Beruflich Dokumente
Kultur Dokumente
Luca Mantovanelli
II-V-I Fusion Licks
Lick 10 (Amaj Backing)
LUCA SAYS:
.
After a chromatic line, I play B Dorian over the Bm7, but building it around an F#m arpeggio,
so it sounds almost like Im playing F# Aeolian (F# G# A B C# D E: same notes as B Dorian,
but different root note). Pat Martino does this sort of thing a lot. Over the E7b9, I used the
half/whole diminished scale (E F G Ab Bb B C# D) as an alternative to the Superlocrian. This
is a really cool-sounding scale. For the F7b9, I switched to F# Superlocrian (F# G A Bb C D
E).
www.jamtrackcentral.com
Jazz... in My Mind
Jazz guitarists are well aware that creating a great jazz tone requires not only the right guitar but also the
right amplifier. The DV Little Jazz combo has been designed with a jazz guitar in mind.
Lots of attractive features which make it a new standard for jazz guitarists and everyone in need of a
small, ultra-compact, very-portable combo with a clean, warm, powerful sound!
Birli Lagrne
P = 120
fV gV V gV
ggg 4 j
1
I 4
8 9 12 11
T
A
`
B
V V V V V V e V f V e V V
Bm7 E7 9
g g V V V V V f V gV f V V e V f V f
V V V V V VV V gV f V gV
2
Ig
10 9 10
T 10 12 10 9 11 9 12 9 11
A 11 11 9 10 9 12 9 10 12
12 9 10 11 10 9 12 9 11 12
13
b`
B
P H P P H P P H
V V V V V V eV V V V V fV V V
Amaj7 F79
g g k k V l V V gV f V f V
4
Ig V V V
gV f V f V V
9 10 9 12 5 6 5 9 2 3 2 5 2
T 10 7 3 3
A 3 2
5 4 2
B 5
6 5 3 2
sl. sl. sl. sl. sl. sl. P P P
P P P