Album Com 40 Arranos para Trio de Flautas Doce PDF

Son at a i
from Twelve Sonatas for Two Violins; with a Bass for the Violoncello or Harpsicord (1747)
Arranged for ATB recorders by R. D. Tennent William Boyce (17111779)

1. Largo

= = = =

G2 34

A >

G2 34 4 ` ( > =
T > 7 7 >

I

2 34 ` 4
8
B

4 ` 6 6 4 6

7

G2
- > > ? -
4
G2
= =
? - ? `

` 4
I 4
2
8

13
4 6
tr 6 Z `
2
G 6 6 6tr

?
4
6 p

G2 6 4 6 6 4

4

p
I 2 6 6

8

4 6 6 6 2
p
19
`
`
`
G2 -

` 4

f
2

G ? - ? - ? -
`
f
I 2

8
` -
( f
25
4

tr `
G2
tr

> p
p
` ` 4 4 4
f
4`
G2
? - > p
f
I
p
`
8
2 4 6 ` ` 4
> p
p f
original in A minor.
c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

2. Fuga: Allegro
` 4 6 `
4 6

A G2S - ?
= = = = ` 4
T G2S
- ?
I
8
2S = = = = = = =
B

8 6 ` 4 ^

G2

6 4 4 6 4 4 6 ^ ` ( 6
G2 ? ( ?
`

I = ` 4 =

2 ?
8
6 ` 6
4 4
14
`
G2 - 6 ? -
4 4 4 p

6 4 6
2
G ` Z 7

? >
I = = ` ( 4
2
8
? >
` Z ` 2 ` ` 6 Z

20
G2 - - - -

4 4 4
f

G2

? - > ? - > ?

4
p

f
I =
2
8
> ? p- > > ? - >
6 Z ` `
2
25
G2 -
- >
`
p

4 ^ 4
G2

I 2 ` 4
p

? - ( 4
8
? - ? >
f p
2
` ` ` `
4
30
G2 - - - -
4 p 4
4
f f p

G2 > < ? > ?
p f p
4 4
f
I 4 6 >
2 ?
8
> ? > ? > ?

f p f
` 6 4

35
G2 -
f
2
p
` 2 `
G2 ? - ? - -
f
p

I ` 2 `
2 ? ( -
8
> ? ? -
p f p
41 4 ` 6 6 2

G2 <
> >
4
p
2 4
f
` 2
G
?

> -
`
p
I2
f
8 = = 2 4 4 6
> ? -
p
f
4 6 `

-
47

G2

? -
f

` 4
G2 Z ` ( ? - 4 6 ? (
I
f
`
2 6 4 >
= =
8
-
f
`
` PF FF
53
`
Adagio
2
- F <
tr

G ? -

`
4 2 4 4 P 4`
G2 6 <

-
Z
I 2

` 4P < 4
?
8
3
3. Allegro ma non Troppo
A 1

4 4
G2 24 ( ? -

?
?
? -

A
p
A 1 f
G2 24 ? ( - 4 4 4
?

T ? ?
? > ? -
p
f
I
8
22 4
B
4 ? ? ? ? ?
p
f

4
6
G2
? - - - - -
? -
`

G2 > ? - - -

I
2

8
? -
13

6
G2 ? p-
? - @

? -
` p
f f

G2 ? f-
`
? - ? -
@ p
p
I
8
2

p
p

f f
19
`
G2
? - ? - @ @ 7 7
-
f
p

G2 7 7 ?
`
? p- @

`
f

f

I 7 7 ?
2
8
`
p f
A 1 A
4
25
2 - -
G ?
?
? ? - ? ?

p

p

f

G2 ? (
? - ? ? ? (
? - 4
p
f
I 2 4

8
? ? ?
p
? ?
f
?
4
1 2 1
4
31
2
G ? ? -
- - - ?

4
p

f
4
G2 ? 4 ? 4 - - - -
p f
I

2 ?
8
? `
f
p
A
4
37
2
G ? ? - - - - - - - - -
f

p
G2 ?
- -

p
4 ? 4 > ? - - - - ?
f
I

2 ?
8
?
p f
p
A 1

43
4 4
G2 - - - - - - ? ? ? -

A 1
G2 >
4 4 4
? - - - - - > ? ?

4
p
I
2 4 6
8
? ?

4
49
`
2
G @ @ @p @ @

f f
G2 4
@ f @ @ @ p @f @

I
2 4
8
f

f p
55

P`
G2 4 7
? p- ? - @ f @

4 P
G2

? p-

? - @f

` 7
4 P`
I
8
2 4 7

p f
5
Son at a ii

1. Andante Vivace

2

A G2 S (

2 = = =
T G2 S ?
I 2
2S ? ?

8
B
? -

` `
` ` ` ` ` ` ` :
4
2
G2 ? - @ ? (

? -
` ` ` ` `
2 ` ` ` `

G2 < ` `
> ? (

I 2

2
8
? - ? -

` ` ` 6 `
` ` `
22 @
8
6
@

`
G > ? > @ > ?
@ f
6
`
` ` @
p
2 ` ` ` `
@

`
2
G > ? > ?
> @ f
I
p

2
2
8
? -
p f
12 ` tr
2

G2
@ @ @
2
` 6 p f
6
G2 @ @

p

f

I 2 6 6
2
8
? -

p f
2
15

` ` tr `

G2 ? @ @ ? ? @ @
7
6 ` 6 6 6 ` 7
pp f
2
G2
@ 6 ? ? 6 @

? @ @
- -
`

f
I
pp
2 ( ( ? 6 ` 7
2 ( ? pp ? - ? - ? ( ? - ? ( ?
8
@
f
original in F.
6 ` ` ` `
` ` ` ` ` `

19
2
G2 7 -
@ ? (

@p
2 6 ` ` Z ` `
G2 7 ? = <
> @ ? - p
I

2 7
2 ? ? ? (
8
? p-
23 ` `6 2 ` ` ` `
2

G2 -
?
2
` ` `4 `6 ` ` 4 4 f
G2

2 6 4 4
f
I
2 4 @ 6
8

? -
f
26 ` ` tr ` 4 ` ` `
2 ` `
G2
@ ? @
` `
? @ @ @ f > @
` `
pp
4 `
2 6 ` `
tr
? @
`
G2 @ ? @ @ @ ( ? > ? f- 2 @

I
pp

2 6
2 ? - ? ( ? ? -
8
( ? - ? - ? - ? ( ? -
pp f
` ` ` ` ` @
30
`
2` ` ` ` tr
G2 @
? f

p @ >

2 ` ` ` ` ` ` ` @
`
G2 (
@ ? - ? >

2
p f
I
2 (
8
?
p
f
34
2
` ` ` ` ` ` ` tr

`
G2 @ @
7
` `
? @ ? ?

` `
pp
` `
f
2 ` `

G2 ? - ( `

? @ @ ? ? @
@ ( 7
pp

I ?
f
2
2

pp( ? ( ? ( ? ( ? - - @ f
` 7
8
- ? ? > >
2
2. Adagio
2
4 ` ` 4 `

G2 32

A
2 ` 4 `
G2 32 < <

4`
T

I 22 3 `

8
B
2 `
3. Allegro
`
2
A G2 S (
( ? (
? - ? - ? ( ?
p

p f f
22S
T G ? ? ?
( ? ? ? ? ?

p
I

f p
2S
2 ? > ? ( ? ? p
8
B ? ? p
f
5
2
G2 ? (

( ? (
? - > ? p ( ?

2
G2 ?
? ? > ? ?
I
f
p
22
? p ?
8

f

2
9
2 6 6
G ? - > ? ? ? - ? (

p
6
f f
2 6
G2 ? ? ? - > ? -

f

p

I 2 6 6 6
2 ? ? 6 6
8
? -p ? -
f
2

13
2 6
G 2 7 7 ( ? - ? - ? -
` - ?
2
G2 ? 6 ( ? - 6 ` 7 7? ? ? ? ?
f

I 2 7 7?
2 ` ? ? ?
8
?
f
3
6 6 2
2 2 2 2
17
2
G2 ? -

? ? ? ?
2 6
p

f
2 6 6
p

f
G2 ? 6
? - ? - ? - -
- ? - ? - ? -
f
p f 2
p

I 2 6 ? ( 6 ? (
2 ? 6 ? (
8
? - ? -
p f f
2 6 2
6 ^
21
2
G2 - -
? ? ? ? (
2 Z 2 6 p f
2
G ?
2 ^
? ( ? ( ? ( ? -

2 p f
2
I 22 6 ? ( ^ ? ( ? (

8
p f
`

25
2 -
G2

? ? ? ? ? ?
p f
-
p f
2 ( ` - - -
G2 ?

? - ? - ? - ? f ? p ? ?
f
I p
? -

22 (
? - ? - -

8
? ? ? -
p f p f

30
2 `
G2 ? - 7
? f-
p

2
G2
? f ( ? -

` 7
p

I2
2
8

` 7

p f
4. Allegro ma non Troppo

2
A G2 68 - - - ( - - -
p f
2 ` ` ` `
` `
T G2 68 ? ? ? -

? ? - ` ? ? p- ` > ?
I `
22 6 `
? ? ( ` ` ? ? p ( ` `
8
B
8 ? ? ? - ` ` > (
f
4

7 ` ` ` ` ` `
2
G2 7 7-

2
6 `
`
6 ` 6 ` ` 6 `
G2 7 7

> ? ? ? - ? ? - ? ? - ?
f
I 2 ` ` 6` 7 7
2 ` ( ( ? ? ( ( ( `
8
` 8 ?
` 6` ` 6 6 `
6
`
13
2
G2
-
6 -

2 ` 6 ` 6
G2 ? ? ( - ` > ? ? ? 6- - > ? ? ? -
I 2 ` = 6
2 ? ? ( 6 ( ` ? ? - 4
8
( > ? ? ? ( > ? (
Z ` ` `
` 6 4
19
2 `
G2 ? ? p- -
` ` 4 `
f

G2
2 ` 6 4 ( ` 4 -
- ? ? - ? ? -
f
4
p
I22 ` = `
(
8
- ( > ? ? ? p- - - ? ? -
f
`

25
2
G2 ? ?
-
? ?
- - -
? > ? > ?
2 `
p
` `
G2 ? ? - ? ? ( - ? ? p- > ? > ?
I ` ` `
22 ` ` ? ? ( `
`
8
? ? - > ? p
> ? > ?

31
2 ` ` ` ` ` `
G2 > ? pp > ? f
7
2 ` ` ` ` `
G2 > ? >
( ? ? (

7
pp f -
I 2 7
2 pp` ? ? ( ( ` ? ? ( `
8
> ? ` - - ( 8
f
5
Son at a iii
1. Largo
`
< < <
tr
< <
A G3

2 -
G 32 = < < < < <
T
I
8
3 ` ` ` `
B
2 ` `

7
` `
G`

-
p f
G `

p
I =
f
8
` <

4`
4`
p f
` `
4

13 tr
`
tr
G - -
4 4 4 4`
p
G ` - 

4 ` ^
tr
G 4 4 ` `
8 4
I 6 2 ` `
`
original in A.

2. Fuga: Allegro assai

A GS ? -

= = = =
T GS
I
8
S = = = = =
B

6
4 4

G ? ? -
> ?
4 4
G ? -
? -

I
8 = = =
? -
` 4
4
11

G

-

p

G - - ? ( ? -

? - `
-

p

I <
? p ? (
8
> ` -
16
`

G > ?
4
f

G 4 ? -
I = f

4
> ? - ? - > < 4 ?
8
> -
f
22 4 4

G

p

G -
- ? -

? -

? (
I 4 p

<
?
8
> ? - ? -
p
2
4

27

G`
? -
4

f
` `
G - ? - ? -
f
-
I < ` ( 4 4
( `
8
> ? f
? - ? -
32 4

G ? -
? - ? ( ?
4 4 4 4
4
G
? - ? - ? - ? -
8 4
I

? - ? ( ? ( ?
-
`

37
-

G > ? - ? - ?
4 4
p

G ? - ? - ? - >
p
I
8
= = <
> > ? -
p
42

G

f

G > ? - ? -

f
I
8 4 4
? -
f
47 ` 4 4 4

G >
4 4 4 4 4
p

G 4

? - ? - ? -
6
4
p
I 4 - ? - ? -

8
? - ? - ? p
3

52

? -
G

f

G
`
4 ? ? ? -
4
f
I = = <
? - ? -
8
> > ? (
f

57

G ?

?

p

p

f

G ? ?

- - ? (
? (

? ( ? -

-

p f p
I
8
>
? p- ? p-
f
62 4 4 6

G - - ? - - - >
f
G ? ? -
>
-

f

I
? -
<
? -

>
8
>
f
3. Adagio
@ @ @ @ @

A GS

>
- ?

@
@ @
T GS < 4
> @ ( ?

I S 4
? ?
8
B
? ? ? ?
` 4 ^ tr ! !

4 A

A tr

G
>
! A

p f
G = ` >

>

-
I
p
f

8

? - ? - ? ?
p f
4

7
4 4 4 4 !
-

G
?
! A
p
4 6
G
? -
p

I
8
4 4

?
? -
? - ? -
p
4 `
^ `
10

tr
G
tr
<
4 4
` `
tr
4
tr
G 4 <

4
I
8
4 <
4. Minuetto I
` ` ` 4 4
A G3
-
8 - - -
= 4
`
T G3 ` ?

8 - - ?

I
8
3

8 ? ?
B

4 ` 2
` 4

13
` 7 7 ( -
G - -
` 4
4 4 ( ` 7 7 = = ` = = -
G
4 4
I 7 7 4
? ?
8
25
`
P`
G - - - 7

P`
G
- ? ? ?
7
-

I
8
P
` 7
? ? - (

Fine
5
5. Minuetto II
2 ` 4 ` 2 `
A G2 2 38 ` - 6
` `
2
p
= = = = = = = = = =
T G2 2 38
6 6 6
I
8
222 3 - `
?

B 8
p
4 `

`

`
11
2 6 `
(

G2 2 -
- - -
2
f
= = = = = = = = = = =
G2 2
6 6
I 2 - `
22 `
8
- - ? - - ?

22
22
` `
2
G
(
- ? ? ? - ? ? ?
2 = = = = = = = = = =
G2 2
`
I 22
2 ? ?
8
32
2 ` 4 `
G2 2 -
(
6 ( 6 ` ` ` -
p
2
f
= = = = = = = = = =
G2 2
6 6 6
I
8
222 ` -

2 4
22 ` `
42
2 ` ` ` 6 `
G 6 - -
2
p
= = = = = = = = = = =
G2 2
` 6 6
I 2 - `
22
8
? - -
Minuetto I da Capo al Fine
6
Son at a iv
1. Gratioso
)

) 4

43 4
` 4
) tr
`

A G 4 -
(
43 = = = = =
T G 4
I
8
43 ` 4 ^
B
4 ? ( ? >
4

)
4 ) 4
6

? -

G ? ?
) 4 )

4 = `
) 4
G ( `
-
8 4
I
4 4
? 4 ? > >
4 4
4 ` 6 `
11
tr

G ` > > ? > > ? -

4 ` `
G > > ? -
> > ? > >

8 4
I
? 4 4
? ?
17
4 ` ` ` ` ` ` `
4 ^ ` 4
G ? - ? -

p
4
G ? - ` ` ?
- ? - ` G A
p
8 4
I
` -
p
original in G minor.

23
4 tr 4` `
G > > >

4 4tr
f
4 4` ` 4 4 4
? (
G

f
8 4
I
4 4 4 `
f

4
4 4 4 4 4 4` 4 ` ` 4`
29
G ? ? ? -
4` p 4` 4`
G 4 4 4 4 `
-
> > ? ?

p
8 4
I 4

` 4 4

p
35
4 ` ` 4 `
4
tr
G ? -

-

f -
4 4
G ? - 4 4
tr
4 ` 4 4`
-
4 4 4 4
f
I
4
8

4
40
? 4 ` `

G
(
? p
> - )
? -
4 4 4 f
`
G ? ? 4 4 7 4 >
= =
-

p

f
8 4
I

p
> ? - >
? ? ?
f
4 6 ` ` 6 ` `
46
G

> ? - ? -

p
4 ( ` ` ` ` `
G ) > ? - ? -
p
8 4
I 6 4
> > > ? -
p 6
51
4 4
G
tr
4 > > ? > >
4
f
G 4
tr
`
> > > > > ?
8 4
f
I

f
4 6
56
4
G ? > > ? ? ?
p
4 4
G > >

? p > > > > > ? (

8 4
I 4
> > > p ` > > > > > >
62
4 4 4
G ? `
)
> >
( ` ? -
-
4 4
f
4
G 4 = ` `
)
> > -
(
` `
f
I 4 4

8
> > - ? - ?
f
4 4 ` 6
4 `
68

G ?- ?-
4 4
p
4
f
4 4 - - `
G ? p ? ?
4 4 f

I4
? p
8
> > > f

` ` ` `
4` 4 `
73
? -
tr

G
? - >
4 ` ` 4 6 4
p
` ` ` ` f
4
4 4 4
G ? ? - ? -
>
p
4 4 f

8 4
I
4 ? >
p f
3
2. March: Grave
` ` `
A GS - >
`

- >
p
GS `
T > - >

p
IS

8
B
> >
p
7
4 4
7 7

G >
G` 7 7 < < 4 
14 4 ^
` `
G >
4

G < <
> `
I
8

>
20
`
G - >

>

G > >
I
8
< <
>

27
`
G > 7
>
= ` 7
G > >
I
8
< < 7

4
3. Tempo di Gavotta

4S 4
A G
4
T GS < < < >
p
I4 < < = <

8

4 4
12
7 7
G
4
f

G 7 7 >
> >
f
8 4
I 7 7 < <
> > >
f

4
18
4 ^
G >

4
G 4

8 4
I < 4
>
5

4 6 6
24

G
4 p
G < < < <

>
p
8 4
I < = < < =
>

4
30
< <
G

4 f
G > < <

<
>

f
8 4
I < 4 <
> >
p f
36
4 4 4
G
4
G < < < >
p
I4 < < = < 7

8
6
Son at a vi

1. Adagio
`
A G3
< ` -
`
2 -
p
< ` `
T G 32 -
p
I3
8
< < < < ` (

4
B
2
p
4
`
4 4
8
< < - `
G

8
` " -
f

G < < 4
f

I
8 < < <

4
f
4
` `
15
4 ^ ` <
G 6 4 ` - - -
p pp
G ` ` < < `
-
p pp
I
8
< < 2
`
p pp
` 2 2 2 ^
23
< < `
G - -
f ff p
< < `
G -
ff p

f
I < < < < <

8

f ff p
$ 2 $ 2
30
`

tr
`
tr
`
G - -

p

f f
G `

f p f
I 8
< < < `
f p f
original in B flat
2. Vivace
`
` ` ` `
A G S ) ` ? @ . ? @ . ? @ . ? @ . ? @ .
4 ` 4 ` 6
p
GS @ <
T ? @ )
I
p
S
? @ ) ? @ . ? @ ) ? @ ) ? @ p )
8
B
@ ? @ .
5
`
` ` ` `
G ? @ . ? @ . ? @ .
>
` ` ` 6 f
` `
G 4

> < > ? @ . ? @ .

f
I ` `
? @ )
8
? @ . > > ? @ . >

f
` ` ` 4`
` 4 ` ` ` `
9
` ` `
G> ? @ . ? @ .

? @ . :
` ` ` ` ` `
p
`
G ` 4 > < >
? @ .

p
I < 4 ` `
? @ . `
8
> ? @ . ? @ . > >

p
14
` 4 ` ` ` ` `
G6 4 ? @ . ` ` @ 7 7 . 4` @ .

`
f
G ` ` ` 4
` @ 7 7 @ ? @ 2.

f 4 >
I 4 `
@ 7 7 @ ? @ ) ` 2 `
8
? @ . ` >
f
18 ` ` ` ` ` ` `
2 ` ` ` ` ` ` `
G . `
@ . @ @ )
` ` ` ` ` ` `
G > ? @ ) > ? @ . @ . ` >

I
` 2 ` `
@ ) 2` ` ` 2 ` )
8
` > > @
2
` ` ` ` ` `
`
` ` `
23
G `

? @ . ? @ .
4 ` ` `
G < ? @ ) ` > > ? @ .
` `
` ` `
I ` ) ` ` ` `
? @ .
8
@ @ .
` `
` ` 2` ` `
`
27
` ` ` ` ` ` .
G
@ .

@
p
` ` ` `
G ` ` `
@ .

>
<
> ? @ . > > ? @ .
p
I ` ` ` ` ` ` < ? @ )
8
> > ? @ . > >

p
` ` `
` ` ` ` `
32
` ` ` ` `
G ? @ .
`
` ` f `
`
G `

>
I
f

`
` ` ` ` ` ` `
@ .
8
? @ .
f
` ` ` ` ` `
` ` `
36
` ` `
G @ . @ f .
@ 7
p
` ` ` `
G < ` 7

> > ? @ . @
` `
p
` f
`
I ` 7
@ .
8
> > ? @ - @
p f
3. Adagio
2 4

A GS >
`
p p

f
` 4
GS < > 4
`

T 8
p
IS `
f
^
p

4 6
8
B
` 4
p f p
3
4. Affettuoso
`
A G3
` ` ! `
4 > - > - > -
=
T G 34 > ` ( > ` ( > > ` (
` ` `
I
8 `

B 3
4
9
`
G > `
- >
`
> ! `
p
- -
=
G > ` ( > ` ( > > ` (

p
I

8
?
p
17
`
` `
-
G > - > - > >
4 ` & 4
G > ` ( >
` ( > - > 4

I 4 4
? ?
8
` 4
! 4 ` 4
24
G ` ( - 4`
> > - >
4 4
f
= 4
G ` ` ( ` ( 4
4 ( > > >
4 `
f
I `
?
8
` > -
f
32
` 2 4
G 4 ` 4 `
-

- > - >
4 `
G > 2 `
9 ( > -
I 2 ` ` `
2
8
> - - >
4

40
` `
G !
` `
- > - > - >
p
=
G ` ( > ` ( > ` ( > >
I
p

8
`
> - > p

4`
4` ` 4 4
48
4 ` 4
G ` - - -

- > > > -
f
= ` ` `
G ` ( > - > - > 4 4 (
I f
` 4 4 ` ` 4 `
`
` -
8
-
``
- -
f
57
`
G > `
- >
`
> ! `
p
- -
=
G > ` ( > ` ( > > ` (
` `
p
`
I
?
8
65
` `
G > - > - >
`

G > ` ( >
` ( > -
I
? ? ?
8
72

G ` ( ` ` ` ! `
> - > - >
-
f

G > ` ( > ` ( > ` ( >

> ` (
f

I
8
` ( = `
>
f
5
Son at a viii
1. Largo

6

G2S = =

A

G2S
6 ` -

T = >

I 2 S
8
? ? ?
B

` ` ` ` ` `
6 ` ^
4
` `
2 6 6

G

p
` 4` ` `
f
` 6 ` 6 6` `
G2 6
`

? - 6

7
f
6
p
6
I 6

2
? p- ?
8
> ?
f
8
tr A
` = 2

G2 7 7
A
G2 6 7 7 Z ! @

I
8
2 7 7
? ? ?

11
tr ` 4 ` tr ` Z `
`
G2 -

> > ? -

> ? -
p

2 tr` 4

f
` 4 `
G2 @ 9 6 4 ? - 6

`

`

`
p

f

I
8
2 ^
?
p f
original in E flat.

` ` ` tr ` `
` `
tr

15

G2 - - -
@
? ? ? ? -

` 2 ` ` ` `
` ` ` ` `
p
tr
`
tr

` `
G2 ? - p ?

-

I <
2
8
>
p
` tr

19
` Z
tr
G2 6 7

f

p
G2 7

:
f
p
I 7
2 ?
8
?
f p
2. Allegro
` `
G2 24
? - `
-

A

`
T G2 24 ? > ? - - `
- `
(

I =
24 ? ? (
8
B 2
>
9
` ` ` ` 6 6
G2
? -
? -

`
G2 ? - 6 ` (
> > ? -

I = = =
2 ? ( ? (
8
> > > >
18
` ` ` `
G2 ? - ? -

2 6 6 6 ` 6 6
6 `
G ? -
-

I
8
2
6 6 6 6
`

> ? -

2
`
` 6 `
26
2 4
G2 7 7-
? -
G2 6
7 7 = 4 ` 4 4
` ? ?
> ? -
I 6 4
7 7 4 4
2 ? ( ` ? - ?
8
> ? > >

35
` 4 `
G2 4 4
? (
? -

6
G2 4 ? ( ?
4
-

` 6 6
-
6
I 4 4
2 6 6
8
` `

43
` 6
G2

? -
? -

p
`
G2 > > ? - - `
-

p
I 2 =
? (
8
> >
p
`
` `
51
G 2
>
= = =

f

G 2 ` ( 2 ` `
`
? -

f `
I = ` `
2 ? ( ? -
8

>

f

` `
`
60
G2 > ? - 7
? -

G2 ? ( ? -
? - ` ( ` 7

I ( 7
2 ? (
8
? `

3
3. Siciliana
` ` ` 4 4 2 `
A G2 68 ? 4
? - ? > - -
` 6 `
4 ( (

T G2 68 > ? ? ( - ( ` ? ? -
p
I f
8
2 68
( ( 4 ( ? (
B
- - - - p - (
f
` tr Z ` `
` ` 6
7
G2 ` 6 - ` ` ?
?
:

p f ` `

G2 - ( ` ? ? 4 ( ( ` 6 4 ` : ` > ? ?

p f
I
8
2 ( 6 ( ^
-
(
- - - - - - - -
p f
13
` 4 ` ` 4`
G2 - 2 `
` 2 -

? > - - -

p
(
f
G2 - ( ( 7 6 ?
4 ( ` 6 6
- - - -

p f p
4 - 4
f
I ( 2
2 (
8
- - ? - - ( -
p f p
- f
` ^ ` `

4 ` ` 4 4`
20
2 4 ` `

G2 - ^ (

- - > - - -
4
p f
`
G2 ( ` ( > ( ( ( 4 ` `
8 f

- - ( 7

p
4 6
I 4
2 ( 6 ( 4 ( ` `
8
- ( ( - -

-
p
- f
4. Tempo di Minuetto: Allegro
4
` `

G2 38 ` `
- > ?

A
` `
p

T G2 38
? ` ? (
p
I2 3 = =

8
B
8 ?
p
` ` `

12
6 6 6 `
G2 ? `
`
7

f
6 `
` ` 6 6
G2 ? ? ? ` 7

= =
f

I 6 ( ` 7
2
8
? ? ? ?
f
25
` ` ` ` ` `
G2 7 4` `
4
G 2 7 = ` ` `
? ? 4 `

I 2 7 = = = = = = = = 4
?
8
37
4 ` ` `
6
`
G2 `
@
`
`
p
G2 ( = ` (
` ? `
Z p
I 4` `
2 ?
8

?
p
48

`
G2 ?

f
7

G2 `
?

f
I ` = = `
2
8
- ?
f

5

59 ` `
`
G2 7

`
G2 ?

- ` `
` 7
`
I
2
? ( (
?
( (
7
8
? `
6
Fantasia a 3, (VDGS No. 1)
John Bull (c1562-1628)

Tenor Recorder 1

Tenor Recorder 2

Bass Recorder

13

17

21

25

29

33

37

41

45

48

52

56

2008 Alberto Gomez Gomez. Non-commercial copying welcome. Canon at the Fourth and Octave Below, p. 1
Canon at the 4th and 8ve below
% % 2008-05-17
b 2
& 4 ..
Flute
J
2 ..
Oboe & 4
# 2 ..
Clarinet V 4
n # b n
5
&b
j
& # # b n
#
V
J

&b n b b
9
b

& # b b
# # # b n
V
b
13
&b
& b b

#
V # b n b
2008 Alberto Gomez Gomez. Non-commercial copying welcome. Canon at the Fourth and Octave Below, p. 2
b
17
& b

&

# b
V
1
22
& b . n
& b . #
# n .
V
.. # # n
26
&b
2
..
& . #
# n
V # ..
b
30
& b # # n n
& # # # # #

# . # #
V #
Sonata I
Op. 6
Arcangelo Corelli (1653-1713)

XII Sonate
Del Sig;r Arcangelo Corelli
Op : 6:ta
a 2 Flauti, e Basso Continuo
Transportate
Da Gio; Christiano Schickhard
Dedicate
Al Molt, Ill;re Sig;r Pron; Colmo;
Il Sig;r Giovanni de Gostling
Version 1.0 - 20/06/2006

Trio 4
Essercizii Musici
Georg Phillipp Telemann

(1681 - 1767)

Largo
Traverso

Largo

Cembalo

Basso
6 6

7 7 6
# #
- LORD-K 2004 -
- admin@lordk.cl -

2

13

6 # 6

17

21

25

6 6
- LORD-K 2004 -
- admin@lordk.cl -
3

29

7 7 6
#

33

Allegro
3 3 3 3 3 3 3 3 3 3 3 3
Allegro

3

3

3

3
3 3
3 3 3 3 3 3 3 3 3 3 3

3

6 6 6 6 6
6 5
5
- LORD-K 2004 -
- admin@lordk.cl -
4
3

9

3 3 3 3 3
3

3

3 3 3 3 3

3
3 3 3 3 3

3 3

3

6 6 6 6 7 6 6
3 3
17 3

3 3 3 3 3

3 3 3 3

6 6 # D 6 6 # 6
3 3 3
2
25

3 3 3

3 3 3

3

3 3 3

3 3 3

# 6 6 # 6

32

3

3 3 3

3

3

6 # D 6 # 6
2 5
- LORD-K 2004 -
- admin@lordk.cl -

5

40
3

3 3 3 3 3 3 3 3 3 3

3
3 3 3

3 3

6 7 7 6 6 6

47

3 3 3 3

3

3 3 3 3 3

# 6 6

5
54 3 3

3

3 3

3 3 3

3

3 3

3
3

3 3 3

3 3 3

3 3 3

6 6 6 6
3 3 3
62 3

3
3 3

3 3 3

3 3 3 3 3 3
3

6 6 6 6 6
- LORD-K 2004 -
- admin@lordk.cl -

6

70

6 6 6 6 6 6 6 6 6 6 6 5
4 3

78

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

3 3

3 3 3 3 3 3
3 3 3
3

6 6 6 6 6
5 5

86

3
Fine
3 3 3

3

3 3

3 3 3 3

3 3
3 3
3 3 3 3
Fine

6 6 6 Fine 6 6
3 3 3
94
3
3

3
3 3 3 3 3 3 3 3 3
3

3 3
3 3 3 3 3 3 3 3 3
- LORD-K 2004 -
- admin@lordk.cl -
7

101

3

3
3
3

6 7 6 6 6 6 5

108 #
3 3
3 3 3 3

3

3 3 3 3

3 3 3

3 3 3 3 3
3 3
3

7 6 6

115

3 3

3 3

3

3 3 3

6 6

4 E

119 #

Da capo

Da capo

Da capo

7 6 6 # 7 6 #
- LORD-K 2004 -
- admin@lordk.cl -
8

Largo

Largo

6 6 6 6 #

6 6 #

13

# # # # #
- LORD-K 2004 -
- admin@lordk.cl -
9

19

6 6 6 #
3 3
5

25 3

3

3 3

3 3

6 6

31

6 # # # # #
37

# 7
#
- LORD-K 2004 -
- admin@lordk.cl -
10

43

# 6 6 6 6 6 #

49

55

6 # # # # #

61

# __________________ #
- LORD-K 2004 -
- admin@lordk.cl -
11

65

# # #

Vivace

Vivace

____ 6 6 6 5 __ 6 6 6 _______ 6 6
5 5 5

11

6 5 __ 6 6
5
- LORD-K 2004 -
- admin@lordk.cl -
12

20

6 6 6 6 5 6 6 6

28

6 6 6

36

6 # 6 # 6 # # # #

44

6 7 6 7 6 7 #
- LORD-K 2004 -
- admin@lordk.cl -

13
52

6 ____ 6 6 6 5 __ 6 6 6 ________ 6 6

5 5 5

62

6 5 __ 6 6 6

5 4
71

6 5 6 6 6 3 6

5 4 5 9
79

7 6 # # # 6 5 6
# 4 # 4
- LORD-K 2004 -
- admin@lordk.cl -
14

87

5 6 3 6 7 6 # # ___
# 9 #

96

6 6 6 5 __ 6 6 6
5 5

103

6 6 6 5 __ 6 6
5 5
- LORD-K 2004 -
- admin@lordk.cl -
J.S. Bach
Goldberg Variationen
BWV 988
Arranged for recorders

2
ARIA MIT VERSCHIEDENEN

VERNDERUNGEN
GOLDBERG-VARIATIONEN

J. S. Bach

Aria
Descant Recorder

Tenor Recorder

Bass Recorder

11

14

BWV 988
3

17

21

25

29

BWV 988
4

Variatio 1

Descant Recorder

Bass Recorder

11

14

BWV 988
5

17

20

23

27

30

BWV 988
6

Variatio 2
Descant Recorder

Treble Recorder

Bass Recorder
13

1.

2.

BWV 988
7

17

21

26

1.

30
2.

BWV 988
8

Variatio 3
Canone

all'Unisuono
Descant Recorder I

Descant Recorder II

Bass Recorder
BWV 988
9
11

13

15

BWV 988
10

Variatio 4
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder
13

1.

2.

BWV 988
11

17

23

29

1.

2.

BWV 988
12

Variatio 5

Descant Recorder I

Descant Recorder II

Treble Recorder

Bass Recorder
BWV 988
13
12

16

Tenor Recorder

19

BWV 988
14

22

26

30

BWV 988
16
Variatio 6
alla Seconda
Canone
Descant Recorder I

Descant Recorder II

Bass Recorder
10

15
1.

2.
BWV 988
17

18
22

27

31
1.

2.

BWV 988
18
Variatio 7

al tempo di Giga

Descant Recorder

Tenor Recorder

12

18

23

28

BWV 988
19

Variatio 8

Descant Recorder I

Descant Recorder II

Tenor Recorder

Bass Recorder
BWV 988
20

12

16

20

BWV 988
21

24

28

30

BWV 988
22

Variatio 9
Canone alla terza
Descant Recorder I

Descant Recorder II

Bass Recorder
BWV 988
23
11

13

15

BWV 988
24
Variatio 10
Fughetta
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder
12

BWV 988
25

17

22

27

BWV 988
26

Variatio 11
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder

BWV 988
27

12

16

20

BWV 988
28

23

27

30

BWV 988
29
Variatio 12

Canone alla Quarta
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder
BWV 988
30

12

16

20

BWV 988
31
24

28

30

BWV 988
32

Variatio 13

Descant Recorder

Tenor Recorder

Bass Recorder
BWV 988
33

11

14

17

20

22
BWV 988
34

24

27

29

31
BWV 988
36

Variatio 14
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder
BWV 988
37

11

13

15

BWV 988
38

17
20

23

BWV 988
39

26

29

31

BWV 988
40
Variatio 15
Canone alla Quinta

Andante

Descant Recorder

Treble Recorder

Bass Recorder
10

14

BWV 988
41

17

21

25

29
BWV 988
42
Variatio 16

Ouverture

Descant Recorder

Treble Recorder

Bass Recorder

BWV 988
43

11

14

1.

2.
16

23
BWV 988
44

29

35

39
2.
44

1.

BWV 988
45

Variatio 17

Descant Recorder

Treble Recorder

Bass Recorder
BWV 988
46
12

14

17
20

BWV 988
47

23
26

29

31

BWV 988
48
Variatio 18

Canone alla Sesta

Descant Recorder

Treble Recorder

Bass Recorder

13

BWV 988
49

17

21

25

29

BWV 988
50

Variatio 19

Descant Recorder

Treble Recorder

Bass Recorder

16

23

28

BWV 988
52

Variatio 20
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder

3

3
BWV 988
53

10

3 3

3 3 3

13

15

BWV 988
54

17

20

3 3 3

22

BWV 988
55

24

27

30
BWV 988
56
Variatio 21

Canone

alla Settima
Descant Recorder
Treble Recorder

Bass Recorder
BWV 988
57

11

13

15

BWV 988
58
Variatio 22
Alla breve

Descant Recorder

Descant Recorder

Tenor Recorder
Bass Recorder

12

BWV 988
59
17

23

28

BWV 988
60

Variatio 23
Descant Recorder

Descant Recorder

Tenor Recorder

Bass Recorder
BWV 988
61

11
14

17

20

BWV 988
62

23

26

30

BWV 988
63
Variatio 24

Canone all'Ottava

Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder

Tr
B

7

D

Tr

B
10

D

Tr
BWV 988
64

13

D

Tr
15

D

Tr

17

D

Tr

20

B
BWV 988
65
23

D
26

D

29

D

31

D

B

BWV 988
66
Variatio 25

Adagio

Descant Recorder

Tenor Recorder

Bass Recorder

Tr
B.

Tr
3 3 3
3
B.

BWV 988
67
8

D

Tr

B.
11

D

Tr

13

D

Tr
1.
15

2.

Tr

T
BWV 988
68

17

Tr

19

Tr

22

D

Tr
25

D

Tr

B.
BWV 988
69

28

D

B.

30

Tr

B.
1.
32 2.
Tr

B.
BWV 988
70

Variatio 26

Descant Recorder

Treble Recorder
Tenor Recorder

Bass Recorder

3

6

BWV 988
71

12

14

17

20

BWV 988
72

23

26

29

31

BWV 988
74
Variatio 27
Canone allaNona
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder
5

13

BWV 988
75

17

21

25

29
BWV 988
76

Variatio 28
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder

BWV 988
77

7
13

15

BWV 988
78

17

21

23

25

BWV 988
79

27

29

31

BWV 988
80

Variatio 29

Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder
4

3
D
3 3 3

Tr
7
3 3
D

3 3
Tr
3 3 3 3 3 3
BWV 988
81
10

D

Tr

13
T

B

16

D

Tr

19

D

Tr
BWV 988
82

22

D

Tr

T

B

25
Tr
28

D

Tr

30

D

Tr

B
BWV 988
84
Variatio 30

Quodlibet
Descant Recorder

Treble Recorder

Tenor Recorder

Bass Recorder
BWV 988
85

12

14

BWV 988
86

Aria
Descant Recorder

Tenor Recorder

Bass Recorder

11

14

BWV 988
87

17

21

25

29

BWV 988
Hungarian Play Tune

Allegro

Istvn Bartalus (1821-1899)

Flute 1

Flute 2
Flute 2

10

15

JK814c.07.09 http://icking-music-archive.org
Psalm 15, Hebrew Psalm for Hanukkah
Benedetto Marcello (1686-1739)
Lento

Treble Recorder

Tenor Recorder

Bass Recorder

18

28

38

47

58

67

77

3
86

95

102

107

112

117

122

127

133

140

to

Adagio assai

Treble Recorder

Tenor Recorder

Bass Recorder

149

152

155

158 Adagio

162

164

166

168

171 Allegro

7
175

179

182

186

189

193

197

201

206

211
Intonation of the German-Italian Jews
on Ma'oz Zur Yeshuati

9
215

219

224

229

234

10

238

241

244

248

252

11

256

259

Andante and Allegro
from the Trio Sonata Opus 2, No. 1 (hwv 386)
Arranged for AAT/ATB Recorders by R. D. Tennent G. F. Handel (1685-1759)
` W` `
` tr`
tr` ` `

Andante
4 `
A1 G2S ?
? @
= = =
A2 G2S

I S
2
8
B
4
W` ` W` ` ` ` ` ` ` Z ` ` ` 4
4`
G2 `@
`@
> ?
` W` 4 `
G 2 = =
?
` 6 4 `
I
2
8
4 W` W`
tr`
7
` * ` * `
G2 - @ ? @ ? @ /
tr` ` ` W` `
W ` ` `
W`
` `
G2
?

@

@
@

I
8
2
` 4` 6 `
10
` ` ` `
G2 > -
-
? A / - A /
` `
` ` ` 4` ` ` ` `
G2

I
2
8

Original in B minor.
c R. D. Tennent 2010 Licensed under the Creative Commons AttributionNoncommercialShare Alike license.

6 ` ` ` tr`
` `
12
` ` ` ` ` `
G2 ? - @ ?
-
@ @ @ @ @ @

` `
G2 ? ` ` ` ` ` ` ` ` ` `
tr
- -
@ ? @ @ @ @ @ @

I
2
8

15 ` ` ` W`
` W
` ` `
G2 <

` `
@ @ @
` W` W ` ` `
G2 > - A * ? @ * ? @ *

` ` `
I `
2
8
4 ` 6
^
`
18
`
tr
G2 - ` / ` / ` /
@ ? @ ? @
` 4 ` 6 `
G2 `@
` ` ` ` ` `
@ @ @

I 6 6
2
8
` 6 ` ` ` 6 tr`
` 4 ` `
20
`
G2 ? - @ @ @ >
6 4 tr
4`
` ` ` ` ` ` ` `
G2 @
` 6
@ @ 6 >
Z
I
2
8
W` W 4 4tr` 6
23
2 4
G @ @ ? - @ ? - @

2 ` ` @
4
G
@
? - @ ? - @
I
2
8
2

26
` ` ` ` tr`
G2 ? - @ @ @
4 4` ` ` ` tr
G2 ? - @ @ @ >
6` 4 `
I ` `
2
8
> @
` W` ` `W `
28
` ` `
G2 @ @ @
Z `
G2 ` * `
- A * ? @ ? @ *
I ` `
2 `
8

` ` ` ` 4` Z ` ` W` `
30
6 @ tr` 4
G2 >
` Z W` W `
G2 ( 4

>
`
-
-
I

2 4
8

33 ` W

G2 ? -
? ? -
W` 4
W
`
G2 4

I `
2
8
? ? -

`
Adagio
P
36
tr` tr
G2 ?

^
2 W` 4 tr` 4P
G
@ ? -
I ` P

2
8
? ? ( ? -

Second player changes to Tenor recorder.
3

Allegro, ma non troppo

4 ^ tr
tr
A G2 ? - ? - ? -
T G2 = = = =
4 ^
I
8
2

? -

B
5
4W
G2 4

= = =
tr
G2 ? -
4 6
I
2
8
? - ? -

9
4W
G2 6
? - ? -

G2 ? - ? -
4 ^ tr
4

I
2
8
? - ? - ? -

13

G2

2 ` `
G - -
4
I
2 ? - ? -
8
? -
`
`
17

tr

G2 - >

tr
G2
tr
`

I
2 ? ( ? -
8
? - ? -
4
` 4
21
tr

G2 ?
- -
`
G2
- ? -
I ` 6
2 ( 4 ? ( 6 6
8

4 ` 6
25

G2 6 ? - - 6
6 6
G2 4 6
4
I 4 6

2 4 ? - 6 ? -
8
? -

29
4 6 6 ` 6 `
G2 -
` -
-

G2

6 6 4
4

4 6 6 6 4
I
2 6 6
8
? -
tr
33
6 ` 4
G2
? - ? -
tr 4
G2 4 ? - ? ( > 4
4
? ( 4

I
2 4
8
5

41
` 4

G2 -
6 4 ` 4
G2
-
I
2 4 ` 2` ( 4
8
45
`
`
tr

tr
G2 ? -
4tr
G2 6 6 6`
tr

? -
I
2
8

49
2
G ? -

G2 ?

-
I
2

8
? -

53
`

tr
G2
? - ? - ? -

tr
G2 ? - ? - ? - ? - ? -

I
2 ? (
8
? -
57
` tr` 4 4
G2 -
? - ? ?

G2 4
? - ? - ? - ? -
6 4
I -
2 -
8
? - ? ? ? -
6
4
60
`
(
tr
G2 ? ? - ? - ? - ? -

G2 4 4 4
? ( ? ( ? - ? ? ?
I
8
2

64
`
tr

2
G ? -
4 4 4
tr

G2 > < > ? -
I ` 4
8
2 -

68
4 ^`tr
2 - <
G ? ? - ? - ? - > > ? -
`
G2 4
tr
? - ? - ? -
I
2 ? -
8

72
`
tr

G2
? - ? - ? -
4 `
tr
6
G2 ? -

? (
I
8
2 -
?
4
75
`
G2
tr tr
? -
4 4 4 4
tr tr
G2 ? ( ?
I ` ` 4

2
8
- -
7
Go From My Window
(Lute version adapted to 3 parts by Martin Grayson)
Francis Pilkington (c1565-1638)
Treble Recorder

Tenor Recorder

Bass Recorder

10

14

18

2

23

3 3

3

27

3

3 3

3

31

35

38

3

41

45

Cantabile? (Adagio from Sonata Op. 4 No. 2)
e = 120 Giovanni Platti, (c1697-1763)

Descant Recorder

Tenor Recorder

Bass Recorder

10

14

19

24

28

32

36

40

45
48

Canon, No. 1 from 6 Trios for Organ Op. 47

q = 58 Max Reger (1873-1916)
Andante, sempre ben legato.

Descant Recorder

pp

Treble Recorder
pp

Bass Recorder

pp

5

D. Rec.

meno pp

Tr. Rec.

pp

meno

B. Rec.

D. Rec.
cresc.

poco a poco

Tr. Rec.
cresc.

poco a poco

B. Rec.

poco a poco cresc.
rit.

12
D. Rec.

f pp

Tr. Rec.
f pp

B. Rec.

f pp

2

16
D. Rec.

Tr. Rec.

B. Rec.

20

D. Rec.

pp

piu
Tr. Rec.
pp

piu

B. Rec.

piu pp

rit.

22

D. Rec.

Tr. Rec.

B. Rec.
No. 2 - Gigue, from 6 Trios Op. 47 Max Reger (1873-1916)

Descant Recorder
f

Treble Recorder

f

Bass Recorder

D. Rec.

Tr. Rec.

B. Rec.

f

9

D. Rec.

p

Tr. Rec.

B. Rec.

p

13
D. Rec.

p

f

Tr. Rec.

f p

B. Rec.

f
17

D. Rec.

pp

sempre poco cresc.

Tr. Rec.

poco

pp

sempre a

B. Rec.

pp poco marcato
3

21

D. Rec.

f
cresc.

Tr. Rec.
f

poco cresc.

B. Rec.

25

D. Rec.

f

Tr. Rec.
f
B. Rec.

29

D. Rec.

ff

Tr. Rec.

ff

B. Rec.

ff

32

D. Rec.

Tr. Rec.

B. Rec.

No. 4, Scherzo, from 6 Trios Op. 47
Max Reger (1873-1916)

Treble Recorder
mf f

mf

Tenor Recorder

mf f

mf

Bass Recorder

mf

9

p

p

p

18

f p f

f p f

f p f

27

p cresc.

p cresc.

p cresc.

36

f p

p

f

cresc. f p
2

45

cresc. f p

f
p

cresc.

f p

cresc.

54

f

dim.

f dim.

f cresc.

63

p f

p f

p f

Un poco meno mosso

72

p pp

p

pp

p

82

94

106

pp

p

pp

p

p pp

Tempo primo

118

f

dim.

f dim.

f dim.

128

cresc.

cresc.

cresc.

136

p
ff

dim.

p ff dim.

p dim.
ff
4

144

cresc.

cresc.

cresc.

152

ff

ff

ff

158

pp

pp

pp
RICERCARE
Floriano Arresti (1667-1717)

Treble Recorder 1

Treble Recorder 2
Bass Recorder

10

14

18

21

25

29

33

3
37

41

45

Si x T ri o Son at as
for ATB recorders
Arranged by R. D. Tennent Arcangelo Corelli (16531713)
Sonata I
1. Preludio
` ` `
Andante largo
` 5
`
GS ? -
- (

A ? - ? - - ( (
4
S - 7 6

T G ? - ? - -

I
S

8
B

`
V
`
10
G

- - ? - ? - - - - -

G 6 7 7 ? - 4
`
- - ?
I 4 4 6 4 4 6 6

8
? - ?

4 4 4 ` ` ` 4 15

- - - - - 4
G - - ? ? ? ? -
4 4 `
` - -

G ? - ? - ? ? ? -

-
4 4 4 4

I - 4

8
`
4 U
20
G ` - ? -

- -
4 `

G - - ? -
I

8
? - ? -

D.C. al Segno
Opus 6, No. 10

2. Allemanda

Allegro
GS
A > > > ? -
` `
T GS ? -

? - >

I
8
S
B

tr

5

tr

G > > > > >

4 ` ? 4 `
G ? - ? - ? -
-

I
8 4
9
10
` `
G > ( > > > ( ? -

` 4 4 4
(p) (f)
`
G ? - 4 ? -
? - ? -

(p) (f)
I 4
8
6
(p) (f)

15

G 7 7> > > > > > > >
4

(p)

(f)

G 7 7
(p)
(f)

I 7 7 4 4 4 4
8
> > > > > > > >

(p) (f)
2

4 4 4
20
G

`
G > > > > > -
I 4 6 4 6 4 4

8
> >

4
` 4
25

G > > >
4 4
G > > 4

I 4

8
> >

30

G > > > ? -

G ? - ? - >

I
8

35

G > > > ? -

? - 7
` (p) `

G
? - > ? - 7
I (p)
8
7

(p)
3
3. Adagio
2FFF \
5
2 6
10

A G 34 2FFF \
> > > > > >

>
`
\FF FF
T G 34 > > > \FF > \ > > > 4`
2 4
I 4 4 ^ `
8
B

3
4 > > > > > > >
4. Corrente
10
Vivace
` ` 5 `
A G3
4

`
T G3

>

4
I 3

8
B
4

4 4
15 20
G

>
> > > >
`

tr tr
G - > > > >

I 4

8
> > >
25 4
30
G > `
- 8 > >

> > > >
`
- 6
(p)

tr

tr

G 4 8 ` 4 ( > > > > 4 6
(p)
I
8
4

(p)
4

35 40

G6 ` 7 7 `
> > > >
(f)
7 7
G6 ` 4 ( ` > > >

>

(f)
I
8
` 7 7 4 4 4 4

> > > > > > > >
(f)
`
`
45 50

G

- > > >

G 4 8 4 >

I
8 ` 4 4 ^
-
` 55

`
tr

60

G > -

> > > > >

tr

tr
G > > > > `
-
`
I

8
> > > > >

`
tr 65 70

tr
` ` 7
G > > > >

-
`
(p)

G
> - ` ` 7

> > > > >

-

(p)
I `
` 7
8
> > > > >

(p)
5
5. Allegro
5

GS ? - > ? - >

? -

> ? (

A

T GS ? - ? - ? -
4
I S
? ?
8
B
? ? ? ? ? -

G ?
10
? ( ? -

- ? - ? -
p

G ? - ? -
? - ? - ? - ? -

p
I

8

15

G -
? - ? -
7 7
?

(f)

G
7 7
? ? 9 4

(f)
I 7 7 4 4

8
? ? ? ?
(f)

4
^
20
- -
G ? - > ? - > ? ?
4 4 4
G
4 4
I 4
? ?
8
? ? ? ?

6
4 4 25

G ? -

> ? -
` 4 4
G

I 4 4 4
8
A A A
? ?
A

30

G >
? - > > ? - > ? - >

G ? -

I 4
?
? ? ?
8

? ?

35

G ? - > ? - > ? - >

(p)

G

(p)

I
?
?
8
? ?
? ?

(p)

40
7
G ? - >

G 7

I
? ? ? 7
8
? -
7
6. Minuetto

Vivace
` 7 7
5 10

tr
A G3
8 -
4
T G3 ` 7 7 4
8 -
`
I
8
- ( - 7 7 `

3
B 8
` ` ` 15 ` ` ` ` ` 20
G
` 7
`
p
` ` ` 7 ` ` `
G ^
`

`
p

`
I ` ( ` 7 ` ( `
8
- -
p
Fine

25
G ? - - - -
- ? ? - ? ? - ? ? - ? ? ? ? ? ? ? ? ?
(f)

G 4 4
4 4
(f)
8 4 4 4 4
I
(f) - ( - ( - -
- -
4 4 4 4 4 `
4`
30 35
G 4
4 ` 4
G ? - ? ? - ? ? - ? ? - ? ? - ? ? - ? (
4 4 ^
I
- - - (
8
- - -
4 4 4 404 4 `

G - -
4 ` 4 `
G (

? ? ? ? -
I 4 `

8
? ? ? ? ( - -
Da Capo al Fine
8
Sonata II
1. Preludio
2
Andante largo
P=
5
6 6 P=
G2 S
A > >
P= P=
2 6
G2 S

T
I P= P=
2S 6 6
2 6 6 6
8
2
6 ` 10 6 ` `
G2 >

2 `
G 2 ` 8

` `
`
- - ^
- 8

I
8
22 6 (
6 6
? ? ( ? - ? (
`
2 `
15
G2

-

? ?

2 `
G2 6 6 ? - ? - ? - > `

I 2 Z
2
8
2 20 25 `
`
G2
? -
? -

22 9 > 9
G ? -
? -
I
22 ?

8
Opus 6, No. 11
9
2. Allemanda

2 - 6
Allegro 5

A G2 S > >
? ? - ? - ?
-
? - ?
-

2
T G2 S > >

? (

? - ? - ? - ? - ? - ? -

I 2S 6 2
2
8
B > > > >
22 Z 6
G ? - ? - ? - ? - ? - ? - ? - ? -

2
G 2 ? - ? - ? - ? - ? - ? - ? -
I
8
22

> >

2 ` ` ` `
10
` `
G2 - - ? - - -

2`
2

G ? ( 6 : 6 ? ( 6 8

I 2
2
8
>
2
15

G2 7 7
? - ? ( ? - ? - ? - ? - ? -
2
G2 6 6 7 7

? - ? ( ? - ? ( ? - ? -
I 2

7 7 6 4 4
2 6
8
10
2 ! ! !
20
4
G2 ? - ? - ? - ? - ? - ? -

? -
6 6 1
2 6
G2 ? ? - ? - ? - ? - ? - ? -

` 6
2 6 4
I
8
22 6

6 6
2`
25
G2 4 -

? ? - ? -
2
G2 6 4 4
? - ? ( ? - ? - ? -

I 2 4

2
8
? - > >
2
30
`
G2 ? - ? - ? - ? -
2 ` `
2
G ? - ? - ? - - - ? (
I
8
22 6 Z `
-
` ` `
35
2
G2 ? - - -
7
2
G2 ? ( ? - 7

I
22 ` 7
8
- ? -
11
3. AdagioAndante largo
2
Adagio
` `
5
`
10
G2 34 > `

A > > > > > > >
2 ``FF 6FF ``
T G2 34 > > > > > > ` > > 4`
I 23 4` ^ ` 4 `
24 > 6`
8
B > > > > > > >
`
Andante largo
2 ` 15
4
G2 S

> - -

2 `
G2 S 6
>

-

I 2S 6 4 6
2

8
2 tr` tr` `

20

G2

`
2`
G 2 6 ` Z ( ( `
-
` `
-

4 ? -

-
- - -
4
I 2 6
` 4
2 6
8
2` 25
2
G

? - ? - ?

` p f

2 `
G2 - - 4 ? ? ? 4 4
4
6
I
8
22 6 6

p f
12
4. Sarabanda

Largo
` ` `
2 ` 7 7 `
5 10
G2 34 `

`
A

2 `
G2 34 > > ` 6 ( ` 7 7 > ` >

T 8
I
8
223

7 7
B
4 ` > >
2 ` ` `

15 20
G 2
` 7 ` `
`
p

2 ` ` `
` ` 7 ` ( `
G2 > > > > ( > >

p
I 2
2 ` 7 `
8
>
p
5. Giga
2
Vivace
` 5 `
6 ` 6
G2 68 - - - - - -

, , , ,
- - - - -
`
A
-

2 ` ` ` ` ` ` `
G2 68 ? ` ` ` - `

T ` > - > ? > -
I ` `
26 ` ` ` ( ( ` 6 ( ( `
28 ?
8
B > - > - > - > - > -
, , 15 ` ,
2 - 7 `
10 1. 2.
-
G2 7 - -
`
-
` - -
,
- -
( - -
( > -
2 ` ` ` 7 `
G 2 7 ( ` ( ` : ( ` ( - ` > - `
,
-
I
8
22 7 ` ` ` ` ` ` ` ` 7 `

> - > - ` > - - - ` > - > -
13
, 2 ` 2 ` 2 tr ` `
2 ` `
20 25
G 2 ` ` 6 `

> - > - - - - - > - > -

2 `
` ` 2 ` `
(
tr
2
G - - 4 ` > - (
` ,
- > - > - - > -
6` 6` 6 6
I 2 4` 4` (
2 > - > - > - ( - -
8
> - > - - ` - - > -
30 ` 6` Z ` ` 4
6
35
2 ` ` 4` ` 4 - `
2
-
G > - > -
,
- -
2 ` ` ` 6 ` 4 ` ` ` 6 ` ` 6 `
G2 >
( > - ( > -

- > -
?
I 6 ` Z ` ` 4` ` `
2 ` ( `
2 >
- > 4 ( ?
8
- > - ( > - -

-
, ` , 40 ` 6 , ` 45
2 6 - , -
`
2
G - - - - 7 -
,
- - -
`
-
- - -
2 ` ` ` ` 7
2
G ` ` ` ` ` ` > - ` ` ( ` ( ` 8
> - > ? -
I ` `
2 ` ` ` 6 7 ` `
2 > - ( ( ` > - ( ( `
8
> - > - > - > - > -
` ` 55 `
2 ` ` -
, 50 1. 2.

G2 ( - - ( - 7 -
`
-
, ,
- - - - > - >
2 ` ` ` ` ` `
G 2 6 ( ` ( - ` >
7 ` - `

- > > - -
I 2 ` ` > ` ` ` ` ` ` ` `
2 ` > - 7 ` `
8

` - - - ` 8
14
Sonata III
1. Preludio
Largo
`
`
G 2 S ` @ .
`
@ .
`

` ` @ .

@ . @ ) ` ` @ .

A

T G 2 S ` @ ) ` @ ) ` ` ` @ ) `

` > ` @ )
I
2 S ` ` ` ` `

@ . ` `
8
B
@ . @ . ` @ .
` ` ` `
`
5
G2 4` ` 4 ^ ` 6 `
tr
@ ? ?

. .

G 2 ` `
` ` 4 ` . `
` @ . ? . ? ( ? . ` @ ? .
I ` 4` ` ` 6
2 4` @ )
8
` @ .

tr 10 `
` ` `
G2 Z ` ` .
- -
? @
? - ? ?

G 2 ` @ .
`
? . `
? ) ? - ? -

I 2 ` ` ` ` `
4` @ ) 6 6`
@ )
8
@ .

15
`
G2 ? - ? - ?

`
`
G2 ? - ? - ? ( :

I
2 ? (
8
? -
Opus 6, No. 9
15
2. Allemanda

Allegro
G2S
? ? ?

A
? ?
tr
G2S ? ( ? (
tr
@
T
? ? - ? - ? -
I S
2 ? ( ? (
8
B
? - ? - ? -

5
G2 ?

2
G : ? - ? - ? - ? -
I
2 ? ( 6
8

tr
tr

10

G2 ? - ? -
? -
? -
2 6

6
G ? -

I
2 ? 6 ? ? 6
8
? ?
6
G2 ? - ? - ? - ? -

(p)

G2 ` 6

? -
?
6 `

(p)
I
8
2

(p)
15

G2 ? -
? - 7 7 > >

(f)

G2 ? -
?
6 ` 7 7
>

>

(f)
6 4
I 7 7
2
8
> >
(f)
16
A A A A
20
2 <
G
? > > ? - ? -

4 4 6 6
G2 ? ( 2

I = `
2
8
> >
` 25
G2
? - ? - ? -
:
` `
G2 (
? - ? - ? ( ` :

I
2 ? (
8
? -

G2

G2 6
? - ? - ? - ? -
I
2 6 6
8
>

30

G2 ? - ? - ? -
(p)

(f)

2 `
-

G ? ?

(p) (f)
I
<
2
8
> ? - ? -

35
2
G ? - ? - ? -
< 7
` (p)
`
G2 (p)
? - ? ? - ( ( 7

I 7
2 ? (
8
? -
(p)
17
3. Corrente
` `
`
Vivace tr 5
G2 34 `

A
-

`
tr
G2 34 ( `
tr

T
I
8
23
`
B
4 -

`
10 15
G 2 ` ` 6 -
`
> >
G2 6 ` 6

`
9 -
I
2 6 6
8

20 `
` ` `

2`
25
G ?
7 7 -
G2 ` 6 ` `
? 7 7 -

> >

I 2 `
` ? 7 7 ( 4
8
> > > > -
` `
30
` ` ` `
35

G2 -
`

` 4 4 `
G2 ` `

-
6 Z
I
8
2 4

`
40

45
`

G2 - 7

> > > ?
`
G2
? 7

I
2
? 7
8
>
18
4. Gavotta
Allegro

G2S ? `
A ? - -

G2S (
T
- - -
-

I `
8
2S
B
? (

6 4

5
G2 6 ` 7 7 - - - - -

`
G2 ` 7 7 ? ` 6 ` 4 `
- ( ? - ( ? - -
I
8
2 ` 7 7 ?

> >

2
10 `
7

`
G
` ` ` `
` `
p
2 - - 7

G - - -
p
I 7
2
8
`
p
5. Adagio
` ` 5
4` ` 10 `
A G2 34 > > > > > > > > > >
` ``FF `F `
G2 34 > > `FF 4`
T > > > > > > > >
I ` 4`
23 > > > > 4` > > ` 4
8
B
4 > > > >
`
19
6. Minuetto
tr` 5

`
Vivace

G2 38 7 7
A ? ?
` =
G2 38 ( ` ( 6 ` 7 7
T
- ? ?

I 3 7 7
28 - `
8
B ( ` ?
15 ` 20
P
10
G2 - - - ? ? 7
?

? `
`
p
G2
`
-
7 (
P
`
- ? ? ? ?

p

I ` 7 P
2 (
8
? ? ? - ? `
p
Fine
4
4 4
25
4
2
G
? ? ? ?
=

f
G2 ? ? ?
f
I 4 4
2 4 4
8
- ? ?
f
6 6
4 6 30

35
6
G 2 7 ? ? - ` 7

G2 7 ? ? - 4 ( 8 ` 4 ` 7

I 7 6 4 ( 7
2
8
`

Da Capo al Fine
20
Sonata IV
1. Adagio

5
`
A G2 34 > FF - `
p f
T G2 34 > ` ( FF ` ( `
p f
I
8
23 ` (
B
4 > `
p f
10
FF ` 15 "
G2 4` - `
- >
p f
` 6FF ` `
G2 ` ( > -
6
p f
-
I ` 4 ^ ` `
2 6
8
- > p
-
f
20
` "
G2
> F
F

-

p f
G2 > ` ( FF ` (
p f
I `
2 (
8
>
p f
25

30
G2 ` 6 `
> >

-
G2
` ( : `
I
8
2 `

Opus 6, No. 6
21
2. Allegro
` ` ` 5 ` ` `
2 S

A G
p
=
T G 2 S ? - ( ( ? p- ( (
I S
2
8
B > >
p
10
G2 ``FF ( ` ( ` ( ` ( ` ( ` ( ` ` ( ` 6` ` 6`
- - - - -
f

G2
? - ? -

? - ? -

>
? - ? - ? - > ? - ? ? -
-
4 4 4 4
f
I
2
8
` ` `
15
` ` `
G 2 ` `
- - - - - - - - ? -
p

f

2
G > ? - > ? - > ? - > ? -

p
4
f
I
6

4

2 6
8

p f
20

G2 >
? - > ? - : FF ? -

p f
f
`
p

G2 : FF ? ( -
p f p
4
f
I
2 4
8

p f p
f
25 30
2
G ? ? - - > ? - ? - ? - > ? - > ? - > ? -
p f
` ` ` ` ` ` ` ` ` ` ` `
G 2 - - - - -
- - - - - - -
4 4
p
6 6
f
I
2
6 6
8

p

f
22
` 4 35 4
6

G2 -
p f

p

G24

6 6 `
- 4
p p
4 `
f
I 4 6 4 6
2
8
-
p f p
40
G2 >

`
p

G 2 > < < ? - ( ( ? p-
I

2
8
> > >

p
45
2
G
` ` ( ` ( ` ( ` ( ` ( ` ( ` ` ( ` 6` `
- - - -
f

G2 ( ( ? - ? - ? - ? - > ? - ? - ? -
> ? - ? -
4 4 4
f
I
2
8
50
` ` ` ` ` `

G26` ` `
- - - - - - -
-
-

p

f

G2 ? - > p ? -

> ? - > ? - > ? -

4 4
f
I 4 6
8
2 6

p f
55
60
G2
? - >

? - >

FF

? -
8
p f
p

G2 8 ? ( :
p f p
I
2
8
p
f p
23
3. Largo

= = 4 6
5
4 6
4
` `
G2S
`
?
- -
A
-

G2S = 4
(7

T ?
- -

`
I
2 S ` 4 ( 4 ( ^ 6 > 4 (
8
B
- ?

4 6 ` 10
2

G 6 ( - 6 ` 4 (
` `

-
` ` `

G2 4 ( ( > ? 4 ( 6 ` ` 4 -
`
- - -

I

2 ` 4 ( 6 ( 4 (

8

4
15
2 ` ` `
G ( - -
`

-
p

f
4
G2 ` > ? - -
-
7 7
p
f
I `
2
8

? ?

` ` ` 20 `
2
G ? ? (

` ` 4 4 ` ` `
p f
` 4 4 - 4
G2 ? p ? f ? -

p
4 4 4
I
2 >
8
? > ? > ? ? -
f p
p

2 4 ` 4 FF
25
4 4
G2 ? -

? - - > >

p p

f f
(
G2 ^
? 4 (
> >

? - ? f
4 4
f p

I 2 4
> >
8
- - ? -
f p f
24
4. Vivace
` ` ` `
5 10
A G2 38
` (

6

G2 38 ? ?

T - -

I 6

2 38
8
?

B
-
` 15 20
G 2 6 - ( 6 A - - ( 6 A - `
p

f

G2 6 6 6 6

?
- -

- ?

p f
I ` 6
2 `
8
`
25

`
30
G2

-

7

G2 ` (

-
- ?

-
`
I = - 6 ` `
2 ( -
8
f
-

A
40
35
`
G2 -
A
- - - -

- - -
`
p

G2 - - `FF`
8 ( ( (

8

p

I
-
2 ( ( ( (
8
p
`
25
45 `
`
50
G2 -

-
f
` `
p f
6
G2 = =

? p ? ?

f
I
f
6
2
8
? ? ? ? p
? f
f
6 604
6
55
4

G2

- - -

p f
f p
G2 6 4 4 4 4
? ? ?

? - - ?
f
p
p f
4
I
8
2 6
? ? ? - - - -
p f p f
6 6 `
70

65
6 6
G2 6
? ?

4 4

G2 ? 4 ? ? ? ?
6 ( ( 6 4 9 ( 4

I 4 4

4
2
8
75

`
6 6
80
` `
G2 ? ?
6
`
p

f

G2 6 6 4 9 ( 4 `

(

( ?
-
p

f
I2 4

8
` ?
p f
` `
`
85 90
` ( 6
G2
- (

` 6

G2

?

- ?

I 6
2 6
8

-
26

95 100
G2 6 A - ? ? ?

G2 6
6 6
? ? ? ?

-
I
2 6
8
? ?
105

110
G2 ?

? ?
4 p
G2 ? ?
p
I
8
2 4
? ? ?

115 120
G2

p
f p f

f

G2 ? ? ? ? ?
f p f p f
I = = = =
2
8
? ? ? ? ? (
p f

130
125

G2

? ? - -

G2 ? -

? ? ? - ? - ? - -

I 2 ( ( ( (
8

140

135
`
145

G2 ? ? - - - - -
` `
G2 - -

- - -

-
? ? - ?

I
8
2

-

-
`
-

- -
27
5. Allegro

`
5 10

A G2 24 - > > > > > 6

G2 24

T > > > > >
` 6
I ` 6
2 24
8
B
-

15
20

G2 ` 6 FF 7 7> > > > > > > >

G2
7 7 > >

> >

> >

> >

6 6 4 4
I
8
2
7 7 6 6 4 4
? ? ? ?
2
25 30

G2 4 4 = 4 4
> >

p f

G2

8

p f
I
8
2 4 6 6 2

p f
40

35
G 2
? >

2 4
G2

? ? >
f
I 4 4
2 4 4
8
> > > >
45
50
G2

`

p f
4 =
G2 > > 4 : 4 ?
p f
I 4 6 2 4 4 ^
2
8
p
>
f
28
6 6 556

$ 6 6
60

G2 6 6
? ( ? 6- ? ? ( ? 6-
4 6 4 6 4 p
G2 : 4
? 4 ( ? ( 6 ? - ? 4p ( ? ( 6 ? -
I 4 4 4 4
2
8
> >
p
70
$ 6 6
65
`
G2 ? - > > > >
(f)

: 4
G2

> > >
(f)
` 6
I 6
2 `
8
-
(f)
85
FF
75 80
G2 6 6
>

= = =
G2 >
>

I

2
8
>

` ` ` `
90 95
G2
> > > >

` ` `
G2

> > > > >
8
I ` `

2 >
8
> > > > >
105

100
` `
110
G2 > > > >
? - ? - FF 7
p f
`
G2 > > > > > ? ( ; 7
p
`
f
I
7

2 ? ( ` (
8
> > > >

p f
29
Sonata V
1. Grave
P
5
4P
A G2S ` 
p f
` ` 4P

15
2 4

G

p
P
G2 4

p
I 4 P
8
2
C
p
2. Allegro
` ` 5

A G2S - -
` `
T G2S - - ` -
I
S ` 4 `
2
8
- -
B
WoO 1
30
` `
10
6 \FF
G2 - - 6 7

p
` `
G2 4 4 ` 4 ( 7

- -
4
I2 4
p
8 4 7

p
15
`

G2 7
-
`
(f)
`
G2 7 4` -
- ? - - ? -
`
(f)
I `
2 7 4 ` ` (
8
- -
(f) -
` 20
4
G2 4

-

p f
` ` 4 ` 4 `
G2 ( -

- ` ? - - > -

p

f
I ` 4
2 -
8
` p -
f
2 4
25
` 4 6
G2 7

-

7

p
2
`
4 7
G >
p
I `
2 6 4 7
8
-
p
31
3. Adagio
` 4P`
5
` < 4
A G2 32 < < < < < ?

5
4 6
2 6

(

G -

G2
6 4 ( ( > ? 4 (

I

2
8

`

10
G2 6 -
4 (

( - -

4
G2 6 -

- -

I
8
2 ` 6 ( 4 (
4 (
This movement was re-worked by Corelli to be the largo in Opus 6, No. 6 (Sonata IV here).
32

` 4
G2 - ? ? -
( -
p f

G2 - ? ? - ` ( >
p

I
8
2

p f
15

G2
p

p p

f f
` 4
G2 < ? - p p
4 6
p

f f

f
I -
2 -
8
? - > ? > ? >
` ! !
20

G2
? ? (

p

f f
4 `
G2 ? ? -

f p f
I 4
2 - 4
8
?
? p ?
f

25
4
2 2 4 4
G ? ? - -
f
p
6
G2 4 ? - ? -
? (
>

p f
I
2
8
? -
p f

33
5. Vivace
` ` ` 5 ` ` `

A G2 34 - -
` ` `
` ` ` 4 4
T G2 34 - -
`
I = ` =
2 34
8
B

10
` 15 ` `
G2
` ` `
G2
` ` ` ` `
I
2
8
` 20
` ` ` 25
` `
G2 - - 7 7 - -
p
4
G2 4 ` 4 4 7 7 ` `
`
p
I ` ` =
2 7 7 ` `
8
` ` 30 ` ` ` `
`
35
G2 - - > - - -
` ` ` ` ` ` `
G2

` ` - - -
I = = `
8
2 ` ` `
34
` ` ` ` ` `

40
G2 - - -

` ` ` ` ` ` 4`
G 2
- -
-
` ` ` ` `
I
8
2
45 ` `
` ` ` 50 ` `
G2 - - - - > -
` ` 4 ` ` `
G2 - - `
>

I ^ ` ` 4` ^ `
2
8
- (
` `
` `
55 60

G2 - -

` ` ` ` 4 `
G2 4`

> > - -
` ` ` `
I
8
2
`
` ` 65 ` ` `
G2 - - - - 7
p
4 ` 4 ` 4 ` 4 `
G2 > > - > > - 7

p

I2
8
` 7

p
35
Sonata VI
1. LargoAllegro

Largo
2
A G2S @ @ @ ? - @
? -
@ ? -

p

f

T G2S
@

? ( ? -

? -

? p- ? -

I
Z 6
2S 6
8
B
? - ? -
p f
5
`
2
G2
@
? - @ ? - @ ? -

p f
` 4
G2 ? - ? - ? - ? - ? - ? -
4
f
6 6 2
p

I
2
8

p
f

P
10
G2
Allegro
@ ? ( > ? - ? - ? - ? -

P
G2 ? - ?

> >

? - ? -
? -
f
I P

6
2 6 6
8
= ; >

15
2
G ? - ? - - - -
? - ? - ? - ? ?

2

G ? - ? -
? - ? - ? - ? - ? - ?
4

I 4
2
8
Sonata III published by Walsh and Hare, London 1720

from Corellis Opus 6, No. 1 (transposed from D major)
36

20
P
Allegro

Adagio
G2 6 6 6 ? (
> > ? - ? ( ? - ? - ? (
P
G2 6 ? (
> > ? - ? - 4 ; 4 ? ? - ? -
I P 4 6 6

2 ? 4 ( ? -
8
> > 4

6 P
Adagio
6
25
2
G - ( 6 FF
? ? - ? - ? - ? > > ? -
6 P
G2 ? ( 2
? - ? ? - - ? - ? - > > ? -
I
P 4
2 6 6
8
> > ? -

Allegro
30
-
G2 ? - ? - ? - ? - ? - ? ? - ? - ? - ?
-

G2 > ? - ? - ? -

? - ? - ? - ? -

?
-
? -

I 6 4
2 6 4
8
35
P 2
Adagio

G2 ? -
? - > >
`
2
P FF
G ? - ? > >
I P 6
2
8
> > 9
37
2. Largo
5

A G2 3
` (

4

T G2 34 4 4 ^ ` ( ` (
I
2 34
8
B

10
` 15
G2 ` -
4 4 ^ ` `
G2 ` - -
I
2 `
8
6 20
6 4 `
` 6 Z ` 4
!
-
G2 -
6
` ` ` 4

G2 > > > > > > - -
I 4 4 `
2
8
` -

`
25 30
6 6
G2 - ? -
`
` 6 4 4 ^
G2 ? 4 ( ` 4 ( `
6 4
I `
2
8
? - `
` 35 ` 40
G2 - ` ( `
` ` `
G2 - - ` (
` ( `
I
2
8
` `
38
3. Allegro
6

5

A G2R

G2R

6
T

I
R
2
8
B
10
G2

4 4
G2 ` 6

I 6 6
2
8
15
20

G2
`
G 2
-

I 2

8
2
B

2

7 7
25
G2
p
`
f

G2 - 7 7

p f
I
7 7 4 4 4
2
8

p f
from Corellis Opus 6, No. 2
39

30

6 6
35

G2 6
p

G2 > 4 9 4 > 4 7

p
4 4
I
8
2 4

p
40
"

G2 6

f

G2 6 4 "

f
I
2
8

f

45
G2
> >

G2 > >
I
8
2

50 55
G2 > 7
> > > >
p f
G2 8

>

>

8 >

8 7
p f
I2 7
>
8
p

f
40
4. GraveAndante Largo
`

Grave 5

A G2S ? - ? - < -
FF 4 4

T G2S ? - ? - <
^ `
I 2S 4 < 4 6
- 4
8
B
? - ? -
`
Andante largo

G2

-

G2 >

I
8

2 6 4 - (
? ?
` 2 2 2 2 2 ^ 2 2
10

G2
2 2
G 2 ` 2

-
I `
2 6` ( 2 2
8
- > > > > > >
^
15
P
2
G > 2 > > >
P
G2 ` 2 2 > FF > ` ( > > FF
FF
I P 2
2
2 6
8
> > > > > > >
from Corellis Opus 6, No. 2
41
5. Allegro
3
sim.

3 3
A G2R ?
3
3 3 sim.
T G2R ?
I R = = =
2
8
B
5
6 Z

G 2
`
G2 > -

I 2 = =

8
>

6
10

G2

G2 > > > > ` (

I
8
2 < = = =

15
G2 4
> > > > >

G2 > > > >

> `
-

I
8
2 <
> > > > >
20
G2 4
>
6
4 4
G2 >
I < < < <
2
8

42
25

6 6 6 6
G2 6
>
4 4
G2
I
2< < < 6
8
4 30
6
G2 ?

>

G2 6 6 4 ?
`
>
I =
<
2
8
>
6

G2

G2 >
I = = = <
2
8
>
35
` Z
40

G2

> >

G2 `
- > > >

I

2
8
>
` `
45
`

G2 -
> >
-
> >
p f

G2 > > > > >
p

f

I
2
8
> >
p f
43
Original en r majeur.
Transposition pour
trois fltes bec.
Sonate en trio N 1
pour trois fltes traversires sans basse
Op. VII - Paris, 1725
Joseph Bodin de Boismortier
(1689-1755)
m . m j .

Gravement

Flte bec I &b c J
m
J
Flte bec II &b c
m
Flte bec III &b c
.
b m j

m m
#
4
I &
m
&b n b #
II
m .

&b j
III

m m . J #m j
J
&b
7
I J
#m j m
II &b
m m
# # . J
m
III &b # J

#m . m . n
&b
10
. m
II &b J
# . m n
III &b J
Les ditions Outremontaises, 2006

2
Joseph Bodin de Boismortier, Sonate en trio pour trois fltes traversires - Op. VII no 1
Version pour 3 fltes bec.
Allemande

m . m
. m

J
Gayment
I & b c J

m
II &b c
J

III &b c j J
n m

&b
4
n

II &b

III &b J J
. n n n
.
&b
7
n . n . n
R
II &b n

III &b
. . .. .. J n
b J
10
I &
n
n . . .. .. J J
II &b
n
b . .. .. J J
III &

3

#
.

&b J
14
#
J J J # . #
II &b

J
III &b J
b . # #
&b
18
. #
#

II &b J
# #
J
III &b J

. . .
&b
21

. m m
. # . .
II &b R

III &b
.
. .
&b ..
25

. . .
II &b ..
.
III &b ..

4

. J . J . w
Lentement
I
3
&b 2 J
. .
3 . J . J . w J J
II b
& 2 J
. . . . . .
3 J J
III &b 2 J J J J
. . . . n. . w.
J J J J J ..
&b
5
. . . . .
. . w. ..
II &b J J J J J J J
. . .
&b J J J . . w. ..
III J
. . . b . .
J
& b .. J J J J
9
. . . w
II & b .. J J J

III & b .. w
. b. w. m b
. w.
&b J J ..
13
b. . . b. . b m
. w.
II &b J J J J J ..
b. .
III &b J J w w. ..

5
Gavotte en Rondeau
m m

I &b C
m m

II &b C
m
III &b C
m . U

&b ..
5
J
Fin
I
U

m . ..
II &b J
m U
III &b

..
#m .
(1er Couplet)

&b
10
I J
#m # .
II &b J
#m
III &b
m m

(Rondeau)
&b
14

II &b

III &b

6
m m

&b
19
m m

II &b
m
III &b
m .
(2e Couplet)

b
23
I & J
m .
II &b J
m
III &b

&b
27

II &b n

III &b n
m .

D. C. Fin
&b
31
I
J
.
II &b n n n
J

III &b n

7

& b 38 J
Gayment

I
J

3 J J
II &b 8
J
.

III & b 38 J J

m
&b
9

II &b

III &b J
J
m .
.. .. J
& b n
17

.. .. J

II &b
J
n .
. n j .. ..
III & b n J
#m .
&b J J
25
b

J
# #
J # # .
II &b J

# # #
III &b J J
J

8

&b J J
33
I J
n n # #
II &b J J J
j
&b n n # # J
III
J
# m .
b
42
I & J
m m
# # .

II &b
j
# # # #
III &b J
m
m
m m
&b
50

m .
II &b
J

III &b
J
. m . m .
&b ..
59
. . . . m . ..
II &b J J
& b J j j j j
III J
J ..

Original en si mineur.
Transposition pour
trois fltes bec. Sonate en trio N 2

(1689-1755)
. # m n b
.
Modrment
m m
3 J .
Flte bec I &b 4 J
.
Flte bec II & b 43 J
. # .
Flte bec III & b 43 J #
J
j
j j

# #
&b
5
# m n b . . j
.
m
J J

II &b J

III &b #
j .
n n n . .
J J .. .. J
&b
10
n n # .
j
n m j
. # .
II &b J J .. .. J

III &b
.. .. J

m j
.
J # .
&b J
15
.

II &b J
# .
b b
III &b J

2
#

&b
20
j
II &b
n
b
m
III &b #
#
.
&b
24
I J
. # .
II &b J

#
III &b
. n m .

J J
b
28
I &

II &b
III &b
# m # .
&b ..
32
I J
. # .
b
& J ..
II J
..
III &b

3
Rondeau
# . .

Gayment

I & b c J ..

. .
II &b c J # J ..
#m J # #m J . ..
III &b c
m . m m m
I &b
. m . m

II &b

III &b j

. .

J
&b
8
. . #
b J J
II &
m
# J # m
# J
III &b .
# . . n n
#
&b
12
. . # n n # # n
II & b J
&b . . n
#
III J

4
. n . .

&b J
16
# . .

II &b
J # J
#m J # m
# J
III &b .
# . # .
.
&b J J
20
.
b .
II &
. . # # .
III &b J J
m .
b
23
I &

# J # . J
II &b
m
III & b # J . # J
# . .

&b
26
. .
#
II &b J
m .
III &b # # J

5

Lentement
b 3 . # #
I & 2

3 # . # .
II &b 2 n

.
III & b 23 #
. m . . . .
J J J J
&b
6
. m . . .
J .
II &b J J J
w
w
III &b
w . J w . . . #
&b J J
11
I J
. .
w . #w J J
II &b J
. J w . . . . . . #
III &b J J J J # J J
. . m .
. . w w w.
b J J
16
I & J J
. . m . m . # w .
&b J J # . . .
II J J J
III & b . . J w w. w.

6
Gigue
6 # m

I & b 8 . J J J
a

II & b 68 . J
# m
j
III & b 68 J J J #
J # J
m
#

&b
5
m

II &b J J J
.
III & b # J #
m
J
.
&b J J ..
9

#
II & b # n # ..
b # m . . m
# . n . m
n . b . ..
III &

7
n #

&b . J
.
13
. .
II & b .. . J . J .
. # . . . . .
III & b .. . . .

&b
18
. .
II &b J . J
. . . . .
III &b . # . .
n n n #
&b
22
n n n # #m
II &b J J
. . . . .
&b . J
III
J
. .
&b J
26
I J
m
# #
II & b # J J J n
J J J
#
&b J J
J J
III
J J J J

8

&b J
30
.
II &b . J
. # . . # . .
III &b J J .
n # .
& b # J
34
#
II & b J J J
. .
III & b . . J J
# m
&b

38
I J
m #
II & b
J
#
J
j
III & b . . J . . . .
m
& b J ..
42
I J
Doux
m #
II &b #
J
..
Doux
j
III &b
J
. . . . ..
Doux

Original en la majeur.
Transposition pour
trois fltes bec.
Sonate en trio N 3
Allemande
.
(1689-1755)

Gravement
m

R m
Flte bec I &c
m
. R
Flte bec II &c
& c R
Flte bec III
m n m j m
b
m m

3
I &

m
m j
J J
#
II & J
J j #
III & .
J .
J
m j m .
6
#m j
# j
m
. ..
I &
m j
m j
II &
#
# . m
. ..

m j
# m
III & . ..

2
.
# .
m

I & .
. R J
.

II

& .. R

. r
# J
#
J
j J . .
III & .
12
. m j m
m m .
I &
. . m j
II & J J
j
III & .
J
. .
J

J
.
. m
m m
J
15
I & J

. m
II & J J J

III & J J J J
.
m m m m .
J ..
19
I & J
m m . m .
II & J J J
..
m
& j J . ..
III
J J

3

& 38
Lgrement
I
.
3 m

II &8
.

III & 38 . . m

b b b b .

8
I & J
. .
II & J J J J
. # j j . j

III & J J

b m
b
J
16
I &

&

J j J
II
b

III & J
23
b
J
. .
I &
#
II & #
j

#m . # .
III & b J J J

4

J

.
30
I & J

m

II &

III &

J J

J J J
. . .
38
I & J J J

m

J

J # J
II & J

J
III & J
45 .
I &
. # .

J J
II &
#
j # #
J
III & J # J J
. # .
# J .

52
I &
# #

II & J .

.
III & J

5

b b

59
I &
.
m

J
II & J
.
. #
. . m j
III & J
b b .
J
66
I & J

J . J
II & J

j j
III & J
.
J

b b b n

73
I &

II & J

III & J J
. . .

& J .
79
I J

. . .
II & J

III & J .

6
.
. . .
J J J
Lentement
I &C J
. . . . m .
.
II &C J J J J J J
. .
III & C . .
J J
J

J

m .
. m . . .
J . J
5
I & J J J J
m. m j
& .
J . . . .
II
J J J J
j j
III &
. .
w . . .
10
J J . . .
I & J J J J
. . . . . .

. . .
II & J J J J J J J J J
& . . . . j
. j
III
J J J J . w w

15
. . . . J .
# w
I & J J J J
m
. . . . .
& . J J J . . J J . J w
II
J J J
& w w w w
III

7
Gavotte
. . . . .
.
I & 24 .
2 . . .
. .
. .
. . .
II &4

III
2
&4 . . . . . . . . . . . .
. .
. . . . .
J ..
9
I &
. . . . . . . . # .
II & J ..

. . . . . . . . . # . ..
III &
. . . . . . # . . .
m

& .. J
17
. . . . . # . # .
II & .. J
. . . . . .
III & ..
. . . m . . m .

24
I &

j . . . . . .
m m
&
II
J J
III & . . . . . . . .

8
30
. b m . . .
I & 3 3
. m . . m .
II &
3 3
.
III &
J
. . . . . . R . R

. R
.
36
I & J J
. . . . .
II &
J
. R . R . R
III &
. R . R . R

. . j
. . . . .
. R . R
43
I & J J
. m
& . . . . R . R
II
J

III & . R . R
. . . j
. . . . .

& . R ..
50
I
J

& . R . m . . . ..
II
J

&
. ..
III
R

Sonate en trio N 4
Original en r mineurr.
Transposition pour pour trois fltes traversires sans basse
trois fltes bec.

(1689-1755)

b b3
m
n . . .
Doucement
Flte bec I &b b 4 . J J J
b b3 .
m n .
Flte bec II &b b 4 J
b
& b b b 43 .
Flte bec III
. .

b
& b bb
J
6
I J
b . m
& b bb J
II

b
m
n .
& b bb J
III
m
.
b
& b bb J
12
b

.
II & b bb J

b b j
III &b b

b .
& b bb J ..
17

b b n . n ..
II &b b J
b b nm ..
III &b b

2 Joseph Bodin de Boismortier, Sonate en trio pour trois fltes traversires - Op. VII no 4
n m n m .
b
& b b b .. J
22
b b
m
n n b n n .
J
II & b b ..
III
b
& b b b ..

b
b bb
28
I &

b . n n
& b bb
II J
. m . m . nm .
b b n .
& b bb J J J j
III J J .
m n n .
b b b b nm

34
I & J

b b b b nm n n m n n n .

II & J

b n n n
III & b bb n n
b b
m m .
b
40
I & b J
nm n n .
b
II & b bb J
b b b n . .
III & b J

Joseph Bodin de Boismortier, Sonate en trio pour trois fltes traversires - Op. VII no 4 3
b b m . m .
&b b ..
46
I J J

Doux

b b b . n . J
.
n . J ..
II & b
.
Doux
b b n
III &b b J n
..
Doux
Courante

n m n
m
b
I & b b b 43

b b3 n m m
II &b b 4
b n n
III & b b b 43
n
b n
b
n
n
m
& b bb
7

b b b n n n
II & b
b b n
III &b b n
n n . n
b
b b b n . ..
13
I & J
b . n n .
II & b bb
J
..
III
b
& b bb n
n n . ..

b m
n n n n
I & b b b ..
b b m
n n n
II & b b ..

b
III & b b b .. n
m m
bbbb
n n
nm n n
m
b
24
I & n
m n m n m
II & bbbb n n n b
n
m
m
III & bbbb n n b

m
bbbb b
29
I &
b b . .
II &b b
b .
III & b bb .
. .
b
& b bb J J
34
. . m
n .
II & bbbb J J J
b
III & b bb n .

b b
m

b b
39
I &
b b b

II & b
b . j .
III & b bb .
J

m n
bbbb n
43
I &
n
b n
II & b bb
b n
III & b bb

n
b
m
b
&b b
47

II & bbbb n

III
b
& b bb
n . m
b .
& b bb ..
52
I J
n .
b
II & b bb J ..
b n
III & b bb ..

Allemande

b nm .
Gravement
I & b bb c R

b b . R n
II &b b c
b b .
III &b b c R
. m
. m . m m
b
b b b n
3
I &
b . n . . n
II & b bb J
m
bbbb
n
III &
nm J n
m . m m .
bbb .
b ..
6
I &
m
. .
II & bbbb J ..

b b b m
III & b bb J

. ..
n . n n
b b R
I & b b ..
b n
b J
II &b b . R
b . . J

b b . R J
III b
& b . n . .
J

n n . b
bbbb
12
I &

b b n . J

II &b b J

b
& b bb n j
III
J J J
m .
bbbb nm

15
I & J

II & bbbb n J
J J J

b nm n .
& b bb
III
J
n .
.
bbbb
18
I &
. n .
b b J J J
II &b b
b
III & b bb
j
b b m .
.
b ..
21
I & b
n n . .
II & bbbb ..
b
& b bb J J . ..
III
J

Premier Menuet
m
b
I & b b b 43
b b3 m n
II b
& b 4
b b3
III &b b 4
m
b . .
& b bb .. ..
8
I J

bbb m n . .
II & b .. ..
b
& b bb
.. ..
III .
. . m
bbbb J
15
I &
. . n b m
II & bbbb J
b .
III & b bb J
b . n n .

bbbb n . n J ..
22
I & J J .
.
b b
J n .
II &b b J . ..
b n
III & b bb n . J . ..

2e Menuet
. .
3
I b
& 4

3 . .
II &b 4
3
III &b 4
. . .
.. .. .
1.
&b
7 2.

II &b
. .. . .. . .

III &b .. . .. .
. .
.
&b
14
I
J
n . .
&b n .
II
J

III & b .
.
.
.
Reprendre le Premier Menuet
..
&b
20
I J
.

. .
II &b J ..

. b . ..
III &b .

Original en sol majeur
Transposition pour
Sonate en trio N 5
trois fltes bec.
Allemande
(1689-1755)
.
.
Modrment
b J J
Flte bec I &b c
.
b . J J
Flte bec II &b c
.
b . .
Flte bec III &b c J J

J
b
bb
4
I &

b J
II &b J
b
III & bb J J J
n

b b n n
7
I &
.
II & bb n n
b
III &b J n n
b . .
b n ..
10
I &
b n . n .
II & b n ..
n
III &b
b n ..

Version pour trois fltes bec.
. . m
b b .. . J J J # #
13
I &
. #
II
b
& b .. . J J J J J # J
J # # m
III & b b ..
n J n b J
. .
b m
&b
b n J n
18
b . # . n n n
II &b J J
J
b n b J m
j n n
III &b
. b
&b
b .
23
I
J

b . n . J J
II &b J

b
& b J J
III
J J J
b
& b . . ..
27

b . . ..
II &b
b
III &b ..


Lgrement
I
b
&b c

b
II &b c

b
III &b c J

bb J
4
I &

b
II &b
b
&b

III
(
) n #
b
&b
7

b
II &b

b n #
III &b j

.
b
&b
10

&b
b
J

II
J

III &b
b



bb J
13
I &

b (m
)
b J J J
II &

&b
b J
J j J J
III
J
n .
bb n n
16
I &
n n .
b b
II &
b
III &b

bb

19
I &
b j
II &b
b
III &b
J
j
b b
&b
b n
22
I J
b
II &b J J J J

J
b J m
III &b J n J J


b .

n .
b
25
I &
. .
b
n .

b
J # J
II &b
b n m
III &b
#
n #
b b # J J
28
I &

b J n # # n
II & b J
b J J
III &b J
J
J

b J #
b
31
I &
b J
II &b
b
III & b J j

b
&b J
34

II & bb
b
III &b


(
)

bb n
37
I &

b
II &b

III & bb j

n
.
b #
&b
39
.
II & b b J J J
b #
III &b J J

m
b
&b J
42

II
b
&b
J J J
b
&b J
III
J
. w
b
&b
45
. w
b
II &b
b
III &b J w

.
b

Lentement
I & b 23 J
b3 #
II &b 2
b b3 #
III & 2
. .
.
b b J J
.
J
.
5
I & J J
. . . . m . .
II & bb J J J J J
b w
III &b

b b m . . . b . . b
J
m . b . .
9
I & J J J J J J
b . j
&b . . . b .
J . b . .
II J J J J J
b
III &b
b.
b . n . . . .
& b b . . J J J J
12
I
J J J

b . . .
II & b . .
J n . J
J
. J J J
b . j j j
III &b b . n n . n

b b . .

. n . .
J . .
J
.
J

J
15
I & J J J
b . n .
& b . n . # . n . . J J J
II J J J
b j
III &b . .
J
n # .
J #
. .
n .
b
b J
18
I & J
b . n # .
&b

II J
b
&b
III n
. . #
.
.

21
bb m .
J J J
I & J
. .
b
&b
II
J J
b # #
III &b
. . w.
. w
bb J
25
I &
.
b # . . #w .
II &b J
b . w . w.
III &b J

Gigue
b6 b
&b 8 J J J J J
I
J J J
b .
II & b 68 J J
J J
J

J

J
b
& b 68 J
.
III
J J J J J J J

5
b b . J
& J J J
I
J
b n
&b J
J n
J J
II
J

b
&b .
III
J J .
J J . J
J J

.
bb J J J ..
10
I &
n #
& bb J J . ..
II
J
b n # j j
III &b J J J J J J . ..

m
# m m
b
& b .. J J
15
I J
#m n #(m ) n
b J
II & b .. J J J J J
b j j . .
III & b .. #
J . . . J
n m . n .
b J
&b
19
.
.
& bb J J .
II
J
b . . .
III &b J J J J . . J
# m
b b J
24
I & J
# n nm
# n # . n
II & bb J J
b . . . . j
III &b J J . .
b n . b
b
29
& J J J J J
I
J J
b n .
II &b #
J J
J J
J
J
b .
III & b . .
J

J

J

J

J J J


34
bb .
I & J J J J J J
n
&b
b .
J J
J n
J
II
J

b
III & b .
J

J

J . .
J

J . J

b b J J J J
39
I &
n #
b b
J J J
II &
b n # j
III &b J J J J J J J
b
43
bb
b b J b b J b
I & J J J

b b b J b b

II &b
J

J J
J
J

J
b j j j j j b j
III &b J J
J
b
b b b b b b
&b J J . ..
48
I
J J J
b b
Doux
b b b . ..
II &b J J J J
J

J

Doux
b j j j j b j
III &b
J J . ..
Doux

Original en mi mineurr.
Transposition pour
trois fltes bec. Sonate en trio N 6

(1689-1755)
b
#

Modrment
Flte bec I &b c

b #
Flte bec II &b c
b
Flte bec III &b c
.
b
&b
4
# .
b
II &b

#( ) n n
III & bb

J
. .
b ..
&b
8
.
b . #
II & b J J J ..
. n
III
b
&b J J # J J ..
.
b
& b ..
12

b
n
J
II & b .. J J
III
b
& b ..
n
J

m
b #
&b
16
# n
II & bb J J
b J # j
III &b
J J
n m b m
bb n .
n

20
I &
n
b # b
& b # .
II

b #
&b

n n
III
m . .
b b J J
23
I &
# # .
b J J
II &b
#
III &b
b # j # J
J
w m . .
b J J ..
&b
27
m m #
. # .
b b J J ..
II &
b #m n m # n
III &b # j ..

Courante

b #
I &b 4 R
3 .

b #
II & b 43 . R
b b 3 . R # #
#
III & 4

b b n n n . ..
5
I & J
b n n n n # # n nm # . ..
II &b J
b
&b # ..
III
b
I & b .. . R

b
II
b
& b .. . R
b
III & b .. . R . n
b b .
b
&b
16
I
J

& bb n .
II
J
b n #
III &b n

m .
b J
&b
21
.
II & bb J
#
III & bb

m

#
bb
26
I &

#
II & bb
b
III &b
.

bb J
31
I &
# .
Doux
b # # m

II &b J
Doux
b #
III &b
Doux
.

bb J ..
36
I &
b # # m
# .
II & b J ..
b #
III &b ..

j

Tendrement
b

# j
& b 23
N
I
j

b3
II &b 2
b3
III &b 2
w . . .
b # J
&b
4
. # .
j # . .
b b # n J J # J
II &
j

b # w
III &b
. . . . .
b
b J J J J J
8
I &
. n . . . .
II & bb J J J J J
b
III &b w
w j
j

bb
12
I &
j

b b w
II &
b w
III &b

w . . .

bb J
16
I &
. .
b
j
. J J .
J

II & b
j

b
III &b
. . w. . . w.
b b J J J J
20
I &
. . . . m . .
II & bb J J J J J J
b . # . w. # . n .
III &b w J J J J
. . w. . . .
. .
bb J J J J J J J
24
I &
b
m . . w. . # . # . n . .
b J J J J J J
II & J
b # . . .
III &b J J J
. . . . . w w w.
b J J J J
&b
28
b . . . . # . w.
#w .
II &b J J J J
b w. w.
III & b #

Gigue
m
.
b
I & b 68 J
J J
m
b6 #
II &b 8 . J
J J
b6
III &b 8
. #m n . .
b b J J
5
I &
. # .

II & bb J # J
b # .
III & b . j
j
J J . J
.
b J J J J
&b
10
. . .
bb J J .
J
II &

.
& bb J . . . . . n .
III
J J
m
.
bb J ..
15
I &
. m
& bb J J J
J . ..
II
J
b . j . . J j
III &b
J
J . ..

n n
b J J J J J
I & b .. J
. n
b . J
II & b .. J J J J . .
b j n j
III & b .. J n
J J n .
J
. . J
n n .
b J J J n
J
&b J
25
n n n
b J J .
II &b J . J
b . j j
III &b J . J . n
J

b J J J J
&b J
30
I J
. # .
bb
J J
II & J J .
b . j . . .
&b . . J
J

J .
III
J
b # n
# # .
&b
36
# n . .
b # . n
II &b J J J J
# n . n
III & bb J J . J

n .
b b n
41
I & J
b n # . . n n
II &b J J
b j j j j . .
III &b # . n . . j
b n . m .
J
&b
46
I J J J
m
b b n # . . J

# J
II & J J
b .
III &b . .
. #m n . # # #
bb J
52
I & J J
. # #
II & bb J . # J J
b j j j
III & b . J # J . J
b # J . # . # .
b J J ..
57
I &
# J . J .
b b # . .
..
II & J
b J #
III & b . J . # j
J

J J
J

J . ..

Sui t e
from Sonatas VII, IX, and XII in
Twelve Sonatas for Two Violins; with a Bass for the Violoncello or Harpsicord (1747)
1. Canone: Grave1
2 6 4
G 2 S ` ( ` `

A
- >
p
G2 S = (
T
` ( ` 9 `
p
I 22S = = = (
( `
8
`
B
p
9
2 6` `
4
` `
G2

4
G2 > 6 4 6` `
;


4

17
2 `

G2 < > - >
G 2 ` < 4
> `

- >
I 4
22 ` <
` `

8
; > -
` 6 ` Z P

25
2
G2 > >
` 4 4P
G2

> >

I 2
P
2
8
> > ;
1from Sonata IX. The key signatures are as in the original (transposed down a tone).

2. Moderato2
2 6 Z A
`

(

A

A G2 34 ?
2 = = = = = =
T G2 34

I 23

24
8
B
? > ?

7
2 `
G2 `

? - ?

Z A `
p
2 6 (
`
A
`

G2 ?

p

I 2 `
2 ?
8

?
p

2 ` ` `
13
2
` `
G ?

f
2 `
G 2 `

`

`

I
f

22 ?
8
? ? f
18

` 6 ` `
2
G2

2 6 ` 6 6`
G2 Z
6 ? ? ?
I 6
2 6
2
8
? ? ?
` ` 6 tr` ` tr` ` ` `
23
2
6

G2

2 6 6 tr` ` tr` 6 ` ` `
G2
? ? - ? - ? -

I
8
22 6 6
? > > > > > ? -
2from Sonata XII.

2

28
2
`

tr
G2 @ > >
6
22` 6tr

G
> > @
I 2 ` 6
2
8
> > > >
2` `
`
32
2

G2 @ > > > ?
2
` ` 2 `
G 2
`
6
> > @ ?
2
I 2
2
8
> > > ? ?
37
2` ` ` `
` ` `
G 2
`
> @

2
G2 6` `
? Z
` ` @

@

I22 6
? Z
8
> >

tr` ` ` ` `
42
2`

G2

2 ` ` ` ` 6
G2
tr
? - ? - ? ?

`

I 2
2 ?
8
> > > > ?
47
2 ` ` ` 4
G 2

2 ` ` ` 4 6 ` ` 6
G2 ? ?
-
I 2 6 6 4 6 6 ` 6 `
2
8
3

52
2 ` ` 6 tr 6 6
G 2 - @ > > > ?
6
2 6 `
G2 4 ? -
4`
- > > @
6

I `
2 4
2 ?
8
> > > >

`
57
2 ` ` `
G2 > > > ?

2 ` 6`
`
G 2 `
` `
> > @

I 2 6
2
8
> > > > ?
62 2
2
G2 @ @ ?
> >
2
G2 > @ > @ ` -

I2

2
8
? ? ?
6 Z 6 4 ^
67
2

G2
> >
^ 4 6
G 22 6
Z

Z ` `

I 2
` 2
2 `
8
> >
`
`
tr
` tr` ` tr` ` tr` `

73
2 6
G2
tr
2 ` ` ` ` `
G2
tr tr tr
- ? - ? ? ( ` ? ( 6`
-
I 2 ` ( =
2
8
> > > > > >
4
`
2
2
78
2 `
G > > > > ? -
`
p
2
G2 `
> > > > > ?

p

I 2
2 > ?
8
? ?
p
` ` ` ` ` 2 ` `
83
22 -
G ? > >

>
2
f
` ` `
G2
? > > ? -
>

f

I 22
?
8
? ?
f
` ` 2 P

89
2 6
G2 >
> >
`
2 `
p
P
G2
> ? - > > 6 `
P
p
I 2
2
8
9 > > `
p
3. Tempo di Gavotta3
A A
2
A G2 S
!
( !

( (
>
2
T G2 S > > >

> < >

I
2S <
2 >
8
B >
3from Sonata XII.
6
2 6 ` 6!

(
G2
7 7
2 6
G2 > ` 7 7> > >

I 2 6 7 7 6
2
8
> ` > >
6 A
! `
A
(

11
2

(
G2 > -
2
G2 > 6 > > >

>

I 2

2
8
> >
` A
` ` ` `
16
2 A (
G2

-

-
>
2
G2 > > > >
 >
( ! A
`

21
2 !
G2 -
(

2
G2
> > > > >

I 2
2
8
> >
P`
2 ` ` A `
26
(

G2 - 7

2 P`
G2 >
>
>
7
I P
22 ` 7
8
> >
6
4. Allegro4

2 4 6 4
A G2 68 - - - - - - - - - - -
2 = = ` 4 `
T G2 68 ? > ? ? ( - -
( - > -
I 4 6
22 6 ` ( (
8
B
8 ? > > - - - - ( - - -
7
6
2 6 6 ` 2 ` 6 `
G 2 4 6 - -

-
- - - -
2 4 6 6 ` `
G 2 ` ` ` >
4
- - - - -
4
- ? ? -

I 22 ` = ` 6 `
? ? -
8
( ` > > ? ? - - (
13
2 ` ` 6 ` ` `
G2
? ? - ? ? - ? ? - ? ? - ? ? - ? ? - -
2 6 ` `
G2 `
? ? -
` ? ? -

? ? -

? ? -
I ` `
2 6 6
2 ? ? -
8
? ? -

` 6
19
2 `
G2 4 7 7 - `

-

- - - > -
22 4 ` 7 7 ` ( `

G - - ? > > - - ? ? - ( ?
I 2 6 ` 7 7 ` ( ` `
2 (
8
(

- ? > > - - - >
6 `
` `
25
2
G2
- - - -

- -

- -
2
G2 `> > 6-

- -
-
6 `
> -
-
6 `
> -
- -
I 2 ` ( 2- ` ` 6
2 > > 6 (
8
> - - ( - ( > -
4from Sonata VII.

7
` `
` ` ` 4

31
2

G2
- - - -
- -

6 ` `
p
2 ` `
G2 - - > - > - > - > - ` `
>
4
I
22 ( ` -
^ Z ( ` `
8
- > - - - - - >
`
4 6
37
2
G2 - - - - - - - - - -
4 `
G2
2 = = ` 6 4 - -
> ? ? ( - -
p
I2 `
( ` `
2 >
8
> - - - - ( ` > > ? ? -

p
43 ! ` ` ` ` ` `
2
G2 -
? ?
-
? ?
-
? ? - ? ? -
2 4 ` `
f
2 `
G - - ? ? - ? ? - ? ? -
`
f

I 2 - ` `
2 ? ? (
8
- ? ? - ? ? -
f

`
49
2 ` `
G2 - - - -

? ? - ? ? - >
2 p
G2 `
? ? -
4
( ?
= `
> ? ? p-

I 4 6 `
22
` `
8
` ? ? - > > > - - -

p

4 4 " P
55
2 ( `
G2 - -
- - - - ` 7
-

9
2 ` 4 ^ P
f
G 2 -
? ? 4 ( ` > - -
( 4 ( ` 7
- 9
P
f
I22
( ( ( 7
8
- ( ` > - - ` 9
f
8
Trio Sonata in E-Minor
For Oboe and Violin, arranged for 3 recorders by Martin Grayson.
G. P. Telemann (1681-1767)
Andante

Treble Recorder 1

Treble Recorder 2

Bass Recorder

11

13

2 q = 100

16Vivace

20

24

28

32

36

40

44

48

51

Grave

54

q. = 63

Vivace

59

65

70

75

80

85

90

93

Sonate G.Ph.Telemann (1681-1767)
Affettuoso arr. Jrgen Knuth (*1952)
Alt

Flten

Tenor

Flten

Bass
JK483.05.08 http://icking-music-archive.org
1
Sonate / Telemann

10

Alt

Tenor

Bass

13

16

2
Sonate / Telemann
19

Alt

Tenor

Bass

22

24

3
Johan Helmich Roman
(16941758)
Triosonata in c minor
(orig. g minor)
arranged for
two treble recorders and basso continuo
Arranged and edited by Christian Mondrup
1996,
c 2005 Don Simons (dsimons@adelphia.net) & Christian Mondrup (reccmo@icking-music-archive.org)
Non-commercial copying welcome
Trio Sonata in C Minor
orig. G minor
Johan Helmich Roman (16941758)
`
I. Adagio Arr. Christian Mondrup
`
2 ` ` ` 6
Recorder I G2 2S
2 = = =
Recorder II G 2 2 S
2
G 2 2 S ` ( ? ( ? (
Basso
6 -
6
-
Continuo I2S

22
^ ? ( ? ( ^ 6
6 6 6
22 `
4
G 2 - 6 ? ?

2 `
6
G2 2 ?

2
G 2 2 ` ( ? (
? (
6 -
6
-
I2
22 ( 6
? ? 6( ^
^ 6 6 6
2
7

` `W
G2 2

?
2 ! ! `

G2 2 ? ? -

2
G 2 2

- -
I2
22

6 6 6 6 6
4 5
2
10
6 ` 4 6`W

6 4
G2 2 -
?
6! 6!
> > ?
2
2 ` 6 W`

G2 2
>
> ? ? ?

2 2 6
G 2 2 6 64 6 4

- -
2 2

I2
2 2 ^ 4
6 Z ^ 6 \ Z 6 6

c 1996, 2005 Don Simons & Christian Mondrup, Non-commercial copying welcome 2
2 ! 6 6
13
2
W`
G2 2 >
`
`
` 6 W` 6
2
G2 2 ? -

2

G 2 2
(
? ? ( 6
6
6

I2
22 6 6
? ( ? ( ^ ^
6 6 6 7 6 7 4 7 ^ 6 6
4 5 4
22
16
` `

2
G ? -
>
<
6
`
2
G2 2 >
2
G 2 2 ? (
6 6
-
I2

6
22 6 ? (
6 6 ^ 7
^
5
22 ` 6
19

W`
2
G 6 6
? ? -

22

W`
G 2 ? ?

2
G 2 2
?
( 6 ` 6 ( (
6 -
-
I2

22 ? ( 6 6
7 6 ^ 6 6 6 ^ 9 6 7
^
2
22 W` P
G2 2 ? ?

6
`
2
G2 2 - 6 W` P
?
? -

2
G 2 2 6

6 ( (

I2

P
22 6
6 6 6
9 6 ^


II. Allegro 6
`
2
G2 2S >

6
2 = = =
G2 2S >

;
2
G 2 2 S > 6

6

6

I2S
22 > ^
^ 7 6 6 7 7 7 7 7
^

22 W
8 6
G 2 = =

>
6
2 `
G2 2 >

;
2
G 2 2 > 6

6

6

I2
22 > ^ ^
7 6 6 7 7 7 7 7 7
^
15

2
G2 2 > >

2
G2 2 =
> >
2 ``` `
G 2 2 >
`
>
`

```

I2
22
> >
6 9 6 7
22
2
G2 2 >

22

G 2 > >
2
G 2 2 `` `

```

` `
;

I2 6
22
7 4 3

6 4 6

2
29 6
G2 2

6
2
G2 2

G 2 2 6
2 = 6 6 `
` 6 46

6
I2 6
4
A
22
^
4 3 4 3 4 3 5 9 8 6
5
6
5
5 6 7
^64 7 \ 6 ^5
4 \
2 6
36 4 6 6 6 4 6 6 6
G2 2
2 4 6 6 4 6 6 4 6 ` 4 4 6 4 6
G2 2
2
G 2 2 46
46
46 6 46 `` 4 `` 46 `` 46
` ` `

I26 @ @ @ B
6 4 6 `
`
22
^5\ 6 ^5\ 6 ^5\ 6 \ 6 \6 \6
6
4 4 4 4 ^75 6
4
6 7
\ 7
\
2 44 6W 1.
2.
6
6 4 `
G2 2 7 7
>
22 4W 6
2 7 7 = = =
G >

2
G 2 2 `` 6 4

6 6 7 ``
`
7
> 4

46 < `
` 4

4

6 6
I 2 7 7
2 2 6
\ > \
\ ^9
6 6 \6
7
2
51 6
6 = =
G2 2
6 >
`2

6 4
6 6 4 `
2
G 2 >
2
G 2 2 6 =
=
46
> 4

46 < `
`
4
4

I2 6 6
22 6
> \
7 7
^ ^7 7 7 \ \ 7 6 6 \6

2
58 ` 6 4 6
G2 2 6
>
2 6
G2 2
6 6 =
>

2
G 2 2 6 =
=
46 > ``
`

>

6 6
I2
22 6 > >
7 7
^ ^7 7 7 \ 6 6 ^
65
2
G2 2 > >
2
G2 2 6 6 6
> 6 > 6

2 ` 6 6``` 6 6
G 2 2

6
I2 6 6
22

^ 7
^
^ ^
^6 ^ 7
^
72
222 < = = =
G >
6
2
G2 2
6 6 < = =

2 6
G 2 2 > 6 6

6

6 2
>

6
I2 6
22 > 6 6
>
^ ^ ^ Z 5 ^ Z

80
222

G

2 =
G2 2 < >
2
G 2 2 >

`

I2
22

A @
6 7 5 7 7 5 7 7 6 7 4 6 5 6 5
5 4 3 4 3 4 3

22
87
W
G 2
22 W

G 2 `
2
G 2 2

> >

2 26
I2
@ @ @

> >
6 5 6 5 6 7 5 5 6 6 6 6 7 7
4 3 4 3 4 5 3 3
95
2
G2 2 < = = = = 6
>
22
6 6 6 6
G 2 6 6
2 = =
G 2 2 6

<
6 6
I2 6 6 6 < = =
22
^6 ^ 6 6 ^ 6 6 ^6
103 6
2
G2 2 6 < = =

6
2 6 = =
G2 2 6 6 <
>
2
G2 2
= = < 6 6 6` ` 6 6`
>
6

I2 = = <
22 > ^ ^
^ 7 6 6 ^ 7 6
111 6 6
2
G2 2 > >
6
222 ` =
G >
2
G 2 2 `

6
6

> >
6 6 6

I2
22 >

7 >
6 7 7 7 7 7 6 6
^

118
2
G2 2 6
> 6
6

6
>

2
G2 2 > > 6

2 6 6 6
G 2 2 `
6

>

I 2 6
6

6

6

22
6 ^ ^ ^ 7^ ^
125
2 6
G2 2

2
G2 2 6
6 2

2
G 2 2 6 6
2 6
6
6
I2 6
A

22 6
^ 7 ^ 6 ^ 9 7 6 5 6 7 6 ^ 6 5
^ Z 4 4 ^
2 6
132
G2 2
6

2 6 6
G2 2 6 ` 6 6 6
2 6
G 2 2 6

6

6

6

> 6

> 6

I2
2 26 A A A A
6 > >
6 5 6 5 6 5 6 7 6 ^ 6 ^6 6 6 7 7
4 ^ 4 ^ 4 ^ 4 5 4 ^ ^
140 1. 2.
2 W W
G2 2 7
>
2 W 6 6 W
G2 2 6
> 6
6 7
2
G 2 2 ` 6

6

> 6

> 6
` = 6

7

6
I2
7
22 6
^ 6 7
^
>
7
^
>
7
^
^

III. Andante
2 ` `
` ` ` ` ` ` ` `
G2 2 68 - -
- -
>
2 = ` ` `
G2 2 68 > ? > - - - - - -
2

(
G2 2 6 ( ( ` ` ` ```
8 ( ` (
( ` (
( >
- - - - - - - - - - - - -

I2 6 -
2 28 -
- - - ( -

- - ( -

- ` > 6 (
6 5 6 7 6 7 7
5 5
8 `
2 ` ` ` W `
G2 2 - - -
`

- > ? > ? > - -
2
G2 2
`
-
`
-
> ?
= ` `

( ` ` 6`
-

2 ` ` ( `` ` ( `` ( ( ` `` 6
G 2 2 `` ` `

( 6 ( `

6 (
` ( (
- - - -
- - -
I2

(
(
22 ( ( ( ( ` (
( - -7 - -
(
6 5 6 6 ^6 5 ^ 6 6 7
4 3 4 ^ 5 ^
2
15
` ` 6
G2 2 ` 6 ` 6 - -
- - - -
- -
2
G2 2 (
` ` 6` `
>

-
`
-

`

`

? > ?
- -

2 ( ` ` 6 ( ( ```
G 2 2 ` ( `
- (
>
( 6 (
` ( 6 (
` ( 6``` > (
- - -
- - - -
I2
22 ( ( ( ( ( ` 6 `
6 ^ ( > -7 5
- 6
- 5
- 6
- 5
> -
5 ^ 4 ^ 4 ^
22 ` ` 6
2 ` =
G2 2 - ? > ? > - - - - - -
` ` `
2 =
G2 2 >
- - - - - - - - -

2 `

G2 2 ` ( `` (

( ` ( ( ( ( `
6 ( `

` > - -
- - - - - - - - - - -
` 2
I2 6 (

22 - - > ( ( - - - - - - - -
7 6 6 7 6 6 5 9 6 7 6 6 6
5 7 4 4 3 ^75 6
4
6
3

29
` 2 `
` ` `
222 - - -

=
G

? > ?
2 6` ` 6 ` ` 2
G2 2 - - = -
`

? > ? >

6

2 ` 2 2

( ` ( (
G 2 2 6
-
( ```

` ( (
`
- ` ( (
- - - - - - -
2
I2 6
22 - - (
- - - -
7 2 6 ^- 6 6 6
- - - -
^ Z 4 ^53 6 6
5
2 6
2
35

` ` W` ` `
G2 2 > -
` ` ` `
? > ? - -
2 ` W` = `
G2 2 ` > - ? > ? > ? > - - -

2 ( ( ( ` `
G 2 2 ``` > `

`

(
( (
` ` ( `` ( `
- - - `
- - - - - -
` 2 `
I 2 ` 6
-

-

-
(
22 > - - - - - - -
7 7 6 6 6 6 7
5
2 ` `
42 ` ` ` `
` `
G2 2 - - - - -

>
2 ` ` ` ` `
G2 2 - -
- -
- -
2
( `` ( `` (

G 2 2 ` ( ` ( ` ```
> ` ` ( (
` - - - -
- - - -
I2 ` 6 `
22 - ( -

- > - - - - - -
6 7 6 5 6 5 6 6 7
5 4 3 4 3
2
48 W` `
` ` 6` 2` W` `
G2 2 - - - > ? > - -
2 W` `
`
` ` ` W` `
G2 2 - - > ? > - -
2 ( ` ` ` ```
G 2 2
(
( ` (
( ` ( ( 6``` > ? 2``` >
(
( `` ```
- -
- - -
`
I2 `
22 - ( - - - - - - > ? > - - ( `
6 ^6 7 6
5 5

IV. Presto assai

2
G2 2 38 6
2 = = 6 ` +
G2 2 38
2
G2 2 3 = = = = ` (
8
- ``

I2 3 = = = =
6
2 28
4 Z3
2
7 `
G2 2
2
G2 2 % =
?
G 2 2 ` (
2 `

?

I2 %

22

?

7 7

13
2 = =
G 2 2
-

? >

2
G2 2 =
@ -
2 ` ( -
G 2 2 (
( ? (

I2

22 ?
6 6
19 `W 1. 2.

2 7
G2 2
7
?
222 ` `W 7 7 = =
G ? ?
2
G 2 2
= = =
(
? 7
?
7
-

I 2 7 7 = = =
22
? ?
5 6 6


26 2
2
G2 2
22 ` + % % 6
G 2 2
2
G2 2 =

` ( 2` 2 ( ` ( `
6 ( 2` 2
-
% % 6

I2
22 = 6& 2 2

4 Z Z7 5 7 Z3 ^ Z

22 `
32

6` 6 2 6 6 4W
2 -

G -
2 6 6 6W 6 6
2 2
G2 2 - -
G 222
2
6
(
2 (
6
6 6 ( ( 6

6
2 -
2 6 4
- -
` 2

I2
22
^ Z ^ Z
7 ^ ^ 7 Z ^6
Z 6Z 6 7
^ 7
\
38
` 6 6W` 2
2 2 6
=
G2 2

?
6 6 4`W
22 4` =
G 2 ?
2 ( 6 4 2 ( (
G 2 2 46 (
6
( 2 (

- - -

I 2 ` 6
22
- -

\ 5 7 \ 6
Z
^ Z 6
44
222 6 6
G ?
2 = =
G2 2 6 ?
2 =
G 2 2 ( 6 ( 6
?

?
- - -
6
I2 =
22 ?
^ 6 ^

50

2
G2 2
2 6 ` + % %
G2 2
2
G2 2 = =

` ( ` ( ` (
- `

I2
22 = = 6
%
4 Z 7 3 7 3
22 `
56
G 2
6

G2 2 6 %
2 6 6 6 6 =
?
2
G 2 2 6 6 6 6 6 6`
?
- - - -
I2 6 6
2 2 6 6 ?
^ ^ ^ 5 5
7 7 7 7
^ ^ ^
2 62
= =
G2 2
? > -
2

G2 2 =
@ 6
-
2
G 2 2 6 6` 6 `
- ? -
- -
6 6
I2
22
?
6 ^ ^ 5 5 6 ^ 6 6
68
22 6 2 W`
6W`
G 2 7
- ?
2 ` 6W`

6 2 W`
G2 2 -

? 7
2
G 2 2 6 ( 6 `
6 (
6
? 7
- - - -

I2 7
22
?
^ 6 6 ^ 9 8 ^ 6 6 ^
4 5 4 5

Wenn wir in hchsten Nten sein
Johann Pachelbel ;
arr. for recorders trio (ATB)
by Gil Garty
1
A &b c

T Vb c
m
B
?b c . J
5

A &b
m
Vb
.
J .
T
J
B
?b

9 .
A &b J
T V b

? b . .
J
B J J
13
A &b
# .
T Vb
?b
.
J
B
16

A &b
j n

T Vb J

n
B
?b
J J J J

19
A &b

T Vb .
? J n
B b J
22
.
A & b J
T V b n #
? b # . .
B
n
J
.
25 . w
A &b J
. w
T Vb
? b . w
B
J
Fugue a 3 in F-Minor (F. 31)
Wilhelm Friedemann Bach (1710-1784)

Descant Recorder

Treble Recorder

Bass Recorder

18

27

37

46

55

65

75

84

3

93

102

112

122

131

4
140

149

158

167

176

5

185

194

Adagi o an d Past oral e
From the Christmas Concerto (Opus 6, no. 8)
Arranged for ATB Recorders by R. D. Tennent Arcangelo Corelli (16531713)

`
Adagio
2
G2 S

A
?
2

G2 S

( ( - -
-
T
I
8
22S
B

2
6
`

4
`
G2 ?

? - - -

2 `

2 ( ` ( Z ( ( 8 (
G - Z 8 - - - (

I
8
22 6 <

>
d d ` ` `
2 `
8
`
G2

- - -
d d `
p`
2 `
G2 ( (

p
I
8
22

> ? -
p

12
2
Largo
( ( (
G2 12 -

,
8 - - - - - - - - -

22 12 ( ( (
G 8 ( (
,
- - -
- - - -
I `
22 12 ` ` `
` ` `
8
8 > ` ` `
` ` ` ` ` `
2 -
16
G2 ( ( -
,
- >
2 ` `

G2 6 ( ( -
-

,
- - - - - > > -

` `

I 2 ` ` ` ( ( ( (

2 ( `
8
` > -


` `

20
2 `
G2 - - > - - -
- > - > > - -
` ` `
G2
2 > - ( > - ` - 6 ( (
`
- > - - > > >
I ` ` ` ` 6 ` ` `
2 -
(
2
8
- - - -
2 1 1 1 ` ` ` ` 2` `
24 1
G2 ( > - - - > - - - -
`
> -
` `
-
2 `
G2 ( > ( ( ` ` > - ` ` ` ` ` ` `

- - > -

- - - > - >
I ` ` ` ` `
22 ` ` ( ` ` ` ` > ( ` ` ` 6` 6`
8
` , `
` ` ` " " " `
2
30
G 2 ` > - - > - > - > - > - - > - - > - - > -
` ` ` ` 2
2
2
G 2 ` `
> - ( > - > - > - > - > - - > - - > -
` > -
`
I 2 ` ` 6 4 ` ` ` `
2 > - ( - ( ( - ` > -
8
> - (> - (> -

35
2 ` ` P` ` P`< ` ` ` ` ` ` ` `
2
G - > > > - > -
- -

p p
2
f f
P` P`<
G2 ( ` `
>
` ( ` > ` ` ` > ( ` ` ` > (
f - - p f
P` P`< 4
p
I 22 ( ` ` ` ( ` > ( 6
( ( ( (
8
> > - - - - ( > -

p f p
f

40
2 6`
` ` ` ` ` 6` , ( ` ( ` ( `
G2 > - - - -
- - - > >
2 Z 4
` ` > 4 ` 6` ` > ( `
` 4` ` ` ( ` (
G 2 `

- - - - > (
I 2 ` ` `
2 4 ( - ( > ( 6` 4` - ( ^ ` `
8
` ` - ` ` (
2

45
2 ` ` 6 ` 6` `

G 2 - ( (
,
- - - - - - -
- - -
2 ` ` 4` `
G 2 ` 4` ( (
,
> - - - - - - - -
I 2 ` -
` ` ` ` ` `
2 ` ` ` `
8
> - ` > `
, ` ` ` ` `
2
50
G 2 ( ( (
- - -
22

G ( ( ( 6 ( ( -
,
-
- - - -
I 2 ` ` ` ( (
( (
2 `
8
` ` > - (
` ` `

54
2
- `
- - -

G2 > -
- >
> - -
>
` -
` 6
2 ` ` ` `
G2 - > - (> - - > - > - - (

> > - - > - >
` ` `
I ` ` - 6 - ( ` > - - -
2

2 ` -
8
- -

59
2 ` ` ff ` ` `
2 ( `
(
`
`
G

` `
f
2
G2 -

-
( -
`
- >

- ` > - > - > - -
-
p` `
pp
I 22 - - ` (
- - ( ` -
8
- - > > > - > - (

p pp
2 F`F` ` P<`
63
G2 ` ` ` ` ` ` ` ` ` > ( ` `> ` `> >

p pp
2 ` FF`` ` P`<
G2 > - - - - - -
- - - - ` ` ` > ( ` `> ` `> F >
f pp
( ( ` ` P
p
I
8
22 ` ( ( ( ( ` `> ` `> ` `> `<
> - - -
-
p
` > (
f pp
3
Allegretto (Mvt. 1) from a Sonata a Tre for 'Cello
(difficult obligato) and Violin Francesco Zappa (1760- 1788)
Allegretto

1
Descant Recorder

p
Tenor Recorder

p

Bass Recorder

p
5

p

3 f p 6 6
3

f p
9

f

6 3 3 f

f

13

p
f

p f

p f
2

17

p

p

21

6

6

6 6

25

f

f p

f p
30

34

f

f
3

37

p p

p pp

p pp
41

cresc. p pp

f

cresc. f p pp

cresc. f p pp
46

p

p

p
51

3 6

3 3

f p

f p

55

6
6

6

59

p f

f

f p f

f p f

64

p

p

p
69

73

p
f p

p

f p

p f p
78

f p

f p 6

f p
5
83

pp

pp

pp
88

f p f p pp

f p f p 6

f p f p pp
93

3

f p f p 3

f p f

f p f p

97

f

f

f

100

p

pp

p pp
6
104

cresc. f p

pp cresc. f p

cresc. f p
108

pp

pp

pp

Album Com 40 Arranos para Trio de Flautas Doce PDF

Hochgeladen von

Dokumentinformationen

Originaltitel

Copyright

Verfügbare Formate

Dieses Dokument teilen

Dokument teilen oder einbetten

Freigabeoptionen

Stufen Sie dieses Dokument als nützlich ein?

Sind diese Inhalte unangemessen?

Copyright:

Verfügbare Formate

Album Com 40 Arranos para Trio de Flautas Doce PDF

Hochgeladen von

Copyright:

Verfügbare Formate

Son at a i

Arranged for ATB recorders by R. D. Tennent William Boyce (17111779)

> ? p- > > ? - >

> ? > ? > ?

Arranged for ATB recorders by R. D. Tennent William Boyce (17111779)

4. Allegro ma non Troppo

Arranged for ATB recorders by R. D. Tennent William Boyce (17111779)

c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

Arranged for ATB recorders by R. D. Tennent William Boyce (17111779)

c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

> > > f

G` 7 7 < < 4 <

G < < < <

G > < <

Arranged for ATB recorders by R. D. Tennent William Boyce (17111779)

? @ . > > ? @ . >

> ? @ . ? @ . > >

> > ? @ . > >

Arranged for ATB recorders by R. D. Tennent William Boyce (17111779)

c R. D. Tennent 2009 Licensed under a Creative Commons AttributionShare Alike license.

> > > >

> ? > >

4. Tempo di Minuetto: Allegro

Canon at the 4th and 8ve below

Arcangelo Corelli (1653-1713)

Version 1.0 - 20/06/2006

Arranged for recorders

ARIA MIT VERSCHIEDENEN

Arranged for AAT/ATB Recorders by R. D. Tennent G. F. Handel (1685-1759)

Canon, No. 1 from 6 Trios for Organ Op. 47

Arranged by R. D. Tennent Arcangelo Corelli (16531713)

c R. D. Tennent 2007 Licensed under a Creative Commons AttributionShare Alike license.

> > > > > > > >

> > >

> > > > >

> > > > >

> - > - - ` - - > -

> - > - > - > - > -

> > > > -

> > >

> > > > >

> > > >

? - > ? > ? >

Sonata III published by Walsh and Hare, London 1720

from Corellis Opus 6, No. 1 (transposed from D major)

from Corellis Opus 6, No. 2

- > > > > > >

> > > > > > >

from Corellis Opus 6, No. 2

from Corellis Opus 6, No. 1 (transposed from D major)

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Joseph Bodin de Boismortier

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006

Les ditions Outremontaises, 2006