Content: The learner demonstrates understanding of how Anglo-
American literature and other text types serve as means of enhancing the self; also how to use processing, assessing, summarizing information, word derivation and formation strategies, appropriate word order, punctuation marks and interjections to enable him/her to participate in a speech choir.
Performance: The learner actively participates in a speech choir through
using effective verbal and non-verbal strategies based on the following criteria: (1) use of voice, (2) creating a mood/ atmosphere, (3) conveying a message, understanding of the literary text, and (4) connection and collaboration skills.
Formation: The learner uses his/her communicative competence to
embody the Josephian virtue of empowering the self to have compassion, wisdom, and integrity.
ESSENTIAL QUESTIONS
1. Why read Anglo-American literature?
2. What makes an effective speech performance? 3. How can one enhance the self through Anglo-American literature?
COURSE OUTLINE
I. The Beginnings of English Literature: The Old English Period
A. The Story of Beowulf 1. Features, structure, and characteristics of an epic poem 2. Values conveyed in an epic poem Grammar Integration: The Complete Sentence B. Elegiac Lyrics of the Pagan Age: The Ruined City 1. Imagery 2. Production of Beat and Rhythm to express the Mood Vocabulary: Using Idiomatic Expressions C. The Contribution of the Knight and the Priest to Early English Literature 1. The Code of Chivalry 2. The History of Caedmon Grammar Integration: Avoiding Sentence Errors a. Fragments b. Run-Ons c. Comma Splices II. The Middle English Period A. The Contribution of the Common People to the Middle Ages 1. Characteristics of the Three English Ballads a. Lord Randal b. Bonny Barbara Allan c. Get Up and Bar the Door 2. Use of Prosodic Features of Speech in Poems of the Middle Period a. Production of Beat and Rhythm b. Use of Pitch, Juncture, Stress, Intonation, Rate of Speech, Volume and Projection c. Use of Gestures and other Speech Conventions (Introduction of the Performance Task) B. Thomas Malory - The Death of Arthur (Arthurian Romance) 1. Knights of the Round Table and other characters 2. Historical and Legendary Arthur Grammar integration: Subject-Verb Agreement Using the Simple Past, Past Progressive and Perfect Tenses of the Verb C. Geoffrey Chaucer - The Canterbury Tales 1. The Prologue 2. The Knight 3. The Pardoner's Tale 4. The Friars Tale 5. The Summoners Tale 6. The Prioress Tale
III. The Renaissance Period: William Shakespeare
A. The New Poetry 1. Songs a. Who Is Sylvia? b. Blow, Blow, Thou Winter Wind 2. Sonnets a. Sonnet XVII b. Sonnet XXIX c. Sonnet CXVI Grammar Integration: Word and Phrase (Prepositional and Participial) Modifiers B. The Plays 1. Romeo and Juliet 2. Hamlet 3. The Merchant of Venice Grammar Integration: Subject-Verb Agreement Using the Present Tense of the Verb
REFERENCES: Lapid and Serrano. ECAS 9 (required textbook in