Beruflich Dokumente
Kultur Dokumente
Architects'Data
Ernstand PeterNeufert
Architects'Data
Third Edition
Editedby
B o u s m a h aB a i c h e
DipArch, MPhil, PhD
School of Architecture, Oxford Brookes University
and
N i c h o l a sW a l l i m a n
DipArch, PhD, RIBA
School of Architecture, Oxford Brookes University
Blackwell
Science
@ 2 0 0 0E n g l i s hl a n g u a g ee d i t i o n F i r s tE n g l i s hl a n g u a g ee d i t i o np u b l i s h e db y
by BlackwellScienceLtd, Crosby LockwoodStaples1970
a B l a c k w e lPl u b l i s h i n gC o m p a n y Reprinted5 times
EditorialOffices: Second(lnternational) Englishlanguageeditionpublishedby
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The right of the Author to be identifiedas the Author of OriginalGerman edition publishedby Friedr,Vieweg &
this Work has been assertedin accordancewith the Sohn, Braunachweig,Wiesbaden,as Bauentwurfslehre
Copyright,Designsand PatentsAct 1988. (35th edition)
T H 1 5 1. N 5 1 32 0 0 0
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00-042905
lsBN 0-632-05771-8
viii
ACKNOWLEDGEMENTS
The Publisherswish to thank, in particular,Dr Bousmana Simon Marshall,railwayexpert
Baiche, of the PostgraduateResearchSchool, School of StanleyPartnership, Architects,Cheltenham
Architecture,Oxford BrookesUniversity,for his enormous Malcom Lee,NationalSmall-BoreRifleAssociation(NSRA)
effortsand patiencein overseeingthe final Englishlanguage BritishSteelStrip Products
e d i t i o n .T h e y w o u l d a l s o l i k e t o t h a n k h i s c o l l e a g u e ,D r Matthew Foreman,Katy Harris,Jo Olsen and members of
Nicholas Walliman, also of the PostgraduateResearch staff,Fosterand Partners,London
School,for his valuablecontributionon questionsof content LizaKershawand colleaguesat RIBAPublications, the Royal
andterminology. Instituteof the BritishArchitectsfor permissionto repro-
The Publishersare also especiallygratefulto paul Stringer duceforms on page 48 (copyrightRIBAPublications1999)
for his effortsin managingthe editorialand productionwork Derek Wolferdale,PrincipalTrack and Gauge Engineerat
on the new editionand for his exceptionalattentionto detail. Railtrack,and membersof staff of Railtrack
They would also liketo thank Mark Strakerof Vectorfor his GraemeLoudon,The Met. Office
work on the illustrationsand te)d, RichardMoore for proof- Pam Beckley(CopyrightAdministrator),the Controller,and
reading,and the following for their work on the translation: members of staff of the Copyright Unit, HMSO for per-
BantransServices,Chris Charlesworth,Chiltern Language missionto reproduceillustrations(Fig.1, page541 and Fig
Services,KatharinaHesse,Jeff Howell, Keith Murray, Amy 8, page 542].from Health Building Note 36 (Crown copy-
Newlandand Wordswoo. right material is reproducedwith the permissionof the
Finally,they would like to thank the following for con- Controllerof Her Majesty'sStationervOffice)
tributing informationand illustrationsto this edition: Addison-Wesley Longman for permission to reproouce
i l l u s t r a t i o n(sF i g .1 , p a g e 1 0 1 a n d F i g . 1 5 p a g e 1 5 4 )f r o m
Martin Pugh,Trevor Fish,Group PropertyServices,Barclays The Climate of the British /s/es(Chandler& Gregory)
B a n kP l c Dr Ray Ogden, Professor Mike Jenks, Margaret Ackrill,
PeterJ. Clement,Group Property,NatWestGroup PostgraduateResearchSchool, School of Architecture,
Mary Heighway and members of staff, Public Relations, Oxford BrookesUniversity
E n v i r o n m e nAt g e n c y Chris Kendrick,School of Architecture,Oxford BrookesUni-
Pick Everard,Graham Brown, Andrew Robinson.Pick Ever- versrty.
ard (Architects,Surveyors,and ConsultingEngineers)and The iflustrationson pages 134-7 are reproducedfrom The
J. Sainsbury'P s lc Building Regulations Explained and lllustrated (Powell-
AsdaMCEC Architects S m i t h& B i l l i n g t o n )B, l a c k w e lSl c i e n c eL t d .
LesleyBaillie,Officeof HealthEconomics
INTRODUCTION
Throughout history man has created things to be of
s e r v i c et o h i m u s i n g m e a s u r e m e n t sr e l a t i n gt o h i s b o d y .
U n t i l r e l a t i v e l yr e c e n t t i m e s , t h e l i m b s o f h u m a n s w e r e
t h e b a s i s f o r a l l t h e u n i t s o f m e a s u r e m e n t .E v e n t o d a y
m a n y p e o p l e w o u l d h a v e a b e t t e r u n d e r s t a n d i n go f t h e
s i z eo f a n o b j e c ti f t h e y w e r e t o l d t h a t i t w a s s o m a n y m e n
h i g h , s o m a n y p a c e sl o n g , s o m a n y f e e t w i d e r o r s o m a n y
h e a d sb i g g e r .T h e s ea r e c o n c e p t sw e h a v e f r o m b i r t h ,t h e
s i z e so f w h i c h c a n b e s a i d t o b e i n o u r n a t u r e . H o w e v e r ,
t h e i n t r o d u c t i o no f m e t r i c d i m e n s i o n sp u t a n e n d t o t h a t
w a y o f d e p i c t i n go u r w o r l d .
Using the metric scale, architectshave to try to create
a mental picture that is as accurateand as vivid as
p o s s i b l e .C l i e n t sa r e d o i n g t h e s a m e w h e n t h e y m e a s u r e
r o o m s o n a p l a n t o e n v i s a g et h e d i m e n s i o n s i n r e a l i t y .
A r c h i t e c t ss h o u l d f a m i l i a r i s et h e m s e l v e sw i t h t h e s i z e o f
rooms and the objects they contain so that they can
p i c t u r e a n d c o n v e y t h e r e a l s i z e o f y e t - t o - b ed e s i g n e d
f u r n i t u r e ,r o o m s o r b u i l d i n g si n e a c h l i n e t h e y d r a w a n d
e a c h d i m e n s i o nt h e v m e a s u r e .
W e i m m e d i a t e l yh a v e a n a c c u r a t ei d e a o f t h e s i z eo f a n
o b j e c tw h e n w e s e e a m a n ( r e a lo r i m a g i n a r y )n e x t t o i t . l t
i s a s i g n o f o u r t i m e s t h a t p i c t u r e so f b u i l d i n g sa n d r o o m s
p r e s e n t e di n o u r t r a d e a n d p r o f e s s i o n ajlo u r n a l s a r e t o o
often shown without people present in them. From
Leonardo da Vinci: rules of ptoportion
p i c t u r e sa l o n e ,w e o f t e n o b t a i n a f a l s e i d e a o f t h e s i z e o f
these rooms and buildings and are surprised how
d i f f e r e n t t h e y a p p e a r i n r e a l i t y - f r e q u e n t l y ,t h e y s e e m
m u c h s m a l l e rt h a n e x p e c t e d .O n e o f t h e r e a s o n sf o r t h e
f a i l u r e o f b u i l d i n g s t o h a v e c o h e s i v e r e l a t i o n s h i p sw i t h book. Many questionsof principlewere examined,
o n e a n o t h e r i s b e c a u s et h e d e s i g n e r sh a v e b a s e d t h e i r d e v e l o p e da n d w e i g h e d a g a i n s to n e a n o t h e rf o r t h e f i r s t
w o r k o n d i f f e r e n ta r b i t r a r ys c a l e sa n d n o t o n t h e o n l y t r u e time.
s c a l e ,n a m e l yt h a t o f h u m a n b e i n g s . I n t h e c u r r e n t e d i t i o n u p - t o - d a t et e c h n i c a lo p t i o n s a r e
l f t h i s i s e v e r t o b e c h a n g e d ,a r c h i t e c t sa n d d e s i g n e r s i n c l u d e dt o t h e f u l l e s t e x t e n t a n d c o m m o n s t a n d a r d sa r e
must be shown how these thoughtlessly accepted taken into consideration.Description is kept to the
m e a s u r e m e n t sh a v e d e v e l o p e d a n d h o w t h e y c a n b e a b s o l u t e m i n i m u m n e c e s s a r ya n d i s a u g m e n t e d o r
a v o i d e d . T h e y h a v e t o u n d e r s t a n dt h e r e l a t i o n s h i p r e p l a c e da s f a r a s p o s s i b l eb y d r a w i n g s .C r e a t i v eb u i l d i n g
between the sizes of human limbs and what space a d e s i g n e r sc a n t h u s o b t a i n t h e n e c e s s a r yi n f o r m a t i o nf o r
p e r s o n r e q u i r e si n v a r i o u s p o s t u r e s a n d w h i l s t m o v i n g design in an orderly, brief, and coherentform, which
around. They must also know the sizes of objects, o t h e r w i s et h e y w o u l d h a v e t o c o l l e c tt o g e t h e rl a b o r i o u s l y
u t e n s i l s ,c l o t h i n g e t c . i n e v e r y d a y u s e t o b e a b l e t o from many referencesources or obtain by detailed
determine suitable dimensions for containers and m e a s u r e m e n to f c o m p l e t e d b u i l d i n g s . l m p o r t a n c e h a s
f u r n i t ur e . b e e na t t a c h e dt o g i v i n g o n l y a s u m m a r y ;t h e f u n d a m e n t a l
I n a d d i t i o n , a r c h i t e c t sa n d d e s i g n e r s h a v e t o k n o w d a t a a n d e x p e r i e n c e sa r e c o m p a r e d w i t h f i n i s h e d
w h a t s o a c eh u m a n s n e e d b e t w e e nf u r n i t u r e- b o t h i n t h e b u i l d i n g s o n l y i f i t i s n e c e s s a r yt o p r o v i d e a s u i t a b l e
h o m e a n d i n t h e w o r k p l a c e- a s w e l l a s h o w t h e f u r n i t u r e examDte.
c a n b e s t b e p o s i t i o n e dW . i t h o u t t h i s k n o w l e d g e t, h e y w i l l B y a n d l a r g e ,a p a r t f r o m t h e r e q u i r e m e n t so f p e r t i n e n t
b e u n a b l et o c r e a t ea n e n v i r o n m e n ti n w h i c h n o s p a c e i s s t a n d a r d s ,e a c h p r o j e c t i s d i f f e r e n t a n d s o s h o u l d b e
w a s t e d a n d p e o p l e c a n c o m f o r t a b l yp e r f o r m t h e i r d u t i e s s t u d i e d ,a p p r o a c h e da n d d e s i g n e da f r e s hb y t h e a r c h i t e c t .
o r e n j o y r e l a x a t i o nt i m e O n l y i n t h i s w a y c a n t h e r e b e l i v e l y p r o g r e s sw i t h i n t h e
F i n a l l y , a r c h i t e c t sa n d d e s i g n e r s m u s t k n o w t h e spirit of the times. However, executed projects lend
d i m e n s i o n sf o r m i n i m u m s p a c e r e q u i r e m e n t sf o r p e o p l e themselves too readily to imitation, or establish
moving around in, for example, railwaysand vehicles' c o n v e n t i o n sf r o m w h i c h a r c h i t e c t so f s i m i l a r p r o j e c t sm a y
T h e s e m i n i m u m s p a c e r e q u i r e m e n t sp r o d u c e s t r o n g l y find difficulty in detaching themselves. lf creative
f i x e d i m p r e s s i o n sf r o m w h i c h , o f t e n u n c o n s c i o u s l yo, t h e r a r c h i t e c t sa r e g i v e n o n l y c o n s t i t u e n t p a r t s , a s i s t h e
d i m e n s i o n so f s p a c e sa r e d e r i v e d . intention here, they are compelled to weave the
M a n i s n o t s i m p l y a p h y s i c a lb e i n g , w h o n e e d s r o o m . components together into their own imaginativeand
E m o t i o n a lr e s p o n s ei s n o l e s s i m p o r t a n t ;t h e w a y p e o p l e u n i f i e dc o n s t r u c t i o n .
feel about any space depends crucially on how it is F i n a l l y t, h e c o m p o n e n tp a r t sp r e s e n t e dh e r e h a v e b e e n
d i v i d e d u p , p a i n t e d ,l i t , e n t e r e d ,a n d f u r n i s h e d . systematically researchedfrom the literature to provide
S t a r t i n g o u t f r o m a l l t h e s e c o n s i d e r a t i o n sa n d the data necessarV f o r i n d i v i d u a lb u i l d i n g t a s k s ,c h e c k e d
perceptions,Ernst Neufert began in 1926 to collect o u t o n w e l l - k n o w nb u i l d i n g so f a s i m i l a rt y p e a n d , w h e r e
m e t h o d i c a l l yt h e e x p e r i e n c e sg a i n e d i n a v a r i e d p r a c t i c e n e c e s s a r y ,d e t e r m i n e d f r o m m o d e l s a n d e x p e r i m e n t s .
a n d t e a c h i n g a c t i v i t i e s .H e d e v e l o p e d a ' t h e o r y o f T h e o b j e c t i v eo f t h i s i s a l w a y s t h a t o f s a v i n g p r a c t i s i n g
planning' based on the human being and provided a b u i l d i n g p l a n n e r sf r o m h a v i n g t o c a r r y o u t a l l o f t h e s e
f r a m e w o r kf o r a s s e s s i n gt h e d i m e n s i o n so f b u i l d i n g sa n d b a s i c i n v e s t i g a t i o n s t, h e r e b y e n a b l i n g t h e m t o d e v o t e
t h e i r c o n s t i t u e n to a r t s .T h e r e s u l t sw e r e e m b o d i e d i n t h i s t h e m s e l v e st o t h e i m p o r t a n tc r e a t i v ea s p e c t so f t h e t a s k .
UNITS AND SYMBOLS
basrc unit definition Sl units in symbol name (unit) meaning and relationships
unrt symbol based on the definit
I ampere (A) currenr
I length metre m wavelength of y volt (V) potential differencet 1 V = I w/A
krypton radiation
R ohm(O) resistance:1o=1vlA
2 mass kilogram kg international
A coulomb(CI charge:lC=1As
prororype
P watt (W) power
3 time second s duration period of
6 siemens (S) conductance: 1 S = l/e
caesium radiation
F farad(F) capacitance:1F=lAs/au,
4 electrical ampere A electrodynamic power kg, m, s H henry(H) inductance:1H=1Vs/A
Current between two conductors
@ weber (Wb) magnetic flux: 1 Wb = j Vs
5 temperature kelvin K triple point of water I tesla (T) magnetic flux density: 1 T = 1 Wb/m2
6 luminous candela cd radiation from freezing kg, s
Inrensrry platinum
7 quantity of mole mol number of carbon atoms (! SVmbols and unit8: electromagnetism
kg
matter
). (W/mK) thermalconductivity{k-value)
prefixes and their abbreviations are:
^: (w/mK) equivalentthermalconductivity
T (tera) = 1012 (billion) c (centi) = 1/100 (hundredth) {W/mrK) coefficient of thermal conductance (C-value}
G (giga) = 10e (US bittion) m (milli) = 10 3 {thousandth) (W/m2K) coefficient of heat transfer (U-value)
lM (mega) = 106 (mjllion) p (micro) = 10{ (millionrh)
k (Wm2K) coefficient of heat penetration
k (kilo) ='103 (thousand) n {nano) = 10-s (US billionth)
(m2K/W) value of thermal insuraron
h (hecro) = 100 (pico) = 1012 (billionth)
P
1/a (mr&W) heat transfer resistance (R-value)
da {deca} = 10 f (femto) = l0 .5 {us triilionth)
1lk (mrK/W) heatpenetrationresistance
d (deci) = 1l'10 (tenth) a {atto) = 10 18 (triilionth)
D' (m2K./W cm) coefficient of heat resistance
no more than one prefix can be used at the same time
c (Wh/kgK) specific heat value
(Wh/m3K) coefficient of heat storage
Oecimat multiptierg
@ B (1/K) coefficient of linear expansion
P (Pa) pressure
area 1mx1m='1 m2 (Pa) vapour pressure
velocrty 1mx1s1=1ms1=1m/s so {g) quantity of steam
angular VS l- perpendicular
o=2rn v o l u m e ,c o n t e n t
angular radls
velocity o s o l i da n g l e
l/s root of
r.p.s.
speed of
rp.m A final increment
= congruent
neres pel m/s kilometres km/h 1 m/s = 3.6 km/h
second Der hour knots 1 kn = 1 sm/h= 1.852km/h A triangle
1l s a m e d i r e c t i o n ,P a r a l l e l
acceleration g metres per
gal
gal lgal=1cm/s2=102m/s2
ll o p p o s i t ed i r e c t i o nP
, arallel
gravity
mass: kilogram kg
g 1g=1o3kg Greek alphabet
weaght ias a 9ram
1r=1Mg=l03kg
tesull ol t A a ( a )a l P h a
1 lb = 0.45359237 kg
weighing
1 mekicpound= 0.5kg Bp (b) beta
1 ton = 2240lb = 1016kg
f y ( g )g a m m a
N N=1kgm/s2=1Ws/m=1J/m A6 (d) delta
thrust 6
dyn=1gcm/s2=1G"N
pond p p = 9.80665
x 1G3N E ( e )e p s i l o n
kilopond kp
megapond Mp Zl \ z lz e t a
kilogram lorce ksf HI (e) eta
rll
o 0 ( t h )t h e t a
stress (i) iota
persquare persquare 1 kp/cm2= 0.0980665N/mm2 Ir
strength
millimete kp/mm2 1 kp/mm2= 9.80565N/mm2 (k)kappa
metre Kr
ener9y W,E J lrr=tN.=1ws=1o7erg AI ( l )l a m b d a
kilowefr hour lrrwh=3.6.r06J=3.6MJ
h.p./h th.p/h=264780'106J Mp (mlmu
n.p. per nour
I
--
erg erg | 1erg 1r/J Nv ( n )n u
quantityol a J car lcar-4.1868J-1.163.10iWh
ioule I :g (X, xl
heat I
lorque Nm kilopond mete kpm I lkpm=9.80665J
M
Oo (o) omicron
benclang or joule J
momenl fl r (p) pi
| 1 W= 1 J/"= 1 Nm/s=1 kg m2ls3 Pp (r) rho
ener9y
h.p.
I
I th.p.=745.7kW
t 6 ( s )s i g m a
.K Tr (t) tau
f K deg. kelvin
deg. Rankine
.R.'Rk Y! ( u )u P s i l o n
degrees celsius I = r - I . ( 4 = 2 7 3 . 1K
5)
Celsius temp.
A0= Al: therefore o O ( p h )p h i
temperalUre Afor K
1K=l'C=1deg.
inieryal and a X ( c h )c h i
differential
Fahrenheit 0r deg. Fahrenheil gF= s/50 + 32 = e/sI- 459.67 Y V ( p s )p s i
temperature
deg, Reaumur 0r = 4/50, 1oR5/1'C O co (o)omega
R6aumur temp
rrl o f 1 m 2 . U s i n gt h e ' g o l d e ns q u a r e , t, h e l e n g t h so f t h e s i d e s
a r e c h o s e na s x = 0 . 8 4 1m a n d y = 1 . 1 9 9 ms u c h t h a t :
x _______J
xxy=1
F_ F- x _-]
x : Y= 1 ' { 2
T h i s f o r m s t h e b a s i sf o r t h e A s e r i e s .M a i n t a i n i n gt h e s a m e
- Basis of paper tormars ratio of length to width, the sheet sizes are worked out by
O O
p r o g r e s s i v e l yh a l v i n g ( o r ,t h e o t h e r w a y r o u n d , d o u b l i n g )
format A series B series
the sheet area, as would happen if the rectangularsheet
C series
was repeatedlyfolded exactly in half - O _
0 841 1189 1 0 0 0x 1 4 1 4 917 1297
@
Additional ranges (8, C, and D) are provided for the
594 x 841 707x 1000 648x 917 associated products that require larger paper sizes, i.e.
2 420 x 594 500x 707 458 x 648 posters.envelopes,loose-leaffile binders,folders etc. The
3 297 \ 420 353x 500 324 x 458
formats of range B are designed for posters and wall-
210x 297 250x 353
charts. The formats in ranges C and D are the geometric
229 \ 324
m e a n d i m e n s i o n so f r a n g e s A a n d B a n d a r e u s e d t o
5 1 4 8x 2 1 0 176 x 250 t62 x 229
manufacturethe envelopesand folders to take the A sizes.
i05 x 148 125 > 176 1 1 4^ 162 - @ The extra size needed for loose-leafbinders,folders
7 74 x 105 88 \ 125 81 x 141 a n d b o x f i l e sw i l l d e p e n do n t h e s i z ea n d t y p e o f c l a m p i n g
8 52x74 62x88 5 7^ 4 1
device employed.
I
The strip or side margin formats are formed by halves,
44^62
'10 quarters,and eighths of the main formats (for envelopes,
31x44
'11
s i g n s ,d r a w i n g se t c . )+ @ * @ .
'18
x 26 22x31 P a d s a n d d u p l i c a t eb o o k s u s i n g c a r b o n l e s sp a p e r a t s o
13x18 '15 have standardformats but may have a perforatededge or
x 22
border, which means the resulting pages will be a
@ st"". "i."" c o r r e s p o n d i n ga m o u n t s m a l l e r t h a n t h e s t a n d a r d s h e e t
size + @.
formal a oDre mm
During book-binding,a further trim is usually necessary,
vtatton giving pages somewhat smaller than the standard format
half length 44 1/2 A4 105 x 291
size. However,commercial printers use paper supplied in
the RA or SRA sizes and this has an allowancefor
quarter length A4 1/4 A4 52 \ 297
t r i m m i n g . w h i c h a l l o w s t h e f i n a l p a g e s i z e st o m a t c h t h e
one eighth A7 1/8 A7 I x'105 standardformats.
half lengthC 1t2 C4 114 x 324
erc.
@ st.ip for-ata
l...=.+
1/81t8 1t4 u2A4
F--------44-
-/-7
-
. ,t\- @
for-ra strips in 44
v
(l Loosc-leaf bindel + layout width heaoer area J
T prcas
..<\
mm
\2 f type width.-.1
| |' d type area, height (without header/footer) 247 250
I doubte ll I
5 space between columns 1 5
lco'|umnlll
ltLl max. width, singlecolumn
tltll
tllrl
@
@ wffi (pw
oi-"n"iots and scheme for tolding
DOCUMENTATION AND DRAWINGS
Arrangement
ft
ffiffiffiffi
Leavea 5cm wide blankstrio down the left-
hand edge of the sheet for binding or
H stapling.The writing box on the extreme
h{ 'l
{ I;.;t-:;l
liian::-,,4|
f!!itr---n::1if
*r+i{aqirt ( 2 ) t h e b u i l d i n gs u p e r v i s o r ' sn a m e ( a n d
f f i f f i
S;*i*+*a
@ . = -
+iiiiidili.di* signature)
layout of joists roof truss layout (3)the main contractor'ssignature
(4)the building supervisor'scomments
(r) Suitable arrangement of a construction drawing
a b o u t i n s p e c t i o na n d t h e b u i l d i n g
'r05010203040 permit (if necessaryon the back of
l| 'r' 'r' |r' 'r' l' |r| lr_r_r- l- -l _l l_ l_ _ _ _ - - _ _ _ | the sheet).
A north-point must be shown on the
(f) Suitatte arrangement ot scate detaits
drawingsfor site layouts,plan views etc.
Scales
The main scale of the drawing must be given in large type in the box for written
details.other scales must be in smaller type and these scales must be repeated
! next to their respectivediagrams.All objectsshould be drawn to scale;where the
-\ d r a w i n gi s n o t t o s c a l et h e d i m e n s i o n sm u s t b e u n d e r l i n e dA. s f a r a s p o s s i b l eu. s e
"g ll'.'"l j t h e f o l l o w i n gs c a l e s :
f o r c o n s t r u c t i odnr a w i n g s 1 : : 1 , 1 : 2 . 5 , 1 : 51,: 1 0 ,1 : 2 0 ,1 : 2 5 ,1 : 5 0 ,1 : 1 0 0 1, : 2 0 01, : 2 E O
f o r s i t e l a y o u t s :1 : 5 0 0 1
, : 1 0 0 01, : 2 0 0 01, : 2 5 0 01, : 5 0 0 01, : j 0 0 0 0 ,1 : 2 5 0 0 0 .
\56,
Measurement Figures and Other lnscriptions
@ In continental Europe, for structural engineering and architectural drawings,
d i m e n s i o n su n d e r 1 m a r e g e n e r a l l yg i v e n i n c m a n d t h o s e a b o v e 1 m i n m .
@ However,recentlythe trend has been to give all dimensions in mm, and this is
+ 0.0 standardpracticein the UK.
chimney stackflues, pressurisedgas pipes and air ducts are shown with their
internal dimensions as a fraction (width over length) and, assuming they are
circular,by the use of the symbol @ for diameter.
Squaredtimber is also shown as a fractionwritten as width over height.
The rise of stairs is shown along the course of the centre-line,with the tread
depth given underneath1+ p. 13).
window and door openingdimensionsare shown,as with stairs,alongthe central
@ +6250++
@ *__ 62so_* F
/:\ | 6250
@ Heights
elevations
as shown in sections and
\1,/
- 5250- h