LEWITT GmbH The LEWITT Sound Booth is the perfect

Burggasse 79 place to compare all our microphones with

1070 Vienna AUSTRIA each other and test them on various
info@lewitt-audio.com applications.
www.lewitt-audio.com
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// LCT Series ............................................................................................................ 06
LCT 550 .................................................................................................................. 08
LCT 640 TS ............................................................................................................ 10
LCT 940 .................................................................................................................. 12

// MTP Series ............................................................................................................ 16

MTP 840 ................................................................................................................. 18
MTP 940 ................................................................................................................. 20

// DTP Series ............................................................................................................ 24

DTP 640 REX ......................................................................................................... 26

// DGT Series ............................................................................................................ 30 Roman Perschon All of the microphones sport the LEWITT look, which signals modernity,
DGT 650 ................................................................................................................. 32 CEO and Co-Founder individuality, and technical professionalism, and all of them have the LEWITT
feel - exuding ruggedness, an appealing design, and a level of quality that
fulfills the LEWITT promise of unaltered, crystal clear transmission of your
// LTS Series ............................................................................................................ 34 sound, making it authentic and memorable.
03

// 0.8-inch small-diaphragm
// 0.67-inch small- capsule
diaphragm capsule // Cardioid and optional
// Cardioid polar pattern omnidirectional capsule
// 124 dB dynamic range, // 124 dB dynamic range,
19 dB (A) self-noise 15 dB (A) self-noise
// 3-step attenuation, // 4-step attenuation,
3-position low-cut 4-position low-cut
// 1-inch large-diaphragm
// 0.67-inch capsule condenser microphone
// Cardioid polar pattern // Cardioid polar pattern
// 130 dB dynamic range, // 135 dB dynamic range,
16 dB (A) self-noise 8 dB (A) self-noise
// 3-step attenuation, // 2-step attenuation,
3-position low-cut 2-position low-cut
06
// 1-inch large-diaphragm tube microphone
// 5 polar patterns
// 130 dB dynamic range, 9 dB (A) self-noise
// 0 dB (A) self-noise from // 3-step attenuation, 3-position low-cut
electronics and circuitry
// Any two LCT 550s form a
matched pair at +/- 0 dB
// 1-inch true condenser
cardioid recording mic
// 140 dB dynamic range
// 3-step attenuation,
3-position low-cut
// Five selectable preset polar patterns // Tube and FET technology combined in one
// Separate front- and back-diaphragm outputs single housing
allow for seamless polar pattern adjustment // Continuously blend between tube and FET
during post production // 9 polar patterns
// Add or reduce room sound under monitoring // 4-step attenuation, 4-position low-cut
conditions at a later date
// Integrated shock-mount and pop filter
// Superior transient response
// Flat frequency response for natural, authentic
sound
// 4 switchable pads
// 4 switchable low-cut filters
// Self noise of 11 dB (A) and max SPL of 132 dB
leading to a dynamic range of 121 dB (A)
07
 // Features
// A PERFECT MATCH
Highly precise calibration of capsule and electronics means
that any two microphones from this series will always form a
matched pair at +/- 0 dB
// Specifications
// THE CAPSULE
Acoustical operating principle //
Precise transient response thanks to the 3-micron-thin,
pressure gradient transducer, externally polarized
gold-layered, low-mass, 1-inch Mylar diaphragm
Diaphragm // 3-micron gold-sputtered Mylar
Extraordinary sensitive: capture even extremely weak signals with
Transducer // 25.4 mm / 1 in
great precision and detail
Directional pattern // cardioid
Cardioid polar pattern for effective rear sound rejection
Frequency range // 20 to 20,000 Hz
Sensitivity // 36 mV / Pa (-29 dBV)
// UNRIVALED SPECS
Signal/noise ratio // 91 dB (A)
0 dB (A) self-noise from electronics and circuitry
Equivalent noise level //
3 dB (A) according to IEC 60268-1 due to Brownian motion - in
0 dB (A) self-noise from electronics and circuitry

SUPER-LOW SELF-NOISE LARGE- DIAPHRAGM

simple terms: the sound made by the movement of
3 dB (A) according to IEC 60268-1 due to
air molecules...
Brownian motion
140 dB dynamic range
Dynamic range of FET mic Amp. // 140 dB (A)
Max. SPL of 155 dB (A)
Immune to electromagnetic interference thanks to Max. SPL for 0.5 % THD //
transformerless preamplifier circuitry 143 dB, 0 dB pre-attenuation
Pre-attenuation pad // 6 dB, 12 dB, switchable

STUDIO CONDENSER MICROPHONE

// EASE OF USE Low cut //
Illuminated user interface for quick and easy handling in 12 dB / octave at 80 Hz
dark environments 6 dB / octave at 160 Hz
Noiseless pushbuttons for attenuation and low-cut selection Rated impedance // < 150 ohms
Automatic Attenuation and Clipping History modes Rated load impedance // > 1,000 ohms
Supply voltage // 48 V +/- 4 V
// RUGGED & TOUR-WORTHY Current consumption // 5.5 mA
Rugged zinc die-cast body Enclosure // Zinc, die-cast
Internal shockmount for maximum reduction of structure- Connector // gold-plated 3-pin XLR
borne noise Dimensions //
Corrosion-resistant gold-plated 3-pin XLR output connector 158 x 52 x 36 mm / 6.22 x 2.04 x 1.42 in
Net weight // 425 g / 14.9 oz

// Applications
// BOX CONTENTS
Classical instruments and ensembles LCT 550 microphone
Ambitious stereo recording techniques (XY, ORTF, AB, etc.) LCT 40 SHx shock mount
Vocals & background vocals LCT 40 Wx windshield
Acoustic instruments (strings, guitars, piano and similar) DTP 40 Lb artificial leather bag
Drum & percussion overhead Black carrying case
08 09
 // Features
// THE TWIN SYSTEM
The dual-diaphragm design allows you to select one of five preset
polar pattern just like in common multi-pattern condenser mics
Unlike any other microphones, the LCT 640 TS features a
separate output for the back diaphragm. This enables you to
change and fine-tune the pattern steplessly in post production
Everything is possible, dynamically change the pattern from
cardioid all the way to Figure-8 - any time after the recording
Flip the direction of your microphone by 180 although y ou've
finished your recording days ago // Specifications
Add as much room sound as you need to your final mix without
the need of re-recording anything Acoustical operating principle //
Record a duet with the microphone between the vocalists and pressure gradient transducer, externally polarized
balance it later on in post production Diaphragm // 3 micron gold sputtered Mylar
Transducer // 25.4 mm / 1 inch
// THE CAPSULE Polar pattern // selectable from omnidirectional to figure-8
Precise transient response thanks to the 3-micron-thin, Sensitivity // 28mV / Pa (-31 dBV) +/- 3 dB
gold-layered, low-mass, 1-inch Mylar diaphragm Signal / noise ratio // 83 dB (A)
5 preset polar patterns with an infinite number of intermediates Equivalent noise level // 11 dB (A)
Dynamic range of FET mic. Amp. // 121 dB (A)
// EASE OF USE Max. SPL for 0.5 % THD // 132 dB, 0 dB pre-attenuation
Plug in your 3pin XLR cable and you'll get a perfect sounding Pre-attenuation pad //
large diaphragm condenser performance - plug in the included 6 dB, 12 dB, 18 dB, switchable
mini 3pin XLR as well and experience the possibilities of a true Low cut //
next gen recording microphone 12 dB / octave at 40 Hz
Set, change and fine-tune the polar pattern with an easy to use 12 dB / octave at 80 Hz
DAW plug-in for PC and MAC 6 dB / octave at 160 Hz
Illuminated user interface for quick and easy handling Internal impedance // < 120 ohms
Noiseless pushbuttons for attenuation and low-cut selection Rated load impedance // > 1,000 ohms
Supply voltage // 48 V +/- 4 V
// RRUGGED & TOUR-WORTHY Current consumption // 5.5 mA
Only the military-grade flightcase can take more than the Enclosure // Zinc die cast
microphone's zinc die-cast body Connectors // gold plated 3-pin XLR
Internal shock mount for maximum reduction of Dimensions //
structure generated 158 x 52 x 36 mm / 6.22 x 2.04 x 1.42 inch
Corrosion-resistant gold-plated 3-pin XLR output connectors Net weight // 425 g / 14.9 oz

// Applications // BOX CONTENTS

LCT 640 TS microphone
Demanding lead & background vocals LCT 40 SHx shock mount
Classical instruments and ensembles LCT 40 Wx windshield
Ambitious stereo recording techniques (XY, ORTF, AB, ...) LCT 40 PSx Pop Filter
Acoustic instruments (strings, guitars, piano and similar) DTP 40 Lb artificial leather bag
Room and ambient sound recording Black military-grade flightcase
10 11
 // Features
// TUBE // FET AND EVERYTHING IN BETWEEN
Tube and FET technology combined in a single housing for Directional pattern //
maximum creative freedom omni, broad cardioid, cardioid,
Continuously blend between tube (dual triode tube) and FET supercardioid, figure-8 and
circuitry for your preferred "sound flavor" four intermediate patterns
Frequency range // 20 to 20,000 Hz
// THE CAPSULE Sensitivity //
Pressure gradient dual-diaphragm system 23 mV / Pa (-33 dBV), cardioid
Precise transient response thanks to the 3-micron-thin, Signal/noise ratio (FET) // 86 dB (A)
gold-layered, low-mass 1-inch Mylar diaphragm Signal/noise ratio (tube) // 82 dB (A)
Nine different polar patterns for maximum flexibility in any Equivalent noise level (FET) //
recording situation 8 dB (A), cardioid (IEC 61672-1)
Equivalent noise level (tube) //
// UNRIVALED SPECS 12 dB (A), cardioid (IEC 61672-1)
Superior dynamic range of 128 dB (A) (tube) / 135 dB (A) (FET) Dynamic range of FET mic Amp. // 135 dB (A)
Exceptionally low self-noise of 12 dB (A) (tube) / 8 dB (A) (FET) Dynamic range of tube mic Amp. // 128 dB (A)
for ear-catching realism and sonic depth Max. SPL for 0.5 % THD (FET) //
143 dB, 0 dB pre-attenuation
// EASE OF USE Max. SPL for 0.5% THD (tube) //
Illuminated user interface for quick and easy handling in 140 dB, 0 dB pre-attenuation
dark environments Pre-attenuation pad //
Noiseless pushbuttons for attenuation and low-cut selection 6 dB / 12 dB / 18 dB
Automatic Attenuation and Clipping History modes Bass cut filter slope //
12 dB / octave at 40 Hz
// RUGGED & TOUR-WORTHY 6 dB / octave at 150 Hz
Rugged zinc die-cast body 6 dB / octave at 300 Hz
Internal shock mount for maximum reduction of structure- Rated impedance // < 200 ohms
borne noise Rated load impedance // > 1,000 ohms
Corrosion-resistant gold-plated 3-pin XLR output connector Current consumption // 170 mA
Connector // gold-plated 11-pin XLR
Cable // 5 m (16.4 ft) / 11-pin audio cable
Dimensions (mic) //
// Applications 192 x 60 x 46 mm / 7.5 x 2.4 x 1.8 in
Dimensions (PSU) //
High-end lead & background vocals 250 x 150 x 70 mm / 9.8 x 5.9 x 2.8 in
Spoken word (radio anchor, high quality podcast, TV & movie Net weight (mic) // 662 g / 23.3 oz
postproduction) Net weight (PSU) // 1930 g / 68.1 oz
Acoustic instruments (guitars, strings, piano and similar)

// BOX CONTENTS
LCT 940 microphone
// Specifications LCT 940 PSU remote control unit
LCT 40 Tr 11-pin cable
Acoustical operating principle // LCT 40 SHxx shock mount
pressure gradient transducer, externally polarized LCT 40 Wxx windshield
Transducer // 25.4 mm / 1 in Black military-grade flightcase
12 13
 TO YOUR TUNES
ADD MORE POWER
// MTP SERIES // MTP 740 CM
Handheld performance
// MTP 440 DM microphone with 1-inch studio
// MTP 250 DM Highly versatile dynamic condenser capsule
Wired handheld dynamic instrument microphone for
microphone for ambitious loud sources // Uncompromising studio
performances

STUDIO TECHNOLOGY
condenser sound for

THE PERFECT ENTRY

// High gain before feedback stage performances

FOR EVERY STAGE

// Dynamic capsule // Dynamic capsule // Superior dynamic range of
// Cardioid polar pattern // Frequency-consistent 140 dB (A), exceptionally
// High gain before feedback cardioid polar pattern low self-noise of 15 dB (A)

AND CLEAR
// Integrated acoustic pop // Rock-solid full metal, // Cardioid polar pattern

ON STAGE
and windshield die-cast body for clean live sound and
// Highly shock-resistant and // Highly shock-resistant and effective rear rejection

LOUD
effective structure-born effective structure-born // 2-step attenuation,
noise elimination noise elimination 2-position low-cut

// MTP 940 CM
// MTP 840 DM Large-diaphragm studio
condenser technology and
Feature-rich dynamic
handheld microphone for features in a handheld housing
exceptionally clean sound
// 1-inch dual-system
// MTP 550 DM // Dynamic capsule tuned condenser capsule

THE BETTER WORKHORSE

// MTP 350 CM The dynamic handheld specifically for demanding // Highly accurate transient

DYNAMIC MICROPHONE
performance must-have

STUDIO MICROPHONE
Professional wired handheld vocal applications response for nuanced and

CONDENSER SOUND
condenser microphone for // Supercardioid pickup pattern authentic sound
highly detailed sound // Authentic, powerful sound // Highly shock-resistant, // Cardioid, wide cardioid, and
TRANSPARENCY

THE HANDHELD
// Frequency-consistent effective structure-born supercardioid polar pattern
// Cardioid polar pattern cardioid polar pattern noise elimination // 135 dB (A) dynamic range
// Superior dynamic range of // 3-step pre-attenuation,
IN MOTION

// Natural, authentic sound // Integrated acoustic pop

FOR SURE
// Integrated pop and windshield and windshield 121 dB (A) 3-position low-cut
// Highly shock-resistant, // Highly shock-resistant, // 3-position switchable // Highly shock-resistant
effective structure-born effective structure-born high-pass filter, optional thanks to advanced
noise elimination noise elimination 3-position amplification suspension technology

16 17
 // Features
// THE CAPSULE
Dynamic capsule tuned specifically for demanding vocal
applications, brightened range, and extended low end
// Specifications
Uniform supercardioid pickup pattern for maximum isolation of
Acoustical operating principle //
the main sound source
Dynamic, moving coil
Directional pattern // supercardioid
// UNRIVALED SPECS
Frequency range // 40 to 18,000 Hz
Optional active mode provides superior dynamic range of
Sensitivity //
121 dB (A) and extremely low self-noise of 19 dB (A) for
3.5 mV / Pa (-49 dBV), passive mode
maximum realism and distortion-free sonic depth
7 mV / Pa (-43 dBV), active mode
Optional 3-position switchable amplification (0 dB, 6 dB, and
14 mV / Pa (-37 dBV), active mode
12 dB) for unrivaled signal quality in demanding environments
Signal/noise ratio // 75 dB (A)
3-position switchable high-pass filter for direct adjustment of
Equivalent noise level //
proximity effect
19 dB (A), supercardioid (IEC 61672-1)
Highly effective integrated acoustic pop and windshield offers
Dynamic range, passive mode // 135 dB (A)
excellent protection without compromising high-frequency clarity
Dynamic range, active mode //
// EASE OF USE 121 dB (A), 0 dB gain
Illuminated indication of microphone settings for quick and easy Max. SPL for 0.5 % THD, active mode //
handling even in dark environments 140 dB, 0 dB gain
Recessed slide switches prevent unintended change of settings Gain settings, active mode //
during the performance 0 dB, 6 dB, 12 dB, switchable
Bass cut filter slope //
// RUGGED & TOUR-WORTHY 12 dB / octave at 150 Hz
Rock-solid full metal, die-cast body for rough daily 12 dB / octave at 250 Hz
touring routines Rated impedance // < 600 ohms
Hardened steel mesh grille to prevent wear and abuse Rated load impedance // > 1,000 ohms
Shock-resistant and effective structure-born noise elimination Supply voltage // 48 V +/- 4 V (IEC 61938)
thanks to advanced suspension technology Current consumption // 5.5 mA (IEC 61938)
Minimally affected by varying load impedance Connector // gold-plated 3-pin XLR
Corrosion-resistant gold-plated 3-pin XLR output connector Dimensions // 51 dia. x 183 mm / 2 dia. x 7.2 in
Net weight // 336 g / 11.85 oz

// Applications // BOX CONTENTS

MTP 840 DM microphone
Lead and background vocals MTP 40 MCs shock mount
Demanding live and studio applications DTP 40 Lb artificial leather bag
18 19
 // Features
// THE HANDHELD STUDIO MICROPHONE
Uncompromising, true 1-inch studio condenser for
stage performance
3-micron gold-sputtered Mylar diaphragm
Integrated acoustic pop and windshield for excellent protection
without compromising high-frequency clarity

// THE CAPSULE
Three directional characteristics - cardioid, wide cardioid,
supercardioid - for maximum versatility on stage and in the studio
// Specifications
Flat frequency response for natural sound gives you ear-catching
Acoustical operating principle //
realism and distortion-free sonic depth
pressure gradient transducer, externally polarized
Transducer // 25.4 mm / 1 in
// UNRIVALED SPECS
Directional pattern //
Superior dynamic range of 135 dB (A)
wide cardioid / cardioid / supercardioid
Exceptionally low self-noise of 9 dB (A) thanks to innovative
Frequency range // 20 to 20,000 Hz
direct coupling technology (patent pending)
Sensitivity // 10 mV / Pa (-40 dBV), cardioid
3-position switchable pre-attenuation pad (0 dB, 6 dB, and
Signal/noise ratio // 85 dB (A)
12 dB) for handling extremely high sound pressure levels
3-step switchable high-pass filter for direct adjustment of Equivalent noise level // 9 dB (A), cardioid (IEC 61672-1)
proximity effect Dynamic range of mic Amp. // 135 dB (A)
Max. SPL for 0.5 % THD //
// EASE OF USE 144 dB, 0 dB pre-attenuation
Illuminated indication of microphone settings for quick and easy 150 dB, 6 dB pre-attenuation
handling even in dark environments 156 dB, 12 dB pre-attenuation
Recessed slide switches prevent unintended change of settings Pre-attenuation pad // 6 dB, 12 dB, switchable
during the performance Bass cut filter slope //
12 dB / octave at 80 Hz
// RUGGED & TOUR-WORTHY 12 dB / octave at 160 Hz
Rock-solid full metal, die-cast body for rough daily Rated impedance // < 150 ohms
touring routines Rated load impedance // > 1,000 ohms
Hardened steel mesh grille to prevent wear and abuse Supply voltage // 48 V +/- 4 V (IEC 61938)
Minimally affected by varying load impedance Current consumption // 5.5 mA (IEC 61938)
Corrosion-resistant gold-plated 3-pin XLR output connector Connector // gold-plated 3-pin XLR
Dimensions // 51 dia. x 183 mm / 2 dia. x 7.2 in
Net weight // 332 g / 11.71 oz

// Applications
// BOX CONTENTS
Authentic and dynamic live vocal performances MTP 940 CM microphone
Handheld vocal studio recordings MTP 40 MCs shock mount
Acoustic instruments (live & studio) DTP 40 Lb artificial leather bag
Jazzy snare drum and percussion instruments Black military-grade flightcase
20 21
 The more l use them, the happier l get. l like the natural, warm, and uncolored sound. When l performed with Juanes
,
at the 2014 Billboard Awards, the audience thought the performance was recorded, not live. That s how good they
 PUT MORE BOOM
IN YOUR CHA
// DTP SERIES // DTP 340 TT
Multipurpose percussion
microphone for rich and
punchy sound

// High-quality dynamic element

designed especially for
drums and percussion // DTP Beat Kit 6
// Frequency-consistent Starter kit for ambitious
PERCUSSION drummers and percussionists
supercardioid polar pattern
for minimum off-axis coloration
PERFECT

// High gain before feedback // 1 x DTP 340 REX

// Rock-solid full metal die-cast // 3 x DTP 340 TT
body for rough daily // 2 x LCT 140
working routines // Comes in a black military-grade flightcase

// DTP 640 REX

Dual-element multi-tool for
// DTP 340 REX all bass-heavy applications
Multipurpose percussion
microphone for all bass- // Innovative dual-element
heavy applications design: two capsules
(dynamic & condenser) in a
// Switchable filter curve single housing // DTP Beat Kit Pro 7

FOR TWICE THE KICK

AND SNAPPY PUNCH

(Enhanced Frequency Response) // 3 switchable filter curves Highly versatile set for
MASSIVE LOW END

DOUBLE CAPSULE
// Frequency response (Enhanced Frequency Response) professional drum and
specifically tuned for kick // 3 switchable pads (0 dB, percussion recordings
drums and bass instruments -10 dB, and -20 dB) for high
// Outstandingly high gain sound pressure levels // 1 x DTP 640 REX
before feedback // Frequency response // 3 x DTP 340 TT
// Cardioid polar pattern for tuned specifically for kick // 2 x LCT 340
clean sound and effective drums and bass instruments // 1 x MTP 440
rear rejection // Outstanding gain before feedback // Comes in a black military-grade flightcase
24 25
 // Features
// TWICE THE KICK
Innovative dual-element design: two capsules (dynamic &
condenser) with individual outputs, perfectly phase-aligned for
the most versatile and accurate sound reproduction

// THE CAPSULES
Two capsules, phase-aligned and in a single housing // Specifications
Cardioid polar pattern for clean sound and effective rear rejection
Frequency response specifically tuned for kick drums and bass
instruments

// UNRIVALED SPECS
Outstanding gain before feedback
3 switchable filter curves (Enhanced Frequency Response) for
massive low end, snappy punch, or both
3 switchable pads (0 dB, -10 dB, and -20 dB) for high sound 16,000
pressure levels 20,000
// ENHANCED FREQUENCY RESPONSE
0.4
Three switchable frequency response modes for maximum
sonic versatility
Flat Frequency Response mode - for the most natural
sound reproduction
Dynamic Enhanced Frequency Response mode - enhanced
dynamic frequency response, neutral condenser element
Dual Enhanced Frequency Response - the condenser element 0.5
focuses on frequencies from 70 to 150 Hz and delivers a full-
bodied sound while the dynamic element provides a powerful
attack by focusing on the range between 3 and 5 kHz

// EASE OF USE
Recessed slide switches prevent unintended change of settings
during the performance

// RUGGED & TOUR-WORTHY

Super-robust design for tough studio & stage handling
Hardened steel mesh grille to prevent wear and abuse 1.5 m (4.95')
Corrosion-resistant gold-plated 5-pin XLR output connector
2.8 6.2
27.3

// Applications
Bass drum // BOX CONTENTS
Bass amplifier DTP 640 REX microphone
Toms DTP 40 Trs cable
Horns DTP 40 Lb artificial leather bag
26 27
 Not only was developing the DGT 650 satisfying, it was necessary. It was just simply high time that someone
brought such a combination of products to life. A microphone and an interface in one - touring artists, bedroom
,
producers, singer/songwriters, podcasters, ... all of them just need to go out and get one. Once you ve tried it,
,
you ll understand.
 THE MOBILE
RECORDING STUDIO
// DGT 650 // Recording App
Turns your mobile device into a
recording device

// High-quality recordings on the go

// Intuitive and quick-to-use interface -
practically self-explanatory
// Well-conceived archiving system for
fast and efficient searches

A BEAT AGAIN
// Add notes, ratings, tags and photos to

NEVER MISS
every recording
// Supports many common consumer
and professional formats for export
// File transfer via E-mail, iTunes and
direct upload to SoundCloud

// DGT 650
iOS // OS X // Windows
microphone and audio
interface in one // DGT 450
iOS // OS X // Windows
multi-purpose USB microphone
// All-in-one stereo USB
recording solution and
interface for PC, Mac and // Professional USB recording solution
iOS devices - no camera for PC, Mac and iOS devices

UNDER YOUR COMMAND

connection kit required! // Cardioid polar pattern for effective
rear rejection

THAN ALL YOU NEED

// XY-stereo capsule arrangement
// Four recording modes: Stereo, // 24 bit / 96 kHz
Cardioid, Singer/Songwriter // Powerful headphone amp // Control Panel

NOTHING LESS
Mode for simultaneous

EVERYTHING
// Mixable zero latency direct and low Check and change the settings of
instrument recording and latency tape return monitoring your DGT from your PC
Stereo Line-In
// OS X Core Audio and dedicated ASIO
// 24 bit / 96 kHz driver for Windows // Easy handling of the microphone
// 110 dB dynamic range // Illuminated user interface for quick and without leaving the workstation
// Asynchronus USB transfer easy handling in dark environments // All settings at a glance
30 31
 // Features
// THE MOBILE RECORDING STUDIO // Applications
All-in-one stereo recording solution and interface for PC,
Mac and iOS devices - no camera connection kit required! Record vocals, instruments and live acts wherever you go
iOS, OS X and Windows support Stereo micing
Asynchronus USB transfer: precise internal clock handles the Field recording
sample rate timing to avoid jitter and ensures bit and pitch- Podcasts and YouTube productions
accurate audio capture and reproduction
XY capsule arrangement for phase-coherent stereo recordings
OS X Core Audio and dedicated ASIO driver for Windows - the
only way to ensure minimal tape return latency
Line-in and MIDI input
// Specifications
Input impedance // > 1 Meg ohm
// FOUR RECORDING MODES
Full-scale input voltage // 8 dBu
XY-Stereo Mode for live concerts, background vocals, etc.
Input dynamic range // 110 dB (A)
Cardioid Mode for effective rear and side rejection
Frequency response // 20 to 20,000 Hz
Singer/Songwriter Mode for simultaneous recording of acoustic
Headphone output power //
and line sources
160 mW at 16 ohm, THD+N < 0.5 %
Stereo Line-In Mode, connect a synthesizer or mixing console
180 mW at 32 ohm, THD+N < 0.5 %
output and record it directly to your device
Frequency response // 30 to 20,000 Hz
MIDI available in all four modes
Headphone volume control // - 60 dB to 0 dB
MIDI // analogue MIDI connector
// BEST-IN-CLASS SPECS
Line-in // 6.3 mm, inch TRS phone jack (2 channels)
24 bit / 96 kHz, 110 dB dynamic range
Headphones // 3.5 mm phone jack
Two-step switchable pre-attenuation and high-pass filter
DGT 50 Li //
950 mAh battery for 3h+ recording time on iOS devices
Apple Lightning to 18-pin lockable hi-speed connector
Built-in amp for high-impedance studio headphones
DGT 50 USB //
USB to 18-pin lockable hi-speed connector
// MONITORING QUALITIES
DGT 50 Tr // 18-pin to 18-pin
Powerful headphone amp: 180 mW @ 32 ohm, THD+N < 0.5 %
Crossfade between zero-latency direct and minimal-latency tape Mic enclosure // zinc, die-cast
return monitoring Mic dimensions //
ASIO driver for minimal tape return latency 138 x 52 x 36 mm / 5.43 x 2.04 x 1.42 in
Mic net weight // 310 g / 10.9 oz
// EASE OF USE Breakout box dimensions //
Pushwheel switch to change the DGT 650 settings on the microphone 54 x 50 x 32 mm / 2.13 x 1.96 x 1.26 in
Control Center to change the settings right from your computer
Illuminated user interface for quick and easy handling in dark
environments // BOX CONTENTS
DGT 650 microphone
// BREAKOUT BOX DGT 50 Tr breakout box
Streamlined cable handling DGT 50 Li Apple Lightning cable
Powerful high-impedance amplifier for studio headphones DGT 50 USB standard USB cable
MIDI input DGT 50 Tri foldable Tripod
High-impedance, 2-channel line-in for instrument and line DGT 50 SHx shock mount
sources (6.3 mm, 1/4 inch TRS phone jack) LCT 40 Wx windscreen
32 33

// LTS 240 Diversity C+D
Reliable and easy-to-use
wireless vocal microphone
// Choose between condenser and
dynamic capsule
// Transmitters equipped with two
AA batteries for up to ten hours
of continuous performance
// Four pre-programmed frequencies
34
// LTS 240 Dual C+D
Reliable wireless performance
microphone for high-quality
audio transmission
// Distortion-free, natural sound
// Choose between condenser and
dynamic capsule
// Transmitters equipped with two
AA batteries for up to ten hours
of continuous performance
35