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Manipulation
PUBLISHED BY GABE MOURA, ON JUNE 3, 2014
Whereas shot
RECENTLY PUBLISHED
sizes direct who and
what we see, Anatomy of a Scene: Stakes &
camera angles Steaks in GLENGARRY GLEN ROSS
affect how we (1992)
perceive it. Is a
Anatomy of a Scene: No Pattern on
character going to
my Quarter from THE WAY WAY
appear dominant BACK (2013)
and tall? Or short
and weak? A strong Anatomy of a Scene: Crushing
weapon in the cinematographers arsenal Dreams in LITTLE MISS SUNSHINE
Eyelevel Angle
What is ISO (Film Speed)?
An eyelevel angle is the one in which the camera is placed at the
subjects height, so if the actor is looking at the lens, he wouldnt have
to look up or down. Eyelevel shots are incredibly common because they
are neutral. They often have no dramatic power whatsoever, thus they
are ideal for romantic comedies and news casting. SPONSORED LINKS
Low Angle
Low angles are captured from a camera placed below the actors eyes,
looking up at them. Low angles make characters look dominant,
aggressive, or ominous.
In a high angle, the camera is above the subject, looking down. This
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position makes characters look weak, submissive, or frightened. They
are also good POVs of an adult looking at a child:
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Dutch Tilt
Also called canted angle, a Dutch tilt has the camera leaning sideways,
transforming the horizon into a slope. A Dutch tilt changes horizontal
and vertical lines into diagonals and creates a more dynamic
composition. Though rare, canted angles can be employed with great
artistic effect to disorient and disturb the viewer.
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Janet Deaver says Camera Moves
October 8, 2015 at 12:07 am Types of Lenses
The Cinematography Crew
Without it being a true shot, how does the writer show an
action that is a shot. The first line of my opening page has Directing
clothes that cover the lens, blocking the audience view then it Directing Basics
pulls back to show the scene. I dont use SHOTS in anything I Mise-En-Scene
write but try to incorporate it into an action. Help? Blocking
Coverage
Reply
Editing
Editing Basics
Parallel Editing (aka Cross
Gabe Moura says
Cutting)
October 9, 2015 at 6:47 am
Kuleshov Effect
Types of Transitions
Hi Janet, thank you for your question. Its always tricky
Reaction Shots
when you want to direct the scene in the screenplay, as is
Ellipsis
this case. Heres just one suggestion of how maybe you
can incorporate the camerawork instructions without being Sound
too brash about it:
References
Some fabric obscures the view. [John] peels the [dress],
tosses it on the floor, revealing a [messy room].
DISCLOSURE STATEMENT
Now, I wasnt really sure where the clothes covering the
lens were in the story space Are they being worn by I may be an affiliate for products
someone? Are they just on the floor? Are they in a dryer? that I recommend. If you purchase
You will have to adjust to what makes sense in your story. those items through these links, I
may earn a small commission at
Another thought: Dont let questions like this slow down NO EXTRA COST TO YOU. I only
your writing. You may spend days trying to think of the recommend products that I use and
best description for a scene that later on you realize will be love, or products relevant to the
completely different. Now, if you know you really want a topic under discussion. We are also
scene to be shot a certain way, know that the omission of part of the Google AdSense
network to provide you with
the camerawork will not diminish your screenplay. Even if
relevant ads tailored to your taste.
you plant a nice visual in the readers mind, the director is
For more information, click here.
likely to change whatever it is you suggest. So it is more
important to focus on character and story, with a nice
emphasis in writing style and pace. Good luck!
Reply
Shrikant says
December 12, 2015 at 10:36 am
Reply
Nik says
July 2, 2016 at 8:39 pm
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