Beruflich Dokumente
Kultur Dokumente
Daylight
* RMS stands for Root Mean Square, a widely used standard
method for measuring the degree of grain in photographic film. Under normal daylight conditions, color balancing filters
The lower the RMS number, the smaller the apparent grain. are not necessary, but the following exposure condi-
tions may require the indicated filters.
1
FUJIFILM PRODUCT INFORMATION BULLETIN FUJICHROME ASTIA 100F Professional [RAP100F]
A UV filter No. 2C* (SC-39 or SC-40)** or other ap- Fluorescent White Daylight Cool White Warm White
propriate ultraviolet absorbing filter is recom- Lamp Type (W) (D) (CW) (WW)
mended for scenes that are shone upon by strong Color
ultraviolet light, such as seaside locations, snow Compensat- 10B+5M 25R 15M+5B No. 80C+10M
ing Filters*
scenes, and bright distant views.
Exposure
+1/2 stop +1 stop +2/3 stop +1 stop
Excessively high or low color temperatures may re- Corrections**
quire the following filters and exposure corrections. (Exposure time: 1/2 sec.)
Exposure * Wratten Color Compensating Filters or Fuji Color Compensating
Subject Conditions Filter Correction Filters are recommended.
NOTE: No. 80C is a Wratten Color Conversion Filter.
High Color Temperature: ** Exposure correction values when using a filter relative to unfil-
Cloudy weather landscapes or No.81A* +1/3 tered exposure results. A + followed by a number indicates the
portraits in open shade in clear (LBA-2)*** stop**** required increase in lens opening.
weather.
NOTES
Low Color Temperature: No.82A* or +1/3 to
Morning and evening twilight No.82C* (LBB-2 +2/3 Use a shutter speed slower than 1/30 second.
scenes and portraits. or LBB-4)*** stop**** For shutter speeds of 2 minutes or more, exposure adjustments
will be necessary to compensate for reciprocity law failure.
* Wratten Filter
** Fuji Sharp-cut Filter Tungsten Lamps
*** Fuji Light Balancing Filter (not available in certain markets.) A Wratten Filter No.80A (or Fuji Light Balancing Filter
**** A + followed by a number indicates the required increase in LBB-12) is required when using 3200K tungsten light-
lens opening. ing. A 1 2/3-stop larger lens opening is also required.
Electronic Flash If household tungsten lighting (room lamps, etc.)
Electronic flash produces light similar to daylight, so constitutes the main source of illumination, in addi-
filters are not needed. However, the possibility of un- tion to the above filter a Wratten Filter No.82A (or Fuji
desirable effects on color balance, due to various Light Balancing Filter LBB-2) is required, plus an ap-
factors (differences in equipment, use duration, etc.) erture increase of 1/3 stop (total 2 stops).
should be taken into consideration. Test exposures Mixed Light Sources
are recommended. Under mixed light conditions, the basic filter configura-
The use of a flash meter is advisable, but the follow- tion should suit the main light source. In the case of
ing formula can also be used to obtain a satisfactory cameras with TTL metering, there is no need for addi-
lens opening. tional exposure compensation for any CC filter(s) used.
Lens
Electronic Flash Guide Number (at ISO 100)
Aperture = 5. LONG AND MULTIPLE EXPOSURE
(F-number) Electronic Flash-to-Subject Distance (meters or feet)
COMPENSATION
Set the film speed at ISO 100. Since the amount of
No exposure correction or color balance compensation
light reflected onto the subject from surrounding sur-
is required for exposures within a shutter speed range of
faces will differ with the conditions, refer to the flash
1/4000 second to 1 minute. However, for exposures of 2
unit instructions.
minutes or longer, reciprocity law failure-related color
Daylight Photoflood / Photo-Reflector Lamps balance and exposure compensations are required.
Daylight-type photoflood or photo-reflector lamp out-
Exposure Time 1/4000 sec. 1 min. 2 min. 4 min. 8 min.
put may be lower than that indicated by an exposure
Color Compen-
meter, so it is advisable to compensate for this by in- sating Filter
5B 5B 5B
creasing exposure time or lens opening. Whenever None
Exposure + 1/3 + 1/2 + 2/3
possible, test exposures are recommended. Corrections* stop stop stop
Other factors requiring consideration when determin-
* Exposure correction values when using a filter relative to unfiltered
ing the exposure time are lamp configuration, use exposure results. A + followed by a number indicates the re-
duration and line voltage, as they may affect lamp quired increase in the lens opening.
output and color balance
Multiple Exposures
Fluorescent Lamps No exposure correction or color balance compensation
The use of the following combinations of color com- is required for up to eight consecutive multiple expo-
pensating filters is advisable when photographing sures using an electronic flash.
under fluorescent lighting. NOTE Exposure correction values given above for long and
For exacting work, however, test exposures are rec- multiple exposures are for a reversal film with an aver-
ommended because lamp brand and age may affect age emulsion when processed under standard pro-
cessing conditions. Therefore, use the data only as a
light output and color balance. guide. For exacting work, test exposures are recom-
mended under actual shooting conditions.
2
FUJICHROME ASTIA 100F Professional [RAP100F] FUJIFILM PRODUCT INFORMATION BULLETIN
3
FUJIFILM PRODUCT INFORMATION BULLETIN FUJICHROME ASTIA 100F Professional [RAP100F]
This film can produce high-quality prints when used with Changes in density and color balance can be made by
digital printers such as the Fuji Digital Minilab Frontier. using readily available retouching dyes. In regard to
High-quality duplicates can be made on FUJICHROME bleaching, this film is more resistant to color dye fading
DUPLICATING FILM New CDU TYPE II (New CDU II). as compared with existing reversal films, as a result of
its improved color image stability (anti-fading character-
istics).
13. PACKAGING
Plastic Case Same as the current product (Transparent container with a black cap).
5-roll pack
4
FUJICHROME ASTIA 100F Professional [RAP100F] FUJIFILM PRODUCT INFORMATION BULLETIN
Backing Paper
Top Seal End Seal
5-roll pack
Backing Paper
Top Seal End Seal
5
FUJIFILM PRODUCT INFORMATION BULLETIN FUJICHROME ASTIA 100F Professional [RAP100F]
<Rolls>
135 Size Quality Assurance Code** Film Designation Emulsion Number
Quality Assurance
120 Size Quality Assurance Code**
Code**
Film Designation
Emulsion Number
<Sheets>
Standard Sheet Film QuickLoad
6
FUJICHROME ASTIA 100F Professional [RAP100F] FUJIFILM PRODUCT INFORMATION BULLETIN
Backing Layer**
7
FUJIFILM PRODUCT INFORMATION BULLETIN FUJICHROME ASTIA 100F Professional [RAP100F]
4.0
Exposure : Daylight, 1/50 sec
Process : E-6/ CR-56
3.5 Densitometry : Fuji FAD-30S (Status A) 1.0
3.0
Sensitivity* (log)
Density (D)
2.5
2.0 0.0
Blue Green Red
Sensitive Sensitive Sensitive
1.5 Layer Layer Layer
1.0 Red
Green Process : E-6/ CR-56
Blue 1.0 Densitometry : Fuji FAD-30S (Status A)
0.5
Density : 1.0 above D-min
0.0
-3.0 -2.0 -1.0 0.0 1.0 400 500 600 700
Exposure [log H (lux-seconds)] Wavelength (nm)
* Sensitivity equals the reciprocal of the exposure
(J/cm) required to produce a specified density.
150
Exposure : Separated Light
100 Process : E-6/ CR-56
70 1.0
Spectral Diffuse Density
50
Response (%)
30
20 Yellow Magenta Cyan
0.5
10
7
5
Exposure : Daylight
3 Process : E-6/ CR-56
2 0.0
1 5 10 20 50 100 200 400 500 600 700
Spatial Frequency (cycles/ mm) Wavelength (nm)
NOTICE The data herein published were derived from materials taken from
general production runs. However, as Fujifilm is constantly upgrading the quality
of its products, changes in specifications may occur without prior notice.