GUITAR MUSIC J. §. Bach, H. Villa-Lobos M. M. Ponce, F. Moreno-TorrobaGUITAR MUSIC J. 5. Bach, H, Vito-Lobos ‘M.M. Ponce, F. Moreno Torroba GUITAR MUSIC. S. Bach, H. Villa-Lobos, MM. Ponce, F. Moreno-Torroba Massimo Stefanizzi, guitar Massimo Stefariza, autor Johann Sebastian Bach (1685-1750) ~ Suite BWV 996 in E minor Composed betwoon 170 and 1717. the Sute BWV 206k ho fst of our which Bach dedoalad to no ula. Tho ast was wren around 1741. The present work may actual have boon itendod ortho Lautenwork, of “haxpsehord-us™ a keyboard instrument with (ut atings similar to ho cawehord, conconed around 1718 by Jonann Chisioph Foiecor. Gach rimsel commissioned a model towards 1740 om th instumont ‘makor Zacharias Hidobrandt, Wotgang Schmiodor, nowever, considofod that No phraso “aus Lauton Werck’ found onthe manuscpt copy by Johann Gottned Wala, wol-nown musician and attend of Bach, was added tater, around 1800. Adaptations of his suo or guar usally transpose the bass-Sne up an octave land thn out some ofthe chords. Fr hs recording, however, afn-sting gutar has boon used, making i possbl o prosont the musi nits rginal orm, exactly as wien, The choles of is istumontbings two acvaniagos: combines a sma ang to tho baroque luo wi ho quae ofthe modem guitar (toni, sound blanco and soparaion of te inr voices). Bach almost cot had ito tarany with tule techniques; those works do note easly ofr for ho lute F for Ho guia. Tho sometinesinesobable diiculies require compromises, parbculayinsustaning tho scunds. Nonotiaoss, tho lisenor can hardy fal to not tho unique Tinbres and expressive tones, quite unlike those of keyboard instumenss, which reveal the most deicate and concealed aspects at Bach's wating and which lend Ns lute works their partcuar fescnation, Heitor Vla-Lobos (1867-1958) ~ ing Preludes, Chores no. 1 Wo lap ahoad Iwo centri out our from Leipig to i de anoiro, Tho juxtaposition ot Vil Lobos and Bach sold but debra: the razian composer, whose meer was an iis, ved ia take inspiration fm the German composers music, 3 in the wellknown Bechianas brasieras for crchesta, happy mariage between the language of Bach and popular melody, Wrsten mn 1940, the Cing Preludes re among ‘the mest signicant contributions to 20m century tar ierature. They aerate achale and exotic sonortes with ohers closer to European sivlisbc models. A keen ‘ethnomusiclegit,Vila-Lobos was fascinated by the cultural anc musical wealth of his courtyard cared out research into the songs of ho Amazorian nos. For thie reson hia music often appears haterogenaaus, insading a does tadional Brasiian forma, auch ae Chéroe no 1 (the fst of @ sae for various struments combinations), and works showing song Eurcpean influences Manuel Maria Ponce (1882-1988) - 6 Proludes Incptedby Indlos folklore the Mexican composer's works held o establish a national schoo in his county Eclectic ‘and restess in spa, he pont period in Bologna Borin, Pals and Mico Cy, wrsing prolicaly for varus so struments, chambar groups and for orchosta. A mince of he composers more imate and subdued word, the 6 Préludos for guitar ark amcng his inst works. Ponce leans here towards impressionism, deploying his ably ocr unpraicable melodic hes an retina chythms, Federico Morone-Torroba (1891-1982) - Sonatina The Madd bon composor dedestod his production almost ently 10 tho theatre and ihe guar. Ho wots Important works for ator in a language combining Spanish and mprossionistclomonts. Composed in 1953. he Sonaina sn twee movements: to sunny clato of me mts tolowod by a more eal inspired poco while the Ward, ncn character, concludes he work nan almosphoe of onetc and playful exwboranc. Massimo Stofanizai, 2010 Engish uarsiation At Languages, MianGUITAR MUSIC - Massimo Stefanizzi __ __ Johann Sebastian Bach (1685-1750) ergasze suite in E minor BWV 996 egegess > AN la : 3268339 2 Sih Préludium 242" agaagee z Oe“ [2 Allemande 2°47" Qnsge < 2 s ® B Courante 2'46" 8328 : a 8 a Sarabande 426" g3883 53 ° 6 Bourrée 120" Baeesa® Sra Gigue 2°52" Sg58es8 Q a eacegs eS 5 ge5ks = 5 “9238 > = deltor villa-Lobos (1887-1959) Sue wa [7-11] Cing Préludes 2142" = QO 12) Chéros no. 1 asi" ie n n = 0 2 02 ~—- Manvel Maria Ponce (1882-1948) = S113] 6 Prétudes 7°32" a > a o 3 Federico Moreno-Torroba (1891-1982) 3 Sonatina Ss [14] Allegretto 341" oe [15] Andante Sz h o [16] Allegro 3°54" cou eva = a 8 A sHoss oc a | || Massimo Stefanizzi, guitar 3!033776"7 10387"