BIBLIOGRAPHY UPDATE : UPDATE MAY 2017

Main Study List / Bibliography

Allen, F and Dale T (2015) As if They Existed Turner Contemporary, Margate

Als, H (2017) The Inclusive Humanity of Alice Nee's Paintings, The New Yorker, New York
http://www.newyorker.com/culture/culture-desk/the-inclusive-humanity-of-alice-neels-paintings

F Als and Cooke, L (2016) Conversation : Francis Als and Lynne Cooke, 21/5/16, The Menil
Collection
Houston,
https://www.youtube.com/watch?v=TSsUa_boAYk

Beech, D, (2015), Art and Value Arts Economic Exceptionalism in Classical, Neoclassical and
Marxist Economics, Brill Publishing.

Berger, J, (1972), Ways of Seeing T.V Show Episode 3. BBC

Berger, J, (1972), Ways of Seeing Penguin Books BBC

Berger, J (1969), The Changing View of man In the Portrait, The Moment of Cubism and other
essays, Verso pp. 41-47

Berger, J (2015) Portraits, Verso, London

Bird, J (2016) Leon Golub Power Play The Political Portraits, Reaktion Books, London

Bradley, W and Esche Charles (2007) Art and Social Change, A Critical Reader, Tate, Afterall,
London

Bray, Z (2015) Painting Anthropology, Anthropology News,

http://www.anthropologynews.org/index.php/2015/11/25/paintinganthropology/

Bourdieu, P, (1986), 'The Forms of Capital.' In J. Richardson (Ed.) Handbook of Theory and
Research for theSociology of Education (New York, Greenwood), 241-258.

Bishop, C, (2006), Participation (Documents of Contemporary Art) Whitechapel Gallery, MIT

PRESS
Bishop, C (2006) The Social Turn, Collaboration and it's Discontents, Artforum, New York,

Bourriaud, N, (1998), Relational Aesthetics Les Presse Du Reel, Paris

Brandon K, (2016) In Two Twos, RWA, Bristol 2016

Byrne, J, Social Autonomy and the Use Value of Art, Afterall pp 60 - 69 2016, London

Brilliant (1991) R Portraiture Reaktion Books, London

Wolfgang Brckle (2013) 'Face-Off in Weimar Culture: The Physiognomic Paradigm, Competing
Portrait Anthologies, and August Sanders Face of Our Time', Tate Papers, no.19, Spring 2013,
http://www.tate.org.uk/research/publications/tate-papers/19/face-off-in-weimar-culture-the-
physiognomic-paradigm-competing-portrait-anthologies-and-august-sanders-face-of-our-time,
accessed 29 May 2017.

Campbell B (1984) Wigan Pier Revisited Virago, London

Carson and Miller, Game Playing in museum's mass, (2016) Embodied Methodologies, London
(conference)

Coates, M (2014) A Practical Guide to Unconscious Reasoning, Bookworks, London

Cooke, L Francis Als Instigator, Investigator

Clinton, P (2017) The Turner Prize and Identity Politics,

Frieze, London https://frieze.com/article/turner-prize-identity-politics

Dezeuze, A (2012) The 'do-it-yourself artwork from Participation to New Media, Manchester
University Press, Manchester

Fusco, C (2017) Censorship, Not the Painting, Must Go: On Dana Schut's Image of Emmett Till
Hyperallergic, New York
https://hyperallergic.com/368290/censorship-not-the-painting-must-go-on-dana-schutzs-image-
of-emmett-till/

Garb, T (2010) The human race torn to pieces. The Painted Portraits of Alice Neel, pp.16-33
The Museum of Fine Arts, Houston

Graw I, Lajer Burcharth (2016) Painting Beyond Itself, Painting in the Post-Medium Condition,
Sternberg Press, Berlin

Dobbs, S, (2016) Capital Volume 1 An abridged edition, Marxist World, London

Focault M (1994) The Order of Things, Routledge, London, 1994

Freeman, A (2017) Can Richard Prince really disown his own art, Dazed
http://www.dazeddigital.com/artsandculture/article/34347/1/can-richard-prince-really-disown-
his-own-art

Graw, I, (2012), 'The Value of Painting ; Notes on Unspecificity, Idexicality and Highly Valuable
Quasi-
Person.' Thinking through Painting Reflexivity and Agency beyond the Canvas.' Editors: Graw, I,
Birnbaum,N, Hirsch,N. Institute for Kunstkritik Sternberg Press

Gibson-Graham J,K An Ethical Guide for Transforming Our Communities, University of Minnesota
Press, Minneapolis, London 2013

Gingeras A M, (2002) Dear Painter, Paint Me, Centre Pompidou, Paris

Grindon, G, (2011), Surrealism, and the Refusal of Work: Autonomy, Activism and Social
Participation in the Radical Avant-Garde, The Oxford Art Journal 34:1,pp.79-96

Hockney, D, (2016) 82 Portraits and one still life Royal Academy of Art, London

Hogan E (2014) About Face http://aboutfaceconceptsofportraiture.com/, UAL, London

Hyde, L, (1979), The Gift, Imagination and The Erotic Life of Property Random House

Hch, H (1920), The Painter

Hope, S (2011) Participating in the wrong way, four experiments by Sophie Hope, Cultural
Democracy Editions http://sophiehope.org.uk/research/

Higgie, J (2015), One Day, Something Happens, Paintings of People, Hayward Publishing

Hull, H (2007) The Scales of Socially Engaged Practice : Towards a Shared Langauge
http://hannahhull.co.uk/page44.htm

Johnson, C (2016) Private sale belived to be one of contemporary artwork's largest

ever, guardian, London
https://www.theguardian.com/artanddesign/2016/feb/18/500m-private-sale-believed-
to-be-new-record-for-contemporary-artwork
Joselit, D, (2009), Painting Beside Itself October 130, 125 -134 Fall

Kester, G (2004) Conversation Pieces, University of California Press, Berkley, Los Angeles,
London

Kimbell, W (2014) How Do People Feel about the Gramsci Monument, One Year Later ?
published online by artfcity.com 20/8/2014 accessed 10/11/2015

Kitaj : The Architects Colin St John Wilson and M J Long (2008) Black Dog, London

Kirszenbaum, M, (2015) Blinds and Mirrors, Jordan Casteel, Tomasz Kowalski, Birgit Megerele,
Flash Art, Volume 48, pp.80 87

Krauss, R, (1999) A Voyage on the North Sea. Art in the Age of the Post-Medium Condition,
London: Thames Hudson

Kunst, B (2015) Artist At Work Proximity of Art and Capitalism, Zero Books, Hampshire 2015

Lawson, T, (1981), 'Last Exit Painting', Artforum, October 1981 pp.40-47

Marx, K, (1867), Capital : A critique of Political Economy Hamburg: Verlag von Otto Meissner
Mlicka, A Imagining a 'relational' painting Journal of Contemporary Painting Volume 2 Number 2,
2016
Mirzoeff (2015) How to See the World, Pelican, London
Parkes, O (2016) Deceptively Whimsy Paintings with a Political Stroke, Broadley, Vice,
https://broadly.vice.com/en_us/article/sophie-von-hellerman-interview
Purves, T(2004) What We Want is Free Generosity and Exchange in recent art, SUNY Press
Rollen, C (2010) Les Cox Sportif John E Millais Scmitt Et Reiss, Sea Records, York

Rossler, M,(2011) 'Take the Money and Run ? Can Political and Socio- Critical Art survive. '
pp.104-144, Sternberg Press, Berlin
Sayej, N (2017) Claudia Rankine on Whitney Biennial row: 'Anyone who is subject to a culture
can use it.
Guardian, London
https://www.theguardian.com/artanddesign/2017/apr/10/claudia-rankine-whitney-biennial-
emmett-till-painting?CMP=share_btn_tw
Schama, Simon (2015) The Face of Britain, BBC TV
Schragg, A (2015) The Artist as Social Worker Vs. The Artist as Social Wanker, Beyond
The Gallery, Axis Web, Leeds https://www.axisweb.org/archive/news-and-
views/beyond-the-gallery/provocation-from-anthony-schrag/
Wakefield, M L (2013) Informal peer learning between contemporary artists in Bristol and
selected UK cities outside London PhD, University of the West of England. Available from:
http://eprints.uwe.ac.uk/23035
Waywell, C, (2015) Ask an artist: We talk to Marcus Coates about his Answer Painting project.
Time Out, http://www.timeout.com/london/art/ask-an-artist-we-talk-to-marcus-coates-about-his-
answer-painting-project
West, S, (2004) Portraiture, Oxford University Press, Oxford
Willats S,(2010) The Artist as an Instigator of Changes in Social Cognition and Behaviour,
Occasional Papers, London
Wolff J(1993) The Social Production of Art Macmillan, London 1993

Wood, C (2012) 'Painting in the Shape of a House.' , A Bigger Splash, Painting after
Performance. Tate Publishing
Woodall, J (1997) Portraiture, Facing The Subject, Manchester University Press, 1997