Beruflich Dokumente
Kultur Dokumente
POWERFUL MARKSMAN
AIR PISTOL
Mad, Mar. 1655Vol. 1 No. 21. Published Monthly by Educational Comics. Inc.. at 22,r> Lafayette St., New York 12. N. Y. William M. Galnes,
Manatrtn,; Editor. Harvey Kurtzman. Editor. Marie Sevcrin. Color Editor. Entered as second-class matter at the Post O ce at New York. N. Y. Sub-
scription 8 issues for $1 in the U. S. Elsewhere. $1.25. Entire contents Copyrighted 1954 by Educational Comics. Inc. On olicited manu crlpta wll.
not be returned unless accompanied by stamped return envelope. No similarity between anv of the characters, names or persons appearing In this
mgTine *'"> W of those living or dead U Intended, and any such similarity Is purely coincidental. Printed In l'.S.J_
NEWSPAPBR CARTOON DEPT.l ONE THING THAT GETS US ABOUT THE CARTOON WORLD IS...YOU HAVE THESE STRONG
GUYS.'... NO MATTER WHAT HAPPENS ...NO MATTER HOW BAD THINGS ARE... NO MATTER WHAT...WHO...HOW...WHO...WHO...
HOW...HA...WHO...HA-WHO...WHO-HA...THES GUYS WIND UP 8BNG THE STRONGEST/... LIKE FORINSTANCE...TAKE THIS GUY...
NOW, POOPEYE, PONT GET EXCITEP/
&A&BS CRY FOR SIMPLE REA50NS...UKE
WHEN THEY'RE TEETHING...THE TEEL"H
PUSHING THROUGH IRRITATE THEM/...
POOR 'ITTLE SWEE'BACK 15 O O CRYING
CAUSE GUMS HURT... 'CAUSE TOOTH I S
COMING OUT?
1..PAT'S WIGHT, AUNT
MAZOlA.' I YAM CRYING
CAUSE TOOTH YAM
COMING OUT.'... WAY,
WAY OUT/... WAY WAY
WAY OUT... INTO
HAN P.'
THAT'LL f IF THERE'S ANYTHING X I 5UPP05E YOU COME TO SET WHO HEH HEM .' LITTLE POES ME KNovv
TEACH CAN'T STANP, IT'S TO SEE HIT ME, YOUR MAMMY, EH 5 0 N ? THAT THE ONE WlTM THE SAIL OS
YOU NOT ANYONE PUSH SOMEONE ...WELL THERE'S THE ONE WHO HAT 15 IN REALITY MAMMY/...
TO MIT WEAKER THAN THEM- HIT ME... THE ONE WITH THE ey GEORGE... I'VE ALWAYS
5WEE'0ACK SELVES AROUNP.' SAILOR HAT.'...GO 61VE THAT SUSPECTEP WE LOOKEP A L I K E /
AGAIN.' POOPEYE A S C O P SHOT IN
THE HEAP. UH-OH/.
THINK X YAM
AGAIN HEARING
SWEE'SACK
CRYING IN THE
BACKGROUNP.'
V
5WEE BACK.' MADAMS. TAKE YOUR ...BY GEORGE IT'S \
SWEE'BACK/ COTTON PICKIN' HANDS FANTASTIC HOW THE
WHAT HAPPEN EP OF FEN MY DIAPER.' MINUTE THESE CHARAC-
THIS TIME 7 TERS GET INTO A COmC
BOOK, THEY START
ACTING IN BAP
TASTE
BUT I YAM \ ... ANP S O , ONCE MORE, BECAUSE X 1 A H YES...THE O L P MAN ON THE FAR-FAR RIGHT..
"OLP M A N " BEING IN THE BRITISH VERNACULAR
NOT CRYING BELIEVE IN AN EYE FOR AN EYE... A
CAUSE flAPER KISSER FOR A K/SSER...ANP SUCH A S "OLP BOY'.."OLP CHAP," ETC... NOT-
PIN IS STICK- MAINLY "CAUSE OLP PEOPLE ARE NECECERRILY CONNOTING "OLP" IN THE PIREC]
ING ME.' X EASIEST TO FIGHT... I ATTACK.' SENSE...
YAM CRYING
CAUSE THAT /
OLP MAN
RIGHT
... THE JUNGLE- LORP... SENSING A CHALLENGE IN THE
TWO-LEGGEP NGANI, IMMEPIATELY A S S U M E S
THE DEFENSIVE STANCE... UTTERJNG THE
LOW WARNING GROWL OF NGAMBO, THE BIG
BULL-APE
^ ^ : -
WMW,
\>
ANP NOW... THE APE-MAN STALKS ...SUPPENLY, THE JUNGLE LORP ...FOR MELVIN OF THE APES HAS
HIS PREY, MUCH LIKE. NGOWA LEAPS... HIS SINEWY ARMS CLOSING A SICKENING HABIT OF CRACK-
THE LION O R NGALLA THE ELK LIKE STEEJ. BANPS... MUSCLES ING HIS KNUCKLES ALL THE TIME{
O R MAYBE NGOOMBA T H E TENSING, STRAINING, BUL6lNG,TILL ...THEN WITH HIS KNUCKLES AUS-
KNIGHT O F PYTHIAS. A LOUP "CRACK" 15 HEARP... GECRACKEP...BACK TO THE ATTACK.
THE NGANI SAILOR-MAN IS NO MATCH FOR T H E FOR NOW IT 15 NGMELVIN THE BULL-APE GIVING THE
STEEL SINEWEP JUNGLE LORP WHO.-WITH THE I N - I BLOOP CURPLING CRY OF VICTORY BEFORE THE FEAST'
STINCTS OF THE JUNGLE IN HIS BLOOP-.STANPS ... EYES GLEAMING, FANGS 0AREP, THE APE-MAN CROU-
PANTING OVER HIS PREY. FOR NOW THAT THE CHES TO FEAST ANP SO, HE EATS HIS SWISS CHEESE ON
PREY HAS BEEN CAPTUREP... IT IS TIME TO ft AST.' WHITE BREAP SANPWICH THAT JANE HAS WRAPPEP FOR HIM_,
SPINACH.' %OOH..?lf*PiHACrt
... HERE, POOPEYE.'..
PLATE OF SPINACH
PIZZA-PIE WITH
PARMESAN
ANP GROUNP-
G.LASS GRJT.'
rfj^fe
PLEASE PON'T THAT'LL TEACH OH,POOPYE... BOY..AM ...SWEE'BACK/...YOU STRUCK M E . ' . . .
HIT ME ANY MORE... YOU NOT TO FOR THE WAY I EVER. WHAT POES THIS MEAN, KICKING ME IN
P-PLEASE PON'T HIT SWEE'BACK/ you HAVE PISGUSTEP/ THE BACK/... YOU HAVE HURT ME PEEPLX.
HIT ME.'... I'LL SET ...YOU ANP NOT THE FLESH, BUT THE SOUL... ES-
FOUGHT FOR ME
OUT OF HERE YOUR PECIALLY SINCE I CARRY A RARE HIP-
... FOR THE WAY . FLASK IN MY BACK POCKET / . . . I WARN
FASTER THAN A FURSHLUG -
yOU HAVE PRO- * YOU ...PON'T KICK ME IN THE
SP6EP1NG BULLET/... GINER.
I'LL LEAP OVER THE TECTEPME...ICAN BACK AGAIN.'
SPINACH/
BUILPING AT A ONLY EXPRESS MY I GUESS
SINGLE SOUNP.' FEELINGS TOWARPS I'LL HAVE
I'LL BOUNCE OUT yOU WITH ONE TO TAKE S*&
O F HERE LIKE AFFECTIONATE CARE OF
FOTRZEBl.'_ EXPRESSION, ONE W\
AFFECTIONATE you
(d WORP WHICH IS... , MYSELF/
B ' ...SOMBHHUHT!
*"
s* e
BOy, IT'S A LUCKY THING FOR FIRST O F ALL... CALL J ...SECONP OF ALL...THOSE
yOU, SWEE'BACK, THAT YOU'RE ME MISTER. -^ OTHER CHARACTERS WEREN'T
LISTENING TO MY WARNING SWEE'BACK/... I ' M HITTING ME AT A L L / . . . I WAS
ANP NOT KICKING ME IN THE NOT REALLY AN INFANT, JUST TRYING TO TRICK
BACK.' IT'S A LUCKY THING I'M A MIDGET (AS YOU INTO SETTING A
FOR YOU yOU'RE KICKING ME IF AN INFANT COULP BEATING FROM ONE OF
IN THE SHINS. BOY/ HAVE SUCH A THEM SUPPOSEPLY
PEVELOPEP INVINCIBLE BUMS/...
HERE, POOPEYE.' VOCABULARY;.' HA/... I HOPE THEY
X THINK YOU'LL GET FIREP WHEN
NEEP THIS LAST THEY GO BACK
BIT OF SPINACH TO THEIR COMIC-
~A STRIPS.'
LEFT IN THE
REFRIGERATOR/
\\l
r."^ ,%V
V7 / V,
SCIENCE OEPT.: YOU EVER WATCH ONE O F THESE SPORTS NEWSREELS WHERE THEY'VE SPEP UP THE CAMERA TO SLOW
POWN THE ACTION ?L BY SEOR6E, THERE'S MORE GOES ON IN AN ACTION THAN MEETS THE EYE.'... U K E PORINSTANCE, LET U S
SHOW YOU WHAT HAPPENS TO A GOLF B A L L , BY GEORGE (THAT5 GEORGE POWN THERE;... WHEN THE GOLP CLUB STRIKES IT I N . .
H
( L t \ \ C' ERE IS AN ...FROM THE RIGHT, THE ...HERE THE POINT O P ...NOTE INTERESTING- ...NOTE HOW SI PE OF GOLF
W V f c r * ORPINARY GOLF CLUB APPROACHES CONTACT, WHERE CLUB PHENOMENON CAU6HTBY BAIL FLATTENS AN I N -
GOLF BALL ON A T E E . ' ON DOWNWARD S W I N G / TOUCHES SURFACE OF BAU. THE SLOW-MOTION CAMERA... 5TANT BEFORE LEAVING TEE/
_ STILL FLATTENING, BEND- ... FLATTENING, BENPING... ...BENPING, FLATTENING ...BENPING, LEAVING ...SOMEONE NAILED
ING THE CLUB AN INSTANT ANY MINUTE BALL I S BENPING... ABOUT TO BENPING-... THE BALL INTO THE
BEFORE LEAVING THE TEE... ABOUT TO LEAVE T E E . . . ANY MINUTE L E A V E . . . . . . HEY WHAT THE HECK... GROUND, BY GEORGE.'
T O THE NORMAL. UNAIPEP EYE . . . A N THE BALL THEN, APPEARS, TO YOUR NORMAL, UNAiPEI? M I S E R -
BOWLING: EXPERT BOWLER APPEARS MERELY T O ABLE BLOODSHOT EYE, TO SHOVE THE PINS EFFORTLESSLY INTO
PROJECT THE SPHEROIP IN THE PIRECTION OF THE TEN-PINS.' THE PIT... BUT WHAT REALLY HAPPENS... HOOO HOOQoo...
THE SLOW MOTION CAM- ...TURNING A CERTAIN SPE- ...THIS SPIN MAKING IT ...THEN THE CERTAIN ... AND IT HITS IN SUCH
ERA COMES TO OUR RES- ClAL SPIN >OU CAN ONLY REVOLVE- SO'S IT HITS THE SPECIAL WAY IT HITS MAKES A' SPECIAL WAY, IT
CUE/ THERE GOES THEBAU... NOTICE IN SLOW MOTION... MIDDLE PINS FIRST... IT TURN LEFT ANt? HIT... TURNS RIGHT A N D HITS..
SO YOU SEE, IT A C - O F COURSE, THE UNAIDEP BUT THANKS TOOURSLOW THERE YOU SEE ALL THE ...THANKS TO OUR SLOW-
TUALLY HITS IN THREE EYE SEES A L L T H I S MOTION CAMERA, HA HA... PINS COMING-TO REST IN MOTION CAMERA, WE NO-
DIRECTIONS AT ONCE.' ACTION A S A HAZY BLUR.' WE KNOW BETTER, EH? THE PIT ANt?... UH O H . . . TICE ONE PIN STANDING/
HOWEVER, YOU WILL NO- ... IN SUCH A CERTAIN ... STRIKING THE R E - AND NOW EVERYTHlNXy NEEPLESS TO SAtf THE
TICE BALL IS STILL SPECIAL SPIN ENABLING MAINING PIN A N P S P I N - HAS BEEN STRUCK UNAIPEP EYE SEES A L L
SPINNING IN THE PIT... IT TO LEAP FROM PIT... NIING BACK INTO THE PIT.' POWN INTO THE P I T / THIS AS A H A Z y B L U R /
A f l l l A D I A Ulkl. TO THE WE SEE HIM SAIL THROUGH THE AIR. ...OBSERVEP THIS MERELY WITH THE
A l f l / M r L A H I N v NAKED EYE, ANP DISAPPEAR. FOR AN INSTANT IN A NAKED EYE... ALL WE HAVE TO SAY TO
THE AQUAPLANE EXPERT DOESN'T DO MUCH! SPLASH.LYOU WHO HAVE OBSERVE? THI5... YOU IS... SHAME ON YOU.'... GO GET DRESSED/
-^i.
THE MASIC SLOW MOTION FROM THE LEFT, OUR POINT OF CONTACT... NOTE NOTE HOW MOMENTUM NOTE HOW PEEP THE
CAMERA REVEALS THE AQUAPLANER DESCENDS SPLASH BEGINNING TO, ACTUALLY FORCES BODY MOMENTUM FORCES
TTRUTH
O U T U ^OF
C TUG
THE<SITUATION.'
S I T I I A T I O I J ' TTOWARDS
O w a e n C T THE
v i c WWATER.'
ATPP ' I?I^F
RISE FSOM
FROM -^i lePAr.P ' INTO
SURFACE.' INTO TUP
THE W ATF '
WATER BODY INTO THF WATER'
NOTE IN FACT HOW THE NATURALLY... ALL THIS ...I MEAN, IT MAY LOOK ...ACTUALLY, THE BOPY ...THIS IS ACTUALLY
BODY GOES COMPLETE- HAPPENS SO FAST THE SLOW rN SLOW MOTION... TAKES A FRACTION OF ALL HAPPENING IN A
If UNDER WATER... NORMAL EYE MISSES IT.' ACTUALLY IT'S FAST/ A SECONPTO BOB UP! FRACTION OFASECONP...
PON'T FORGET...THIS IS ...AND ANY SECOND; THE ...ANY SECOND, TO THE ..WELL BY GEORGE... THE
ACTUALLY A SLOW BODY WILL COME TO SURFACE WILL ACTUALLY HOW DO YOU LIKE BOAT BY MISTAKE WENT
MOTION PICTURE... THE SURFACE ACTUALLY.. THE BOPY COME... THAT?... TSK TSKTSK.' INTO THE SHALLOWS/
R A Y l W r TO THE NORMAL EYE, TO THE NORMAL EYE, A JAB MAY LOOK ...HOWEVER.... IF >OU GOT SUCH A BLOW
P v A l l W BOXING IS NEVER EXCITING WEAK/... TO THE NORMAL EYE, A BLOW TO YOUR. NORMAL EYE, BOY WOULD
UKE WRESTLING OR ROLLER PERBIES/ MAY LOOK HARMLESS/ YOU BE FARSHIMMELT...
OF CU5S, THE MA&C SLOW- HERE THE SEEMINGLY ... HERE WE SEE THE -. BEING A 'RIGHT CROSS," ... NOTE HOW THE
MOTION CAMERA SHOWS SHORT JAB MAKES GLOVE BEGINNING TO HERE WE SEE THE FACE FACE COMPRESSES TO
YOU WO HOPPEN/ CONTACT WITH THE FACE/ SINK INTO THE RESH.' BEING PULLEt? TO THE LEFT.' HALF ITS WIPTH /
/*. U^^Ife-
Br I W "' a X
AS* t -*r a *
-2vr
m u( ^
'&-J n
... HERE THE GLOVE ...NOTE THE POPPIH& ...NOTE THAT THE HEAP ...NOTE THE MOUTHPIECE ...NOTE HOW SOME TEETH
LEAVES THE FACE IN ITS SOUNP WITH WHICH THE IS STILL SPINNING EMERGING FROM. THE FOLLOW THE MOUTHPIECE
LEFTWARP JOURNEY/ FACE RESUMES ITS SHAPE! FROM THE BLOW/ FORCE OF THE BLOW/ IN QUICK SUCCESSION/
M' ti^
^ d gF
Q*m
jfg^? *J* i ^^Hl
r\\"' f| ?.,
wysTyS^ * 1
mm^M
^^Sk t \
L^-- /"
Cf PIM xKt'V i
i
... ANP NOW WATCH HOW ...NOTE HOW THE LEFT
vS
...NOTE THE HEAR STILL ...SMASHES ACCIDENTALLY ...ANP FINALLY NOTE
THE KNOCKOUT REALLY ARM IS ACCIDENTALLY TURNING FROM THE INTO THE UPRAISEP HOW THE AIR IS RLLEP
COMES ABOUT/ BEING RAISEP IN PEFENSE! FORCE OF THE BLOW... GLOVE, CAUSING KNOCKOUT.' WITH REMAINING TEETH /
V\ (ffi^yjm.
it IBy/
fehK&
1
THE FURSHLUG6INER. ...HERE,AFTERPESCENPIN^, ...THIS PARTICULAR. ...HERE, SKIER, B E - ...HERE SKIER REACHES
SLOW-MOTION CAMERA OUR SKIER MAKES 5K1ER HAS MAPE VERy CAUSE OF FAULT/ LANP- APEX OF FIRST BOUNCE
HAS ALL THE ANSWERS' CONTACT WITH GROUNP... FAULTy LANDING/ \H&, LEAVES GROUND?/ ANP15 REApy TO PESCENP.'
<****jf^ ^A. I I fw
Q , (?Wjf ^ \k
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s s
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ASK
..HERE SKIER PESCENPS.' ...HERE SKIER CONTACTS -NOTE HOW BOW ...HERE SKIER BOUNCES ...NOTE REMARKABLE BIAS-
...NOTE SKIS COMPLETE- GROUNP AGAIN. THIS FLATTENS FROM FORCE UP FROM GROUNP FOR TICITXAS SKIER RISES
Ly OUT O F LINE.' TIME WITH BOW/.' TO HALF ITS PEPTH/ THE SECONP TIME.' OUT OF CAMERA RANSE /
...NOTE FOR MOMENT WHILE ...NOTE SKIER PESCENPS ...NOTE HEAP ABOUT ...NOTE FORCE WITH . NOW NOTE SEPARATE
SWFR 15 OUT OF PICTURE, INTO PICTURE AGAIN, THIS TO CONTACT GROUNP WHICH SNOW ANP ROCKS PARTS OF SKIER AS THEV
PEEP GOU&ES IN SNOW' TIME HEAP FIRST / WITH GREAT FORCE / ARE FLUNG FROM IMPACT.' BOUNCE UP FOR LAST TIME.'
4 C M / 1 A 1 1 1 I I M ^ NOW IN SWIMMING, WHEN THESE CHAMPIONS THE MAGIC YOU-KNOW- ...HERE THE'PlVER LEAVES
I F I f f l l f l l l l V ' JUMP OFF THE PIVING BOARP, WHAT NORMAL WHAT COMES TO OUR THE BOARP IN A PER-
HUMAN EYE CAN CATCH ALL THE GYRATIONS THEY CO IN ONEPIYE? <>*-*"<># RESCUE/ FECT "SWAN PIVE"/
...THEN HE SNAPS INTO ...THEN, HE SNAPS INTO ...THEN, HE SNAPS INTO ...THEN HE SNAPS INTO A ...THEN HE SNAPS INTO
AN INCOMPARABLE AN EXACT LEFT-'HANPEP A BEAUTIFULLY EXE- GORGEOUS"RIGHT-HANPEP A MAGNfFIQUE *GRAB-
"JACK-KNIFE..." "TWIST-ABOUT...* CUTEP "TUMBLE..." TWIST ABOUT {UP5IVe-P0WH)' FOOTEP FOLP-OVER..."
...THEN HE SNAPS INTO ...THEN HE 5NAPS INTO A ...AS HE APPROACHES ...SLOWLY TURNING IN ...STILL TURNING SO'S
A MARVEUEUX"GALLOP- VUNPEKBAR "FALL-POWN THE WATER, HE GRACE- AIR IN A PERFECTLY THAT HE CAN MEET
PING FALL-POWN..." PUA6-OUT:..ANP FINALLY.. FULLY UNFOLPS... EXECUTEP '5WAN PIVE." THE WATER HEAP-ON.'
NOTE THE FEARLESS ... NOTE THE POINT OI : ...NOTE HOW THE BODY . ...WELL WHAT PO YOU
OUTTHRUST POSITION OF- CONTACT... HOW THE POINT ACTUALLY COMPRESSES FOR KNOW/... NO WATER IN
THE PLUMMETING HEAP.' FLATTENS FROM INITIAL iMPACT.' AN INSTANTFROM THE FORCE' THE POOL, &Y GEORGE.1
CU7-Y0UR-OWN-THROAT PEPT.: AS OUR TINY REP EYES ROVE O'ER THE PILES OF DUSTY MAGAZINES IN OUR DARK LITTLE
OFFICE, WE SUDDENLY REALIZE THAT WE'VE JABBED OUR POISONED PEN INTO EVERY PHASE OF COMIC BOOKS EXCEPT MAYBE
LITTLE ODDS AND ENDS I IKE ...TRADE - M A R K S . . . COPYRIGHT STATEMENTS... AND COMIC BOOK ADS .'...SAY... HOW'S ABOUT THEM.
WHAT TYPE COMIC BOOK ...OR MAYBE YOU'RE THE ...OR MAYBE X2U'RETHE ...THEN MAYBE, >OU'RE THE
A D READER ARE YOU? ARE NAUSEATING- TYPE WHO MISERABLE TYPE LIKE ALL WORST TYPE OF ALL WHO
YOU THE FREELOAPERTYPE SENDS AWAY FOR THINGS, THE REST Of US. ATTRACTFC FILLS OUT THE COOPOH IN THE
WHO SENDS AWAY FOR ALL MARKED'HOW TO BE POPULAR BY THE PAGE THAT SAYS FRONT O F THE BOOK FOR
THINGS MARKEP "FREE 7 .!MQH TO BE LUCKY <N LOVE". ON TOP; 'AiAKE Motiey.'" A SUBSCRIPTION TO MAP!
ANYHOW... LET'S TAKE A LOOK AT THESE TYPICAL-TYPE CCmiC BOOK ADS.' FORINSTANCE, MOW'S ABOUT THEM HYPNOTISM A P S , .
HYPNOTIZE
Want the thrill of imposing your will over someone? Of
making someone do exactly what you order? You do, do
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Note illustration. Contrary to what your miserable mind
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the boy. Notice the position of her eyes which play impor-
tant part in hypnotism. Also notice the position of her Send me book on H O W T O H Y P N O T I Z E , oh master.
hand behind back which also plays most important part for which I enclose $1.98.
in hypnotism mainly since hand is holding baseball bat! If not delighted, you will send my money back although
To get your copy of our system of hypnotism, listen care- I guess you will be delighted with my money
fully and concentrate . . . concentrate . . . you are getting
sleepy sleepy . . concentrate . . . go to your mother's
pocket-book you will take out 51 8 . . , $1.98 . . . Namt
concentrate \ou will put it in an envelope with th
coupon . WITH THE COUPON . . concentrate . . .
you will go out and mail it and then you "ill a k e up and Alias
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. %
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car. He can shoplift GETS LOST IN
too. He amazes his THE MAILS.
friends!"
CIFT . _ mm
ANDTHEN...DOWN DEEP INSIDE YOU... H E SITS STIFFLY, READING HIS PAPER, NOT LOOKING AT YOU, NOT
YOU FEEL THE CHILL...THE COLD CHILL NOTICING YOU. BUT YOU'VE SEEN HIM, CARL.' YOU'VE SEEN H\S FACE...
...THE CHILL OF DEATH. YOU STARE THE ONE YOU KNEW SOMEDAY YOU'D SEE AGAIN ...THE FACE YOU'VE BEEN
AT THE PAPER ON YOUR LAP,UNABLE AFRAID TO SEE FOR TEN LONG / 4 > W . YOUR MOUTH TWITCHES. YOUR
TO RAISE YOUR EYES...AFRAID TO SEE HANDS OPEN AND CLOSE, WET WITH PERSPIRATION...
WHAT YOU KNOW IS THERE. BUT,
AFTER A FEW TERRORIZED MOMENTS,
YOU CAN'T STAND IT? YOU DO LOOK
UP.' AND YOU A?jfHIM ...
Y E S . T H A T ' S HOW IT WAS. EVERY DAY, WE GALLANTLY FOUGHT'A GALLANT ENEMY... WITHOUT REALLY
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II
THA55 JOEY.' J
A l U TIME OOIM' 1
TMIM65 THE HAttD ,
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THIS PUNK WAS TRYIN'
TO SHORT HAN<5B MB Op J THANKS
SOME LONGSHOREMAN
RSCEIPTS.' THROW H/M
UNDER A TRAIN/
HIYA/EPI6/J JUSTCOMB 6ET OUT OF HERB WASSAMATTA? J IT'S NOT W H I N VOU^
fROM THE POCKS AH'y YOU BUM/ WHAT OPENED THE DOOR OPENED THE DOOR...
I THINK I'Ll RAT OH WITHOUT KNOCKING IT'* HOW YOU
JOHN FRIENPIYAND MOWE YOU THINK - J OPENED THE DOOIt OPENED THE POOP/
WI5 CROOKED YOU'RE /W AHYHOW? AT THE WRONG- JU*T CAUSE IT'S A ^
UNION/ AIN'T YOU GOT TIME?
VIOLENT MOVIE
ANY MANNERS? YOU HADDA OPEN IT
IS THIS THE WAY HING-ES AND
TO coMe INTO EVERYTHING?
A UOUSBT
r*e*
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TCRIW^O'
IT'S JOHN FRIENDLY/
WELL I'M GETTIN'SICJC TERRY/
AM' T1R6P OP SEE/N' CAN'T YOU 7 LISTEN SEE TERRY...
HIM PUSH BOYS OFF R E A L I Z E D TO THE THEY'RE IN THAT r
THE ROOF.' J M i THEY'RE T0ACK^ROUND TRUCK/THEY'RE / T H E Y
<?OIN^ TO R U N y r A M Y DO
a>M6 Gom&ro \ MUSIC! US DOWN/jfr THAT/ TMK
u Y o u r i , ^ ^ ^ & A ONE-
WAY STREET!
V W A / T H E I R S T R A T E S Y ^ F O R YOU *EE...
WAS MOT TO THROW A*E THIS IS ^
UNDER THE TRUCK, BUT MERELY A
TO THROW M E INTO PAIHTIH&
> DOORWAY. OF A
QUICK/ INTO DOORWAY/
THIS OPEN
DOORWAY/
I
1
"Un ^W WHAT AM LISTEN HOW T LOOK HE* PUNCHMfr
TH0 TTM;
THS BACKGKOUMP) HOW ClOCtc/
HMS\C l _ > ; EVERYTHING
glASTWfr/ J f y |$ FALLING ST*
J O PIECES PUHCH-
A8r>
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Animals, Live Fun Makers
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Artist Supplies
Ash Trays
Astrology
Astronomy
!SS Rackets
Atomic Scions* piles Radio Items
Items Raaore. Ctc.
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Barometers
Baseball Items
asketball Items Rulers i. Rule*
I Ixper, Scientilic App.
Bead Looms i Repair Seeds, Plants
Beards is, Model Sewing Items
Sharpeners
Beer Novelties Shaving Goods
Its Models
:kers
Ring Indoor Gar Signs, Supplies
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Insect Killers Skirt., Hula
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Jewelry Slid* Rules
Boxing Joke Novelties smokers' Items
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ug Klllera Key Chains Sneezing Items
Bugle* Kits, Hobby Soap Novelties
Buyers' Ouid Keys. Master Spiritualism
Calculators Sporting Goods
calls, Anlma Labels Stag Novelties
Cameras Lamps Sump Col. Itemi
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Camper. Item* Letters. r Sure-Winners
Caps.Tricks
Card Gun Lighters Surprise Packagl
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Cash Boxes IWil Iten
Chameleon, Liva Looms
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Tattooii .
Taxidermy
Charms
Chemistry ivrn Lucky Novelties Team Supplies
enaas Luminous Items Telegraph Seta
Magi. tic Iten
Mag
Na-eltie. Magaame T.I It.r,
Clock.. Watcft.. Magnifier
Clairvoyance
Code Maker
Coin Item.
Compasses
contest Winning
Cosmetics
Cowboy l l t m i Typewriters
mm
Crucifixss Vaults 4. Banks
Crystal Gating
Cry.UI Radios Vendors SEND Rush Coupon. Print Name * Address-
icte Builders Wallets
Drawing Items ncal Items Watchei JOHNSON SMITH & COMPANY
electric Eye nrrology Water COUPON
Electrical Goods Weird Articles Dept. 8 8 8 . Detroit 7, M i c h i g a n
Electro-Platers
and 10c
Opticalpood*
ng Tool* Or
I Wrestling Items TODAYI Please Send M e : . .Cafa/ogcJOe Each
Exercisers
Exploding Items
Fencing items Send
To
"MOST UNUSUAL CATALOG IN THI WORLD" !
Colliers, Coronet, New Yorker, Tide' '&'other I...IKII-
zines WTOte about this i n t e r e s t i n g catalog. More fun
than carnival, circus, world's f lir & science exhibit
all In one. SEND 10c AVITII rOl'R NAME & AD-
DRESS for YOUR COPY tot
Johnson Smith & Co., Dept, Detroit 7, Mich. I_T