Beruflich Dokumente
Kultur Dokumente
C. Sokol
Fall 2009
q=132
m.4 Major triads:
Chromatic scale as melody: m.1 Major triads: Soprano position of the root
closed voicings of major triads soprano position of the 5th
Piano
Left hand plays roots of triads
Major triads: Soprano position of the 3rd
Pno.
Chromatic scale as m.10 Major triads: Soprano position of the 5th m.13 Major triads: Soprano position of the root
melody: open voicings
10
Pno.
m.16 Major triads: Soprano position of the 3rd
15
Pno.
Copyright 2009
2 Whole-tone scale as melody: Minor triads: Minor triads:
soprano position of the 3th soprano position of the root
closed voicings of minor triads
19
Minor triads:
Pno. soprano position of the 5th
Whole-tone scale as Minor triads: Minor triads:
melody: open voicings
soprano position of the 3rd soprano position of the root
22
Pno. Minor triads:
soprano position of the 5th
Alternating major/minor:
soprano root position Alternating major/minor: Alternating major/minor:
25 soprano as 3rd soprano as 5th
Pno.
Whole-tone scale as melody:
shifting soprano position: 1<>3 Major triads
28
Minor triads
Pno.
Whole-tone scale as melody:
shifting soprano position: 1<>5
Minor triads Major triads
32
Pno.
Whole-tone scale as melody:
alternating soprano position: 3<>5 3
Major triads
36 Minor triads
Pno.
Whole-tone scale as melody:
sequence of soprano positions: 1>3>5
Minor triads Major triads
40
Pno.
Whole-tone scale as melody:
sequence of soprano positions: 1>3>5>3 Minor triads
44
5 3 1 3 5 3
1 3 5 3 1 3
Pno.
Whole-tone scale as melody:
sequence of soprano positions: 1>3>5>3 Major triads
46
Pno.
Whole-tone scale as melody:
sequence of soprano positions: 1>3>5>3
with embellishments to bass line Minor triads
48
5 3 1 3 5 3
1 3 5 3 1 3
Pno.
Whole-tone scale as melody: sequence of minor triads with soprano positions: 1>3>5>3
4 including to bass line and partial lineation in right hand triads
50
3 1 3
5 3 1 3 5 3
Pno. 1 3 5
Whole-tone scale as melody: sequence of minor triads with soprano positions: 1>3>5>3
with greater elaboration in both hands
52
3 3 5 1 3 1 5 3
Pno. 1 3 5 3
54
1 5 3 1 3
3
Pno.
55
5 3 1 3 5 3
Pno.
Diminished scale as melody:
sequence of soprano positions: 1>5>3 And on it goes ... write your own ...s
57 sequence of alternating major<>minor triads
mf
Pno.
mfs
Same sequence as the previous one but with partial and full lineation, 5
passing and neighbor tones, octave doubling, lots of fun and excitement.
59
Pno.
61
Pno.
62
Pno. sfz
Simple melody with parallel intervals
64
Pno. p
70
Pno.
6
Simple melody with parallel intervals
76
Pno.
82 rit.
Pno.
Same as previous including embellishments: octave displacement, lineation, octave doubling, one permutation, and bifurcation of texture
88 q=56
p
Pno.
p
q=88 Same simple diatonic melody with
Diatonic triads: 3<>5
93
Pno.
etc.
Diatonic melody with Diatonic melody with Diatonic melody with parallel chord voicings:
minor<>major triads: 3<>5 major<>minor triads: 3<>5 dominant 9 chords
98
Pno.
Diatonic melody with parallel voicings: 7
Diatonic melody with parallel voicings: Same with elaboration
augmented 11 chords
secundal clusters by partial lineation
104
Pno.
109
etc.
Pno.
112
etc.
Pno.