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exigence

a work for large jazz ensemble + laptop.

by adam neely

this is a composition about apathy in the internet age.

i guess.
2

Instrumentation

Woodwind I - Flute, Alto Sax, EWI


7-String Electric Guitar
Woodwind II - Alto Sax, Soprano Sax, EWI
Keyboard
Woodwind III - Tenor Sax, Clarinet, EWI
5-String Bass Guitar/Vocoder
Woodwind IV - Tenor Sax, Clarinet
Drum Set (with Roland SPD-SX)
Woodwind V - Baritone Sax, Bass Clarinet

Trombone I Trumpet I Laptop Electronic


Trombone II Trumpet II Playback/Manipulation
Trombone III Trumpet III
Bass Trombone Trumpet IV Estimated Duration - 27'30"

MVMT 1 Emergence of the Grand Intercontinental Experiment of the Internet and the World Wide Web:
Have you Ever Had A Dreams?, or, a dissolution of the Old Tyranny and birth of the New Vision

MVMT 2 The Madmans Addled Mind and what Visions Lay Therewithin: A Rumination on Hysteria

MVMT 3 Top 34 MIND-BLOWING Cats on Roomba videos ever. You won't BELIEVE #17..........

MVMT 4 A Penultimate Melanchology - An Interstellar Danse Macabre and Travelogue to the Final Moment
we share before the Grand Descent onto the Abyssal Plane

MVMT 5 tl;dr OTL (i literally can't even...)

We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly
in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at
least, had not been visited by Orwellian nightmares.

But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known,
equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley
and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed
oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and
history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities.

What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to
ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of
information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism.
Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of
irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture,
preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley
remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose
tyranny "failed to take into account man's almost infinite appetite for distractions". In 1984, Huxley added, people
are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure.

In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.

- Foreword from Amusing Ourselves to Death


Neil Postman
3
Laptop -

During the performance of exigence, a number of synthesizers, drum loops, effects and patch changes
must be triggered from a laptop running Ableton Live.

Because of the sheer number of pre-recorded synthesizers and complexity of the automation, Exigence
is performed to a click track. At a bare minimum, both the conductor and the drummer should have a
click in their headphones, but ideally the entire band will have access to the click track if they desire it.
Difference click sequences can be fed to the rhythm section from the horns.

Synth Automation

Heavy use of DAW automation is required to create


modern electronic synthesizer sounds.

The score for exigence uses hairpin "crescendos" and


"decrescendos" to roughly notate automation of
parameters including low pass filters (LFP), frequency
modulation (FM), reverb dry/wet, delay times, etc, etc.

Live Projections

There is a tightly-synced visual projection


sequence that must be controlled by the
Laptop. A rough timeline of the projection
is included in the score. Recurring visual
motifs are tied to corresponding musical motifs.

EWI (Electronic Wind Instrument)

Woodwinds 1-3 double on EWI, use a simple


"square wave" patch. All three EWI's run through
the master Laptop's audio interface, wherein a
pre-programmed routine of effects, including
sidechain compression and delay are applied.

SPD-SX PATCHES
Electronic Percussion
(0 - off)
The drummer performs exigence with a kit that includes a Roland SPD-SX 1 - Party Rock
drum pad, and acoustic drum triggers on the snare and kick drum. The 2 Dubstep
laptop controls the drummer's SPD-SX patches remotely via MIDI program 3 Metal
change. 4 Trap/808's
5 - Sevens
6 Drum and Bass
7 Chill Kit

Vocoder -

The bassist (and composer) sings several times through


a microphone that runs into a digital vocoder patch in
Ableton Live. The vocoder's carrier signal is pre-programmed
with melodies and chords through which the bassist can sing.
4 exigence - mvmt i
Concert Score
Emergence of the Grand Intercontinental Experiment of the Internet and the World Wide Web:
Have you Ever Had A Dreams?, or, a dissolution of the Old Tyranny and birth of the New Vision
q = 136 Adam Neely

4
Drum Loop Starts
2
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chopped/autotuned vocal samples

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3
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4
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have you ev -er had a dreams?

Woodwind I &4

Woodwind II
4
&4

Woodwind III & 44

Woodwind IV & 44

?4
4
Woodwind V

4
Trumpet I &4

Trumpet II
4
&4

Trumpet III
4
&4

4
& 4
Trumpet IV

? 4
Trombone I 4

Trombone II
? 44

?4
Trombone III 4

?4
4
Bass Trombone

4
&4

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Electric Guitar

4
&4

? 44
Piano

?4
Bass Guitar 4
4
kit 1 - party rock

/ 4
Drum Set
mp "party rock anthem" drumloop playback
light time on hihat


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6

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j j j j j j j j
Tpt. IV . - .

? - . - . - . - . - . - . - . - .
Tbn. I J J J J J J J J

Tbn. II
?

Tbn. III
?

?

B. Tbn.

& V V V V V V V V V V V V V V V V V V V V
E

V V V V V V V V V V V V

{
Gtr.

& V V V V V V V V V V V V V V V V
Pno.
?

E
?
- - . - . - . - . - . - . -
j j j j j j j j
. .
Bass

j j j j j j j j
tom-heavy groove

Dr. /
74

Square Wave
72
24 44
Synth

&
20
#
#.
To
+ e. delay, lots of feedback
w 24 44
EWI
WW. I &

w 24 44
To Alto Sax.
WW. II &

& <#>w
24 44
To Ten. Sax.
WW. III

24 44
<#> w
WW. IV &

? 24 44

WW. V

>
# w
Tpt. I & 24 44
>
f
w
Tpt. II & #J 24 44

#
f
> w
Tpt. III & J 24 44
f
j > w 24 44
&
Tpt. IV
>
f
# w
? 24 44
Tbn. I

# #
>
f
w
Tbn. II
? J 24 44

#>
f
w
Tbn. III
? J 24 44
f

? 24 44
B. Tbn.
w w
>
f

& V V V V V V V V
24 44

{
Gtr.
Piano
B E7

& V V V V V V V V V V V V V V V V
24 44
solo
# j
#.

w
w
24 44 w
Pno.
?
w
B

Bass
? 24 44



24 44
/ J

Dr. J

77 21
WW. I &

WW. II &

WW. III &

WW. IV &

?

WW. V


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?
B. Tbn.

&

{
Gtr.


C7 G7 D/F

#
j

& j w # w

w w w
Pno. w
? w w w
w w w #w w
w w

?
Bass &


kit 0 - off

Dr. /

drum loop

j

j

22 83
WW. I &

WW. II &

WW. III &

WW. IV & ?

?

WW. V


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

&

{
Gtr.

#
E7 C7 G7 D/F

& j j # j

w w w

w w w w
Pno. w
? w w w
w
w w w w #w w
w w

& #
Em
j
Cmaj7
j j j
G
j D/F#
w
Bass
J J


Come un - to me and fol - low me home the world's not long for us now So

Dr. /
j

j

91 23
WW. I &
Alto Saxophone

& j

j w
WW. II

p
Tenor Saxophone

& j

WW. III
w w
p

?
subtone

w
WW. IV
J
p

? j

subtone

w
w
WW. V

Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?
B. Tbn.

pretty chords

& + +
E7 C7

V V V V V V V V

Gtr.
mp
E7 C7


&

j w

w w
Pno. w
? w
w w w
w w

&
j j
Em Cmaj7
j # j
Bass
J J

loop continues
say what you'll say and love who you will the time

V
Dr. / V V V V V V V V V V V V V V V
mp
99

EWI
E7

V V V V V V V V
24 95

WW. I &
blazing solo (short, sweet, to the point)

& j # #
j
WW. II
w

&
w
WW. III
w

WW. IV
? w w

?

WW. V w #w


Tpt. I &

j
Tpt. II & #
mp

Tpt. III &

#j
&

mp
Tpt. IV

?
Tbn. I


Tbn. II
?
mp

Tbn. III
?

?
B. Tbn.

G7 D/F E

& + V V V V + V
palm muted
j r j j r j

Gtr.

{
. . - . . . - .
# #
#
G7 D/F E

& j #
j
w
w w
Pno.
? w w
w #w &

j
E

j r j j r j
3

3
?
&
. . - . . . - .
Bass

we thought we had has al -read -y passed us by it's far too late


kit 1 - party rock


j
/ V V V V V V V V V V V V V
"party rock" type groove, sorta

Dr.

101 C7 G7 D/F

WW. I & V V V V V V V V V V V V V V V V V V V V V V V V
25

WW. II &

WW. III &

WW. IV
?

?

WW. V


Tpt. I &

j j j
Tpt. II & # # #

Tpt. III &

#j #j #j
&

Tpt. IV

?
Tbn. I


Tbn. II
?

Tbn. III
?

?
B. Tbn.

C7 G D/F

& j r j j r j
j r j j r j j r j j r j
. . - . . . - .
Gtr.

{
. . - . . . - . # . . - . # . . - .
# # # #
# #
C7 G D/F

&
Pno.

&

? j r j j r j
C7 G D/F "it's far too late"

. . - . j r j j r j
Bass . . - . . . - . . . - . j r j
#. . - .
j r j
#. . - .


Dr. / V V V V V V V V V V V V V V V V V V V V V V V V
107

E7 C7

WW. I & V V V V V V V V V V V V V V V V
26

& j

j w
WW. II

mp

& j

WW. III
w w
mp

? w
subtone


WW. IV
J
mp

? j

subtone

w
w
WW. V

mp

~
Tpt. I & ~~~~~
f

j j
Tpt. II & # # ~~~~
~~
f

&
Tpt. III ~~~~~~
f

#j #j
&

Tpt. IV
~~~~~~
f

?
Tbn. I


Tbn. II
?

Tbn. III
?

?

B. Tbn.

E C7

& j r j j r j j r j j r j
. . - . . . - .
Gtr.

{
. . - . . . - .
#
E
# #
C7
#
&
Pno.
?
&

j r j j r j
E C7
? j r j j r j . . - . . . - .
. . - . . . - .
Bass

j
Dr. / V V V V V V V V V V V V

111
27
WW. I &


#
j
WW. II & j w #

f

&
w
WW. III
w
f

? w w
full tone

WW. IV
f

?

full tone


WW. V w #w
f

# - #fij
Tpt. I & J J

#fi
j
j

Tpt. II & J #- #

j
& fi

j

J -
Tpt. III

j
j
& fi
j
# #
-
Tpt. IV

? w

w

Tbn. I

Tbn. II
? w

w

f

Tbn. III
? w w
f


?

optional 8vb

w
B. Tbn.
#w
f

& V V V V V V V V V V V V V V V V
G big open chord rockout D/F#

{
Gtr.
f
rockout

V V V V V V V V V V V V V V
G D/F#

&
> >
Pno.

V V V V V V V V V V V V V V
f
?
#
> #>
?
Bass # # &


the time
rock

Dr. /
J J J J
f

115
& . .
filtered saw wave
j j
28


LPF cutoff
reverb dry/wet

WW. I &

WW. II &

WW. III &

WW. IV
?

?

WW. V


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV


?
#
Tbn. I J


mf

Tbn. II
? #J
mf

Tbn. III
? #
mf


?

B. Tbn.
mf

{
Gtr. &
E C7

&


j

w

w w
Pno. mp
w
?
w w w
w w w

j
3
3
&

Bass


we thought we had has al - read - y passed us by it's far too late



Dr. /
drum loop


j

j

120 123 The Drop
Synth & . . . . . .
j j j j j j j j
29

. .

WW. I &

WW. II &

WW. III &

?
WW. IV &

?

- . - . - . - .
WW. V j j j j
mf crescendo poco a poco


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV


? - # fij
J . w
Tbn. I

Tbn. II
?

. w b

Tbn. III
? <#> . b

? # . b
B. Tbn. - #w

&

{
Gtr.

&
Pno.
?

Bass &


/
(w/electronic percussion)

Dr.
crescendo poco a poco

"we found love"


riser effect


125



& #

30 (pitches approximate)


(EWI)

WW. I &
- - -
-
. . . .
crescendo poco a poco

WW. II & -

-

-

-
. . . .
crescendo poco a poco

WW. III & - - -


-
. . . .
crescendo poco a poco

WW. IV & -
-
-
-
. . . .
crescendo poco a poco

?

- . - . - . - . - . - - . -
j j j j j j j j
. .
WW. V

crescendo poco a poco

. - . J .
-
Tpt. I & J J J J
f

& . - . - .
Tpt. II
J J J J J
f

. - -
j j j j j
Tpt. III & . .
f

. - j
j j j j
&
. .
Tpt. IV
-
f

? w
Tbn. I

Tbn. II
? w

Tbn. III
? w

?

B. Tbn.
w

&

{
Gtr.

&
?
Pno.

Bass &


/
Dr.


#



129 31

&

& b- b b- b b- b - b- b -
. . . . . .
WW. I

-
& b- b b- b b- b - b b- b
. . . . .
WW. II

-
WW. III & b- b b- b b- b - b- b b n
.
. . . . .

& b- b b- b b- b - b b- -
. . . . .
WW. IV

. -
?

j
- . - - . - . - . - #-
j j j j j j j
WW. V
. . .

. - . - . . - . - .
Tpt. I & J J J J J J J J J J

. - . - . . J
- . J
- .
Tpt. II &
J J J J J J J J

J J
& . - . -
. . - . - .
Tpt. III J J J J J J J J

& . - . - . - -
j j j j j
. . .
Tpt. IV
J J J J J

? ^ ^ ^
. . #
. .
# #
^ J
Tbn. I J J J

. . .
f
^ ^ . #
? ^ # #
^ J
Tbn. II J J J

. . .
f
^ ^ . #
? ^ # #
^ J J J
Tbn. III J

. . .
f
^ ^ . #
? ^ # #
^ J

B. Tbn. J J J
f

&

{
Gtr.

&
?
Pno.

Bass &


/
Dr.

+
Vocal samples
White Noise Sweep

+
133

&
32 pitch shift down 8vb



- ~^
so much you could do a - ny thing?
- - ~~~~~~~~~~~ J
- ~~~~
WW. I & b
.

.

. ~~~~~~

^
b- - - ~~~~ ~~~~~~~~~~J

to EWI

& n n ~~~~~~ ~ ~ ~ ~~ ~ ~~ ~ ~
. ~~~~ - ~~
. .
WW. II

- - - ^
to EWI

~~~~~~~~~J
- ~~~~~~~~~~~~~
& b n
. . .
WW. III

- - - ~~~~~~~ ~~~~~^
WW. IV & b b
.

.

. ~~~ ~~~~~~~~~~~~~~~~~ J
~~~~
-
^
~ ~ ~~~~~~~ J
- ~ ~~~~~~
j ~ ~ ~
#- . -
? j ~~ ~

j
WW. V . - .

>
b n
> ^
. . .
Tpt. I & J J J
>
#
> ^
. . .
Tpt. II & J J J
>
b n
> ^
. . .
Tpt. III & J J J

b . . n . b> > ^
&

Tpt. IV J J J
>

> ^
? # . . .
Tbn. I J J J

# . . . > > ^
Tbn. II
? J J J

? # . . . > > ^
Tbn. III J J J

? # . . . b> > ^

B. Tbn. J J J

Gtr. & ?

?
{
Pno.

Bass & ?


/
Dr.
136 Vildjhatha meets Skrillex meets Bob Brookmeyer
?
FM Square Bass Synth (dubstep wub wub)


j
33
Bass Synth
LPF 33 hz 10 khz 33 hz 10 khz 33 hz LPF 30 hz 2.91 hz 50 hz
LPF 120 hz 3.21 khz 281 hz 2.4 khz 480 hz
FM OSC 1 -11db 0db -15db 0db FM OSC 1 0db -15db
FM OSC 1 -41db -11db

# 10
FM OSC 2 off -34db -54db
FM OSC 2 -14db -43db -15db -33db FM OSC 2 -17db off -12db off


# j
10

6 6
&
# J
FM OSC
1+2 Pitch
4
5 5 6

4 4


harmonic node

WW. I &

WW. II &

WW. III &

WW. IV &

>
? j

>
WW. V
> >
ff


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

? > > > >


Tbn. I J
ff

>
? j
Tbn. II >
> >
ff

# > #>
? j
Tbn. III #
> >
ff
?

j
>
B. Tbn.
>
> >
ff


? j
hit hard, go sharp


>
Gtr.
> >
?
{

8vb
j

Pno.
>
>

? j
Bass >
> >

kit 3 - metal

Dr. / V V V V V V V V V V V V V V V V V V V V
bass
J
ff
e e n ee e ee ee
# eee eee b ee bb beeee n eee e
FM Square Synth [TRUMPET Double]

34 # ee ## eee # eeJ
144
141
44

34
Chord Synth &

?
43
j j 44
Bass Synth
LPF LPF LPF 15.2 khz 30 hz
LPF 30 hz


7.70 khz 11.4 khz 5.75 khz 30 hz 7.70 khz 3.21 khz

n
FM OSC 2 -54db

&
0db


FM OSC 2 -54db -12db -54db

j
-54db

j
FM OSC 2 -24db -24db FM OSC 2 -19db -54db

43 44
10
# #
10 10

10 9


FM OSC

8
1+2 Pitch
J 4J


3 4 4

WW. I & 43 44

WW. II & 43 44

WW. III & 43 44

WW. IV & 43 44

> 43
WW. V
? j j 44
*8va if no low A



> > >
> >
> >
#-
^
Tpt. I & 43 44 J
b >
>
b - ^
& 43 44 J
#
Tpt. II

#>
> ^
Tpt. III &
43 #- 44 #J

>
>
Tpt. IV & b 43
- 44 ^J

? > >
>
43
> > 44 >

Tbn. I J J

> > 43 >


? j j 44
Tbn. II
> > >

# > > 43 >


? j j 44
Tbn. III #
> > >


? 43 44
>
j j
> >
B. Tbn.

> > >

> > 43 >


? j j 44
Gtr.
> > >
?
{ 43 44
>
j j
>
Pno.

>

> >
>

> > 43 >


? j j 44
Bass
> > >

j

Dr. / V V V V V V V V 43 V V V V V V V V V V V
#
tpts
44
J J
ee ee b neee e
eee e e e e ee
e ee e
e #n eee eee eee bb beeee nn eee
# ee
E
## EEE
EE
43 EE
146
# 44
Chord Synth&
35

?
43
j j 44
Bass Synth
LPF 30 hz 998 hz 30 hz LPF 30 hz 1.21 khz 30 hz 1.21 khz 30 hz LPF 30 hz 1.10 khz 30 hz LPF 1.97 khz 5.22 khz 2.64 khz



FM OSC 2 -21db off -17db off FM OSC 2 -24db -54db -24db -54db -8.5db

& #
j j
# # 43 44
10

10 10 10



FM OSC
1+2 Pitch

4 J



3J
4 4

WW. I & 43 44

WW. II & 43 44

WW. III & 43 44

WW. IV & 43 44

? j 43 44


> >
j
> > >
WW. V
>
>
> -
^ #-
Tpt. I & 43 44
>
b ^ - -
b
Tpt. II & 43 44

#-
>
# # ^ #-
Tpt. III & 43 44


> -
^ -
Tpt. IV &
b 43 44

? > > >


J
> > > >
Tbn. I 43 J 44

43 > > >


j
? j 44
> > >
Tbn. II
>

43 > >
j
# > #>
? j 44
Tbn. III #> >
>


? 43 44
> >
j j

B. Tbn.

> >
> > >

43 > > >


? j j 44
> > >
Gtr.
>

{
? 43 44
> >
j j
>
Pno.

> > > >


43 > > >
j
? j 44
> > >
Bass
>


Dr. / V V V V V V V V V V V V V V V V 43 V V V
# 44
J J
151 e e e e e e n ee e
4 # eee # eee eee eee ## eee eee nn ee eee b ee
bb ee
Chord Synth & 4
36

J
? 4

j
Bass Synth 4
LPF


FM OSC 2 -3db -19db FM OSC 2 -3db -19db 2.64 khz 1.97 khz 2.91 khz 80 hz 2.91 khz 125 hz 4.97 khz

& 4 #
FM OSC 2 -54db -19db -54db -19db-54db -19db -54db -19db -54db -19db


4 #
10

10

8 j
8


4

FM OSC
1+2 Pitch

4J

4EWI J J
4 4

- . > -
WW. I & 4 # #. #
#.

J J
4 - #
EWI
. > -
#
WW. II &4 #. #.

#.
4
EWI
- # - # > -
WW. III &4 #. #.
J J
4
&4 - # # - # # #j j
WW. IV
. . . > -

> >
?4 j
4

> >
WW. V
> >
>
4
^ ^ > ^
#
Tpt. I & 4 J
^ ^ > ^
4 b J
Tpt. II &4

#^ # ^ >
Tpt. III & 44 # ^J

4 ^ ^ b ^
Tpt. IV & 4
>

J

? 4 >

>

> > > > >
Tbn. I 4 J

> >
?4 j
4
> > >
Tbn. II
> >

#> # >
? 44 j
Tbn. III #> > >
> >
?4
4
j
>
B. Tbn.

> > > >
> >

> >
? 44 j
> > >
Gtr.
> >
?4
{ 4 j
>
Pno.

> > > >
> >
> >
? 44 j
> > >
Bass
> >
4

j
Dr. / 4 V V V V V V V V V V V V V V V V
#
J
e e e n ee e
eee e e n ee e
eee
# eee b ee e
eee #n eee eee bn ee #n eee eee b ee
bb ee
37
155

Chord Synth &


J
? ^j

j
Bass Synth

LPF LPF LPF


44 hz 4.37 khz 97 hz 5.22 khz 97 hz 97 hz 2.17 khz 97 hz 2.4 khz 97 hz

^j

FM OSC 2 -24db FM OSC 2 -18db

# 10 j
10

10
&
FM OSC

4
2
1+2 Pitch
4J 4J


J
v
# . > - - #
WW. I & #. J #. .

. J
> - -
& # # J # # .
WW. II
. .

- > - -
& #
#. #. #
#.
WW. III J J

& - # # #j j -
. > - # #
WW. IV
. .
? ^j

>
j
>
WW. V

>

^ >
Tpt. I & J
^ > b b
Tpt. II & b J

#^ > # #
Tpt. III & J

^ >
&
b
Tpt. IV
J

? >

^

> >
Tbn. I J J
^j

? j

> > >
Tbn. II

^j
>
? j
>
>
Tbn. III

? ^j

>
B. Tbn. j
>
>

^j

? j

> > >
Gtr.

? ^j
{

>
Pno. j

> ^j
>

? j

> > >
Bass



j
Dr. / V V V V V V V V V V V V

J J
158 e
e e e e
<b> ee #n eee eee eee b ee
Chord Synth &
bb ee
38

J
? ^j

j
Bass Synth
LPF 97 hz 2.97 khz 97 hz LPF 97 hz 2.17 khz 97 hz
LPF 2.64 khz 1.97 khz 2.91 khz 80 hz 2.91 khz 125 hz 4.97 khz


FM OSC 2 -18db -30db -15db

^j 10
FM OSC 2 -54db -19db -54db -19db -54db -19db -54db -19db -54db -19db

&
#
10 5
j

8 8


FM OSC
# n J 4
4
1+2 Pitch
J
J J J J
6
v
4 4

- # . > - . >
# #
WW. I & . #.

J J #.
- # . > - >
# #
WW. II & . #.
J J

#J. J -
- -
#j j
>
& #
#. #
#.
WW. III
. >

& - # # #j j - # # j j

WW. IV
. > - . >
. .

> >
? j j
WW. V
>

>

>

>


>

^ ^
Tpt. I & J
<b> ^ ^
Tpt. II & b J
# ^
Tpt. III & ^J

^ b ^
&

Tpt. IV
J
?
>
^
> > > > >
Tbn. I J J
^
> >
? j j
Tbn. II
> >
> >
? # #^j #j >
>
Tbn. III
> > > >
? ^j
j
>
B. Tbn.

> > >


> >

^
> >
? j j
>

{
>
Gtr.
> >

& ?

Pno.
? ^j j
> >
>
^ > > >
> >
? j j
Bass
> >
> >


j
Dr. / V V V V V V V V V V V V V V V V
J J
ee ee b neee E
EEE
E
EEE ee ee b neee E
EEE
E
EEE ee ee b neee E
EEE
%
%%w
e ee e
# e
e ee e
# e
e ee e
# e %
162


39
&
?
Bass Synth # # # # #w w
LPF 87 hz 5.56 khz LPF 87 hz 5.56 khz LPF 87 hz 5.56 khz LPF 87 hz 5.56 khz LPF 87 hz 15.2 khz


FM OSC 1 -14db

# # # #
0db

&
FM OSC 2 -23db

#w w
0db


10 10 10 10

# 4 # # #
10

#w w
FM OSC

> b
1+2 Pitch

. > b
4 4 4

b . w w
4


J J
To Alto Sax.
WW. I & J J
. > b
J
ff
. > w w
J J J
WW. II &

. > J
.
ff
> w w
& J
WW. III
J J

j j b b . > b
ff

& w w
WW. IV
. > J J
ff
?


#> #> #> #>
WW. V
#w w
>

ff w
Tpt. I &
ff
b b b w
Tpt. II &
ff
# # # w
Tpt. III &
ff
w
Tpt. IV &
?
# # # #
ff
#w w
> > > > >
Tbn. I

? <n>
ff
w w
> > > > >
Tbn. II
ff

#> #> #> #>


?
Tbn. III #w w
ff
>
B. Tbn.
?
#> #> #> #> #w w
ff
>

? ##> ##
>
##
>
##
>

>
## # ##

{
Gtr. &
ff

? bb b b> > b>


bb bb b bb
> >
bb b b
Piano

bb
ff
Pno.
?
b b b b
loco
b b
b > b > b > b > b > b
?
#> #> #> #>
Bass
#> #
ff


Dr. /

fff

168
#
#
last x only

&
40

3 3



Have you ev -er had a dreams? Have you ev -er had a dreams? Have you

WW. I &

WW. II &

WW. III &

WW. IV &

?

WW. V


Tpt. I &

Tpt. II &

Tpt. III &

&
j

fi
j
#
Tpt. IV

mp
w

?
Tbn. I
fij # w
Tbn. II
? J
mp

Tbn. III
?

?

B. Tbn.

V V VJ VJ V V V VJ V V VJ V V VJ V V VJ V V VJ V V VJ V V VJ V V
> > > > >
B D D (solo) F

VJ
. . . . . . . .
&

{
Gtr.

# . . .
? n#n n #
mf
B7 D7
w
ww
J J
j j
Pno.
?
#

. w
w
B D
? j j
. w
Bass

>
j
J

/
Dr.

173

# #
41

3 3
&


ev - er had a dreams? Have you ev - er had a dreams? Have you

WW. I &

WW. II &

WW. III &

WW. IV &

?

WW. V


Tpt. I &

Tpt. II &

Tpt. III &

& fij j
#
Tpt. IV

mp
w

?
Tbn. I

fij # w
Tbn. II
? J
mp

Tbn. III
?

?
B. Tbn.

& V V V JV V V JV V V V V V JV V V JV V V
D F

V VJ VJ V JV JV
. . . . . . . .

{
Gtr.

?
Pno.
?

Bass
?


/
Dr.

177
#
#
42

3 3
&


ev - er had a dreams? Have you ev - er had a dreams? Have you

WW. I &

WW. II &

WW. III &

WW. IV &
fij # # fij
? #- . #

WW. V
J J


Tpt. I &

Tpt. II &

Tpt. III &

Tpt. IV & fij #


j


mp
w

?
Tbn. I
fij # w
Tbn. II
? J
mp

Tbn. III
?

?
B. Tbn.

& V V V VJ V V VJ V V V V V VJ V V VJ V V
D F

V VJ VJ V VJ VJ
. . . . . . . .

{
Gtr.

? &
Pno.
?

Bass
?

Y

kit 0 - off

Dr. /

181 Some Fugal Shit 43
LPF Cutoff

& # # #
3 3 3



ev -er had a dreams? Have you ev -er had a dreams? Have you ev -er had a dreams?

WW. I &

WW. II &

WW. III &

WW. IV &

? w

WW. V
w

#fi j
& # j

Tpt. I
- . # . # . . #
mp

Tpt. II &

& fij # #fi


j

j

Tpt. III J #- . #
mp

Tpt. IV &

fij
?
# - # fij
J J . .


Tbn. I

fij # # fij
mp
-
Tbn. II
? J J


mp
fij
Tbn. III
? J
mp

?

B. Tbn.

& + +
G C

V V V V V V V V V V V V
lightly pick, no groove

{
Gtr.
mp

& + +
G C

V V V V V V V V V V V V
sparse colors

Pno. mp
?
G C
?
lightly restrike, no real groove

Bass w w w w w

+ +
V V V V V V V V V V V V
textural stuff (no backbeat)

Dr. /

186

& #
44

3



Have you ev -er had a dreams?
j
Alto Saxophone
WW. I &
b
mf
WW. II &

WW. III &

j
&
b
WW. IV

mf
?

WW. V J b
mf


fi
j
fi
j j . w
&
w J -
Tpt. I

Tpt. II &

fi
j
w
Tpt. III & . # . . # w J -

fi
j
& fi
j
j
w
J - . .
Tpt. IV


mp
fij
? . .
w

J
w
Tbn. I
mf
w
? . . . . w
Tbn. II


f
fij
? - . . . . w
Tbn. III J w

? fij fi
j


j

B. Tbn. J - - w
mp

+
F

& V V V V V V V V V V V V V V V V VVV VVVV VVVVVVVV

{
Gtr.
J

+
F

& V V V V V V V V V V V V V V V V V V V V V V V V
VJ V V V V V V V V V V V V V V
Pno.
?
F
? w w w j
Bass
w w
+
/ V V V V V V V V V V V V V V V V
VVV VVVV VVVVVVVV
Dr.
J

193
j j 45
WW. I &
w

WW. II &

WW. III &

j j
& w
WW. IV


?
w J
WW. V
J


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

& V V VJ V V V VJ V V V VJ V V V VJ V
D B

V VJ V VJ V VJ V VJ
. . . . . . . .

{
Gtr.


D B

&
Pno.
?
D B

j b . . b
? j j j j
groove hard
j j .
. .
j
. .
Bass

.
>

kit 1 - party rock


Dr. /
mf
+
White Noise Sweep
199
+
197

&

46


& w # J w
WW. I

w
WW. II & # J
mf

& w
WW. III # J
mf

& w j
WW. IV
w
#
w
? w #

WW. V J

>
# w
Tpt. I &
mf
>
& w
Tpt. II
J

n
mf
j>
Tpt. III & w
mf

Tpt. IV & j w
>
mf

>
? w
Tbn. I
mf
>
? # w

Tbn. II J
? #>
mf
w
Tbn. III J
mf
?
B. Tbn. w w

mf

V V VJ V V V VJ V V VJ V V VJ V
E F D

& V V V V V V V V V VJ V VJ
. . . . . .

{
Gtr.


E F D

& V V V V V V V V
V V V V V V V V V V V V V V V V
Pno.
?
E F D
?
. .
j j j j
.
. j j
.
Bass
.
>
kit 0 - off kit 1 - party rock



Dr. / J

J

V V V V V V V V
j . #- J J
205
202
- # . > 47
WW. I &
#.
f

j
WW. II &

. #- J J
j - # . >
&
WW. III #.
f

j j
. # -
& j

.
- # # >
WW. IV
f .
-
# .
WW. V
? J #

.
Tpt. I &
mf

Tpt. II & .
mf

Tpt. III & b .


mf
-
&
# #
Tpt. IV
.
f
.
?
Tbn. I
mf

? .
Tbn. II
mf

? b .
Tbn. III
mf
? .

B. Tbn.
mf

& V V VJ V V VJ V V VJ V V VJ V V VJ V
C

V VJ
. . . . . .

{
Gtr.

&
Pno.
?
C
?
. . .
j j j j j j

Bass

. .
.
j
/ V V V V V V V V V V V V
pat boone debby boone!

Dr.
J
w . #- J J
. > -
207 e. = e
48
- #
WW. I & #.

. #- J J
- . > -
#
WW. II & #.

- >
- J J
#. -
WW. III & #w # #
.
.
j


j j

& #w j
- # # . >
WW. IV
# . . - -
?
#- . - . #- . - . #- . - . #- . -
j j j j j j j j
WW. V
.
f

b w
Tpt. I & w
f

& w # J
Tpt. II J J
#
f

Tpt. III & J w
f

w
&
Tpt. IV # w
f

? # w w
Tbn. I
f

?
#- . - . #- . - . #- . - . #- . -
j j j j j j j j
Tbn. II
.
f

?
#- . - . #- . - . #- . - . #- . -
j j j j j j j j
Tbn. III
.
f

?
#- . - . #- . - . #- . - . #- . -
j j j j j j j j
B. Tbn.
.
f

& V V V V V V V V V V V V V V V V V V V V V V V V V V
F

V V V V V V
rock out

Gtr.

{
f
F

& V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V
Rhodes

Pno. f
?
rock out

F
?
rock out

Bass
#- - #- - #- - #- -
f
> kit 2 - dubstep


Dr. / J
J J J
f
. #- J J . #- J J
211
- # . > - - . > - 49
# #
WW. I &
. #.

. #- J J . #- J J
- . > - - . > -
# #
WW. II & #. #.

& <#> #. #.
- -
. - . -
# j > - # j > -
#. #.
WW. III J J J J


& <#> j j j j

j j
- # # . > - # # . >
WW. IV
# . . - - # . . - -
?

j j j j
. . . . . . .
j j j j
.
WW. V

b w
Tpt. I & w

w # J
Tpt. II & J J

Tpt. III & w # w

w
&
Tpt. IV # w

? # w


Tbn. I

? . . . . . . . .
Tbn. II
J J J J J J J J

. . . . . . .
? j j j j j j j j
Tbn. III .

?

j j
. . . . . . .
j j j j j j
.
B. Tbn.

& V V V V V V V V V V V V V V V V V V V V
D

V V V V V V V V V V V V

{
Gtr.

& V V V V V V V V V V V V V V V V V V V V
D

V V V V V V V V V V V V
Pno.
?
D
?
- - - - - - - -
Bass


/ J
J
Dr. J J

215
+
White Noise Sweep

&
50

- #
#- . . > - # j j # j
WW. I & #
. J J #- J # w

. #- J J
p
- # . > -
molto decrescendo

# # # #
WW. II & . # w
3 p

& <#> #
- # #> -
molto decrescendo

# j - . #. -
WW. III
. # w w
molto decrescendo
p

# . #> - #
j j j j
<#> - # # w
& j

WW. IV
# .
molto decrescendo
?
WW. V #w w

#
Tpt. I & # # w w

# # j

Tpt. II & J J J #w w

# j
# #
Tpt. III & J w

j
&
# #
Tpt. IV J # w

? w #w - - - - - - - -
Tbn. I
p
- - - - - - - -
Tbn. II
?
p

Tbn. III
? #- - - - - - - -
p

? - - - - - - - -
B. Tbn.
p

& + +
F11

{
Gtr.

V V +
F

& V V V V V V V V V V V V V V V V V V V V V V
high register textures, colors

Pno.
?

F11
?
Bass
#w w
kit 0 - off


/
quieter - play colors

Dr.
mp

222 Segue as One

& V
44
51

To Flute
& <#>
44
(-2)

WW. I

& <#> 44
(-2)

WW. II
(-2)

& <#>
44
To Tenor Sax
WW. III

WW. IV & 44

? 44
WW. V


Tpt. I & <#>
44
(-2)

& <#>
44
(-2)

Tpt. II

& <#> 44
(-2)

Tpt. III

& <#>
44
(-2)

Tpt. IV

----
? 44
Tbn. I
f
----
Tbn. II
? 44
f

Tbn. III
? #- - - - 44
f

? - - - - 44

B. Tbn.
f

## # # ## #
# #fij # #
A6 E7 F11 E/G A6 C11 F(4) B7
# # #
&
n
# # 44

{
# #
Gtr.
#
mp

& 44

44
Pno.
?

Bass
? 44

44
/
Dr.
exigence - mvmt ii
52
The Madman's Addled Mind and what Visions Lay Therewithin: A Rumination on Hysteria

230
4
Adam Neely
q = 91

Woodwind I &4

4
(EWI)
# # #w # #.
Woodwind II &4 # w

Woodwind III
4
&4

Woodwind IV & 44

?4
4
Woodwind V

4
Trumpet I &4

Trumpet II
4
&4

Trumpet III
4
&4

4
& 4
Trumpet IV

? 4
Trombone I 4

?4
Trombone II 4

Trombone III
? 44

?4
4
Bass Trombone

#
A6 E7 F11
#
E/G

## #
#
A6

#
4
&4
# #
# n

{
#
Electric Guitar
#
mp
4
&4

?4
Piano

?4
Bass Guitar 4

4
drum loop

Drum Set / 4 n


Casio Rapman


238 "Flute" Patch (23)

# #
235
#w
53
&
Filtered Saw Wave
Short Decay

&

#- - - - - - - - #- - - -


LPF cutoff

WW. I &
#fij # # # # #w
WW. II & #
Tenor Sax

&
WW. III
#- - - - - - - - #- - - -
pp f


Tenor Sax
&
- - - - - - - - - - - -
WW. IV

pp f

? - - - - - - - - - - - -


Bari Sax
WW. V
pp f


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.


A6


E7
#fij #
C11 F(4) B7

##
# # # ## # #
# #

&

{
#
Gtr.

A6

##
E7
# #w
Rhodes

& ## ww
Pno. mp
? # .


.
#
A6 E7

?
"OC-2 octaver effect"

Bass
>j

trap-ish [play only on pads]


kit 3 - trap

Dr. /
mp
244
# #. #fij # 43 #
240 Square Wave "80's" Synth

&
54


# w


LPF cutoff

WW. I & 43

WW. II & 43

WW. III & 43

WW. IV & 43

WW. V
? 43


Tpt. I & 43

Tpt. II & 43

Tpt. III & 43

Tpt. IV &
43

?
Tbn. I 43

Tbn. II
? 43

Tbn. III
? 43

B. Tbn.
? 43

<#> 43 +
F11 E/G
# #fij
A6 C11 F7
# #
& <#>

# # n

{
#
Gtr.
# #
#.
#
fij C11
F11
# #
A6 F7

43
#
& # # #w n
ww

# . 43 #
Pno.
?
octaver off
# # . #
#. . - #
# . .
# #. -
F11
-
A6 C11 F7

Bass
? # # . 43 #
kit 0 - off


/ V V V V V V V V V V V V V V V V 43
J
Dr.
# # n
# # #
245

& # #
55


WW. I &

WW. II &

&

WW. III

pp mf

&

WW. IV

pp mf
?
WW. V
pp mf


Tpt. I &

& - - - - -

- - - - - - - - - - -
Tpt. II
p

Tpt. III & #- - - - #- - - - #- - - - #- - - -


p

Tpt. IV & b- - - - b- - - - b- - - -
p

? #- - -
Tbn. I
p

Tbn. II
?

Tbn. III
?

?

B. Tbn.

& + + + + +
E/G A6 B(4) F7 E/G

{
Gtr.

E/G A6 B(4) F7 E/G



&

# #
Pno.
?
# . #


E/G A6 B(4) F7 E/G

# #
? # .
Bass #

Dr. / J J J V V V V V V
# #
252
# #
& # # # #
250

#
56

Flute #fij # #
WW. I &
(EWI) mf

WW. II & #fi


j
# #

mf

&

WW. III
pp

&

WW. IV

pp mf
?
WW. V
pp mf


Tpt. I &

Tpt. II &

Tpt. III &

& b- b- - - - b- - - - b- - - -
- - -
Tpt. IV
p

? <#> #- - - - #- - - - #- - - - #-
Tbn. I

? - - - - - - - - - - - - - - - -
Tbn. II

#- - - #- - #- -
p
- - - -
Tbn. III
?
p

? - - - - - - -

B. Tbn.
p

& + + + + +
A6 B(4) F7 E/G A6

{
Gtr.

A6 B(4) F7 E/G A6

&

#
Pno.
?
# . #


A6 B(4) F7 E/G A6

#
? # .
Bass
#


Dr. / V V V V V V J J V V V
# # # #
& # # # #
255

#
57

#fij # #
WW. I &
mf

& #fi
j
#
WW. II
#
mf

&

WW. III

mf pp

&

WW. IV

pp mf
?
WW. V
pp mf

- - -
Tpt. I &
p

Tpt. II & #- - -
p

Tpt. III & #- - - #- - - - #- - - - #- - - - #-


p

Tpt. IV & b- - - -
b- - -
p

? # - - -
Tbn. I
- - - - - - - - - - - - - - -
p

Tbn. II
?

? <#>#- - #-
p
- -
Tbn. III

? - - - - - - - - -

B. Tbn.

& + + + + +
B(4) F7 E/G A6 B(4)

{
Gtr.

B(4) F7 E/G A6 B(4)



&

#
Pno.
?
# . # # .

?
B(4) F7 E/G A6 B(4)

Bass # . # # # .


Dr. / V V V V V V V V V J J
Casio Rapman

#

"reverse" delay e.
263 "Flute" Patch (23)

& #
#
260
44 # #w
58


#fij # - To Alto Sax

WW. I & 44 #
mf To Alto Sax.

& #fi
j 44
# # -
WW. II

mf

& 44

WW. III

mf

& 44

WW. IV

? 44

WW. V


&
- - - - - - - - - - - - 44 -
Tpt. I
mf

& <#> #- - #- - - - #- - - - 4 #-
4
- -
Tpt. II
mf

& #fi
j 44
# # -
Tpt. III

mf

& <b> b- - b- - - - b- - - - 4 b-
4
- -
Tpt. IV
mf

? <#> #
- - - - # - - - - # - - - - # -
Tbn. I
44
mf

?
# fij # -
- #
Tbn. II 44
mf

Tbn. III
? 44

? 44

B. Tbn.


& +
A6 E7

## ##
F

44 # #

{
Gtr.

& +
F
44
Pno.
? 44

F
? 44
#
Bass

+
drum loop

44
Dr. /


# #. #fij # # # #w
265

&
59
# w # #


WW. I &

WW. II &

WW. III &

WW. IV &

?
WW. V


Tpt. I &

Tpt. II &

Tpt. III &

Tpt. IV &

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

<#>
F11 E/G
# #fij #
A6 C11 F(4) B7

& <#> # n# # # #
# # # #

{
# #
Gtr.
#

&
Pno.
?

Bass
?


Dr. /

60 271 Alto Saxophone
WW. I &
b
pp mf
Alto Saxophone
WW. II & b b
pp mf

&

WW. III

pp mf

&

WW. IV

pp mf

?
WW. V
pp mf pp

w
Tpt. I & # # w #
mf

Tpt. II & # w w
mf

Tpt. III & # #w


# w
mf

&
# # w
Tpt. IV #
mf

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

w/ bass

# . #
#.
# . #
.
B. Tbn.
mf

#
A6 E7 F11 E/G

#
# #
#
#
& # #



Gtr.

{
# #
A6 E7 F11 E/G

& ## # ###w
ww # # #w
ww
Pno. mf
? # . # # . #
#. .


. .
# # . # #.
A6 E7 F11 E/G

?
octaver on
# -
Bass
> trap-ish

kit 3 - trap

Dr. / V V V V V V V V
mf

275 277 61
WW. I & b
b b

pp mf

&
WW. II b b b
pp mf pp

&

WW. III

pp mf pp mf

&

WW. IV

pp mf pp mf

?

WW. V
mf pp mf


Tpt. I & # #. # #. fi
j
# # w

#
& # #. #fi
j
# w
Tpt. II

Tpt. III & <#> # #. #fi


j
#w
# #w

Tpt. IV & # #
#

?
Tbn. I

Tbn. II
?

Tbn. III
?

?
<#> # . # .

- #
B. Tbn.

# #fij
#
A6 C11

n# #
# ## #
& <#>
#

{
#
Gtr.

#.
#
A6
#fij
E7

n# # ##
A6 C11
# # #ww
& #w
Pno. mf
?
<#> # . # .

- #

.
? <#> #
A6
-
E7

#
A6 C11

Bass .


Dr. / V V V V V V V V V V V V V V V V

279

43
62
WW. I &
b b b b
pp mf pp mf

WW. II & b b b 43
mf pp mf

& 43

WW. III

pp mf

& 43

WW. IV

pp mf pp

? 3

WW. V 4
pp mf pp mf


Tpt. I & # w
# #. # #. fi
j
43
to straight mute

& w # #. #fi 43
j
Tpt. II #

43
to straight mute

& # w # #. #fi
j
Tpt. III #w

& <#> 43
to straight mute
# w #
Tpt. IV

? - - - -
Tbn. I 43
p

#- - - -
Tbn. II
? 43
p

- - - -
Tbn. III
? 43
p


? # # . # # . 43
- #
B. Tbn.
#. .

<#> n# # #fij #
& <#>

Gtr.

# # # # 43

{
# #
#.
#
#fij
F11 E/G

n# #
A6 C11

& # # #w
ww 43

43
Pno.
? #
#.
# . # -
# .
. #
# . .
# #. -
F11 E/G
-
#
A6 C11

octaver off

Bass
? # . 43


Dr. / V V V V V V V V V V V V V V V V 43
3 #
283
# # #
& 4 # # # # # #
63

3
WW. I &4 b b b b
pp mf pp mf

3
&4
WW. II b b b b b
pp mf pp mf

3
&4

WW. III

pp mf pp mf
3
&4

WW. IV

mf pp mf
? 3
WW. V 4
pp mf pp

3 to straight mute
Tpt. I &4

Tpt. II
3
&4

Tpt. III
3
&4

3
Tpt. IV & 4

? 3 - - - -
Tbn. I 4

Tbn. II
? 43 #- - - #-

? 3 - - - -
Tbn. III 4

?3
4 #
B. Tbn.

& 4 + + + + + +
F7 E/G A6 B(4) F7 E/G
3

{
Gtr.

F7 E/G A6 B(4) F7 E/G


3
& 4

































? 43
# #
Pno.

# # . #


F7 E/G A6 B(4) F7 E/G

# #
? 43 # .
Bass
# #
kit 0 - off

3
Dr. / 4 J J V V V V V V V V V V V V
# #
291
#
e.=q

& # # #
"Marimba" Synth

289
44
64

44
WW. I & b

4
WW. II & b b 4
pp mf

& 44

WW. III

pp mf

& 44
- -
WW. IV

- -pp - -
?
pp mf
44

WW. V
mf pp


straight mute

Tpt. I & 44
mf
straight mute

Tpt. II & 44
mf

Tpt. III & 44

44
&
Tpt. IV
- - - - - - - - - - - -
? 44 J

J
Tbn. I
3 3
- - -
pp mf
- - - - - - - - -
Tbn. II
? 44 J

J
pp mf 3 3

the previous q equals q's tied to


e triplets => you keep playing the
exact same duration note
- - -
Tbn. III
? - - - - - - - - - 44 J

J
pp mf 3 3

? 44
B. Tbn.

& + + + 44 +
A6 B(4) F7 E/G

{
Gtr.

A6 B(4) F7 E/G
44
&


44
Pno.
?
# . # #


A6 B(4) F7 E/G


?
# .
44
Bass # #
44
Dr. / V V V V V V J

293 65
&
# #

& #
# # ## # nn nn


&
- - - - - - - - - - - -
WW. I

pp mf

&
- - - - - - - - - - - - - -
WW. II

pp mf pp

&
- - - - - - - - - - - - - - - -
WW. III

pp mf pp

&
- - - - - - - - - - - - - - - -
WW. IV

pp
- - - - - - - -
mf
- - - - - - - -
mf
?

WW. V
mf pp mf


Tpt. I &

&
Tpt. II # #

& # # n n
straight mute

Tpt. III
mf

Tpt. IV & b
straight mute

b
?
w
mf

Tbn. I

Tbn. II
? w

Tbn. III
? w

?
B. Tbn.

& + +
A6 B(4) F7

V V V V

{
Gtr.

A6 B(4) F7
bb b
&
Pno.
?

A6 B(4) F7
?
Bass

(ride)

Dr. / V V V V V V V V

66 296

&

&


&
- - - - - - - - - - - - - - - - - - - - - - - -
WW. I

pp mf pp mf

&
- - - - - - - - - - - - - - - - - - - - - -
WW. II

mf pp mf

&
- - - - - - - - - - - - - - - - - - - -
WW. III

mf pp mf

&
- - - - - - - - - - - - mf - - - - - - - -
WW. IV

- - - - - - pp - - - - - - - - - - - - pp - -
?
WW. V
pp mf pp


Tpt. I &

Tpt. II &

Tpt. III &

Tpt. IV &

?
Tbn. I

Tbn. II
?

Tbn. III
?

?
B. Tbn.

E/G A6 B(4) F7

& V V V V V V V V V V V V V V V V

{
Gtr.

E/G A6 B(4) F7
b bb b bb b bb b
& bb
Pno.
? b
b
E/G A6 B(4) F7
?
Bass b b


(ride)

Dr. / V V V V V V V V V V V V
Y
302

67
b b b b bb
300 "lift-off" sound fx

& b b

&
b b b


&
- - - - - - - - - - - - - - - - - - - - - - - -
WW. I

pp mf pp mf

&
- - - - - - - - - - - - - - - - - - - - - - - - - -
WW. II

pp mf pp mf pp

&
- - - - - - - - - - - - - - - - - - - - - - - - - - - -
WW. III

pp mf pp mf pp

&
- - - - - - - - - - - - - - - - - - - - - - - - - - - -
WW. IV

- - - -mf- - - - - - -
pp
- - - - - mf- - - - - - -pp
- - - - -mf
?
WW. V
mf pp mf pp mf

b b b
Tpt. I & b b b b

b
Tpt. II & b b b

Tpt. III & b b b

Tpt. IV &

?
Tbn. I

Tbn. II
?

Tbn. III
?

?
B. Tbn.

E/G A6

V V V V V V V V

{
Gtr. &
E/G A6 C11 E(2)/D E(2)
b bb b bb bb bb
& bb
Pno.
?
b
j j j j j j

b

E/G A6 C11 E(2)/D E(2)
?
b
j j j j j j
Bass b


kit 3 - trap

Dr. / V V V V V V V V J V V V V V V V V
b b
68 305

&

& b


&
- - - - - - - - - - - - - - - -
WW. I
- - - - - - - -
pp mf pp mf

&
- - - - - - - - - - - - - - - - - - - - - -
WW. II

mf pp mf

&
- - - - - - - - - - - -
WW. III
- - - - - - - -
mf pp mf

&
- - - - - - - - - - - mf - - - - - - - -
WW. IV
-
- - - - - - pp - - - - - - - - - - - - pp - -
?

WW. V
pp mf pp

b b to open

Tpt. I &
to open

Tpt. II & b

& b
to open
Tpt. III

to open

Tpt. IV &

?
b w b b bw
Tbn. I
mf
b w b
?
b bw
Tbn. II
mf
b w b
?
b bw
Tbn. III
mf
Play
?

b w b
B. Tbn. b bw
mf

Creamy Lead Tone


b w
& b b bw

{
Gtr.
mf
F7(4) C11 E(2)/D E(2)
b bb bb bb
& b
Pno.
?
b
j j j j

j

j

j

j

F7(4) C11 E(2)/D E(2)
?
b
j j j j j j
Bass

j

j


Dr. / V V V V J V V V V V V V V

309 69
WW. I &
- - - - - - - - - - - - - - - - - - - - - -
pp mf pp mf

&
- - - - - - - - - - - - - - - - - - - - - - - -
WW. II

pp mf pp mf

&
- - - - - - - - - - - - - - - - - - - - - -
WW. III
- -
pp mf pp mf

&
- - - - - - - - - - - - - - - - - - - -
WW. IV
- -
- - - -mf- - - - - - - -
pp
- - - - mf - - - -
?

WW. V
mf pp mf

b b
open

Tpt. I &
f

b
open

Tpt. II &
f

b
open

Tpt. III &


f
open

&
Tpt. IV b b
f

. fij
?
b b b w

Tbn. I
b . fij b b w
?
Tbn. II

b . fij b b w
?
Tbn. III

? . fij w

b b b
B. Tbn.

b . fij b b w
&

{
Gtr.

F7(4) C11 E(2)/D E(2)


b bb bb bb
& b
Pno.
?
b
j j j j j j

j j

F7(4) C11 E(2)/D E(2)
?
b
j j j j j j j j

Bass


Dr. / V V V V J V V V V V V V V

70 313
WW. I &
- - - - - - - - - - - - - - - - - - - - - - - - - -

&
- - - - - - - - - - - - - - - - - - - - - - - -
WW. II

mp mp

&
- - - - - - - - - - - - - - - - - - - - - - - -
WW. III

& ?
- - - - - - - - - - - - - - - - - - - - - - - -
WW. IV

- - - - - - - - - - - - - - - - - - - - - - - -
?
WW. V

w b
Tpt. I &
f

w b
Tpt. II &
f

bw b
Tpt. III &
f

b
&
Tpt. IV
w
f

. fij
?
b b b
b b bw
Tbn. I
b . fij b b
? b b bw
Tbn. II
b . fij b b
? b b bw
Tbn. III

? b . fij b b

b b
B. Tbn. bw

b . fij b b
& b b bw

{
Gtr.

C11 E(2)/D E(2) F7(4) C11 E(2)/D

& V V V V V V V V V V V V V V V V V V V V V V V V
Pno.
?

C11 E(2)/D E(2) F7(4) C11 E(2)/D


?
b
Bass

kit 2 - dubstep



Dr. / J

V V V V V V V V V V V V V V V V V V V V
f
b . - J J 44
319
b
. > 71
Segue as one

b
WW. I & w b .
w
f

b . - b J J 4
. > 4
b
& b b
w w .
WW. II
f

b - . > 4
j j 4


b
& b
bw
WW. III
w .
? j j j j . . b . .
f

j j . . & 44
j j
b . . . . J J J J b
-
WW. IV
. . >
f

b j j . . . . b . . b j j .
? j j j j j j 44
- . >
WW. V j j
f
. . . .

w b . fij b b - . > 4
Tpt. I & b b bw J J 4

.
- J. 44
b fij b b >
w b b
Tpt. II & bw
J

.
b- . > 44
b fij b b
w b b
Tpt. III & bw
J J
. fij
j j 44
w b b b
Tpt. IV & b b bw
- . >
. fij - . >
?
b w b
b b bw
Tbn. I J J 44

. fij b - . >
f
b w b b b
? bw J J 44
Tbn. II

. fij - . >
f
b w b
b b bw
Tbn. III
? J J 44
f
- .
. J 44
? b fij >

b w b b J
B. Tbn. bw
f

- . >
w b b bw b . fij b b
& J J 44

{
Gtr.

V V VJ VJ 4
E F E/G A E F

& V V V V V V V V V V V V V V V V V V V V V
- 4

44
Pno.
?
b
j j j j j j j j
b b
j j

b b b
E F E/G A E F

b b b .
? j j j j j j 4
- . > 4
Bass j
j j j j j

VV VJ VJ 4
>- > > > 4
Dr. / V V V V V V V V V V V V V V V V
J J
glory triumphant!
72
exigence - mvmt iii
Top 34 MIND-BLOWING Cats on Roomba videos ever. You won't BELIEVE #17..........
325
Adam Neely

4
q = 91
-
b b .
Alto Saxophone
Woodwind I & 4

-
b b .
Alto Saxophone
Woodwind II
4
&4

4
Tenor Saxophone

&4
Woodwind III b- b
.
Woodwind IV
4
&4
b - b .
? 44
Woodwind V

4
Trumpet I &4

Trumpet II
4
&4

Trumpet III
4
&4

4
& 4
Trumpet IV

? 4
Trombone I 4

?4
Trombone II 4

?4
Trombone III 4

?4
Bass Trombone 4

<>
## # # ## #
A6 E7 F11 E/G

#
4 w

&4 w

{
#
Electric Guitar

mp
#
4
&4

?4
Piano

?4
Bass Guitar 4

4
drum loop drum loop

Drum Set / 4



333 e.=q.
+
331 White Noise Sweep 73
128
&

b . - . > b>

WW. I & J J 128

. - . >
& b J J 128
>
WW. II

128
>
& j j
>
j .
b
WW. III
. -
WW. IV & 128
>
. b J J
- . >
? 128

WW. V J

- J J 128
>

. >
Tpt. I &

- J >J 128
>
mf sfz


.
Tpt. II &

J J
mf sfz

b- 128 >
. >
Tpt. III &

J. J 128 >
mf sfz

-
>
Tpt. IV &


mf sfz

? . w
Tbn. I J J 128

b J J b w
.
mf

Tbn. II
? 128
mf

b J J
? . w 128
Tbn. III
mf


? 128

j j
b

B. Tbn. . w
mf

V V VJ VJ
E7 G7 G7

V V V V V V V V
& 128

{
Gtr.
mf fp

b b
j j
E7 G11 G7

128
Rhodes

&
. > fp

b
mf
j j
Pno.
? 128
b . >
mf
E7 G11 G7


? j j 128
b

Bass . >
mf fp


V V VJ VJ
> > > > >
kit 0 - off (play)

/ V V V V V V V V V
128
Dr.
fp 808 kick of doom (pre-programmed)
lots of distortion!

Filtered Saw Wave w/


335 downwards pitch envelope

& #
74
j j j j j j
Saw Synth #

WW. I &

WW. II &

WW. III &

WW. IV &

?
WW. V


& j j
j j
Tpt. I

mp

Tpt. II & j j j b n j j j
b

& b j j j
mp
j j j
Tpt. III b b b b

j j j j j j
mp

Tpt. IV &


#





#

mp

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

&

{
Gtr.

&
Pno.
?

Bass
?


V V V V V V V V V V V V V V V V
kit 1 - party rock

Dr. /

341 345
Saw Synth &
75
j j j j j j
# #

WW. I &

WW. II &

WW. III &

WW. IV & ?

?

WW. V


Tpt. I &
j j

j j

Tpt. II & n j j j j j j
b n b

Tpt. III & b


b
j j j

j j j
b b

b

j j j j j j
&

Tpt. IV
# #

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

&

{
Gtr.

&
Pno.
?

Bass
?


Dr. / V V V V V V V V V V V V V V V V

347 351
Saw Synth &
76
j j j j j j j j
# #

WW. I &
subtone

&
- - - - - - - - - - - - - - - - - - - -
WW. II

pp
WW. III &
Tenor Saxophone

- - - - - - - - - - - - - - - - - - - -
?
subtone

WW. IV
pp

?
WW. V


& j j
j j j
Tpt. I

Tpt. II & n j j j b n j j j b n j j

& b j j j j j j j j j
Tpt. III b b b b

j j j j
&
j j j j
Tpt. IV
# #

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

&

{
Gtr.

&
Pno.
?

Bass
?


"roseanna" shuffle (loop)



Dr. / J

352 355
Saw Synth &
77
j j j j j j j
# # #

WW. I &

&
- - - - - - - - - - - - - - - - - - - -
WW. II

WW. III &

- - - - - - - - - - - - - - - - - - - -
WW. IV
?

?

WW. V


Tpt. I & j j
j
j
j

Tpt. II & j b n j j j b n j j j b

Tpt. III &


b b
j j j


b b
j j j


b

j j j
&
j j j j
Tpt. IV
# # #
? #
Play

w
pained gliss

Tbn. I

w #w
mp

?
pained gliss

Tbn. II

w #
mp

?
pained gliss

Tbn. III

#gliss

mp

? pained w

B. Tbn.
mp

&

{
Gtr.

&
Pno.
?

Bass
?

2


Dr. / J

357

Saw Synth &


78
j j j j j j
# #

WW. I &

&
- - - - - - - - - - - - - - - - - - - -
WW. II

WW. III &

- - - - - - - - - - - - - - - - - - - -
WW. IV
?

?

WW. V

j j j j
Tpt. I &

Tpt. II & n j j j b n j j j b n

& b j j j j j j j
Tpt. III b b b b

j j
&
j j j j
Tpt. IV
# #

? <#>w
pained gliss
# w w
Tbn. I

? <#>w w bw w
mp
pained gliss

Tbn. II

? <#>w w #
mp


pained gliss
w
Tbn. III

? <#>w #gliss

mp
pained w w
B. Tbn.
mp

&

{
Gtr.

&
Pno.
?

Bass
?

2


Dr. / J J

364
#
362 79

Saw Synth & J J J J J


Alto Saxophone
+o+ o+o + o+ o+ o +o +o+ o+o + o+
alternating fingering (timbral trill)

WW. I & j j j j j
n b> > n
f
Alto Saxophone
+o+ o+o + o+ o+ o +o +o+ o+o + o+
alternating fingering (timbral trill)

& j j j j j
WW. II b b b b
f >>
Tenor Saxophone
WW. III & j j j j j

f >>
? b> > n
Tenor Saxophone
?
WW. IV J J J J J
f

?

j j j j j j j
> > > > > > > > > b > n b > > n
WW. V

^ b > #>
f

Tpt. I &
> >
sfz

Tpt. II
^
&

#> b
sfz


^ >
Tpt. III & b

>
sfz

Tpt. IV &
^ b


>
sfz

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

& j j j j j j j

{
> > > > > > # w
Gtr.

f> > >


#
>
& j j j j j j j

> > > > > > >

Pno. f
?
#
#
? j j j j j j j
> > > > > > >
> > > # w #
Bass

> > > > > >


>
V V V V V V V V V V V V V V
f
> > > > > j j j j j
Dr. / J J
f sfz
# #
367

Saw Synth &


80
J J J J J J J

o+ o +o +o+ o+o + o+ o+ o +o + o+ o+o + o+ o+ o


j
& j b j j j
n b> j j

> n
WW. I
>>
j
o+ o +o +o+ o+o + o+ o+ o +o + o+ o+o + o+ o+ o
j
WW. II & b j j j j j
b> > b b b b b
> >

WW. III & j j j j j j j



>> >>
? b> > n b> > n
WW. IV J J J J J J J

? j

j j j j j j
b > > n b > > n
WW. V

> b > #>


Tpt. I & #

> >

f sfz

&
>

Tpt. II
J

#> b>
f sfz

&
>
Tpt. III

b
f sfz


>
&
>f >
Tpt. IV

#
sfz

?
Tbn. I

? >
Tbn. II J

>
f

Tbn. III
?
f

?

>
B. Tbn.
f

& j
j j j j j j

{
Gtr.
# #
& j

j

j

j

j

j

j

j

j


> > > > > > > > >

Pno.
?
# #
# #
? j j j j j j j
# #
Bass


V V V V V V V V V V V V V V V
j j j j j j j
Dr. / V V V
# #
372 81

Saw Synth & J J J J J J JJ

+ o + o + oj +j o + o + oj + o +o+ o+o + o+ o+ o +o
j j j
+o+ o+o + o+
j j
WW. I & b
n b> >

n
>> mp
+o+ o+o + o+ o+ o +o +o+ o+o + o+ o+ o +o +o+ o+o + o+
j j j
WW. II & b b j j j j j
b> > b b b b
>> mp

WW. III & j j j j j j j j



>> > > mp
? b> > n b> > n
WW. IV J J J J J J J J
mp

?

j j j j j j j j
b > > n b > > n
WW. V

mp

n J #>
> > > > > >
Tpt. I &
f

J
#> > > > > > >
&
Tpt. II
J
f

& n J
>

>>> >>>
Tpt. III
f
j
Tpt. IV & n

>>> >>> >f
#
?


Tbn. I


f
>
Tbn. II
? J

>
f

Tbn. III
?
f

?


>
B. Tbn.
f

& j j j j j j

{
Gtr.
# #
& j j j j j j j j

> > > > > > > >

Pno.
?
# #
# #
? j j j j j j
# #
Bass


V V V V V V V V V V V V V V V
j j j j j j
/ V
Dr.

380
# #
377

Saw Synth&
82
J J J J

?
FM Square Bass Synth (dubstep wub wub)

Bass Synth





FM OSC 1 -24db -11db
-14db -24db -14db
3 3
FM OSC &

o + o +
j
o

+ o + o + o
j
+
j
o +

o + o
j
+ o

WW. I & b> >

o + o + o
f
+ o + o + o + o + o + o + o
WW. II & b
j j j j
b b

b> >

WW. III & j


j j j

? f

>>
b
WW. IV J J J J


f
?

j j j j
b > >
WW. V

b > #>
f


Tpt. I &
> >

sfz

Tpt. II &

#> b>
sfz

Tpt. III &


>

sfz

&
b
>
Tpt. IV


sfz

? #
#
>

>

Tbn. I
mp
#
? #
f


> >

Tbn. II
mp
# #
?
f


> >
Tbn. III


mp f
?


>
B. Tbn.

f >


E C7

j j j

&

>
Gtr.

>

{
#

j j j

E C7
& j
> >

> > > >

Pno.


?
# >
# >
?
E C7


j j j
# >
Bass

>
kit 2 - dubstep WUB

WUB

> > >
V V V V V V V
j j j
V
Dr. /
? w w

382

w w
# #
83

Bass Synth
# #
7
w w
&
FM OSC 1 -43db -6db -13db -39db -5db -24db -11db -14db -24db -14db -43db -6db -13db -39db -5db

# #
3 3 3 3

3 3 3 3

3
FM OSC


WW. I &

WW. II &

WW. III &

WW. IV
?

?
WW. V

> > #>


& >
>
Tpt. I

>
& > >
> >
Tpt. II

& #
> > > > >
Tpt. III

Tpt. IV & #
> > > #
> >
? w
> > >

> >
#
>

>
w > >
#> >

>
Tbn. I


> > > > > >

? w > w >
# > # # > #
> >
Tbn. II

> >
> >
> # n> > # n>
? w w
> > > >
Tbn. III

?



w #> >
> > > w #> >
> >
B. Tbn.
> >
>


G D/F D E C7 G D/F D

& w



> >
w
>
Gtr.

>

{
w #> > w #> >
> > > >


G D/F D E C7 G D/F D

& w #

#

> > > >
w w
w
w > > #> > w > > #> >
? w w

Pno.

w
#>

w

> > > > > >
> #> > > >


G D/F D E C7 G D/F D
?


w #> > > > > w #> >
> >
Bass
> > >
WUB



> > > >
Dr. / V V V V V V V V

? w
388

w
#
84



#
Bass Synth

-24db
w 3

-43db -6db -13db -39db -5db


-11db
-14db -24db -14db

#
3

3 3 3 3

3
FM OSC &

j
j
-
j j j
WW. I & J #


mf

&
j
#
j j j
-
j j

WW. II


mf

& j j j j j j
-
WW. III

mf
WW. IV
?

?
WW. V

>
Tpt. I &
>

sfz

Tpt. II &

&
sfz

Tpt. III
>


sfz

& >
Tpt. IV
sfz

? > > >



w > > >
#
>
Tbn. I


> >
?
w >
# > #>
> >
Tbn. II

?
>
w > #> n>
> > >
Tbn. III

?


> w #> > > >
B. Tbn.

> >


E C7 G D/F D




&
>
w
>
Gtr.

>

{
w #> > > >
&

E C7 G D/F D


#

> > >
w
w
w > > #> >
? w
Pno.



w #>
> > > > > >


E C7 G D/F D


?


> w #> > > >
Bass
>
>


Dr. /
V V V V
?
394 Tenor Sax Solo


392 85




Bass Synth

7
-11db


-24db -14db -24db -14db


To To 3

&
To
FM OSC


j
^
&
-
WW. I
- - w

& ^j #w
WW. II
- - -

& ^j
- - - w
WW. III

V V V V V V V V V V V V V V V V V V V V
?
E C7 G D/F E
WW. IV &
solo - triumphant and brash

?

WW. V


Tpt. I &

Tpt. II &

j j
Tpt. III &
mp

&
Tpt. IV

? >

J J
>
Tbn. I


mp
?
> >
Tbn. II

?

> >
Tbn. III

?


>
B. Tbn.

>

V V V V V V V V V V V V V V V V
E C7 E C7 G D/F E


&

>
Gtr.

>

{
mp palm mute

& V V V V V V V V V V V V V V V V V V V V
E C7 E C7 G D/F E


> >

mp
?

Pno.


> >

E C7 E C7 G D/F E


?
#
>
Bass

>

mp

j j
V V V
kit 0 - off

Dr. / V V V V V V V V V V V V V
mp tom groovalicious (quieter)

86 399 402
WW. I & - - - - -
pp f

& #
WW. II
- - - - -
pp f

&
- - - - -
WW. III

pp f

& V V V V V V V V V V V V V V V V V V V V
C7 G D/F E C7

WW. IV

?
WW. V


Tpt. I &

Tpt. II &

j j
Tpt. III &
J J

j j j j j j
&
Tpt. IV
mp

?
Tbn. I J J J J

? #
Tbn. II J J J J J J
mp

Tbn. III
?

?

B. Tbn.

& V V V V V V V V V V V V V V V V
C7 G D/F E C7

{
Gtr.

& V V V V V V V V V V V V V V V V V V V V
C7 G D/F E C7

Pno.
?

C7 G D/F E C7


?
Bass
#
j j
Dr. / V V V V V V V V V V V V V V V V

404 87
WW. I & - - - - - - - - - -
pp f pp f

WW. II & #- - - - - #
- - - - -
pp f pp f

&
- - - - - - - - - -
WW. III

pp f pp f

& V V V V V V V V V V V V V V V V V V V V
G D/F E C7 G

WW. IV

?

WW. V


Tpt. I &

Tpt. II &

Tpt. III & J J


J J

J J

j j
&
Tpt. IV J J

?
Tbn. I J J J J J J

? #
Tbn. II JJ J J

Tbn. III
?

?

B. Tbn.

& V V V V V V V V V V V V V V V V V V V V
G D/F E C7 G

{
Gtr.

& V V V V V V V V V V V V V V V V V V V V
G D/F E C7 G

Pno.
?

G D/F E C7 G


?
Bass
#

Dr. / V V V V V V V V V V V V V V V V V V V V

410
j
j
409

-
j
88
WW. I & j # j
J


mf


j
#
j j j
-
& j j

WW. II


mf


& j j j j j j
-
WW. III

& V V V V
D/F mf

WW. IV
?


-
#
?
J J J
WW. V J J J
mf

# w
& J J
Tpt. I
J
mf


w
j
Tpt. II & J J
mf

Tpt. III &


j
w
j
&
j
Tpt. IV #
mf

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

D/F E C G

& V V V V V V V V V V V V V V V V
full chords, rcok out some (not too much)

{
Gtr.

& V V V V V V V V V V V V V V V V
D/F E C7 G

Pno.
?

V V V V V V V V
D/F E C7 G
?
Bass
#


V V V V V V V V V V V
Dr. / V
mf

^j
-
413 89
WW. I &
- - - w
-

^j
-
&
WW. II
- - - - #w

& ^j
- - - - w
-
WW. III

WW. IV
?

- -
?
- ^ - - w

WW. V J

#
& J J
Tpt. I
J

j
Tpt. II & J J

Tpt. III &

j
#j
&
j
Tpt. IV



#
?
>

J J > > >
Tbn. I J #


mf




> > #>
Tbn. II
? J J J # >

?
mf


# #>
J J
J > n>
>
Tbn. III
mf

?

# j
J J

#>

> > >
B. Tbn.
mf

& V V V V V V V V V V V V V V V V V V V V
D/F E C G D/F

{
Gtr.

& V V V V V V V V V V V V V V V V V V V V
D/F E C7 G D/F

Pno.
?

V V V V V V V V V V V V V V V V V V V V
D/F E C7 G D/F

Bass
?


Dr. / V V V V V V V V V V V V V V V V V V V V

418
j
j
-
j
90
WW. I &
j # j
J

&
j
j #
j j
-
j j

WW. II

&

j
j j j j j
-
WW. III

WW. IV
?


-
#
?
J J J
WW. V J J J
>

- - >
Tpt. I & w
- >
J J
J
> #-
f
- >

>
& w - J J
Tpt. II
J
>
f

- > - - >
& J
Tpt. III
J J
>
f

- > - - >
& w
J
Tpt. IV
J J
#
f

? >
>

w > > > >
Tbn. I
J J J #



>
? J J w
J
>
#
>
> #
> >
Tbn. II

#

>
> # n>
? J w
J
> J > >
Tbn. III

? # j

J w
J #> >
> > > >
B. Tbn.

& V V V V V V V V V V V V V V V V V V V V
E C G D/F E

{
Gtr.

& V V V V V V V V V V V V V V V V V V V V
E C7 G D/F E

Pno.
?

V V V V V V V V V V V V V V V V V V V V
E C7 G D/F E

Bass
?



Dr. /
V V V V V V V V V V V V
# # 91
423
Saw Synth & J J J J J J

+ o + o + oj +j o + o + o + o + o + o + o + o + o + o + o
WW. I & j b n j j j
b> >
f >>
+ o + o + o + o + o + o + o + o + o + o + o + o + o + o
j j j
WW. II & b b b j j j
b> > b b

f >>
WW. III &
j j j j j j
# #
>> >> >>
? > >
f
WW. IV J J J J J J
f

?

j j j j j j
b > > n b > >
WW. V

w
f

Tpt. I &

<#>w
Tpt. II &

Tpt. III & w


Tpt. IV & w

> > > > > > > > > > > > > > #> > > > > > > > > > > > > > > > #> >
? J J
Tbn. I J J J J
#> > > > > > > > > #> > > > > #> > #> > > > > > > > > #> > > > > #> >
f

Tbn. II
? J J J J J J
f

? #> > > > > > > > > #> > > > > > > #> > > > > > > > > #> > > > > > >
Tbn. III J J J J J J
f

?

j j j j j j
> > > > > > > > > > > > > > #> > > > > > > > > > > > > > > > #> >
B. Tbn.

j j j j j j

{
Gtr. &
# #
j j j j
f
& j j j j

> > > > > > > >

Pno. f
?
# #
# #
? j j j j j j
# #
Bass
f


V V V V V V V V V V V V V V V
j j j j j j
kit 1 - party rock

Dr. / V
f

427
Saw Synth &
92
j j j j j j
# #

WW. I &
sub tone

&
- - - - - - - -
WW. II

p
WW. III &

- - - - - - - -
?
sub tone

WW. IV
p

?
WW. V


Tpt. I & j j j
j
subito p

Tpt. II & j j j b n j j j b
subito p

& b j j j j j j
Tpt. III b b b
subito p

j j
Tpt. IV &

j

j


#




j

j


#

subito p

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

&

{
Gtr.

&
Pno.
?

Bass
?


"roseanna" shuffle (loop)



Dr. / J

431 433
Saw Synth &
93
j j j
#

WW. I &

&
- - - - - - - -
WW. II

WW. III & ?

- - - - - - - -
WW. IV
?

?
b
j j
> > > > > > > > >
WW. V
>
b > #>
f

j
Tpt. I & j
> >
sfz

& n j j j
Tpt. II b

#> b>
sfz

& b j j j
Tpt. III b
>
sfz

j b
&
j j
Tpt. IV
# >
sfz

gliss
? pained # w
Tbn. I

? w #w
mp
pained gliss

Tbn. II

? w #
mp
pained gliss

Tbn. III

?
mp

#
pained gliss
w w

B. Tbn.
mp

& j j

{
Gtr.

f > > > > > > > > > #w


>
&
Pno.
?

? j j
> > > >
> > > > > > #w
Bass

2 >
V V
play
> > > > > > > > > > >
Dr. /
J

J

f
# #
435
Saw Synth &
94
J J J J J J

+ o + o + oj +j o + o + o + o + o + o + o + o + o + o + o
WW. I & n j b n j j j
b> >
>>
+ o + o + o + o + o + o + o + o + o + o + o + o + o + o
j j j
WW. II & b b b j j b j
b> > b
>>
? #> > #> >
WW. III J J J J J J

? > > > >


WW. IV J J J J J J

?

j j j j j j
n b > > n b > >
WW. V


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

> > > > > > > > > > > > > > #> > > > > > > > > > > > > > > > #> >
? J J
Tbn. I J J J J

#> > > > > > > > > #> > > > > #> > #> > > > > > > > > #> > > > > #> >
f

Tbn. II
? J J J J J J
f

? #> > > > > > > > > #> > > > > > > #> > > > > > > > > #> > > > > > >
Tbn. III J J J J J J
f

?

j j j j j j
> > > > > > > > > > > > > > #> > > > > > > > > > > > > > > > #> >
B. Tbn.

& j j j j j j

{
Gtr.
# #
& j j j j j j j j

> > > > > > > >

Pno.
?
# #
# #
? j j j j j j
# #
Bass


V V V V V V V V V V V V V V V
j j j j j j
/ V

Dr.

White Noise (low frequency cutoff.
442 high Q "wind blowing effect)
+ +
439

Saw Synth & J J J # J J


95

LPF cutoff

?
FM Square Bass Synth (dubstep wub wub)


w w
(1st x only)

#w

LPF 829hz 3.14khz 470hz
10
w
w w
+ o + o + oj +j
&


o + o + o + o + o + + o + + o +
j j j
4

& n > > > > > > > b> > n> > > > > > > > >
WW. I
>>> >>> >

+ o + o + o +
sfz
o + o + o + o + o + + o + + o +
WW. II & b
j j j j j
>>> >>> > > > b> > > > > b> > b> > > > > > > > To>Clarinet

sfz
? > > > > > > > > > > > > > > > > > > > > > > > > >
WW. III J J J # J J

? > > > > > > > > > > > > > > > > >> > > > > > > >
sfz

WW. IV J J J J J


sfz
?

play 1st x only

w w
j j j j j
n> > > > > > > > > > > > > > b > > n>> >> >> >> >> >> >> >> >>
WW. V



sfz mf

J J
Tpt. I &
> > > > > > > > >
Tpt. II & J J
> > > > > > > > >
Tpt. III & J J

V V V V V V V V
E(2)
> > > > > > > > >
&
optional
J J
short solo statement - forelorn and wistful
Tpt. IV

> > > > > > > > > > > > > > #> > > >
> > > > > >
?
>
J J J J J w
play 1st x only

Tbn. I w
#> > > > > > > > > #> > > > > #> > #> > > > > > > > >
sfz

play
mf
? J J J J J w w
1st x only
Tbn. II


sfz mf
? n> > > > > > > > > > > > > > > > > > > > > > > > >
#w
play 1st x only
Tbn. III J J J J J w
sfz


mf
?
j j j j j
play 1st x only

> > > > > > > > > > > > > > #> > > > > > > > > > >
B. Tbn.
sfz
w w
mf


+tpts (super loud)
j j j j
E(2)

w w
& j
w w
Gtr.

{
> > > > > > > > > > > > > > #> > > > >> > > >> > > >>
w w
#ww ww

mf

j j j j ? J
sfz E(2)
J
& J
> > > >
w
Pno. ff sfz mf
?
# ww ww
j j w
#
#

E(2)
?
w w
j j j j j
+tpts (super loud)

# > > > > > > > > >


Bass


ff

V V V V V V V V +> +
sfz mf kit 0 - off
j j j > +tpts > >(super> loud)
>> >>>
Dr. / V V V V V VJ VJ V V
sfz mf
ff
+ + + + + +
444
78
Segue as one

&
96
White
Noise

? 78
w w
Bass
Synth


64hz
LPF

&
10
w w
w w

4

WW. I & 78

WW. II & 78

WW. III
? 78

WW. IV
? &
78

? 78
WW. V

78
Tpt. I &

Tpt. II & 78

Tpt. III & 78

7
& V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V 8
C(2) G D(2)/F

Tpt. IV

? 78
Tbn. I

Tbn. II
? 78

Tbn. III
? 78

? 78

w w
B. Tbn.
w w
mp p

& w w
C(2) G D(2)/F
78
w w w w w w
w w # w w w w

{
w w
Gtr.

w
? ww w
ww ww ww ww ww ww ww 78
C(2) G D(2)/F

w w #w w w w &


ww ww
78
Pno.
?
w w w w w w w w
w w # w w w w

w w
? w 78
C(2) G D(2)/F
Bass w #w w w w
+ + + + + +
Dr. / +
7
(countoff into next movement)

8
exigence - mvmt iv 97
The Penultimate Melanchology - An Interstellar Danse Macabre and Travelogue
q.=q to the Final Moment we share before the Grand Descent onto the Abyssal Plane

7
Adam Neely
452
Woodwind I & 8

Woodwind II & 78

?7
Woodwind III 8 &

Woodwind IV
7
&8

?7
Woodwind V 8

7
Trumpet I &8

Trumpet II
7
&8

Trumpet III
7
&8

7
Trumpet IV & 8

? 7
Trombone I 8

?7
Trombone II 8

Trombone III
? 78

?7
Bass Trombone 8

# # b
7 J
Electric Guitar &8 J b J

{
mp
# #
Rhodes

# b # b
7
&8
J J b J J J b J

?7
Piano

Bass Guitar
? 78

7
/ 8
Drum Set
460
b # b
#
98

Flute

WW. I &
mp

WW. II &

# #
Clarinet in Bb

WW. III &
mp

# #
Clarinet in Bb
WW. IV &
mp

?
WW. V


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

B. Tbn.

# # b # # b
J J
& J b J J b J

{
Gtr.

# b # b
J # J #
& J b J J b J
Pno.
?

Bass
?


(loop) r r r r r r

Dr. /

R R

<b>

467
99
WW. I &

WW. II &


WW. III &

b
b b

WW. IV & b b

?
WW. V


Tpt. I &

Tpt. II &

Tpt. III &

&
Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

w/bass
j
- - -
B. Tbn.

mp

# b #
# b #
J J b J J J

{
Gtr. & J
# b #
J # b J #
& J b J J J

V V
D7 B7

V V V V
Pno.
?
D7 B7(4)

?
n asty groove (ad lib)
j
-

Bass

j j
kit 5 - sevens
r r r



Dr. /
R
j j


loop
R R

100 474

WW. I &

WW. II &

WW. III &

WW. IV &

?

WW. V


Tpt. I &

Tpt. II &

Tpt. III &

Tpt. IV &

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

j


- -
B. Tbn.

- - - -

b # b
J #
& b J J b J

{
Gtr.

b # b
#
& b J J J b J

V V V V V V V V
F7 D7 B7 F7

V V V V V V V V V V
Pno.
?

F7 D7 B7(4) F7
? j

Bass


j j
Dr. / R V V V V V J V
V V V V V V

loop continues (bass)

480 484 101
WW. I &

WW. II &

WW. III &

WW. IV &

?
WW. V

#
cup mute

Tpt. I &
mf


cup mute

Tpt. II &
mf

b b
cup mute

Tpt. III &


mf

& b b
harmon mute

Tpt. IV

?
mf

Tbn. I

Tbn. II
?

Tbn. III
?

?
j j


- - - -
B. Tbn.

- -

# b #
J # b J #
& J b J J

{
Gtr. J
# # b # #
J J b J
& J b J J

V V V V V V
Pno. D7 B7 F7 D7 B7

V V V V V V V V V V V V
?

D7 B7(4) F7 D7 B7(4)
? j j

Bass


Dr. / V V V V V J V V V V V V V V V V V V J V


102 486

WW. I &

WW. II &

j
& b ~~~~~~~~~~~~ b
j
b fi
b
.
WW. III j
b
mp
j
& b ~~~~~~~~~~~~ b
j
b fi . b
WW. IV j
b

b fij
mp
. b b ~~~~~~~~~~~~b
? b J

WW. V J
mp


Tpt. I & b # b

Tpt. II &

Tpt. III & b b

b
& b b b

Tpt. IV

?
Tbn. I

Tbn. II
?

Tbn. III
?

?

j

- -
B. Tbn.

- - - -

b # b
J #
& b J J b J

{
Gtr.

b # b
#
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V V V V V V
F7 D7 B7 F7

V V V V V V V V V V V V
Pno.
?

F7 D7 B7(4) F7
? j

Bass



Dr. / V V V V V V V V V V V J V V V V V V V

~~~
492 496

~
& Y ~~~~
103
~
"siren" sound FX
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
~ ~

WW. I & #
mp
Alto Saxophone


&
#
WW. II

mp
j
&
b fi
j b b ~~~~~~~~~~~ b

.
WW. III j
b
j
b ~~~~~~~~~~~ b
& j
WW. IV
b fi
j . b
b
b fij b . b b ~~~~~~~~~~~b
? J

WW. V J

b n
To open

Tpt. I &

& b b n b n
To open

Tpt. II

& # n
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Tpt. III

& b #
To open

b
Tpt. IV

?
Tbn. I

Tbn. II
? #
mp


?
Tbn. III
mp

?
j



- -
B. Tbn.

- - mp

# # b D7 opt.
#
play chords
#
E7(4)
J J b J
b J

{
Gtr. & J J

# b #
#
& J #J b J b
J
J J

V V V V V V
Pno. D7 B7 F7 D7 E7(4)

V V V V V V V V V V V V
?

D7 B7(4) F7 D7 E7(4)
?

j

Bass




Dr. / V V V V V J V
V V V V V V R R


498

Y ~~~~~~~~~
~~~~
&
104

b