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REBECCA HILL
This article offers a feminist critique of the primary intuition of Henri Berg
son's entire philosophy, his celebrated deduction of consciousness as duration
(1933/1992, 12-14). I will suggest that his intuition of the enduring self is
elaborated within restrictively masculine parameters. Now, I do not make this
claim simply in order to condemn Bergson's thinking in the name of feminist
theory. On the contrary, I want to consider how we may reread his intuition
of the enduring self in relation to Luce Irigaray's formulation of the interval
of sexual difference.
Let me briefly explain how I understand the interval of sexual difference
in Irigaray's work. As is well known, sexual difference has at least two senses.
concepts that are isomorphically congruent with the male sex and excludes
what she calls "the maternal-feminine." For Irigaray, the maternal-feminine is
Consciousness as Duration
change is farmore radical than the intellect can admit. He insists that the self
is nothing but change; it consists of a continuous passage or flow of duration
(1907/1983, 1-2).
Now, to conceive of the self as a succession of discontinuous states is to
break up consciousness into a powder of equivalent moments that are readily
reducible to number. As number cannot account for the
Bergson emphasizes,
continuously evolving quality of the self's duration. And in order to identify
the succession of states as a consciousness this quantitative multi
particular
plicity must be posited as a unity.The intellectual thinker is thus compelled
to construct a "formless ego" (un moi amorphe), which holds all of the states of
(1889/1913,104).
Bergson's conceptualization of the enduring self as a flow of interpenetrat
consciousness as the threshold of emergence that brings into being what did
not exist. In Time and FreeWill, the self as duration is celebrated as the very
condition of qualitative difference or what Iwill call "the temporal interval."
This temporal interval is the threshold of invention that introduces free acts
into the world. Even the act of generating a medium of homogeneous space is
a temporal act. Space, forBergson, isdependent upon the interval of duration
in order to exist.
than he admits.
There isa paradox at work in the deduction of the enduring self,which Bergson
does not The intuition of consciousness as duration
analyze. depends profoundly
upon what Bergson would call an intellectual conception of the self.2In order to
identify"our own person in itsflowing through time," Bergson must maintain a
distinction between the inner lifeof the self and itsoutside (1933/1992, 162).
Now, this distinction between the inside and the outside of the self is spatial.
Despite his stated intentions inTime inFreeWill, then, Bergson is unable to
sustain a sharp separation between duration and space (1889/1913, 229).
We know that Bergson ascribes a status to space and its acts of
secondary
differentiation.They are the products of the temporal interval,which emerge
from the enduring self. However, because relies on the dif
Bergson instituting
ference between self and other, the primacy he attributes to his conception of
the temporal interval cannot be maintained. Bergsonian qualitative difference
is haunted an act of division, which, within the terms of his is a
by project,
spatial division. But in the context of deducing the durational self,this corporeal
difference cannot be a mere nor can it be purely it
practical exigency, spatial;
is irreducible to the identification of a particular enduring consciousness and
its specific temporal acts. In Irigarayan terms, this act of differentiation is the
constitutive gesture of philosophy which effects a violent sexed hierarchy by
casting thematernal-feminine as thematerial ground upon which thought is
erected. Iwill contend thatBergson's intuitionof the enduring self isyet another
manifestation of a sexed hierarchy.
I suggested above that Irigaray understands the maternal-feminine as the
place of philosophy, without ever constituting a place for herself. She has
no identity, except as the undifferentiated matter fromwhich
metaphysics
distinguishes itself as pure speculation. Her role as the necessary substratum
of thought cannot be acknowledged within philosophy because metaphysics
depends upon her repression in order to function. Yet, Irigaray argues this
founding act of obfuscation leaves traceswithin philosophy. On the one hand,
the privileged articulations ofmetaphysics are unconsciously congruent with
phallic masculinity and, on the other hand, anything within philosophical
discourse that threatens to recall thematernal-feminine is denigrated. In this
sense, philosophy repeats the founding violence of its conception within its
own system. While does not address oeuvre in her writing
Irigaray Bergson's
directly, I believe her argument is confirmed when we pay careful attention
to the silenced condition the discovery of enduring consciousness.
enabling
Bergson's conception of the self isposited in apparent ignorance of the primary
material (ormaternal) conditions fromwhich it springs.However, as we will see,
his own text acts out a sexed hierarchy in the figurationof the relation between
the enduring self and the "parasitic" spatial self (1889/1913, 166).
Bergson's understanding ofmateriality isnot explicitly related to a phallocen
tricfigurationof the female sex inTime and FreeWill, but there isno question that
it isdenigrated at the expense of pure duration. Matter and homogeneous space
are denounced fordisfiguring the comprehension of consciousness. The intel
lect projects the self into homogeneous space because itmodels itsprocedures
upon matter. As I have argued, Bergson insists that philosophy must go beyond
this "parasitic" self in order to abide with the pure quality of fundamental con
sciousness. The spatialized self ismerely secondary, a product of the demands of
human action, which obscures the novelty of duration. In my view, the very act
by implication, at least inTime and FreeWill. It'sworth noting that the feminine
status of matter ismore marked in Bergson's work on evolution. For example,
he claims inCreative Evolution thatmatter approaches "absolute passivity" and
inMind-Energy, matter in the hands of "Man" is forced into the status of a mere
"instrument" (1919/1920, 200; 1907/1983, 26).
because matter and space as a projection that
Curiously, Bergson presents
deforms the qualitative duration of the self, femininitywould seem to lurk
within spatialized consciousness. This might appear odd, given that Irigaray
(among others) has argued that philosophy has always defined consciousness
as masculine.3 However, consciousness is not true con
Bergsonian spatialized
sciousness. It is a mere construct that obliterates the genuine articulations of
thought. The spatial self ismerely the product of the temporal self; it isnot
credited with the ability to create. I contend that the degraded status of this
version of the self?as as as a mere construct that ismod
spatial, secondary,
eled matter?is the trace of its femininity. In this context, femininity is a
upon
analogous to the horror of the female sex (1991, 64). The fluid, likewoman,
is that which exceeds presentation within philosophical discourse. She-it is
a threat to the identity of the subject. Uncontained fluiditydisconcerts the
ordered systematicity of phallocentric metaphysics.
Now Bergson is decidedly unconventional in this context. In his corpus,
solids are devalued at the expense of the pure fluidityof duration. And like
Irigaray,he is critical of logic as preeminently the logic of solids. For Bergson,
themain reason thatmetaphysics has privileged solids is that it is entangled in
the intellect's preoccupation with inertbodies. Concepts have been modeled
upon matter because philosophy has remained the unwitting prisoner of the laws
of practical life. In order to theorize duration, solid logic must be abandoned
and he proposes that the flowof consciousness should be understood as fluidity
itself (1907/1983, ix-x; xii-iii; 46). Inmy view, Bergson's elevation ofthe fluid
is no less masculine than a more traditional for
metaphysician's predilection
solid forms. In Bergson's case, the fluid is celebrated as a more means
promising
to suggest duration, while the solid is construed as a to the
blockage recovery
of true temporality. According to the terms discourse,
presented by Bergson's
I contend that a sexed hierarchy operates between the fluidityof paternal
duration and the solid determinism of feminine matter.4
For Bergson, the feminine space ofthe secondary self is thematerial obstacle
to the discovery of fundamental consciousness. She is figured as other to the
duration of psychic life. In Irigarayan terms, this phallocratic version of femi
ninity is not truly the other of consciousness because she is allowed no alter
Time and FreeWill: the human capacity to introduce a free act into theworld.
The of this act is nothing other than the temporal interval. He writes:
genesis
"In a word, if it is agreed to call every act freewhich springs from the self and
from the self alone, the act which bears the mark of our personality is truly
free, forour self alone will lay claim to itspaternity" (1889/1913, 173).5 Here,
the Bergsonian self isposited as the father of the free act. In keeping with his
formulation,we could say that the purely qualitative differenceof the interval is
the seminal expression of the paternal personality. Indeed, the paternal genesis
of free acts isprecisely what defines fundamental consciousness as duration.
Some philosophers might object that this paternal scenario is merely
metaphorical. Aristotle, for instance,was wary ofmetaphor (1984, 97b31-39).
However, Bergson believes a rigorouslydeployed metaphor isa highly effective
means to convey duration. A cannot present an intuition, because
metaphor
a
language is spatial, yet metaphor can suggest the intuition of duration in
"direct vision" (1933/1992, 43). Bergson's use of the metaphor of paternity,
is not meant the father's creation of his child?the insemina
then, literally. Yet
tion of the unacknowledged matter of the egg?is suggestive of the relationship
between the enduring self and the act the self engenders.
According to Bergson's depiction of the paternal genesis of the free act in
Time and FreeWill, woman is implicitly denied the capacity to engender free
acts. Or, insofar as she is capable of articulating a free act, she does not do so as
a woman. Imake this claim partly on the basis of a passage fromBergson's later
work. His depiction of the paternal genesis of the free act inTime and FreeWill
is remarkably consistent with this passage fromhis lastmajor study,The Two
Sources ofMorality and Religion.
that woman is less capable of intuition than man that there are
by admitting
As I read him, women who
"many exceptions." exceptional develop profound
ing self's to articulate free acts should also be read as a trace of sexed
capacity
corporeal difference. On the one hand, Bergson's argument specifically expels
feminine matter and space in order to obtain an intuition of duration, and
on the other hand, he implicitly brings a certain sort of body back into the
experiment a sexuate status upon consciousness.
thought by conferring enduring
In short, the irreducible act of sexual differentiation between self and other
is obliquely played out in the metaphor of paternity. This metaphor betrays
the sexed hierarchy upon which the deduction of durational consciousness is
erected. The maternal-feminine is the silenced other ofthe embodied paternal
self.
Without unconsciously placing her there,beyond the focus of his intuition,
Bergson could not consciousness as such.7
identify
If the maternal-feminine were as the ground of the intuition
acknowledged
of duration, she could no longer remain as ground, and the selfcould no longer
be posited as purely duration. This amounts to the very
qualitative threatening
foundation of duration's priority over matter and space. The conferred
privilege
differentiations of the temporal interval does not hold up. A disavowed spatial
and corporeal differentiation is required to establish themasculine self as such.
Acknowledging these repressed conditions in Bergson's thinking does not
amount to a rejection of his groundbreaking work on the specific dynamics
of duration. On the contrary, I think his work remains extremely valuable for
thinking through Irigaray'shighly aphoristic account of the interval of sexual
difference. Let us see how.
possibility of her becoming. The interval is not outside her. On the contrary,
the interval acts at the threshold of her body, giving her a limit that is her
sexuate and also a passage toward the becoming of an other
identity subject,
man. This passage between woman and man is nothing other than the open
ingof thought and life.Subjects do not preexist this relation; for Irigaray,each
sex is constituted through this interval.And thinking isno
longer a solipsistic
inquiry conducted by a lone subject, thinking is reconceived as collaborative
work articulated by both sexes.
The interval, then, is the opening to thinking and subjectivity. It cannot be
overemphasized that this threshold isnot given once and for all. The interval
always remains in play, the sensible relation between woman and
exceeding
man as the very possibility of sexual difference (1993, 49, 147).
Notes
1. Olkowski's reading of Bergson and Irigaray effectively points out the fundamental
importance of the interval to their respective projects, but Olkowski (1999, 80-83; 2000)
does not address the divergences between Irigaray and Bergson. Grosz does not offer a
detailed account of the relationship between Bergsonian qualitative difference (what I
call the interval) and the Irigarayan interval of sexual difference. Like Olkowski though,
Grosz affirms a strong affinity between Bergson and Irigaray. In the introduction to The
Nick of Time, Grosz suggests that Irigaray's project "develops, perhaps more than any
other writer since Bergson, a practical metaphysics that rigorously develops Bergsonian
intuition as its primary method" (2004, 14). I disagree. The relationship between Iriga
ray's approach to the question of sexual difference and Bergsonian intuition is farmore
seulement, Vacte qui porte lamarque de notre personne est veritablement libre, car notre moi
seul en revendiquera la patemite" (1959, 114).
6. He praises woman's incomparable supra-intellectual ability as a mother. Itmust
be emphasized that Bergson's praise is directed toward the mother's role as the nurturer
of her child rather than as her child's creator.
7. The presentation of consciousness or thought as a self-originating act of fathering
is by no means novel inmetaphysics. Irigaray's famous reading of Plato's parable of the
cave devotes a great deal of attention to the presentation of the birth of the intelligible
Forms in exclusively paternal terms. She argues that the gesture of crediting the father
as sole creator of his offspring is only achieved on condition that the maternal-feminine
serves as the silenced ground of Plato's theoretical elaboration (Irigaray 1985a, 243-364).
Of course, the emphasis of Bergson's thought experiment upon duration has little in
common with the eternal forms of Plato. Nonetheless, both philosophers elide the
maternal-feminine and posit metaphysics as monosexual. Deleuze argued that Bergson's
was strongly attached to Platonic metaphors (Deleuze 1966/1991, 44-45). Perhaps the
echo of Plato's metaphor of paternity in Bergson's famous deduction of duration was
deliberate.
References
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