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OEDIPUS IN GETHSEMANE:
Archetypal aspects of homosexuality
C. T. FREY-WEHRLIN, Zurich
last for a period of many years and even deepens before coming to
an abrupt end. In some cases the 'end' seems to be caused by appar-
ently 'rational' events, for example, scientific disagreements; but this
is only what appears on the surface. Looked at more closely, the
rational explanation is in no way sufficient to justify the personal
break; the violence and finality of this clearly show that it must have
originated in the emotional depths of those involved. This is also
indicated by the fact that as a rule both parties are deeply wounded,
and in some cases the event leaves deep marks on the subsequent
course of their lives.
At the beginning of the series, not unlike a prelude, we have the
relationship between Freud and, as Roazen (1975, p. 76ff) put it, his
'tutor, leader and support', Breuer. Freud's senior by fourteen years,
Breuer was his brother-in-arms during the early years of psycho-
analysis. Jointly they wrote Studies on Hysteria, to which Breuer
contributed the case of Anna O.who discovered the cathartic
methodas well as a theoretical essay. In the light of the opposition
which the book aroused in medical circles, it was most important for
Freud not to stand alone, even though Breuer suffered more than he
from colleagues' rejection of their new theory. It must be remembered
that Breuer enjoyed a considerable scientific reputation, which pro-
vided most welcome protection under the circumstances. Breuer's
support of Freud also extended to finances; he had loaned him a fairly
substantial sum of money. In 1896, the year Freud's father died, his
feelings for Breuer changed and led to a break. Jones, like Roazen,
agrees that none of their intellectual disagreements was weighty
enough to put a wedge between the two men. Otto Rank suspected
some connection between the rupture and the death of Freud's father.
Right at the beginning of the line we come upon this theme, which
will crop up and will have to be looked at closely time and again in
this paper.
The emotional background becomes crystal clear in the generation
that followed. In 1907, Jung wrote to Freud: 'Actuallyand I confess
this to you with a struggleI have a boundless admiration for you
both as a man and as a researcher, and I bear you no conscious
grudge. So the self-preservation complex does not come froiri there;
it is rather that my veneration for you has something of the character
of a "religious" crush. Though it does not bother me, I still feel it
disgusting and ridiculous because of its undeniable erotic undertone. This
abominable feeling comes from the fact that I was the victim of a sexual
assault by a man I once worshipped' (McGuire 1974, 49J, my italics).
The intensity of Jung's defensiveness against this 'erotic undertone'
is quite striking. But somehow the complex managed to escape the
repression and to come to the notice of the Conscious. That this was
Oedipus in Gethsemane 175
appears not to have been aroused until the third generation, to wit
James Hillman and Peter Schellenbaum. I am very pleased to note
that the situation has begun to change in the past decade, and I hope
that this change in attitude wall also have its positive effects on the
practice of analysis (see also Anon 1989).
After our brief glance at what seems like a more hopeful future, I
suggest that we turn back to the problem in hand. It is my hypothesis
that the long-lasting lack of interest in homosexuality in the past is
the result of a repression, which is incomparably stronger than the
repression of any heterosexual impulses.
Homosexuality is subject to tremendous social taboos, which pro-
hibit it even from being consciously perceived, let alone from identi-
fication with the offender. It is worth noting that the taboo is not
confmed to Jungian analysts by any means. The following quotation
from the letter of a (Freudian) psychoanalyst may be pertinent to the
situation in general: 'Insofar as I can assess the situation in my neck
of the woods, I would say that in therapy the problem is solved by
avoidance of the hot potato by both analyst and analysand; I suspect
that this particular technique of avoidance was first acquired in train-
ing analysis.'
Whenever a problem is subject to such forceful taboos, there must
be reasons other than social opposition for the resistance. It is there-
fore probable that behind the issue at stake there is an archetype
which is so threatening to the conscious mind that it has to be
defended against, no matter what. In what follows I therefore intend
to ferret out some aspects of this archetype as well as the images it
evokes.
I am thinking, for example, of one of the themes we fmd in the
story of Laius, Oedipus' father. Laius was only a year old when his
father died. Later he had to flee from Thebes and was given hospi-
tality by Pelops, the son of Tantalus. Pelops entrusted Laius with the
education of his son, Chrysippus. But Laius was enchanted by the
handsome boy and, while instructing him in chariot-driving, he kid-
napped him and carried him off to his home town, Thebes. This was
the reason for which Euripides named Laius the 'inventor of homo-
erotic passion'. Pelops cursed the kidnapper: 'He might never beget
a son, or if he did, by that son should he be slain' (Kerenyi 1959,
pp. 89ff, reference to Plu. Th. 5d). Chrysippus continued to live at
Laius' home in Thebes even after Laius had chosen Jocasta as his
consort. For love of the handsome boy Laius neglected his spouse,
thus provoking the ire of Hera, who set the Sphinx upon Thebes as
punishment. When Chrysippus ultimately died a violent death, Apol-
lo's hatred was aroused against Laius, given that the god was the
protector of boys and tender youths.
Oedipus in Gethsemane 179
I was struck by the fact that the antecedents of the Oedipus myth
are relatively unknown among analysts. It just may be that this is
not a coincidence. Depth psychology concentrated on the figure of
Oedipus. As a result, the fact that underlying the mother-son incest
and the murderous father-son relationship we have the homosexual
sin of Laius, the hero's father, was overlooked. It was a sin inasmuch
as, for love of the youth, Laius neglected love for his wife, a collec-
tively recognized value, which is represented by no one less than the
goddess Hera. Nowadays, we no longer give the names of Greek
gods to our dominant values. This does tiot alter the fact that homo-
erotic fascination is the factor underlying the more evident mother
son incest and the murderous father-son relationship, aside from the
fact that it was the trigger that set in motion the whole tragedy. The
question that now arises is whether the drama would take the same
(well-known) course, if the fascination did not have to be hidden, if
it was not repressed. Repression inevitably means that Chrysippus
may not live, that he is put to a violent death in Laius' homeand
this arouses Apollo's ire. In other words, is there any way, any
possibility of allowing Chrysippus to remain alive and thus changing
the turn of events? Permitting Chrysippus to stay alive may mean
no more and no less than allowing the homosexual impulse to live.
Admitting it might mean giving it a chance to grow, to grow up,
in fact, for the purpose of revealing its nature and its meaning. At
this stage I merely want to raise the question without trying to
answer it straightaway. For the moment, I want us to look for other
images which might be pertinent to this disturbing archetype.
Jewish culture offers, in fact, one such image. Chapter 22 of Genesis
tells the story of the akedah, the binding of Isaac. Yahveh put Abrah-
am's loyalty to the test by requesting him to sacrifice his son Isaac.
The 'trial' theme reminds us of Job. In that story Satan induces
Yahveh to put Job to the test. In the first akedah story, Satan had
not yet become a figure apart from God; the two facets (good and
evil) were still conjoined in Yahveh. The suggestion therefore ema-
nates from God himself, that is, from his own dark side, the dark
side of the Self in psychological terms. This is the classic w^ay in
w^hich the process of developing consciousness is initiated: the dark,
alienated side of the Self, the Shadow, comes closer to the Ego and
provokes a crisis.
In the context of concern to us here, we are less interested in the
Biblical story than in the transformation it underwent as Jew^ish
religion evolved. In developing the theme, I base myself essentially
on G. Dreifuss's studies on the subject (Dreifuss 1971, 1975).
During one-and-a-half thousand years, far into the Middle Ages,
Jewish legends on the subject emerged and developed the theme of
i8o C. T. Frey-Wehrlin
Aside from the historical context in which the poem was composed,
we cannot escape a psychological interpretation: it is the son who is
sacrificed, that is, the development of the living, the open future,
and his sacrifice is the price for the preservation of the existing values,
i.e., of God, and thus the upholding of the status quo.
The dynamics described here are obviously of great importance for
the conflict of generations in general. This conflict is based on an
opposition, and the outer contrast between father and son corresponds
to the inner one between the Conscious and the Unconscious. The
analogy finds expression in the well-known fact, also referred to by
Jung, that frequently children live the unlived aspects of their parents'
lives. Yet, these unJived aspects also belong to the parents' totality;
owing, however, to their incompatibility with the persona, they are
repressed by the parents and therefore fought in the children. The
resolution of the conflict and the redemption of the parentsthe
'father'seems to require acceptance of the 'son' by uniting with him
for the purpose of creating a new totality.
This would confirm the findings that resulted from our discussion
of the antecedents of the Oedipus myth. There, the issue was accept-
ance of the homosexual impulse by allowing Chrysippus to live,
whereas in the case of the father's murderous impulse toward the
son, we are shown the repressed and therefore perverted desire for
erotic merger {coniunctio). For in this manner a new totality would be
achieved and the life cycle would be able to resume at a new level.
Looking at the matter from this vantage point, I sense that a new
question arises, which I cannot go into now but which I do want to
formulate at least: could it be that, in addition to the coniunctio of
opposites, so dear to the hearts of the alchemists and Jung, there
might be an equally creative coniunctio of likes?
Traditionally, the son sacrificed by the father as described in the
Oedipus in Gethsemane i8i