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Video Title: I Miss You Blink 182

Video Audio
Lyrics / Narration / Music / FX
1. 0.00 0.30 Instrumental
Fade into time lapses. Wide
shot of Alex standing
hillside and walks off fading
away into a time lapse. Long
shot of cars by a road in
time lapse form. Wide shot of
clouds moving

2. 0.31 0.38
Focus pull into a close-up of
protagonist lip syncing Hello there,
Hello there. Cut to a The angel from my nightmare,
close-up of a picture on his The shadow in the background of the
phone from a high angle. Long morgue.
shot of Alex leaning against
wall on his phone. Cut to
close up of him texting a
female from a high angle.
Wide shot of character
throwing his phone to the
floor in anger and then walks
out of shot.

3. 0.39 0.46
Cut to multi wide shot of The unsuspecting victim of darkness
students in a classroom. Two in the valley.
shot from a wide angle of a We can live like Jack and Sally
male throwing a note at Alex. If we want.
Cut to an over the shoulder
shot close-up of our
protagonist reading the note.
Mid-shot, eye level of him
crumpling the note into a
ball.

4. 0.47 0.49
Pan of protagonist walking Where you can always find me
down the street. Long shot.

5. 0.50 0.52
Mid-shot of Alex sat at the And we'll have Halloween on
table with Halloween Christmas.
decorations around him. In
fast motion two figures will
be changing the Halloween
decorations to Christmas
ones.
6. 0.53 0.55 And in the night we'll wish this
High angle long shot of Alex never ends,
walking down an alley at
night. Cuts of him getting
further down gradually.

7. 0.56 0.57 We'll wish this never ends.


Cut into close-up of band
member lip syncing Well
wish this never ends from a
low angle.

Interlude
8. 0.58 1.04
Reverse zoom from a close-up
shot to a wide-shot of the
band. Cut to a mid-shot of
bass player focusing on the
guitar.

9. 1.05 1.07 (I miss you, miss you)


Long shot of the lead singer
and guitarist singing. Low
angle shot.

Interlude
10. 1.08 1.12
Cut to birds eye view shot of
the drummer playing the
drums. Cut to focus pull from
the guitar head of the lead
singer to the bass player
which will be a mid-shot. Two
shot of both bass and lead
singer on their guitars. Eye
level.

(I miss you, miss you)


11. 1.13 1.15
Wide shot of the whole band
performing with lead singer
singing.

12. 1.16 1.17 Interlude


Three shot of all the band
from a mid-shot.
13. 1.18 1.25 Where are you?
Birds eye view shot from a And I'm so sorry.
high angle of Alex sleeping I cannot sleep, I cannot dream
on his bed mid-shot. Low tonight.
angle mid-shot of him sitting
up on edge of bed. Cut to a
high angle close-up of the
clock spinning out of
control.

14. 1.26 1.29


I need somebody and always
Cut to mid-shot of bass
player lip syncing I need
somebody and always

15. 1.30 1.34


Tracking shot of Alex This sick strange darkness
throwing a dart at the board Comes creeping on so haunting every
which is shown through the time.
door. Tight-frame mid-shot of
dart landing on a photo of a
male figure. Cut to close-up
of Alex clenching his fist.
Low angle looking up to our
protagonist standing there
taking big breath. Cut to
close-up of Alex looking
angry.

16. 1.35 1.40


Close up of cobwebs on a And as I stared I counted
hedge with the subject behind The webs from all the spiders
them. Focus pull shifting to
focus on Alex. Mid-shot.

17. 1.41 1.43


Long-two shot of both male
Catching things and eating their
and female character sat on
insides.
the edge of his bed. The
female begins to fade out of
shot.
18. 1.44 1.52
Mid-shot with male character
picking up his phone and Like indecision to call you
calls the female. Cuts to the And hear your voice of treason.
girl seeing someone is Will you come home and stop this
calling. Close-up from a pain tonight?
canted angle showing the
phone saying its from Alex.
Mid shot of the girl hanging
up on the phone. Cuts to Alex
noticing that she hangs up on
him and he puts the phone
down and walks off.

19. 1.53 1.54


Long shot of bass player lip
syncing Stop this pain
Stop this pain tonight.
tonight.

20. 1.55 2.11


Three-shot of the band
performing. Wide shot of the
drummer playing in the centre Don't waste your time on me.
of the shot. Two shot of bass You're already the voice inside my
player and guitarist from a head.
low angle. Cut to close-up of (I miss you, miss you)
the bass drum. High angle Don't waste your time on me.
long shot of the band You're already the voice inside my
performing. Canted angle mid- head.
shot of the lead singer. Cut (I miss you, miss you)
to three-shot with singers
lip syncing voice inside my
head. Cut to close-up of
band performance focusing on
a band member.

21. 2.12 2.32


Wide-shot of Alex opening the
fridge. Mid shot from inside
the fridge seeing him reach Instrumental
into the fridge to get a
sandwich. Cut to mid-shot of
character walking off with
his food towards the camera.
Mid-shot of him stopping
because he got a message.
Over the shoulder close-up
shot of his phone with a
message from Laura. Low angle
mid-shot of his food falling
in slow motion. Cut to low
angle mid-shot of Alexs feet
running past the ingredients.

22. 2.33 3.09


Cut to wide-shot with focus
on bike handlebars seeing
Alex run towards the bike.
Don't waste your time on me.
High angle mid-shot of
You're already the voice inside my
character looking shocked.
head.
Close up of flat tyre then
(I miss you, miss you)
cuts to low angle mid-shot of
Don't waste your time on me.
Alex frantically looking
You're already the voice inside my
around. Close-up of
head.
skateboard. Cut to mid-shot
(I miss you, miss you)
of Alex skateboarding towards
Don't waste your time on me.
the angle. Low angle next to
You're already the voice inside my
skateboard skating away from
head.
the camera. Tracking shot of
(I miss you, miss you)
him running with the board in
Don't waste your time on me.
his hand up the hill.
You're already the voice inside my
head.
(I miss you, miss you)

23. 3.07 3.47


Canted long shot of
protagonist getting off his
board and runs up the bank
(I miss you, miss you)
where hes meeting Laura.
Alex walks towards the camera
(I miss you, miss you)
mid-shot. Wide shot of boy
walking over to the girl. Cut
(I miss you, miss you)
to two shot close-up of the
male looking at the female.
(I miss you, miss you)
POV shot of the horizon and
then cuts to long mid-shot.
Camera then tilts up to the
sky and fades out.

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