Beruflich Dokumente
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Publishing Director:
Bruno Mugnai
Art Directors:
Sonia Zanat; Silvia Orso
Redational:
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Collaborators:
Chun L. Wang;Andrs K. Molnr; Ciro Paoletti; Riccardo Caimmi; Massimo
Predonzani
***
Scientific Committe:
John Gooch; Peter H. Wilson; Bruce Vandervort; Frederick C. Schneid; Tth
Ferenc; Chris Stockings; Guilherme d'Andrea Frota; Krisztof Kubiak; Jean
Nicolas Corvisier
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Contents:
Articles:
The Venetian Army and Navy in the Holy League War, 1684-99(part one)
Bruno Mugnai
Red Grenadiers and red Chasseurs: The Life Guard of the Princedom of Lucca
and Piombino, 1806-1814
Bruno Mugnai
Rubrics:
Books Review
Editorial
Dear Reader, dear Friend:
with the number 'zero' begins a new adventure for the divulging of uniformology and
military history. The idea of making available to the public of enthusiasts an agile and
easily accessible instrument was for some time in my mind, thanks to the many tools
that modern technology provides us, and this could be due to lucky meeting with
other scholars and enthusiasts, known in the vast and unexplored world of the
Internet. History & Uniforms has the ambition to become an instrument 'in progress',
able to accommodate new contributions, increasing the arguments with the flexibility
allowed by the electronic devices. As someone may have noticed, the main edition is
in English, though at least half of the subjects are of Italian themes. In fact, the idea
to make the magazine an international instrument is the other great ambition of this
initiative, which received the support of a scientific committee comprising specialists
from all over the world. My special greeting is directed to them.
Bruno Mugnai
#HISTORY&UNIFORMS
Periodization and concept of Ancient Era and Middle Age in Chinese History
Under several aspect is not possible to use a unique criteria for framing Chinese ancient era
and Middle Age, with the periodization used for the Western history. Historical reasons and
1
From 1949 to 1979, the writing of history in China became more directly subordinate to politics
than it had been in Imperial China. However, the past was no longer regarded as a mirror for the
present, but as the night at the end of which, following liberation in 1949: a new era had
dawned. What happened during the course of the long night of Chinese feudal history and even
during the pre-class age, was analysed in Marxist-Maoist terms. All other forms of historical
studies were proscribed and the research limited to a few topics: peasant rebellions; formation of
the Han nation; landholding systems of feudal China; capitalist sprouts in Ming and Qing ages.
2
There are some signs that new cross border and cross cultural comparisons are now being made,
even though many Chinese and not Chinese authors still have predilection to regard history
principally as a means to glorify national pride.
3
Endymion Wilkinson: Chinese History. A Manual; revised and enlarge edition; Cambridge and
London, 2000.
4
Excavations have concentrated on ancient capital cities and their walls and palaces, Buddhist
temple, workshop, for example kilns and foundries; imperial mausoleums; more ordinary tombs
and on the artifacts from all of these.
5
The excavation here and elsewhere was interrupted by the government in 1957. There was also a
large interruption and much destruction during the Cultural Revolution (1966-72), which delayed
the excavations up to 30 years and archaeological studies suspended for several years.
6
Earliest sites of Neolithic culture was excavated near Nanzhuangtou village in Xushi, centre of the
culture of Peligang dated very close to 10,000 years ago. See in Kwang-Chih Chang, China in the
eve of the Historical Period, p. 44-45; in: The Cambridge History of Ancient China, Cambridge, 1999.
7
Charles F. W. Higham, Encyclopaedia of Ancient Asian Civilization; New York, 2004; p. 400.
8
The remains unearthed in the excavations in the villages in the district of Lintong, are another
typical examples of the Yangshao culture, See in Zhongmin Han-Delahaye Hubert, A Journey
Through Ancient China, Beijing, 1985, p.12-13
Liangzhu axe in jade, 3350-2500 BC. Recent discoveries reveal that sophisticated developments
were already under way in the Middle Neolithic across a much broader expanse of the Mainland.
From north to south, the host cultures were Hongshan in the western Manchurian Basin,
Dawenkou on the east coast, and Liangzhu in the Shanghai Delta region. Trends towards status
differentiation, craft specialization and public architecture are evident in these societies. These
trends continue in the Late Neolithic, but an insidious new addition at that time is violence,
especially in the Central Plain region.
The village communities of the Majiayao phase of the Yangshao culture, which is dated in
the vicinity of 3000 BC, typically include houses sunk into the soft loess soil as a protection
against the bitter winter cold. The inhabitants cultivated millet and maintained domestic
stock. They fashioned and kiln-fired pottery vessels and used polished stone tools such as
jade. The longevity of these stable villages led to the formation of large inhumation
9
Organized communities under the control of a single chief or a couple formed by wife and husband.
Human face in jade, Longshan culture. The decorations could be represent tattoos or paints.
10
Longshan culture was first discovered in 1931-2 at Chengziyai, near the former Longshan district
of Licheng, Shandong.
Longshan jade axe with the typical composite decoration. The Longshan communities that
expanded in the Huang (Yellow) River Valley and Shandong Peninsula reveal a quickening of social
complexity. Archaeologically, this is manifested in villages with defensive walls, rich burial
assemblages, the adoption of metallurgy, and an increase in artifacts associated with armed conflict.
Bones, Jades and, especially, bronzes, which were to reflect high social distinction for millennia to
come, made their first appearance.
11
The finest example is the site of Taosi, Xiangfen district, Shanxi.
The Longshan culture typical sites were discovered in 1928 on the Shandong peninsula. Several
walled settlements are now known and these vary greatly in size, but all seem to have encompassed
dwellings and some craft facilities, with pottery and stone tools among their artifact repertoires. This
form of settlement layout and defence stands in stark contrast to the village patterns preceding it.
The walled settlement of Pingliangtai had guard houses on each side of its southern gate (F1 and
F2) and several dwellings in its interior, all built of adobe bricks (a). Some of these houses were
distinguished from others by being raised on tamped-earth platforms (b). Scattered among similar
earthen foundations within the enclosure were found more than a dozen ofl underground pits, filled
with skeletons of both adults and children, sandwiched between tamped-earth layers.
The Venetian Army and Navy in the Holy League War, 1684-1699
by Bruno Mugnai
(part one)
CorazzaVeneta; Greece, summer 1685. Contemporary accounts relate that the Venetian
heavy cavalrymen employed more metal plates respect their foreign colleagues. Also later
documentary sources tells that this trend will long survive in Venice: for this reason the
Venetian cuirassiers were nicknamed Padelloni (iron pot).
The Venetian Army and Navy in the Holy League War (part one) 19
#HISTORY&UNIFORMS
The Venetian Army and Navy in the Holy League War (part one) 20
#HISTORY&UNIFORMS
decisive was the attitude derived from the garrison system12 to influence the
Venetian military policy.
The resistance against the modernization of the army was nourished by the State-
City ideology. In Venice, the government continued to pursue the goal of managing
the mosaic of peoples and military corps in a rather conservative way. These military
choices seems to suggest what Hocquet has called "the double paradox of Venice",
unable to free themselves from the state-city's role to become the capital of a
territorial state, but also to rule its territories beyond the traditional schemes of
domain13. Notwithstanding this attitude, the Venetian Republic represented the only
multiethnic state of Italy, where different languages and religions coexisted until its
dissolution in 1797.
Because the Venetian political doctrine obeyed to a principle of balanced power, this
aspect contributed ultimately to maintain separate the land forces in the rigid
classification of the troops according to their composition, origin and economic
remuneration. The Holy League War could be represent a reversal in this trend, thanks
to the reforms introduced by Francesco Morosini, interrupted, however, by his death in
1694. Historians have long considered the Venetian military trajectory as an
unsuccessful parable, neglecting the innovative tactics and weaponry introduced in the
campaigns on the sea. Even when they investigated the naval strategy focusing on
tactical and technical improvements, historians had assumed some not completely
right common views14, or they considered the matter as a mystery just to elude it.
12
See in Piero Del Negro, Il Leone in Campo: Venezia e gli Oltramarini nelle Guerre di Candia e
di Morea, in Mito e Antimito di Venezia nel Bacino Adriatico (secoli XV XIX); Roma 2001, p.
331.
13
Jean Claude Hocquet, cited by P.L. Tamburrini, L'Organizzazione Militare di Venezia nella
prima met del Settecento, Collana SISM, 2014; pag. 9.
14
It is remarkable to observe how the military history of Venice in the modern age is known
especially on outdated stereotypes. The studies of John Hale and Michael Mallett opened a
window to investigate the Venetian military structure, but unfortunately their contributions
have arrested to the 16th century. The accurate works of Jeremy Black, Warfare Renaissance
to Revolution 1492-1792, Cambridge 1995 and John Childs, Warfare in the Seventeenth
Century, London, 2001, have both neglected the Venetian wars. The same oversight occurred
in the excellent book of John Glete, Warfare at Sea, London 2000, closing his study just before
the Candian war and the development of the sea warfare in the Mediterranean. The 17th
century military history of Venice remains then Terra Incognita outside Italy and although in
the recent years important contributes by Piero Del Negro, Pietro Marchesi, Guido Candiani,
Luca Porto, Alberto Prelli, Guido Ercole, Pier Luigi Tamburrini, Luciano Pezzolo, Marco Morin
and Riccardo Caimmi had appeared, these works are yet scarcely diffused outside Italy.
Recently, Mario Infelise and Anastasia Stouraiti had been the editors of an important
contribute about the Morean War. This book includes research by Italian and foreign specialists
focusing the political and cultural scenario of the campaigns (for further information see in the
Bibliography chapter).
The Venetian Army and Navy in the Holy League War (part one) 21
#HISTORY&UNIFORMS
Other commenters, more maliciously, attributed this trend to the poor warrior attitude
of the ...avid merchants of the lagoon16. Unlike the above mentioned quotation, the
native Venetian presence in the army was not a minority as claimed by certain sources
and, although throughout the 17th century defining the army as 'Venetian' was almost
like defining Francisco Francos forces in the civil war of 1936-39 as Spanish, officers
and soldiers from the Venetian mainland and from the capital itself remained relevant
throughout the century17.
15
In this context, something exemplary is the enlistment of the Marquis Jacques de
Grmonville in 1647, namely the brother of the French ambassador in Venice, with the rank of
lieutenant general of the infantry.
16
This term was used by pope Giulio II during the War of the League of Cambrai (1508-1516)
and became popular in the European courts to deplore the mercantilist behaviour of the
Republic.
17
See in Gregory Hanlon, The Twilight of a Military Tradition, Italian Aristocrats and European
Conflicts, 1560-1800, London 1998; pp. 221-261.
The Venetian Army and Navy in the Holy League War (part one) 22
#HISTORY&UNIFORMS
Another interesting view about the Venetian army is its presumed weakness in
campaigns. This poor attitude appears to rely on considerations related to its military
policy - which took place mainly in the 18th century after the war against the
Ottomans in 1714-18 - claiming it as well-identified in the previous century as the
beginning of the demilitarization and the renunciation to play a role of territorial
power in Europe. The fact that in less than a century, from the heavy investment in
armaments, fortifications and in the fleet, a phase of actual demilitarization followed,
has distracted historians from investigating the real objectives that Venice pursued in
the last phase of the century and especially from the dynamics which led to these
choices: to control its domains in the Mediterranean Levant with a fleet capable of
carrying relatively numerous but efficient troops; to be protected on Milanese and the
Eastern Alps; to obtain all this at low cost. The image of Venice, which was powerful
on the sea and weak in its terrestrial device, should therefore be re-interpreted in a
different perspective, namely the substantial unity of the Venetian military structure,
where all the land forces were regarded as garrisons or 'landing troops'. This latter
aspect became clear considering that the supreme military command remained
invariantly committed to the Capitano Generale da Mar (Sea General Captain).
The Venetian Army and Navy in the Holy League War (part one) 23
#HISTORY&UNIFORMS
In addition to service aboard ships, until the war against the Austrian Habsburgs in
1615-1618, Venetian troops operated mainly for passive defence and internal security,
as can be clearly deduced from their distribution in the fortified centres of the
Mainland and overseas. The elementary military functions minimized the need to
increase the forces, which in the early 17th century barely reached 7,000 regular
soldiers in all. Despite this, since the outbreak of the war against the Austrians, the
army had quickly grown to a total of 26,000 soldiers of all the specialties. In spite of
its unconventional military structure, Venice still appeared as one of the most
remarkable European powers and certainly one of the first in Italy, capable of
deploying substantial numbers of troops, as the 24,000 men employed to counter the
The Venetian Army and Navy in the Holy League War (part one) 24
#HISTORY&UNIFORMS
rebellion of the Valtellina in 1625-27. Later on, the undertakings against Northern
African corsairs and the successive international political crises acted as modifiers of
these numbers, resulting in an alternating pattern of consistency quotas. In the
1630s, the government decreased the provisionati - namely professional soldiers
less than 10,000 men, reducing this number to 6,900 when the Republic recruited this
force for the war against the Pope of 1641-44. The economic crisis that affected the
Mediterranean in the 17th century made it difficult to maintain a large standing army,
forcing Venice to adopt a policy of rigid parsimony. The decision to maintain a
standing army below 10,000 men found comfort assuming as model the army of the
United Provinces of the Netherlands. Although Venice adapted the military policy of
the Netherlands to itself in a rather incongruous way, all facts and events regarding
both the Dutch army and fleet were held in high regard. Therefore, since the
beginning of the 17th century, the government subscribed to the declaration of Maurice
of Nassau, who considered a well-trained force of 8,500 foot soldiers and 1,500
cavalrymen, supported by a powerful fleet and by a modern network of fortresses, as
able to stand up to any opponent18.
However, the conflict against the Pope, initially considered as just a regional crisis, in
a few years led to a new increase in mobilization and, at the end of the hostilities,
Venice fielded more than 20,000 men including professional soldiers and militiamen.
In 1640, the Senate had determined for the standing army in peacetime 9,000 regular
soldiers, of which 2,200 in Terraferma Mainland, the Italian provinces - divided into
15 main towns and fortresses, and another 6,800 men in Dalmatia, Corfu, Zante,
Cephalonia, Cerigo (today Cythera in Greece), Egina, Tinos and Crete. The
government specified that all these troops could be transferred on the fleet if
necessary. In the mid-century, the Venetian permanent troops were completed with
1,600 cavalrymen, 600 artillerymen and another 200 including bombardieri, engineers
and other specialists. Besides these soldiers and officers under contract, the
government could associate, if necessary, hired foreign troops and finally turn to the
mobilization of militias - the Ordinances or cernide in Italy and Greece, and craine in
Dalmatia - with a physiologically heterogeneous level of efficiency, but they could
increase the army by several thousands of men. In fact, in 1645, the militia numbered
on paper 20,000 men in the Mainland and additional 18,000 in the Archipelago and in
18
Contarinis relation, cited in: Ian Heath, Armies of the Sixteenth Century, Guernsey, 1988; p.
107.
The Venetian Army and Navy in the Holy League War (part one) 25
#HISTORY&UNIFORMS
Dalmatia.
The huge extension of its borders and the expansion of the conflict against the
Ottomans in defence of the kingdom of Candia, urged the Republic to face strategic
decisions which could not be postponed, and which could not disregard a policy of
heavy investment to increase the strength of the army, and especially the infantry to
protect the fortresses, to attack the islands with amphibious landings, and to besiege
the enemy strongholds in Bosnia and in Greece. The whole forces deployed in the
Candian War had reached unprecedented levels, scoring at various times more than
30,000 professional soldiers, 25,000 sailors, gunners and oarsmen, and about 30,000
militiamen of the cernide and craine with several mounted or foot irregulars recruited
in Dalmatia, Greece and Albania. Between 1659 and 1660 - when Venice undertook
the plan to expel the Ottomans from Crete with a landing assault - contingents were
recruited in every corner of Europe. In the summer of 1660, 11,200 infantrymen and
1,200 horses were assembled at Cerigo, who landed in the following September in
front of La Canea (today Chania). Six years later, during the last attempt to deprive
the Ottomans of the major islands ports, 8,295 foot soldiers and 1,008 horses landed
in Crete. The last three years of fighting around Candia demanded an even larger
number of soldiers to support the resistance of the besieged city. Every week
hundreds of lives were consumed in the fierce fighting, like in a furnace. Without
counting the irregulars, in just two and a half years, Venice enlisted no less than
25,000 professional soldiers, most of which out of their borders. After a period of
disengagement and demilitarization between 1670 and 1683, the War of the Holy
League increased the forces again, with the deployment of landing corps composed of
thousands of men, but the numbers reached fifteen years earlier were never equalled
and rarely totalled more than 15,000 professional soldiers.
In 1684, for the first action of the war, the siege of Santa Maura (today Levkas,
Lefkada island in Greece), the force available totalled 10,000 Italian, German,
Maltese, Croatian and Greek infantrymen with some cavalry companies19. One year
later, for the upcoming campaign in the Peloponnese, more than 10,000 men were
gathered in Corfu, but the actual fighting force totalled 9,500 soldiers20; then, in
1686, at the initiative of the Capitano Generale da Mar Francesco Morosini, the
'Italian' infantry was organized into six regiments, totalling 6,200 men21, out a total
19
Archivio di Stato di Venezia (ASVe), Savio alla Scrittura, 1684, Milizie esistenti in Corf, (without date)
f. 1, ff. 102.
20
Giacomo Diedo, Storia della Repubblica di Venezia, Venezia, 1751; t. III, p. 369.
21
Dal Negro, cited work; p. 329.
The Venetian Army and Navy in the Holy League War (part one) 26
#HISTORY&UNIFORMS
22
ASVe, Savio alla Scrittura, 1686, f. 1, ff. 342.
23
Ibidem, 1687, f. 1, ff. 390.
24
Ibidem, 1688, f. 1, ff. 401-412
25
Diedo, cited work, p. 407.
26
ASVe, Savio alla Scrittura, f. 1, ff. 478.
27
Ibidem, ff. 479.
The Venetian Army and Navy in the Holy League War (part one) 27
#HISTORY&UNIFORMS
following year, the initial anti-foreign trade policy was directed towards the most
traditional rival Ottoman Empire, based on the report presented to the Senate by bailo
(ambassador to the Ottoman Porte) Giacomo Querini after his return from Istanbul.
Querini emphasized as the Sultan was without an actual warships fleet and suggested
recuperating the supremacy in the eastern Mediterranean. The Candian War had
demonstrated the Ottoman weakness faced to the Dutch and English vessels in
Venetian service. Then the Republic could replace the costly and sometimes unreliable
foreign units with new vessels provided by the Venetian Arsenal to form a larger
Armata Grossa28. 1675 was the turning year for the Venetian navy. Over the years, 5
new vessels came from the Arsenal to drop anchor in Corfu. In 1683, on the eve of
the war, Venice possessed 7 warships and 12 others were under construction, ready to
join the war fleet in less than five months. Usually in peacetime the strength of the
navy included the light fleet with 20 or 21 fully equipped and armed galleys; 4 galleys
were permanently displayed in Corf, Zante and Cephalonia, joined by 4 more in
summer; 4 or 6 were at anchor in Venice, while another 4 galleys formed the
Dalmatian squadron; the last squadron, based in the Aegean Sea, was usually
composed of 4 galleys. In Venice there were always hulls in reserve for 40 new
galleys, 20 of which armed and ready to sail: a significant decrease in comparison
with twenty years before, when 60 hulls were normally available29. During the Candian
War the galleys fleet had displayed 50 and more galleys, a number never equalled in
the following conflicts. For the first campaign the Venetians displayed 28 galleys in
overall, joined by two more from Dalmatia, two from Cephalonia and two from Zante
and Corfu30. In peacetime the flotta sottile (the light fleet of rowing ship) still
comprised, in Venice, 2 galeazze with another 4 in reserve.
When the war against the Ottomans ended with the Peace of Carlowitz in 1699, and
notwithstanding the conquest of the Peloponnese, the accumulated debt of Venice had
reached unprecedented levels, which heavily influenced the future military policy. In
the new century, the increasingly unfavourable economic situation would force the
government to pursue a policy of armed neutrality destined to sharpen the
contradictions of a military organization now launched towards an irreversible
disarmament.
Despite a reduced effort on the sea respect the previous conflict, the Venetian fleet
28
The first Venetian-built sail vessel was the Giove Fulminante, with 62 cannons, launched in May 1667.
29
Mario Nani-Mocenigo, Storia della Marina Veneziana, Roma, 1935; pag. 257
30
Michele Foscarini, Degli Istorici delle Cose Veneziane, 1722, p. 134; these figures are confirmed in the
Archivio di Stato di Venezia (ASVe), Senato Mar, ff. 656, 1684.
The Venetian Army and Navy in the Holy League War (part one) 28
#HISTORY&UNIFORMS
and army improved successfully several war tactics. The use of the galleys to wide
radius to paralyse the Ottoman supply in the Aegean sea (technique and methods
employed resemble those used by the German U-Boat in the two world wars to be
unnoticed), the strategic massive use of amphibious operations and the special role
played by the irregular formations to keep on alert the opponents on the secondary
fronts, such as in Dalmatia and Albania, represent very innovative aspects with results
greater than those achieved by the great European navies in the 17th century, except
the Dutch navy.
The Venetian Army and Navy in the Holy League War (part one) 29
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The Venetian Army and Navy in the Holy League War (part one) 30
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In 1684, at the outbreak of the war, Francesco Morosini took the military command and over
the next years, he conquered most of the Peloponnese after an impressive series of successes.
His fame reached such heights that he was given the title of Peloponnesiacus, and was the first
Venetian citizen to have a bronze bust placed during his own lifetime in the Grande Sala, with
the inscription Francisco Mauroceno Peloponnesiaco, ad huc vivendi, Senatus. Elected Doge
in 1688, he resigned the command, but in 1693, aged and sick, as Doge he directed the
military action against the Ottoman Empire until his death in Nauplia. Morosini was possibly
the best captain in the Venetian History and one of the most inventive Italian navy
commander. During the Candian War (1645-1671), when he was appointed as Sea General
Captain, Morosini planned aggressive and successful amphibious campaigns in the Egean Sea
to cut the Ottoman supplies for the besieging army at Candia (Heraklion). Despite the negative
outcome of the war and the final loss of Crete, Morosini could improve the amphibious tactics
introduced twenty years before, achieving the uninterrupted triumphs in 1684-1687.
In this graphic reconstruction, Morosini wears a lobster three-quarter corselet in black
polished metal after the one reproduced in the portrait painted by Bartolomeo Nazzari in
1688 - over a buff coat, as related in several sources when he was in active service as General
Captain snce 1684. As supreme commander, he hold the baton in crimson red velvet with
gilded lions, and the cross of Procuratore di San Marco.
Illustration after the Trattato di Artiglieria, by Tommaso Moretti, Bresciano, written before
1665. This fine work presents main caliber of the bronze guns produced in the Venetian
foundries and employed by both the Navy and the Army in the last quarter of the 17th century
(Authors archive).
The Venetian Army and Navy in the Holy League War (part one) 31
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Focus on: Guns Production in the Venetian Republic during the Holy League
War (part one)
The bronze artillery production of the whole state was managed by the Arsenal of
Venice. The cast of bronze took place in the arsenal foundry and in other places in the
immediate vicinity - the most important one was the foundry of the Alberghetti family
- while the carriages were built inside the main Arsenal, in the carreri (carters
workshops) located next to the artillery storage. There was also a workshop for
models and compasses where prototypes of machines, equipment and ships produced
in the Arsenal31 were designed.
The progressive increase of large vessels, since the Candian War, had increased the
need for naval artillery. Bronze weapons destined to galleys and galeazzas could be
easily produced in Venice, but the production of a larger number required by vessels
obliged the government to look for alternatives. Moreover, the heavy bronze guns
were less suitable for vessels. The need for iron guns, instead, in 1675 was risen to
more than 600 pieces, and this forced the Senate to procure the weapons abroad. In
1682 the foundry technician Sigismondo Alberghetti was sent to England to buy guns
of 20lb and, at the same time, to learn the technology for the production of iron
pieces. Alberghettis mission lasted four years. In 1686 he signed the last delivery,
bringing the total of the guns purchased in England to 450, 250 of which were 20lb
guns32. In 1689 the War of the Augsburgs League involved England, leaving the
Venetian market without the main supply source. However, the steel technology found
in the state an important weapons manufacturing industry in the provinces of Brescia
and Bergamo33, where fine quality metal with characteristics of resistance and purity
was mined. Although they began late, both Lombard foundries, after ten years of
studies and experiments, provided first rate iron guns to the fleet, comparable to the
contemporary northern European weapons34.
The need to promote the production of iron artillery originates from the fundamental
transformation of the Venetian war fleet. Until the half of the 17th century the fleet
was based almost exclusively on rowing ships, namely galleys and galeazzas, known
31
Guida per lArsenale di Venezia G. Antonelli; Venice, 1829.
32
ASVe, Senato Mar, f. 589, 1686.
33
The entrepreneurs who produced the largest number of iron cannons for the Venetian navy were
Tiburzio Bailo in Sarezzo (Brescia) and Carlo Camozzi in Clanezzo (Bergamo).
34
In 1697, the goodquality of the guns produced in the Lombard foundries was confirmed also by
Alessandro Molin, the last Capitano Straordinario delle Navi appointed during the Holy League War; see in
Guido Candiani, Tiburzio Bailo e i Cannoni di Sarezzo, Politica Militare e Forniture Militari nella Repubblica
di Venezia durante la Prima Guerra di Morea (1684-1699), in Societ e Storia n. 103; 2003, p. 700.
The Venetian Army and Navy in the Holy League War (part one) 32
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as the Armata Sottile. The need for guns aboard these ships was not a problem,
considering that a galley had normally 4 cannons and the galeazza no more than 20.
In overall, the fleet required no more than 300 guns, a figure that could be provided
by the production of the bronze artillery foundries which were active in the State.
Although four or five times more expensive than iron, the bronze cannons showed
numerous advantages: lighter, less stressing for the hull structures; they were subject
to higher heating, but they resisted better to a long shot and were safer; particularly,
they could be easily cast a second time, so much so that they were considered by
governments a relatively precious metal reserves. Thanks to the artillery bronze mass
accumulated in the past and the relatively limited quantities requested, Venice had
never seriously faced the problem of exploiting the mineral resources of the Mainland
to plant a production of iron artillery, similarly to the major European sea powers. The
need of iron artillery was not increased even after the introduction of sail warships,
initiated during the undeclared conflict that opposed the Republic to the Spanish
Viceroy of Naples between 1617 and 1620. A ship with bronze cannons meant facing a
cost, and a significant financial loss in the event of sinking. The Serenissima bypassed
this problem by relying on the rental of a long series of armed merchant ships -
especially Dutch and English, but even from the Hanseatic town of Hamburg - whose
owners rented the ships already equipped with iron artillery. With these units a new
Armata Grossa was formed, which was joined by the traditional Armata Sottile. The
long and difficult war fought against the Ottoman Empire from 1645 to 1669,
however, highlighted the limitations of an approach so closely tied to the mercenary
naval market. Rents were too onerous, and relations with foreign crews and captains
was not always serene. The difficulties encountered with private ship-owners, in
addition to the new French naval ambitions in the Mediterranean, pushed the Venetian
government to a radical reconsideration of the composition of its fleet. The Senate
recognized the need to launch sailing warships financed by the State - "public vessels"
in the terminology of Venice - and in 1675 a major program was voted to provide the
fleet with modern sailing vessels, after the first two sail ships launched at the end of
the Candian War. The creation of a modern war fleet of sail ships necessarily involved
the revision of the artillery provision methods. Despite the availability of some mines
in the Mainland, the Republic had not iron foundries, and to initiate a new industry
would have required considerable technical and financial capacity, with poor
expectations of success. Not surprisingly, a nobility of merchant origin who controlled
the government preferred to operate through the market, a simpler method instead of
The Venetian Army and Navy in the Holy League War (part one) 33
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starting a complex and uncertain industrial activity. Previously, the government had
purchased iron cannons in the capital - Venice remained a major market, attended by
the major naval powers - or in Leghorn and Genoa. Trade exchanges were frequent
with the aforementioned towns and their governments enjoyed good diplomatic
relations with Venice. The new naval program demanded not only a greater number of
guns, but also higher calibres than those available in the Italian markets, originally
designed for merchant ships but not suitable for modern vessels. The research was
then extended to the two main European emporiums of iron artillery, Amsterdam and
London, where the Venetian technician, Sigismondo Alberghetti, was sent in mission.
Thanks to his commitment and the network of relationships he implemented, in the
three years 1683-85 the Republic managed to import nearly 500 iron cannons from
England. The English guns seemed to be the optimal solution: fine workmanship;
reasonable price, benefiting from the easy and cheap transport ensured by the
merchant who sailed from the Thames to the Laguna. They went to supplement - and
in some cases to replace the bronze artillery of the public vessels, which rose to 20
units in 1684, after the outbreak of the new conflict against the Porte. However, the
Senate realized early that the international market, and in particular the one of
weapons, had made its fleet highly dependent on the political scenario. The fall of the
Stuarts in 1688, the Venetian lack of recognition of the new sovereign William III of
Orange in order not to compromise the already difficult relationships with Louis XIV
and the English participation in the League of Augsburg, made impossible the supply
of iron artillery across the Channel. If Venice wanted to continue to arm its vessels,
and get free from what now appeared as a dangerous dependence from foreign
countries, it was necessary to start a new iron artillery industry within its domains.
Already in the late '70s, coinciding with the new naval policy, the Republic had
attempted to implant a cannon foundry in Schio, near Vicenza, an area close to
Venice. In 1679 the production started with mortar bombs and artillery projectiles in
iron, but when it came to the casting of cannons, technical difficulties became
insurmountable. Further tries failed in other places and, although many had guessed
that the new industry could be a good economic deal, this outcome appeared difficult
to achieve. The management of technology made it difficult, as iron required higher
fusion temperatures and much more care in the working process. In these events
Sigismondo Alberghetti was also involved, whose mission in England coincided with
the end of the attempts in Vicenza. The failure prompted to move interest into the
Brescia area, the province of major metallurgical traditions of the state. A First
The Venetian Army and Navy in the Holy League War (part one) 34
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attempt failed here too, when in 1683 the musket barrels factory of the Chinelli family
in Gardone Val Trompia experimented with a greater iron casting. Sigismondo
Alberghetti who returned from England two years later was sent to Brescia to
study the possibility of implanting new foundries conceived in the English method of
fusion. The incoming war caused this project to be delayed, because all the foundries
concentrated their production in the new mortar bombs introduced in France and used
with good results in the Peloponnese campaigns under Morosini. Moreover, on several
occasions, the Venetian Arsenal completed the armament of the vessels with bronze
guns, turning to its larger collection of weapons, including the Ottoman guns captured
during the war.
However, the research was not suspended. In the spring of 1688, the Captain of
Brescia, Girolamo Corner, reported that, among samples of minerals extracted near
the village of Sarezzo, one revealed itself of "exquisite quality" for casting cannons. At
the beginning of 1689, taking advantage of the presence of a French engineer enlisted
for the production of mortar bombs, Corner forwarded to Venice the news of the
successful casting of two small iron cannons in the foundry of Tiburzio Bailo. He
belonged to a rich family of Val Trompia, who had been active in the foundry industry
and local ownership, as well as forests, land and livestock, for at least a century. A
friend, and perhaps a relative of Chinellis, in 1686 Tiburzio Bailo had, in turn, started
a production of mortar bombs, focusing on the largest and most difficult ones, even
casting projectiles weighing 1000 Venetian lb. (300 kg). He had found the mine
reported by Corner and, later on, he studied the composition to create the suitable
mixture for casting cannons. He had even anticipated money in this project as
evidence of his loyalty to the public service35. The good results achieved with the
minor calibres encouraged the fusion of greater guns for the warships. In the first
months of 1689 the first 12 lb. and 20 lb. iron guns were cast in Sarezzo. The
success, however, was not enough to begin a regular production. In Arsenal, the
construction of new vessels had been suspended after the initial wave of great
successes had stopped in front of the fierce Ottoman defence at Negroponte.
(continue)
35
ASVe, Senato Dispacci Rettori, Brescia, f.94, 1689.
The Venetian Army and Navy in the Holy League War (part one) 35
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Artillery tools and projectiles after the Trattato di Artiglieria by Tommaso Moretti (Venice,
1665).
The Venetian Army and Navy in the Holy League War (part one) 36
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Officer and private of the Alabardieri (Halberdiers, Life Guard), 1694. The origin of this corps
was very old and dates back to the early '500. The unit was a palace guard corps, employed to
escort the Doge and other important personalities in Venice or in the Domains. The corps had a
size of two companies, each with 24 and 30 private halberdiers; the complete strength
includes 14 musicians, 18 staffieri (lackeys) and 1 captain with 1 lieutenant. In the Correr
Museum in Venice, the halberdiers are portrayed in Nauplia while they are escorting the burial
service of Francesco Morosini. Possibly, in that occasion, the corps members wore the high
uniform with gold laced doublet, breeches and stockings in yellow, azure-blue waist for
privates and yellow for officer and musicians. Note the false sleeves for the privates doublet.
The Venetian Army and Navy in the Holy League War (part one) 37
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The ordinary uniform of the Alabardieri is described in the documents preserved in the States
Archive of Venice. This uniform was less aulic respect the precedent, although it was completed
by large plumed hat in black felt piped of yellow and rich gilded laces. Uniforms included
azure-blue stockings for private halbediers and red for musicians and officers.
A) velada (coat); B) camisiola (waist); C) braghe (breeches); d) detail of sword bandolier for
both uniforms.
The Venetian Army and Navy in the Holy League War (part one) 38
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Found in the Archives - Red Grenadiers and Red Chasseurs:
the Guardie del Corpo of the Princes of Lucca and Piombino
(1806-1814)
By Bruno Mugnai
Small and virtually unarmed, the princedom of Lucca and Piombino inaugurated a
series of states entrusted to Napoleons relatives. In 1805, the ancient princedom of
southern Tuscany, which already belonged to the Boncompagni-Ludovisi family, was
ceded to Felice Baciocchi, husband of the emperors sister, Elisa Bonaparte. A few
weeks later, on 12 June 1805, the Democratic Republic of Lucca demanded that
Napoleon receive Prince Felice Baciocchi and his wife as the new rulers. Thus, a new
state was born, comprised of the strategic outpost of Piombino, which guarded the
Elba Channel, and the city-state of Lucca, where the new court resided. The creation
of this state did not occur by chance. Napoleon always considered Italy a political
laboratory to introduce new systems of power and to experiment with methods of
government. The Kingdoms of Italy and Naples were consolidated into the new order
and Italian became the second language in the Empire. 4,800,000 Italians lived in the
new French departments created in the Peninsula, the so-called France-Italienne36.
Moreover, after 1806, there existed in Italy 22 duchies, 2 princedoms, and other
major fiefs37allotted to the Bonaparte family and the most valiant military
commanders. These new states clearly indicate that, for Napoleon, no Frenchman
could rule in the Empire better than his brethren, ensuring the hegemonic policy
foreshadowed since 1804.
Naturally, the existence of a small state like Lucca and Piombino was guaranteed by
complete obedience to the Napoleonic order, as the Republic of Luccas swift
involvement in the French continental blockade against England in 1803 clearly
demonstrates. Despite its limited sovereignty, the Princedom of Lucca and Piombino
distinguished itself as the only state in the French Empire where military conscription
remained unknown. The Baciocchi princes seemingly ruled an island in the stormy
Napoleonic ocean, and their experience represented a considerable change in the
history of both states. The rise of the Corsican Felice Baciocchi in the Napoleonic
Parnassus was mostly due to the ability and initiative of his wife Elisa. She possessed
36
The Italians represented in 1809 about 11% of the whole Imperial population; see in Roger
Dufraisse, Le Rle de lItalie dans la Politique Napoleonienne, p. 41, in the Congress Acts Il
Principato Napoleonico dei Baciocchi, Lucca, 1984.
37
12 fiefs in the Kingdom of Italy, 4 in the Kingdom of Naples and further 3 comprised in the
territory of Parma and Piacenza.
Napoleonic Uniforms 39
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extraordinary organizational skills, an undoubted talent for economic matters, and
tireless energy. Contemporaries recognized these qualities and she earned the
nickname: The Female Napoleon.38Elisas illuminated policies promoted effective
benefits in public institutions, and as a result, Lucca become an important cultural
centre in Italy.
38
F. Masson, cited by Roger Thomas, in Les Gardes dHonneur dElise, Le Briquet, February
1992.
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Despite the Princedoms modest military force, the princes reorganized the little army
by raising new units and reforming the militia. In 1806, the army consisted of the
Prince Felice Battalion five companies of light infantry, additional soldiers from
Piombino that numbered nearly a quarter of the Battalion - two outnumbered artillery
companies, one company of Gendarmerie, which included seven mounted Gendarmes,
and one Veterans company garrisoned in Lucca. The army of the line totalled 828
men39, while on paper, another 20,000 militiamen could be enlisted by the state.
Another 168 men secured the sovereigns residences and their escort. This unit,
established in 1806, was inspired by the French Imperial Guard.
39
Archivio di Stato di Lucca (ASLu), Gran Giudice, f. 419: Stato Sommario di tutte le truppe al
servizio di S.A.S. 1807.
40
Bollettino delle Leggi del Principato Lucchese, decree issued on 23rd July 1806.
41
ASLu, Segreteria di Stato e Gabinetto; 1807, Gardes du Corps, protocollo. n. 46.
Napoleonic Uniforms 41
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in the Princes residence in Marlia where he posted 4 soldiers and 1 officer. Primarily
due to his presence, or lack thereof, in his residence, the Prince eventually modified
the composition of the Marlia unit. After Baciocchis princedom absorbed the territory
of the ancient Apuan duchy, another detachment of the Life Guards formed for the
sovereigns residence in Massa in September 1807. The new unit consisted of 1
Sergeant, 2 Corporals, 1 Drummer, and 20 Grenadiers. Command alternated between
1 Lieutenant of the Grenadiers and 1 of the Chasseurs, who had under him 1
Sergeant, 1 Corporal, 1 Musician, but only 8 soldiers. Moreover, when aged members
resigned at the end of the year, the strength of the Corps further diminished, and the
gaps were only partially filled with other troops. A large proportion of Italian and
Corsican soldiers remained in the ranks, but soldiers with unmistakably French names
were also enlisted.
The sovereigns of the Princedom, Felice Baciocchi and Elisa Bonaparte. The legacy left by
Elisa deeply marked the history and society of Lucca and Tuscany. Her imperial brother also
recognized her expertise in governance issues: "She knew the affairs of her Cabinet like the
most veteran diplomats. To their merit, the princes also protected their subjects from
conscription. This probably saved many young lives and spared their families from the blood
tribute required by the Napoleonic wars.
Napoleonic Uniforms 42
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Despite the attention and the care dedicated to the Life Guards, in June 1807, 14
chasseurs simultaneously deserted. Mariotti informed Prince Felice about the
unpleasant episode, which incidentally only involved Corsican soldiers42. To prevent
the fugitives from embarking for Corsica, the commander passed a note to the French
authorities in Leghorn and provided a brief physical description of the deserters. The
port of Viareggio was also alarmed and other dispatches were sent to Pisa, Florence,
and even Corsica. Finally, on 21 July, the French Gendarmerie informed Mariotti that
Corporal Colonna, the mastermind of the desertion, had been arrested in Ajaccio.
Despite the recommendation to retrieve uniforms and equipment, nothing was
found43.
The desertions outcome left a visible mark on the Life Guards. The review of the
Grenadiers Company on 20 June 1807 registered 4 Officers, 6 NCOs, 8 Corporals, 3
Drums, and 53 Privates; while in the Chasseurs Company, there remained 3 Officers,
5 NCOs, 7 Corporals, 3 Drums, and just 35 Privates44. Periodic resignations requested
by soldiers also decreased strength of the unit. From 1808 until 1813,resignations
were accorded for reasons of retirement, disease, and for voluntary transfer to other
units. By July of 1807, barely a year after the unit formed, 6 guards had already
transferred to the Gendarmerie. Periodically, upon satisfactory completion of service in
the Guards, other transfers were registered. These transfers were usually directed to
the line infantry, where each guard could apply to increase his rank. In such instances,
a guard obtained a position immediately above the rank he held in his unit of origin.
When these rotations occurred, however, further displacements arose in other units,
especially in the line battalion and in the Gendarmerie. Simultaneous movements
were an obvious consequence of a small army, where the opportunity to ascend the
hierarchy remained very poor.
After Elisa Bonaparte-Baciocchi was appointed Grand Duchess of Tuscany, in July of
1809, the Life Guards had the honour to escort the sovereign to Florence. Through a
notice sent by the State Secretary, the prince ordered the troops stationed in Marlia
and Lucca to assemble in the Tuscan capital. On the morning of 12 July, the Life
Guards marched and, including a one-day stop in Pistoia, covered the distance in
42
Ibidem; 1807, f.36-III. The investigation revealed the complicity of determining a Corsican
corporal named Piero Colonna. The corporal had not only conceived the night escape, but
he would have favoured even sabotaging the alarm.
43
Ibidem. It is interesting to note how the Princedoms authorities insisted to recover the
uniforms, considered their concrete economic value.
44
Fondo Segreteria di Stato e Gabinetto, f. 36-IV
Napoleonic Uniforms 43
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three and a half days45.
Since both princes increasingly resided in Florence, the Guards duties decreased.
When combined with the difficulties faced in maintaining the strength of the
companies, the government was forced to reform the entire corps. The Decree of 30
August 1810 merged the two companies: 1 Captain Commander, 1 Second Captain, 1
First Lieutenant, 1 Second Lieutenant, 2 Sub Lieutenants, 1 Sergeant Quartermaster,
1 Sergeant Major, 4 Sergeants, 1 Corporal Quartermaster, 2 Drums, and 48 Guards. In
October, the s was increased to 75 men with an additional 22 Privates and 5 NCOs46.
The new unit became known as Compagnia delle Guardie del Corpo di Sua Altezza
Serenissima.
In the winter of 1813-14, a project was presented to reform the company to 78 men
under the command of Lieutenant Colonel Giacomo Maestroni. This Corsican officer
had commanded the line battalion and arrived in the Princedom alongside the
Baciocchi family. This transformation of the Guards was only partially completed. At
the eve of the Neapolitan occupation, the company numbered a higher strength,
totalling 95 Privates, 6 NCOs, and 4 officers47. In March, when the companys final
commander, Lieutenant Sebastiano Donati, reviewed the Life Guards for the last time,
his forces numbered 68 men in Lucca with another 29 quartered in Marlia, 1 officer
and 1 NCO assigned in Florence to the Major Staff of Prince Felice, 4 soldiers
hospitalized, and 2 more assigned to other duties48. On 19 March 1814, a Neapolitan
colonel, Count Gaetani, requested the consignment of all weapons, equipment, and
uniforms. Deprived of any exterior military sign, the Life Guards ceased to exist.
45
ASLu; Segretera di Stato e Gabinetto; 1809 - Forza Armata, protocollo n. 723.
46
Ibidem, protocollo n. 1024.
47
Ibidem, Stato Nominativo delle Guardie del Corpo di S.A.S. 31st January 1914.
48
Ibidem, Disposizioni per la Forza Armata, vol V, 1814-18.
49
Paul Marmottan, Bonaparte et la Rpublicque de Lucques, Paris, 1896, and Le Bataillon de
Piombino, in Carnet de la Sabretache, 1929/5.
Napoleonic Uniforms 44
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ruled Europe, yet contained an ambivalent respect for the Imperial order. In many
respects, the Princedom of Lucca and Piombino had been: the most French of the
Italian States and possibly more Napoleonic than France50.
Sometimes, the notion that military uniforms have some sort of relationship to the
society that created them is extremely clear. The difficulty, however, is untangling the
numerous threads that link these items to the institutions that conceived and
produced them. In several aspects, the choice of colours for the Life Guard Company
uniforms encrypted a signal of self-determination. Uniforms of glowing colours,
designed by the prestigious scenographer and painter Jean-Baptiste Isabey, were
manufactured for this unit51. For Princess Elisa, these colours provided a worthy frame
for her court, which, from the beginning, she wished to appear magnificent and
gorgeous. The features of this uniform possibly followed the same pattern of the
French Imperial Guards, but with very different colours to those normally employed in
the Empire. Perhaps scarlet red and pistachio green could be attributed to Elisas
personal taste, but at the same time, these colours proclaimed a state committed to
emphasize its political and cultural autonomy within the French order.
As typical in ancient documents, even in 19th century documents, details and
descriptions regarding uniform costs, but not always colours and forms, are explained.
The Life Guards uniform is well described in the Bulletin of Laws and Decrees of the
Princedom52, but the lack of specification on accessories and other details obliges us
to resort to comparison and suppositions. Furthermore, there is no pictorial evidence
for the Princedoms Life Guards, and regarding the accessories, the text only specifies:
to be taken from the models. Even when the second company was created, deficient
information persists. Despite the uncertainties, the bearskin cap and equipment could
be similar to the objects of the French Imperial Guard. Similarly, the uniform pattern
of the Compagnia Cacciatori could have followed the line of the light infantry habit-
veste. Fortunately, some discoveries in the state archive reveal other significant
accounts regarding this uniform. A memorandum attached to a State Secretary
document indicates that white metal buttons with the emblem of the Panther, a
symbol of the ancient Republic of Lucca53, had been recovered from the coats of the
disbanded Swiss Guards and were destined for the new uniforms of the Life Guards
50
Vito Tirelli, Prolusione agli Atti del Congresso Il Principato Napoleonico dei Baciocchi, Lucca,
1984.
51
Bruna Niccoli, Costume a Lucca, contenuti e problemi di moda dalla Repubblica al Principato,
Lucca 1995; p. 110.
52
Decree dated 29th April 1806, art. V.
53
ASLu, Segretera di Stato e Gabinetto; 1806 - Forza Armata, protocollo n. 73.
Napoleonic Uniforms 45
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a measure of good economics, but also a strong reference to the past.
Another document discovered in the archives recounts a change of the uniform in
1812. Some letters sent to Florence in the winter 1811-12 contained projects
submitted to Prince Felice regarding the new Life Guard Company. Unfortunately, the
unintelligible handwriting obscures which colours would be chosen, but it is certain
that the uniform received significant changes. Two years later, thanks to a note
attached to documentation concerning the requisitions ordered by the Neapolitan
occupants, we learn that the Company was completely dressed in white with carmine
red facings. Hypothetically, this change is confirmed in an otherwise unidentified
source showing a front and back uniform model with some particular elements. The
grenadier bearskin headgear had a brass plate with a panther, the same distinctive
symbol that appeared in 1806. Once again, the link with the past as a political
declaration of autonomy had not disappeared.
Napoleonic Uniforms 46
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Guardie del Corpo di Sua Altezza Serenissima il Principe di Lucca e Piombino (1812)
(Private Collection)
Napoleonic Uniforms 47
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Guardie del Corpo:
- Company Staff: Compagnia Granatieri (May 1806)
1 Capitano Comandante (Commander Captain)
1 Capitano in Seconda (Second Captain)
2 Tenenti (Lieutenants)
2 Sottotenenti (Sub Lieutenants)
1 Sergente Maggiore (Sergeant Major)
4 Sergenti (Sergeants)
1 Caporale Furiere (Quartermaster Corporal)
4 Tamburi (Drums)
60 Granatieri (Private Grenadiers)
Napoleonic Uniforms 48
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Napoleonic Uniforms 49
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This copper engraving by Antonio Verico, after a drawing of Giovanni Matraia, is a unique
illustration depicting the Guardie del Corpo preserved in the States Archive of Lucca: Fondo
Stampe 26. The view of the Piazza Reale in Lucca (today piazza Napoleone) shows the picket
guard at the entrance of the Government palace, clearly uniformed in a Napoleonic Grenadier
Guards style.
Napoleonic Uniforms 50
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Forgotten Fronts of WWI
The German Pacific Colonies - Part One: Deutsch Samoa
by Andrs K. Molnr
Western Samoa became a German protectorate in the last years of 19th century, following
the expanding influences of the German trade companies in the South Pacific area after
1886. Competition in the trading operations in the Archipelago involved foreign companies,
particularly British ones54. Tensions caused in part by the conflicting interests of
the German traders and plantation owners opposed to British business enterprises and
American business interests led to the Samoan Civil Wars55. These wars involved the
American and British naval squadrons in the area, but. notwithstanding these ante facts,
54
The London based trade company Ruge, Hedemann & Co, established in 1875, was succeeded by
H. M. Ruge and Company until that firm went bankrupt in about 1887, leaving the Germans free to
expand their base in the area.
55
The war was fought roughly between 1886 and 1898, primarily between Samoans, though the
German military intervened on several occasions in defence of Tamasese, their candidate for
Tafa'ifa(King) of Samoa. Tamasese became the new monarch after the reigning king Malietoa
Laupepa, who was usurped and exiled by the new king. Tamasese and his German allies faced a rival
faction headed by the popular Samoan chief, Mata'afa Iosefo. In 1887, tensions grew with
the United States after a German shelling of Mata'afa's rebel villages, which involved American
owned properties. One battle was fought at Vailele in September 1888, following German
bombardment of a rebel village. The encounter resulted in Mata'afa's warriors repulsing an invading
German contingent and later plundering the plantations. The three western powers finally agreed
that Malietoa Laupepa would be restored as King of Samoa in 1889 after a cyclone destroyed both
American and German warships at Apia harbour, halting hostilities. Nine years later, with the death
of Malietoa, hostilities broke out again but they were quickly ended by the partitioning of the island
chain at the Tripartite Convention of 1899.
56
Until 1914 the German Reich was not in a position to back up its claim to be a world power, with
all this entailed. The Pacific colonies reveal as a sham a self-professed world power that suffered
from imperial overstretch even before it became a real world power. See in Joseph Hermann, The
Neglected War. The German South Pacific and the Influence of World War I, Honolulu, 1995; p. 11-
12.
57
McKay, Cyril Gilbert Reeves, Samoana, A Personal Story of the Samoan Islands; Wellington and
Auckland, 1968; p. 18.
58
Lewthwaite, Gordon, Life, Land and Agriculture to Mid-Century in Western Samoa. Christchurch,
1962; p. 148.
59
Joseph Hermann, cited work; p. 41.
60
See in Thomas Morlang, Askari und Fitafita. Farbige Sldner in den deutschen Kolonien; Berlin,
2008; p. 128.
61
Idem, p. 131.
62
Joseph Hermann, cited work, p. 12.
German Melanesian Policeman in Samoa, 1914, photographed just after their surrender to the
New Zealanders (Authors Archive).
Brass eagle and yellow-gold lace on the red Fitafitas ceremonial sash.
The illustration is based on a photograph of a Military Policeman taken in Apia in 1914, probably
by a member of the New Zealand Expeditionary Force that captured the islands. This military-
policeman, possibly a Melanesian from New Guinea, wears a white tropical helmet and a khaki
uniform. The tunic is of a style seen before by the East Asian Expeditionary Corps, with a standing
collar and one left breast pocket. The pockets (including the two hip pockets) appear to have no
pocket flaps. Above the breast pocket is a seven pointed star badge. This policeman has a dark
coloured band around each cuff, probably dark red. He is armed with a Dreyse Zndnadelgewehr
(aging rifle) 15,43 cm. calibre with bayonet.
East Asia German bayonet, issued to the garrison in the Pacific colonies.
63
Idem, p. 43-44.
68
#HISTORY&UNIFORMS
The author addresses the military aspects by reconstructing warfare in the Baroque
age using analysis of the latest research in the political, economic and social historical
fields. The analysis of complex Ottoman military organizations, long regarded as a
military based exclusively on its ability to mobilize large numbers of contingents, here
reflects deeply on Ottoman military capabilities. These reflections form a scenario
much more complex than, superficially, offered a few years ago. For the Sultan, defeat
in Vienna was not only the military disaster that arrested his imperial expansion in the
West, but also represented an end to a system of relationships - including military -
within the social structure of the State. Turkish inability to control the regional, social
and religious tensions, due to the aforementioned collapse of social relationships,
erupted into chaos before the advent of the viziers Kprl, sparking fierce riots in
Lebanon, Syria and Anatolia. After Vienna, it became necessary for the Porte to
compromise with local realities, not only in the Balkans - where occurred a marked
increase of Albanian and Bosnian presence in the army - but also with the Corsair
states in North Africa, who, in a few years, were able to free themselves almost
completely from the Sultans sovereignty. Paradoxically only in appearance, in some
provinces the military crisis brought relaxation of ties with Istanbul, while in others
Ottoman control increased, until the suppression of guarantees that had regulated
relations with the Federated and Tributaries states. The case of Transylvania, formed
into an Ottoman paalik and then abandoned to the Habsburgs, and, especially, the
destiny of Wallachia and Moldavia, ruled by men appointed directly by the grand vizier,
marked the turning point in relations with peoples and clergy in those regions, both of
whom were interested in finding an agreement with the Catholic monarchy in Vienna
and, within a short time, Orthodox Moscow. The siege of Vienna was no less crucial for
the other main actor in this event: the House of Austrias army. Focusing solely on the
development of Austrias standing army, the war of 1683-99 acted as a crucial engine
of growth for the Imperial military structure. With around 30,000 soldiers at the start
of the war, the army totalled some 88,600 when the peace of Carlowitz was signed.
Although these are partly theoretical numbers, which do not take full account of
absences and other physiological shortages, this data reveals that the increase in the
Habsburgs armed forces was 57% for the cavalry and 62% for the infantry.
The book includes more than 200 pages of notes, maps, bibliography and an
interesting glossary of contemporary terminology.
(BM)
69
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ZOPPI, Massimo; La Spada di Radetzky; le armate imperiali dalla Restaurazione
alla rivoluzione, 1836-49 (Radetzkys Sword; the Imperial Armies from Restoration
to Revolution). Bassano del Grappa (VI), Itinera Progetti; 179 p.; hardcover,
illustrations, bibliography, maps, index. ISBN: 9 78888-542447; 27,00.
Despite being one of the most powerful armies in Europe during one of the
most important moments in its history, the Austro-Hungarian Empire during the years
of the Italian Wars of Independence has few studies with fewer of recent examination.
The book accurately discussed organic structures, weaponry, combat tactics, uniforms
and equipment of all specialties of the army, military police and navy. The different
topics are analyzed within their political and strategic context in the interior and
Lombardo-Veneto, closing with an analysis the military fronts in Lombardy and
Hungary between 1846 and 1849. The substantial effectiveness of Austrias military
emerged in all its evidence. Beginning in mid-March of 1848, in less than three weeks,
all major cities of the Austrian Empire revolted; Hungary, while not breaking the link
with the Habsburg dynasty, declared its independence. Paralleling these
developments, Germany seemed on the verge of coalescing into a national unit, which
would have resulted in few positive outcomes for the existence of the Habsburg state.
In the Italian peninsula, following decades of vassalage, almost all local governments
declared war on Austrias Ferdinand I.
Within a few days, thirty years of peace, guaranteed by the Congress of Vienna,
vanished and Europe seemed to slip back into 1792.Few thought the army, after thirty
years of inaction, would be able to reverse a seemingly hopeless situation. In that
fateful period, the less reputed among its instruments saved the Austrian state from
collapse, ignoring and often contravening directives from an evanescent government
committed to facing a revolution in its own capital, which navigated between two
parliaments - Vienna and Frankfurt both equally hostile. Starting with 62,000 soldiers
in arms in the mid-1840s, the Austro-Hungarian army, despite many difficulties,
amassed a force of 100,000 men, garrisons excluded. The reorganization of this force
began with the appointment to chief commander the sixty-five year old Radetzky von
Radek, who introduced to all units: theory education in winter, field exercises in spring
and manoeuvring in opposing parties in summer.
In this book, the author sheds a different light on the contributions of the many
Italians present under the banner of the House of Austria. The historiography born
after the Risorgimento argued that the Habsburgs employed their soldiers from one
region to oppress another nationality. In fact, as related by Zoppi: "if it was ever
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thought a plan to separate and disperse the hostile forces or those of dubious loyalty,
one has to wonder why in March 1848 many troops found themselves in the wrong
place, at the wrong time and why they were there so long, nor were able to move
where they served or where there would be in less danger". In 1848, one-third of
Radetzkys army were Italians, and 25,000 of the 30,000 enlisted in the Lombardo-
Veneto region, had quartered in the Peninsula, where their insubordination could
cause deleterious effects. It appears that the military commanders doubted little the
fidelity of their Italian regiments; in fact, allegations in this regard raised in Vienna
were even considered an affront to military honour.
(AM)
DE LUNA, Giovanni; Il Corpo del Nemico Ucciso, Violenza e Morte nella guerra
contemporanea (The body of the Killed Enemy, Violence and Death in the
Contemporary War). Milano, Torino; Giulio Einaudi; XXVIII-302 pages; hardcover,
illustrations, maps, bibliography, index. ISBN: 8806178598; 25.
The link between war and death and between war and cruelty may, at first,
appear trivial, in the sense that all wars are cruel and deadly, but not all cruelties are
free. In an era in which we are spectators, often distracted by many episodes of war
more or less traditional, De Luna reminds us that killing an enemy and punishing him
are not exactly the same thing. What is new in this work is the central context of
images showing killed enemies, although the final conclusion comes down to using
images as examples fourteen; thirteen in the text and one on the cover - and
describing, through text, hundreds, and perhaps thousands, of others. This view
opens up entirely new considerations, such as, for example, penetrating the analysis
of violence and death in contemporary wars through the stories 'written' on the body
of the killed enemy.
A body whose symbolic value is established in the individual and collective needs of
each society involved in a conflict. This then becomes, in turn, a source which can be
interrogated in addition to the narratives of writers, journalists, military historians and
chroniclers, medical reports and, especially, among the structures of the visual images
in which the bodies are in their majority: "put posing, dramas, exposed to light to be
photographed". For this reason, it happens frequently that the images of slain
enemies represent two contradictory realities. To demonstrate a picture in the book
which shows its ambivalence and real-staged drama, the author chose the photo
portraying the Executioner posing by the gallows alongside the witnesses to the
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execution of Cesare Battisti, who was hanged by the Austrians in the castle of Trento
on July 12th, 1916.
The book tells of war and dead bodies, and traces a route from Brazil in the sixteenth
century through the Boxer Rebellion, and reaches the conflict in contemporary Iraq,
going through all the wars of the last century. The author proposes: "the image of a
mass death unprecedented in history, both for the impressive figures, and for
coordinates within which it is inscribed". Photography in the twentieth century has
formed the iconography of death more extensively than any other period in history.
About these type of images De Luna writes no coincidence: "The most poignant and
disturbing is certainly photographic documentation currently available on the Nazi
concentration camps. The historian who approaches those images does so with a kind
of awe, knowing that this is documentation pertaining to the history of humanity. The
scholars are on the edge of a 'black hole' in which they risk plunging both their
professional and existential dimension: the presence of those documents not allows
any methodological naivety, no complacency narrative; in this case the test of 'true'
and 'false' - the backbone of any criticism of the sources - is aimed at overcoming the
meaning attributed to it within the methodology of historical research, to take on
much more wide significance, connected to a debate that touches the ultimate
reasons of our civilization".
Obviously, the difficulties of reading this book appear, in this way, to investigate
properly the characteristics of the new documentation, to which historians today often
subvert, for example, the intent of the photographer (who portrays the man's body
often as a victim and not as an enemy); without considering the visual structures of
the images that can inspire models of representation consolidated in the
contemporary imagination. For those who have the will to choose this path, the
methodological strength resulting from investigating the images in a new and different
way remains intact, without relegating them to the role of illustrative frame, a fact
certainly not very common. Impulses for reflection (as well as for a proposal based on
a language not yet fully shared, and therefore easy to misunderstand) will inevitably
characterize the discussion around Lunas thesis. However, it is important that these
issues open a serious debate: in fact, the essay puts forth, indirectly, an important
methodological problem.
(CP)
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REID, Stuart; Scots Armies in the Great Rebellion 1638-1658; Nottingham,
Partizan Press; 236 p.; hardcover; illustrations; bibliography; index. ISBN: 978-1-
85818-693-1; GBP 29,50 (. 40,27)
Stuart Reid has provided a new study on the Scottish armies during a historical
period of great change in the British Isles. The rebellion began with the accession of
the Scottish Covenanters to the cause of King Charles I. The armies fielded were not a
mass of irregulars and rebels, but the actual army of Scotland. While the conflict
began as yet another fight by Scotland against England, the war produced
international repercussions by drawing the interests of France and, especially, Spain.
The author reviews the major components of the army and expands the
understanding of a period of military history marked by transition and tactical
experimentations, destined to leave a lasting impact for all the nations involved. Of
great interest is the remarkable collection of insignias used by Scottish units on
campaign: a heraldic narration of the Scottish political scene in the mid-seventeenth
century. Equally interesting are the historical notes and organics of the regiments
involved in the war.
(BM)
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The Best on the Net
A guide to the best websites of military history and uniformology
There are many websites that tell a story or follow defined paths, within which collect,
and make available, images and texts. On the other hand, there are sites that can instead be
defined as generalist and include everything to do with the history, uniforms and milestones
at large. One of the more interesting syntheses of these websites, and without doubt one of
the richest offered by the net, is the German site Deutsche Militrgeschichte
http://www.grosser-generalstab.de/which has operated for the past fifteen years with regular
updates of new contents.
Apart from the unusual graphical interface, which can be a cause of some concern to more
demanding Internet users, the appeal of the pages is very worthy of the typical Germanic
rigor in historical narration. Most of the content is devoted to the German army in the
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imperial age, with beautiful, detailed images of the original uniforms of the early 1900s.Do
not overlook the high definition series of plates from the Grosse Uniformenkunde by Richard
Kntel. The site offers the opportunity to access a twin site devoted to the Austrian army,
with many interesting regimental histories starting from the eighteenth century. The only
drawback, for those unfamiliar with German are the texts, written in the language of Kaiser
Wilhelm II.
Another site devoted to the imperial Germanarmy, but unlike the previous, focuses only
on the colonial period.
German Colonial Uniforms, http://www.germancolonialuniforms.co.uk/ managed since
2004 by the talented Chris Dale, is completely in English, and for this reason, perhaps,
accessible to a greater number of Internet users.
The richness and abundance of the material is extraordinary and each topic is accompanied
by a remarkable quantity of images. Just to give a brief list of the topics covered on the site,
they range from uniforms in the western German colonies to Asia and the South Pacific. Much
space is also dedicated to the Austro-Hungarian armed forces on the overseas fronts during
the First World War. The site contains an archive of beautiful military decorations, badges and
ranks of different specialties of the imperial army and navy in the years before the Great War,
as well as an extensive photo gallery of souvenirs, postcards and regalia of the German
colonies. Chris has also been of great help in realizing the illustrations for the article on
German Samoa in Forgotten Fronts of WWI.
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One of the best examples of the philosophy of the blog can be foundin the excellent
site Anno Domini 1672 http://rampjaar.blogspot.it/ maintained and updated by Edwin Groot
in the Netherlands.
The main theme is the Dutch War of 1672-1678, although the site offers contents ranging
from the Anglo-Dutch conflicts throughout the seventeenth century. The posts, updated more
or less sporadically, are always interesting and never banal, but, above all, address a theme
that outside the Netherlands is sparsely attended. Thanks to the Dutch-English bilingual
edition, we can access this information with relative ease. This website stands as a model of
clarity and passion for the history that really deserves top marks.
(BM)
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