Beruflich Dokumente
Kultur Dokumente
Art 133
Unit 1 paper
1/31/17
Unit 1 paper
The first two weeks of the semester focused on big idea, identity, and
meaning making. Teaching art education is a secondary course to other subjects
such as math and science, so it is important to be aware of these misconceptions
are and create an openness to learn the value of art (Franco, Ward, & Unrath, 2015).
Once openness is implemented, curriculum can be made with stress to how art
making is meaningful. Making art meaningful can be taught in a constructivist type
of classroom where each person in class participate in a learning community where
they can have an active role to reach a common goal. Within curriculum, one of the
four avenues to make art meaningful is through identity (Franco, Ward, & Unrath,
2015). Identity is basically what an object is evoking, or who we are. Big ideas ties
in with the idea of identity because identity can be seen as a subcategory to big
ideas. A big idea of a piece can take the form of a portrait to which identity can be a
big idea. For instance, the class was presented a Frida Kahlo piece which displace
herself in the piece. The class developed what they thought was the big idea, one in
which is identity. Portraits, as we came to conclusion in class, can portray our
identities and even promote what we are not. To further explain what big idea, it is
complex and does not paint a complete picture; it is so abstract that it is
representation of many different concepts (Walker, 2001). One significant thing
about big idea is that it is creates meaning to a piece of art as a final product
(Walker, 2001). One big picture idea that can be grasp is a big idea and the
meaningfulness of artmaking have a corresponding relationship where one relies on
the other. How is big ideas important? This is because it brings meaning to
artmaking. How does artmaking produce meaning? This is accomplished through
creating curriculum that displays not only the four avenues of art, identity being one
of them, but also create an emphasis on capturing a big idea. Artmaking is driven
by big ideas which a body of work has and is adaptable considering the artists
needs which may extend over a period of time (Walker, 2001).