Kontakt 2 Library Documentation

LIBRARY MANUAL
Introduction
Welcome to the Kontakt 2 sample library!

And thank you for choosing Kontakt 2. This new Kontakt 2 library contains
over 15 Gigabytes of professionally recorded and edited samples, meticulously
programmed into Kontakt 2 instruments. Professional sample developers have
contributed to the Kontakt 2 library, among them Vienna Symphonic Library
with a small Orchestra, Zero-G with lots of specially designed loops, Sonic
Reality with a full 5.1 Surround Cathedral Organ, Post Musical Instruments
with a Steinway D piano and many more. A selection of over 300 impulse
response presets provides a wide variety of reverbs, filter, special effects and
instrument resonances for the convolution effect module. These impulses
were produced by Spirit Canyon Audio, CKSDE, and Native Instruments. The
library also contains a selection of newly-designed script-modules for special
instruments or musical usage. Some of them were used in instruments of
the library, the others are described in a special document, the “Kontakt 2
Script library.pdf“.
This document contains all important information about the sample library,
the individual instruments, and their origins. You will find a complete list of
instruments, banks, and multis with descriptions of their respective sizes,
keyranges, and further information. You will also find more information on
special instruments and how they can be used.
Please don´t forget to read the license agreements at the end of this docu-
ment for usage and rights of the library.
We hope you enjoy the Kontakt 2 library and get musically inspired.
Your Native Instruments Sound Design team.
Kontakt 2 - LIBRARY MANUAL 2

Table of Contents
LIBRARY MANUAL ................................................1
Introduction ..........................................................2
Welcome to the Kontakt 2 sample library! .............2
Getting Started ......................................................4
Library Installation ..............................................4
Loading of Instruments ........................................5
Explanation of naming and formats .......................6
Getting more content ... .......................................6
LIBRARY .............................................................7
Library Overview .................................................7
01 - VSL Kontakt Orchestra ..................................8
02 - KSP Instruments .......................................36
03 - Grand Pianos ...........................................52
04 - Electric Pianos ......................................... 54
05 - Organs and Harpsichord ..............................55
06 - Acoustic Drums ........................................57
07 - Electronic Drums ...................................... 58
08 - Percussion ...............................................59
09 - Guitars .....................................................61
10 - Basses .....................................................62
11 - Synthesizer .............................................. 63
12 - Loops ......................................................70
13 - Surround ..................................................79
14 - Banks .......................................................82
15 - Multis ...................................................... 83
Module Preset library .......................................... 84
CONVOLUTION PRESETS ............................... 84
SCRIPT PRESETS .............................................85
License Agreements .............................................85
Native Instruments License Agreement ................85
VSL Terms of license ........................................85
ZERO-G End-User License Agreement .................87
Northstar license agreement ...............................89
Credits ................................................................90

Getting Started
Library Installation HARDDRIVE >

Kontakt 2 library >
To install the Kontakt 2 library, you need at least 16 GB • 01 - VSL Kontakt Orchestra
(Gigabytes) of free harddrive space. We recommend using • 02 - KSP Instruments
a fast harddrive (7200 RPM, or higher, 8 MB cache or • 03 - Grand Pianos
more), in order to achieve optimum performance.
• 04 - Electric Pianos
In order to make use of all instruments, banks, and mul- • 05 - Organs and Harpsichord
tis of the library, please make sure that you install the • 06 - Acoustic Drums
complete 15 GB library in a folder called “Kontakt 2 • 07 - Electronic Drums
Library“. The location of this folder can be different than • 08 - Percussion
the location of your Kontakt 2 software folder. • 09 - Guitars
There is no installer that automatically installs the library
• 10 - Basses
into this folder, so you need to copy the contents of the
two library DVDs (Kontakt 2 library Disc 1 and Kontakt 2 • 11 - Synthesizer
library Disc 2) manually by dragging the “Kontakt 2 Li- • 12 - Loops
brary“ folder from the first DVD to the location of your • 13 - Surround
choice. After the first part has been successfully copied, • 14 - Banks
please drag the content of the second DVD which you find • 15 - Multis
WITHIN the folder “Kontakt 2 Library“ into the Kontakt 2
library folder on your harddrive. Finally the structure of
the library on your harddrive should look like this:
IMPORTANT NOTICE: In the library, there are some references
of instruments within banks or multis to samples in other fold-
ers. For example, the KSP Instruments - 07 VSL Instruments
use samples that are located in the first folder 01 - VSL Kontakt
Orchestra. Also the banks and multis in the folders 14 and 15
reference samples within other folders. So if you decide not
to install the complete library, some of these files will not find
the referenced samples !

Loading of Instruments Loading from the Browser
You can get started with loading and playing instruments Click on the Files tab in the Browser area toward the
without having to learn Kontakt 2’s deep editing pos- left.
sibilities. Navigate to where you installed the Kontakt 2 library,
There are three basic ways to load instruments / banks then click on the name of a folder containing the type of
/ or multis: instrument you want to load.
When you click on the folder name, the next lower pane
shows the .NKI (Instrument) and .NKM (Multi, or bank
Loading with the Quicksearch Database of instruments .NKB) files within that folder.
Click on a file and drag it into a blank space in the “virtual
In order to load files from the database, Kontakt needs rack” to the right.
to know the content of the Quicksearch Database which
is stored in file “QuickAccess.db“ that is located in the
Kontakt 2 application folder. You can always rebuild this
database or update the database if you add new libraries
or if you want to include existing libraries.
Please find more information about the Quicksearch Da-
tabase and its usage in the Kontakt 2 Operation Manual
(page 76).
If the database is properly connected to the Kontakt 2

factory library, drop-down-menus for instruments and
banks will appear in the “Load/Save“ menu and left
of an instrument´s / bank´s or Multi name. Click on the Example: Loading an instrument of the Quicksearch Database via
down arrow to get access to the files for each category “Load/Save“ menu
or choose “New instrument/bank from list“ from the
“Load/Save“ menu.
Example: Loading a multi of the Quicksearch Database via drop-down

arrow next to the multi name

Loading with the Load/Save Menu (via system file Explanation of naming and formats Getting more content ...
dialog)
The library contains INSTRUMENTS, BANKS, MULTIS and PRE- If you need more instruments / samples from Native
Click on the Load/Save button in the main control panel, SETS. Instruments or other third party sample developers, you
then select “Load...“ from the drop-down menu. will find a database with SAMPLE LIBRARIES in Kontakt
Navigate to where you installed the Kontakt 2 library, then INSTRUMENTS are named “Instrument.nki“ and always have format at:
double-click on a Folder containing the type of Instrument the “.nki“ file-extension.
you want to load. http://www.native-instruments.com/kontakt2slib.info
Double-click on a .NKI file; or click on it, then click on BANKS are named “Bank.nkb“ and always have the “.nkb“
the Open button in the dialog box. file-extension. Banks can contain up to 128 instru- As a registered user, you can also find more content in
ments. the new KONTAKT USER LIBRARY at
MULTIS are named “Multi.nkm“ and always have the “.nkm“ http://www.native-instruments.com/kontakt2userlib.info
file-extension. Multis can contain up to 64 instruments
or banks, and also store the output channel configuration where users can share their samples, instruments. Pre-
including insert effects. sets, scripts and more.
Important: Aux send levels per instrument are not saved
in the instruments themselves, but in the Multi !
PRESETS are named “Preset.nkp“ and always have the

“.nkp“ file-extension. Presets are settings of Kontakt’s
effect modules like filters, reverb, or others. Scripts and
Convolution presets are also saved as presets, while con-
volution presets always reference an impulse sample that
is located next to the preset or in the sample folder of
Example: Loading instruments via the system file dialog the instruments.
We named the original instruments for example “Harpsi-

chord.nki“, while derivative versions that use additional
effects or versions that are slightly changed have an ad-
dition in the name (e.g. “Harpsichord (Amped).nki“ or
“MK2 - Chorus.nki“.

LIBRARY
Library Overview
Main Category Contents Instruments Banks Size
A complete instrument set of an orchestra with 30 instruments, including special legato and repetition instruments,
01 - VSL Kontakt Orchestra 453 7.5 GB
using the script processor
02 - KSP Instruments 2 special guitars, an automatic harp, arpeggiator synths and other spezial instruments, all using special KSP scripts 29 1 2.1 GB
03 - Grand Pianos Two Grand Pianos: Steinway D and August Förster, plus a set of prepared piano sounds 17 2 1.96 GB
04 - Electric Pianos Rhodes MK2, Clavinet, FM E-Piano, FM Wurlitzer E-Piano 24 1 247 MB
05 - Organs and Harpsichord Surround Cathedral Organ, 4 different Church Organs, Drawbar, Rock, and House Organs 31 1 685 MB
06 - Acoustic Drums 4 different acoustic Drumkits, includung a complete GM kit 9 1 100 MB
07 - Electronic Drums 9 different modern and classic electronic drumkits 16 1 54 MB
08 - Percussion Orchestral, Timpani, Latin, Ethnic Percussion, Taos Drum 29 1 228 MB
09 - Guitars Acoustic and Electric Guitars: Steel, Les Paul, Strat, Jazz and Nylon Guitar 19 2 387 MB
10 - Basses Acoustic Bass, Fretless Bass, and Semi-Acoustic Bass 9 1 15 MB

A wide selection of Synthesizer sounds, including Basses, Pads, Leads, Stabs, Athmos, Digital synths, Effects, Se-
11 - Synthesizers 173 9 714 MB
quenced and Classic Waveforms
12 - Loops A selection of almost 250 loops with drumloops, synthesizer loops, construction kits in various musical styles 245 1 336 MB
13 - Surround A 5.1 Surround Cathedral Organ, Surround synthesizers, and testfiles 26 1 1 GB
14 - Banks All instruments combined separate banks per category 23
15 - Multis Two Demo-Multis, Orchestra Multis, and output channel configurations 12 Multis
Total: 1080 45 15.3 GB

01 - VSL Kontakt Orchestra Instrument overview: BRASS
• 17 Trumpet solo
STRINGS • 18 Trumpet ensemble
About the Vienna Symphonic Orchestra Kontakt Edi- • 01 Violin ensemble • 19 French Horn solo
tion • 02 Viola ensemble • 20 French Horn ensemble
• 03 Cello ensemble • 21 Trombone solo
This special edition of the Vienna Symphonic Orchestra
• 04 Double Bass ensemble • 22 Trombone ensemble
was specifically made for Kontakt 2 to take advantage
of the new Kontakt Script Processor for the performance • 05 Harp • 23 Tuba
instruments. The library includes 30 instruments of an
Orchestra to provide you with a set of instruments for Playing techniques: Playing techniques:
your orchestral compositions. Staccato: up and down bow Staccato: 2 variations
Long notes: sustained notes, with vibrato Long notes: sustained notes,
The Vienna Symphonic Library is one of the most com- Special dynamics: fortepiano, sforzando (some with vibrato)
prehensive Orchestral Sample Libraries that has ever Tremolos: sustained tremolos Special dynamics: fortepiano, sforzando
been created. The structure of the library has been kept Pizzicato: pizzicato Performance: legato
as intuitive as possible. In the following sections, you will Performance: legato / repetition
find explanations for the structure and usage of the library, Harp: Normal / Flageolet PERCUSSION
as well as a complete list of the included instruments. • 24 Timpani
You will also find more information on how to use the WOODWINDS • 25 Drums
special performance instruments with the performance • 06 Piccolo Flute • 26 Cymbals
script modules. • 07 Flute • 27 Percussion
• 08 Oboe • 28 Mallets & Bells
If you need more information about further VSL-Libraries or
• 09 French Oboe
the original instruments, please visit http://www.vsl.co.at
• 10 English Horn Playing techniques:
• 11 Clarinet Depending on instrument, e.g. single strokes, tremolo
• 12 Bass Clarinet
• 13 Clarinet & Bass Clarinet
• 14 Bassoon Most of these instrument folders contain subfolders with
the different type of instruments.
• 15 Contrabassoon
• 16 Bassoon & Contrabassoon
Playing techniques:
Staccato: 2 variations
Long notes: sustained notes,
(some with vibrato)
Special dynamics: fortepiano, sforzando
Performance: legato

Explanation of subfolders LEGATO Tool functions directly on your MIDI keyboard, or insert them in
your recorded MIDI track to make your performance even
01 Standard Instruments: The Legato Tool in the Legato instruments enables you more realistic. By clicking within the appropriate fields,
These folders contain the basic instruments with dif- to perform authentic monophonic legato lines on your you can set the trigger notes for the function keys.
ferent playing techniques (staccato, sustain, sforzando, keyboard. Specific Legato instruments have been cre-
fortepiano, pizzicato, and tremolo) ated that work in Legato Mode. Legato instrument files Ghost: Press this key to have the next starting note muted.
The (all) instruments have keyswitches assigned (C0- will always have (legato) in their name, e.g., “Violin ens For instance, you could later copy these notes to another
F#0 or C5-F#5) to switch between the different playing 14 (legato)”, containing violin ensemble Performance track to have them played in another technique of your
techniques. Legatos. choice.
02 Modwheel X-Fades: The Settings of a Legato Instrument The Ghost function makes it possible to start a legato
These folders contain all instruments from the standard passage from any other starting note (from another MIDI
folder, but instead of having the layers switched via ve- Legato Threshold track), e.g., from a crescendo, a diminuendo, a sforzato.
locity, the layers can be dynamically changed with the It may be that your performance on the keyboard leaves An example: In your sequencer, you record a three bar
modwheel (Ctrl.1). Please note that these instruments something to be desired. So, if you get too many start- legato passage in piano (soft), using legato performances.
use 3 or more voices per note, resulting in more CPU ing notes (non legato) for your liking, you can use the But you want a strong accent on the first note of this
usage than the standard instruments. LegTime knob to adjust the time within which the tool passage, instead of the now recorded piano tone. So
will recognize two consecutive notes as legato. you decide you want to use a fortepiano tone from the
03 Release Triggers “Special Dynamics”.
These folders contain sustain and tremolo versions which If you set this too high however, almost every sequence
have additional release samples, triggered by note-off. will be played legato even if you intend to play a new In this case you would put a ghost function key prior to
starting note. Just experiment with the setting to adjust the first note. Now the first note won’t be played, but the
04 Legato Instruments / 04 Repetition Instruments it to your playing style - or play your sequence first and second note still has the right transition from the ending
These special instruments, which use performance scripts set the legato threshold during playback. of the (now silent) first note to the second note.
programmed in the Kontakt Script Processor, are avail-
able for : Function Keys: Ghost, Release Trigger, Repetition Trigger Now you can copy this first note to the MIDI track that
is to play the fortepiano note. (Leave the muted note in
Violin ens 14 (legato) With the help of function keys, you can access special the legato track, as the second legato note still needs
Viola ens 10 (legato)
Cello ens 8 (legato)
Flute (legato)
Frn Horn ens 4 (legato)
Bass ens 6 (repetition)

Tromb ens 3 (repetition)

to know where the transition comes from!) Playing both of a new one. repetition entries themselves. The entries can be toggled
MIDI tracks, you will get the proper transition from the Please note: Repetition trigger is not available in the only between 0 and 1 by using the buttons labeled I,
fortepiano note to the legato passage. French Horn ensemble (Frn Horn ens 4 (legato)). II, III etc., defining whether a sample is to be played or
not. So when the style displays shows 1 1 1 1 1, all five
Release trigger: Use this if you want to have the last note repetitions will be played. If it shows 1 1 1 1 0, only
of a sequence end with a special release sample for REPETITION Tool the first four repetitions will be played, the last note is
increased authenticity. To activate this function, press omitted.
the trigger note after the last note is played. The release The purpose of the Repetition Tool in the Repetition in-
sample will be played after the specified release time struments is to enable you to create realistic sounding The two repetition instruments provided with the VSL
(see above). repeated notes. Specific Repetition Instruments have Kontakt Orchestra both contain 5 repetitions, recorded
been created to work with the Repetition tool. as quarter notes at bpm = 60.
Attention: if you hold a note too long, the release sample
will still be triggered after the natural duration of the In the VSL Kontakt Orchestra, instruments for use with Let’s have a look at the basic settings again.
note, and you will hear the sample as a distinct extra the Repetition Tool have the designation “(repetition)” Another important setting is the First Keyswitch Delay.
tone. The notes of legato performances are quite long, included in the file name. These are the only instruments This assures that your performance will be aligned with
of course, but for the sake of your computer’s memory that will work with the Repetition tool. the meter you’re in, and that the repetitions don’t lag
they are far from endless ... behind the tempo of your piece. For our current instru-
The Style display ment, it is set to 50 ms.
Repetition trigger: This key has the function of providing a Within the Repetition tool, you will find a style display
legato repetition instead of a fresh starting note. Press (the single line at the top displaying “LineNr: 1 - 1 1 1 Release: The Release Time defines the time you have to
it before the repetition note when it should be part of 1 1 - GroupNr” in the example above) and a matrix (the play the next tone of the repetition (your Note off Event
a continuing legato sequence rather than the beginning larger display to the left). The style display shows the is being delayed). Since both instruments have been
recorded with quarter notes at 60 bpm, 1 second is a
reasonable choice.
The matrix
The matrix displays 12 lines of repetition sequences with
5 entries each, which you can configure according to
your needs.
The first entry shows the line number (up to 12 lines are
available). As our current instrument has five repetitions,
the basic patterns are all set to five entries.
Each matrix line now has five entries. The sequence of

“1s” and “0s” defines which of the instrument’s repeti-
tions are to be played; a sequence of “1-0-1-0-1” will
play the first, third, and 5th note. You can now configure
the lines for the repetitions you have in mind. Please
note that it is not possible to have a matrix line without

repetitions - you will not be able to toggle the last “1” in Chain Mode The Orchestra
a repetition sequence. Chain Mode links the matrix lines so that you will get a
sequence of repetitions consisting of all the matrix lines There are several ways of setting up an orchestra, de-
A general rule for repetition “speed limits”: the slower the - in sequence! This allows you to create long repetition pending on the era of the piece played, the type of the
recorded tempo of the repetition, the higher the possible sequences with a fair amount of variation (even five repeti- piece and the instruments it requires, and even on the
factor of acceleration (you can easily speed up legato tions tend to become boring if they’re always in the same preference of the conductor. The figure below shows one
repetitions of quarters at 60 BPM (4_60) to at least order). You can still switch matrix lines while Chain Mode of the more common setups, which can be taken as a
120 BPM!). So this means for the two reptition instru- is activated; the Tool simply will jump to the selected line guideline for mixing a composition, properly positioning
ments included with the VSL Kontakt Orchestra you can and continue from there. the instruments in the stereo field and adding reverb
play repetitions faster than quarters at 60 bpm but not according to the size of the concert hall you want your
slower. The scripts cannot be adapted to other instruments, as the piece to be played in.
above instruments contain many more samples than the
Function keys: Jump to Last, Skip First other instruments. If you want to get more “performance
Instruments“, please contact VSL for more information.
These function keys provide special functions that will http://www.vsl.co.at
make your performance even more realistic. You can set
them according to your needs, but make sure that they
don’t interfere with any of the other keyboard areas that
are taken up by play zone, keyswitches, and matrix line
switches.
JumpLast: If you press this key, the next sample played will
be the last active entry in the matrix line. Normally, this
will also be the finishing note of the sampled repetition
sequence, so you can place the end of your repetition
sequence at will. The next sample played will be the
first active entry of the matrix line (normally the starting
note).
Skip First On/Off: To play long repetition sequences without

employing “chain Mode” (see below), you can use these
switches. Pressing the key assigned to Skip First On will
cause the tool to skip the starting note of the repetition
line until you hit the Skip First Off key. Thus, your initial
number of repetitions can easily be increased to any
amount you like.

Instrument Size Keyrange Controller Info Origin Weblink
STRINGS
01 VIOLIN ENSEMBLE Violin ensemble with 14 players
01 Standard Instruments
Articulations: staccato (1+2 down & up), sustain, tremolo, sforzando, forte-
Violin ens 14 (all).nki 299.39 MB G2 - D6 C0 - F#0 VSL - Opus 1 http://www.vsl.co.at/instruments
piano, pizzicato
Violin ens 14 (fortepiano).nki 12.53 MB G2 - D6 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (pizzicato).nki 14.39 MB G2 - D6 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (sforzando).nki 11.99 MB G2 - D6 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (stac 1).nki 15.34 MB G2 - D6 staccato downbow VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (stac 1+2 alt).nki 30.64 MB G2 - D6 staccato downbow/upbow alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (stac 1+2).nki 30.64 MB G2 - D6 C0 - C#0 staccato downbow/upbow keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (stac 2).nki 15.48 MB G2 - D6 staccato upbow VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (sustain).nki 172.77 MB G2 - D6 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (tremolo).nki 57.06 MB G2 - D6 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Articulations: staccato (1+2 down & up), sustain, tremolo, sforzando, fortepi-
Violin ens 14 (all X).nki 299.39 MB G2 - D6 C0 - F#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
ano, pizzicato / Modwheel fades between piano and forte
Violin ens 14 (fortepiano X).nki 85.45 MB G2 - D6 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (pizzicato X).nki 14.39 MB G2 - D6 Modwheel pizzicato / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (sforzando X).nki 84.91 MB G2 - D6 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (stac 1 X).nki 15.34 MB G2 - D6 Modwheel staccato downbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
staccato downbow/upbow alternating / Modwheel fades between piano and
Violin ens 14 (stac 1+2 alt X).nki 30.64 MB G2 - D6 Modwheel VSL - Opus 1 http://www.vsl.co.at/instruments
forte
staccato downbow/upbow keyswitched / Modwheel fades between piano and
Violin ens 14 (stac 1+2 X).nki 30.64 MB G2 - D6 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Violin ens 14 (stac 2 X).nki 15.48 MB G2 - D6 Modwheel staccato upbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (sustain X).nki 172.77 MB G2 - D6 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (tremolo X).nki 57.06 MB G2 - D6 Modwheel tremolo / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments

03 Release Triggers
Violin ens 14 (sustain+rls).nki 180.21 MB G2 - D6 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (tremolo+rls).nki 64.95 MB G2 - D6 tremolo + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
04 Legato Instruments
Violin ens 14 (legato).nki 333.62 MB G2 - D6 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
02 VIOLA ENSEMBLE Viola ensemble with 10 players

Viola ens 10 (all).nki 390.49 MB C2 - E5 C0 - F#0 VSL - Opus 1 http://www.vsl.co.at/instruments
piano, pizzicato
Viola ens 10 (fortepiano).nki 12.43 MB C2 - E5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (pizzicato).nki 10.12 MB C2 - E5 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (sforzando).nki 12.11 MB C2 - E5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 ( stac 1).nki 12.91 MB C2 - E5 staccato downbow VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (stac 1+2 alt)nki 25.69 MB C2 - E5 staccato downbow/upbow alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (stac 1+2).nki 25.69 MB C2 - E5 C0 - C#0 staccato downbow/upbow keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (stac 2).nki 13.00 MB C2 - E5 staccato upbow VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (sustain).nki 261.20 MB C2 - E5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (tremolo).nki 68.94 MB C2 - E5 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Viola ens 10 (all X).nki 390.49 MB C2 - E5 C0 - F#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (fortepiano X).nki 98.21 MB C2 - E5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (pizzicato X).nki 10.12 MB C2 - E5 Modwheel pizzicato / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (sforzando X).nki 97.89 MB C2 - E5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (stac 1 X).nki 12.91 MB C2 - E5 Modwheel staccato downbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (stac 1+2 alt X).nki 25.69 MB C2 - E5 Modwheel VSL - Opus 1 http://www.vsl.co.at/instruments
forte

Viola ens 10 (stac 1+2 X).nki 25.69 MB C2 - E5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Viola ens 10 (stac 2 X).nki 13.00 MB C2 - E5 Modwheel staccato upbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (sustain X).nki 261.20 MB C2 - E5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (tremolo).nki 68.94 MB C2 - E5 Modwheel tremolo / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Viola ens 10 (sustain+rls).nki 273.45 MB C2 - E5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (tremolo+rls).nki 82.34 MB C2 - E5 tremolo + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (legato).nki 292.90 MB C2 - E5 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
03 CELLO ENSEMBLE Cello ensemble with 8 players

Cello ens 8 (all).nki 357.01 MB C1 - E4 C0 - F#0 VSL - Opus 1 http://www.vsl.co.at/instruments
piano, pizzicato
Cello ens 8 (fortepiano).nki 15.63 MB C1 - E4 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (pizzicato).nki 30.63 MB C1 - E4 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (sforzando).nki 14.56 MB C1 - E4 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (stac 1).nki 20.85 MB C1 - E4 staccato downbow VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (stac 1+2 alt).nki 41.55 MB C1 - E4 staccato downbow/upbow alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (stac 1+2).nki 41.55 MB C1 - E4 C0 - C#0 staccato downbow/upbow keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (stac 2).nki 20.70 MB C1 - E4 staccato upbow VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (sustain).nki 186.58 MB C1 - E4 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (tremolo).nki 68.06 MB C1 - E4 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments

02 Modwheel X-Fades
Cello ens 8 (all X).nki 357.01 MB C1 - E4 C0 - F#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (fortepiano X).nki 100.17 MB C1 - E4 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (pizzicato X).nki 30.63 MB C1 - E4 Modwheel pizzicato / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (sforzando X).nki 99.10 MB C1 - E4 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (stac 1 X).nki 20.85 MB C1 - E4 Modwheel staccato downbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (stac 1+2 alt X).nki 41.55 MB C1 - E4 Modwheel VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Cello ens 8 (stac 1+2 X).nki 41.55 MB C1 - E4 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Cello ens 8 (stac 2 X).nki 20.70 MB C1 - E4 Modwheel staccato upbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (sustain X).nki 186.58 MB C1 - E4 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (tremolo X).nki 68.06 MB C1 - E4 Modwheel tremolo / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Cello ens 8 (sustain+rls).nki 68.06 MB C1 - E4 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (tremolo+rls).nki 84.64 MB C1 - E4 tremolo + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (legato).nki 313.51 MB C1 - E4 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
04 DOUBLE BASS ENSEMBLE Double Bass ensemble with 6 players

Bass ens 6 (all).nki 420.28 MB B1 - D3 C5 - F#5 VSL - Opus 1 http://www.vsl.co.at/instruments
piano, pizzicato
Bass ens 6 (fortepiano).nki 18.00 MB B1 - D3 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (pizzicato).nkki 20.23 MB B1 - D3 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (sforzando).nki 18.18 MB B1 - D3 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (stac 1).nki 26.31 MB B1 - D3 staccato downbow VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (stac 1+2 alt).nki 53.22 MB B1 - D3 staccato downbow/upbow alternating VSL - Opus 1 http://www.vsl.co.at/instruments

Bass ens 6 (stac 1+2).nki 53.22 MB B1 - D3 C5 - C#5 staccato downbow/upbow keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (stac 2).nki 26.91 MB B1 - D3 staccato upbow VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (sustain).nki 184.51 MB B1 - D3 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (tremolo).nki 126.14 MB B1 - D3 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments
http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Bass ens 6 (all X).nki 420.28 MB B1 - D3 C5 - F#5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (fortepiano X).nki 102.19 MB B1 - D3 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (pizzicato X).nki 20.23 MB B1 - D3 Modwheel pizzicato / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (sforzando X).nki 102.37 MB B1 - D3 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (stac 1 X).nki 26.31 MB B1 - D3 Modwheel staccato downbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (stac 1+2 alt X).nki 53.22 MB B1 - D3 Modwheel VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Bass ens 6 (stac 1+2 X).nki 53.22 MB B1 - D3 C5 - C#5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Bass ens 6 (stac 2 X).nki 26.91 MB B1 - D3 Modwheel staccato upbow / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (sustain X).nki 184.51 MB B1 - D3 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (tremolo X).nki 126.14 MB B1 - D3 Modwheel tremolo / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Bass ens 6 (sustain+rls).nki 198.85 MB B1 - D3 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Bass ens 6 (tremolo+rls).nki 144.74 MB B1 - D3 tremolo + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
04 Repetition Instruments
Bass ens 6 (repetition).nki 148.78 MB B1 - D3 repetition with KSP repetition tool VSL - Opus 1 http://www.vsl.co.at/instruments

05 HARP
Harp (all).nki 284.96 MB B1 - A6 Modwheel modwheel down (0-63) = normal / modwheel up (64-128) = flageolet VSL - Opus 1 http://www.vsl.co.at/instruments
Harp (flageolet).nki 26.92 MB F2 - G#5 VSL - Opus 1 http://www.vsl.co.at/instruments
Harp (normal).nki 258.05 MB B1 - A6 VSL - Opus 1 http://www.vsl.co.at/instruments
WOODWINDS
06 PICCOLO FLUTE
Piccolo (all).nki 103.70 MB C4 - D7 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (fortepiano).nki 11.48 MB C4 - D7 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (sforzando).nki 11.83 MB C4 - D7 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (stac 1).nki 7.44 MB C4 - D7 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (stac 1+2 alt).nki 14.42 MB C4 - D7 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (stac 1+2).nki 14.42 MB C4 - D7 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (stac 2).nki 6.98 MB C4 - D7 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (sustain).nki 65.97 MB C4 - D7 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano / Mod-
Piccolo (all X).nki 103.70 MB C4 - D7 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
wheel fades between piano and forte
Piccolo (fortepiano X).nki 36.97 MB C4 - D7 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (sforzando X).nki 37.32 MB C4 - D7 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (stac 1 X).nki 7.44 MB C4 - D7 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (stac 1+2 alt X).nki 14.42 MB C4 - D7 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
staccato 1/stacccato 2 keyswitched / Modwheel fades between piano and
Piccolo (stac 1+2 X).nki 14.42 MB C4 - D7 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Piccolo (stac 2 X).nki 6.98 MB C4 - D7 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Piccolo (sustain X).nki 65.97 MB C4 - D7 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments

03 Release Triggers
Piccolo (sustain+rls).nki 73.90 MB C4 - D7 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
07 FLUTE
Flute (all).nki 129.75 MB B2 - F6 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (fortepiano).nki 15.01 MB B2 - F6 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (sforzando).nki 12.88 MB B2 - F6 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (stac 1).nki 11.77 MB B2 - F6 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (stac 1+2 alt).nki 23.55 MB B2 - F6 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (stac 1+2).nki 23.55 MB B2 - F6 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (stac 2).nki 11.77 MB B2 - F6 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (sustain).nki 78.30 MB B2 - F6 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Flute (all X).nki 129.75 MB B2 - F6 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (fortepiano X).nki 42.91 MB B2 - F6 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (sforzando X).nki 38.49 MB B2 - F6 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (stac 1 X).nki 11.77 MB B2 - F6 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (stac 1+2 alt X).nki 23.55 MB B2 - F6 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (stac 1+2 X).nki 23.55 MB B2 - F6 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Flute (stac 2 X).nki 11.77 MB B2 - F6 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (sustain X).nki 78.30 MB B2 - F6 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Flute (sustain+rls).nki 87.04 MB B2 - F6 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments

Flute (legato).nki 283.90 MB B2 - F6 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
08 OBOE
Oboe (all).nki 128.74 MB A#2 - G#5 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (fortepiano).nki 13.13 MB A#2 - G#5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (sforzando).nki 13.49 MB A#2 - G#5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (stac 1).nki 11.12 MB A#2 - G#5 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (stac 1+2 alt).nki 22.31 MB A#2 - G#5 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (stac 1+2).nki 22.31 MB A#2 - G#5 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (stac 2).nki 11.19 MB A#2 - G#5 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (sustain).nki 79.81 MB A#2 - G#5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Oboe (all X).nki 128.74 MB A#2 - G#5 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (fortepiano X).nki 40.17 MB A#2 - G#5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (sforzando X).nki 40.54 MB A#2 - G#5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (stac 1 X).nki 11.12 MB A#2 - G#5 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (stac 1+2 alt X).nki 22.31 MB A#2 - G#5 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (stac 1+2 X).nki 22.31 MB A#2 - G#5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Oboe (stac 2 X).nki 11.19 MB A#2 - G#5 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Oboe (sustain X).nki 79.81 MB A#2 - G#5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Oboe (sustain+rls).nki 89.98 MB A#2 - G#5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments

09 FRENCH OBOE
French Oboe (all).nki 218.76 MB A2 - A5 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (fortepiano).nki 18.47 MB A2 - A5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (sforzando).nki 18.73 MB A2 - A5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (stac 1).nki 14.27 MB A2 - A5 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (stac 1+2 alt).nki 28.36 MB A2 - A5 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (stac 1+2).nki 28.36 MB A2 - A5 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (stac 2).nki 14.09 MB A2 - A5 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (sustain).nki 153.19 MB A2 - A5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
French Oboe (all X).nki 218.76 MB A2 - A5 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (fortepiano X).nki 69.10 MB A2 - A5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (sforzando X).nki 69.37 MB A2 - A5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (stac 1 X).nki 14.27 MB A2 - A5 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (stac 1+2 alt X).nki 28.36 MB A2 - A5 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (stac 1+2 X).nki 28.36 MB A2 - A5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
French Oboe (stac 2X).nki 14.09 MB A2 - A5 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Oboe (sustain X).nki 153.19 MB A2 - A5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
French Oboe (sustain+rls).nki 166.13 MB A2 - A5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
10 ENGLISH HORN
Engl Horn (all).nki 147.69 MB E2 - D5 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (fortepiano).nki 14.14 MB E2 - D5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments

Engl Horn (sforzando).nki 12.17 MB E2 - D5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (stac 1).nki 9.17 MB E2 - D5 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (stac 1+2 alt).nki 18.43 MB E2 - D5 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (stac 1+2).nki 18.43 MB E2 - D5 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (stac 2).nki 9.26 MB E2 - D5 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (sustain).nki 102.95 MB E2 - D5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Engl Horn (all X).nki 147.69 MB E2 - D5 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (fortepiano X).nki 48.47 MB E2 - D5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (sforzando X).nki 46.50 MB E2 - D5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (stac 1 X).nki 9.17 MB E2 - D5 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (stac 1+2 alt X).nki 18.43 MB E2 - D5 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (stac 1+2 X).nki 18.43 MB E2 - D5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Engl Horn (stac 2 X).nki 9.26 MB E2 - D5 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Engl Horn (sustain X).nki 102.95 MB E2 - D5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Engl Horn (sustain +rls).nki 110.97 MB E2 - D5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
11 CLARINET
Clarinet (all).nki 167.36 MB D2 - A5 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (fortepiano).nki 18.53 MB D2 - A5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (sforzando).nki 17.16 MB D2 - A5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (stac 1).nki 13.74 MB D2 - A5 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (stac 1+2 alt).nki 27.47 MB D2 - A5 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (stac 1+2).nki 27.47 MB D2 - A5 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments

Clarinet (stac 2).nki 13.73 MB D2 - A5 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (sustain).nki 104.20 MB D2 - A5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Clarinet (all X).nki 167.36 MB D2 - A5 C0 - E0 /MW VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (fortepiano X).nki 52.50 MB D2 - A5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (sforzando X).nki 51.14 MB D2 - A5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (stac 1 X).nki 13.74 MB D2 - A5 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (stac 1+2 alt X).nki 27.47 MB D2 - A5 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (stac 1+2 X).nki 27.47 MB D2 - A5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Clarinet (stac 2 X).nki 13.73 MB D2 - A5 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clarinet (sustain X).nki 104.20 MB D2 - A5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Clarinet (sustain+rls).nki 146.32 MB D2 - A5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
12 BASSCLARINET
Bass Clar (all).nki 93.19 MB A#0 - C#2 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (fortepiano).nki 8.22 MB A#0 - C#2 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (szorzando).nki 8.22 MB A#0 - C#2 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (stac 1).nki 9.06 MB A#0 - C#2 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (stac 1+2 alt).nki 17.99 MB A#0 - C#2 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (stac 1+2).nki 17.99 MB A#0 - C#2 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (stac 2).nki 8.93 MB A#0 - C#2 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (sustain).nki 58.76 MB A#0 - C#2 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

02 Modwheel X-Fades
Bass Clar (all X).nki 93.19 MB A#0 - C#2 C0 - E0 /MW VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (fortepiano X).nki 28.04 MB A#0 - C#2 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (sforzando X).nki 28.04 MB A#0 - C#2 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (stac 1 X).nki 9.06 MB A#0 - C#2 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (stac 1+2 alt X).nki 17.99 MB A#0 - C#2 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (stac 1+2 X).nki 17.99 MB A#0 - C#2 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Bass Clar (stac 2 X).nki 8.93 MB A#0 - C#2 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bass Clar (sustain X).nki 58.76 MB A#0 - C#2 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Bass Clar (sustain+rls).nki 85.38 MB A#0 - C#2 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
13 CLARINET & BASSCLARINET Clarinet and Bassclarinet combined in 1 instrument

Clar Combi (all).nki 260.55 MB A#0 - A5 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (fortepiano).nki 26.75 MB A#0 - A5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (sforzando).nki 25.38 MB A#0 - A5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (stac 1).nki 22.80 MB A#0 - A5 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (stac 1+2 alt).nki 45.46 MB A#0 - A5 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Comb (stac 1+2).nki 45.46 MB A#0 - A5 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (stac 2).nki 22.66 MB A#0 - A5 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (sustain).nki 162.97 MB A#0 - A5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Clar Combi (all X).nki 260.55 MB A#0 - A5 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (fortepiano X).nki 80.55 MB A#0 - A5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (sforzando X).nki 79.18 MB A#0 - A5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments

Clar Combi (stac 1 X).nki 22.80 MB A#0 - A5 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (stac 1+2 alt X).nki 45.46 MB A#0 - A5 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (stac 1+2 X).nki 45.46 MB A#0 - A5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Clar Combi (stac 2 X).nki 22.66 MB A#0 - A5 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Clar Combi (sustain X).nki 162.97 MB A#0 - A5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Clar Combi (sustain+rls).nki 231.70 MB A#0 - A5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
14 BASSOON
Bassoon (all).nki 161.10 MB A#0 - E4 C5 - E5 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (fortepiano).nki 18.59 MB A#0 - E4 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (sforzando).nki 17.93 MB A#0 - E4 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (stac 1).nki 13.77 MB A#0 - E4 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (stac 1+2 alt).nki 27.53 MB A#0 - E4 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (stac 1+2 ).nki 27.53 MB A#0 - E4 C5 - C#5 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (stac 2).nki 13.76 MB A#0 - E4 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (sustain).nki 97.05 MB A#0 - E4 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Bassoon (all X).nki 161.10 MB A#0 - E4 C5 - E5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (fortepiano X).nki 51.73 MB A#0 - E4 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (sforzando X).nki 51.07 MB A#0 - E4 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (stac 1 X).nki 13.77 MB A#0 - E4 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (szac 1+2 alt X).nki 27.53 MB A#0 - E4 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bassoon (stac 1+2 X).nki 27.53 MB A#0 - E4 C5 - C#5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Bassoon (stac 2 X).nki 13.76 MB A#0 - E4 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments

Bassoon (sustain X).nki 97.05 MB A#0 - E4 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Bassoon (sustain+rls).nki 111.30 MB A#0 - E4 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
15 CONTRABASSOON
C-Bassoon (all).nki 77.47 MB A#-1 - A0 C5 - E5 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (fortepiano).nki 7.63 MB A#-1 - A0 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (sforzando).nki 8.57 MB A#-1 - A0 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (stac 1).nki 6.37 MB A#-1 - A0 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (stac 1+2 alt).nki 12.75 MB A#-1 - A0 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (stac 1+2).nki 12.75 MB A#-1 - A0 C5 - C#5 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (stac 2).nki 6.38 MB A#-1 - A0 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (sustain).nki 48.52 MB A#-1 - A0 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
C-Bassoon (all X).nki 77.47 MB A#-1 - A0 C5 - E5 /MW VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (fortepiano X).nki 24.76 MB A#-1 - A0 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (sforzando X).nki 25.70 MB A#-1 - A0 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoonn (stac 1 X).nki 6.37 MB A#-1 - A0 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (stac 1+2 alt X).nki 12.75 MB A#-1 - A0 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (stac 1+2 X).nki 12.75 MB A#-1 - A0 C5 - C#5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
C-Bassoon (stac 2 X).nki 6.38 MB A#-1 - A0 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
C-Bassoon (sustain X).nki 48.52 MB A#-1 - A0 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
C-Bassoon (sustain+rls).nki 53.64 MB A#-1 - A0 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments

16 BASSOON & CONTRABASSOON Bassoon and Contrabassoon combined in 1 instrument

Bsn Combi (all).nki 238.57 MB A#-1 - E4 C5 - E5 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (fortepiano).nki 26.22 MB A#-1 - E4 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (sforzando).nki 26.50 MB A#-1 - E4 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (stac 1).nki 20.14 MB A#-1 - E4 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (stac 1+2 alt).nki 40.29 MB A#-1 - E4 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (stac 1+2).nki 40.29 MB A#-1 - E4 C5 - C#5 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (stac 2).nki 20.15 MB A#-1 - E4 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (sustain).nki 145.56 MB A#-1 - E4 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Bsn Combi (all X).nki 238.57 MB A#-1 - E4 C5 - E5 /MW VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (fortepiano X).nki 76.49 MB A#-1 - E4 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (sforzando X).nki 76.78 MB A#-1 - E4 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (stac 1 X).nki 20.14 MB A#-1 - E4 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (stac 1+2 alt X).nki 40.29 MB A#-1 - E4 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi (stac 1+2 X).nki 40.29 MB A#-1 - E4 C5 - C#5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Bsn Combi (stac 2 X).nki 20.15 MB A#-1 - E4 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Bsn Combi sustain X).nki 145.56 MB A#-1 - E4 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Bsn Combi (sustain+rls).nki 164.94 MB A#-1 - E4 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments

BRASS
17 TRUMPET SOLO
Trumpet (all).nki 129.15 MB E2 - D5 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (fortepiano).nki 11.93 MB F#2 - D5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (sforzando).nki 12.09 MB F#2 - D5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (stac 1).nki 10.77 MB E2 - D5 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (stac 1+2 alt).nki 21.68 MB E2 - D5 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (stac 1+2).nki 21.68 MB E2 - D5 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (stac 2).nki 10.91 MB E2 - D5 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (sustain).nki 83.46 MB E2 - D5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Trumpet (sustain+flt).nki 83.46 MB E2 - D5 Modwheel Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Trumpet (all X).nki 129.15 MB E2 - D5 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (fortepiano X).nki 35.70 MB E2 - D5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (sforzando X).nki 35.86 MB E2 - D5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (stac 1 X).nki 10.77 MB E2 - D5 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (stac 1+2 alt X).nki 21.68 MB E2 - D5 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (stac 1+2 X).nki 21.68 MB E2 - D5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Trumpet (stac 2 X).nki 10.91 MB E2 - D5 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (sustain X).nki 83.46 MB E2 - D5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Trumpet (sustain+rls).nki 92.94 MB E2 - D5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Trumpet (sustain+flt+rls).nki 92.94 MB E2 - D5 Modwheel sustain + release samples / Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments

18 TRUMPET ENSEMBLE Trumpet ensemble with 3 players

Trump ens 3 (all).nki 118.91 MB F#2 - D#5 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (fortepiano).nki 11.32 MB F#2 - D#5 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (sforzando).nki 11.21 MB F#2 - D#5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (stac 1).nki 12.06 MB F#2 - D#5 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (stac 1+2 alt).nki 24.11 MB F#2 - D#5 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (stac 1+2).nki 24.11 MB F#2 - D#5 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (stac 2).nki 12.05 MB F#2 - D#5 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (sustain).nki 72.26 MB F#2 - D#5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (sustain+flt).nki 72.26 MB F#2 - D#5 Modwheel Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Trump ens 3 (all X).nki 118.91 MB F#2 - D#5 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (fortepiano X).nki 35.91 MB F#2 - D#5 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (sforzando X).nki 35.80 MB F#2 - D#5 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (stac 1 X).nki 12.06 MB F#2 - D#5 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (stac 1+2 alt X).nki 24.11 MB F#2 - D#5 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (stac 1+2 X).nki 24.11 MB F#2 - D#5 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Trump ens 3 (stac 2 X).nki 12.05 MB F#2 - D#5 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (sustain X).nki 72.26 MB F#2 - D#5 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Trump ens 3 (sustain+rls).nki 80.28 MB F#2 - D#5 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Trump ens 3 (sustain+flt+rls).nki 80.28 MB F#2 - D#5 Modwheel sustain + release samples / Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments

19 FRENCH HORN SOLO

French Horn (all).nki 161.87 MB A#0 - G4 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (fortepiano)-nki 13.25 MB A#1 - G4 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (sforzando).nki 13.77 MB A#1 - G4 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (stac 1).nki 11.35 MB A#0 - G4 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (stac 1+2 alt).nki 22.61 MB A#0 - G4 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (stac 1+2).nki 22.61 MB A#0 - G4 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (stac 2).nki 11.26 MB A#0 - G4 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (sustain).nki 112.24 MB A#0 - G4 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

French Horn (sustain+flt).nki 112.24 MB A#0 - G4 Modwheel Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
French Horn (all X).nki 161.87 MB A#0 - G4 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (fortepiano X).nki 40.21 MB A#1 - G4 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (sforzando X).nki 40.73 MB A#1 - G4 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (stac 1 X).nki 11.35 MB A#0 - G4 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (stac 1+2 alt X).nki 22.61 MB A#0 - G4 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (stac 1+2 X).nki 22.61 MB A#0 - G4 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
French Horn (stac 2 X).nki 11.26 MB A#0 - G4 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (sustain X).nki 112.24 MB A#0 - G4 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
French Horn (sustain+rls).nki 128.79 MB A#0 - G4 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
French Horn (sustain+flt+rls).nki 128.79 MB A#0 - G4 Modwheel sustain + release samples / Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments

20 FRENCH HORN ENSEMBLE French Horn ensemble with 4 players

Frn Horn ens 4 (all).nki 120.80 MB G#1 - F4 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (fortepiano).nki 12.01 MB G#1 - F4 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (sforzando).nki 11.71 MB G#1 - F4 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (stac 1).nki 9.86 MB G#1 - F4 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (stac 1+2 alt).nki 19.21 MB G#1 - F4 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (stac 1+2).nki 19.21 MB G#1 - F4 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (stac 2).nki 9.87 MB G#1 - F4 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (sustain).nki 77.87 MB G#1 - F4 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (sustain+flt).nki 77.87 MB G#1 - F4 Modwheel Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Frn Horn ens 4 (all X).nki 120.80 MB G#1 - F4 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (fortepiano X).nki 39.97 MB G#1 - F4 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (sforzando X).nki 39.67 MB G#1 - F4 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (stac 1 X).nki 9.86 MB G#1 - F4 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (stac 1+2 alt X).nki 19.21 MB G#1 - F4 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (stac 1+2 X).nki 19.21 MB G#1 - F4 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Frn Horn ens 4 (stac 2 X).nki 9.87 MB G#1 - F4 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (sustain X).nki 77.87 MB G#1 - F4 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Frn Horn ens 4 (sustain+rls).nki 86.32 MB G#1 - F4 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (sustain+flt+rls).nki 86.32 MB G#1 - F4 Modwheel sustain + release samples / Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (legato).nki 193.83 MB G#1 - F4 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments

21 TROMBONE SOLO
Trombone (all).nki 151.11 MB E1 - D4 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (fortepiano).nki 18.09 MB E1 - D4 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (sforzando).nki 18.91 MB E1 - D4 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (stac 1).nki 11.57 MB E1 - D4 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (stac 1+2 alt).nki 23.21 MB E1 - D4 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (stac 1+2).nki 23.21 MB E1 - D4 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (stac 2).nki 11.64 MB E1 - D4 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (sustain).nki 90.90 MB E1 - D4 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Trombone (sustain+flt).nki 90.90 MB E1 - D4 Modwheel Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Trombone (all X).nki 151.11 MB E1 - D4 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (fortepiano X).nki 50.20 MB E1 - D4 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (sforzando X).nki 62.35 MB E1 - D4 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (stac 1 X).nki 11.57 MB E1 - D4 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (stac 1+2 alt X).nki 23.21 MB E1 - D4 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (stac 1+2 X).nki 23.21 MB E1 - D4 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Trombone (stac 2 X).nki 11.64 MB E1 - D4 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (ssustain X).nki 90.90 MB E1 - D4 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Trombone (sustain+rls).nki 100.60 MB E1 - D4 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Trombone (sustain+flt+rls).nki 100.60 MB E1 - D4 Modwheel sustain + release samples / Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments

22 TROMBONE ENSEMBLE Trombone ensemble with 3 players

Tromb ens 3 (all).nki 117.86 MB C1 - A#3 C0 - E0 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (fortepiano).nki 11.51 MB C1 - A#3 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (sforzando).nki 11.10 MB C1 - A#3 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (stac 1).nki 9.47 MB C1 - A#3 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (stac 1+2 alt).nki 18.96 MB C1 - A#3 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (stac 1+2).nki 18.96 MB C1 - A#3 C0 - C#0 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (stac 2).nki 9.49 MB C1 - A#3 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (sustain).nki 76.29 MB C1 - A#3 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Tromb ens 3 (sustain+flt).nki 76.29 MB C1 - A#3 Modwheel Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Tromb ens 3 (all X).nki 117.86 MB C1 - A#3 C0 - E0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (fortepiano X).nki 39.59 MB C1 - A#3 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (sforzando X).nki 39.18 MB C1 - A#3 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (stac 1 X).nki 9.47 MB C1 - A#3 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (stac 1+2 alt X).nki 18.96 MB C1 - A#3 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (stac 1+2 X).nki 18.96 MB C1 - A#3 C0 - C#0 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Tromb ens 3 (stac 2 X).nki 9.49 MB C1 - A#3 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (sustain X).nki 76.29 MB C1 - A#3 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Tromb ens 3 (sustain+rls).nki 84.09 MB C1 - A#3 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (sustain+flt+rls).nki 84.09 MB C1 - A#3 Modwheel sustain + release samples / Modwheel > Brightness (lowpass filter) VSL - Opus 1 http://www.vsl.co.at/instruments
04 Repetition Instruments
Tromb ens 3 (repetition).nki 97.84 MB C1 - A#3 repetition with KSP repetition tool VSL - Opus 1 http://www.vsl.co.at/instruments

23 TUBA
Tuba (all).nki 176.28 MB A-1 - G3 C5 - E5 Articulations: staccato 1, staccato 2, sustain, sforzando, fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (fortepiano).nki 20.89 MB A-1 - G3 fortepiano VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (sforzando).nki 15.73 MB A-1 - G3 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (stac 1).nki 19.52 MB A-1 - G3 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (stac 1+2 alt).nki 38.92 MB A-1 - G3 staccato 1/staccato 2 alternating VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (stac 1+2).nki 38.92 MB A-1 - G3 C5 - C#5 staccato 1/staccato 2 keyswitched VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (stac 2).nki 19.40 MB A-1 - G3 staccato 2 VSL - Opus 1 http://www.vsl.co.at/instruments
Tubna (sustain).nki 100.74 MB A-1 - G3 sustain VSL - Opus 1 http://www.vsl.co.at/instruments
02 Modwheel X-Fades
Tuba (all X).nki 176.28 MB A-1 - G3 C5 - E5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (fortepiano X).nki 70.05 MB A-1 - G3 Modwheel fortepiano / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (sforzando X).nki 64.89 MB A-1 - G3 Modwheel sforzando / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (stac 1 X).nki 19.52 MB A-1 - G3 Modwheel staccato 1 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (stac 1+2 alt X).nki 38.92 MB A-1 - G3 Modwheel staccato 1/staccato 2 alternating / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (stac 1+2 X).nki 38.92 MB A-1 - G3 C5 - C#5 / MW VSL - Opus 1 http://www.vsl.co.at/instruments
forte
Tuba (stac 2 X).nki 19.40 MB A-1 - G3 Modwheel staccato 2 / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
Tuba (sustain X).nki 100.74 MB A-1 - G3 Modwheel sustain / Modwheel fades between piano and forte VSL - Opus 1 http://www.vsl.co.at/instruments
03 Release Triggers
Tuba (sustain+rls).nki 113.70 MB A-1 - G3 sustain + release samples VSL - Opus 1 http://www.vsl.co.at/instruments

DRUMS & PERCUSSIONS

24 TIMPANI
Timpani (left).nki 214.90 MB A#0 - A#2 Left hand VSL - Opus 1 http://www.vsl.co.at/instruments
Timpani (right).nki 213.45 MB A#0 - A#2 Right hand VSL - Opus 1 http://www.vsl.co.at/instruments
Timpani (tremolo).nki 422.80 MB B0 - A#5 B0 - A#2 tremolo, A#3 - A#5 single strokes VSL - Opus 1 http://www.vsl.co.at/instruments
25 DRUMS
Bass Drum.nki 14.09 MB C2 + D2 C2 = left hand, D2 = right hand VSL - Opus 1 http://www.vsl.co.at/instruments
C2-F2, C4- C2 = left hand 1, D2 = right hand 1, E2 = left hand 2, F2 = right hand 2. C4
Snare Drum ens.nki 20.78 MB VSL - Opus 1 http://www.vsl.co.at/instruments
C#4 = tremolo, C#4 = tremolo + release samples
C2-F2, C4- C2 = left hand 1, D2 = right hand 1, E2 = left hand 2, F2 = right hand 2. C4
Snare Drum.nki 12.03 MB VSL - Opus 1 http://www.vsl.co.at/instruments
C#4 = tremolo, C#4 = tremolo + release samples
C2 = var 1, D2 = var 2, G2 = sforzando 1, A2 = sforzando 2, D3 = tremolo
Tamburin 1.nki 4.34 MB C2 - E4 thumb, E3 = tremolo thumb + release, D4 = tremolo shake, E4 = tremolo VSL - Opus 1 http://www.vsl.co.at/instruments
shake + release samples
Tamburin 2.nki 5.25 MB C2 - E4 thumb, E3 = tremolo thumb + release, D4 = tremolo shake, E4 = tremolo VSL - Opus 1 http://www.vsl.co.at/instruments
26 CYMBALS
C4-C#4, C5-
Cymbal half.nki 39.78 MB C4 = tremolo, C#4 = tremolo + release, C5+D5 = single strokes VSL - Opus 1 http://www.vsl.co.at/instruments
D5
Cymbal a due.nki 21.97 MB C2 2 cymbals against each other VSL - Opus 1 http://www.vsl.co.at/instruments
Tamtam.nki 103.02 MB C1 - D3 C1-D#1 = big, C2-D#2 = mid, C3-D#3 = small VSL - Opus 1 http://www.vsl.co.at/instruments
27 PERCUSSION
Triangle 1.nki 52.36 MB C1-A#1 C1-C#1 = open side, E1-F1 = muted, G1-A#1 = vibrato VSL - Opus 1 http://www.vsl.co.at/instruments
Triangle 2.nki 41.88 MB C1-A#1 C1-C#1 = open side, E1-F1 = muted, G1-A#1 = vibrato VSL - Opus 1 http://www.vsl.co.at/instruments

28 MALLETS & BELLS

Celesta.nki 257.23 MB C1 - F6 4 velocity layers VSL - Opus 1 http://www.vsl.co.at/instruments
Glockenspiel.nki 129.25 MB F3 - D6 3 velocity layers VSL - Opus 1 http://www.vsl.co.at/instruments
Marimba.nki 32.56 MB C1 - C6 2 velocity layers VSL - Opus 1 http://www.vsl.co.at/instruments
Tubular Bells (metal).nki 7.48 MB E3 - E4 Metal mallets VSL - Opus 1 http://www.vsl.co.at/instruments
Tubular Bells (wood).nki 7.47 MB E3 - E4 Wood mallets VSL - Opus 1 http://www.vsl.co.at/instruments
Xylophone.nki 30.09 MB F2 - C6 3 velocity layers VSL - Opus 1 http://www.vsl.co.at/instruments

02 - KSP Instruments
01 - Elektrik Guitar
Introduction
Welcome to the Elektrik Guitar, an extensively sampled

electric guitar which goes beyond the limitations and
restrictions of conventionally sampled instruments.
The Elektrik Guitar, just like the Akkord Guitar, consti-

tutes a very exceptional and special part of the Kontakt 2
Library. This instrument is not just a Kontakt preset but
also a program in itself. That’s why it is wise to read That’s why the Elektrik Guitar can be said to be equipped • Play chords in the Chord Mode: choose a chord by
through this manual to understand the full potential of with a hexaphonic pickup which opens up a number of playing the appropriate keys and trigger the chord
this instrument. possibilities: in various strumming styles. The Elektrik Guitar
will find the correct chord voicing in the specified
So what’s so special about it? • Detune and pan strings individually position and will display it in the script module:
• Output each string on a different output channel,
The main principle of this instrument is that it takes into e.g. in a 6.1 setup, each string gets its own loud-
account the fact that a guitar is played on six strings and speaker
not on a keyboard: • Apply different effects on different strings, e.g.
convolution for the low E string, chorus for the A
On a real guitar, the same note can be played in various string etc.
positions (i.e. on different strings) and therefore will sound
different. With a traditionally sampled guitar, a C3 played
with velocity 100 will always trigger the same sample; But there’s even more…
with the Elektrik Guitar, the key can trigger two different
notes (8th fret on E-string or 3rd fret on A-string), based You can play the Elektrik Guitar in two ways:
upon the position in which you are playing. So how is this all accomplished?
• Play melodic lines in the Solo Mode: you can
The Elektrik Guitar is able to decide which sample to even decide if you want hammer-on and pull-off The Elektrik Guitar makes extensive use of KSP, the Kon-
play based upon the playing position. Therefore all notes samples to be triggered when playing legato. Or takt Script Processor. KSP enables you to write your own
of the guitar have been sampled, i.e. all notes from the instantly switch back and forth between normal programs within Kontakt; you can write simple programs
E-string, all notes from the A-string and so forth. tones, muted notes, natural harmonics and artifi- like harmonizers or create complex programs like the
cial harmonics… Elektrik Guitar.
All samples belonging to a particular string have been
arranged in separate groups (four groups per string):

The programs for KSP are referred to as scripts. The
scripts in this instrument were especially written for the
Elektrik Guitar.
And best of all…the scripts are “open source”!

The grey part denotes the script part of the instrument. The main window will always display which fret on which
The scripts that come with the Elektrik Guitar are not In the upper border you’ll see five script tabs (the Elektrik string has been triggered with which picking and playing
locked in any way. Guitar uses three of them): style (in this case a normal downstroke).
Main: This is the main window for accessing and dis-
Click the Edit button in the lower left corner of the script playing most of the parameters Now change the “neck” position of your virtual right
module and you can take a look into the actual code; Strings: This window is used to tune and pan individual hand by double clicking on Position; enter 8 and again
if you’re familiar with the Kontakt Script Language, you strings play C3 again:
can even edit the instrument and create a whole differ- Info: This window displays all function keys to use
ent version of the Elektrik Guitar and share it with other with the Elektrik Guitar, it contains visual infor-
Kontakt users! mation only; if not needed you can erase this
script module by choosing Script/ - Empty - right
Overview- below the Bypass button
Load the Elektrik Guitar into Kontakt and click the Edit Solo Mode - playing melodic lines
wrench to open the instrument: When you first load the instrument, it is in Solo Mode
(or Solo strict to be precise, we’ll explain the difference
later).
Now the eighth fret of the E string is played with an
Fret Position upstroke.
Play a note (e.g. C3). You will hear the third fret of the Play around with this a little more, you’ll grasp the con-
A string played with a downstroke: cept quite fast.

How fret position works “String based” keyboard playing or pull-off sample, so if you play and hold E2 and then
When you’re in Position 0, the open strings and the first The Elektrik Guitar features a number of enhancements F2, the F will be “hammered on”. Conversely, if you play
four frets will be played, the b string will only be played to for a more realistic approach to guitar playing on a key- and hold F2 and then E2, the F will be “pulled off”.
the third fret since the fourth fret on the b string equals board.
the open e string in pitch. Right Hand Tap: In this mode, you can simulate the right
Set Position to zero and play and hold E2, the open string hand tapping on the string; set Position to zero, play and
When you’re in Position 1, frets one to five will be played. is played. Now, while holding E2, play F2: only the F2 hold E2 and then E3: the E3 will be “hammered on”.
Again, the b string will only go to fret four. (first fret on the E string) is heard, the open E string will
not sound anymore. This makes sense since on a guitar, Sustain of individual strings
This principle continues until Position 19: the 23rd fret you cannot play the open E string and the first fret of the It is possible to let notes on some strings ring while notes
is the highest note you can play on each string. E string together (of course this does not mean that the on other strings can be damped. The Elektrik Guitar
instrument is in some kind of monophonic mode). features a “Sustain-per-string” feature:
How to change positions
You can change positions by entering the number in the
Just like a normal guitar, the Elektrik Guitar will never play
Position parameter or by playing special function keys two notes on the same string at the same time, since this is
on the keyboard: the keys C1 to B1 will trigger the posi- physically not possible! You can however override this behavior
tions 0 to 11 so you can, for example, play a melodic by choosing Solo Mode instead of Solo Strict. Then all notes
line over and over but change the sound by changing you play on the keyboard will sound.
the position.
Options Legato performance: playing hammer-ons and pull-offs

When a button is highlighted, all notes of the respective
string will ring (again, if Solo Strict is selected, only one
note per string will sound).
Why is that?
Suppose the following situation from a guitar players

There are three options related to fret positions: point:
Fixed Position: Only the notes available in the specified Besides “normal” notes, the Elektrik Guitar also is able You strike the E string and A string in an alternating
position will sound. All others will be ig- to trigger hammer-on and pull-off samples, depending pattern, creating some sort of drone or pedal notes, and
nored. on the Legato mode you’re in. want to play a melody in between on the high strings,
Extend Position: Higher notes which are not available in the something like:
specified position will be played on the Legato Off: In this mode, playing two notes on the same
high e string. Lower notes will be played string in a legato fashion will only let the newest note
on the low E string. The position remains sound. No hammer-on or pull-off samples are trig-
unchanged. gered.
Auto Position: Whenever you play a note outside the
position, the position will be automatically Legato Strict: In this mode, playing two notes on the
adjusted. same string in a legato fashion will trigger a hammer-on

Picking and Playing Styles Basic Set: This set contains the normal notes (i.e. struck or hit a special function key (A0 - B0 will trigger the
Every note in the Elektrik Guitar is available as a down- with the plectrum) and the hammer-on/pull- three modes).
stroke and upstroke. There are several options concerning offs
these two picking styles: Muted: Every note is muted by the palm of the right The principle of the chord mode is that you play a chord
hand. with your left hand and trigger a specific strumming style
Ghost Notes: The finger of the left hand lightly touches with your right hand.
the fret.
Harmonics: Artificial harmonics - the first finger depress- For example, play C3-E3-G3-B3:
es the fret while the fourth finger touches the
string a perfect fourth above to create the har-
monic which sounds two octaves above the
depressed fret
Flageolet: Natural harmonics - this mode is kind of special
since the played keys are not the same as the
Alternate strict: Alternating between downstrokes and up- sounding ones. Playing E2 for example will give
strokes you the second partial of the E string, touched
Alternate: similar to Alternate strict, however, emphasis at the half of the string (fret 12). F2 will pro-
is put on downstrokes; after a specific time duce the third partial, touched at the third of
interval where no note was played, the next the string (fret 7). This continues until G#3,
note will be a downstroke which produces the sixth partial. By playing these notes, you trigger a C maj7 chord. De-
Downstroke: Downstrokes only From A2 on this pattern starts over with the pending on the position, the instrument will generate
Upstroke: Upstrokes only A string. the correct voicing and display the chord name and the
Random: Randomizes the picking direction. tablature in the script module. Now you can trigger the
chord:
Both the harmonics and the flageolets do not depend on the
These five options can also be chosen by hitting a special current position.
function key (F0 - Ab0).
Play C4 and the chord will be strummed. Play E4 to
damp the chord.
Chord Mode - playing guitar voicing
Apart from playing “normal” notes and hammer-on/pull- Now let’s play some chords. To do so, choose Chord Mode Now set Position to 1 and play C4:
offs, you can also choose the following playing styles: from the mode menu:

Since you’re now in a different position, the instrument
chooses a different voicing and thus the chord will sound
different.
Here’s an overview of the different strumming styles:

C4/Db4 normal stroke, down/up
D4/Eb4 bass note/upper three notes
F4/Gb4 emphasize low/high strings
G4/Ab4 muted stroke, down/up
A4/Bb4 ghost stroke, down/up
E4 and B4 damp chord
The octave C5 to B5 will play the individual strings of

the chord:
Tuning and Panning of individual strings When using external MIDI CCs for tuning, you have a
• The notes of the wholetone scale of C (C, D, E, Now let’s switch to the next script module window, labeled choice of three options regarding the tuning range:
Gb, Ab, Bb) will trigger the downstrokes Elektrik Guitar - Strings:
• The notes of the wholetone scale of Db (Db, Eb,
F, G, A, B) will trigger the upstrokes With Elektrik Guitar, you can tune each string separately,
like on a real guitar. For additional weirdness, you can
There are 43 different chord types available. Please refer also pan each string separately…
to the reference section for information about how to
trigger a specific chord type. You can enter the tune and pan amount by dragging or
double clicking and entering a value in the respective field.
Chord Settings Tune ranges go from -12 to 12 semitones; pan ranges go
from -100 (left) to 100 (right).
MIDI Control Octave: Controller numbers 0 - 127 are mapped to ± 1

All 12 parameters can be controlled via MIDI CCs: Octave
Semitone: Controller numbers 0 - 127 are mapped to ±
• CC controller numbers for tuning the strings range 1 semitone
from CC 21 (low E string) to CC 26 Adjacent string: Sets the tune range so that the maximum
• CC numbers for panning the strings range from and minimum tune amount corresponds to the
CC 31 (low E string) to CC 36 pitch of the two adjacent strings
Speed: Adjust the speed of the chord when being
strummed. This knob can also be controlled by Extern_CC turns external MIDI control on or off.
Please note that it is not possible to tune a string while the
MIDI CC 20. voice is running!
Random: Adjust the amount of timing randomization be-
tween the notes.

Chord Recognition
Here’s a complete chart of all chord types available:
Chord recognition shortcuts
• Playing all notes of a chord will trigger the respec-

tive chord (of course)
• For most chords, you can leave out the fifth
• Playing only one note will trigger a major chord
• Playing a major second will trigger the Dominant
7 chord of the upper notes
• Major and minor triads are also recognized when
played in inversions
Credits
Instrument Design & Concept: Nicki Marinic
Script written by: Josef Natterer, Nicki Marinic
Produced by : Modo Bierkamp, Mirco Hildmann,
Harald Braun
Recording Equipment
Guitar: Paul Reed Smith Custom 24,
Bridge & Neck Pickup
(both “inner” single coils)
Preamp: TL-Audio VP-5051
Interface: RME Fireface 800
Recording/Cut: Logic Audio Pro 7 /ProTools 6.4

02 - Akkord Guitar familiar with the Kontakt Script Programming language, Quick Start
you can make a different Akkord Guitar version and share Let’s quickly explore the basic features of the Akkord
Introduction it with other Kontakt 2 users. Guitar:
Welcome to the Akkord Guitar, a Kontakt 2 instrument
designed to perform acoustic guitar strumming parts. Since the Akkord Guitar is a program in itself, please • Open Kontakt 2 and load the patch Akkord Guitar
take a moment to read through the manual to understand (small).nki
With the Akkord Guitar you instantly create rhythmic guitar the potential of this unique instrument of the Kontakt 2 • Click the Edit wrench to open the instrument:
tracks and use them live or in a production. Or, use the library.
Akkord Guitar as a compositional tool to try out different
chord changes over the same rhythmic pattern.
What is the Akkord Guitar?

The Akkord Guitar is based on chord samples of an acous-
tic guitar. Each chord has been recorded in three different
strumming styles with each style available as a down- and
upstroke. Each chord also features a “left-off” sample,
the sound of the left hand releasing the chord.
In addition to chord specific samples there’s also a variety

of noises, fret sounds, slides etc. for your disposal.
Up to 43 chord types are available in each key, resulting

in over 3500 samples!
That means when you trigger a Gb 7 (#9,b13) chord, you

will hear a sample of an acoustic guitar playing a Gb 7
(#9,b13) chord - NOT a transposition of another chord or a
chord that has been assembled from individual notes.
The Akkord Guitar features an intelligent chord recogni-

tion mechanism, 64 rhythmic preset patterns and a user
preset management for patterns and chords.
This is all accomplished by a program written specifically

for the Akkord Guitar and executed by KSP, the Kontakt
Script Processor.
This program (referred to as a script), by the way, can be

edited by anybody since it is not protected (if you wish
you can think of it as being open source). So if you are

The grey part denotes the script module area; this window In the following sections you’ll learn more about how to The table in the middle of the script module shows the
is where all editing will take place. create your own songs and patterns…let’s move on! Velocity values for each step.
If for example you want to edit the playing style for a
• Play and hold C3: a C major chord playing a rhyth- particular step, choose the step by using the Cur_step
mic pattern is triggered. Editing and Creating Patterns and Songs (current step) parameter.
• Release the key and play E3: the pattern stops and The Akkord Guitar is based on patterns and songs.
plays the same pattern with an E major chord Complicated? Let’s illustrate the procedure step-by-
• Release the key and activate Latch, now again play Here’s an overview of all parameters that constitute a step:
a single note: the pattern will continue to play even pattern:
after you release the key. Choose Basic 1 from the pattern menu and set the song
• Now play C and Eb together: the pattern continues Step length of the pattern; 1 to 32 to Pattern only (then you will hear only the pattern you’re
but switches to a different chord (C minor) working on). The interface should look like this:
Tempo the resolution of the steps, from 32nd notes to
• Hit B3: the pattern stops (B3 has this specific
(i.e. Grid) quarter notes
function assigned) This pattern is a 4/4 bar (32 steps with a resolution of
Style specifies the playing style of the selected step
32nd notes).
Now let's move on. Click on the word Welcome! in the Duration specifies the duration of the selected step
lowest row of the grey script module. A pop up menu “Sample“ means that the duration is equal to the Let’s assume we want to change the last two sixteenth
appears with all available patterns. Select a different length of the sample notes (which in this pattern play a muted down and up-
pattern, e.g. Basic 1 and play around with it. Swing positive values delay every other step stroke) to play ghost notes instead.
negative values move every other step forward in
If you think that’s fun check out the following: time Set Cur_step to 28 (the step numbering starts from zero),
To create a normal “swing feel“, try values around the style menu will display Muted Down.
Click on the pop up menu in the lower left corner where 25 - 30
it says Pattern only: a pop up menu appears where you Click on Muted Down to open the popup menu with all
can select songs. Choose Go, Basic, go!. playing styles and choose Fret 3 Down (ghost notes played
Please note: when you choose Sample as a duration for a
step, the sample will be played until the next step which has
at the third fret).
With Latch still active, play a note (if you’rre brave, play a style assigned to it (monophonic behavior). All other dura-
something different than just a single note. Try C-E-B to tions will always be held for the specified value (i.e. samples Then set Cur_step to 30 to select the last sixteenth note
trigger a C maj7 chord). can overlap). and set the playing style to Fret 3 Up. Notice that the
What you’re triggering now is not just a pattern which is

repeating itself all the time, but a chain of patterns (or,
as we refer to it, a song).
While the song is playing, play some notes on the key-

board to change the chord…
Then switch to a different song…
And have fun!

menu where you select patterns has changed to <edit>, menu.
denoting that you’ve changed a pattern.
Then set Cur_pat to 1 and choose User 1 from the Select
If you like, you can adjust the velocities of the last two Pattern menu. We’ll leave all other steps empty.
sixteenth notes by dragging the bars in the table.
When a step in a song is empty it will be omitted. Thus since
Now click on Store Pattern and choose a location (e.g. we only inputted two patterns, they will be played in a loop.
User 1).
Now let’s create a small song! Click on Edit_Song to quit the Edit song mode and hit a
key to trigger the song: both patterns will alternate.
Click on Edit_Song to enter the song edit mode.
Now let’s finish things and save the song by clicking on
Click on the popup menu in the lower left corner (where Store Song and choosing User 1.
you select songs) and choose Empty to clear the table
and start from scratch. We’re nearly complete; the last thing you have to do is
to save the Akkord Guitar.
A song is an arrangement of up to 32 patterns, if you
want to create a song you simply choose a pattern for Choose Save from the main Kontakt menu and save the
each step of the song. instrument (you can also save it under a different name,
Test Song.nki for example). Now you can always recall
We’ll just create a very simple song (more an elaborate your work.
pattern than an actual song): the preset pattern Basic 1
should alternate with our variation of it (the pattern we
User patterns and songs are not saved globally but with the
stored as User 1). instrument, so be sure to make backups of your instrument
files!
Leave Cur_pat at zero (again, life sometimes starts at
zero…) and choose Basic 1 from the Select Pattern

Akkord Guitar Versions Chord Recognition
Here‘s a complete chart of all chord types available:
Guitar
Guitar
Guitar
Guitar
Akkord Guitar
Akkord Guitar
Akkord Guitar
Akkord Guitar
Chord type Chord type
(small)
A k ko r d
A k ko r d
A k ko r d
(small)
A k ko r d
(mini)
(mini)
(big)
(big)
Maj X X X X 7 X X X X
Maj 6 X X 7 sus 4 X X
Maj (add 9) X 9 X
Maj 6/9 X 13 X
Sus2 9 (#11)
Sus4 X X 9 (b13)
Maj 7 X X 7 (b9) X
Maj 7 (#5) 7 (b9, #11)
Maj 7 (9) 7 (b9, 13)
Maj 7 (#11) 7 (b9, b13)
Maj 7 (13) 7 (#9) X
Maj 7 (9,13) 7 (#9, #11)
7 (#9, b13)
Min X X X X 7 (add #11)
Min 6 X X 7 (add 13)
Min 6/9 7 sus4 (add 13)
Min 7 X X 7 (add b13)
Min 7 (b5) X X
Min 7 (9) Dim 7 X X X
Min 7 ma 7 X Aug X
Min 7 ma 7 (9)
Min (add 9) X
Min 7 (11) The instrument Akkord Guitar (ALL!) contains all 43
Min 7 (9,11) chord types.
Min (add 11)

Chord recognition shortcuts 03 - Automatic Harp
Note that the default setting is C major, so playing a note out-
• Playing all notes of a chord will trigger the respec- The Automatic Harp is a standard harp instrument with side this scale will not trigger a glissando. If you want a chro-
tive chord (of course) a special script applied to it. This script (called Glis- matic glissando, choose Chromatic from the Select Scale menu
• For most chords, you can leave out the fifth sando/Bisbigliando) enables you to play glissandi very (note that chromatic scales are not possible on a harp…).
• Playing only one note will trigger a major chord intuitively.
• Playing a major second will trigger the Dominant
7 chord of the upper notes How does it work? Of course you can also play normally, just click on the
• Major and minor triads are also recognized when button Glissando to turn the glissando feature off.
played in inversions Load the instrument and play an octave, e.g. C2 - C4;
you’ll hear a glissando played upwards from C2 to C4. There’s much more you can do with this instrument, a
Credits complete explanation of this script can be found in the
Instrument Design & Concept: Nicki Marinic Now click on the menu entry Up and select a different Kontakt 2 Script Library.pdf document.
Script written by: Josef Natterer direction, e.g. Down & Up, now you’ll hear a glissando
Sound design & Styles: Uli Baronowsky, played downwards and upwards.
Robby Mildenberger
www.thebadroom.de
Recording Equipment
Guitar: Larrivée CS-19 Special
Microphone: Neumann KM 53
Preamp: Focusrite Red 7
Recording: ProTools

04 - Virtual Drummer
These example patches use the Drum Sequencer script.

This powerful script allows for pattern sequencing of
up to 5 notes at a time. The examples here come pre-
loaded with a variety of ready-to-play grooves, including
several Latin patterns and some famous rock grooves.
(For more information about the Drum Sequencer script
and the Kontakt Script Processor in general, please see
the relevant documentation).
Please note that these patches are also available in the
Acoustic and Electronic Drums categories.
05 - Arpeggiators
These four example patches all contain the Arpeggiator

script, which is an extremely powerful and flexible arpeg-
giator implementation created entirely by the Kontakt
Script Processor. (For more information about the Arpeg-
giator script and the Kontakt Script Processor in general,
please see the relevant documentation.)
Please note that these patches are also available in the
Synthesizer/Sequenced folder.

06 - Harmonizer 07 - VSL Instruments
The “Ambient Harmonization.nki” instrument is an ex- 3. Easy Chord Generator: This script adds further notes at These special instruments make use of the performance
ample of how 4 scripts can be combined to create am- different tone-intervals to the original played note. In this scripts for legato and repetition programmed in the Kon-
bient chords that automatically repeat and always stay case, four further notes at 3, 7, 10 and 14 semitones takt Script Processor. The functionality of these perfor-
in a certain tonal scale. The “Electric Grand.nki” of the have been added, building a 5-note-chord. You can easily mance instruments corresponds to the functionality of
Electric Pianos section was used as basis for this instru- change the chord by disabling or enabling the individual the separate VSL performance tools.
ment. Then 4 scripts were added in a row: notes or by changing the intervals.
For information on how to use the instruments, please
1. Midi Latch: This script “latches” the played note and 4. Constrain to Scale: The last script in the row changes refer to the previous VSL Kontakt Orchestra section in
plays the note until the key is played again. If you select the overall scale of the played notes or chords. In this this manual.
this script you can see which notes are latched so you example, the scale is set to “G Lydian b7”, so all notes
can deselect them again. that fit in this scale will be played and all others will be
muted. Its a lot of fun to play with the settings in this
2. Retrigger: The retrigger script retriggers every note at script and changing the overall tonality while chords are
certain time-intervals. In this case the interval is set to being played.
½ note, so every half note the held note will be triggered
again, depending on the master tempo, set by the host If you need further information about the scripts and
or the Master Tempo knob. their usage, you can find detailed descriptions in the pdf
document “Kontakt 2 Scipt Library.pdf”.

08 - Session Recorder
This instrument “Harpsichord - Bachdemo.nki” demon-

strates the use of the “session recorder” script, which is
a simple midi-note recorder. If you load the instrument,
go into edit mode and click “play” on the session re-
corder script module. You will hear a small Bach piece
played with the Harpsichord. The session recorder is a
simple tool to record midi-note-on and note-off events.
This can help to capture your ideas, without the need to
open Kontakt in a seperate sequencer. You can also use
this session recorder as a 1-track recorder and later play
a second voice live while the first voice is being played
by the recorder. There is one important limitation, which
is the number of recordable notes. This recording-buffer
is currently limited to 512 steps - that’s why the demo
stops too early ...

Instrument Size Keyrange Controller Info Origin
KSP Instruments
01 - Elektrik Guitar
Elektrik Guitar - Chorus.nki 0.69 GB E2 - G#4 C0 - B1 Full version with chorus effect Native Instruments http://www.native-instruments.de
Elektrik Guitar - Preview.nki 236.28 MB E2 - G#4 C0 - B1 Preview version limited to one velocity layer Native Instruments http://www.native-instruments.de
Elektrik Guitar - Pure.nki 0.69 GB E2 - G#4 C0 - B1 Full version without any effects Native Instruments http://www.native-instruments.de
Elektrik Guitar - Room.nki 0.69 GB E2 - G#4 C0 - B1 Full version with room reverb Native Instruments http://www.native-instruments.de
02 - Akkord Guitar
Chords: Maj / Maj 6 / Sus 4 / Maj 7 / Min / Min 6 / Min 7 / Min 7
Akkord Guitar.nki 365.47 MB full range Native Instruments http://www.native-instruments.de
(b5) / 7 / 7 sus 4 / Dim 7
Akkord Guitar (Mini).nki 101.05 MB full range Chords: Maj / Min / 7 Native Instruments http://www.native-instruments.de
Akkord Guitar (small).nki 200.49 MB full range Chords: Maj / Maj 7 / Min / Min 7 / 7 / Dim 7 Native Instruments http://www.native-instruments.de
Chords: Maj / Maj 6 / Maj 6 (add 9) / Sus 4 / Min / Min 6 / Min 7
Akkord Guitar (Big).nki 0.65 GB full range (b5) / Min 7 ma 7 / Min (add 9) / 7 / 7 sus 4 / 9 / 13 / 7 (b9) / 7 Native Instruments http://www.native-instruments.de
(#9) / Dim 7 / Aug
Akkord Guitar (ALL!).nki 1.39 GB full range ALL 43 Chords! Native Instruments http://www.native-instruments.de
03 - Automatic Harp
Northstar
Orchestral Harp.nki 4.62 MB C-2 - G8 Glissando / Bispligando Script http://www.northstarsamples.com
Native Instruments
04 - Virtual Drummer
C1, D1, F#1, G1,
Electro Kit 3 (Old Skool).nki 0.76 MB Drum Sequencer patch triggered by controller keys Sonic Reality http://www.esoundz.com
B1
GM Drumkit (Immigrant).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, F#1 Drum Sequencer patch triggered by controller keys Native Instruments http://www.native-instruments.de
GM Drumkit (Levee).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, Bb1 Drum Sequencer patch triggered by controller keys Native Instruments http://www.native-instruments.de
GM Drumkit (Songo - CB).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, Ab1, Ab2 Drum Sequencer patch triggered by controller keys Native Instruments http://www.native-instruments.de
GM Drumkit (Songo).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, Ab1, F2 Drum Sequencer patch triggered by controller keys Native Instruments http://www.native-instruments.de
Studio A Kit (2nd Line).nki 23.37 MB C#1-E4 B1, C#2, D3, G3 Drum Sequencer patch triggered by controller keys Sonic Reality http://www.esoundz.com
05 - Arpeggiators
Arpeggio (MW).nki 0.76 MB C0 - C6 Synth patch with arpeggiator script Native Instruments http://www.native-instruments.de
Fast Arp.nki 2.84 MB C-2 - F#8 Synth patch with arpeggiator script Native Instruments http://www.native-instruments.de

Harmonized Arp (MW).nki 0.74 MB C0 - C6 Synth patch with arpeggiator script Native Instruments http://www.native-instruments.de1
Slow Arp (MW).nki 2.84 MB C-2 - F#8 Synth patch with arpeggiator script Native Instruments http://www.premeditatedmusic.com
06 - Harmonizer
Electric Grand with 4 scripts: Midi latch - Retrigger - Chord -
Ambient Harmonization.nki 12.24 MB A-1 - C7 Native Instruments http://www.native-instruments.de
Constrain to scale
07 - VSL Instruments
Bass ens 6 (repetition).nki 148.78 MB B1 - D3 repetition with KSP repetition tool VSL - Opus 1 http://www.vsl.co.at/instruments
Cello ens 8 (legato).nki 313.51 MB C1 - E4 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
Flute (legato).nki 283.90 MB B2 - F6 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
Frn Horn ens 4 (legato).nki 193.83 MB G#1 – F4 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
Tromb ens 3 (repetition).nki 97.84 MB C1 – A#3 repetition with KSP repetition tool VSL - Opus 1 http://www.vsl.co.at/instruments
Viola ens 10 (legato).nki 292.90 MB C2 - E5 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
Violin ens 14 (legato).nki 333.62 MB G2 - D6 legato with KSP legato tool VSL - Opus 1 http://www.vsl.co.at/instruments
08 - Session Recorder
Harpsichord - BachDemo.nki 24.93 MB C-2 - G8 Selfplaying Bach demo with session recorder script Northstar http://www.northstarsamples.com

03 - Grand Pianos
01 Steinway D 02 August Foerster 03 Prepared Piano
This Kontakt 2 Steinway D piano was designed by Michiel This Grand Piano instrument consists of 10 velocity lay- The prepared piano patches are a selection of materials
Post (PMI www.postpiano.com). It uses 24-bit samples, ers of piano samples recorded from a 2.85m August from the upcoming “Piano Attack“ library from Sound-
multiple velocity layers and -most importantly- the Kon- Foerster concert piano. The patches are ideally suited to label. These patches make extensive use of Kontakt 2’s
takt 2 Convolution engine to create the soundboard and be “placed” in different rooms/reverb context because special features, including several patches in Beat Ma-
sympathetic resonance of the sustain pedal samples. This the samples are very dry and include almost no early chine mode for automatic tempo synchronization, and
enabled us to omit the “recorded” sustain pedal down reflections. a patch using the new Surround Panner with extensive
samples entirely, which results in a 50% disk space and The release resonances and the sustain pedal string modulation options that create eerie motion-effects.
RAM load reduction. The convolution engine works for resonances are separate samples which are controlled
re-pedalling as well as for a very realistic pedal-catch. by a script. This script allows for realistic sustain pedal
In order to use the piano in its intended state, the multi behavior and will reproduce highly authentic string reso-
“Steinway D+Harmonics” should be loaded. This is a nance. E.g.: Press the sustain pedal after the key has
combination of the “HARMONICS” and “Steinway D been hit and listen to the string resonances. Release
Convolution” instruments (which are also provided as the sustain pedal and repress it again. The script keeps
separate instruments). The “Steinway D Light” patch track of and reproduces correct sustain resonances for
uses no convolution, which makes it an ideal solution for all playing notes.
lower-CPU machines. The amount of hammer release noise, release resonance
and sustain pedal resonance can be adjusted in the script
module.
Note: The August piano will not work properly if the
script is disabled.
In addition to the “basic” piano, there are several addi-
tional patches that make use of Kontakt 2’s effects and
modulation possibilities, including several that use the
Convolution effect.

Grand Pianos
01 Steinway D
Script-based instrument designed to simulate realistic pedal release and to enhance
HARMONICS.nki 504.85 MB A-1-C7 Sustain Pedal the natural overtones of the piano. This .nki is intended to be played in combination Michiel Post http://www.postpiano.com
with „Steinway D Convolution.nki“
Steinway D Convolution.nki 506.94 MB A-1-C7 Sustain Pedal Piano with convolution Michiel Post http://www.postpiano.com
Steinway D Light.nki 506.94 MB A-1-C7 Sustain Pedal Lower CPU version Michiel Post http://www.postpiano.com
Steinway D+Harmonics.nkm 0.99 GB A-1-C7 Sustain Pedal Multi that combines the HARMONICS and Convolution instruments. Michiel Post http://www.postpiano.com
02 August Foerster
- AF Basic.nki 1.4 GB A-1-C7 Basic piano with script-based control over release volume and resonance. NI http://www.native-instruments.com
AF 80s Gate.nki 1.4 GB A-1-C7 Piano with a gated reverb impulse NI http://www.native-instruments.com
AF Analog Tape.nki 1.4 GB A-1-C7 Piano with warm analog character NI http://www.native-instruments.com
AF Gnomes Inside.nki 1.4 GB A-1-C7 Piano through prepared-piano impulse NI http://www.native-instruments.com
AF New Age Verb.nki 1.4 GB A-1-C7 Piano with large reverb impulse NI http://www.native-instruments.com
AF Warm Room.nki 1.4 GB A-1-C7 Piano with Kontakt reverb NI http://www.native-instruments.com
03 Prepared Piano
Attack Scape - Surround.nki 3 MB C-2-C8 Surround-sound prepared piano Renger Koning http://www.soundlabel.com
Attack Scape.nki 3 MB C-2-C8 Renger Koning http://www.soundlabel.com
Drone.nki 18.87 MB C-2-G8 Renger Koning http://www.soundlabel.com
Hitchcock 1.nki 2.7 MB C#-2-G8 Renger Koning http://www.soundlabel.com
Hitchcockbeat.nki 0.87 MB C-2-G8 Rhythmic sample in Beat Machine mode Renger Koning http://www.soundlabel.com
Impacts.nki 35.26 MB C-2-G8 Renger Koning http://www.soundlabel.com
LowRhythm Loop.nki 2.13 MB C-2-G8 Renger Koning http://www.soundlabel.com
Twang Double.nki 2.67 MB C-2-G8 Renger Koning http://www.soundlabel.com

04 - Electric Pianos
several features that are new in Kontakt 2. The Harmo- Kontakt Script Processor in general, see the relevant
The Electric Piano patches were built from a variety of nize script has been preloaded, which generates instant section in the manual.
sources, including vintage electric keyboards, a variety of chords with every key press. Experiment with changing “Clav-E-Wah (Fuzzy Comper)“ also makes use of Kon-
hardware synthesizers, Native Instruments’ FM7, and a the added notes in the generated chords to come up with takt 2’s new Effects Chain. Here, two 3-band EQs, a
large collection of patches taken directly from the Native new harmonies. You can save your selections in any one Saturator, a Distortion, and a Reverb have been loaded
Instruments “Elektrik Piano“ virtual instrument. of the 10 user preset areas in the script, or simply save in the Instrument Insert FX chain. You can experiment
Of particular interest in the E-pianos collection is the new patches to quickly recall your favorite harmonies. with the parameters of each effect, as well as reordering
patch “Clav-E-Wah (Fuzzy Comper)“, which makes use of For more information on the Harmonize script, and the them for subtle variations in sound.
Electric Pianos
Clav-e-Wah (Fuzzy Comper).nki 5.58 MB C1-F#6 Danilo Madonia http://www.danworks.it
Clav-e-Wah.nki 5.58 MB C1-F#6 Danilo Madonia http://www.danworks.it
Digital Rhodes.nki 4.32 MB C1-Eb6 Zero-G http://zero-g.co.uk
Electric Grand.nki 12.2 MB A-7-C7 Danilo Madonia http://www.danworks.it
Electric Piano.nki .934 MB C-2-F#8 Northstar http://www.northstarsamples.com/
H-Clavinet (Super Chorus).nki .9 MB C1-C6 Zero-G http://zero-g.co.uk
H-Clavinet.nki .9 MB C1-C6 Zero-G http://zero-g.co.uk
MK 2 - Amplified.nki 204 MB E0-E6 processed through a cabinet impulse NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Chorus.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Clean.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Delay.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Double Detune.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Flanger.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Four Reasons.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Heavy Distortion.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Honky Tonk.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Phaser.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Saturator.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
MK 2 - Stretch Tuned.nki 204 MB E0-E6 NI - Elektrik Piano http://www.nativeinstruments.de/index.php?elektrikpiano_us
Stage E-Piano (EFX).nki 20.72 MB F#-1-C7 NI - FM 7 http://www.nativeinstruments.de/index.php?fm7_us
Stage E-Piano Cloud.nki 20.72 MB F#-1-C7 NI - FM 7 http://www.nativeinstruments.de/index.php?fm7_us
Stage E-Piano.nki 20.72 MB F#-1-C7 NI - FM 7 http://www.nativeinstruments.de/index.php?fm7_us
Tiny Rhodes.nki .423 MB C1-C8 Danilo Madonia http://www.danworks.it
Wurlitz-FM.nki 5 MB C0-C6 Danilo Madonia http://www.danworks.it

05 - Organs and Harpsichord The Surround Cathedral Organ is best used with a 5.1
Surround system, but can be easily adapted to a stereo,
The Organs and Harpsichord section contains a selection quad or other Surround format, if needed. The other or-
of Church organs, Hammond Organs, Digital Organs, and gans are stereo versions, but these can also be used in
a Harpsichord. Among these instruments you´ll fine some surround, when assigned to a surround output channel
treasures: One is a real 5.1 surround cathedral organ by that uses a multichannel reverb for example.
Sonic Reality, the other one is a set of three organs from You´ll also find one Rock Organ that uses a convolution
Shirokuma Ltd. which were recorded in the Notre Dame impulse of a cabinet, which simulates the sound of a rock
de Budapest Cathedral. cabinet (“Rock Organ (Amped).nki”).
ORGANS AND HARPSICHORD All Organs and Harpsichord.nkb

1960s E-Organ (Phasepad).nki 1.09 MB C-1 – B6 Sampled from Native Instruments Pro52 Native Instruments http://www.native-instruments.de
1960s E-Organ.nki 1.09 MB C-1 – B6 Sampled from Native Instruments Pro52 Native Instruments http://www.native-instruments.de
Church Organ (Softpad).nki 3.76 MB C-2 – G8 Instrument by Northstar Northstar http://www.northstarsamples.com
Church Organ.nki 3.76 MB C-2 – G8 Instrument by Northstar Northstar http://www.northstarsamples.com
Drawbar Organ (Rotor).nki 2.03 MB A-1 – C7 Instrument by Northstar Northstar http://www.northstarsamples.com
Drawbar Organ (Stutter).nki 2.03 MB A-1 – C7 Instrument by Northstar Northstar http://www.northstarsamples.com
Drawbar Organ (SwirlPad).nki 2.03 MB A-1 – C7 Instrument by Northstar Northstar http://www.northstarsamples.com
Drawbar Organ.nki 2.03 MB A-1 – C7 Instrument by Northstar Northstar http://www.northstarsamples.com
Harmonium (C-Harmonized).nki 440.53 kB C1 – C5 Samples from B4 / with harmonization script Native Instruments http://www.native-instruments.de
Harmonium (Church).nki 440.53 kB C0 – C6 Added harmonics and reverb Native Instruments http://www.native-instruments.de
Harmonium (Humanized).nki 440.53 kB C1 – C5 Added script with random tune,vel. Volume, timing Native Instruments http://www.native-instruments.de
Harmonium.nki 440.53 kB C1 – C5 Original dry version Native Instruments http://www.native-instruments.de
Harpsichord (+release).nki 24.93 MB C1 - C7 Simulation of release samples on note-off Northstar http://www.northstarsamples.com
Harpsichord (Amped).nki 24.93 MB C1 - C7 Version with saturation and cabinet simulation Northstar http://www.northstarsamples.com
Harpsichord (Bubbles).nki 24.93 MB C1 - C7 Effect version with chords, delay, filter, phaser Northstar http://www.northstarsamples.com
Harpsichord (Hall).nki 24.93 MB C1 - C7 Version in Hall with convolution reverb Northstar http://www.northstarsamples.com
Harpsichord.nki 24.93 MB C1 - C7 Original Northstar http://www.northstarsamples.com
House Organ (Pad).nki 1.01 MB B-1 – C#7 Soft pas version of the house organ Native Instruments http://www.native-instruments.de
House Organ.nki 1.01 MB B-1 – C#7 House Organ sampled from B4 Native Instruments http://www.native-instruments.de

Notre Dame de Budapest – Version with real Impulse of the NDB Cathedral
NDB – Fonds+Quint (IR).nki 211.11 MB C1 – C6 Shirokuma Ltd. http://www.ndb.hu
– By Shirokuma Ltd.
Notre Dame de Budapest – Version with release samples – By Shirokuma
NDB – Fonds+Quint (rls).nki 238.41 MB C1 – C6 Shirokuma Ltd. http://www.ndb.hu
Ltd.
Notre Dame de Budapest Cathedral Organ by Shirokuma Ltd. - Version with
NDB – Pos-Scharff (IR).nki 193.19 MB C1 – C6 Shirokuma Ltd. http://www.ndb.hu
real Impulse from the NDB Cathedral
Notre Dame de Budapest Cathedral Organ by Shirokuma Ltd. - Version with
NDB – Pos-Scharff (rls).nki 215.69 MB C1 – C6 Shirokuma Ltd. http://www.ndb.hu
release samples
Notre Dame de Budapest with „real“ Impulse Response of the NDB Cathed-
NDB – Voix Humaine 8‘ (IR).nki 167.74 MB C1 – C6 Shirokuma Ltd. http://www.ndb.hu
ral. By Shirokuma Ltd.
NDB – Voix Humaine 8‘ (rls).nki 187.52 MB C1 – C6 Notre Dame de Budapest with release samples – By Shirokuma Ltd. Shirokuma Ltd. http://www.ndb.hu
Rock Organ (Amp‘ed).nki 3.52 MB A-1 – C7 Version with cabinet amplifier and reverb Northstar http://www.northstarsamples.com
Rock Organ (short).nki 3.52 MB A-1 – C7 „Plucked“ version Northstar http://www.northstarsamples.com
Rock Organ.nki 3.52 MB A-1 – C7 Original Instrument by Northstar Northstar http://www.northstarsamples.com
Solid House E-Organ (EFX).nki 1.30 MB C-1 – E8 Version with Midi delay effect script Native Instruments http://www.native-instruments.de
Solid House E-Organ.nki 1.30 MB C-1 – E8 Sampled from Native Instruments FM7 Native Instruments http://www.native-instruments.de
The Cathedral Organ is presented to you in real 5.1 Surround sound. Pro-
Surround Cathedral.nki 190.01 MB C-2 – G8 Sonic Reality http://www.esoundz.com
grammed by Sonic Reality.

06 - Acoustic Drums
This is a collection of high quality acoustic drumkits,
most of which are mapped according to the General Midi
standard. The “GM Drumkit“ patch and its variants was
taken from the Battery 2 library. Several of the patches
based on this kit use the Drum Sequencer script. This
powerful script allows for pattern sequencing of up to
5 notes at a time. The examples here come pre-loaded
with a variety of ready-to-play grooves, including sev-
eral Latin patterns and some famous rock grooves. (For
more information about the Drum Sequencer script and
the Kontakt Script Processor in general, please see the
relevant documentation).
Acoustic Drums 06 - All Acoustic Kits.nkb

GM Drumkit (Immigrant).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, F#1 Drum Sequencer patch triggered by controller keys Soundwarrior http://www.soundwarrior.com/
GM Drumkit (Levee).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, Bb1 Drum Sequencer patch triggered by controller keys Soundwarrior http://www.soundwarrior.com/
GM Drumkit (Songo - CB).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, Ab1, Ab2 Drum Sequencer patch triggered by controller keys Soundwarrior http://www.soundwarrior.com/
GM Drumkit (Songo).nki 68.74 MB G0-Bb4, D5-Eb5 C1, D1, Ab1, F2 Drum Sequencer patch triggered by controller keys Soundwarrior http://www.soundwarrior.com/
GM Drumkit (Warm Room).nki 68.74 MB G0-Bb4, D5-Eb5 Soundwarrior http://www.soundwarrior.com/
GM Drumkit.nki 68.74 MB G0-Bb4, D5-Eb5 Soundwarrior http://www.soundwarrior.com/
Meaty Kit (Mod-HH).nki 2.44 MB C1-G2 Modwheel Modwheel - hihat position Zero-G http://zero-g.co.uk/
Studio A Kit.nki 23.37 MB C#1-E4 Sonic Reality http://www.esoundz.com
Vintage Funk Kit+GM Perc.nki 3.91 MB B0-A4 Zero-G http://zero-g.co.uk/

07 - Electronic Drums
The electronic drums patches were built using samples
from a variety of sources, including some famous vintage
drum machines and Native Instruments products such as
FM7, Absynth, and Reaktor. Several of the patches were
taken from the Battery 2 library, but have been repro-
cessed using Kontakt 2’s extensive effects capabilities.
The patch “Electro Kit 3 (Old Skool)“ also demonstrates
the power and flexibility of the Kontakt Script Proces-
sor and the Drum Sequencer script. This patch comes
preloaded with a typical electro groove which can be
played in perfect tempo simply by depressing the ap-
propriate keys.
Electronic Drums 07 - All Electronic Kits.nkb

808 (GM).nki 0.68 MB B0-E4 Zero-G http://zero-g.co.uk/
Alien Toolkit.nki 3.4 MB F#0-C#5 Sonic Reality http://www.esoundz.com
Best of Absynth (Classic 80s).nki 8.97 MB C1-Eb6 Native Instruments http://www.native-instruments.com
Best of Absynth.nki 8.97 MB C1-Eb6 Native Instruments http://www.native-instruments.com
Best of FM7 (Detune).nki 7.96 MB C1-B4 Midi detune via script Native Instruments http://www.native-instruments.com
Best of FM7 (Wide FX).nki 7.96 MB C1-B4 Native Instruments http://www.native-instruments.com
Best of FM7.nki 7.96 MB C1-B4 Native Instruments http://www.native-instruments.com
Best of Krypt (Pres. Boost).nki 4.04 MB C1-Eb5 Native Instruments http://www.native-instruments.com
Best of Krypt.nki 4.04 MB C1-Eb5 Native Instruments http://www.native-instruments.com
Best of Limelite (Dub).nki 2.94 MB C1-Eb5 Native Instruments http://www.native-instruments.com
Best of Limelite.nki 2.94 MB C1-Eb5 Native Instruments http://www.native-instruments.com
CD Kit 1 (Spacious).nki 21.35 MB C1-F#6 Clay Duncan http://www.imdb.com/name/nm0241937/
CD Kit 1.nki 21.35 MB C1-F#6 Clay Duncan http://www.imdb.com/name/nm0241937/
Electro Kit 3 (Old Skool).nki 0.76 MB Bb0-F2 C1,D1,F#1,Bb1 Drum Sequencer patch triggered by controller keys Sonic Reality http://www.esoundz.com
Electro Kit 3.nki 0.76 MB Bb0-F2 Sonic Reality http://www.esoundz.com
Synth Funk Kit.nki 1.01 MB B0-E4 Zero-G http://zero-g.co.uk/

08 - Percussion
The percussion folder contains a huge variety of percus-
sion samples and patches, including ethnic collections
from Africa, Asia, and Brazil, 2 sets of standard orchestral
percussion instruments, both from the VSL collection
and from the Battery 2 library, and even a toy percussion
selection. The “Orchestral Percussion“ and “Timpani“
patches use release triggers on all of the roll samples in
order to correctly mimic the ambience of roll releases.
Of particular interest in this collection is the “Timpani
(Brake Drum IR)“ patch, which uses Kontakt 2’s Convolu-
tion effect to convolve the timpani samples with the brake
drum sample from the orchestral percussion collection.
Percussion 08 - World Percussion Bank.nkb
African Percussion.nki 4.48 MB C1-G4 Zero-G http://zero-g.co.uk/

Asian Percussion.nki 3.79 MB C1-Ab4 Zero-G http://zero-g.co.uk/
Balafon.nki 2.27 MB A1-C4 Zero-G http://zero-g.co.uk/
Bass Drum.nki 14.09 MB C2 + D2 C2 = left hand, D2 = right hand VSL – Opus 1 http://www.vsl.co.at/instruments
Bell (Bowed).nki 435 KB C2-D5 Zero-G http://zero-g.co.uk/
Bell Arp.nki 1.3 MB C0-C6 Zero-G http://zero-g.co.uk/
Bell C3-G4.nki 435 KB C3-G4 Zero-G http://zero-g.co.uk/
Brazilian Percussion.nki 5.51 MB C1-G4 Zero-G http://zero-g.co.uk/
Cymbal Half.nki 39.78 MB C4-C#4, C5-D5 C4 = tremolo, C#4 = tremolo + release, C5+D5 = single strokes VSL – Opus 1 http://www.vsl.co.at/instruments
Cymbals a due.nki 21.97 MB C2 2 cymbals against each other VSL – Opus 1 http://www.vsl.co.at/instruments
Gong.nki 2.04 MB C1-C3 Zero-G http://zero-g.co.uk/
Kalimba.nki 6.1 MB A2-E5 Zero-G http://zero-g.co.uk/
Orchestral Percussion (Big Hall).nki 34.96 MB C1-B6 All continuous-volume rolls have release triggers. So Percussion Group http://www.sopercussion.com
Orchestral Percussion.nki 29.01 MB C1-B6 All continuous-volume rolls have release triggers. So Percussion Group http://www.sopercussion.com

Orchestral Thunder.nki 10.27 MB C1-E1 Zero-G http://zero-g.co.uk/
C2 = left hand 1, D2 = right hand 1, E2 = left hand 2, F2 = right hand 2.
Snare Drum ens.nki 20.78 MB C2-F2, C4-C#4 VSL – Opus 1 http://www.vsl.co.at/instruments
C4 = tremolo, C#4 = tremolo + release samples
C2 = left hand 1, D2 = right hand 1, E2 = left hand 2, F2 = right hand 2.
Snare Drum.nki 12.03 MB C2-F2, C4-C#4 VSL – Opus 1 http://www.vsl.co.at/instruments
C4 = tremolo, C#4 = tremolo + release samples
Tambourin 1.nki 4.34 MB C2 – E4 thumb, E3 = tremolo thumb + release, D4 = tremolo shake, E4 = tremolo VSL – Opus 1 http://www.vsl.co.at/instruments
Tambourin 2.nki 5.25 MB C2 – E4 thumb, E3 = tremolo thumb + release, D4 = tremolo shake, E4 = tremolo VSL – Opus 1 http://www.vsl.co.at/instruments
Tamtam.nki 103.02 MB C1 – D3 C1-D#1 = big, C2-D#2 = mid, C3-D#3 = small VSL – Opus 1 http://www.vsl.co.at/instruments
C3,D3,C4,D4, Modwheel,
Taos Drum.nki 37.3 MB Modwheel adds low samples, Sustain pedal changes striking location
E4,F4 Sustain
Timpani (Brake Drum IR).nki 142.99 MB F1-E7 All continuous-volume rolls have release triggers. So Percussion Group http://www.sopercussion.com
Timpani (Left).nki 214.9 MB A#0 – A#2 Left hand VSL – Opus 1 http://www.vsl.co.at/instruments
Timpani (Right).nki 213.45 MB A#0 – A#2 Right hand VSL – Opus 1 http://www.vsl.co.at/instruments
Timpani (Tremolo).nki 422.8 MB B0 – A#5 B0 – A#2 tremolo, A#3 – A#5 single strokes VSL – Opus 1 http://www.vsl.co.at/instruments
Timpani.nki 142.88 MB F1-E7 All continuous-volume rolls have release triggers. So Percussion Group http://www.sopercussion.com
Toy Percussion.nki 3.74 MB C1-Ab3 Zero-G http://zero-g.co.uk/
Triangle 1.nki 52.34 MB C1-A#1 C1-C#1 = open side, E1-F1 = muted, G1-A#1 = vibrato VSL – Opus 1 http://www.vsl.co.at/instruments
Triangle 2.nki 41.88 MB C1-A#1 C1-C#1 = open side, E1-F1 = muted, G1-A#1 = vibrato VSL – Opus 1 http://www.vsl.co.at/instruments

09 - Guitars
Kontakt 2’s library comes with an extensive collection of Kontakt 2’s new processing and modulation capabili- harmonies as new patches. Furthermore, this patch uses
of guitar patches, sampled from a large variety of the ties. This patch uses the Easy Chord Generator script Kontakt 2’s new Convolution effect to process the clean
world’s finest instruments. This includes nylon and steel to automatically generate a note a 5th above any notes guitar tones through an impulse generated by one of the
string acoustics and several classic electrics. Many of actually played. You can experiment with this script to cabinet models from Native Instruments’ Guitar Rig, a
the patches, such as “Les Paul (Del-5ths)”, make use generate up to four additional notes, and save your favorite variety of which are provided in the presets library.
Guitars
Guitar Repeat Wah.nki 5,54 MB E1 – B4 Zero-G for Kompakt http://zero-g.co.uk/
Jazz Guitar (EQ-Rev).nki 4,99 MB E1 – B4 Zero-G for Kompakt http://zero-g.co.uk/
Jazz Guitar.nki 4,99 MB E1 – B4 Zero-G for Kompakt http://zero-g.co.uk/
Les Paul (Del-5ths).nki 26,60 MB E1 – C#5 Sonic Reality http://www.esoundz.com
Les Paul (Dist-MW).nki 26,60 MB E1 – C#5 Modwheel Use MW for Distortion, Convolution Cabinet Sonic Reality http://www.esoundz.com
Les Paul (Dist-Room-MW).nki 26,60 MB E1 – C#5 Modwheel Use MW for Distortion, Convolution Cabinet Sonic Reality http://www.esoundz.com
Les Paul.nki 26,60 MB E1 – C#5 Modwheel Use MW for Tremolo Sonic Reality http://www.esoundz.com
Nylon String Guitar (FX).nki 3,89 MB E1 – C4 Zero-G for Kompakt http://zero-g.co.uk/
Nylon String Guitar.nki 3,89 MB E1 – C4 Zero-G for Kompakt http://zero-g.co.uk/
Small Steel String (FX).nki 4,94 MB E1 – C5 Zero-G for Kompakt http://zero-g.co.uk/
Small Steel String.nki 4,94 MB E1 – C5 Zero-G for Kompakt http://zero-g.co.uk/
Steel String (Noize).nki 62,06 MB C#1 – C#5 Sonic Reality http://www.esoundz.com
Steel String (Rev).nki 91,26 MB A-1 – G8 Convolution Reverb Sonic Reality http://www.esoundz.com
Steel String.nki 91,26 MB A-1 – G8 Sonic Reality http://www.esoundz.com
Strat (Bright-Dist-MW).nki 51,14 MB E1 – C#5 Modwheel Use MW for Distortion, Convolution Cabinet Sonic Reality http://www.esoundz.com
Strat (Dark-Dist-MW).nki 51,14 MB E1 – C#5 Modwheel Use MW for Distortion, Convolution Cabinet Sonic Reality http://www.esoundz.com
Strat (Dist-Delay-MW).nki 51,14 MB E1 – C#5 Modwheel Use MW for Distortion, Convolution Cabinet Sonic Reality http://www.esoundz.com
Strat (Rev-Del).nki 61,01 MB A-1 – C7 Modwheel Use MW for Tremolo Sonic Reality http://www.esoundz.com
Strat.nki 61,01 MB A-1 – C7 Modwheel Use MW for Tremolo Sonic Reality http://www.esoundz.com

10 - Basses
The bass patches consist of a variety of acoustic, semi- Please note that there are many “bass” patches in other
acoustic, and electric basses, in both clean and effected folders as well. Orchestral upright basses can be found
versions. Several of these patches use the Harmonize in the VSL Kontakt Orchetra collection and a huge vari-
script to generate notes an octave above the played notes, ety of synthetic basses can be found in the Synthesizer
much like the famous analog Octave pedals of yester- folder.
year.
Bass All Basses.nkb

Acoustic Bass (8).nki 1,69 MB C-1 – F8 Octaver Effect with KSP-Harmonizer North Star http://www.northstarsamples.com/
Acoustic Bass (Cho).nki 1,69 MB C-1 – F8 North Star http://www.northstarsamples.com/
Acoustic Bass.nki 1,69 MB C-1 – F8 North Star http://www.northstarsamples.com/
Fretless Bass (Cho8).nki 2,43 MB C0 – D#5 Octaver Effect with KSP-Harmonizer Sonic Reality http://www.esoundz.com
Fretless Bass.nki 2,45 MB C0 – D#5 Sonic Reality http://www.esoundz.com
Real Bass.nki 1,52 MB C1 – G3 Zero-G for Kompakt http://zero-g.co.uk/
SemiAcou Bass (EFX).nki 4,02 MB C-1 – G7 Sonic Reality http://www.esoundz.com
SemiAcou Bass (Twah).nki 4,02 MB C-1 – G7 Sonic Reality http://www.esoundz.com
SemiAcou Bass.nki 4,02 MB C-1 – G7 Modwheel Use MW for Tremolo Sonic Reality http://www.esoundz.com

11 - Synthesizer
The synthesizer collection is one of the largest in the The section has 9 subfolders with each several instru- The “Classic Waveforms” category is further subdivided
library, consisting of more than 150 patches organized ments: into 6 subcategories:
in a variety of easy-to-use synthesizer categories. The 01 Basses Android
samples came from classic vintage analog and digital 02 Pads Curt
synthesizers, as well as software sources such as Native 03 Leads Garp
Instruments’ FM7 and Pro-53. 04 Stabs Modulam
Although most of the categories are self-explanatory, a few 05 Athmos Ober X
merit special consideration. The “Sequenced” category 06 Digital Pro
contains a variety of patches that all have some sort of 07 FX Mix These are all raw waveform samples from classic analog
rhythmic motion. In some cases, this is stored within the 08 Sequenced synths. No processing has been done on these samples
samples themselves. In others, such as the “Fast Arp” 09 Classic Waveforms at all, making them ideal building blocks for your own
patch, the motion is generated by the Arpeggiator script, analog emulations. Try stacking them, or combining them
which is an extremely powerful and flexible arpeggiator with Kontakt 2’s extensive effects options - the possibili-
implementation created entirely by the Kontakt Script ties are endless.
Processor. (For more information about the Arpeggiator
script and the Kontakt Script Processor in general, please
see the relevant documentation.)
SYNTHESIZER
01 Basses 01 All Basses.nkb
AnalogBass 1 (MW).nki 1,58 MB C0 - C#6 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
AnalogBass 2 (MW).nki 0,93 MB C0 - C6 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
AnalogBass 3.nki 0,3 MB C1 - C3 Zero-G http://zero-g.co.uk/
Chorus Bass (MW).nki 0,82 MB C-2 - D8 Modwheel Use MW for Tremolo Native Instruments http://www.native-instruments.de
ElectricSynBass (MW).nki 0,2 KB C0 - H5 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
FuzzBass (MW).nki 0,76 MB C0 - C6 Modwheel Use MW for Filter Resonance Native Instruments http://www.native-instruments.de
House Bass 1.nki 0,3 MB F0 - G3 Zero-G http://zero-g.co.uk/
House Bass 2.nki 0,2 MB F0 - G3 Zero-G http://zero-g.co.uk/
Juno Bass.nki 0,3 MB C1 - C3 Zero-G http://zero-g.co.uk/
Milano Fashion Weel.nki 3,43 MB F#-1 - C7 3 Oscilators with KSP-Wavetable-Script Native Instruments http://www.native-instruments.de
Monsterslapper (EFX).nki 8,58 MB C-1 - H4 Sampled from NI‘s FM7 http://www.native-instruments.de
Monsterslapper.nki 8,58 MB C-1 - H4 Sampled from NI‘s FM7 http://www.native-instruments.de
PercBass.nki 0,2 KB C0 - H5 Native Instruments http://www.native-instruments.de

Pumper Bass.nki 0,93 MB C0 - F5 Sampled from NI‘s Pro 52 http://www.native-instruments.de
RezoBass 1 (MW).nki 1,58 MB C0 - C#6 Modwheel Use MW for Filter Resonance Native Instruments http://www.native-instruments.de
RezoBass 2 (MW).nki 0,92 MB C0 - C6 Modwheel Use MW for Filter Resonance Native Instruments http://www.native-instruments.de
ShortBass (MW).nki 0,74 MB C0 - C6 Modwheel Use MW for Filter Resonance Native Instruments http://www.native-instruments.de
SynBass 1 (MW).nki 0,2 KB C0 - H5 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
SynBass 2 (MW).nki 0,93 MB C0 - C6 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
02 Pads 02 All Pads.nkb

Analog Pad.nki 0,93 MB C0 - C6 Native Instruments http://www.native-instruments.de
Barber.nki 0,54 MB C1 - C4 Zero-G http://zero-g.co.uk/
Blue Yonder.nki 0,61 MB C1 - C5 Zero-G http://zero-g.co.uk/
Bright Synth (EFX).nki 6,42 MB C0 - C6 Sampled from NI‘s Pro 52 http://www.native-instruments.de
Bubble Pad.nki 1,58 MB C0 - C#6 Native Instruments http://www.native-instruments.de
Cosmic Drone.nki 4,07 MB C0 - C6 Zero-G http://zero-g.co.uk/
DeepBellPad.nki 8,15 MB D#0 - C7 Instrument by Sascha Franck
DigiPad.nki 5,54 MB F#-1 - G#6 Native Instruments http://www.native-instruments.de
DigiSoftPad.nki 0,94 MB C0 - C6 Native Instruments http://www.native-instruments.de
Discworlds.nki 0,54 MB C1 - C5 Zero-G http://zero-g.co.uk/
Eurosynth (EFX).nki 12,62 MB D-2 - H6 Sampled from NI‘s FM7 http://www.native-instruments.de
Fivepad (EFX).nki 3,70 MB C0 - C8 Sampled from NI‘s Pro 52 http://www.native-instruments.de
Heaven.nki 0,66 MB C0 - C6 Zero-G http://zero-g.co.uk/
Moving Pad.nki 0,2 KB C0 - C6 Native Instruments http://www.native-instruments.de
Naive And French.nki 3,43 MB F#-1 - C7 3 Oscilators with KSP-Wavetable-Script Native Instruments http://www.native-instruments.de
Phase Pad.nki 0,76 MB C0 - C6 Native Instruments http://www.native-instruments.de
Soft Brass.nki 1,58 MB C0 - C#6 Native Instruments http://www.native-instruments.de
Soft Pad.nki 0,94 MB C0 - C6 Native Instruments http://www.native-instruments.de
Sparkle Pad.nki 0,93 MB C0 - C6 Zero-G http://zero-g.co.uk/
String Pad.nki 6,97 MB F#-1 - G6 Native Instruments http://www.native-instruments.de
Sweep Pad.nki 0,2 KB C0 - C6 Native Instruments http://www.native-instruments.de
SynthString.nki 3,28 MB C0 - C6 Zero-G http://zero-g.co.uk/

03 Leads 03 All Synth Leads

Bright Synth (mono).nki 6,42 MB C0 - C6 KSP Solo mode Sampled from NI‘s Pro 52 http://www.native-instruments.de
Bright Synth (MW).nki 6,42 MB C0 - C6 Modwheel Use MW for Filter Cutoff Sampled from NI‘s Pro 52 http://www.native-instruments.de
Clavinet (EFX).nki 1,62 MB C-2 - G8 Native Instruments http://www.native-instruments.de
Disto Lead (mono).nki 8,92 MB F#-1 - G6 KSP Solo mode Native Instruments http://www.native-instruments.de
Disto Lead (MW).nki 8,92 MB F#-1 - G6 Modwheel Use MW for Reverse Filter Cutoff Native Instruments http://www.native-instruments.de
Eurosynth (Chord).nki 2,22 MB C1 - C5 KSP Easy Chord Generator Zero-G http://zero-g.co.uk/
Eurosynth.nki 2,22 MB C1 - C5 Zero-G http://zero-g.co.uk/
Flute (legato).nki 0,92 MB C0 - C6 KSP Sample Offset Legato Native Instruments http://www.native-instruments.de
Flute.nki 0,92 MB C0 - C6 Native Instruments http://www.native-instruments.de
Hard Lead (MW).nki 8,63 MB F#-1 - G6 Modwheel Use MW for Reverse Filter Cutoff Native Instruments http://www.native-instruments.de
Hard Lead (solo).nki 8,63 MB F#-1 - G6 KSP Solo mode Native Instruments http://www.native-instruments.de
5th with KSP-HarmoNative Instrumentszer, Use MW for Dis-
Power Lead (MW).nki 0,93 MB C0 - C6 Modwheel Native Instruments http://www.native-instruments.de
tortion Amount
Power Lead 70s.nki 0,93 MB C0 - C6 Native Instruments http://www.native-instruments.de
Pulse Lead.nki 0,92 MB C0 - C6 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
3 Oscilators with KSP-Wavetable-Script, Use MW for Distor-
Unstable Stack (MW).nki 3,43 MB F#-1 - C7 Modwheel Native Instruments http://www.native-instruments.de
tion Amount
04 Stabs 04 All Stabs.nkb

8 Bit Brass.nki 0,73 MB C-2 - G8 Instrument by K.Lamb http://www.premeditatedmusic.com
Deep Sync (EFX).nki 1,85 MB C0 - F5 Sampled from NI‘s Pro 52 http://www.native-instruments.de
Deep Sync.nki 1,85 MB C0 - C6 Sampled from NI‘s Pro 52 http://www.native-instruments.de
Detuned Stab 1,63 MB C-2 - G8 Instrument by K.Lamb http://www.premeditatedmusic.com
DigiNoize.nki 0,92 MB C0 - C6 5th with KSP-HarmoNative Instrumentszer Native Instruments http://www.native-instruments.de
Digit.nki 0,74 MB C0 - C6 Native Instruments http://www.native-instruments.de
DimDelay.nki 0,74 MB C0 - C6 5th with KSP-HarmoNative Instrumentszer Native Instruments http://www.native-instruments.de
Dream Piano.nki 2,53 MB C1 - C5 Zero-G http://zero-g.co.uk/
Dub Chord Stab (MW).nki 3,43 MB F#-1 - C7 Modwheel 3 Oscilators with KSP-Wavetable-Script, Use MW for Filter Native Instruments http://www.native-instruments.de
House79.nki 0,74 MB C0 - C6 Chords with KSP-HarmoNative Instrumentszer Native Instruments http://www.native-instruments.de
Inta Stab.nki 0,17 MB C1 - C4 Zero-G http://zero-g.co.uk/
Liquid Stars (MW).nki 2,37 MB C1 - D7 5th with KSP-HarmoNative Instrumentszer Native Instruments http://www.native-instruments.de
Phased Stab.nki 1,86 MB C-2 - G8 Instrument by K.Lamb http://www.premeditatedmusic.com
Wave Stabulation.nki 20,96 MB A-1 - D7 Instrument by J.Savage http://www.evolvesingularity.org

05 Athmos 05 All Athmos.nkb

3 Pads.nki 7,47 MB C1 - C4 Zero-G http://zero-g.co.uk/
Big Noise (MW).nki 5,51 MB C1 - C3 Modwheel Use MW for Noise Zero-G http://zero-g.co.uk/
Glass Loop.nki 1,23 MB C0 - C6 Zero-G http://zero-g.co.uk/
Glassy Chord.nki 1,59 MB C0 - C6 Zero-G http://zero-g.co.uk/
Horr.nki 2,02 MB C1 - C5 Zero-G http://zero-g.co.uk/
Metal Drone.nki 0,52 MB C0 - C6 Zero-G http://zero-g.co.uk/
Mystery.nki 0,91 MB C1 - C6 Zero-G http://zero-g.co.uk/
Native Instrumentstemare
10,74 MB F#-1 - F6 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
(MW).nki
Nothing But Noize.nki 58,59 MB G0 - F#5 Instrument by J.Savage http://www.evolvesingularity.org
Sequenced Athmo.nki 1,46 MB C0 - C6 Zero-G http://zero-g.co.uk/
Space Drone.nki 0,51 MB C1 - C6 Zero-G http://zero-g.co.uk/
Stella.nki 2,54 MB C1 - C4 Zero-G http://zero-g.co.uk/
String Pad.nki 1,57 MB C1 - C3 Zero-G http://zero-g.co.uk/
Swampy.nki 3,58 MB C1 - C5 Zero-G http://zero-g.co.uk/
Synth1.nki 3,08 MB C1 - C3 Zero-G http://zero-g.co.uk/
Weird Buzz.nki 0,39 MB C0 - C6 Zero-G http://zero-g.co.uk/
06 Digital 06 All Digital.nkb

Ambernectar (EFX).nki 11,44 MB F#0 – F6 Sampled from NI‘s FM7 http://www.native-instruments.de
Ambernectar.nki 11,44 MB F#0 – F6 Sampled from NI‘s FM7 http://www.native-instruments.de
ArpegKotoish (EFX).nki 1,18 MB C1 - C6 Sampled from NI‘s Pro 52 http://www.native-instruments.de
ArpegKotoish.nki 1,18 MB C1 - C6 Sampled from NI‘s Pro 52 http://www.native-instruments.de
Bells 3 (EFX).nki 8,41 MB C1 - H7 Sampled from NI‘s FM7 http://www.native-instruments.de
Bells 3.nki 8,41 MB C1 - H7 Sampled from NI‘s FM7 http://www.native-instruments.de
Digital Rhodes.nki 4,32 MB C1 - D#6 Zero-G http://zero-g.co.uk/
False Wire (EFX).nki 3,53 MB A-1 - C7 Sampled from NI‘s FM7 http://www.native-instruments.de
False Wire.nki 3,53 MB A-1 - C7 Sampled from NI‘s FM7 http://www.native-instruments.de
HapsiLike (EFX).nki 0,2 KB C0 - H5 Native Instruments http://www.native-instruments.de
Plektrumbs 9,61 MB C-1 - C8 Sampled from NI‘s FM7 http://www.native-instruments.de
Plektrumbs (EFX) 9,61 MB C-1 - C8 Sampled from NI‘s FM7 http://www.native-instruments.de
Rezolay.nki 0,92 MB C0 - C6 Native Instruments http://www.native-instruments.de
Runaway (EFX).nki 7,07 MB C-1 - C8 Sampled from NI‘s FM7 http://www.native-instruments.de

Runaway.nki 7,07 MB C-1 - C8 Sampled from NI‘s FM7 http://www.native-instruments.de
Sixstring 1,99 MB C1 - C5 Sampled from NI‘s FM7 http://www.native-instruments.de
Stage E-Piano (EFX) 7,50 MB F#-1 – C7 Sampled from NI‘s FM7 http://www.native-instruments.de
Stage E-Piano 7,50 MB F#-1 – C7 Sampled from NI‘s FM7 http://www.native-instruments.de
Wooden Plates (EFX).nki 4,84 MB C-1 - C8 Sampled from NI‘s FM7 http://www.native-instruments.de
Wooden Plates.nki 4,84 MB C-1 - C8 Sampled from NI‘s FM7 http://www.native-instruments.de
07 FX Mix 07 All FX.nkb

Bell Arp.nki 0,65 MB C0 - C6 Zero-G http://zero-g.co.uk/
Dence Arps.nki 1,15 MB C0 - C6 Zero-G http://zero-g.co.uk/
Dentist (MW).nki 3,14 MB F#-1 - G#6 Modwheel Use MW for Drilling Native Instruments http://www.native-instruments.de
Frog.nki 1,58 MB C0 - C#6 Native Instruments http://www.native-instruments.de
MISC.nki 0,12 MB C0 - C6 Zero-G http://zero-g.co.uk/
onaiP.nki 0,3 MB C0 - C4 Zero-G http://zero-g.co.uk/
Peeeoooww.nki 0,92 MB C0 - C6 Native Instruments http://www.native-instruments.de
Single Strange FXs.nki 12,43 MB C1 - B2 Zero-G http://zero-g.co.uk/
Surprise.nki 0,48 MB C1 - C5 Zero-G http://zero-g.co.uk/
08 Sequenced 08 All Sequenced.nkb

Arpeggio (MW).nki 0,76 MB C0 - C6 Modwheel Use MW for Digital Effect, KSP-Arpeggiator-Script Native Instruments http://www.native-instruments.de
Bass Bumper.nki 3,43 MB F#-1 - C7 3 Oscilators with KSP-Wavetable-Script Native Instruments http://www.native-instruments.de
Didgeridoo.nki 0,74 MB C0 - C6 Native Instruments http://www.native-instruments.de
Fast Arp.nki 2,84 MB C-2 - G8 KSP-Arpeggiator-Script Native Instruments http://www.native-instruments.de
GetRhythm (MOD).nki 1,58 MB C0 - C#6 Modwheel Use MW for Filter Cutoff Native Instruments http://www.native-instruments.de
HarmoNative Instrumentszed
0,74 MB C0 - C6 Modwheel Use MW for Filter Cutoff, KSP-Arpeggiator-Script Native Instruments http://www.native-instruments.de
Arp (MW).nki
OktaBass.nki 0,93 MB C0 - C6 Native Instruments http://www.native-instruments.de
Roadztec 120 BPM.nki 12,77 MB F1 - E4 Sampled from NI‘s FM7 http://www.native-instruments.de
Slow Arp (MW).nki 2,84 MB C-2 - G8 Modwheel Use MW for Filter Cutoff, KSP-Arpeggiator-Script K.Lamb / Native Instruments http://www.premeditatedmusic.com

09 Classic Waveforms 09 All Classic Waveforms.nkb

Android
Android Hard Sync.nki 2,37 MB C1 – D7 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android Saw V 4.nki 6,97 MB F#-1 – G6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android Saw.nki 1,14 MB F#-1 – G#6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android Sin V 6.nki 5,54 MB F#-1 – G#6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android Sin.nki 0,73 MB A-1 – C7 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android Soft Sync Weird.nki 10,74 MB F#-0 – F7 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android SQR PW98.nki 3,14 MB F#-1 – G#6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android SQR PWM 6 V.nki 8,63 MB F#-1 – G6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android SQR PWM.nki 8,92 MB F#-1 – G6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android SQR.nki 0,91 MB A-1 – G#6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Android Tri.nki 0,66 MB F#-1 – G6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Curt
Curt SAW Osc1.nki 3,58 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Curt SAW Osc2.nki 4,33 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Curt SQR 30-70 Osc1.nki 3,05 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Curt SIN Osc1.nki 3,64 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Curt TRI Osc2.nki 2,82 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Garp
Garp SAW Osc1.nki 11,11 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Garp SAW Osc2.nki 11,10 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Garp SIN Osc1.nki 11,11 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Garp SQR 25-50 Osc2.nki 11,12 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Garp SQR PWM Osc2.nki 11,17 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de

Garp TRI Osc1.nki 9,25 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Garp TRI Osc2.nki 11,09 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM
ModulaM SAW Osc1.nki 11,11 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM SAW Osc2 8.nki 12,31 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM SAW Osc2.nki 12,31 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM SIN Osc1.nki 11,11 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM SQR 15-85 Osc1.nki 11,11 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM SQR PWM Osc2 8.nki 12,32 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM SQR PWM Osc2.nki 12,32 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM TRI 25-75 Osc1.nki 11,11 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
ModulaM TRI 50-50 Osc1.nki 11,10 MB C-2 - G8 Waveform sampled from analog classic Instrument by K.Lamb http://www.native-instruments.de
Ober X
Ober Pulse.nki 0,92 MB C0 - C6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Ober Saw.nki 0,93 MB C0 - C6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Ober Tri.nki 0,94 MB C0 - C6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Pro
Pro Noise.nki 67 KB C-2 - G8 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Pro Pulse.nki 0,74 MB C0 - C6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Pro PulseSaw.nki 0,76 MB C0 - C6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Pro Tri.nki 1,58 MB C0 - C#6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de
Pro Saw.nki 1,23 MB C0 - C6 Waveform sampled from analog classic Native Instruments http://www.native-instruments.de

12 - Loops
This collection of 245 patches consists of tempo-syn- Many of these patches also use a combination of Input
chronized loops from a huge variety of musical styles, Quantize and Retrigger scripts to allow perfect tempo sync
including all types of electronic music, world music, pop in live performance situations. By default, the input quan-
and rock styles, and much more. Because all of these tize script is set up to automatically trigger on the next
patches use Kontakt 2’s Time Machine or Beat Machine downbeat, so you never have to worry about playing in
modes, they will always remain in perfect sync when perfect time. You can experiment with changing the input
used in hosts. quantize and retrigger values to create rhythmic “stutter”
effects, complex polyrhythms, and much more.
Instrument Size Keyrange Info Origin Weblink
LOOPS 12 - All Loops.nkb
Altered States 1
- All 120 BPM Loops.nki 31.6 MB C1-C6 All samples from the “120 BPM (Altered States)” collection Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
African Dream 5.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
African Dream 6.nki C1, F1-C#4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
African Dream 7.nki C1, F1-C#4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Automation 1.nki C1, F1-Bb3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Automation 4.nki C1, F1-G3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Automation 5.nki C1, F1-A3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Automation 8.nki C1, F1-C#4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Breathy 1.nki C1, F1-G3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Breathy 2.nki C1, F1-Bb2 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Breathy 3.nki C1, F1-C3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Brrrr.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Calcium Sulfate.nki C1, F1-Ab3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Dirty Banana 1.nki C1, F1-C3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Distort Crunchy.nki C1, F1-Ab4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Distorted.nki C1, F1-F#3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Fruit Bowls.nki C1, F1-F#3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Hi Q Beat 1.nki C1, F1-Ab6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Hi Q Beat 2.nki C1, F1-Ab6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Oscillations.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Rubber Dub.nki C1, F1-E5 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763

Shuffle.nki C1, F1-Bb3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Sing Powdaspring.nki C1, F1-C3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Splicky Splocky.nki C1, F1-G3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Split Personal 1.nki C1, F1-C6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Split Personal 2.nki C1, F1-C#6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Split Personal 3.nki C1, F1-F#6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Split Personal 4.nki C1, F1-Ab6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Split Personal 5.nki C1, F1-B6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Split Personal 6.nki C1, F1-Eb6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Synth Beat 1.nki C1, F1-Ab6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Synth Beat 2.nki C1, F1-Ab6 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Vincess.nki C1, F1-D5 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Vocoder Loop 10.nki C1. F1-C4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Vocoder Loop 4.nki C1, F1-Bb2 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Vocoder Loop 8.nki C1, F1-Bb2 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Vocoder Loop 9.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Altered States 2
- All 128 BPM Loops.nki 10.7 MB C1-G2 All samples from the “128 BPM (Altered States)” collection Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Chopstew Shuffle.nki C1, F1-F#4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Hatty 3.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
House Multi-Taps.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Legs Akimbo.nki C1, F1-D4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Odd Ones 1.nki C1, F1-Ab3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Odd Ones 2.nki C1, F1-C#3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Odd Ones 3.nki C1, F1-C3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Odd Ones 4.nki C1, F1-Eb3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Sort of Pop 1.nki C1, F1-C#5 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Sort of Pop 2.nki C1, F1-B4 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Squeakdance.nki C1, F1-Ab2 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Steel Door.nki C1, F1-D3 Beat Machine sample with mapped slices Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763

Altered States 3
- All 130 BPM Loops.nki 18.3 MB C1-D3 All samples from the “130 BPM (Altered States)” collection Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Almost Feedback.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Ambient Bass Drum.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Flange Ladder.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Flanging Arps 1.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Flanging Arps 3.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Flying Hats.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Full On Steppin.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
High Arps 1.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
High Arps 2.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Ping Pong BD Hats.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Sheet Squash.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Squalky.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Steam.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Torture 1.nki C0-C6 Time Machine 2 sample Zero-G – Altered States http://zero-g.co.uk/index.cfm?Articleid=763
Beat Shave
All samples from the “Beat Shave (Sounds of the 70s)” col-
- 110-Beat Shave.nki 30 MB C1-F3 Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
lection
Beat Shave Mix 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Beat Shave Mix 2.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
BS-Bassline 1.nki C1, F1-F#3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
BS-Bassline 2.nki C1, F1-Eb3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Clavi Delay.nki C1, F1-G2 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Clavi Snatch.nki C1, F1-A1 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Drums Full.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Mid Bass.nki C1, F1-E3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Mid Range Rhythm.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
On Two Three Guitar.nki C1, F1-D2 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Rhodes Theme.nki C1, F1-Bb1 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Scat Floot.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846

Scratchitar.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Shakaz.nki C1, F1-Ab2 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Synth Quack.nki C1, F1-C3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Synth Support.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Underscore 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Underscore 2.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Breakbeats
Clock Up [112].nki 1.47 MB C1-B1, C2-E7 Beat Machine sample with mapped slices Zero-G Monster Beats http://zero-g.co.uk/index.cfm?Articleid=147
Drum and Bass

All samples from the Drum & Bass collection provided by
- All Drumandbass.nki 26 MB C1-C8 Zero-G (various) http://zero-g.co.uk
Zero-G for Intakt. Taken from various libraries
168 02a [168].nki C1-B1, C2-Eb6 Beat Machine sample with mapped slices Zero-G That Jungle Flavour II http://zero-g.co.uk
171 01a [171].nki C1-C2, C#2-A2 Beat Machine sample with mapped slices Zero-G That Jungle Flavour II http://zero-g.co.uk
171 02a [171].nki C1-B1, C2-D3 Beat Machine sample with mapped slices Zero-G That Jungle Flavour II http://zero-g.co.uk
171 03a [171].nki C1-B1, C2-Eb3 Beat Machine sample with mapped slices Zero-G That Jungle Flavour II http://zero-g.co.uk
172 01a [172].nki C1-B1, C2-G4 Beat Machine sample with mapped slices Zero-G That Jungle Flavour II http://zero-g.co.uk
Alice [160].nki C1-B1, C2-Eb6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Berilium [160].nki C1-B1, C2-E4 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Breakbeat 02 [180].nki C1-B1, C2-A4 Beat Machine sample with mapped slices Zero-G Interface Dance http://www.zero-g.co.uk/index.cfm?Articleid=135
Breakbeat 03 [180].nki C1-B1, C2-B5 Beat Machine sample with mapped slices Zero-G Interface Dance http://www.zero-g.co.uk/index.cfm?Articleid=135
Colllider [155].nki C1-B1, C2-Bb4 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Core Appeal [160].nki C1-B1, C2-B6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Cutloop 6a [165].nki C1-B1, C2-Bb4 Beat Machine sample with mapped slices Zero-G Interface Dance http://www.zero-g.co.uk/index.cfm?Articleid=135
Devotion 1 [165].nki C1-B1, C2-Eb7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Drumloop 4a [165].nki C1-B1, C2-Ab6 Beat Machine sample with mapped slices Zero-G Interface Dance http://www.zero-g.co.uk/index.cfm?Articleid=135
Earth [160].nki C1-B1, C2-Eb5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Fancy That [160].nki C1-B1, C2-A6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Firefighter [165].nki C1-B1, C2-C#6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Funky Gibbon [155].nki C1-B1, C2-B5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Glam Time 2 [165].nki C1-B1, C2-D5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Hat Trick [160].nki C1-B1, C2-G6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Kasongo [160].nki C1-B1, C2-Ab6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176

Late Lunchbox [160].nki C1-B1, C2-C7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Leads UTD [160].nki C1-B1, C2-G5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Left of Centre [160].nki C1-B1, C2-E6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Leonora [160].nki C1-B1, C2-F5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Light Lunchbox [160].nki C1-B1, C2-C6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Longreach [160].nki C1-B1, C2-F6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Low Sodium [160].nki C1-B1, C2-B4 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Madderfaster [155].nki C1-B1, C2-Eb7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Nitrogen [160].nki C1-B1, C2-Eb7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Ratnapura [160].nki C1-B1, C2-C6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Red Devil [160].nki C1-B1, C2-A5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Red Hot Poker [160].nki C1-B1, C2-G5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Rusholme [155].nki C1-B1, C2-B5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Scouser [160].nki C1-B1, C2-Bb5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Set Square [165].nki C1-B1, C2-G4 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Shark Bay [160].nki C1-B1, C2-C7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Sheet Metal [165].nki C1-B1, C2-G4 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Sleeper [160].nki C1-B1, C2-Eb7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Sous Chef [155].nki C1-B1, C2-Eb6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
The Minx [165].nki C1-B1, C2-A5 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Tigertiger [160].nki C1-B1, C2-C#7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Triangulation [160].nki C1-B1, C2-F7 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Tsunami [160].nki C1-B1, C2-B6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Unforgiven 2 [165].nki C1-B1, C2-E6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
Unforgiven 3 [165].nki C1-B1, C2-G6 Beat Machine sample with mapped slices Zero-G Total Drum & Bass http://zero-g.co.uk/index.cfm?Articleid=176
All Drum & Bass Samples. For each key played, the Harmoni-
Wall of DnB (KSP) C1-C8 Zero-G (various) http://zero-g.co.uk
zer script triggers two more for instant wall of sound.
Electronic
Pip Off [120].nki 1.34 MB C1, C2-E7 Beat Machine sample with mapped slices Zero-G Downbeat Dance Grooves http://zero-g.co.uk/index.cfm?Articleid=395
Fusion Illusion
All samples from the “Fusion Illusion (Sounds of the 70s)”
- 120 Fusion Illusion.nki 29.7 MB C1-B2 Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
collection

ARP String.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Drums Full.nki C1, F1-Ab6 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Fashion Victim Guitar.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Fusion Illusion Mix 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Fusion Illusion Mix 2.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Gargantuan Bass.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Moog Line.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Neckslide.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Pingpong Guitar.nki C1, F1-G2 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Pop Bass.nki C1, F1-A2 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Rhodes Prog.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Shapely Guitar.nki C1, F1-Eb3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Underscore.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Whine Synth.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Garage
Trip Skip [110].nki 1.46 MB C1-B1, C2-D6 Beat Machine sample with mapped slices Zero-G Downbeat Dance Grooves http://zero-g.co.uk/index.cfm?Articleid=395
Hip Hop
Breaking It Down [095].nki 870 KB C1, C2-Ab3 Beat Machine sample with mapped slices Zero-G Total Hip Hop http://zero-g.co.uk/index.cfm?Articleid=178
House
Whoaaah [121].nki 172 KB C1-B1, C2-B2 Beat Machine sample with mapped slices Zero-G Total House http://zero-g.co.uk/index.cfm?Articleid=179
Jazz
Brush Grv 1 [118].nki 107 KB C1-B1, C2-C#3 Beat Machine sample with mapped slices Zero-G Beats Working http://zero-g.co.uk/index.cfm?Articleid=396
Lahi Mavaru
All samples from the “Lahi Mavaru (Sounds of Polynesia)”
- 109 Lahi Mavaru.nki 11.6 MB C1-B1 Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
collection
Bass & Buzz Tom 1.nki C0, F0-C7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Bass & Buzz Tom 2.nki C0, F0-D6 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Bass & Buzz Tom End.nki C1, F1-E3 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764

Lahi Mavaru Mix.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Tin Can 1 & 2-1.nki C0, F0-A7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Tin Can 1 & 2-2.nki C0, F0-G7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Tin Can 1 & 2 End.nki C1, F1-Eb3 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Mambo
All samples from the “112 Mambo 01 (Beats Working in
- 112-Mambo 01.nki 32.4 MB C1-E3 Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Cuba)” collection
Congas Live.nki C1, F1-G6 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Congas Ls Rs.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Congas.nki C1, F1-F#6 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Drums Front-Amb.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Drums Mix.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Drums Rear-Amb.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Guiro.nki C1, F1-E5 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Hi Hat.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Kick.nki C1, F1-Eb2 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Modern Mix.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Overhead Mic.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Snare.nki C1, F1-Bb5 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Timbales Live.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Timbales Ls Rs.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Timbales.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Toms.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Traditional Mix.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Mixed SR Sets
Mixed SR Set 1 17.7 MB C1-Eb4 Beat Machine samples Sonic Reality http://www.esoundz.com
Mixed SR Set 2 22.2 MB C1-E4 Beat Machine samples Sonic Reality http://www.esoundz.com
Pop & Rock

Chrs Grv w Skip 1.69 MB C1, C2-Ab3 Beat Machine sample with mapped slices Zero-G Beats Working http://zero-g.co.uk/index.cfm?Articleid=396

Smooth Ride
All samples from the “090-Smooth Ride (Sounds of the 70s)”
- 120 Fusion Illusion.nki 31.5 MB C1-F4 Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
collection
B Pop.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Bass Decender.nki C1, F1-F3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Bass Tone 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Chordal 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Chordal 2.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Decender 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Echo Special.nki C1, F1-G5 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Fifths.nki C1, F1-F5 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Full Drums.nki C1, F1-Ab3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Open & Closed.nki C1, F1-Ab2 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Pop Slide.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Rain Maker.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Rhodes V Chord 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Rhodes V Chord 2.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Slip Bass.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Smooth Ride Mix 1.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Smooth Ride Mix 2.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Steam Train Shaker.nki C1, F1-Ab2 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Sub Groove.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Syn Clavi.nki C1, F1-C3 Beat Machine sample with mapped slices Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Top Synth.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of the 70s http://zero-g.co.uk/index.cfm?Articleid=846
Songo
All samples from the “088 Songo 04 (Beats Working in Cuba)”
- 088-Songo 04.nki 26.8 MB C1-C4 Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
collection
Clave.nki C1, F1-Eb2 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Congas A Live.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752

Congas A Ls Rs.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Congas A.nki C1, F1-C#4 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Congas B Live.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Congas B Ls Rs.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Congas B.nki C1, F1-C4 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Drums Front-Amb.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Drums Mix.nki C1, F1-D4 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Drums Rear-Amb.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Guiro.nki C1, F1-E3 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Hi Hat.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Kick.nki C1, F1-A1 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Modern Mix A.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Modern Mix B.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Snare.nki C1, F1-D4 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Timbales Live.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Timbales Ls Rs.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Timbales.nki C1, F1-A3 Beat Machine sample with mapped slices Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Toms.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Traditional Mix A.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Traditional Mix B.nki C1-C6 Time Machine 2 sample Zero-G Beats Working in Cuba http://zero-g.co.uk/index.cfm?Articleid=752
Vanagi Chant
All samples from the “133 Vanagi Chant (Sounds of Polyne-
- 133-Vanagi Chant.nki 21 MB C1-F2 Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
sia)” collection
Conga 1 & 2.nki C-1, F-1-C7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Garamut 1 & 2.nki C0, F0-Eb7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Garamut 3 & 4.nki C0, F0-C7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Garamut 5 & 6.nki C0, F0-A7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Hee Ha.nki C1, F1-C2 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Isolated Hee Ha.nki C1, F1-F#1 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Kundu 1 & 2.nki C1, F1-Ab2 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Pahu.nki C1, F1-F#1 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Pate 1 & 2.nki C-1, F-1-E7 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Shaker 1 & 2.nki C1, F1-Ab2 Beat Machine sample with mapped slices Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764
Vanagi Chant Mix.nki C1-C6 Time Machine 2 sample Zero-G – Sounds of Polynesia http://zero-g.co.uk/index.cfm?Articleid=764

13 - Surround right, from front to rear or from rear to front. “midi cc1” controlling “xshift” with 100% and “pitch
You can let a seagull fly over a 5.1 sea, either in random bend” controlling “y-shift” with 50%.
The surround section includes a real 5.1 Surround Ca- mode or you can navigate it yourself.
thedral Organ by Sonic Reality, a set of special surround You can create your own New Years Eve , using different Put the mouse mode on “mono”, set the position of the
synthesizer patches, four Surround effect patches with atmospheres and a bunch of firecrackers. surround panner to the very left, play a key between C2
real surround recordings, and a section with some test- And finally you can play a Squash game within the 5.1 and C4 and start flying the seagull with your modulation
instruments to test the surround setup and correct chan- space, the way you want to. and your pitch wheel. And don’t forget “the sea”.
nel assignments.
All these examples are based on 5.1 samples & atmo- New Years eve.nki
spheres, recorded with the SPL-Brauner Atmos 5.1 mi- Using this collection of 5.1 “New Years Eve” atmospheres
01 - Surround Organ crophone system. and 5.1 samples of a variety of firecrackers, you can
compose your own New Years Eve. There are 4 different
The “Cathedral Organ.nki” was recorded and produced The Atmos system consists of a microphone array of 5 atmospheres:
in 5.1 Surround sound by Sonic Reality. Its one of the matched microphone heads from the highly acclaimed
first “real” sampled surround organs. In order the hear Brauner VM1 microphone, and the superb SPL Atmos C1 “light” atmosphere before midnight
the full surround effect of this instrument, you need to 5.1 console, which was specifically designed to comple- D2 “medium” atmosphere after midnight
have a surround system with at least 4 loudspeakers (2 ment and control the ASM 5 mic array. (www.spl-usa. E3 midnight
front, 2 rear speakers). Also, make sure that the output com/Atmos/in_detail/.html). F4 midnight with church bells
of the instrument is assigned to a multichannel output G1 church bells
in the outputs section. For further information or more FORD drive-by.nki
surround content, please visit the Native Instruments or Let’s start simple. This is a just collection of 2 samples And if you want to add some firecrackers, here is a small
Sonic Reality website http://www.esoundz.com of a Ford , driving by the Atmos microphone in different assortment, recorded in 5.1 from different angles:
directions.
C3 left to right C2 to D#2 rocket from center, far left,
02 - Surround Synths C#3 right to left rear and far right
E2 firecracker from a long way off
This section includes a set of Synthesizer instruments Sea and Seagull.nki F2 to G#2 howling crackers from center,
that make extensive use of effects and the Kontakt 2 This is a combination of a 5.1 atmosphere with a simple far left, rear and far right
surround panner. Each of the patches uses the surround mono sample. A2 shooting cake
panner with modulation in order to achieve a special B2 helicopter
enveloping surround effect. All sounds were created by Play a key between C0 and B2, and you will hear “the C3 to D#3 firecracker big from center,
Richard Devine. sea”, recorded in 5.1 at a Dutch beach. Playing a key far left, rear and far right
from C2 to C4, you will hear a “mono” seagull, flying F3 to G#3 firecracker small from center,
above the sea, The seagull’s “flight path” is modulated far left, rear and far right
03 - Surround Effects by LFOs, controlling “distance”, “x-shift” and “y-shift” B3 to C4 jumping cracker
of the surround panner.
“Surround Effects” is a collection of 4 instruments,
containing examples of 5.1 sound effects and effect If you want to control the seagull yourself, just kill the
environments. LFO modulations of the surround panner and add :
You can listen to a Ford, simply passing by from left to

Squash FX + Direct.nki The main samples are recorded in 5.1 in 30 degree steps, 04 - Channel Assignment Tests
For this instrument we recorded squash shots, balls hit- supported by a couple of dry mono samples, which are This section includes some surround test instruments.
ting ground and wall, footsteps, squeaks and a couple of controlled by the same midi controller. Within the surround These will help you to find the correct channel assign-
noises, you might hear from exhausted squash players. groups the modulation wheel selects the appropriate 5.1 ments for your surround system. If you have a 5.1 Sur-
samples, giving the main and basic sound of the squash round system for example, please load the patch “Chan-
By key you can choose the kind of noise, you want: game. Within the “dry” Kontakt groups, which are rotat- neltest - 5.1.nki”. If you have a surround channel setup in
ing with “random cycle” and which are enhancing the the Kontakt outputs section, the output of this patch will
C1 footsteps long positioning, the angle of the surround panner is modulated automatically be assigned to this output channel. If you
G1 footsteps short by the modulation wheel. don´t have a surround output channel in your setup, the
A1 squeaks output of this patch will be assigned to the first available
D1 shot Just program a sequence of shots and other noises within stereo output. If you now play the keys C1 to A1, you
E1 ball hitting wall your sequencer and use your modulation wheel to navigate will hear a voice telling you which loudspeaker it should
F1 ball hitting ground the match. Have fun! come from. So if your setup is correct, you will hear
the correct voice coming out of the correct loudspeaker.
The surround position is controlled by the modulation Further information: info@thebadroom.de / www.the- Note: If you load a patch and assign it to an output with
wheel (midi cc1), which starts with 0 at the center posi- badroom.de a different number of audiochannels, none of the voices
tion and circulates the whole 360 degress, ending with will be assigned to a correct output channel. This means
a value of 127 back at the center position. produced by Uli Baronowsky/the badroom with SPL that the patch “Channeltest - 5.1.nki” needs an output
with 6 channels in order work properly.
Instrument Size Keyrange Controller Info Origin Webink
SURROUND All Surround Instruments.nkb

01 - Surround Organ
The Cathedral Organ is presented to you in real 5.1 Surround sound.
Surround Cathedral.nki 190.01 MB C-2 – G8 Sonic Reality http://www.esoundz.com
Programmed by Sonic Reality.
02 - Surround Synths
Abyss strings.nki 13.76 MB C0 - C6 Surround Synthpad Richard Devine http://www.richard-devine.com
Beauty String.nki 7.41 MB C0 - C7 Surround softpad string Richard Devine http://www.richard-devine.com
Cascade Synth.nki 15.23 MB C-1 - C7 Synth Surround patch Richard Devine http://www.richard-devine.com
Clearwater.nki 14.88 MB C0 - C6 Surround synth with underlying pad Richard Devine http://www.richard-devine.com
Deep Swamp.nki 5.08 MB C0 - C6 Richard Devine http://www.richard-devine.com
Delay Piano.nki 12.15 MB C0 - C6 Richard Devine http://www.richard-devine.com
DetuneCloudPiano.nki 0.95 MB C0 - C6 Richard Devine http://www.richard-devine.com
Devine Surround Horror.nki 30.05 MB D#-2 - B5 Synth Surround soundeffects and athmospheres Richard Devine http://www.richard-devine.com

Instrument Size Keyrange Controller Info Origin Webink
Film Score.nki 9.37 MB C-1 - C6 Richard Devine http://www.richard-devine.com
Helico FX.nki 8.59 MB C-1 - C6 Richard Devine http://www.richard-devine.com
Horror Piano.nki 10.01 MB C-1 - C6 Richard Devine http://www.richard-devine.com
Pine Piano.nki 10.65 MB C-1 - C6 Richard Devine http://www.richard-devine.com
Slivers.nki 10.31 MB C-1 - C6 Richard Devine http://www.richard-devine.com
SpaceSignals.nki 7.17 MB C-1 - C6 Richard Devine http://www.richard-devine.com
Underwater.nki 20.40 MB C#-2 - C7 Richard Devine http://www.richard-devine.com
03 - Surround Effects
Produced by Uli Baronowsky with SPL / www.thebadroom.de ; recorded
Ford Drive-By.nki 18.77 MB C1 & D1 badroom http://www.thebadroom.de
with SPL / Brauner Atmos microphone
New Year athmosphere in Germany. Produced by Uli Baronowsky with
New Years Eve.nki 284.08 MB C1 – C4 SPL / www.thebadroom.de ; recorded with SPL / Brauner Atmos mic- badroom http://www.thebadroom.de
rophone
Pitchbend changes speed of seagull. Produced by Uli Baronowsky with
Sea + Seagull.nki 44.39 MB C0 – C4 PB > panspeed SPL / www.thebadroom.de ; recorded with SPL / Brauner Atmos micro- badroom http://www.thebadroom.de
phone
MW sets position 5.1 Surround squash effects. Produced by Uli Baronowsky with SPL /
Squash FX + Direct.nki 235.61 MB C1 – B1 badroom http://www.thebadroom.de
from 0° - 330° www.thebadroom.de ; recorded with SPL / Brauner Atmos microphone
04 - Channel Assignment Tests

Channeltest – 16.0.nki 1.48 MB C1 – D3 Surround Channeltest for 16.0 cinema and theatre surround Native Instruments http://www.native-instruments.de
Channeltest – 5.1.nki 0.63 MB C1 – A1 Surround Channeltest for 5.1 cinema, music and pentaphonic surround Native Instruments http://www.native-instruments.de
Surround Channeltest for 6.1 cinema ex, music ex and hexaphonic sur-
Channeltest – 6.1.nki 0.73 MB C1 – B1 Native Instruments http://www.native-instruments.de
round
Channeltest – 7.1.nki 0.83 MB C1 – C2 Surround Channeltest for 7.1 cinema, music and heptaphonic surround Native Instruments http://www.native-instruments.de
Surround Channeltest (basis) - output channel configuration needs to
Channeltest – ALL (basis).nki 1.85 MB C1 – G3 Native Instruments http://www.native-instruments.de
be changed depending on surround format
Channeltest – Quad.nki 356.18 kB C1 – F1 Surround Channeltest for 4.0 quadraphonic surround Native Instruments http://www.native-instruments.de

14 - Banks
The banks section contains banks of all instrument cat- Instrument Size # of Instrument Info
egories with all instruments of the respective category.
If you want to prelisten to the patches without having to Banks
load each instrument individually, you can simply load the 01 Orchestra Bank 1 (sustain).nkb 2.71 GB 23 All sutained melodic instruments of the VSL orchestra
bank of this category and switch the instruments either 02 - Virtual Drummer Grooves.nkb 299.07 MB 6 All drumkits with drumsequencer script
with the small arrow buttons right next to the instrument 03 - All Grand Pianos.nkb 9.40 GB 8 All grand piano instruments (except prepared piano)
name, or by selecting an instrument in the instrument 03 - All Prepared Pianos.nkb 68.51 MB 8 All prepared piano instruments
list itself (if in edit mode), or by sending midi program 03 - All Synth Leads.nkb 62.05 MB 15 All synth lead instruments
change messages from a midi device. Obviously if a bank
04 - All Electric Pianos.nkb 2.49 GB 24 All electric piano instruments
is loaded, a lot more samples need to be loaded into
ram and therefore the Ram usage and loading times are 05 - All Organs and Harpsichord.nkb 1.34 GB 30 All Organs and Harpsichord
much higher. 06 - All Acoustic Kits.nkb 442.14 MB 9 All acoustic drumkits
07 - All Electronic Kits.nkb 105.10 MB 16 All electronic drumkits
08 - All Percussion.nkb 65.22 MB 8 All world percussion kits
09 - All Acoustic Guitars.nkb 200.19 MB 6 All acoustic guitars
09 - All Electric Guitars.nkb 275.35 MB 10 All electric guitars
10 - All Basses.nkb 23.53 MB 9 All basses (except synth basses)
11 - All Synth Athmos.nkb 43.12 MB 15 All synth athmos
11 - All Synth Basses.nkb 22.42 MB 18 All synth basses
11 - All Synth Digital.nkb 152.02 MB 18 All digital synthesizers
11 - All Synth Fxs.nkb 20.75 MB 9 All effect synths
11 - All Synth Pads.nkb 64.20 MB 22 All synth pads
11 - All Synth Sequenced.nkb 26.63 MB 9 All sequenced synthesizers
11 - All Synth Stabs.nkb 19.55 MB 13 All synth stabs
11 - All Synth Waveforms.nkb 332.16 MB 49 All synth waveforms of classic synthesizers
12 - All Loops.nkb 317.51 MB 20 All loop instruments
13 - All Surround Instruments.nkb 0.93 GB 20 All surround instruments

15 - Multis
00 - Demo Multi 01 - Orchestra Multis 02 - Output Configurations
The demo section includes two demo multis, each with The Orchestra multis section contains three multis: one The output configurations contain some default settings
three instruments. One is called “Rock and Roll.nkm” Brass Quintet, one Woodwind Quintet, and one String for different output channel combinations. You´ll find
and includes a Rock drum loop, an Akkord guitar which section. All of these multis use a master reverb effect in simple mono or stereo settings, among them 5.1 surround
plays back the chord-rhythms corresponding to the chord an aux channel of the output section. These multis mainly and 16 channel surround settings. You can easily add
which is played on the keyboard, and an electric piano to serve as demonstration of how you can easily set up de- your own default settings by changing the existing ones
accompany the other two instruments. All instruments fault instrument sets that you might use more often. and adding or deleting channels. You can also create your
(except for the electric piano) are synced to the master default channel and effect combination, if you have a
tempo and will start “in time”, because they use the input preference for certain effects or effect combinations.
quantize script, which automatically sets the incoming
notes to the correct position.
Instrument Size Instruments
So lets start with the drumgroove - play C1 and wait until
the loop starts playing. To stop the loop, play the note C1 Multis
again. Then continue with the left hand and play a chord 00 - Demo Multi
in the keyrange from D1 to B2. You´ll hear the rhythm
guitar playing a rhythm in the chord you are holding. You Electronic Ambient Demo.nkm 25.33 MB Drumloops (C0-B0) / Synth Arpeggiator (C1-C3) / Ambient Chords (C4 - up)
can play minor, major, and 7th chords. And if you like, Rock and Roll.nkm 214.45 MB Drumgroove (C0) / Akkord Guitar (C1-B2) / Electric Grand (C3-C7)
start soloing with the electric keyboard above the two 01 - Orchestra Multis
other instruments.
Brass Quintet (sustain).nkm 470.80 MB 2 * Trumpet solo / French Horn / Trombone / Tuba
The second multi also contains three different instru- String section (sustain).nkm 0.79 GB Violin ensemble 14 / Viola ensemble 10 / Cello ensemble 8 / Bass ensemble 6
ments, but they are completely different. The first in- Woodwind Quintet (sustain).nkm 4771.60 MB Flute / Oboe / French Horn / Clarinet / Bassoon
strument contains a set of 7 drumloops, all synced to
02 - Output Configurations
master tempo. The second instrument contains an arpeg-
giator patch which plays synth arpeggios depending on Mono.nkm 0 8 mono outputs / 4 mono aux channels
the keys you play. And the third instrument from C4 up Stereo and 4 effects.nkm 0 8 stereo outputs / 4 stereo aux channels with reverb, chorus, delay and flanger
is the harmonization instrument from the KSP section,
Stereo and Surround 5-1.nkm 0 2 * 5.1 Surround outputs / 2 stereo outputs / 2 * 5.1 Surround aux / 2 stereo aux chan-
which plays chords on single notes. Try playing around
nels
with this patch and you´ll find out that its quite easy to
make music ;) Stereo.nkm 0 8 stereo outputs / 4 stereo aux channels
Surround 16 Channel.nkm 0 16 channel output / 16-channel aux / 3 stereo aux channels
Surround 5-1.nkm 0 4 * 5.1 Surround outputs / 4 * 5.1 Surround aux channels
Surround All Default.nkm 0 Stereo / Quad / 6-channel / 8-channel / 16-channel outputs / mono / stereo / quad /
6-channel aux

Module Preset library CONVOLUTION PRESETS
The module preset library consists of hundreds of presets The convolution presets for the convolution module offer The convolution effect even can process multichannel
for the Kontakt 2 modules. The library contains presets the most realistic possibility of creating reverb effects on impulses, which you will find in the 11 Surround Reverbs
for modulators, amplifier, filters, eqs, send and insert instruments. But this is not the only thing convolution can section. These include 5-channel surround impulses from
effects, scripts and convolution presets including their be used for. It can also be used for simulation of body professional effect processing hardware. If you want to
samples. resonance for certain instruments (e.g. Violin or Drums), use stereo impulses on a surround instrument, this is
or for simulation of sustain string resonance on grand also possible. In this case the convolution module au-
All presets are installed in the application folder in a folder pianos. Even special effects, like filters, echoes, or cabinet tomatically generates a multichannel impulse out of a
called “presets”. If you don´t see the presets appearing simulation are possible with convolution. Therefore the stereo impulse by copying the channels 1+2 to further
in the preset-menus within the modules, you need to set library includes a wide variety of different impulses: channels.
the correct installation base path in the main options
dialog. For example: “C:\Programs\Native Instruments\ • 01 Vocal Reverbs
Example: Try loading a drumset or drumloop and then process
Kontakt 2\”. After restart of Kontakt 2 you should see • 02 Drum Reverbs this loop with a metal or glass preset out of the convolution
the presets again. If you need more presets, you might • 03 Drum Filters library....
find presets of other Kontakt users in the Kontakt user • 04 Piano Reverbs
library (direct link in aboutscreen). • 05 Tiny Rooms
• 06 Medium Rooms The majority of impulse samples were provided by two
Special in this preset library are the convolution presets • 07 Big Rooms companies that have specialized in convolution impuls-
and the script presets. • 08 Unsusual Reverbs es:
• 09 Reverse Reverbs
• 10 Plate Reverbs
• 11 Surround Reverbs
• 12 Special Effects
• 13 Household
• 14 Cabinets and
• 15 Instruments
CKSDE - Cyber Kitchen Sound Design Enterprise
A convolution effect by its technical nature uses a lot of
computer power, especially when long impulses are used.
If you have a fast CPU, you will most likely not run into
CPU problems, but older, slower machines will only be
able to process shorter impulses. The Kontakt 2 convolu-
tion module offers some tricks to use longer impulses on
slower machines, but these are no guarantee that every
impulse will work on every computer. For usage of the
impulses module and further information please also see
the Kontakt 2 operation manual in the Effects section.

SCRIPT PRESETS Native Instruments License Agreement VSL Terms of license
This license agreement is an agreement between you and
The script presets are programs that enable special func- Native Instruments. It governs your use of the sample- Frequently Asked Questions about using our sample
tions within each instrument. As these scripts can be library for “Kontakt 2” supplied to you by Native Instru- libraries
quite complex, the script library is explained in a separate ments. By downloading, installing or otherwise using the
document, the “Kontakt 2 Script Library.pdf”. samples and instruments, you agree to be legally bound Do I have to pay additional licensing fees if my use of
by the terms of this license agreement. these samples ends up on a hit record or other high-
profile projects?
The provided samples, instruments and presets are pro-
License Agreements duced exclusively by Native Instruments, Vienna Sym- NO, your original purchase of the disc is your only license
phonic Library, Zero-G, Sonic Reality, PMI - Post Musical fee, and you’re free to use it in as many musical record-
Please read the following license agreements carefully. Instruments, Northstar, NDB - Notre Dame de Budapest, ings as you want, forever. We hope you do get to use our
When installing the library on your computer system, CKSDE, and Spirit Canyon Audio and can be used for sounds on a hit!
you are legally bound to the following license agreement commercial or non-commercial music and audio produc-
terms. tions without the prior permission from Native Instruments
under the terms of this agreement. Do I have to credit this disc if I use it on a recording?
With the purchase of this sample library you have ac-
quired a single license. With your purchase, you agree to use the following word-
You may make one copy of each CD/DVD for backup ing in any credits or liner notes accompanying the music
purposes only. Any other use in whole or in parts (giving, recording, be it a music CD, cassette, or soundtrack com-
trading, lending, renting, re-issuing, re-distribution or re- pilation: “Orchestral samples included in this recording
sale of this product or any of the contained samples) is from the Vienna Symphonic Library”. Screen credit for
expressly prohibited, without the prior written permission film and television use is not required.
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This license will terminate automatically without notice Can my writing partner, colleagues or friends use these
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NO, each person who uses the sounds must purchase
Copyright 2005 - Native Instruments Software Synthesis their own copy (which licenses them to use the sounds).
GmbH. Anyone other than the original purchaser of the disc, who
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against both them and their clients! Contact us regarding
package deals for special circumstances.

Can I offer these sounds to clients as part of my record- IN YOUR MUSIC. This license cannot be transferred by 1. Definitions. Vienna Symphonic Library GmbH is the
ing studio or rental company services? Or, as a freelance you. copyright owner of any CD, CD-ROM or DVD-ROM in-
sound designer, can I put custom compilation discs to- cluded in this package. “You” and “Your” means the
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NO. Sorry, but each person who uses the sounds (the The following license agreement covers all of your rights material provided by Publisher with the enclosed prod-
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2. License Grant. The Vienna Symphonic Library GmbH
grants to you and only you, subject to the following terms
IMPORTANT: DO NOT OPEN THE SHRINK WRAPPED
Can I use these samples to make “Music Libraries?” PRODUCT UNTIL YOU HAVE RE AD THIS LICENSE
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AGREEMENT. BY OPENING THE PRODUCT (OR AUTHORIZING use each authorized copy of the enclosed product. The
YES, unlike some Soundware companies, this is fully ANY OTHER PERSON TO DO SO) YOU ACCEPT THIS LICENSE enclosed product is the property of the Vienna Symphonic
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used within a musical context, however, and cannot be of a musical performance, live or recorded. This license
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Sounds or their derivatives, either as they exist on disc,
Overview reformatted for use in another digital sampler, or mixed,
Can I use these sounds in Multimedia projects? combined, filtered, resynthesized or otherwise edited,
When you purchase this library from an authorized dealer, for use as sounds, multisounds, samples, multisamples,
MAYBE, as long as the sounds are irremovably imbedded the sounds and samples are licensed, not sold, to you by wavetables, soundsets, programs or patches in a sam-
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fees. With your purchase, you agree to use the following Library GmbH terminates this Agreement due to your
NO. Any such usage is prohibited without prior clearance wording in any credits or liner notes accompanying the breach, you agree to return the original and all other
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Northstar license agreement
All samples and programs are licensed to the owner/
purchaser of Kontakt 2 under the terms of the enclosed
agreement. Northstar Productions retains
ownership of and intellectual property rights to all of
the contents of the Kontakt instruments that come from
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available at law or equity,
injunctive relief on account thereof.
Copyright ©2005 Northstar Samples. All rights re-

served.

Credits
All samples, instruments, presets in this library are made Post Musical Instruments Badroom
by professional sample companies, sound designers and
programmers. For the specific origin of particular instru-
ments, please see the included instrument lists. Modo Bierkamp
Northstar
INDIVIDUAL SOUND DESIGNERS:
Library concept and design:
Lorenz Heine, Stephan Rühl, Frank Elting, Renger Koning,
Martin Jann, Dennis DeSantis, Kevin Lamb, Uli Baronowsky, Richard Devine, Clay Dun-
Nicki Marinic,Patrick Arp can, Xavier Bidault, Danilo Madonia, Jeremiah Savage
Native Instruments
Samples and Instruments by:

IMPULSE LIBRARY by:
Vienna Symphonic Library
Spirit Canyon Audio,
CKSDE - Cyber Kitchen Sound Design Enterprise
SO Percussion Stephan Rühl , Martin Jann, Idee und Klang
Zero-G SCRIPT LIBRARY by:

soundWARRIOR
Josef Natterer, Nicki Marinic, Sven Seelenmeyer,
DT Soundworks Martin Jann, Xavier Bidault
Sonic Reality Shirokuma Ltd. And last but not least: Thanks to all beta testers for their support

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LIBRARY MANUAL

Welcome to the Kontakt 2 sample library!

Your Native Instruments Sound Design team.

Kontakt 2 - LIBRARY MANUAL 2

Kontakt 2 - LIBRARY MANUAL 3

Library Installation HARDDRIVE >

Kontakt 2 - LIBRARY MANUAL 4

If the database is properly connected to the Kontakt 2

Example: Loading a multi of the Quicksearch Database via drop-down

Kontakt 2 - LIBRARY MANUAL 5

PRESETS are named “Preset.nkp“ and always have the

We named the original instruments for example “Harpsi-

Kontakt 2 - LIBRARY MANUAL 6

04 - Electric Pianos Rhodes MK2, Clavinet, FM E-Piano, FM Wurlitzer E-Piano 24 1 247 MB

06 - Acoustic Drums 4 different acoustic Drumkits, includung a complete GM kit 9 1 100 MB

07 - Electronic Drums 9 different modern and classic electronic drumkits 16 1 54 MB

08 - Percussion Orchestral, Timpani, Latin, Ethnic Percussion, Taos Drum 29 1 228 MB

10 - Basses Acoustic Bass, Fretless Bass, and Semi-Acoustic Bass 9 1 15 MB

13 - Surround A 5.1 Surround Cathedral Organ, Surround synthesizers, and testfiles 26 1 1 GB

14 - Banks All instruments combined separate banks per category 23

Total: 1080 45 15.3 GB

Kontakt 2 - LIBRARY MANUAL 7

Kontakt 2 - LIBRARY MANUAL 8

Bass ens 6 (repetition)

Kontakt 2 - LIBRARY MANUAL 9

Each matrix line now has ﬁve entries. The sequence of

Kontakt 2 - LIBRARY MANUAL 10

Skip First On/Off: To play long repetition sequences without

Kontakt 2 - LIBRARY MANUAL 11

Violin ens 14 (pizzicato).nki 14.39 MB G2 - D6 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments

Violin ens 14 (sforzando).nki 11.99 MB G2 - D6 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments

Violin ens 14 (sustain).nki 172.77 MB G2 - D6 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Violin ens 14 (tremolo).nki 57.06 MB G2 - D6 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments

Kontakt 2 - LIBRARY MANUAL 12

02 VIOLA ENSEMBLE Viola ensemble with 10 players

Viola ens 10 (pizzicato).nki 10.12 MB C2 - E5 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments

Viola ens 10 (sforzando).nki 12.11 MB C2 - E5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments

Viola ens 10 (sustain).nki 261.20 MB C2 - E5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Viola ens 10 (tremolo).nki 68.94 MB C2 - E5 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments

Kontakt 2 - LIBRARY MANUAL 13

03 CELLO ENSEMBLE Cello ensemble with 8 players

Cello ens 8 (pizzicato).nki 30.63 MB C1 - E4 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments

Cello ens 8 (sforzando).nki 14.56 MB C1 - E4 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments

Cello ens 8 (sustain).nki 186.58 MB C1 - E4 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Cello ens 8 (tremolo).nki 68.06 MB C1 - E4 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments

Kontakt 2 - LIBRARY MANUAL 14

04 DOUBLE BASS ENSEMBLE Double Bass ensemble with 6 players

Bass ens 6 (pizzicato).nkki 20.23 MB B1 - D3 pizzicato VSL - Opus 1 http://www.vsl.co.at/instruments

Bass ens 6 (sforzando).nki 18.18 MB B1 - D3 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments

Kontakt 2 - LIBRARY MANUAL 15

Bass ens 6 (sustain).nki 184.51 MB B1 - D3 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Bass ens 6 (tremolo).nki 126.14 MB B1 - D3 tremolo VSL - Opus 1 http://www.vsl.co.at/instruments

Kontakt 2 - LIBRARY MANUAL 16

Harp (normal).nki 258.05 MB B1 - A6 VSL - Opus 1 http://www.vsl.co.at/instruments

Piccolo (sforzando).nki 11.83 MB C4 - D7 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments

Piccolo (stac 1).nki 7.44 MB C4 - D7 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments

Piccolo (sustain).nki 65.97 MB C4 - D7 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Kontakt 2 - LIBRARY MANUAL 17

Flute (sforzando).nki 12.88 MB B2 - F6 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments

Flute (stac 1).nki 11.77 MB B2 - F6 staccato 1 VSL - Opus 1 http://www.vsl.co.at/instruments

Flute (sustain).nki 78.30 MB B2 - F6 sustain VSL - Opus 1 http://www.vsl.co.at/instruments

Kontakt 2 - LIBRARY MANUAL 18

Oboe (sforzando).nki 13.49 MB A#2 - G#5 sforzando VSL - Opus 1 http://www.vsl.co.at/instruments

Oboe (sustain).nki 79.81 MB A#2 - G#5 sustain VSL - Opus 1 http://www.vsl.co.at/instruments