POWERLINE

+ the magazine of the powerhouse museum spring 07


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O2 From the director
03 Powerpicks
contents
06 Australian Design Awards
07 New acquisition: Amadio and Chugg flutes
issue 87 08 New exhibition: Diana
10 Ship models
SEPTEMBER OCTOBER NOVEMBER 07 11 Members news
12 Members calendar
14 Members scene
15 Fashion from fleece
16 A world class wool collection
18 The Bosdyk dolls house
20 Bill Bush: an altruistic attachment
21 Powerhouse Discovery Centre news
22 Sydney Observatory news
23 Corporate partners
24 Exhibitions at a glance
+ 
a parting
message
powerhousemuseum.com
Front Cover Diana, Princess Where to find us
of Wales. Photo by Mario
Testino.
Powerhouse Museum, 500 Harris Street, Darling Harbour, Sydney projects facing significant
Opening hours 10.00 am – 5.00 pm every day (except Christmas
Day). School holiday opening hours 9.30 am – 5.00 pm
Contact details
Postal address: PO Box K346, Haymarket NSW 1238
Telephone (02) 9217 0111 Every effort has been made to locate owners of copyright for the images
Infoline (02) 9217 0444, Education (02) 9217 0222
The Powerhouse Museum, part of the Museum of Applied Arts and Sciences
also incorporating Sydney Observatory, is a NSW government cultural institution.
This is my last Director’s
Column in Powerline. After
seven and a half years as
Director of the Powerhouse
Museum, I leave Australia in
August to become Director of
the National Maritime Museum,
Greenwich, England.
My years at the Powerhouse
have given me tremendous
personal and professional
satisfaction. It is a great
museum, staffed by talented
and dedicated people,
assisted and supported by
very active volunteers and
members.
During my term as Director, I
feel the Museum has made
considerable strides forward
across most areas of our
operations. I must say I take
special pride in the creation
of the Powerhouse Discovery
Centre at Castle Hill, the
revitalisation of Sydney
Observatory, our staging of
many wonderful exhibitions
(including the two most
popular exhibitions in the
Museum’s history: Star Wars
and Lord of the Rings) and
probably the most ambitious
(The Great Wall of China),
reinvigorating our Life Fellows
program and creating the
Powerhouse Wizard award,
establishing the Powerhouse
Foundation to help ensure the
Museum’s collection continues
to grow and last, but by no
means least, celebrating our
125th anniversary in 2004–05
and publishing the Museum’s
history, Yesterday’s tomorrows.
As some readers may know,
before joining the Powerhouse
Museum I was Director
of the Australian National
Maritime Museum in Sydney.
Thus my move to the world’s
largest maritime museum
at Greenwich is, in many
respects, a natural progression
for me. The National Maritime
Museum also oversees the
historic Royal Observatory,
home of the Prime Meridian
and Greenwich Mean Time,
so my experience with
Powerline is produced by the Print Media Department
of the Powerhouse Museum
PO Box K346, Haymarket NSW 1238 challenges. ‘Your leadership’ he
Editor: Tracy Goulding said ‘has instilled us with your
Editorial coordinator: Deborah Renaud passion inspiring us to deliver
Design: Triggerdesign exceptional achievements
Photography: Powerhouse Museum unless otherwise stated.
in this publication. Any inquiries should be directed to the Rights and
Permissions Officer, Powerhouse Museum.
ISSN 1030-5750 © Trustees of the Museum of Applied Arts and Sciences
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powerpicks
Trustees
Dr Nicholas G Pappas,
President
The Museum bids farewell to the director
Dr Anne Summers AO,
Deputy President
Kevin Fewster with a memento of sydney.
Professor Shirley Alexander
Mr Mark Bouris
Ms Trisha Dixon
Mr Mark Nicholaeff
Ms Margaret Seale
Mr Anthony Sukari
Ms Judith Wheeldon
Senior Management
Jennifer Sanders, Acting Director
Mark Goggin, Associate Director,
Operations and Services
dr Fewster was presented with
Kevin Sumption, Associate Director, Two Photographic Prints from
Exhibitions, Projects and Planning the museum's Tyrrell collection,
'Pyrmont Bridge' (left) and
Dominic Curtin, Associate Director, 'Australian Waratahs', Kerry & co,
Sydney, early 1900s. 85/1284
Finance and Systems
Dr Kevin Fewster and Dr Nicholas Pappas with executive officer Peter
Morton at the farewell presentation. Photo by Jean-Francois Lanzarone.
Sydney Observatory will
be invaluable. Another not
unfamiliar challenge will be
integrating Greenwich into the
farewelling An opportunity to reflect on the
achievements of the last seven
2012 London Olympics cultural a director
programming to the maximum and a half years.
extent possible.
I sincerely wish to thank Mr
Marco Belgiorno-Zegna and
Members of the Trust and The evening was followed by
Dr Nicholas Pappas, each of
Museum Life Fellows attended a farewell afternoon tea for
whom chaired the Museum’s
a farewell function for the staff where Deputy Director
Board of Trustees with
Director Dr Kevin Fewster in Jennifer Sanders spoke of the
distinction during my term. I
late July. Distinguished guests strengths that Dr Fewster had
am deeply indebted to them
included former Premier of brought to the Museum as a
and all the Museum’s Trustees
NSW the Hon Neville Wran historian and a networker, and
for their unfailing support and
and ABC broadcaster Robyn the determination with which
good counsel.
Williams. he took on new challenges to
Farewelling Sydney means enrich the Powerhouse legacy.

Appropriately staged near
leaving behind many, many These included the ‘splendid
the iconic Boulton and Watt
friends — personal and history’ published for the Acting Director Jennifer Sanders at the launch of Sydney design 07.
steam engine, the occasion Photo by pru upton.
professional. Thank you to Museum’s 125th anniversary,
was an opportunity for guests
everyone who has supported securing the Museum’s role
to reflect on the Museum’s
me during my time as in the NSW rail heritage Deputy Director Jennifer She writes ‘I am delighted to
achievements in the last
Powerhouse Museum Director. program and fostering Sydney Sanders has been appointed be taking on the role of acting
seven and a half years.
It has been a truly great
experience. I hope you will
Describing Dr Fewster as
Observatory, now preparing meet the acting Director to lead the
Museum while recruitment for
Director with many exciting
projects ahead including the
for its 150th anniversary
continue to support this great
‘industrious’, President of the
Trust Dr Nicholas Pappas
stronger and more popular acting the next Powerhouse Director Diana exhibition, the Space
Museum. goes on. An international revamp, Sydney Observatory’s
Dr Kevin Fewster AM
recalled his many significant
initiatives including the Great
than ever. Mark Goggin
also spoke, on behalf of the director recruitment firm has been 150th anniversary and the
Wall of China exhibition,
associate directors, adding contracted to carry out the
search to ensure the best
continued development of
the Powerhouse Discovery
the word ‘passion’ to the list
the Powerhouse Discovery
of qualities mentioned so far. possible candidates are Centre. The Powerhouse is
Centre, and the Powerhouse
This he said had characterised considered. Jennifer Sanders about people and their lives
Foundation. He congratulated
Dr Fewster’s leadership on has been a staff member of over time and across cultures.
Dr Fewster on his new
the Museum for almost 30 It has always held a special
appointment and concluded
years, holding the position of place in the community and I
by saying it was a credit to him
Deputy Director for the last six look forward to fostering this
and indeed to the Powerhouse
with particular responsibility for relationship with visitors young
that he was moving on to such
the Museum’s collection and and old.’
a renowned institution as the
in the future of this august regional programs.
National Maritime Museum in
Museum.’
Greenwich.
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q A windmill outside Gilgandra’s Rural Museum.
a growing
partnership
¶ Dancers from Shri Raghavan
and the
winners are
This year’s Australian Design
Awards ceremony was a
special occasion for the
Powerhouse with Deputy
Director Jennifer Sanders
presenting the inaugural
Powerhouse Museum Design
Award. The award recognises
an Australian designed product
that has the potential to
improve health, well being or
the environment.
The Powerhouse award went
to Sydney-based companies
Polartechnics and 4design
for SolarScan, a product that
Photo by Marinco Kojdanovski.
In June this year SoundHouse
manager Peter Mahony
and Museum photographer
Marinco Kojdanovski travelled
to Gilgandra to support
a collaboration between
teachers and students from
the local high school and the
volunteer staff at the Rural
Museum. As well as generous
country hospitality and an
amazing night sky vista at the
local observatory, Peter and
Marinco discovered a growing
partnership between experts
in two seemingly disparate
worlds: agricultural machinery
and digital communication.
Gilgandra High School and
the Historical Society began
working together in 2006,
aiming to increase visits to
the Rural Museum and also
to create a digital record of
the collection. Both teachers
and students participated in
the photography and digital
storytelling workshops led by
Peter and Marinco. On the
guided visits to the museum
assists in the early detection
of melanoma using a high-
resolution digital camera.
The camera captures images
of suspect lesions, which
can be monitored over time
for changes that signal
malignancy.
The SolarScan was developed
over more than ten years by
Polartechnics in collaboration
with the Sydney Melanoma
Centre, the CSIRO and a
number of design firms.
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k
that followed, it was often
difficult to tell who was more
excited by the challenge of
documenting the collection.
Powerhouse
Significant objects held by goes
the museum include the
Edward McCray boring rig and Bollywood
Marshall steam engine which
together have sunk many
Saris mingled with suits as President of the Board of
water bores in the area. A
guests from Sydney's Indian Trustees Dr Anne Summers.
Howard spiral cultivating rotor
and film communities gathered The Consul General of India,
also has special links to the
at the Powerhouse for the Mr Sujan R Chinoy, officially
town, as it was in Gilgandra
opening of Cinema India: opened the exhibition with an
that inventor Cliff Howard
the art of Bollywood in June. entertaining speech regaling
began his experiments which
Beneath the glow of pink and the audience with stories
led to the worldwide adoption
orange lights Shri Raghavan about his halcyon days as
of rotary hoe cultivation
Nair’s Indian Dance troupe a Bollywood film extra. He
Audiovisuals created by the performed a colourful and jokingly confessed that he had
students were displayed at the highly energetic routine to a been advised not to pursue
museum’s 40th anniversary medley of the latest Bollywood Bollywood as a career option!
open day following the visit songs which had everyone
At the close of the speeches,
and are still on display in swaying and tapping their feet
guests were invited to wander
the local community centre. in time to the Bollywood beats.
through the exhibition space to
Future collaborations with the The presence of Australian
enjoy the wonderful display of
Powerhouse are planned. Bollywood actress Tania Zaetta
Bollywood art. Meanwhile the
This project was made possible through added extra glamour to the
the Movable Heritage NSW program, a music was ramped up in the
Powerhouse Museum initiative to support night.
research and documentation of cultural Grand Foyer and some of the
heritage collections. Speeches of welcome were hardier souls danced for the
given by Powerhouse Director remainder of the evening.

Dr Kevin Fewster, and Deputy
Cinema India: the art of Bollywood, featuring some of the most
Nair’s Indian Dance troupe at the
launch of Cinema India. Photo by
Jean-Francois Lanzarone. remarkable examples of cinema art from the world’s largest film
industry, is on at the Powerhouse until 14 October.
wayfinding
made easy
Regular visitors to the
Powerhouse will have
and the courtyard cafe is now
on level 1 (rather than level
™
noticed that the floors have 2). And so you won’t forget Recently the Powerhouse the Mastertouch collection
been renumbered and new which level you’re on, each Foundation joined forces with following the closure of this
signage installed throughout floor is now clearly identified
the building. This has been with large different coloured sounds Powerhouse Members to host
the first concert in the stores
great Australian company.
Our storage facility is now
done to help people better
find their way around the
numbers, directional signs and
maps.
in store of the Discovery Centre at
Castle Hill. ‘Sounds in Store:
home to thousands of piano
rolls as well as the recording
Museum’s complex layout. The Pianos from the Powerhouse and production machinery
We also have a new four-
new wayfinding system was Collection’ featured ARIA that produced them and a
colour printed guide to the
designed by Frost Design. nominated jazz pianist John selection of instruments from
Museum to lead you to your
Foreman performing on five of the Mastertouch keyboard
The entry level has now been favourite exhibitions. And of
renamed level 3 (rather than course if you do get lost, our the keyboards stored among collection.
level 4), the members lounge is friendly gallery staff are always the Museum’s vast instrument
The concert audience was
now level 4 (rather than level 5) happy to help. collection.
treated to a repertoire as
The keyboards used for this diverse as the instruments,
The Powerhouse concert were some of our with John playing everything
Foundation was most interesting specimens, from jazz standards to the
including the 1924 Bechstein theme from the movie The
established grand piano given as a piano by Michael Nyman. The
to enrich the wedding present to friends night was enjoyed by all and
by Dame Nellie Melba and we hope the first of many at
legacy we pass subsequently donated to the Castle Hill.
on to future Museum by Mrs Anne Fairbairn
New signage in the Museum. generations. The AM. John also played on the
Photo by Geoff Friend. 1901 Estey upright piano made
annual appeal in America and restored by John Foreman with his own
Jennifer Sanders presents the grand piano. Feet were definitely
Powerhouse Museum Design Award
to Robbie Wells and Lee Liston
takes place in the Mastertouch Piano Roll not allowed on the Museum’s
pianos in the Sounds in store
Company in Sydney.
of 4design and Martin Dillon of
Polartechnics at the Australian
September. concert! Photo courtesy John
Foreman.
Design Awards ceremony in The Museum recently acquired
Melbourne in May. Photo courtesy
Australian Design Awards.
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A waterless urinal and a clever peg are just two
examples of clever innovation and design on display
in the Australian Design Awards exhibition.
clever design
Each year since 1992 the
Powerhouse Museum has
displayed a selection of
finalists and award-winning
designs from the annual
Australian Design Awards. The
display demonstrates how
innovation and design work to
make our everyday lives easier,
safer or more sustainable
— and often more stylish
too. We may not be aware of
it but we’re surrounded by
objects that are the result of
clever design, objects that we
probably take for granted but
would struggle to do without.
This year’s selection is no
exception featuring such
everyday items as a urinal and
a peg — but with a difference.
The Clever Peg clasps at both
ends meaning that clothes can
be hung one below the other,
just the thing for inner city
living where clothesline space
if often limited. The Caroma
H2Zero is a waterless urinal
containing a unique one-way
air-tight valve to seal the urinal
from the drainage system
and a deodorising block to
counteract bad smells. The
urinal received an Australian
Design Award and the Award
for Excellence in Sustainable
Design.
Other award winners in the
exhibition include the Gator
bicycle lamp, which received
the Australian Design Award of
the Year. This LED bike lamp
is powered by a rechargeable
Lithium Ion battery and
controlled from a handlebar
mounted keypad. It is the
latest in a range of bicycle
accessories designed by
Melbourne-based Catalyst
Design Group and Knog.
The SolarScan device for
detecting melanoma received
the inaugural Powerhouse
Museum Design Award. The
device uses a high-resolution
digital camera mounted in a
hand piece to capture images
of suspect lesions. SolarScan
was developed over more than
ten years by Sydney-based
company Polartechnics in
collaboration with the Sydney
Melanoma Centre, the CSIRO
and a number of design firms.
The latest in household
products on display include
the Quicksmart folding stroller,
the Sunbeam Ceramic kettle
and Breville Ikon blender. The
stroller, designed by Ideation
Design in Melbourne, is
lightweight and compact and
can be unfolded in seconds.
The Sunbeam Ceramic kettle
has a retro look, recalling the
traditional ‘Speedie’ or ‘Hecla’
kettles, while using modern
kettle technology. The Breville
Ikon blender uses electronic
controls and a backlit timer
display for repeatable results.
Among the products
addressing environmental
concerns is the Frogmouth
rainwater filter. This device,
made to use with urban
rainwater tanks, is designed
to filter out debris and divert
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clean water into the tank.
The Frogmouth filter provides
a low maintenance, visually
appealing alternative to
existing products.
Six of the finalists and winners
from the student award
category are also displayed.
Two students have addressed
methods for firefighting
— the ‘FireEye’ unmanned
aerial vehicle for monitoring The Museum has recently acquired the instruments
bushfires and the ‘Sentinel’
hose clamp device for holding
of two of Australia’s most respected flautists,
a firehose. The Gold Prize Neville Amadio and Richard Chugg.
winner, the ‘Powercleat’ by
Paul Owen, is a new device for
music and history
securing ropes on sailboats. It
reduces the potential for lines
to tangle and improves safety
on board the vessel.
Angelique Hutchison
Curator, Product Design Both Neville Amadio and
The Powerhouse selection from the Richard Chugg began their
Australian Design Awards is on display on
professional careers in the
level 3.
1920s. They both went on to
hold the position of Principal
Flute in their respective
orchestras, the Sydney
and Melbour’ne Symphony
Orchestras, and in the course
of their careers had a major
influence on the development
of what can be identified as
an Australian school of flute
playing. Their instruments
have recently been donated
to the Museum, representing
a significant addition to our
music collection.
Internationally renowned as a
soloist and chamber musician,
Neville Amadio started learning
the flute at the age of 8 and
began his professional career
in 1927 at age 15, playing in
an ensemble that went on
to become the Australian
Broadcasting Commission
Studio Orchestra in 1932 and
then the Sydney Symphony
Orchestra in 1946. Amadio was
appointed Principal Flute in
1934.
During this period Amadio
played under several noted
conductors including Sir
Thomas Beacham, Eugene
Ormandy, Eugene Goossens
and Willem van Otterloo.
He was a co-founder of the
Sydney Woodwind Quintet, was
actively involved in Musica Viva
The Clever Peg and Quicksmart
folding stroller on display in
the Australian Design Awards.
and was Professor of Flute at
the NSW Conservatorium of
Music. He was awarded an
MBE in 1969 and an AM in 1981
for his services to music. He
died last year at the age of 93.
His piccolo and six flutes,
which were generously
donated to the Museum by
his widow, Mrs Hilda Maude
Amadio, tell the story of his
long performance career. Of
particular significance are the
thin-line wooden flute made by
Rudall Carte of London, and
his metal orchestral flute by
the famed William S Haynes
Company of the USA.
The second collection of
five flutes and two piccolos
belonging to Richard Chugg
was generously donated to the
Museum by the Chugg family.
As with the Neville Amadio
instruments these flutes
provide a material record
of Richard Chugg’s career
and reflect the influence his
playing technique had on the
Australian flute scene.
Born in 1902 in Melbourne,
Chugg became one of
Australia’s greatest flautists
after an adventurous seafaring
career that included surviving
a shipwreck. He retired
from the sea at the age of
22 and immediately began
intensive flute practice, giving
a series of flute recitals only
The Powerhouse Foundation is fast approaching
an important milestone —September 2007
marks our third birthday and is the month of
our Annual Appeal. According to its charter,
the Foundation will soon be able to draw upon
some of the funds earned from the endowment
to purchase a significant item for the collection.
As well as highlighting the Foundation’s
birthday, this acquisition will provide us
with extended opportunities to promote the
Foundation and thank our many donors for their
contributions.
It’s been a busy year so far with highlights
including a President’s Circle Luncheon with
guest speaker Alan Oakley, Editor of The
Sydney Morning Herald, who shared with good
humour many fascinating stories about the
inside world of a major newspaper.
The Foundation also coordinated an event to
thank the Amadio and Chugg families for their
18 months later in 1924. He
significant donations of flutes to the Museum.
was then asked to play first
The acquisition of these instruments, along
flute in an orchestra, which in
with the recent donation by Jane Rutter of her
1932 became the Melbourne
gold flute, means that the Powerhouse now
Symphony Orchestra. In 1936
has one of the most significant flute collections
he studied with Gordon Walker
in Australia, one which we hope to celebrate
in London, Marcel Moyse in
again in future Foundation concerts.
Paris, Albert Harzer in Berlin
and Arno Brauling in Dresden. Each year the generosity of our donors exceeds
our expectations, and we hope that the 2007
On his return to Australia,
Annual Appeal will be even more successful
Chugg is acknowledged as
than the previous year. I encourage all
having introduced the French
Powerhouse members and friends to consider
style and tone of flute playing
giving what you can. Every donation makes a
and particularly the use of
difference.
vibrato. Playing in several
For further information on the Foundation, or
Melbourne orchestras and
how to donate go to www.powerhousemuseum.
under several conductors,
com/foundation or contact the Foundation
Chugg championed new
works for flute. He also played Office on 9217 0564.
chamber music and solo works Yarmila Alfonzetti
as well as teaching flute until Foundation Executive
his death in 1963. +61 2 9217 0564
yarmilaa@phm.gov.au
The Powerhouse Museum's
flute collection is now
the most significant and
comprehensive in a public
collection in Australia, not only
documenting the development
of the flute from the late 18th
century but also including
instruments belonging to many
of Australia's finest flautists
and flute makers.
Michael Lea
Curator, Music and Musical
Instruments
The Powerhouse Museum also gratefully
acknowledges the assistance and support
of Len Amadio, Karen Chugg, Robin Amadio
and Linda Vogt in the acquisition of the
Amadio and Chugg instruments.
Neville amadio’s flutes including
his orchestral and alto flutes.
Karen Chugg and linda Vogt with
Photo by Geoff Friend.
Richard Chugg’s orchestral flute.
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A new exhibition at the Powerhouse looks at
the life and work of a modern day princess,
humanitarian and fashion icon.
story by_Glynis Jones, Curator, Decorative arts and design
Diana: A Celebration
On September 17 1980 the UK’s Daily Mail newspaper
published a photograph of 19 year old Lady Diana
Spencer with the headline ‘Has Charles found his
future bride?’ The article and accompanying image
signalled her private life was over. She was soon to
become the most famous, most photographed and
closely scrutinised women in the world.
The short but dramatic life of Diana, Princess of Wales
was interpreted by the mass media through powerful
images and narratives that saw her represented
alternately as a contemporary Cinderella, fashion
icon, devoted mother, victim of celebrity, heroine and
humanitarian, feminist and everywoman. This complex
series of identities ensured her life was played out as
a gripping ongoing drama that engaged the public
through both the mystique of her privileged royal
status and the familiarity of her life experiences.
It is perhaps this complex persona that led to the
substantial outpouring of grief at her death, from
those in the highest echelons to ordinary people who
mourned the loss of someone they felt they could
identify with on a personal level.
In September the Powerhouse Museum is hosting
Diana: A Celebration, a major international touring
exhibition developed by Arts and Exhibitions
International in association with the Althorp Estate, the
Spencer family’s ancestral home in England. Tracing
the life story of Diana, Princess of Wales, from her
childhood, engagement and marriage, public duties
and work with humanitarian organisations to her
untimely death, the exhibition provides an intimate
and moving look at her private and public life through
objects, photographs and film footage.
In the first of the exhibition’s themed galleries a tiara
from the Spencer family collection lies dramatically lit
before the luminous Patrick Demarchelier portrait of
Diana taken in 1990. Through this simple juxtaposition
the display evokes the iconic power of Diana’s image,
looking back to her aristocratic lineage and royal
status and forward to her role as the approachable
‘People’s Princess’ and humanitarian.
The next gallery is dedicated to the ‘Spencer Women’
placing Diana within a 300 year old tradition of
women who were influential in various fields from
business to fashion to philanthropy. It features
exquisite family jewels and a portrait by John Singer
Sergeant, reminding us that the Spencer family is one
of Britain’s aristocratic dynasties.
In contrast the ‘Childhood’ gallery is more
personal, displaying items from Diana’s infancy to
her engagement in 1981 including letters to her
family, toys, her diary, tap shoes and a 1967 school
report from Silfield School. The familial mood is
complemented by photographs and film footage
taken by her father, the late Earl Spencer.
On 29 July 1981 five months after Prince Charles
proposed to Lady Diana Spencer at Windsor Castle
they were married at St Paul’s Cathedral before family,
friends and dignitaries from around the world. Outside
the streets were lined with over 600,000 unofficial
guests and worldwide the ceremony was broadcast
to over 74 countries. The ‘Royal Wedding’ gallery
features Diana’s spectacular wedding dress with its
extraordinary 7.5 metre train. The dress had been one
of the most closely guarded secrets in fashion history
and its designers David and Elizabeth Emanuel had
to devise strategies for safeguarding their work from
the press and photographers who set up watch
outside their studio. Windows and blinds were kept
closed and because the media were searching the
rubbish bins for clues the designers set a false trail
by throwing out pieces of the wrong fabrics and
threads.
The ‘Style & Fashion’ gallery continues the story
of Diana’s wardrobe displaying 28 of her outfits
dating from the early 1980s through to her last
public engagement in 1997. Designed by a range of
significant British and international design houses
including Bruce Oldfield, Catherine Walker, Versace,
Valentino and Chanel, the outfits are accompanied
by photographs and footage of Diana at various
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public and private events. The selection reflects her
changing style and different roles, and ranges from
the off-the-rack cotton shirt and trousers worn with
protective waistcoat and shield for her visit to the
landmines in Angola to the beautifully tailored suits
and commissioned cocktail and evening wear for
formal and charity functions.
Diana’s charity and humanitarian work is the focus
of the next gallery. There is a long tradition of royal
charitable patronage and at one time Diana was a
figurehead for over 100 charities. In the 1990s she
began to take a more active role. Recognising the
value of her celebrity status she chose to focus more
energy on fewer, carefully selected causes including
those featured in the exhibition — HIV/AIDS, leprosy,
children, homeless, cancer, landmines and ballet.
The international range and often challenging nature
of these charities and causes is illustrated as is the
impact of her patronage.
An estimated audience of 700 million people watched
Diana’s wedding and 2.5 billion her funeral. On a
more solemn note the ‘Tribute’ gallery is designed as
a memorial space recalling Diana's untimely death
and the outburst of public grieving that followed. It
includes Earl Spencer’s draft tribute to his sister and
the musical score and handwritten lyrics of the Elton
John / Bernie Taupin composition dedicated to Diana
and adapted from Candle in the Wind. In a similar
mood the ‘Condolence’ gallery displays some of the
tens of thousands of personal messages written in
condolence books sent from around the world.
Diana: A Celebration is produced by Arts and Exhibitions International in
association with the Althorp Estate.
Profits generated to Althorp from the Exhibition are paid to the Diana, the
Princess of Wales Memorial Fund, a registered charity (No. 1064238), subject
to a minimum payment of the greater of £10,000 or 10% of the retail sale
price of all products sold in Australia bearing the Diana, Princess of Wales
logo.
Diana: A Celebration opens at the Powerhouse on 29 September
Major sponsor: New Idea
diana. Photo by Patrick Demarchelier, 1990.
 +
+ 10 powerline spring 07 + 11 powerline spring 07

new releases from powerhouse publishing

Remember, members receive 10% discount on all titles from the Powerhouse Shop and mailorder
the great grandson of one of Australia’s most

members
renowned ship model-makers is helping the Museum From pub art to high tea etiquette, there’s
gather more information about its collection.
something for everyone this spring.

modelling ships
Strasburg clock (2nd edition) In the early days of Australia's
DES BARRETT & NICK LOMB
shipbuilding industry small-
Built in Sydney 1887–89, the Strasburg scale wooden models played
Clock model has been one of the
Powerhouse Museum’s most intriguing an important part in the design
and popular exhibits for over a century. and construction process.
Inspired by the astronomical clock in They were used to give the
the Strasbourg Cathedral, the model
shipbuilder an idea of the
can be appreciated on many levels
— from a model of the universe to a vessel’s fittings, riggings and
fantastic confection of towers, dials, sail plans, as well as helping
mechanical birds, cherubs, chariots
to show the ratio of length to
and saints. Whatever your interest,
discover more about this amazing beam and the fining of her
clock in this booklet. entry and stern. The models
16 pages with over 20 illustrations were normally very basic,
$6.95 / MEMBERS $6.25 unless they were to be used
for presentation purposes,
in which case they were
embellished with detailed
metal fittings and mirror
backings inside elaborate
cases.
The Powerhouse Museum
holds a significant collection
of more than 230 ship models,
many of which have a strong
Australian provenance. The
collection includes an intricate
model of the Lady Nelson,
the first ship to sail through
Bass Strait from west to east,
ORDER NOW — SEE INSERT IN THIS
ISSUE. and a model of the steam
2008 Australian sky guide trawler Koraaga, which helped
NICK LOMB
to initiate the offshore fishing
Compact, easy to use and reliable,
industry in NSW.
the Sky guide contains month-by-
month constellations, tidal charts,
Also in the collection are a
sun and moon rise and set times,
facts on all the planets and meteorite
number of models built by
movements plus details of the most the Scottish expatriate model-
exciting astronomical events coming maker and naval architect
up in 2008. The essential guide for
James Scott, whose great
photographers, travellers, event
planners, sports organisers, teachers grandson has recently been
and students — stargazers of all ages. working with the Museum
Available October 2007 to help identify and expand
112 pages with illustrations, star maps,
diagrams and tables
RRP $16.95/ MEMBERS $15.25
upon existing information
about his sea-faring forebear.
These models are an
important legacy of the part
maritime vessels played in
the economic development of
NSW, as well as giving us an
idea of the full-scale versions
which no longer survive.
James Scott was born in the
then shipbuilding centre of
the world, Glasgow, Scotland
in 1859. At 12 years of age he
started work in a shipbuilding
yard on the Clyde with John
Fairfield (the founder of
the Fairfield Shipping and
Engineering Co Ltd). In about
1884, according to the Scott
family folklore, James was
approached by Allen Arthur
Taylor (chairman of the North
Coast and Illawarra Steam
Navigation Companies) and
offered a subsidised fare to
come out to Australia. With his
wife Jane and five children,
James travelled from his
secure surroundings in his
native Scotland to Balmain,
Sydney, a town on the other
side of the world with a limited
reputation for shipbuilding.
Initially, James spent some
time working on Cockatoo
Island with shipbuilder William
McDonald before teaming
up with Walter Reeks, an
innovative naval architect and
designer. The Museum has
at least three of the double-
ended ferry models built by
James Scott working to Reek's
designs, including the Lady
Manning (1893), Lady Hampden
(1896) and Koree (1902).
Scott also built models and
full-scale vessels for the North
Coast and Illawarra companies.
At least four of these are in the
Museum’s collection including
the Eden (1900), Nerong
(1903), Wollongbar II (1922)
and Wauchope (1938). A fifth
model, the MV Comara (1937)
may also be attributed to him.
According to his grandson
Mike, the Scott models are
identifiable by three main
characteristics, including the
use of Australian red cedar on
backing boards and straight
grain Oregon for the vessel’s
'Tooth’s KB Lager, After the game!' , Pub painting, 1950s. 86/3059
hull on North Coasters, a black
painted waterline and flaring
! + news and photos
propeller shaft. + prizes to be won
Now that winter’s over and Sydney Observatory to take
James Scott was a shipwright + exclusive events
people are getting out and part in a 3-D Space Theatre
for 40 years, over which
time he designed more than rediscover about again, we thought we show and telescope viewing + family activities
should remind readers about (weather permitting).
the benefits!
60 ships (32 of which were + special offers
the benefits of Powerhouse
believed to be for the North
membership. This includes And at the Museum, highlights
Coast Company alone).
free or discounted access this spring include free
Unlike the identities of most
to our three sites: Sydney entry for members into our
model-makers which become
Observatory, the Powerhouse wonderful new exhibition
obscured with time, James is
Discovery Centre at Castle Hill Diana: A Celebration and,
one of a few Australian-based
and of course the Museum at focusing on our own collection,
shipwrights whose work can
Ultimo. Why not embark on a a series of basement tours
still be identified. James Scott Members e-newsletter
spring adventure and make on everything from pub art
died in 1942 at the age of 83.
the trip to Castle Hill for the to quilts. Plus don’t forget the If you would like to receive the regular Members
Melanie Pitkin, Assistant next open day (on the second Members Lounge is open e-newsletter with updates on all members
Curator, Transport Saturday of every month), seven days a week to relax events please call (02) 9217 0600 or email
or drop in for a day visit to and enjoy a cup of tea. members@phm.gov.au with your membership
number and e-newsletter in the subject line.

Don’t miss the special

offer on Powerhouse
+
Just last month the Members or all the way from Africa, When planning our next events
Publishing books for
Office received a renewal India, America or the UK, calendar I’ve looked to both
Christmas. See insert in
this issue. from the notice from a Powerhouse
member living in Africa.
makes us a very special part
of an international cultural
the local and the global for
inspiration. For something a
members Lately my attention has been community. little bit British, we’d like to
Powerhouse books
are available from the manager particularly drawn to these
long distance missives and
Over the years many of our
members have shared with
invite your children to take
high tea in the traditional style
Powerhouse Shop, I’ve begun thinking about what as part of our program of
us fantastic stories about
bookstores and mailorder. Museum membership might events for the new exhibition,
how they came to join the
For more information or mean for those living so far
Museum and what it is about
Diana: A Celebration. And for
to order contact away.
the Powerhouse they love. Our
a touch of Aussie tradition,
Powerhouse Publishing For me, the fact that the new Members Profile section
don’t miss the Tooth’s & Co
on (02) 9217 0129 or email Powerhouse members’ on page 14 gives Powerline
basement tour featuring a
phpub@phm.gov.au fascinating collection of pub
community extends from our readers the chance to get to
art and brewing paraphernalia.
For online orders: www. regular visitors living just down know fellow members from all
Crown Staffordshire porcelain Hope you can join us.
powerhousemuseum.com/ teapot, 1920s. A8818. the road to those who make walks of life and hear some of
publications a special trip from interstate, these wonderful stories. Alana Adye, Acting Members
Mike Scott and assistant curator Melanie Pitkin with models of the Lady Manning and the Wauchope showing the Services Manager
form and lines of the proposed vessels.

powerhousemuseum.com/publications
+ 12 powerline spring 07
spring
events calendar
DATE / LOCATION
Thursday 13 September
2.30 – 3.30 pm
Saturday 15 September
2.00 – 4.30 pm
Tuesday 18 September
11.00 am – 12.30 pm
Wednesday 19 September
3.00 – 4.30 pm
Sunday 23 September
10.00 am – 12.00 noon
Tuesday 25 September
6.00 – 8.00 pm
Sydney Observatory
Thursday 27 September
6.00 – 8.00 pm
Courtyard Café
29 September –
14 October
Daily
29 September –
14 October
Sydney Observatory
2 – 12 October
Powerhouse Discovery
Centre, Castle Hill
Sunday 30 September
2.00 – 4.00 pm
Tuesday 2 –
Friday 12 October
10.00 am – 3.00 pm
Thursday 4 October
12.30 – 1.30 pm
Thursday 4 October
10.30 am – 2.00 pm
Sydney Observatory
Friday 5 October
10.00 am – 12.00 noon
Tuesday 9 –
Friday 12 October
9:30 am – 4.00 pm daily
Thursday 11 October
11.00 am – 12.30 pm
+ 13 powerline spring 07
how to book for members events
Unless otherwise stated, bookings and pre-payment are Five full working days are required for a refund for Powerhouse
essential for all events. You can book by phone on (02) 9217 events. Unfortunately we can’t refund or transfer bookings for
0600 for events at the Powerhouse Museum or (02) 9217 0485 for SoundHouse VectorLab workshops.
events at Sydney Observatory. All events are held at the Powerhouse Museum unless otherwise
green indicates members events
stated. All dates, times and venues are correct at time of
publication.
EVENT / COST DESCRIPTION
Basement tour: Tour the Museum’s fascinating collection of pub paintings, Tuesday 16 October Creative play workshop Kids learn to work together through creative play, songs and
Tooth’s legacy bottles and other brewer’s paraphernalia with social history 10.00 am – 12 noon Cost: $30. Bookings essential at play. stories as they build Zoe’s House. For 3–5 year olds. Presented in
association with the Australian Theatre for Young People
Cost: $15, adult members only curator Charles Pickett. powerhousemuseum.com
Walking tour: Rock ’n roll Join curator Peter Cox on a guided tour of the streets of Kings Wednesday 24 October Basement tour: Back by special request, Dr Kimberley Webber leads a follow up
heritage in Kings Cross Cross, looking at places of significance in Australian rock ’n’ roll 2.00 – 3.30 pm Quilts tour on the history of quilts and quilting featuring some of the
Free, bookings essential on (02) 9217 0330 history. Part of History Week 2007. Cost: $15, members only finest examples from the Museum’s collection.
or email peterco@phm.gov.au
Castle Hill Tour: Join principal curator Kimberley Webber for a tour of the Saturday 20 & Hat-making workshop Create a unique hat with guidance from Waltraud Reiner who
Sydney 2000 Games Collection spectacular costumes and props from the Sydney Olympics, Sunday 21 October Cost: $230, $210 members (includes basic worked for Phillip Somerville, milliner to Diana, Princess of Wales.
Bookings essential on mostix.com.au by 7 October.
Cost: $16 adult, $10 concession then explore the vast array of objects in the Display Store. 10.00 am – 5.00 pm materials and Museum entry)
Bookings essential
Walking tour: Led by curator Anni Turnbull, discover the people and places Sunday 21 October Talk: Embroidering the Hear about the art of embroidery from Alastair Macleod,
Pyrmont and Ultimo that have shaped the rich history of these inner Sydney suburbs. 2.00 – 4.00 pm future chairman of Hand & Lock, the British company that has
Free, bookings essential or (02) 9217 0168 Part of History Week 2007. Free with Museum entry embroidered gowns for royalty and couturiers.
or email annit@phm.gov.au
Kids craft: Stage making From building a miniature stage box to decorating costumes for Sunday 21 October How to entertain royalty Join host Joanna Savill and learn how to make the perfect cup Quilt, 'Almost 8888 trapeziums'
(detail) made by Keasi (Lui)
Suitable for children aged 6 – 12 years paddle pop puppets, this craft activity has been designed to 11.00 am – 2.00 pm Free with Museum entry cake for the perfect afternoon tea … complete with table setting Uluitoga, Sydney, 1990. 7/228/1
Cost: Members $8, guests $12 excite budding set designers and craft enthusiasts alike. and tea making tips.
Asian Moon Festival Celebrate the Moon Festival with an evening of music, myths Monday 29 October Design quarter talk: In Sydney to present the Bombay Sapphire Design Discovery
Cost: $25 adults, $18 conc/child, $68 family, moon cakes, telescope viewings and much more. 6.00 for 6.30 pm Ron Arad Award, London-based Ron Arad will talk about his influential work
members discounts. Bookings essential Cost: $30, $25 members/conc across design and architecture. Presented by Bombay Sapphire
Bookings moshtix.com.au
d factory: Meet three designers whose projects deliver tangible social Sunday 4 November Talk: Behind the Robyn Foyster, editor-in-chief of New Idea, shares her thoughts
Designing for good outcomes. d factory is also on Thursday 25 October and 29 2.00 – 4.00 pm headlines on why the world is still fascinated by Diana.
Free entry November. Check powerhousemuseum.com/dfactory for details. Free with Museum entry
A Right Royal Rumpus Hear celebrity readings of well-loved children’s stories, retell a Saturday 10 & Diwali festival Celebrate the Indian new year and the final days of the Cinema
Free with Museum entry favourite tale in our Cinderella mash-up, and dress up like royals Sunday 11 November Free with Museum entry. Check India exhibition with a weekend film festival of three Bollywood
of old, now and never were. 10.30 am & 2.00 pm powerhousemuseum.com for details classics from the 1960s and ’70s and a talk by curator Divia Patel.
Spring school holidays Explore the wonders of the universe at Sydney Observatory Thursday 15 November Basement tour: The Powerhouse Museum has an amazing fashion collection
at Sydney Observatory during the school holidays. Visit sydneyobservatory.com for the 11.00 am – 12.30 pm The fashion collection spanning 200 years of design. Join curator Glynis Jones on a
full program. Cost: $15, members only tour of some of the highlights.
Spring school holidays Visit castlehill.powerhousemuseum.com for details about the Sunday 18 November Little ladies & junior Miss Members, our very own patron of all things decorous and
at the Discovery Centre Powerhouse Discovery Centre school holiday program and 2.00 – 3.30 pm gents high tea dignified, will show your little ladies and junior gents how to have
extended opening hours. Cost: $15, guests $18 a perfectly proper high tea. Suitable for ages 4–8.
Talk: Diana, Queen of Diana Simmonds, editor of Sydney Alumni Magazine and author Satyam Shivam Sundaram (Love,
Hearts, 10 years on of two books on Diana, Princess of Wales, talks about the Truth and Beauty), © V&A Images/
Courtesy of R K Films, 1978.
Free with Museum entry ‘People's Princess’ 10 years after her tragic death.
Acting, play-building & Create your own ‘right royal saga’ and more in a series of
creative play workshops
Cost includes entry to Diana: A Celebration.
workshops presented with the Australian Theatre for Young
People. Sessions for ages 5–7, 8–11 and 12–15 years. Diana: A
Celebration
Bookings at play.powerhousemuseum.com
50 years in space The space age began with the launch of Sputnik 1 on 4 October
1957. Celebrate 50 years of exploration with readings of The little
exhibition launch party
Free with Museum entry
prince and tours of the Space exhibition.
Sputnik 50th anniversary Super space fun to celebrate 50 years of space exploration,
Thursday 27 September
party especially for budding astronauts aged under eight.
Cost: $12/$10 member child, accompanying 6.00 – 8.00 pm
adults & member adults free, other adults $7.
Cost: $50, adult members only.
Kid’s tour: Make your own Go on a hunt for treasures in the Museum and then come Numbers limited.
museum piece back to the Members Lounge to make a piece based on your
Join us for a night of memories and glamour to launch
Cost: $10 members, $15 guests favourite object. Refreshments provided.
Diana: A Celebration, a new exhibition at the Powerhouse
Museum celebrating the life and work of one of the most
SoundHouse VectorLab Build your skills in sound and music production, photography
remarkable women of her time.
Media MashUP and video editing. Then ‘MashUP’ the media into a unique
Suitable for 11 – 16 year olds multimedia project! Book now at www.shvl.org or call (02) 9217 0600 Diana: A Celebration is produced by Arts and Exhibitions International in association
with the Althorp Estate.
Cost: $270 (members receive bonus gift pack)
Tooth’s & co pub painting, 1940s.
Basement tour: Join assistant curator Geoff Barker for a look at photography P3538–4; Sydney Observatory at
Diana, Princess of Wales. photo by John Scott, Alpha Press
sunset; Earth from space. Photo
Focus on the camera collection from a different angle and find out about the ‘Astrographic’ courtesy of NASA.
Cost: $15, members only project.
+ 14 powerline spring 07
members
scene
After dressing up in saris in
the Members Lounge young
visitors couldn't resist the lure
of more Bollywood fun in the
Turbine Hall.
Photos by Cameron Jewell and
Marinco Kojdanovski..
w showcased Australian wool
member
profile
Artist Vijaygiri Gauswami
amazes visitors with his
drawings made from layers
of coloured powder.
simren and marla in
contrasting colours.
Joanne Ritchie is an active
member of the Powerhouse
Foundation. As a Foundation
Ambassador and mother,
Joanne believes the
Powerhouse has an important
part to play in education and
in protecting and retaining
Australia's heritage and culture.
Joanne’s love affair with
museums started at an early
age growing up in America
and Europe. She later worked
as a conservator at the J Paul
Getty Museum in Los Angeles
before moving to Australia
with her husband, a physicist.
Now, ten years later, Joanne
sees the dynamic interaction
Nina and Bethan pose for the
camera in red saris.
frankie takes a rest after a
spot of dancing.
Neo and Viki shake and swirl
to the bollywood beat.
Chanel waits for her bindis
to be applied.
Frankie, back on her feet,
enjoys the music with Taylor.
Bollywood choreographer
farah shah leads an
enthusiastic dance class.
of her interest in the arts and
her husband’s scientific focus
as similar to the marriage of
applied arts and science at
the Powerhouse Museum.
In the Powerhouse, Joanne
says she sees ‘the brilliance
of human creativity under
one roof’ and hopes that her
focus on education helps to
further the Museum’s mission
to celebrate the diversity of
human creativity. Her favourite
object in the Powerhouse
collection has to be the
symbol of the Foundation, the
little carved Indian elephant
made from graphite.
+ 15 powerline spring 07
In 1807 the first bale of wool
was exported from Australia to
the UK. A recent exhibition at the
Powerhouse celebrated 200 years
of this important industry.
fashion
from fleece
The story of the Australian
wool industry begins with the
penal settlement in NSW and
two of the fledgling colony’s
leading figures, the Reverend
Samuel Marsden and John
Macarthur both of whom
arrived in the early 1790s.
Marsden was the colony’s
Anglican clergyman and
magistrate, Macarthur arrived
as a lieutenant in the NSW
Corps and went on to hold
various roles including colonial
secretary, entrepreneur and
politician. Both men received
generous grants of land and
stock and were to extend their
interests into sheep grazing
and breeding with a passion
and foresight that led to the
establishment of NSW as a
centre for wool production and
export. Today Australia is the
world’s largest producer and
exporter of fine merino wool.
To mark 200 years since
Macarthur sent the first bale
of Australian wool to the UK to
sell at auction, the Powerhouse
Museum in collaboration with
Australian Wool Innovation
(AWI) presented Fashion from
fleece as a highlight of Sydney
Design 07. The exhibition
in fashion, featuring newly
commissioned designs by
contemporary Australian and
international designers as well
as rarely seen garments from
the Powerhouse collection.
It also looked at the origins
of the industry with a display
of wool samples taken from
Samuel Marsden’s flock in
1804 alongside early examples
of the use of wool in local
uniforms, including a crude
felted woollen convict jacket
and the beautifully tailored
uniform of Sir Edward Deas
Thomson, colonial secretary of
NSW from 1836 to 1856.
Model wearing Pierre Cardin
woollen mini dress, Paris, 1967.
Joanne Ritchie (left) with fellow Foundation supporter Photo by Henry Talbot. 91/1907–2d
Carolyn Morgan.
The fashion on display
focused on how contemporary
designers are using wool
textiles to create their design
signature — from Chanel’s
classic soft suiting in a loosely
woven tweed and Vivienne
Westwood’s Norfolk style
jacket and bustled mini skirt
reworking British historical
styles to André Courrèges use
of a densely woven wool to
create a futuristic sculptural
coat dress and Julien
MacDonald’s darkly sensuous
use of wool knit and crotchet
to create a ‘cobweb’ dress.
The Australian wool industry
has endured droughts,
fluctuating wool prices and,
since the mid 20th century,
competition from synthetic
fibres. To survive and grow
the industry is currently
undergoing a transformation
with growers moving into fine
and superfine wool production
to increase demand for
Australian wool products
globally. A key part of this
work involves developing
new easy care, shrink proof,
machine-washable, light
weight, soft-next-to-the-skin
merino wool fabrics.
Some of the extraordinary
textiles shown in the exhibition
included Josh Goot’s Merino/
viscose blend with a futuristic
high gloss finish and Jayson
Brundson’s new wet-look wool
organza blend. Akira Isogawa's
featherlight merino wool
fabrics developed with Pamela
Easton and Lydia Pearson
of Easton Pearson were also
featured.
Glynis Jones, Curator,
Decorative Arts & Design
FAshion from fleece: 200 years of
Australian wool in fashion was
developed in collaboration with
Australian Wool innovation
+ 16 powerline spring 07
Thanks to the foresight of one man
the Museum Now has a world class
wool collection with a long history
story by_Sandra McEwen, Curator, Biotechnology
fabulous fleece
Reverend Samuel Marsden, the 'flogging parson' of
Parramatta, might have been a flawed character but
he was certainly a visionary where the Australian wool
industry was concerned. In a letter dated 1811, he
wrote of his recent shipment of wool to England:
This will be the beginning of the commerce of this
new World. Many think nothing of these things now.
They cannot see any advantage to be derived to
them, their children, or this settlement by improving
the fleeces of our Sheep. But I anticipate immense
National wealth to spring from this source of
Commerce in time.
History proved him correct and today the wool
of the Australian Merino sheep has no equal. The
secrets to Australia's success were the innovative
breeding programs adopted by Australian wool
growers from 1800 to 1900. The Colony's first sheep
were a mixture of Spanish Merinos, Bengal and hairy
Cape sheep. Many of them were small and poorly
suited to Australian conditions. The Spanish Merino
fleeces, while fine, were too short to be used on the
combing, spinning and weaving machines spreading
throughout Europe.
By 1840 cotton was replacing wool in the clothing
market. Australian farmers responded by cross-
breeding Spanish Merinos with English long-woolled
breeds. By 1880 they had successfully produced
animals that not only thrived in the extremes of
Australian environments, but also produced fine,
long, lustrous fleeces that were in demand the
world over. Marsden's prediction was right, and the
Australian economy became totally enmeshed with
wool. (Marsden had also been one of the first to
cross-breed different varieties of sheep to improve
Australian flocks, writing in 1805 to Sir Joseph Banks,
that he was breeding Spanish (Merinos), Southdown
and Teeswater sheep, and that he believed
Lincolnshire and Leicestershire sheep would also
improve his flocks.)
From 1893 onwards, the Museum of Applied Arts
and Sciences played a central role in the education
of young wool classers and graziers. Sitting among
the wool stores of Ultimo, it was conveniently placed
for graziers who came to the sheep sales in Sydney
to drop in parcels of wool samples from recently
shorn fleeces. With their co-operation the Museum's
collection grew to a total of 9000 samples, a
comprehensive snapshot of the results of a century of
innovative sheep breeding. By 1930 the wool display
was so large it took up half a floor of the old Museum
building at 659 Harris Street.
Times change and by 1950 a lot of the wool had
been put into storage. By the 1970s the massive wool
+ 17 powerline spring 07
collection came to be perceived as a burden to a
Museum with limited storage space and a decision
was made to dispose of the collection.
It was then that Bill Montgomery stepped in. A
teacher of wool classing at Newcastle TAFE, Bill had
already created his own small teaching exhibition,
gathering wool samples from all over Australia and
the world. When he heard that the Powerhouse was
about to dispose of its collection he took the train to
Sydney and stood on the steps of the Museum and
said ‘Please don’t do this!’. Recognising the immense
value of the collection long before technology
became available to unlock its secrets, he cared for
these wool samples for 25 years until ill health forced
him to seek another custodian.
Once again times change and in 2003 after
verifying the significance of the collection and its
importance to research, the Museum reacquired
the wool samples from Bill Montgomery. The wool
samples he had himself collected from 1950 to 2000
were also acquired. But it wasn't until 2007 that
the enormous historic value of the collection was
recognised when a grant of $83,000 from Australian
Wool Innovation made it possible for the Museum to
sort 5000 samples, and test the characteristics of
1200 fleeces representative of key Australian flocks. It
was a project that kept 12 staff members busy for six
weeks, testing fibre length, diameter, comfort factor
and curvature using OFDA 2000 technology. Results
and photographs of individual samples will soon
be included on the Museum's collection website.
Renowned wool historian Charlie Massy will also
include some of the results in his new book about
the history of the Australian Merino. He believes the
collection is ‘the equivalent of a whole trunk-load
of letters from the First Fleet’ and holds priceless
information.
The nation owes a debt of gratitude to Bill
Montgomery who, with foresight equal to Marsden's,
recognised the importance of the old wool samples.
They were irreplaceable, of enormous value to the
wool industry and deserved to be saved. Sadly, Bill
died on 7 July, but not before he'd learned the news
about the renewed interest in his beloved wool
collection. For a man passionate about teaching
and about wool there could be no finer legacy
than the one he has left. The Bill Montgomery Wool
Collection at the Powerhouse Museum will continue
to teach long into the future, with untold benefits
for generations of wool growers in Australia and
throughout the world. Vale Bill Montgomery.
The Wool Collection Research Project was made possible through a grant
from Australian Wool Innovation.
Wool classing at the shearing
sheds, Burrawong, NSW, about
1890. Tyrrell Collection,
85/1286–659
+ 19 powerline spring 07
The Museum has recently acquired an amazing dolls
house that will delight children and adults alike.
story by_Lindie Ward, Assistant Curator, International Decorative Arts and Design
opposite and above: The Bosdyk
dolls house stands 1.25 metres
high. The miniature objects are
made on a scale of 1:10–1:12.
a labour of love
Frans Bosdyk knew that his
wife Christine had always
wanted a dolls house so when
he retired in 1998 he decided
to make her one. Eight years
and roughly 15,000 working
hours later the task was
completed — a magnificent
dolls house featuring 20
rooms on five levels filled with
hundreds of perfect miniature
household objects. This
amazing creation has recently
been acquired by the Museum
and will go on display next
year.
Designed by Christine
and constructed by Frans,
the house represents an
extraordinary feat of patience
and skill. The design was
inspired by the intricate Dutch
dolls or ‘baby’ houses of the
17th century, but the result
exceeds even these grand
pieces. It seems none of the
details suggested by his wife
proved too small or intricate
for Frans to take on.
Using tiny lathes and special
tools which he had made
himself, Frans constructed
miniature furniture of silky
oak, cedar and blackwood.
He found design inspiration in
Anthony Hill’s Antique furniture
in Australia and added many
of his own ideas, working
with metal and wood with
great precision. Most furniture
has the completion date
written underneath it. The
floors are made from eight
layers of extremely strong
marine plywood topped
with blackwood floorboards
made from recycled kitchen
cupboards and other materials.
Each drawer slides effortlessly
to reveal contents such as
miniature cutlery, candles
or linen. Cupboards open to
reveal beribboned presents
ready for Christmas. The
doors have working brass
handles and locks which turn
to open. The desk lamps light
up when plugged into the
wall and there are working
miniature coffee grinders,
clocks, cheese graters and
scissors. Concealed power
packs and computer circuit
boards ensure that lights,
lamps and electric sockets are
all working.
Christine and Frans were reads in the study surrounded
both born in the Netherlands, by books and souvenirs from
migrating to Australia in the his travelling adventures.
early 1960s. Dutch influences
The work demonstrates Frans’
can be seen in much of
extraordinary model-making
the detail in the house
skills. A self-taught electrical
with pictures of windmills
and mechanical engineer he is
and reproduction Vermeer
able to manufacture any object
paintings on the walls, Dutch
in metal or wood at 1:10 scale.
blue tiles from floor to ceiling
A large man, it is inconceivable
in the kitchen, coffee grinders,
how he managed to fashion
pewter mugs and jars in the
these minute objects to such
library, silver statuettes, a
perfection.
large painted sea chest in the
bedroom and several Dutch The years Frans spent as a
iron stoves in fireplaces. The child in a Japanese camp
tiny objects featured span a in Indonesia during World
period from 1850s antiques War II would no doubt have
to a 1950s electric vacuum reinforced his desire to realise
cleaner in the attic. his wife’s childhood dream.
Sadly Christine passed away
The house portrays a picture
in 2006 and it was her wish
of domestic bliss with the
that Frans would pass the
toy family, roughly based on
house on to an institution
the Bosydk family, enjoying a
such as the Powerhouse that
generous number of rooms
could look after their amazing
and comforts: grandma has
creation. The dolls house is
a flatlet, the maid her own
a unique testament to a long
quarters and the children
and loving relationship and we
an abundance of toys and
are honoured to have been
a games room. Mother is
entrusted with its care. It is
in the kitchen surrounded
also a significant addition to
by quantities of household
our collection that we know will
gadgets and luxurious shelves
delight visitors of all ages.
of food and preserves. Father
 +
+ 20 powerline spring 07 + 21 powerline spring 07

discover
The Powerhouse Discovery Centre is
A HIT WITH VISITORS of all ages.

Mr William D Bush, generous benefactor and Museum Life Fellow,

has died in America at the age of 81 years.

an altruistic attachment
My purpose has been to give
all my life stuff to a museum
for educational purposes for
ivory-currency. These two
early gifts provide an insight
into the eccentric character
considered his relationship
with the Museum. Indeed, so
numerous were Bill’s letters
photocopies of banknotes
made as a record for him to
enjoy but accidentally sent
( Adam Hill performs at the Powerhouse Discovery Centre July Open Day to
celebrate NAIDOC Week. Photo by Jean-Francois Lanzarone.

children to hopefully learn
some history . . . and not to
put a value on any of my
properties
(Bill Bush, 14 November 1993)
Over a period of nearly 30
years the Museum received
from a single donor a steady
stream of rare coins and
of Bill Bush who delighted in
the unusual and rare, happily
leading to excellent collection
choices of which NSW and
the Museum are now the
custodians.
Following the Cocos Island
donation, Bill began a
regular correspondence
that he streamlined the
process by commissioning
two rubber stamps addessed
to the Museum: one for
the curator and one for the
director! These incredibly
personal missives sent in
fallow periods between
(and never in) donation
envelopes, allowed insights
in lieu of the originals. On
these occasions Bill would
in due course discover his
mistake and the real notes open days at
would eventually arrive at the
Museum! Castle Hill
Such instances poignantly
demonstrate Bill's commitment
to this Museum and his lifetime
A young visitor concentrates

banknotes that eventually

with Powerhouse curator
Pat Boland (1921–2006). This
into the changing seasons and
collecting passion. His gifts
arrived in such quantities that
The Powerhouse Discovery
Centre’s themed open days
Perouse have been creating
shell work for over a century
: on a new discovery.

totalled thousands in number. vagaries of Bill’s life.

That this individual, Mr William
(Bill) Bush, was a citizen of
the United States living in
Vancouver, Washington State,
made this philanthropic activity
all the more remarkable. Sent
mainly by mail, his donations
arrived in large padded
envelopes covered with
stamps, eagle-headed airmail
stickers and a distinctive
scrawl. These envelopes
would open to reveal an array
of coins and notes spanning
the globe, often dating from
antiquity to the present day.
Bill Bush was born in Skiatook,
Oklahoma, in 1925 and served
in the American merchant
navy during and after World
War II. It was at this time that
his emotional attachment to
Australia began, but it was not
until the mid 1960s that Bill’s
involvement with the Museum
developed when he donated a
table decorated with Australian
1937 and 1938 Crown coins.
This was followed in 1976 by
rare examples of Cocos Island
led in 1988 to the gift of his
Australian Commonwealth
banknote collection. Bill
was made an Honorary
Associate in recognition of
this generous gift, a gesture
which precipitated a virtual
avalanche of numismatic
donations consisting in the
main of banknotes from
around the world but also
ancient, medieval and modern
coins.
Spilling from one envelope
alone could emerge colourful
French colonial banknotes
sandwiched between varieties
of US cents, spectacular gold
dinars from the 11th century
Jerusalem of the Crusader
king, Baldwin I, and a Spanish-
American silver ‘piece of eight’
from the Nuestra Senora de
Atocha wreck. A number of
these objects have been
displayed in the Sydney Mint
and the Powerhouse Museum.
Bill was a great communicator
and his frequent letters are
testimony to how seriously he
Married a number of times,
Bill’s great love Peg, who
died in 1987, ensured he was
the beneficiary of her very
prudent financial choices.
Characteristically, at the same
time as he was receiving large
sums in dividends, Bill’s strong
work ethic saw him spend
long hours working as a night
watchman. His letters include
descriptions of working during
cold Portland winter nights,
huddled incongruously in his
glamorous Cadillac Eldorado
coupé. To endure this, while
at the same time giving away
treasures, is surely the mark of
a truly philanthropic character.
A typical feature of Bill’s
parcels were the photocopies
and messages he included,
lovingly identifying the
enclosed coins and banknotes
and sandwiched into plastic
pages with a border of staples.
Occasionally these gifts would
include duplicate colour
the processing and valuing on the second Saturday of
is ongoing. The total value of each month are proving a hit
the donation is now calculated with visitors who not only get
at over $500,000 and must the opportunity to explore the
surely rank as one of the most
generous in the history of this
many treasures in the Display
Store but can also enjoy a
Museum. range of activities.
In 2003 Bill Bush was A highlight so far has been
deservedly awarded the the celebration of NAIDOC
Museum’s highest honour week on Saturday 14 July. The
as Life Fellow. His letters day began with a Welcome
continued until shortly before to Country by local Dharug
his death at the age of 81. elder Edna Watson. This
He was a true friend and was followed by a painting
supporter of the Museum and workshop for children who
will be greatly missed. decorated wooden nesting
boxes using contemporary
Dr Paul Donnelly
Indigenous designs with the
Curator, International
help of western Sydney artists
Decorative Arts and Design
Jake Soewardie and Brian
Bonney. The nesting boxes
will be installed around the
Discovery Centre site and
local reserves as a community
initiative to support local fauna.
Another popular event was
a shell work demonstration
Gold dinar, Baldwin I, Jerusalem,
by Esme Timbery from La
about 1100, donated by Bill Bush,
1970s; Bill Bush (centre back) in Perouse. Women from La
North Africa in the 1950s.
and Esme, a Bidjigal woman,
is the last continuing her art in
the local area. Esme received
the inaugural NSW Parliament school
Indigenous Art Prize in 2005
and the Museum holds several holidays at
examples of her work.
Castle Hill
Activities concluded with
an interactive didgeridoo
The July school holiday Plans for the October school
performance by renowned
program also proved a big holiday program (2–12
performer and artist Adam Hill
hit with kids who enjoyed October) include hands-on
who took the audience on a
mask-making workshops with workshops where kids create
fascinating journey exploring
local artists Circus Solaris and and race a car made from a
Indigenous stories and song.
fascinating journeys through wooden mousetrap, as well as
Open days coming up include
the Display Stores with a giant behind-the-scenes Torchlight
‘Aussie, Aussie, Aussie’ on 8
cockney rat called Robbie. Twilight Tours of some of the
September, celebrating the
Robbie was a visitor from the weird and wonderful objects
extraordinary Sydney 2000
National Museum of Australia stored at the Castle Hill site.
Olympic Games collection
who took up temporary
stored at the Discovery Centre, For more information about
residence at the Discovery
‘Those Magnificent Men in the holiday program phone the
Centre for the school holidays.
their Flying Machines’, on Powerhouse Discovery Centre
The Centre’s dedicated team on 9762 1300, email castlehill@
13 October and ‘Innovation
of volunteers also shared their phm.gov.au or visit castlehill.
by Design’ on Saturday 10
expanding knowledge of the powerhousemuseum.com
November.
collection, conducting special
The Discovery Centre is also
school holiday family highlight
open during the wek for
tours which proved very
booked tours. Go to castlehill.
popular.
powerhousemuseum.com for
details.
 +
+ 22 powerline spring 07 + 23 powerline spring 07

observe
Be inspired by the magic of the stars on The powerhouse museum gratefully acknowledges
a night visit to Sydney Observatory. the support of the following organisations
+principal partners

DICK SMITH

THE GREAT WALL OF CHINA: Dynasties, Dick Smith Australian Explorer Bell THE GREAT WALL OF CHINA: Dynasties, Coles Theatre, Target Theatre, the great wall of china:
Dragons and warriors 206B Jetranger III helicopter dragons and warriors Grace Bros Courtyard, K Mart Dynasties, dragons and warriors
studios

+senior partners

EcoLogic: creating a sustainable
future
cinema india: the art of bollywood powerhouse wizard improving life: the design of handmade
Swedish innovations
fashion from fleece: 200 years of THE GREAT WALL OF CHINA: Dynasties,
australian wool museum mascots: zoe and cogs Dragons and warriors
smart works: design and the

∞ The Southern Cross region.

Photo by Geoffrey Wyatt
experimentations diana: a celebration the powerhouse discovery centre: smart works: design and the kids unit
science education program collection stories at castle hill handmade

why do we
look up? Sydney design 07

My first memory of looking up
to the stars was at the age
of about six when my brother
received his first telescope.
He spent ages trying to find
Saturn and I was forced to
wait outside in the cold with
him until he did. Since then
+partners +supporters
Random points of light blaze a
overhead like diamonds, each
australian wool innovation engineers australia, sydney division rural press electrolux landor associates
one a massive nuclear engine fashion from fleece: 200 years of engineering excellence 2007 regional programs electrolux global design Sydney design 07
of frightening power and size. australian wool
ferngrove wines SoundHouse™ Music Alliance
laboratory
Novotel Sydney on Darling Harbour
As my imagination runs wild I BOMBAY SAPPHIRE improving life: the design of
see a total
Gujaret nre SoundHouse™ music & multimedia Official Sydney Hotel
Swedish innovations
d factory laboratory
join the dots to see pictures cinema india: the art of bollywood
ericsson
pacific magazines
Sydney design 07 taj hotels, resorts & palaces
of hunters, rabbits, bulls and
mythical centaurs. Looking
eclipse from creative new zealand
incredible india
cinema india: the art of bollywood
cinema india: the art of bollywood
improving life: the design of
swedish innovations
the raci inc. nsw branch
science education program

hardly a night has gone by
when I haven’t tried to look at
the stars wherever I may be.
I think this curiosity and sense
of awe is something we all
share. Who hasn’t gazed at the
beauty of the Milky Way and
thought about its creation?
Who hasn’t been followed
by the Moon on a country
drive and thought why? Who
hasn’t caught a glimpse of
a shooting star out of the
corner of their eye only to be
heartbroken when you realise
it will be gone before you have
the chance to get a proper
look?
Our teachers tell us of the
Big Bang but whether you
Siberia
smart works: design and the Trust company of Australia
Mg distribution indian link
south I see a small group of handmade
cinema india: the art of bollywood cinema india: the art of bollywood
stars that look like a cross city of sydney
Mincom Limited jcdecaux
to some yet to some of the sydney design 07
LIFE FELLOWS DINNER 2007 Sydney design 07
oldest star watchers on this Astronomers from Sydney small region that experiences
planet, the Aboriginal people, Observatory will be leading a a sunny microclimate so the
it is a mighty eagle or a ray never-to-be-forgotten tour to weather conditions should be +platinum corporate members +gold corporate members +silver corporate members +discovery members
about to be struck by a shark. Siberia next year to witness favourable for viewing.
Come to Sydney Observatory one of nature's most awe Amp corporate culture standards australia/australian DUNLOP FLOORING AUSTRALIA hinchcliffe electrical services
The tour will leave Sydney on design awards
and explore the night sky inspiring events, a total solar boeing australia creative leadership forum MACQUARIE BANK FOUNDATION wizard home loans - kellyville
27 July 2008, returning from St streetvision
on one of our night tours. eclipse, in a land once off GE halkeas printing nsw department of lands
Petersburg on Friday 8 August. transgrid
Enjoy the view through the limits and steeped in Cold War railcorp multiplex TAFE NSW: SYDNEY INSTITUTE
Visit sydneyobservatory.
telescopes and fly through secrecy. renaissance tours sinclair knight merz THOMSON TELECOM AUSTRALIA
com/events for full details and
space in our 3-D Space This amazing 13-day tour costs. sibelius australia
Theatre. The whole family will of Russia will take you to thomson playford lawyers
And for those who've always
discover the joy of looking Moscow and the memorial to
dreamed not only of witnessing
up from Australia’s oldest cosmonaut Yuri Gagarin, as
a solar eclipse but also of
observatory. And now you can well as many other famous + state government partners +australian government partners +foundations
travelling on the Trans-Siberian
print out a star map before sites. The highlight will of
Express, the Powerhouse
you come from our website at course be the total solar
Museum in association with the powerhouse museum is australia council for the arts james n kirby foundation
sydneyobservatory.com. eclipse on 1 August viewed a statutory authority of,
Renaissance Tours is offering and principally funded by, australian research council Gordon Darling Foundation

understand the science of
the universe or not, the sheer
beauty and size of it all is what
makes us look up and marvel.
Geoff Wyatt, Manager
Sydney Observatory
A total solar eclipse,
photographed from Turkey, 29
March 2006. Photo by Melissa
Hulbert.
from Novosibirsk, which until the state government. Bruce & joy Reid Foundation
the train trip of a lifetime from
recently was a secret city NSW Office for science & medical environmental trust
Beijing to Siberia in July 2008. research
used for nuclear research in
Check renaissancetours.com.
Siberia. Novosibirsk is part of a
au for details. for more information on sponsorship opportunities and giving to the powerhouse museum please contact dara vongsonephet on (02) 9217 0577.
exhibitions at a glance
SEPTEMBER_OCTOBER_NOVEMBER 2007
Diana: A Celebration
Level 2, from 29 September
Experience the life and work of this
remarkable woman. See 150 objects,
on loan from the Althorp Estate,
including the royal wedding gown and
other designer dresses, jewels from
the Spencer family collection, letters
and film footage, photographs and
paintings.
Cinema India: the art of Bollywood
Level 4, Until 11 November
Developed by the Victoria and Albert
Museum, London, Cinema India
explores the development of one of
the world’s most spectacular cinematic
styles through landmark images and
costumes.
Smart works: design and the
handmade
LEVEL 3, until 4 November
Smart works displays the inspirational
work of over 40 Australian and New
Zealand designers and makers,
exploring what ‘the handmade’ means
to each of them. Includes furniture,
lighting, metalwork, jewellery, ceramics,
glass, textiles and fashion.
Improving life: the design of Swedish
innovations
Level 2, Until 14 October
Turning an innovation into reality
demands both creativity and the ability
to understand the needs of users.
This exhibition presents more than 65
products and systems, from adjustable
wrenches to GP&C satellite navigation
systems, looking at how they were
designed and their impact today.
Embroidering ... the future
Level 2, from 15 october
A display of prize-winning embroidery
from the London-based Hand & Lock
company. Includes Catherine Walker’s
designs for Diana, Princess of Wales.
Diana’s royal wedding gown, designed by Elizabeth and David Emanuel,
Diana: A Celebration; ‘Arc’ cheese knives, Oliver Smith Products, 2006,
Smart works: design and the handmade; Mother India, Seth Studios © V&A
Images/Courtesy Mehboob Productions Private Ltd, Cinema India.
exhibitions at
Sydney Observatory
By the light of the southern stars
Look behind the Southern Cross, hear
Aboriginal stories about the sky and
see instruments from Australia’s first
major observatory.
The David Malin Awards
Until 31 October
A display of prize-winning astronomy
photography.
+
Give a gift membership
www.powerhousemuseum.com
Nuclear matters
Level 1
The atom’s nucleus is the primary
source of energy in the universe.
Nuclear matters looks at the science
of the nucleus and how sub-atomic
particles can be used in many ways
from power generation to medical
applications.
Our new home / Meie uus Kodu:
Estonian-Australian stories
Level 2
An exhibition in the Australian
Communities Gallery focusing on the
Estonian community that settled in and
around the Thirlmere district of NSW.
Engineering Excellence
Level 3, until 4 november
Outstanding engineering projects
from the Engineers Australia (Sydney
Division) 2006 Engineering Excellence
awards.
Australian Design Awards
Level 3
The Powerhouse selection from the
Australian Design Awards features
outstanding achievements in design.
Inspired! Design across time
Level 3
Now with a new contemporary
section. Inspired! surveys decorative
arts and design from the 1700s to
today. Features fashion, furniture,
textiles, glass, graphics, ceramics and
metalwork.
Special FX: secrets behind the screen
Level 1, Until 14 October
Shows how the unreal can look so
real by exploring the science and
technology used in movies and
television. Visitors can star in their
own ‘mini movie’ with adventures that
include climbing an ice mountain and
record their heroic feats on video or
DVD to take home.
travelling exhibitions
Works wonders: stories about home
remedies
Campbelltown Library
Until 31 October
Greening the Silver City: seeds of
bush regeneration
Geocentre, Broken Hill
Until 15 october
TURN OVER FOR DETAILS
The Powerhouse Foundation thanks the following donors for
their generous contribution.
Foundation Donors
(from January 2007)
U Nanette & Stephen Ainsworth 2 Gregory & Christine Moss
2 Professor Shirley Alexander U Kerr Neilson
U Jenny Allum U Richard Osborn
U Anonymous U Paradise Garage Australia Pty Ltd
U Miles & Annie Armstrong U Pamela Pearce & Wally Patterson
U Christine Bartlett O Bibi Pey
2 Anthony Bellanto O Dr Ric & Amanda Porter
2 Mark Bethwaite U Robert Rich
O H & K Brodaty £ Jack & Diana Ritch
b Dr & Mrs Philip M Burgess U Joanne Ritchie
O Jim & Sue Baillie 2 Niky Rovis
O Margaret Butler U Mike & Carol Salter
O Russell Butterworth O John Scott Stevenson
2 Louis Carroll U David Shannon
2 W L Chapman 2 Michael Slattery QC
2 Lesley A Chapman O David Smithers
U Lynette Cunnington U Jennifer Stuckey-Clarke
b Whitney & Catherine Drayton U Michael & Georgina Suttor
U Suellen Enestrom O Leanne Tam
U Lynn & Terry Fern O Annalise Thomas
U Erin Flaherty & David Maloney U Paul & Lynne Tressidder
U C W A Flynn O Christopher Vassall
£ Richard Flynn 2 Luca Villata
2 Steven Frisken U Melissa Waites & Geoff Wood
U Professor Geoff U Nicola Wakefield Evans
& Mrs Beverley Gallop U Dr Janet West
O Dr John Gambrill 2 Judith Wheeldon AM
2 Lionel Glendenning U Brian & Fiona Wilson
∞ David & Elisabeth Goodsall 2 Kylie Winkworth
O Dr Joan F Hausfeld O Keith & Janet Winsbury
b Verity Hinwood 2 Jill Wran
¶ Peter & Divonne Holmes a Court U Gary Zamel
U FM & MT Hooper O Frank Zipfinger
U Antonella La Gioia O John & Christiana Zouroudes
O Steven Kalowski
2 Alan Landis
£ Warren Lee
2 Janet Maclean
U Andrew & Abbey McKinnon
O Prue Milne
O Robert & Robbie Minter
U Dr Steven & Anna Mistilis
U Carolyn & Simon Morgan
U David & Barbara Mortimer
DONATION CATEGORIES
j Governor
¶ President’s Circle
∞ Leader
£ Collector
b Custodian
U Investor
2 Supporter
O Friend
 Droog (meaning ‘dry’) is an
innovative Dutch design
collective formed in 1993. This
chest of drawers designed by
Tejo Remy was one of Droog’s
from the first products and has remained
collection central to its repertoire and
philosophy over 15 years.
Titled ‘You can’t lay down
your memory’, the chest is
made from ‘pre-loved’ drawers
encased in purpose-made
boxes, reflecting Droog’s focus
on giving new life to familiar
objects as well as its humorous
commentary on consumerism
and the impersonality of design.
Droog products — furniture,
lighting, tableware, kitchen and
bathroom accessories — are
a reminder that design needs
to address environmental
issues and to maintain both
its sense of humour and self-
criticism. Initially a reaction to
the colourful excesses of 1980s
postmodernism, the company’s
role as a visual and ideological
antidote to mainstream
contemporary design remains
important to this day.
‘You can’t lay down your
memory’ is on display in
Inspired! Design across time.
chest of drawers, Tejo Remy / Droog
Design. Netherlands, 1991 / 2006
Purchased 2007. 2007/67/1.
www.powerhousemuseum.com