Beruflich Dokumente
Kultur Dokumente
Devin McDuffie
Kate Rosenberg
English 137
13 November 2016
The start of the 21st century brought about a variety of things: the iPhone, Bluetooth, and
even the first black president. One thing that has continued to stay the same is the idea of
within the African American community based on skin color. Historically, it was believed that,
even within the black community, many people preferred lighter skin colors to those of darker
tones. Not only that, but it can also be reversed in that darker skin tones were more favorable
towards certain things than those of a lighter skin tone. The general belief associated with
colorism is that light-skins are more desirable and beautiful. Colorism carries an assumption
that not only are light skinned people more attractive, but that they are also more intelligent,
trustworthy, and feminine. Meanwhile, stereotypes associated with colorism towards darker
skinned people include: having a longer stamina, sexual prowess, much more strength, and
masculinity. Because of these pre-conceived stereotypes from times before the emancipation
proclamation, when blacks were treated as nothing but garbage, colorism became a large, and
unconscious part of African American history. While in the past colorism was very prevalent, a
shift in attitude caused by the increased visibility of black figures has resulted in a much wider
Many beliefs that the African American community holds towards each others skin tones
began during the age of slavery. This was during the time when light-skinned, (mostly racially
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mixed slaves) were not only treated better than darker skinned slaves, but were given better
benefits as well. The biggest difference shown between these two skin colors were the labor
tasks. Many slaves that had lighten skin tended to work near or within the slave masters home.
They typically worked as chauffeurs, repairmen, cooks, and as housekeepers. On the other side,
their darker skinned counterparts were forced to have all of the more difficult tasks. Dark skin
males were seen to be exceptionally suited for doing much more strenuous labor. Darker slaves
were forced to work longer hours picking and harvesting on the plantation while the lighter
skinned would work typically half the amount of time (Jaynes). It soon became more and more
prevalent that light skinned slaves were given much better treatment, and soon, the very first
notion of colorism was seen. It became evident that dark-skinned people started to view light-
skinned blacks as nothing more than pawns by the whites, while light-skinned blacks viewed
those who were much darker than themselves as inferiors to whom they were unfortunately
bound by race and condition of servitude (Jaynes). While these stereotypes did not ring true for
every single slave, it was still a widely popular belief seen by both parties and by most other
Americans. There are two prime examples of black figures who may have had the same outcome
Solomon Northup, a Black-American farmer, musician, and labourer, was born on July
10th, 1807 in Minerva, New York. While his father, Mintus Northup, was born a slave, he
became a free man after his master's death and the will stated that all his slaves be freed. Most
importantly, it meant that once Solomon came into the world, he would be a free black (dark
skinned) man. For the first half of his life, Solomon worked on his fathers farm and ended up
taking care of it after his father passed. However, when Solomon was about 30, a series of
strange and unfortunate events happened to him. In 1841 Northup was approached by two white
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men who promised him work and riches if he went and worked for their traveling circus as a
band member. After catching the circus, Northup was drugged and beaten, waking up to find
himself in the middle of being sold to slave traders (Russell). He was than shipped to New
Orleans, where he was bought and forced to work for 12 years on different plantation fields
throughout the state of Louisiana. However, during all of his 12 years as a slave, he continuously
tried to convince the government that was born as a free slave. In the mid 1840s until the
signing of the emancipation proclamation, it was extremely rare to see free, dark skinned people
(Russell). Many of the dark-skinned Africans were still slaves who worked on plantation fields.
For this reason, it made escaping for Northup not only extremely difficult, but deadly as well. If
Northup were to have been caught and identified as a runaway slave, he would either be sold
back into slavery, or lynched. During his time as a slave, Northup was forced to endure long
hours in picking sugar in cotton on the plantation fields. Because of his darker-complexion and
the stereotype associated with the work ethics of darker skinned slaves, Solomon was often
passed around through Louisiana working back to back shifts doing hard labor (Cole). It wasnt
until 1852 when he met Canadian carpenter, that Northup was finally able to taste a small
amount of freedom. The two of them set a plan in motion to send letters of help to a couple of
Northup's friends who lived in the New York. Within a year, Solomon was able to return to his
family and spent the last 10 years of his life living off of his Twelve Years a Slave: Narrative of
On the lighter skinned slave side, Ellen Craft proved that though it is still hard to escape
to freedom as a slave, the means at which to escape are somewhat less dangerous. Most slaves
must run away at night, where it is harder to be seen. Yet for Ellen Craft, it was much easier for
her to run away during the day because of her close complexion to a white man. Ellen Smith (her
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maiden name), was born to her Mulatto mother and slave owner. She had extremely similar
complexion to that of her fathers, therefore, while the darker-skinned children were forced to
work with their mothers outside on the plantation fields, Ellen spent most of her days inside
working as a housekeeper and playmate for her father's other children (Fuchs). At eleven years
of age, she was given to one of her half- sisters as a wedding gift who lived in Macon, Georgia,
where she met William Craft, a dark- skinned slave working on the same plantation field. The
couple was married in 1846 and soon after began plotting their escape up North towards
freedom. The couple left for Philadelphia on December 1848 and traveled by train and ferry
through most of the south-east states. The Crafts plan to escape to freedom was ingenious,
creative, bold, and workout with great detail. Because of Ellens very light complexion, she was
easily able to dress up like a white man. She posed as an invalid white male traveling her slave
up north to consult doctors. Ellen cut most of her hair off, dressed in very loose fitting male
garments, and wore glasses, all to hide the even slight possibility of her feminine physique. On
Christmas day that same year, the couple found their freedom, then quickly fled to England after
the Fugitive Slave Law act was passed in 1850. While both Northup and the Crafts found
freedom, it took the Crafts not only a considerably shorter time, but also it was easier for them
to escape because Ellen looked similar to a Caucasian. These are only two examples that show
how colorism was prevalent in the past, and that how these two black figures went through two
very different situations to achieve freedom. While colorism was first seen during the era of
When the Emancipation Proclamation was signed in 1893, many people thought that that
would be the end of not only slavery, but colorism as well. People believed that since every
African-American was free, self-hatred within the black community would be almost completely
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eradicated. However, once that fated day came in 1893, colorism still remained a very big part of
the African American community. In post slavery era, specially directly after the signing of the
emancipation proclamation, the black upper class throughout the southern states was comprised
mostly of light-skinned blacks that were the product of salve women and white wealthy slave
masters. Many of these light-skinned blacks had inherited a large sum of money from their
owners or inherited property from their fathers; others were educated leading up to when the
emancipation proclamation was signed. Since racism was still very prevalent, these upper-class
blacks formed their own elite social clubs in Atlanta and other parts of the south. Many of these
members of the elite black status tended to stay away from their middle-working class dark
skinned counterparts. One of the most evident forms of colorism was the creation of the blue
vein society. Admission to the Blue Vein society was based upon whether or not an applicants
skin color was light enough for the veins to be visible on the wrist. Another more common way
of determining applicants was through the paper bag test. In which a paper bag was held up to
a person to determine whether or not their complexion was lighter than the paper bag. If the
applicants complexion was lighter, than they would be admitted, if it wasnt, the rejected
applicant would be subjected to terrible amounts of hazing and harassment (Colorism). The
worst part about these societies was that it was entirely done within the black community and it
After the signing of the emancipation proclamation, the 20th century saw a shift in how
the African American community was beginning to see the true form of colorism. Due to an
unprecedented rise in racism, the NAACP was founded. While the NAACP focused primarily on
issues of racism in the south, it also strived to bring all skin tones of the African American
community together. With the help of prominent black leaders such as W.E.B DuBois and Ida
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Wells, the NAACP was able to create platforms the tackle legal issues with regards to people
who were subjected to violent and hateful acts of colorism. While the NAACP fought feverishly
to solve problems of segregation, colorism still fueled conflicts among many black leaders at the
time (Locke). The biggest fight between black leaders occurred between W.E.B DuBois and
Marcus Garvey. Garvey was the leader of his own black organization known as the Universal
Negro Improvement Organization. The organization attracted more than million people and
competed for a moment with the NAACP (Locke). Garvey constantly accused not just Dubois,
but the entire NAACP organization of practicing colorism. He was convinced that because of
Dubois lighter skinned complexion, he would always be in favor more towards those who would
At the time, many people believed that Dubois would be biased to not only people of
light complexions, but to white people as well. Case and point with Walter White, one of the
head leaders for the NAACP. Even though white was of African descent, his blue hair and blue
eyes raised a lot of concerning questions throughout the black community. Controversy of
colorism between the NAACP and Walter White became more evident as the 20th century
progressed. His colorism reflected through the periodicals he wrote which were published by the
NAACP: Crisis Magazine, which was the most important magazine of opinion for African
Americans. The magazine constantly only showed images of light-skinned actors and politicians
of the time. Between 1909 and 1944, not a single dark-skinned woman was placed anywhere in
the magazine (Locke). The idea behind Crisis was to refashion the way many people saw the
African American women, by showing well dressed, college-educated, black women. However,
And because of this, it was seen as portraying colorism. Unfortunately, as the 20th century
progressed and the issue of black oppression became more and more violent, the issue of
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colorism seemed to have almost been swept under the rug. Even when prominent black figures
such as Martine Luther King and Malcolm X tried to speak on the issue of colorism, it was
overshadowed by segregation and racism throughout America. As the 20th century came to an
Through the first few years of the new millennium, it seemed as though colorism was
never going to be brought up again. There was a monumental shift in where focus was going not
just for the black community, but for everyone in America. After 9/11, the war on terror was and
still remains a top priority in the United States. However, a new shift occurred within the black
communitys view on colorism in 2008. The election of a black president became a monumental
triumph for how colorism would be seen in 2016. A lot of disputes that came from Obama being
elected president was whether or not the outcome would have been the same if he was darker
skinned. Barack Obama continuously argued for the ending of this social injustice within the
black community. It is easy to see that, because the most powerful political position in the world
was help by a black man, every issue that he covered during his presidency was casted upon by a
spotlight, including colorism. It wasnt just Obama during recent years that has spoken out about
this issue. With music, easily being the most popular form of entertainment, it is no wonder why
a large number of black musicians have spoken out about colorism. Platinum recording artist-
rapper J. Cole stated in an interview with BET in 2013, that he wouldnt be where he is today if
it wasnt for the fact that he was light-skinned. Other artists such as Alicia Keys and Kendrick
Lamar have also spoken about colorism. They have both released albums entitled Here and To
Pimp a Butterfly (respectively). Both albums feature songs that highlight the long and ongoing
The idea of colorism first came around during the 1800s when slavery reached its
climax. After the rise of prominent black figures during the era of slavery such as Solomon
Northup and Ellen Craft, colorism was almost seemingly swept under the rug due to ongoing
issues of racism in America. After slavery ended due to the signing of the emancipation
proclamation, colorism reached a new prospective. Figures such as W.E.B Dubois and Marcus
Garvey advocated on different sides of this social injustice. Even during the 1960s, when
prominent black figures such as Malcolm X, Martin Luther King, and Rosa Parks, did not seem
to help fight the cause. The rise of black figures not only in the 21st century, but throughout
history as a whole, has allowed colorism to emerge as one of the leading ongoing social
Works Cited
Cane, Clay. J. Cole: I Might Not Be as Successful If I Had Dark Skin. BET.com N.p., 22 Aug.
Fuchs, Sabrina. "Craft, Ellen and William." Encyclopedia of African-American Culture and
History, edited by Colin A. Palmer, 2nd ed., vol. 2, Macmillan Reference USA, 2006, pp.
url=http://go.galegroup.com/ps/i.do?p=GVRL&sw=w&u=psucic&v=2.1&id=GALE
2016.
Locke, Mamie E. "NAACP." Encyclopedia of Race and Racism, edited by Patrick L. Mason, 2nd
ed., vol. 3, Macmillan Reference USA, 2013, pp. 169-179. Gale Virtual Reference
Library, ezaccess.libraries.psu.edu/login?url=http://go.galegroup.com/ps/i.do?
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History, edited by Colin A. Palmer, 2nd ed., vol. 4, Macmillan Reference USA, 2006, pp.
url=http://go.galegroup.com/ps/i.do?p=GVRL&sw=w&u=psucic&v=2.1&id=GALE
%7CCX3444700950&it=r&asid=5c630861a900719e144296c43c94e1b0. Accessed 6
Nov. 2016.