6: 5 - Concepts in Play

NOTE! This chart was created with Power Tab. A known issue with Power Tab is occasional incorrect labeling of accidentals in standard
notation. The notes are the correct pitch, but sharps and flats may be incorrectly labeled (ex. a D# may be labeled Eb).
y
` ` ` `` ` ` ` `
c
A 13 9 D maj7 B 7 13 9 E m7 A 13 9

ce V V
1
I 68 j e V
FullM FullM
T
A 8 8
6
B
`
D maj7 `` `
B 7 13 9 E m7` ` `
A 13 9

e V V gV e V
6
I eV V eV
u
V
u
W j eV
M M
Full Full

T 7 9
A 6 6 6 (6) 8 8
8 6
B
`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

e V gV f V d
eV V e V V e V e V gV V V eV V eV V V ee V
10
I u k v
u v
M
Full FullM
4
T 7 6 4
A 8 8 6 6 6 6 7 5 4
8 6 8 7
B
`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

e V gV e V gV R cee V V
P e V gV e V e V gV V V
15
I eW k k
FullM
9
T 12 11 9 10
9 8 8
A 6 11 8 11 10
B
` `` ` sl.
` sl.
` `
c
D maj7 B 7 13 9 E m7 A 13 9

eV V j
19
I j k eV eV V gV V e V V k e V gV e V gV V
T
A 6 6 8 7
3 6 6 8 6 6 8
B 4 6 9
sl.
 6: 5 - Concepts in Play

` `` ` E`m7 A`13`9
gV V V V e V V gV V V V ee V V e V V gV V f V V
D maj7 B 7 13 9

e V V g V eV V V V V V
23
I j j eV
M M
Full Full

9 9 11 11 9 9
T 9 9 9 12 12 10 10 9 9 7 7 6 6 4 4 3 3
A 8 10 5 5
11
B
sl.

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

V V V V c j gV V gV V V V e Vee V V gV e V
28 P P
I z z z z P P e V V gV V k eV eV e V u
4 7 4 7 4 5 4
T 6 7 4
4 5 4 5 4 5 4 5 3 6
A 6 3 6 6 4
B 6
H H H H P

`
D maj7 `` ` B 7 13 9 `
E m7 ` `
A 13 9

V e V V V V V V V e V e V e V e V gV V e V gV
e V gV e V V V V gV V j
32
I gV V V e V
\\\\\\\
T 6 9 6 9 6 9 6 9
A 9 8 6 8 6 7 10 10 9
8 8 6 6 9 8 8 11
B 8 11 9
sl. H P H P H P sl. P H P sl.

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

V V V V eV V V V V
36
I l eV eV eV k e V e V gV V V ee V V V V e V gV V gV f V e V
1/2 M
T
A 9 7 6 10 6 5
8 11 11 9 9 8 8 7 7 6 4 3 4 3 1
B 11 11 9
sl.

` `` ` ` ` `
gV gV V V
D maj7 B 7 13 9 E m7 A 13 9

u gV V gV bP P e V V
41
I eW j z z u `Pz azP V P V
z
P P eV eV V
z z eV
\\\\\
16 16
T 14 14 14
13 13 13 14 15
A 13 14 15 14 15 15 14 13 13
B 4 16 11
H H H H H P P
 6: 5 - Concepts in Play

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

eV
j e V gV V V V e V gV V e V gV e V V
45
I k gV Pz Pz V V e Vee V V V V V V V V V V V

16
T 14 14 14
A 13 15 13
15 13 11 11 12 13 11
B 13 11 13 11 12 11
15
11 12 11
15
11 12 11
15
sl. H H H P H P H P

` `` ` `
V V
D maj7 B 7 13 9 E m7

gV V gV V V V V gV
`P V e V gV V e V gV V V V V
I e V f V e V V V f V e V R R e V
49
gV `P aP f V z 3 3
3 3 3 3

16 16 16 16 17
T 14 14 14 14 14 14 14 14 14
A 13 13 13 15 15
11 13 15
B 11 12 11
15
11 12 11
14 11 12 13
H P H P sl.
H H

` `
A 13 9
ee V V e V gV V eV
eV eV V V V eV V V ee V V gV V
52
I
17 17 16 14 13
T 14 16 15 13
A 15 16 13 16 13 14 13 13
16
B

` `` ` ` ` `
`P aP V e V P Pz e V e V V e V V V
D maj7 B 7 13 9 E m7 A 13 9
gV V fV eV
54
I z z z gW u u
FullM M
Full

T 7 7 6
A 13 6
13 14 15 14 15 13 11 13 11 13
B 13 11
H H H sl. H

` `` ` ` ` `
eV V V V V
D maj7 B 7 13 9 E m7 A 13 9
gW
58
I eW u
FullM M FullM FullM FullM
Full

T 7 7 7 7 7 7
A 6
B
 6: 5 - Concepts in Play

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

gV V e V V e V e V V gV V e V gV e V V V aP e V gV e V V Vee V e V
eV V
ee V V V u
62
I j eV z V
u
M
Full M
1/2 M
1/2

6 4 7
T 7 9 9 6 6
6 6 8 6 6 8 9 8 6 6 5 5
A 6 8 8 7 6 7
B
sl. P sl.
D`maj7 B`7`13`9 E`m7 A`13`9
P H

c
V V eV gV V V V gV V e V V e V gV V ee V e V gV V
67
I u j k V V V V ee V
3
v
8 9 9 9 9 9 11 9
T 9 11 9 12 10 9
A 11 9
10 9 10 9
B 12

` `` ` ` ` `
H P H P
D maj7 B 7 13 9 E m7 A 13 9

eV V d d d
eV eV V V V V ee V V V V
71
I eV eV l V V V V V V l V l l
T 11 11 11 11 10 10
A 11 11 11 11 12 12 12 13 13 13 14 14 14
B 11 11
sl. sl. sl.
D maj7` `` `
B 7 13 9 `
E m7 ` `
A 13 9

ee V d
d gV V
V V V V V eW e V gV e V V V
gee VV
V V
egVVV f eee VVV e e f VVVV
75
I l k k k k k l
FullM
16 17 13 10 8 7
T 13 13 14 16 15 12 10 9
A 15 14 11 9 8
15 15 15 16 16 13 11 10
B
sl. sl. sl.
D`maj7 B`7`13`9 E`m7 ` `
A 13 9

eV eV c c
eW R R gV V V P e V V
80
I j j k gV bP P e V u z j eV
FullM
9
T 9
8 6 6 6 8 (8)
A 6 6 7 8 8 6
B
H H sl.
 6: 5 - Concepts in Play

`
D maj7 `` `
B 7 13 9 E m7` ` `
A 13 9

gV e V
84
I j eV k eV eV V
k gV V gV k gV V e V f V W j
M
Full \\\\\\\\\\\\\\\\\\\\\
T 7 9
A 6 8 (8) 6 6 8 5 (5)
6 6 6 6
B
sl. H H P
`
D maj7 `` ` B 7 13 9 `
E m7 ` `
A 13 9

VV VV VV VV VV VV egWW c
e
V V V V V V W e e VV gVV V VVV
88
I j j j gee VVV V j eV
eV
8 8 8 8 8 8 9 6 1
T 6 6 6 6 6 6 7 7 7 3
A 8 8 8 8 8 8 7 6 2
4 6
B 4

`
D maj7 `` `
B 7 13 9 E m7 ` ` `
A 13 9 `
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

eV eV
eV eW W W eV eV
93
I ee WW W
W
W
W j eV eW W W j j
9 (9) (9) 16 21
T 9
A 6 (6) (6) 6 (6) (6) 13 18
6
B 4 (4) (4)

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9 `
D maj7

eW gV e V gV
eW e V gV gV V e V V V e V W W eW
101
I j
M M
Full Full M
Full

21 16
T 16 14 14 14 14 14 16 (16) 15 14
A 18 15 13 15
B

` ` ` `` ` ` ` `
c
A 13 9 D maj7 B 7 13 9 E m7 A 13 9 Melodic idea

ce V V
107
I 68 j eV
Gtr I FullM FullM
T
A 8 8
6
B
 6: 5 - Concepts in Play

`
D maj7 `` `
B 7 13 9 E m7` ` `
A 13 9

gV e V
112
I eV V eV
u
V
u
W j eV eV V
M M
Full Full

T 7 9
A 6 6 6 (6) 8 8
8 6
B

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

e V gV f V d
eV V e V V e V e V gV V V eV V eV V V ee V
116
I u k v
u v
M
Full FullM Diminished scale
4
T 7 6 4
A 8 8 6 6 6 6 7 5 4
8 6 8 7
B

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

e V gV e V gV R cee V V
P e V gV e V e V gV V V
121
I eW k k
FullM b9 of Ab7
9
T 12 11 9 10
9 8 8
A 6 11 8 11 10
B
sl. sl.
` `` ` ` ` `
c
D maj7 B 7 13 9 E m7 A 13 9

e V V j
125
I j k eV eV V gV V e V V k e V gV e V gV V
Ab is common to both chords D is part of the diminished scale
T
A 6 6 8 7
3 6 6 8 6 6 8
B 4 6 9
sl.
` `` ` E`m7 A`13`9
gV V V V e V V gV V V V ee V V e V V gV V f V V
D maj7 B 7 13 9

e V V g V eV V V V V V
129
I j j eV
Db triad used over a Bb7 chord works
because it is common to both chords M M
Full Full
Right down a diminished scale
9 9 11 11 9 9
T 9 9 9 12 12 10 10 9 9 7 7 6 6 4 4 3 3
A 8 10 5 5
11
B
sl.
 6: 5 - Concepts in Play

Diminished scale

`
D maj7 `` `
B 7 13 9 `
E m7 ` ` A 13 9

V V V V c j gV V gV V V V e Vee V V gV e V
134 P P
I z z z z P P e V V gV V k eV eV eV u
Ebminor triad Dbmaj triad
4 7 4 7 4 5 4
T 6 7 4
4 5 4 5 4 5 4 5 3 6
A 6 3 6 6 4
B 6
H H H H P sl.
`
D maj7 `` ` B 7 13 9 E m7` ` `
A 13 9

V e V V V V V V V e V e V e V e V gV V e V gV
e V gV e V V V V gV V j
138
I gV V V e V
Targets the 3rd of the chord, D natural
Outlines the chord then lands on a good tension note
\\\\\\\
T 6 9 6 9 6 9 6 9
A 9 8 6 8 6 7 10 10 9
8 8 6 6 9 8 8 11
B 8 11 9
sl. H P H P H P sl. P H P sl.
`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

V V V V eV V V V V
142
I l eV eV eV k e V e V gV V V ee V V V V e V gV V gV f V e V
1/2M Outlines the Bb7 with
a b9 and 3rd Imitates the lick from the previous 2 measures then down the diminished scale

T
A 9 7 6 10 6 5
8 11 11 9 9 8 8 7 7 6 4 3 4 3 1
B 11 11 9
sl.
` `` ` ` ` `
gV gV V V
D maj7 B 7 13 9 E m7 A 13 9

u gV V gV bP P e V V
147
I eW j z z u `Pz azP V P V
z
P P eV eV V
z z eV
Nice bluesy lick \\\\\
16 16
T 14 14 14
13 13 13 14 15
A 13 14 15 14 15 15 14 13 13
B 4 16 11
H H H H H P P
`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

eV
j e V gV V V V e V gV V e V gV e V V
151
I k gV Pz Pz V V e Vee V V V V V V V V V V V
Accents the #9, Db
16
T 14 14 14
A 13 15 13
15 13 11 11 12 13 11
B 13 11 13 11 12 11
15
11 12 11
15
11 12 11
15
sl. H H H P H P H P
 6: 5 - Concepts in Play

Repetitive line is common to all chords

` `` ` `
V V
D maj7 B 7 13 9 E m7

gV V gV V V V V gV
`P V e V g V V e V gV V V V V
155 R R e
I e V f V e V V V f V e V gV `P aP f V zV
3 3 3 3
3 3
16 16 16 16 17
T 14 14 14 14 14 14 14 14 14
A 13 13 13 15 15
11 13 15
B 11 12 11
15
11 12 11
14 11 12 13
H P H P sl.
H H

` `
A 13 9
ee V V e V gV
Diminished scale
V eV
eV eV V V V eV V V ee V V gV V
158
I
17 17 16 14 13
T 14 16 15 13
A 15 16 13 16 13 14 13 13
16
B

` `` ` ` ` `
Back to a melodic idea

`P aP V e V P Pz e V e V V e V V V
D maj7 B 7 13 9 E m7 A 13 9
gV V fV eV
160
I z z z gW u u
M
Full M
Full

T 7 7 6
A 13 6
13 14 15 14 15 13 11 13 11 13
B 13 11
H H H sl. H

` `` ` ` ` `
eV V V V V
D maj7 B 7 13 9 E m7 A 13 9
gW
164
I eW u
FullM M FullM FullM FullM
Full

T 7 7 7 7 7 7
A 6
B

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9

gV V e V V e V e V V gV V e V gV e V V V aP e V gV e V V Vee V e V ee V V V eV V
168
I j eV z V u
Bluesy lick through the chords
u
M
Full M
1/2 M
1/2 Diminished arpeggio shape

6 4 7
T 7 9 9 6 6
6 6 8 6 6 8 9 8 6 6 5 5
A 6 8 8 7 6 7
B
P sl. P sl. H
 6: 5 - Concepts in Play

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9
c
V V eV gV V V V gV V e V V e V gV V ee V e V gV V
173
I u j k V V V V ee V
#9 of Bb7
3
v
Diminished scale
8 9 9 9 9 9 11 9
T 9 11 9 12 10 9
A 11 9
10 9 10 9
B 12

`
D maj7 B 7 13 9
Next few bars is a great example of using chord tone to connect chords
`` ` H
`
E m7
P
` `
A 13 9
H P

eV V d d d
eV eV V V V V ee V V V V
177
I eV eV l V V V V V V l V l l
T 11 11 11 11 10 10
A 11 11 11 11 12 12 12 13 13 13 14 14 14
B 11 11

`
D maj7 `` `
B 7 13 9
sl.
E m7` sl.
` `
A 13 9
sl. sl.

ee V d
d gV
V V V V V eW e V gV e V V eeg VVVV V V
egVVV f eee VVV e e f VVVV
181
I l k k k k k l
M
Full Movable diminished shape descending in minor 3rds
16 17 13 10 8 7
T 13 13 14 16 15 12 10 9
A 15 14 11 9 8
15 15 15 16 16 13 11 10
B
sl.
`
D maj7
sl.
`` `
B 7 13 9 E m7` sl.
` `
A 13 9

eV eV c c
eW R R gV V V P e V V
186
I j j k gV bP P e V u z j eV

Back to melodic ideas FullM

9
T 9
8 6 6 6 8 (8)
A 6 6 7 8 8 6
B

D maj7 ` `` `
B 7 13 9
H H
`
E m7
sl.
` `
A 13 9

gV e V
190
I j eV k eV eV V
k gV V gV k gV V e V f V W j
FullM \\\\\\\\\\\\\\\\\\\\\
T 7 9
A 6 8 (8) 6 6 8 5 (5)
6 6 6 6
B
sl. H H P
 6: 5 - Concepts in Play

`
D maj7 `` ` B 7 13 9 E m7` ` `
A 13 9

V V V V V V gW c
Ve V VV VV VV VV VV e WW e e VV gVV V VVV
194
I j j j gee VVV V j eV
Notice the top note as a melodic idea
eV
8 8 8 8 8 8 9 6 1
T 6 6 6 6 6 6 7 7 7 3
A 8 8 8 8 8 8 7 6 2
4 6
B
D`maj7 B`7`13`9 E`m7 A`13`9 D`maj7 B`7`13`9 E`m7 A`13`9
4

Nice and easy

eV eV
Db is a common tone
eV eW W W eV eV
199
I ee WW W
W
W
W j eV eW W W j j
9 (9) (9) 16 21
T 9
A 6 (6) (6) 6 (6) (6) 13 18
6
B 4 (4) (4)

`
D maj7 `` `
B 7 13 9 `
E m7 ` `
A 13 9 `
D maj7

eW gV e V gV
eW e V gV gV V e V V V e V W W eW
207
I j
M M
Full Full M
Full

21 16
T 16 14 14 14 14 14 16 (16) 15 14
A 15 13 15
B