl'
b1 the dl.lrlflt't
--......
---
cormplc,l" ,..,tac-b<ca....,
)'OU ,.,... UDUblc drl!wirli I NM,...,_.a~~..
~-~na~nuT..._.
llltt PtWt.~J..wWf""l'#
~Ut.to...... &kildu.,_li'IW.,.
dla'.an:r ..........pcnfll ~"'llllld.-
,..., .....,.,.tllft,.ma7W
IL~P" ~.-...~
m
...,.,..,.,Do...,,...."""wllt
'"" ... ~"Y~ ...,~ .. ~~
ljlnt: 3hctchmg
""""' lfGMI>' o1 t;Nt. 'ic.fre pu11W19 dooffl
""'"'"""""-"""'-"""
~vwobo.,.,.;.,g...,ot.._
IINf .,.~ lntN pn'J()HS. ~.
dt't IJ'WII '*""' '*'
l'tt1rd Ctt t'CU' ,_,a
ModotiO". fry not ll:l P!Cike_..,ffo!Ot't,
~~-~.
1o0M per<~ 6tJ'CkH are me oest. As in
~Nio.t;.-~:>_.;.,g~~
""""""'~r~..,-
'fOVT~"~youWOtTYtoo
_ , ....., "ge<t;,g ~ "'M" This ;.,, "'"
,......._.,.,..,ry,.QOIrighl. n ~s
tN rwrt ....,.,.. .,ou ~nt ond,..
w1101 _ , . , c..(t do thai a.,.,...,..
fqU1Uif'l9 fN W"OPhi1f fO PIOI'd ttlo1
1'10fi'WI9 t:pooioneout: co., ~
,,..,,....hood.
The gau. of ol txo.-.uliful .
seductress should be unafnud,
I ost unnenlng. f'll\ lfyou
~:ld l0$C your will if you
looked wo lonv lmo thooe
eyes. lt's a be.Jutr ynu un t
aruSt-a A\'aCf' heaury-
~use lt rna.!lok' a tudt:ous
,iolenee and hungtr. ~d lost
a mal could so eas Y .
j~~:way, st.arln,tt Into her fa(;e.
...,._..,."'
~-aQt ...
)rgflliiJotq-
lUif~JtJ~(l
l'ffllltbrr~
NlM/frlnJ
J""'S#JI,..,liPDI
~,._._,a
- .. t-~
... "'"'"'-"'"
..,.,...,---
n..-.w........ -..
..................
Anuthrr rea.s.nn n's important to show ti ~u ggesuon o! the body in the rumarom1ds is tJun1c
give" a glimp~c or the pusture, 1~hich Support~ tbe r.:ltiA) exptc.ssion. In Amcric.An COm I~. bad
gu~> gener.alh Mve uaven (JO!turcs: the) re evil. so they',... cowards o:n hean t\oc so in tht-
m.an~ta occuJc-andhotrOr ge.-ntt 11\e.se ch..tracte~ may be mtM\'ettcd. troubled ~ut&. but tbe)r'rt
heroct. in a $lf3 t\R~ da1k way. They just happen to be cun;ed. n1ey stUI h3ve n chnrismati~
sclftl'i...iUrdUCf' 1hat thl! audlenu ilihnirc. c;o, the) ho!d th~1r head l11dl cbe.st out. with a
conhdtnt look an thcirc\e and .an eyebrow that croshesdo"'n m dcte:rmmc:d JnanncJ
,....,...........-...
....'oha ih~ "f'<'''t' .,..,... brJt'
c'-art:u ltf"'t~.Jwrc(
lii!tll ~~~front Q( 11U' -6t<lt'Mdt.
t~
....~~I
bwtortouitt.ltt~rbdti...t
....... <1 ... ""'-
.,. .. ~ ...T!'Itu~
tiJ 111.4/j,;tU. t1lll/ ,,!~ ~ totriM
llltJ,ciaad:lw'.hmJ,~
..._,.,..,.. O.tliraw
p.tMim.t-
(JJ fitcf.l""~. th13
m'~-
~ -...
,.....
~~I
m.tl:diii.~Hcl . . .
'"'
r.tca~Jio.uJ
I
)
~IOab'idJmt;vhm,._,tJ.:JUiha N<M
J
RtfiIC IIN:fat.ia}~o'4'trUnlf,
I
tMrtntlttprofllr.,t.-.thtx;klatWNa.Wt- hn,r:mllldatw.s
.o~~tr...,.,."t.t""'~,.,.Wu!IA.ehao.t
,_....bfnd-GWIJcptW/WW frrtit~"lhf,..,o1~t
l.ilu\ '"' Rut ]u:>t lor Your Grandmoth..:r
Herr ~ a rult' "V'J vOn put "" vovr reper1o-N> T l">f" ~"~Qh~r I~C'
g1~ 11-a f1"'0f""(' C'" I fkto choroctc,. \'- "'~e" g :;N("~ r(',; ..... :;~bo~('
t~ cto:;.~ ll"'c-" de"'oll' a c~Jro.:ler w1th Sl.,t511!'r ..,ll'l'llt.;m"
TheN' or1 f \ .. ('j)ln.m.. ~uch us mog+...ol g1rb (W~:J 'gt, 'or
good .:;\1'1 <.J ff'""' \>Ct f, 'o~fum"~ 8\J b'l and l(.)rgc, o'lhcn
~,., rc..uh ttl~ ,;.hot,lder your cl'lora.:ter '"' bod 'o lt'lf> boru
You probably sec charJcters ponraycd Jbi'~Cfthfl~ JtlliMt!IJf'hi:JI4
J)t)51;d.:porda1m th41guukr.tle"
lo the 31.. vlt\~ more ofte11 thai\ 1n nnv
tlfo~~.;onrnr "'~~'' of rh,. f1ffllm~
u ther angll". W'hy is tlk!t? Because 1r'5 urwld.et'JII'll~~ 'flttl,.of
the w.a} thin" havr to be 11\ink abvut fhctJca:iiLM ..... I"'f~
iL For thar.~t.,C"n LO bt" in a fron' '"lr" ~ltwam.-..~
they tu"'f' ra b.: f..c1ng t::lQt.tl\ torward Jll-< *40 ildatl&e"IO._,,_
If the (au move" to the left or to tt'W cJiq s11 ,...,. tlw .,.c.aiJtt>
right, even slh:htly, it bcconv~ i.l Jr.f t7v,...yw1Jfbrrfltn'-'"'"'
view. (fchilfi'c.terS al'e in pmnlt' a nd
,n~ tttcrl1ue '"'* rAil Ju, -. d:..
to J~~""r~r'lll~ (M..I: '~' ""'V) l'Ju:
tht face lllOVf"t' toward the n~O'der, artfP Q( 1Jt.t. liPJio"' l11' I ( &!AI')ltfl
e\'en ,.h~1nly, It beoomes a J -1 view &ryrht'OCJttnitr~btorrillt.IJblfm
The~Jort' unlc~s ftOtu and ~Kit \'IC\s
one ex.Kt clvy tnsuntl)! becomt" J
views. And 1 o4 "ie"'s don't ha\'f" u>
\ ltl'lOUI'
thc3 4l'IQI ,J.,,.,.~I ..,a.taOC:
.,.u.,"'*"~..,lallsl4
ow""""'..,.,""""'
be perfed then: .ue m;;my anaJr,. tlt.lt
full i11 rhr 3 rdmJe. That's why yu\1
see 3/4 "'e'"'lt
all the time.
,..,..
"'"'"'"
"''''-
""-~-""""
___ .,.,...._..,
llu>J . ., _.....
......,......_....
_,.,~ll.'rl.l,.
/
---- Atr
Al:~!~t thr temptation bl add h;,tu-
and mhcr stun tOO soon frn~b
the b.uic m.nsuucoon first tu.st
iU Y\JU M:e it hert lD the ti""
COIHUUCOOJ\ step Trus; me.
...,..,_""'
~l!J~d'.i
............. __-__........__
IJiht-.m-ollii"Nt~",.....,
_..,. :n , . . _ , . _ . ,
p:M'p(..~m..:-o."ld.aniiD~
r<daate "-'the ,.,., ....a~
---~...,.
w --OJ!V!UifDn'ttl{.,...,..
.
....Wit:frtntrt'Y'\IKirtfu''r'-~'
..1'rd.,..,a.a.-J.,..~"iit't"ll"f
Clt~Jithll11tc-...rte'l1t
IN:~ b mdlr..'tr4 1lc1r hv lhc
fTtttiJur~tllmr,tl*'ligltltr ...Qffi!0.-1}
lifMI+ (.If! lOp 0/ t.\to herd mid (;Ill'-'
IIPIJV JJOn$uftilt /flMI (IJit bloi!M
1m' a.J~l'1.ie) 1711~ 11~/J rQUI (1. v
htl1tfmmtl!t:J.l(llfillw:nc
''uu un ~.Jm 10 dfiJw fhtt lw"ac .shape uf We e'e c 'ld of cv.rulc c.h.ana-ien. &.st )'OU'n~ no.. te.J\ in.;
In illl\ anUIMrudiut'l buut.. HOWe\'C.r U\OlU ooc .J t;hrulln boo*. withou:t rhe tn.sidft St-oop
~un,R to help \'UU Whf'n you wam ro d.r.Jn man)t.ll vc. an "'lth the ~hape.. TWo won:fs noc.
Otc I') r...a hrr<> arc dlltrr('nt ev~n trom 'l''Pit.:al ~II "'"'" rl!lh occull-m.l eyes ore lliK r.11J
miln'!'a bt t-H-'-~ th, e\es or occ:.ult cha:racrers .Jre like ao m~nv ocJu:t popub.r sc:yles of mtar'P
r~tnplrlr1l unllke ch~ nm-of-thc-m!U manga eye~ r-yu ln..'lt~ th,.vre 51ee._, narrow_ and ver)
)'t'll Jet un n10)t J>liJ.l.nrx. fOOI\r r.haractl!f1i. And huri.zontJI - .tlmt)St lmondshaped. Ktep th
1h1n theft; Drt' dlfrtrcnt ~tylcs of t}'~'S ror difl~n-nt torf:mOIC in mind It'& your stanin~ l"'lirtt!
~ ~
I
~-
n ""
~~
..,t
""
~"
~
~ ~
YJf!Di ~
:l'""ttfli'"
,....it/''n-'1 tn' 1 "'t{F "'1lN 11M
-- ~~~ --
~.t" nf!X.t 1hing lo nonce is that the arb I an or~t.:nal () ma~c.arn Upper .and )o\\f'l
rt'.d. lt'"s not J )()lid bl,lck dot witb c.oupJc eyet.Ah,.~ .ilrt' both cutl~ul.urd-most hecJ.vtJ\
um:~ in u lt".s a.ueaked the same ""av a n:~l .u tht outer td~e.s. In l.hJ) &t:"nre \he (M.er
" Thisgive5lttan c-ncha.ming. me.sMcrV:1n$: cvcJA,.,ca .:are alm.o5t.J.S l'lle4w as the uppr:r-C>f\1(
The streak pattem in the iri~ should fi.rwUy. thr eyebt"0\4-'1 should h.l\"e. a hLgh
hee1 ou\ trom the pupil at the center. .t1ch but an de sharply clnwn .J they rran:.l
1ov,ngon, prodigiou,_ eyelashes are es!.rntl.d- wwa1d the bridge of tbe nose. nus impart~
thcy've g<n tO br~ c11';1Vtn 4.$ 1f the chamc:.ter has a t.ourh t~f w,c.kedness
Ordioary Hair v~. Vramatir Hair
Onr o( tht- 1hut,p dut makes
oc:cu1t c.Juro~<.:tcr5 ocx:ult
ch..~tfD b th.at they h.tve
my"teriout fortc:4 workin8; on
them 1~1 ordonary people do not
SCf' or e.xpenence. "'hat are chese
forces? GhOfdy onseen beongs
trom the Bficrlllc. spirits, demon
JJO&'Ielioions, ~nd Othf:r weird
Sllifl A r.urwin rippling but the
window i~ tloiK.'d A s~nc:t:. when
('.Jndlr Is suddenly blown out.
These things OCA.;ur in the realm
ot the supernatural. A stra11ge
and unholy wind is on~ of the
more common Signs of the
prev-nu of the iupematuraJ.
\dcimg long, drJmat.c han that
bJo,\ 1 curious1v m the breeze.
e\tn kJ I here is no breeze-a.nd
e~>en "'hen the ch.ataet~r lS
oll<loora-add> 10 the> feeling cmot
we an'" the pruence of .1 belng
~by the cLuk forces of
n.l,UTr. Thkt wI(XIk at these
twO eomp;msons
~"'*"''""'
--
~
VAMrJR(' rHil.fT('R
ro~r'"("I\JT
n:;?\~T ~V~Tr~Y
~ ruruou~
This sort ofbwnpy hair treatmem, in which you group the harr
together and don't show individual strands, is an mterestmg look.
But it's used infrequemly to add visual interest
Tltr !Oiif ~T~m
lOOI(T I~ T'iOU(illT
Olt.t.,
,...,....,
,.,......,IK-""'
.,._....,,.tf.
h.n~ . . , ....
_.,,
........ .. ...... n..su:
Str4' thiS. (hlim.:tl'r r<Jt.f CVI'(IItlst ~pe- ltt~ pt"WJI aM .t~.t:r IJIIM"'F' li{I"<T
looktw l't: ,,(, oJ(mtdt"' Pih i(.-tth 11t.'tl'.! .,, rhc.m, o:plf)J.Siy ,~ '""(Till
tf ..,rn nr Tur
~~lqANrr "rT~IA
F~llttt ..,..,...,.ndiSN~Iu
__
-~SI(IIfliCP tofbtJ~M-hcP
~fhtf'CIPM-IIIIIfhp~-~~
ts.;MIIh'-d ...t (GytWffhri\k~ ,.n,...
_,..,.,., ......
a-.fPIIIliJ~----'"...-,.
,..,Wi;....,.~llurt,.,lu:.clatrf
"' 1(1 I .J mnu"' IIJ'I ftW1 u~u f ..oatr 11ltnt your swu
A~buw uf Haod~
r
I
H4ndS h.l\'t" c~I'Ktcr, Ju.st Jike faces. t.:~u..J.Uy. It"$ subdt thm~e
the occult~nd-boiTOr v~-in "'hich a Cull moon can mane< 1><.1utiful
wom.;an tmo .w reraJ be.l.s:. Here. h.mds can fUm intO c.la"--. ur c~n 1:aocwcs
rt~ .. manlturuu worst nightmare. U:t'$look at iom~ cla~K ) P"6
'ot St1 ;n
Thr-'f:urrin ma"'""'~~uhat.Mr
Pf'ltn~cmd{i,1ns)~ondorl'tll'JI'''u'l!'
tl]n ilet" I!Ud$ Dlt' "'']WWflt ~til.t 1/IQf" .,.
('\ fJP'rlrtOtolkXd Ct"O'lXS Oil d~ huold;/4 utul
J}(!JI?U Ba~ r.m 111e te'l'ttnrew rht
AJ;i.,,.,l""l"'"n"""lfCI''flfT1'mrlthr.
ll'f'Uifli.J!\114f11ofthc')tlfll.fl~t rJunttc.ttt"a '"J"t'""WMlltJO)- -11!1'"'"'-:nlt
fl/ Prulc.is (m momrty ,Jttmzum
'v"'JI
,.,,.,.,.. .... ~ .............
....... ,....._ ... """'.,...
lhrl~-.x*'i~Jb9...
---
~-. '".11:" .
~M fhfJI!'n.mlM 111t0011.,:1 curl.tt,a"d~
fb~ Budg
fhc hod, un JMl t'.h.aiJenging wdraw, but it 'l.ln.ini pomt )"OU ean .adjuSt the fOrm to Cl'l".t~t'
unr II' .actu.Uy ~ clur and sunple .Siruc.tur-t ar all ~n:~ ''' d1flcnmt char.taen.
ioa lound.luon f"'i"tall tho:>e boo!<> thotttll vou
ro wn. nu' w~th a.ketchy O\'als for the rib c.a~
o1nd h1~ '"1l.."lts th.1t all.tlout ~Y"ay? Wh..Jt TU r.t~ -~- - ' rr
pros n:Jlly dr.. w the body from that mn:lng With men, the lOt$0 ~structured lik.r thi.s; ~idf"
point 'l'oiotH th.n 1knuw of That method may top, ttJrrowtr wou5t. ~rrower hips. You can. bur
m.1kr life t'.L!y for the .Juthor, btu it doe:r;n't help donc hJ"c to. di\tde the tOrSO mto three Sf'nions
vou" lot, doc~ it? hute.I.Cl, take a look at thr. rlb c~ge. mtdseeakm, and hips; or you can divlde
ttu'" temp1onl' for draw-ing the rnanga body here thr tooo neatly into only noo p;:uu: upptt t.ontu
Simple:, str~ughtforw,ud. and effective. F'rum this ond lowt'r tOt'SO,
"itlrOl"'4ATI!IlAl (j(JY 9"1(' llflll
11v-re are ' "w
key drtouls m no~ abouc
~ thi~ appur lD the !ide ,;e" The ned
nlt5 slr&hd) forward if i1 dido t, the wnu
would Jrem tOO ~utt Also. on the back ofdte
body th duthes h.>ng sloghtly "'Y from
the undcrlrtng fonn. ror cumple. the back
or the j.1fkl" ito ofT the pants (not rt:,dn.g on
thrm), pu~hcd outward bJ the buuocks..
Ur;'l('fll!JOfl 'l t
Alln m~ PffviOm example. here too the: flt>nt
of tht CorM l5 dr.awn on a convex CUT\'1fl'i: line. In
.o~Jduaon nore the hourtlass curve ot lhe ba'""k
In the J 4 VJCW, the in~.ud bet\d of tl'w!
thou you &ee in the suJc vw:w c~t the sm.lll
of tile t..ck) as till ''L<ible 'The noruralle~
pt')-'lll.onw~ 1n a J 4 pose. is ro have Or'lt: l~
)Of:krd $U41ght dt the kncl" ~nd 'he ochl"r
one rclaAcd and bent a little at the knee.
t
ln.1r.ad ul ~1mpl) turn\~~ st<tnd.in~ pose: so
th,u u .Jppc"_..;ars m .. :1 4 ,,ew: .::rea~ pla) fut
co
atmudt to along Wlth lhe 3 4 po~. AJ.so,
nott Lht" b.il.lnc.;e: fhe bem ann .-r.d bent
1c1J '"' on oppo~u(" Md~ of t.he body
CIOOd pose:. clfe fWI r~,o~ I rn n(t( helltt1iJN .t1'l': d11wn ~1th" ioe'ncc! nt ,~ry incl )-r.tmin~
ll ~r
"*"""'"""'"'-
..... ,,.,Jow;e~~.~""'"'" Jli.m
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j.j..!lJJ 11tt.uell'tfh...:..ld-t'"'""
..........,,.......,...... """'
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t~I(J llll1'.J m ...-,~~ "" ~
/lllilrii'I.MI,f"tttllltl.:lf1UfiIU
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4r'~1wplat:rllilfly"''V
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(1 /hliC ,U.dU'UlL~Iu: p!'\'llr- but lhr JN.NI.U
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fo&N tt1f-'l!ltl~ 1Ul'JQ'".t b1 ad.rfi111.m, fu1
fii i iiJI-lfJOII~tfl!ft'Di.I.M.fHM.b'II"'W.Jtlr
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""'fit fhtl"t''dtOiolet'V.Qe.nl'..:ai...,
..... ._.,..,,dgn..-Mc'*-tlf
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........._.... ,..,ts ... ..,.....
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It! o(!Ot1 1'1 rhc t~.W <furuf,.,,_.., mr;l
JfJrt lcpt.l\lf"'llol tn flllt<h"DfiDP\ tht"
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............ _,......,.,.
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,.... 4"1 lt'll'flk'\4'ans:rmul
46
Iiint: Vintage
A vest is a goad choice ~
because iYs o vintage look. ~
l ikewise, the high collar makes
this character somewhat
anachronistic. It makes you
wonder, Just who is this guy?
If his dress style is 150 years
old, just how old is he? And
how does he stay so young
looking? There's only one way,
folks. He needs a constant
renewal of vitality to replenish
his youth. And by now you ~
must be able to guess ~
how he gets it ... and it
,d2
ain't with vitamins.
47
Uampir~ Vuutb
Hey, we all gotta start somewhere.
Why wait until you're out of high
school to study the ways of
darkness? Some manga girls
get an early jump on it. They're
vampirettes. At this stage, vampire
tweens are quite similar to manga
magical girls-it'S JUSt that they're
in the occult genre, while the others
are in the fantasy genre. They both
like candy bars, boys, and music.
When they get older, they'll realize
just how stupid teenage boys are.
That goes for the human girls, too.
~8
The young vampire's coscwne can
be spooky and black, bur ir doesn't
have co be Howeve>; rlere needs co
be some kmd ofmmplre monf, and
here, che pee bar does the rnck. 71ns
poor l1ttle uampne bar rsn t hatong
as much fun as liS ouner
ChiblS are extremely cu te and round
little characters, and no one is terribly
frighte ned by them. Sometimes, chibis
are featured as vampires in humorous
occult-and-horror stories. Often, these
stories feature an all-chibi cast.
(so
'ijint:
C!hibi face:)
A wink of the eye is a winning
look for cute chibi characters,
and don' t be stingy on the
eyelashes. Chibis have large
eyes and huge heads relative to
their body si:~:e. They also have
tiny mouths ... unless they have
a sudden meltdown-then, they
can have huge mouths and
extreme expressions! And,
chibis usually have
no noses at all.
(s1
RWiog aod a Prag~r
Believe me, you'll need to pray if
you see these characters coming
at you. The wings of occult-and-
horror characters never look
static. They are expressive
appendages. They can fold up,
envelop a character, or spread
out to span an entire page.
Wings come in many varieties.
The most popular is the skin/
skeleton type based loosely on
bat wings but bon-owing, to some
degree, from prehistoric birds like
the pterodactyl, which was a
flying predator. Some wings have
a claw accent, like a "thumb," at
one joint, while others have
layered feathers. This style is
used more on "dark angel"
ch aracter types than on vampires.
Wings also provide added
degrees of grace, power, a nd
stature to an occult figure. They
increase the overall height of the
character and serve to create a
much longer shadow, which can
be cast upon those standing
nearby with intimidating results.
Unlike with other parts of the
body, for which you begin by
A powerful way to introduu a dark, winged
drawing the overall outline, with
amagonist ts with the wings completely closed
wings you should always start around the figure. Then, panel-by-panel (in a comic
with the simplified skeleton. That's book fonnat), allow them tO unfurl slowly, revealing
because the skeleton is often a the l11deousness mside This adds mystery and
visible pan of the wing. Th e suspense. It also bathes tl1e character m shadow.
angles will be lost if you get too
FQl~t~ ~
vague in the wing anatomy here.
Don't get too cartoony. The good
news is that once you understand
the basic anatomy of the wing-
and it's not that difficult-it will
aU fall into place.
LAn~ F\:AT!reR~
t10~1ZOI1TAUY ACRO
WIR~\1111\i~AN
~ T -,
This I.S a ~man but extremely imponant hint that will add a
professiOnal wuch to all ofyour winged characters: 7l<m the
rips of the wmgs inwanl. This is a cool accent that impans
a sly, cunning look. But it doa even mon: thm1 tlwt. It
sttdtknly transfom!S the wmgs from purely decorative or
unhtarian deu<ces mto acnve appendages that "lOve m
respo,.se to a character's emonons and attiwdes And
that's the key ro a great, wickedly alluring cllaractcr
r
tt,
.1),
ovrp-Tl~f
~T-tOU rr
Cit AN\~
Jiint:
Lying Down
Every t ime a character lies on her
tummy and uses her arms to prop
herself up, her shoulders rise up
above her collarbone. Not only is
it anatomically correct, but it' s also
~ on attractive look for a A
~ female character. U
~ =::::?;
The wings can be almost as
W1111i CO~~) HtllllKt expressive as the figure itself. Th e
A COI'\FORTING DlANKfl
A1W )fAY} ALOFT subtle positioning of the wings can
underscore the attitude of the pose.
Even in poses in which the character
is doing nothing overtly seductive,
the wings make the figu re e motive.
t
Huutfr~ uf Uampir~s
Almost as popular as the Lords of Evil,
and sometimes even outshining them,
are the true-blue, intrepid souls who risk
everything to save us all from the rule
of darkness. I'm speaking, of course,
of the characters who hu nt vampires,
werewolves, demons, and other nefarious
beasts and creatures. These fighters vary in
age from young-teen (shoujo) to older-teen
(bishoujo/ female and bishounen/ male)
characters. It's an accepted convention
in ma nga that shoujo- a nd bishoujo-style
hunter characters can coexist with the
gracefully drawn vampire types in the
occult-and-horror genre.
JI
The most popular vampire fighter of them
all is the shoujo boy warrior. His body is
young, not angular with hard muscles.
His head is on the large side-a sign of
youth. The torso is not yet long and
lean; that occurs with maturation.
He wears lots of stuff,' since he's
fighting a demon that wants to kill him!
Yet, you want him to look dynamic, even
with all those forearm, elbow, shoulder,
knee, and shin guards. If he becomes too
bulky, he'll look like a little porker, and
you don't want that. So, use the outline
of his body as the outline ofthe clothing.
Occasionally, folds and loose material
pop up. But if you want to make the
character look sleek- even with a lot of
gear on-generally, skintight clothing
is the way to go.
~- -
%~-;- Jmpact 1ines
~ In the third step, energy and
fJ/ impact lines are added. This is
11 not a substitute for dynamic
posing, but let me tell you, it really
helps to fire up a scene! Toke a
look at the different types of lines.
And note that the ponytail also
serves to create a line of action
os it whips around to convey
extreme movement.
t
l}int:
fiction Po:)~:)
If this character actually froze
in this pose, he would fall on
his face, because he's leaning
forward. But that's what you
want in an action pose.
Remember: Get your
characters to leon into their
actions. Perfectly balanced
poses ore too static
for action scenes.
Uf 1 p IJ r,r--
Whereas occult figures strike a slinky pose, the is a classic look for a n experienced gunfighter. If
good-fighter type of character assumes a much you've drawn this character well, she will hold up
more straightforward, heroic stance. The feet are and command the reader's attention when you p~
spread apart and symmetrically positioned, which her into a full-page scene. Even though she's still
translates into an inner strength and stability. young, her determination and fighting spirit will
Elbows in with guns poi nted at opposite directions fill the reader with confiden ce.
Lm P0)1TI()I1eDAfART
I'IIOVIIII: HADILITY
t
--e how the figure in the
-=;"''Und frames the fighter:
':! ~ponent' s shoulder guard
-,;: ne head wind around to
- = U that encircles the girl,
~""9 the eye to the middle of
- =-::;ge, right where we want
=roming is an effective
!:Dmpositional tool.
' l
...........
You won't find any flowe rs or scrunchies
in her ha1r. She's an older teen out to
avenge the human race-and she packs
a mean side kick! It takes a lot of power
to fight beasts of darkness. So, she leaps
with a flying side kick, instead of
executing the klck from a standing
position. 1b make her appear more
mature, de-emphasize the overall size
of her head, giving it more realistic
proportions than the previous sh oujo
characters. Also, elongate her torso,
giving her a sleeker midsection.
l}int:
~ ffvoid ~tillness
~ When drawing teens in action, be
sure to avoid stiff poses. One
good way is to make sure you
arch the back. A character can't
look stiff if the back is arched.
Ws such o simple trick, but ifs
~ very effective. (Don't share this ~
~ secret with your friends. Hold ~
out as long as you can.
Make them beg!) }_,
One of the most skilled characters in this genre is
the trainer of beasts. He can stare down a demon
and make it do his bidding. Few know his secrets.
With the bishounen-style hunter, we move up in
age. This is a more elegantly attired male character.
He's tall, lean, and lanky. Note the difference
between his getup and the outfits of the shoujo-style Eyeglasses are a popular. coo
characters we've just seen. The more aristocratic look on Japanese comic boo;
characters, wherws on
and eighteenth century the clothing, the more
American characters they're
clothes the character should wear. This holds true considered nerdy unless
for both male and female characters. ln the days they're sunglasses.
of yore, people wore not only different styles
of clothes, but lots more ofit.
'Bumpy' hair IS an
authentic manga sryle
that few American
arnsts try to emulate
Give ira shot!
/
ar, cool
' book
I
ltey're
;s
l}int: flcating
Can you tell which leg the
weight is on here? No? Good!
Because that's how you know he' s
floating. The weight of the body
isn't being propped up by either leg.
Both knees ore relaxed and bent.
Even characters who don' t fly
can be drawn to look like they' re
floating. It's a dramatic device that
emphasizes a pose or a moment ~
in time, like the introduction of ~
a character who arrives
to save the day.
Any haunted child with big eyes makes a touch of the macabre. Sometimes, it's dark
for a very spooky character. Making circles under the eyes. Other times. it's a
someone who seems so innocent look so disquietingly gray tOne to the skin. What
creepy gives the audience the chills. Dress makes this girl so alarming is her stuffed
her up in something old-fashioned, with toy rabbit-complete with hangman's noose
curls, lace, and lots of floun ces. Then, add wrapped around its neck. Her comfort" toy.
When you have an infestation
of monsters, he's you r man. His
motto is "Why screw around
with knives and stakes when
you can blow a watermelon-
size hole through a zombie's
head?" And some of his guns
pack time-delayed explosives
u1stead ofbullets. They lodge
into the skull- tick, tick, tick l}inl': Posture
and then KA-BOOM!! Splat-ali The more expert the
over the lawn. It's not pretty, gunfighter, the more relaxed
bu t it gets Lhejob done. Call the character' s pose when
him if you need him. He's in firing off a weapon. This guy
the yellow pages. Of course, here is so good he actually
keep in mind that while he leans back when squeezing the
might sound like a good guy- trigger. Look at that arched
and maybe was once - he has back and his free arm. All his
grown to enjoy killing so much muscles ore loose. He must
that he has become as warped hove a heck of a lot of
notches on his
and violent as those he hunts.
scoreboard.
Another popular motif throughout the horror
genre-and one that dates back to the 1800s-is
the idea that men of science who experimented
with combining the human and animal kingdoms
were playing God - and would suffer fo r their
arrogance. This experimentation was crossing
the line into the very nature of good and evil.
l n these stories about splitting the h uman soul
into good and evil, evil flourished. It released
something uncontrollable. Th is theme evolved
to where we are in narratives today: The act of
"splitting" has someti mes been abandoned as
a story device, but the hybrid human-animal
form re mains. And it's evil .
Although you see it done sometimes, it's best
not to mix animal types-for the sake of clarity.
It's best to choose one animal type and combine
it with a human. A bird of prey, a lizard, or a
predator of any sort is a good choice.
u~~uft ~at G1rl
Cat girls are already a little
weird, although they remain
very popular characte rs.
And though they originally
Nore the chrbr-style
belonged to the shoujo style
proporrrons, wrth an
of m anga, it doesn't take much t:.Ytra-large, round head
to turn them into full-fledged and a pente body
occult figures. A few occult
symbols and a cloak and hood
are all that are needed. Being
of the animal kingdom, this
creature would be found deep
in some enchanted forest,
p erh aps serving as a guide to
help los t sou ls find their way
out. And, by successfully doing
so, she migh t break the spell
that has kept h er in bondage
and thereby resum e her natural,
beautiful human form.
t
l}int:
Eyeglasses ~
1 know I soid previously that ~
in mongo eyeglasses are
considered a cool accessory,
but they can still be used as
they traditionally are in
American comics: to make a
character look physically
weak, especially when
placed tow on the nose.
xtfrmiuatur ~amurai
Samurai are generally thought of as noble:
the Eastern version of the Knights of the
Round Table. However, some samurai
did fight on their own, and these rogue
samurai were called ronin. They were not
nice guys-not nice at all. They didn't
help old ladies cross the street. And when
they sliced off people's heads, they didn't
warn them first. Guess which type we're
going to draw today? That's right, the bad
kind. The kind who kills and likes it.
- -- - -
.. - - -
-, ~ n NI ' ,.. ~ Y
Note thar hands and fingers are Somellmes, you can go all-our silly, just for
umtecessary on extra-rowtd characters laughs. even in a spooky genre.
We humans have puppies
for companionship. Guys
and gals from the Dark World
have little, squeezable, freaky
companions. Yes, they're
a bit...weird looking. But
you didn't expect a dragon-
woman to ca rry a Chihuahua
in her purse, did you?
These puffy little critters
aren 't so evil, really. And
they're easy to draw. They
add humorous relief to an
otherwise melodramatic
genre. They can fl y, float,
and spring into and out
of this dimension in a
heartbeat.
Th1s little companion is drawn m a style
more m keepmg w1th that of her occult
owners-and less as a comedic sidekiCk
Into every good story comes a stranger. Who is he? genre, which makes his appearance all the more
What does he want? How much does he know? Is he notable. Into the darkness comes this stylishly
good or bad? Is he working fo r the underworld or for dressed man. As with everything else about him
himself? We are left to guess, but one thing's fo r sure: and his restrained personality, he is concealed by
His entrance upsets the equation. His purpose is to his clothes. He is a tall, quiet type but not easily
throw the story into high gear, to add the element of intimidated. He will stare down danger without
surprise. He's the random card, the joker. Now the taking a step back. Take a swing at him and you'll
deck is shuffied. Let the game begin. be looking up at him from the ground with a
This guy is dressed a Iittle out of sync with the bloody lip before you know what hit you.
re I personally find wizard characters very
alluring and mysterious. You can't tell
jun whether they're going to cast a good
!id by spell on you or curse you with some
y tenible affliction-perhaps even change
you into an animaL The hooded robe
is a classic costume for a sorcerer or
sorceress. The veiled look underscores
the enigmatic aura of the character.
The long staff is also a classic. Stay
away from wands, w hich are for fairy
godmothers. The slit in the long dress
shows us that we're in th e occult genre,
where dark and myste1ious characters
are still attractively drawn.
s)
Here's a lictl&-known face
One of the more interesting abot.~t wolves that can help
characters in manga is the you draw chem so char they
demon beast. Once a human but look different chan dogs.
now under the spell of a wicked Wolves have longer legs than
magician, this person-turned- dogs. This gives them char
beast roams the land, forever gangly, creepy look that
!L'Orks so weU in the horror
doomed to inhabit the world genre. Note chat the long,
in animal form. His terrible rhm rml1s a fantasy add<Mn
condition makes him angry, t!Or seen on true wolves
furious, vicious. He has lost
everything: his true love, his
fam ily, h is humanity. But every
so often , a flicker of light enters
his dark heart when he sees &1rs placed a little mom
.,.-:..'(!rd on che head than
someone in trouble, and he
r.onr.al gwe him an alert
comes to the rescue. tooi.:. L ong, sha1p claws on
You might ask yourself, Tfhe's .;:. pa:cs a re, as with any
such an interesting character, : ;c.:c.S mutation, a good way
why don't we see more of him? c:J-_ .,ce d1e creature The
This is something 1 learned as a ~~::::.: ;s co move the
8~
Tarut ~ard R~ad~r
Your future is revealed in the cards.
She deals th em, one by one. A card is
turned over. It reveals prosperity and
health. The next card, wisdom and
love. Your card is next. What shall it
be? Life or death? Your world is in her
hands. Dare you ask? Dare you look?
This character is more than a mere
fortune-teller. She's a seer. A "looker
into the fu ture. Her dress, her
companions, her surroundings, and
even the props around her should
all shroud her in mystery and magic.
Her key is a very special deck of cards
that only she can read. Were you to
take the deck fro m her hands and
look at it, all you would see would
be blank cards, for your eyes are not
ready to grasp a11 that your future
holds. It would be too much for you.
ijint:
~pooky Prop:i
&Wardrobe
Be creative with the things
furnishing both the scene and the
character. They should all odd
atmosphere: a raven, a standing
candelabra, a crystal boll, a block
cot, a drapery-covered chair;
scarves, toyers, bracelets,
sandals, and curly flowing
hair. It's a classic gypsy
look: wild, attractive,
bohemian, uncanny. ~
as)
Creating evil in a tank is no 'lb show thar she's m water,
haw the hair float toward the
small feat. It rakes a huge
surface. Be sure ro draw it in a
amount of liquid, a group of wavy manner. Note rhat rhe
scientists, and many tubes figure m the tank IS postnoned
and monitors. This is a hrgher wuhin the pu;tune than
popular conceit in manga, the setennsrs. ThiS sets her
as well as in American apan, making her drffenent-
an owcasr among the group
comics and horror movies.
Here, the female creature,
in a state of suspe nded
animation, floats in a tank
while the scientists take
copious notes, regula ting
her life-support systems.
Jl_
./
86
'
She gets her powers and commands from the dragon. Once, she was a princess. about to
marry on the far side of a golden lake when she was captu red in the talons or the flying beast
and brought to its cave. Now, under the dragon's spell, she steals away each night and returns
to her castle to retrieve precious gems that make the dragon's powers grow stronger still.
\
};1/)
Forpo=setl The power of the Use vumal cues to tell Ott uder Espectally on the occult style,
characters, draw .<tiff amulet causa 1t to about the charcu:ter (fhl'i l'i how gray and black can bt! as
posrure, srratght up float above her hands. an amsr ce11s a srory.) Here, as rhts etrecmoe as color, because ofthe
and down, w11h the character bt!comes less pnncesslike rone of rhe subject marrer. Still,
chm lu:ld up Ttlr the and more dragonltke, draw her color os dazzling, which l'i
gl't:lll
head bctck shghtly, and to look more l1ke a dragon, w che t!'lty all covers of manga graphtc
show the hands on a reader can see what's happemng to novels are 111 color. (See poges
serv1le position. as if her. Since dragons have wongs, gwe J.II-1-13 for more on rhe colors
holdmg a 1ray The her wmgs. Destgn armor elements of manga occult artd loorror)
eye.s are open and rl!at echo the scales of the dragon's
looktng forward-btu skin Pw Jwms, like dragon looms,
are unfocused 011 her shoulder guards This
develops a consostent theme.
(aa
Of all the ?tYie~ of (Omi(~, mAn<JA ()((Uit-
and-horror ha~ the mo~t intere~tin<J
pi(torial evol~tion, .whi(R be<Jin~ in late-
- nineteenth-(entury London. Famou~
a;
~torie~ (~U(h flr. Jtky/1 d~ /1r.ti .
~de) A!ld hi~tori(al ~rial killer~ ~
( ~u(h a~ Ja(k the Kipper) were all
remembered with-a ~(Andalou~ twi~t of
<JIAmour, whether de~rved or unde~rved,
and--they influensed (reative mind~.
- A~ the ari~tou-a~ da~ble4 with the for(e~
of eVfl, the Pandora'~ box opened. There wa~ an
undeniable romanti( quality to ari~totrati(ally
attired, wi(ked \:hara(ter~, and thl <Jenre took
hold. It'~ not ~ hard to tra(e the-linea<Je of
t (d~~ume de~i<Jn AM ~ how theie ori<Jin~
li\N ~TYl f
t'V('
rurrnl
c;trf'Jr
ttJIT~
&oon
t/
In addition to the gow11, there's usually
a fur, a scarf, or a wrap of some kind.
Thday's aristocratic fema le horror character
sometimes carries a fan (a typical Japanese
accessory) in one hand. Note the shoulder-
length gloves (typical of occult characters)
and the head decorations, either flowers,
jeweled pins, or braided headbands.
fj,W\tlfT
lj TIGI1T AT
WAIH Nl~.
A/11~)
l}int:
1ow-eut Gown~
...,hen drawing a gown, try to
""emember that it will be tight
::->d cling to a few sections of
...,.e body, but that the rest will
hong loose. That' s how
gowns are designed.
=::;;>:;
lagrriog
One of the prominent features of gothic-style
costumes is the layering. Here, we see a jacket
under a jacket. It's a coo11ook that lends itself
to interesting design possibilities-in this case,
that square cutout sh ape just above the waist.
t
The jacket has epaulets. Details like this are a popular manga
occult look. The long rows of buttons (as well as the stitching
on the hem of the inner layer) are purely decorative elements,
used in the same way you might use stripes on a shirt. The
buttons have nothing to do wllh closing the jacket
fb~ luug fraiu
A dress with a train-the part of the dress that
drags behind the figure-results in a severely
formal look. It's great for characters living
in castles or attending balls.
t
Usiog mbellisbmeot
Using a combination of embellishments
helps you create a fuller character that has
more visual interest. For example, look at the
clothing details on this semi-gothic man: Nehru
collar, epaulets, braided cord, layered jackets,
decorative stitching, elaborate cuffs, and split
and embroidered pant cuffs. Regardless of
genre, use this as a guide for thinking about
costume design and attention to detail.
Popular u~~ult ~u~tum~ ~t~l~s
Some occult styles are purely one genre.
Others ble nd manga genres to offer a
fresh take on established themes, and
the costumes reflect this. Genres, such
as horror or shoujo or chibi, used to be
firmly ftxed in place. But artists found
these bounda ries too constrictive and
arbitrary, so they started breaking them.
And readers responded. As a result,
there's more freedom now than ever.
In you r own art, try b ri nging a new
angle to a genre. Readers are open to it.
They're always eager to see the next
new thing. Are your ideas too far out?
Maybe. Or maybe your ideas are just
wh at everyone's been waiting for.
Again, regardless of which genre or
combination of genres you explore,
the costume reflects it and helps
convey it to the reader. Thke a look.
M(1)1C"W\
A('TTO~
AnVrNTtJ~~
1JI("1'0RTt\N
it r
~umbiuiug Hurrur witb Pautasg
The most common genre to be
combined with manga occult and
horror is fantasy, especially with
characters that hunt and fight the
beasts of the underworld. The
horror genre makes use of many
mythological animals, demons,
beasts, and animal-human hybrids,
and somebody's got to hunt them
down if the humans are to have any
chance of survival. These hunters
are borrowed from the fantasy
genre, and their costumes are
given a medieval twist.
The difference between th(' (.Jncasy '"tlrrior \'O)nou~ materials are used for the f.tntasy warrior
and the vompire tS that the trtame of the fu.ntJ.sy omflt: meta], leather, cloth and. sometimes, aruma I
fi&hter will be thicker and m1>1e rugged. He'-s: J ~kil1.3. Btn remember, thls ~...h~r.lt:ter has entered the
myMeriou51eading-man typn. When he commiu OCA. ult world and the (.}(':c;uh geme. There fMC, he
f( b.lttle he Is an explosne. vidous ftghter who muM be colored usJn' oceult6tyle colors, not
Jittvt~ no quarter. And th.ats what also makes tn<My colors, whiCh ~ bn&hl His world is dark
h1m excning Belund h,. pl.odd. lmost ..,.l[u) and murky-a be.Uish pJ.u where evil otten wmt.
tkrne.omor hu the ~not J. w.ur,or. (~~ (Qgt5 141 - 1-43 fur rnon" on uccult color.)
~ICll LlltW
f.ac.c u whtn you find a blood-sucluna Vilnlptre
01 1 tlclh-c!41ting beast. you're not g0u'a IU be
.Jbtr- to talk it hno gwmg itself up. Mayb,.
you c...,n convince your' morn of anything
but not these guys. In maoga ou::uh.
you ne.cd to hrlt1g sottlc.thing a little
more convincing than a good
ougumr"'
exc~llf'nt
8elow. you'IJ find <cOme
opuons.. Oh, and one
mor. thin&: Don't fall for the
I
j
'I hold b.id duldhood' !me.
\i.t)be the vamptre gn find
good thorapiSI in hcU.
Civc htm the :.uke.
Prum Uampir~ tu Bat
Some tra~formation dtt prom peed by ;m cvem,
such as" full moon Of hers are the result of thto T "
whim of the ereatutt:. iL~~e l f, ll.S i5 tJ1e c.'lse witll chc The Baron is r.twnn1ns., &rarious~ and handsom
vt'lmp1re. who turns mto a bat In order to fly away Unfortunately for thr W()llltm \VliO fan rot hls
t-h<~ rm~. he is also .1 potsonollS lxtt whost" bite
Jfter gorging on humAn blood Some characters
wdl tum fnto cte;Jturu 1n ordt:.t tO ktll. causes his victim to J.pJral into the bonomleu
blaeknus oftbt' unde.lld teta: see him s hr
re&ll) is.. unvam"r"ied. an hl4 true form
,..,.,.,_.............
ell tfw. W11!P -.;,'i 'rim~ TJw '"'
l(h'HCII!Ju1Dn'fflrWAr~~"',.. ..:
t~lbflf'litfuto{mf1, 'lbfJI(l'!IIH'Id
._ld '"r.tw...rd.17tet'6111plmf.4
:~~owed 4t th{$ """wni
..,,.,_,.,.....,!
"'lCP9 mncd r" -Y
.,..,~.,._.lilt
~ttw: t-2f
tn rlw Jr:IAI {omf. rly.( n:mll'*"' h11r tit fi!J f~ IN iilay atvl mr~ l 'l'bl
di(JJIIA h6 U'MI'~ W'll' 4 ~"tbcll Q( thlf ~UJUII J.l.mnah&n 10 jj,~&eh ht t.
tti/1/#N '~"J fi'Onol ""'ur:l'l )..- r..nt ""'"" JWPI\ f!l(l',qlt fJ,mu.tJ! ~~~"
t/IIMU rlwi'J&Ic
wP"9"'1C. .......,. ~111'-"'if'J""'
1....,.td rhttca "
~loti"''P'""~"' li!IJIUI:f tft ~~o,,IM
hcl '""'"'"r$Nllo.-.
\ht fooh OII'U/Ihirod,
J.:pn!f ltf-f'/J'rii!IUII'&
.,W~'IIJ"~ ltJ an P
ihl$.111r}Jt1tl11lrlf'"-'1
tt<JJ4ttdiO(I''OiiJ
m,;ivomll c.oJJ At'
J'tlliffl
''or.tarl WI~Q t)Km:.goi"-cft.IOk
from Humao to Wiog~~ Wolf
nus h.tumed \oung ponce "'ill uansrnocnfY
~ ..
a.;,.-.... ~ fit
Jw~ . . . . . .
~ 4Jp!lar- ad
._...
~~JIIIIIOI~
:;;f
dw
Prum Mao tu Wiog~~ raotb~r:
TbP ruil-ao~-~priog r~rboiqup
Another CC'IOI way or ,~.tn~ <J
transform.mnn LS to bc&Jn by h.ling lhe
c.hatatlt-r bun~h up a.s the change startS
Then, onc.c thr chJrd(.\er transforms. ht-
suddcnl)' P<"P' Opt"n. prt-seming hlmscJf
iind hi~ .:.tanUng new Jook to the dudience.
Prom Womau tu Uuiroru Pautbvr:
Tb~ "Good" Trau~furmatiou
At tiOml" point m ~very good .stat)'.
the- .1uthor or ard'-I.S m.akes use ot
ttl.- clcmtnt CJUed the JWLSt We'n:
f;amUla.r wl1h the w..y I:.On\'tntkm.:~l
scory l inr:s uu. IJ ~t' reJd t1 bnti.l~r
swry, tYt'O U It'.$ illu~tl'dtcd with
wcll..flntwn 'hnrur.tcr!!l ond inu:re;;tin.g
se ni ng.~, tht: experience 1s likely
tu h,tvf' (hr. reurlcw umlenvhchncd.
1b make your rlUJfttt t~l'$ tuentot:libltl,
you "SOillt!thntS nrccJ to add nn
unr.>..l)f'Ctet.lfwl.lfC tn make the.m
leb prt<Urt.;Jble <ilJld to m.ak,. them
sr<~nd ~'lt lo thr I'Cder'a mind
~~.....,_DIM11No
-Ita~..,
-----:""' ~-_...__- -
\DU .... , . ., .....
)
Prum Man tu Oragun: Tb~ Uisual M~tapbur
Anisu often plAnt devJces tO lip off the .tudtence Anolhcr cool ,asual meupbor would be
about wt.ats comtng. It's not ao much to tecJ.Se the 10 inv<"nt 1 wom.tn who lums into a snake.
l'C.Ider. m.tkul$ this a pd.rlor pme. as it is to put \\'hen &he a in hurmn (onn. .she ~-ears a
w audirnr-" In lhr nab mood 1b do 1his. anis1s lo~ d~ tNt ,.,,nels
around people in a
use visual met.JphoD or symbols. for example. serpenunr way ~ she seduu.s them.
what doc.J dragon h.ave to do with this dark
fellow;> Well, ,,k \'c>ursclf. Wba1's lhe mOO<
prom1nent teclturC d.SSOCiated with dragons?
fmbrcathlng And here i.s a man holding a
candrlahra teeming with flan~es. Sec the
connection? h rtll C()llle,:S logether once he
transfOrm~ wo begin to think of his candelabra
as pan of tho clrJgon motiftJwt remains when
he's In humnn fClrm. lie likes to be around fire.
12~
from Womau to Oragou:
irao~furmatiou bg Magir
Stnnge. rrug\Gal forces aomeumes provoke
tran$fOrmauon.s: .1 bue on the neck. a pc>rion
from a chalice, or the swr.et pollen &om
an =uc black rose They can be slipped
unknowingly w thr. vic..tlm so that the victim's
~ul is t:~kcn from her before her \'Cry eyes-a
mos1 frightening cvcmt- as she watches her O\~n
unholy mutmlon from good to evil. Converse!J,.
the transmfgmdon or the soul can be volitional,
perhaps even part of o rhual between lovers
destined to rule togt~ther in darkness f'ore\ler.
- s,.,....,...,
g, U..J~Uft~"'utla.lcm lhc:n-.u,.l'mD'tl
'"'~o(tlv....,
_,,..,.,..,_._ .. ~we
.-.n ....a.Mr in llfwclm:kt"'P-r. ~~
if-...-ladf..... _ _
'*'D . . . . .vt. . ...-.d:~~
Adtc:uJ
m~ftm,..tfrom
111}\ttqdark-.110
tforltJ.,form
.,........,.w.,
_
DmwdK$Jnr!U
~k.tdl:the
.., ...........
~"J'f''eatthcDOp
- ..... &odtl
12~
t~ta~lishiog Muud witb ~hadow~
i(>flf~(
I
.., 1r yuurc IC)In.g co drd\V" chitTI'C\crs wh()
tlwell m lM Jand vi darknc~~.s, vouw got
tJJ .add, wen durttk-.~1 SbadO'o\J .trt> sln~te
becauS(" they CA~n t:enly ""-rap thcmse!Vt'J<~
around 11 th~1rac.cer, almost as If they ant
aemient being.~ themt~ches 1 'ht:y can
.ssumt tht- shape <~I .1.n object: or COl5t cl\.11
!hapr. onw anochr surface. Shado"--s can
stretr.h or dis.1pptar oompletrly. The).. arc
rnysunous. bjdjnR the things \\~ t-ear from
ptairl )l~t llley alfo t.n:ate a t('n.M:, th1rk
1uroosrhtrt. wh1(.h heigbum~ the
so~p<msr of ;my An1nr..
h's sou ofcounw1lnmiuv<\ bu. todmw
shadow~. \OU h.t\f tO think about wheac
rou "'"'"'.ro pbu Uw-li,gi'll. Shadows .an
what result when ll~ht hit:i .m ~rea. If
there's no Light, there's rto $h\ldow So,
3t.an 10 chink o( tilt.dlfealon ulthe lf,ghc
h.ltring '.'OOr char.acter or yvur S(;Clle. 11w'
light rna~ f'ume tmm one din-tllon or
angle. two clirccllons, otnd sontet1 n 1~~ cvc.n
chree dttethons. Buc. 1t'S ooc e\'t"rywhefl'
all Ehe tune-not t\tn on hot su.m111er
day out5lde Ltght o~lwo~.ys comc.-~t~ ttom a
ll"ll
direc:tton. Acld, \Yherc h doe,-.n't h\l [s
whert" tJH ~hadows .. l>pcilr.
YOU'\'f' $:Qll0 Stan thlnk.int t&bout it U1
th\S logJ(.;)l way~ If )UO dont-tt yuu slud.f'l
.ue.l..'i r.1ndumfy, bnsed simply on whJt
looks good to you-y0la11 ~nd up wldl
shadowt lo places where Uglu htb and
hg.tu. m pJ.ac:n whnt~ sb.ldow~ slwold
be, .md the \mage \\'11l c:nd up ~.-hecker
boarde-d with po<.kcts ofll~ht :md shadow
h toob bt-:ttcr when \t loolu rl~tht llereJ
ho~ it hould wuric
ljint tiencrzdtze
125
''CIIT'~Ii mo"'
ftMn,
Wfll~f I\IC MOr
When )'0<1 light a clwaccer f'tvm below yoo
,.,/Jd'U ~- Jt.,..tt
Ctt. dcldedlydJJtereru mood lrspool<y, .. ,.....til,.
no7 This Is one of the tim that liaJ>r dlr..cf.QIIIOQfllfWI
M.tun;;e doco~m't have to represent anythlns
occurring hltf,.,ality. Jn other words, you
don'l hove co show the character' swndJng
over ri flrt:plliCC or mal:c sure thal 4nothrr
ch4rter Is. holding a tamp below him m
JU.Sdfy 1hc low-hght effect. We li~ht him
from btlow for purely ernorion.tl rrd&Ona-
bec.'lu.se. tt ht:tghtens the drama
111\nll II~UT
I 11 1
"'
When you light a character fr01n
behind, o '"" ofligln (edge light} 111
on the omltne of the figure. It's a very
cool look. The eomrast of having .J
lou1t', dark r.gure outHnt:d ln bn,ght
li3ht nrak<' rhe charaeter both
m)St(OOU .1nd lmpoS);ible to ig110re
9'
Wll~t
- v
.):1 T"\cndcring ~ho:~duw:;
/) f t-v>re ure many ...,J-,S to rt-n.<k>r
1
~
~
<o'x><!OW<oo
~";)V
,., ::r.:lpr..;:
U~ ... "or feelS oe-; 0 0
~-". .:~"~ c 11'1C 'T\On.ga ,-c... ~e
r_:;-..~15 5 S"a~d b'f' lt".t'
-,rt .;.l ,., . ,., ':i,.,..ple Cro<O~-~"dc~ "'9 .:>'
't-..1. ._...,.., S.on-~ :)~,~~ l.~ p-:;;.o<.;. C''
Wld bLx'kness done -A.,_~"~? P't"~ e>r
1"1Ur1<.!~.. Arss .:J, ots::> use grov
rl".<l~r.;. tor sh."ld"'~g. r've r,.~n 5-omt'
u'~r: a corl"'b'n.:;,ion of b-\;JCk r'"llol for
'~c oul!<n~:> of the charuder-::; and c1
.,,,.uoll'l, LiJn5 !>'tH"~I pencrl !tnP for lhf'
o;hod+~I!J \Don't pressc too "ord ,J,.,
I~ pe-nco! ,f J'CV use,.,,., ..,~lhod ,
----- - . - -- - ~----
U~io~ ~baduw~: Vull Duu't N~~d aR~a~uo
llrh~lh !he <h <dow hould loll in a
l'*IC41 wily, ynu dmn .tlways nc:,d a
rcaMin totltnrodudng them m!O .. scemr
It'~ ll!..utnn tmou~.th t}ua( sh3dOWI enhant:c
mood chcy tnJk" che <.1\ir~t~,. bo!d. t],,.
momr:nt cmph.1w And. chey 1I'WJ ~
anollwt tltlng. Tlwv make oht ligure
appe.n thrtt-<hmcn"'nat 1n11tflold ofbtins
len tm(Ky-and noo-....oh only black line>
on tvhue po~per 1lle ch..tT:lCicrs. tf'"nd w
cake c.m a f~hn.( ot mundneQ. wlu.htv
\\eight o*nd emot1una~ depch.
IICJ1,o,twC1 1 lht'l"t'
:art- some track.olls. au.J
you have ltl ~At:~ lht pros. anJ tnns.
lllcl< nd white can be omrk, lnoeuse, nd
Jl""nwHhJI, Solnt! f'1HHliC\C1"8. $tCI\f~$1 and
~.Wen emire ~raphlt nuvcls arn bt:l u:r
SU1lt'd to thr.. cxplulve h~ntrase Si)'le
ot bl..,."'- o1nd whltr.-w1th no sh..do\"5 or
gt"d~-Cven thc:n, you t311 v&e pools (')f
black "' yuur hod<M&. thoroby "PPI)'lng
what you've learned 1\t:re su CJcpcrimo..:nl.
And 1Uow the sub)et:c matter tO dr t~lt
yoor rholu nf\J.SIIIggroysnr hla"-k.~
rur ih:J<k>"~
~ba~uw~ uu tb~ &ruuu~
Sh..dow> th.11 ..u on the ground
under db.trac~rs llx chr f~ues in
place~ due thr) dorn appe.1r to
be tlo.mng'"" tht rot~e Ground
showtows 3110 how the t~udirnce
whrre chr: hcmwn In .ackhtfon
they .u~ o~nothrr tool in che
WUtfl!tJI,.,. Wool k.u. I
amst':, a~n.11. for t..:Uinplc. .t #I PlAol llol P CPo..fu, " fiW h ~.
Jaurd Ah.ad()\\ondcn~e0res the. ~ fQ"J; If fbt tf,Ptl WWU tl'tn
VIOlence of Pn ll{.tiun pose. A Q,_nAI..,f1r- lrronnrpll *""
small shadow mlds .1 poe1i~ AlfhrdatlmC"'fl,,f11/JJ/I.-J lilt
fec:lhlg 10 'l lnnelv moment '''N<Iilfl' nt~.W 1rov ..,.~ON ~"n
f(trlrn, et$11U'JJtt~,ltw:,
m.U,rfutlt . .nti~ i1n- .,.;ttfd
'ilfl",,-nf$)"/lfllflJtntH1fl"nlflf
Shading wn .1lso be used to h"IShtcn
the luak of 5pe4;iaal effeccs. m;l1dnt the
momem mort brilJWnL Bu remembe1
to n~ke tm. special effca bu~~ ot
light re.JU) 'u.nd out-the rrst of
the c.h.unucr must be m :.h,tdow
AfttJ:~r.ultJ/n!I.Jiuwr;SI(J/1
filtif,lj'WIIIfttllliiiJM<ht,-.tt
cidk,ol'llr!IIIIOIUtlrfo.Liw
~ ffl lwl!o!llilloPlfO
~
lllldGJtlw~J
dtr..:Jd--
rJwr,r.,,."'')~br:M""'
t1.!"~ ~rrlreffra'"l'"
lvr/ft .,..\tw,u...r"JIIW'...,'"
r,tlfi~ !ltl!l~
lfllll.ilolt.frvm filllh,.,..tttt~tt
ml(fl~?ttnllt/fQ.iJ~ l11r {lllwhit-.el(il rJ,,
~' ~ 11st: bla-V)/t~WJt~uowt
.,....,.,.._11/...
"''~~1/.1. &h.l'}J' '~"'..,...,. fl( f Mt ntt~
.,.,..,.~~
Jl.c:ll.n"'
...
11{1~..,..,..~
Mirrur~ aod Refle~tiuo~
\1fnun) and reflecunn~ hnld a strartge faM.-11\.lW'IIl 1111rTnr. Js it real or tur.t .J n:He<:boni' Can we fltt."l>
The)' Me a r.ommon ~ol~<oual heme m m1Ulga through tO somr- othN p11UJ! '1\'hCrt' ~\t will ronw
01 t..uh svrics .about I>OSst:..s.lon and otl1et SfMMikv f.1u to fuoo witb a dupllt:.11t' of QUfSCiv('.Si' .SO
$tUJl There's somnthtnR tott>irtl and haumin.w how du you niCA"trpomte mirrors and reUer-oon5?
,,hum the world that Uc5 em the othc.r .stde o( the 'I'Jke a louk.
Dr~am~ au~ Nigbtmar~~
Thu world uf occult .11HI horror Is''" cxcidng and rn occult ond horru11 rcxulat scene~ $:Otnc tl mt'~
Glht:lnalinggenrc: heuuse nothmg is quite wbtu tul n into t1rea1n sequenCf.. or even olghtmarcs.
lt :-.erms. Beasts are mrn Womtn are vampires These" arc ''el)' ooo1, vl~unllv entenaining
ChJIUrcn are pos:se&ied. You,e got to s.-ay on flalu:l~ that are likt" entering 3 h.aontedhoase
vour tucs It keeps the rudt'r on rd&e. and thai's amustment park ride l'or cumpJe. maybe }'OU
fl gn".ill plM.e r.o be-out of tht" c.omton zone iind "'"'the dun~Cttr tod11t0vcr that the eril n~
aJued to the nat panel th~ "'"~'<' w.n~oc.e. lbe h.u pl.lud her in noghnn.ln: from wluch sh<'
next Ufu,craoon. c..m't ~ake up. That~ a v~u.dly din)ang eflect
rl!lL~'~ ~
nrnP('!I"'M
!'lllfllf.\
Url\lrr
--
lt.t.....,_,,~.,.
-~
....... tol .... "fo
trnt~rnv,.ullrftJ Thl>
..nrrorbc..t,.,.-1(1
pdTf(llfllll'"fhlilllfdl
'OII~,ry'fJti'W,
W'd.!b; MtJ, ,_,~
...-....... .~IOUC.Ik!
~--"lbltllilllll
~'~~""""""'-.,
. _ .....:r._,
_.,..,.. ....
GCJili'W IJII fiX ~,left
t.)~(fn~pi'!GHt
jil'ltf904mlmtJ.~.. }
ruldjord~ f{tt;U
appe#T fn ob;llll;fA ' tlll-
tt-.m**-'J. rwiltt-111.
mtda~1i'1f)
t1t llaoW:n..loJI~o~'imii'.Jdt(..(Jtna,
;fltltt~Dtfl!phUifil
.oiii.V~t~Wttp,.
~-.-..-"'ltf
wt"lalolllrq""" A,.. 'fifU
lilrli.H~l:leYMft;ll'fi'N~
IIWIJI(Illr-<:rlfmi.-.ll.'("tmdmR
_ .....dol,.,.,_,...,.,
A"'' IT~'"''"' Jt1t.
'fllthJ"'tut
fOrpl'ss.h..,t. . N'
fs
~~mbuf~ uf tbe u~~ult
Symbols of the occult arc a very imponam have to use- aU of them simult.lneously. You
p11rr of this g<:nre. They dtooratc aod embellish can use._, combination of onlv a fe'" It aJI
scenes and images and ~ven the clothes. ()(:cult depc~nds on the tyJ)l~ of charaCter you're trying
symbols even imhnidate norH)(:Cult cha1'ac:rers. ro create and how much he or she is trying
A Jist of .symbols appears below, but you don't to blend ln as an ordinary hum:tn.
~~ri~ Barkgrouuds
I ~ant th\S book 10 ~w "ith
~ ou u> ukr you trom 1he
"-"""' ol draWl"' faces and
bochr~ to des1gning your 0\'1"'11
ch.lr.~n~rs ro. uhunately,
plat.intt (hariGiers in full
'l(':tn~s tha1 )'Ou compo:!ie if
you w.mtln tolkc. it that iar.
So to th.lt rnd. here :ue l;Ome
suggustlons of locations for
octult-.:'lntlhorror $tone:; I hat
rr:nu1~H ~xu cme)y popular
with t'f!.-dN!!. trom the U.S.A.
w Jdpdn and everywhere
fn betwtf!n, The~ l~uon~
.trc dc~lsnr.d more to 1nsplre
you than to aJve you a ngid
tempi uc to roro . Thest are
stmply frw sood choices
rn ke4"P '" mmd \\'hen you
w._nt to~~ the mood for
yuurkcnes.
.~lnr.l.'-'t-41""'-'''IMJ'Aijltf
C~Cipc It I Jl tf II IM.v) Ol-.-"'"':''"
u't!Gik A '-m..ll M~o.tt. 1~... t.ltfl "dr.
Mll~r..,.m'frt~tl 1Vf11,.ll tho!
Wt. 1'1tcf\ r>w"'"'n ro "', m' AM
~~~rl~tl,tll!t((l/IJ.nf(l1tlt'rV IY'l'
t.lmt Tft,. rnrmy htt~o~ th, Ll:y
r1f1hrlmtd Jt,,JJf!IUtlmll
r <;T r v 1 r o;
' "'"""l'kctn.:.l ..,....,.
~llulldt-b11111i'..,,., . ~
.vo ""*"
0/IIJ{!l#ll/lfil/tlcnlfttumtt-d
,,..,..,..iDJ.tccd .....A'-"..
................ "'lt-Lodlr-
1
"*'_ ... ........, __
dlq,.....,.,_,....,,,
- ............,..,of. .
""'"'*'"
-.d----.,~-
,....,,_
fliAda'I!Ac~~., )!OIIdllc-11.,....~
-=-''" "*'"llllldl AlltN'IUt. aualb . . ~
.......""''<JI" ...............,..,....,.,._.,.~
..
k ",......,...,..,.. )iaar.nor-lfrpulf ~ """. .
.,.,.,.,.lfl,,..~ ,m..,..,~,,..,
~~how, tJx.auly """!\
ht. 00 rc' IICIW dot:~ hr c-haran ch.- CJt~Cnrl:d bra h .. ntult be" luw:l O\lt. crr1uing 1
.md nw-.rnrrvJ": ht br ..tUIINI vtcum~. and dtdh"t"r ~tturucta\ '-'~"11f" thtu nvwt"~ hkc rkw l.wvrk. Jl\~
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Yes. the fantasy colo!'$ 11re too bright; however. wllh his
cape and sword. he'1 a1rnoM ttr.addhng the fence between
fanta$y and oc::cuh ..,h~oth are aomrume:s blended So.
this is pushing the en,"elopc a b11, but not by that much.
In the occult '-e1"5iOn. darknt~ re1p """1th a wann.
golden-reddish hue. C.n'l I'JIUC" wuh that. l'eclthe he<~<?
Bring up the red (a popular occult color), add a good
amount of green (a popular f;ant.t&:)' color), and you've go1 a
ple;:ising mixture or two genres '" the fant.uy/occuh combo .
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