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Dmitri Shostakovich

SIK 2400 seconD eDition


d m i t r i

s h o s ta k o v i c h

sikorski musikverlage hamburg


sik 2400
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2011 by Sikorski Musikverlage Hamburg


printed in Germany (updated: 23 Setember 2014)

Inhalt und Satz: Mark Heyer

sikorski musikverlage
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contents
preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
v orwort . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Juvenilia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
C hronological L ist of Wo r k s . . . . . . . . . . . . . . . . . 14
undated Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220

systematic index of work s


Stage Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Orchestral Works . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Concertos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Wind Orchestra / Band . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
Vocal Works
Solo Voice(s) and Orchestra . . . . . . . . . . . . . . . . . . . . . . . . 225
Solo Voice(s), Choir and Orchestra . . . . . . . . . . . . . . . . . . 226
Choir and Orchestra .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Solo Voice(s), Choir and Piano . . . . . . . . . . . . . . . . . . . . . . 227
Choir and Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Choir a Cappella .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Voice(s) and Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Voice(s) and Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Instrumental Chamber Music
String Quartet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Strings and Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Violin and Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
Violoncello and Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Two Pianos .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Piano Duet .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Piano solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Miscellaneous Instrumental Chamber Works . . . . . . . . . . 234
Incidental Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Film Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Suites from Film Music / Incidental Music / Stage Works . . 237
Arrangements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239

Index of Opus Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244


Works without Opus Number . . . . . . . . . . . . . . . . . . . . . . . . . 252
Alphabetical Index of Works . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Awards .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Alphabetical Index of Names .. . . . . . . . . . . . . . . . . . . . . . . . . 272
DSCH New Collected Works . . . . . . . . . . . . . . . . . . . . . . . . . . 308

5
preface

The catalogue of works of Dmitri Dmitrievich Shostakovich (1906-1975) comprises no few-


er than 147 opus numbers. In addition to these, there are many unnumbered compositions.
Besides 15 symphonies, there are 15 string quartets, two operas and an operetta, three bal-
lets, instrumental concertos, chamber music, cantatas, oratorios, stage music, film music
and songs. A large number of these works are precisely documented by extant manuscripts
or printed scores, performance materials and rich source specifications. On the other hand,
some compositions, due to missing or yet undiscovered source material, can only partially
be catalogued and with some reservations. We know of the existence of some works only
by hearsay. Perhaps individual manuscripts and/or materials of Shostakovichs works are
being stored in archives of various institutions and orchestras of the former Soviet Union,
still waiting for an evaluation.

The present catalogue of works therefore makes no claim to be complete or final. Rath-
er, it is an attempt to briefly document the present bibliographical state of knowledge of
the oeuvre of Dmitri Shostakovich by bringing together and comparatively evaluating the
most varied sources. In this way the user should have the possibility of rapidly gaining an
overview of the compositions of Shostakovich.

One of the essential issues in conceiving this catalogue was to represent the works in
authentic detail, despite all compromising of the extensive material. Alongside the most
precise possible chronological classification, the complete movement designations, titles
and tempo indications were taken into consideration wherever the source specifications al-
lowed. This also applies to the designation of dedicatees, text sources, translators, premiere
performance dates and the designation of persons in the case of stage works and films.
Moreover, important and interesting details were preserved in brief notes, giving informa-
tion, for example, on the works in which Shostakovich quotes or adapts his own music or
that of other composers, or indicating special characteristics of the circumstances of the
works genesis. The systematic part of the catalogue allows the user to easily find works of
particular genres or of specific instrumental combinations. Alongside a compilation of all
compositions with opus numbers and a list of those works without, it is possible to find spe-
cific works with the help of a title register, in which different title variants are also consid-
ered. Finally, the register of names included in the appendix shows any person mentioned
in a work as an interpreter, arranger, a translator, dedicatee, or quoted composer.

Besides the extensive music archives at Sikorski Publishers, the 42-volume edition of the
Complete Works, issued between 1980 and 1989 by the Moscow publishers Musyka, was
drawn upon. The 150-volume New Complete Edition of the Works of Dmitri Shostakovich,
issued by DSCH Publishers, Moscow, was also used. The volumes 1-6, 9, 18, 19, 20, 21,
24, 33 and 69 of this monumental edition, in which long intangible or previously undis-
covered works are finally published, were available for perusal until the editorial deadline.
Moreover, the following publications served as sources: Schostakowitsch by Krzysztof
6
Meyer (Gustav Lbbe, 1995), Shostakovich A Life by Laurel E. Fay (Oxford University
Press, 2000), Shostakovich A Life Remembered by Elizabeth Wilson (Faber and Faber,
1994), The Memoirs of Dmitri Shostakovich edited by Solomon Volkov (in German: Pro-
pylen, 2000), as well as the catalogues of works by Malcolm MacDonald (Boosey &
Hawkes, 1985, Le Chant du Monde, 1988) and Efim Sadovnikov [Notograficheski i biblio-
graficheski spravochnik] (Musyka, 1965). In this connection, however, Derek C. Hulmess
Dmitri Shostakovich A Catalogue, Bibliography and Discography (Scarecrow Press,
2002) is of special importance; its third printing, with a plethora of meticulously researched
material, was of great value for the present compilation.

Due to the large amount of material, extending far beyond the bounds of this catalogue,
a discography has not been included. For the same reason, the numerous stage produc-
tions using music by Dmitri Shostakovich have not been considered here, with just a few
exceptions. Apart from the Complete Edition issued by Musyka and the as yet incomplete
New Complete Edition of DSCH Publishers, no reference has been made to the publishers
of the numerous extant printed editions of his works. The same applies to the inclusion of
adaptations of the works of Shostakovich by other composers here, only the authors and
instrumental combinations of those arrangements known to us have been named.

On the Second, Revised Edition

The preparation of the second edition of this catalogue was used in order to undertake a
fundamental revision which seemed urgently necessary in light of knowledge acquired
through research on Shostakovich. During the course of just a few years, a number of pre-
viously unknown works of Dmitri Shostakovich have been rediscovered; these include the
Prologue to the satirical opera Orango conceived in 1932, a Symphonic Fragment from
the year 1945 as well as an unfinished String Quartet written in 1962.

Since the publication of the first edition of this catalogue in 2005, a considerable number
of volumes (8, 10, 16, 17, 32, 40, 42, 44, 52a, 52b, 54, 64a, 64b, 65, 66, 87, 98, 122, 123,
126, 149) of the successively published DSCH Complete Edition have been issued. Of the
150 volumes planned, therefore, 33 are available. Thus it is now possible to document, for
example, the early film music to New Babylon, Op. 18 and to Odna, Op. 26.
7
At this point we wish to point out the following: among the volumes of the DSCH Com-
plete Edition not yet issued, there are some whose contents, already made known, refer to
works that could only be considered by giving them general mention, also in this second
edition of the Shostakovich catalogue of works. Specifically, these are Volume 93 (Two
Madrigals), Volume 97 (Songs), Volume 109 (Childrens Pieces from the Years between
1915 and the Early 1920s) as well as Volume 111 (Piano Fugues from the 1930s).

A considerable number of details concerning not only the works themselves, but also
the performing interpreters and specific features having to do with the history of the works
reception, could be taken from a number of further secondary sources, among which the
following publications are particularly noteworthy: Shostakovich and His World edited
by Laurel E. Fay (Princeton University Press, 2004), Soviet Music and Society Under Le-
nin and Stalin edited by Neil Edmunds (Routledge, 2004), Dmitri Shostakovich: A Life
in Film by John Riley (I.B.Tauris, 2005), The Cambridge Companion to Shostakovich
edited by Pauline Fairclough and David Fanning (Cambridge University Press, 2008) as
well as Erna Meskhishvilis Catalogue of Works [Dmitri Shostakovich Notograficheski
spravochnik] (Moscow, 1996).

8
vorwort

Das Verzeichnis der Werke Dmitri Dmitrijewitsch Schostakowitschs (1906-1975) umfasst


nicht weniger als 147 Opuszahlen hinzu kommt eine groe Anzahl von unnummerierten
Kompositionen. Neben 15 Symphonien enthlt es 15 Streichquartette, zwei Opern und
eine Operette, drei Ballette, Instrumentalkonzerte, Kammermusik, Kantaten, Oratorien,
Bhnenmusiken, Filmmusik und Lieder. Eine Vielzahl dieser Werke ist durch vorhandene
Manuskripte bzw. durch gedruckte Partituren, Auffhrungsmaterial und reiche Quellenan-
gaben exakt belegt. Dagegen ist eine Reihe von Kompositionen auf Grund fehlenden oder
noch unentdeckten Quellenmaterials nur partiell und unter Vorbehalt bibliographierbar
von der Existenz mancher Werke wei man nur vom Hrensagen. Mglicherweise lagern
in Archiven verschiedener Institutionen und Orchester der ehemaligen Sowjetunion noch
vereinzelt Manuskripte bzw. Materiale von Werken Schostakowitschs, die bis zum heu-
tigen Tag einer Auswertung harren.

Das vorliegende Werkverzeichnis erhebt daher keinesfalls den Anspruch, vollstndig


bzw. endgltig zu sein. Es stellt vielmehr einen Versuch dar, auf knappem Raum durch
Zusammenfhrung und vergleichende Auswertung verschiedenster Quellen den derzei-
tigen bibliographischen Kenntnisstand zum OEuvre von Dmitri Schostakowitsch zu doku-
mentieren. Dem Benutzer soll auf diese Weise die Mglichkeit gegeben werden, sich auf
schnellem Weg einen berblick ber die Kompositionen Schostakowitschs zu verschaffen.

Eines der wesentlichen Anliegen bei der Konzeption dieses Verzeichnisses war bei al-
ler Komprimierung des umfangreiches Stoffes, die Werke detailgetreu darzustellen. Neben
einer mglichst exakten chronologischen Einordnung wurden, wo die Quellenlage es er-
laubte, smtliche Satzbezeichnungen, Titel und Tempoangaben bercksichtigt. Dies gilt
auch fr die Nennung von Widmungstrgern, Textquellen, bersetzern, Urauffhrungs-
daten sowie fr die Personenangaben bei Bhnenwerken und Filmen. In kurzen Anmer-
kungen wurden darber hinaus wichtige und interessante Einzelheiten festgehalten, die
beispielsweise darber Auskunft geben, in welchen Werken Schostakowitsch sich selbst
oder andere Komponisten zitiert bzw. bearbeitet hat, oder die auf Besonderheiten der
Werkentstehung verweisen. Der systematische Teil des Kataloges ermglicht es, Werke be-
stimmter Gattungen oder mit bestimmten Besetzungen problemlos ausfindig zu machen.
Neben einer Zusammenstellung aller Kompositionen mit Werknummern und einer Liste
jener Arbeiten, die Schostakowitsch mit keiner Opuszahl versehen hat, ist die Suche nach
bestimmten Werken mit Hilfe eines Titelregisters, in welchem auch unterschiedliche Ti-
telvarianten bercksichtigt wurden, mglich. In einem Namensregister im Anhang kann
schlielich nachgelesen werden, wer in welchem Werk als Interpret, Arrangeur, berset-
zer, Widmungstrger oder zitierter Komponist erwhnt wird.

Neben dem umfangreichen Notenarchiv des Sikorski Verlages wurde fr das vorliegende
Werkverzeichnis zunchst die 42-bndige Ausgabe der Gesammelten Werke herangezo-
gen, die zwischen 1980 und 1989 beim Moskauer Verlag Musyka erschienen ist. Ebenso
9
wurde die beim DSCH Verlag, Moskau, erscheinende Neue Gesamtausgabe in 150 Bnden
der Werke Dmitri Schostakowitschs genutzt. Von dieser monumentalen Ausgabe, in deren
Rahmen endlich auch Werke verffentlicht werden sollen, die lange Zeit nicht greifbar oder
bislang unentdeckt geblieben waren, standen bis zum Redaktionsschluss die Bnde 1-6, 9,
18, 19, 20, 21, 24, 33 und 69 zur Einsicht zur Verfgung. Darber hinaus dienten folgende
Publikationen als Quellen: Schostakowitsch von Krzysztof Meyer (Gustav Lbbe, 1995),
Shostakovich A Life von Laurel E. Fay (Oxford University Press, 2000), Shostakovich
A Life Remembered von Elizabeth Wilson (Faber and Faber, 1994), Die Memoiren
des Dmitri Schostakowitsch, herausgegeben von Solomon Wolkow (deutsch: Propylen,
2000) sowie die Werkverzeichnisse von Malcolm MacDonald (Boosey & Hawkes, 1985,
Le Chant du Monde, 1988) und Jefim Sadownikow [Notografitscheski i bibliografitscheski
sprawotschnik] (Musyka, 1965). Ganz besondere Bedeutung kommt in diesem Zusammen-
hang jedoch Derek C. Hulmes Dmitri Shostakovich A Catalogue, Bibliography, and
Discography (Scarecrow Press, 2002) zu, dessen 3. Auflage mit ihrer Flle an akribisch
recherchiertem Material fr die vorliegende Zusammenstellung von grtem Wert war.
Auf Grund der Materialflle, die den Rahmen dieses Verzeichnisses bei weitem ber-
schreitet, wurde auf die Erstellung einer Diskographie verzichtet. Auch die zahlreichen
Bhnenproduktionen, in denen Musik von Dmitri Schostakowitsch verwendet wurde, blei-
ben bis auf vereinzelte Ausnahmen aus demselben Grund unbercksichtigt. Abgesehen
von der bei Musyka erschienenen Gesamtausgabe und der noch nicht vollendeten Neuen
Gesamtausgabe des DSCH Verlages wurde von Verlagsangaben zu den in groer Zahl
existierenden Druckausgaben der Werke Schostakowitschs Abstand genommen. hnliches
gilt fr die Erfassung von Bearbeitungen der Werke Schostakowitschs durch andere Kom-
ponisten hier werden lediglich die Autoren und Besetzungen der uns bekannten Bearbei-
tungen genannt.

10
Zur zweiten, revidierten Auflage

Die Vorbereitung der zweiten Auflage dieses Verzeichnisses wurde fr eine grndliche
berarbeitung genutzt, die vor dem Hintergrund vielfltiger neuer Erkenntnisse der Scho-
stakowitsch-Forschung zwingend notwendig erschien. Im Verlauf weniger Jahre ist eine
Anzahl von bislang unbekannt gebliebenen Werken Dmitri Schostakowitschs wiederent-
deckt worden dazu zhlen u.a. der Prolog der 1932 konzipierten satirischen Oper Oran-
go, ein Symphonisches Fragment aus dem Jahr 1945 sowie ein unvollendetes Streichquar-
tett aus dem Jahr 1962.

Seit dem Erscheinen der ersten Auflage dieses Verzeichnisses im Jahr 2005 ist eine statt-
liche Anzahl von Bnden (8, 10, 16, 17, 32, 40, 42, 44, 52a, 52b, 54, 64a, 64b, 65, 66,
87, 98, 122, 123, 126, 149) der sukzessive publizierten DSCH Gesamtausgabe erschienen.
Von den 150 geplanten Bnden liegen somit 33 Bnde vor. Daher ist es nun mglich ge-
worden, etwa die frhen Filmmusiken zu Das Neue Babylon op. 18 und Odna op. 26
ausfhrlich zu dokumentieren.

An dieser Stelle sei darauf hingewiesen, dass unter den noch nicht erschienenen Bnden
der DSCH Gesamtausgabe einige zu finden sind, deren bereits bekanntgegebene Inhalte
auf Werke verweisen, die auch in der vorliegenden zweiten Ausgabe des Schostakowitsch-
Werkverzeichnisses lediglich mit pauschalen Nennungen bercksichtigt werden konnten.
Es handelt sich im einzelnen um: Band 93 (Zwei Madrigale), Band 97 (Lieder), Band
109 (Kinderstcke aus den Jahren zwischen 1915 und den frhen 20er Jahren) sowie
Band 111 (Fugen fr Klavier aus den 30er Jahren).

Eine beachtliche Anzahl von Details, die sowohl die Werke selbst als auch Urauffh-
rungsinterpreten und Besonderheiten der Rezeptionsgeschichte betreffen, konnten einer
Reihe von weiteren Sekundrquellen entnommen werden, unter denen folgende Publika-
tionen besonders hervorzuheben sind: Shostakovich and His World herausgegeben von
Laurel E. Fay (Princeton University Press, 2004), Soviet Music and Society Under Lenin
and Stalin herausgegeben von Neil Edmunds (Routledge, 2004), Dmitri Shostakovich: A
Life in Film von John Riley (I.B.Tauris, 2005), The Cambridge Companion to Shostako-
vich herausgegeben von Pauline Fairclough und David Fanning (Cambridge University
Press, 2008) sowie Erna Meschischwilis Werkverzeichnis [Dmitri Schostakowitsch Noto-
grafitscheski sprawotschnik] (Moskau, 1996).

11
JUVENILIA
After his graduation from Petrograd Conservatoire in 1925, Shostakovich destro-
yed numerous juvenile works. These compositions included the complete score
of an opera The Gypsies (Tsygane, 1918-1919), whose remaining items are listed
below, the ballet The Tale of the Sea Princess (Skazka o Morskoi tsarevne) af-
ter Hans Christian Andersens tale The Little Mermaid, October a Revolutionary
Symphony (Oktyabr. Revolyutsionnaya simfoniya, 1917-1918), Hymn to Freedom
(Gimn svobode, 1915-1916), Funeral March (Traurnyi marsh, 1917) and a Fantasy
for two pianos (dedicated to Alexander Konstantinovich Glazunov). For the 109th
tome of their edition of Shostakovichs complete works DSCH publishers announce
a number of not specified Childrens Pieces of 1915 to the Beginning of the 1920s.
However, the works so far known to have survived from this period are:

FUNERAL MARCH in memory


o f the fallen heroes of the revolution
[ Tr a urnyi marsh pamyati zhertv revolyutsii]
1917
for piano
DSCH New Collected Works: Vol. 109

THE GYPSIES
[ Ts y gane]
Petrograd, 1919 - 1920
Opera after Alexander Pushkin
1. No. 11 Duet of Zemfira and Aleko
2. No. 12 Old Mans Arietta
3. No. 13 Trio of Zemfira, Aleko and the Old Man
DSCH New Collected Works: Vol. 54 (score), Vol. 55 (vocal score)
Shostakovich utilizes a theme from this work in No. 11 from Suite on Verses of
Michelangelo Buonarroti, Op. 145.

IN THE FOREST
[ V l esu]
Trilogy for piano
DSCH New Collected Works: Vol. 109
The fragments in Shostakovichs notebook from 1919 are preserved in the Shosta-
kovich archives.

12
JUVENILIA
TWO MA Z URKAS
[ D v e mazurki]
for piano
DSCH New Collected Works: Vol. 109

POLKA
for piano
DSCH New Collected Works: Vol. 109

THE SOLDIER
[ S o l dat] 1915 - 1917
for piano
DSCH New Collected Works: Vol. 109
According to Derek C. Hulme The Soldier is subtitled Ode to Liberty.

h y mn to freedom 1915 - 1916


[ G i mn svobode]
for piano

13
CHRONOLOGICAL LIST OF WORKS
SCHER ZO in F sharp minor, Op. 1
Petrograd, September-December 1919
for orchestra
Dedicated to my teacher Maximilian Oseevich Steinberg
One movement [Allegretto] Meno mosso [Tempo primo]
3(picc).2.2.2 4.2.3.1 timp. perc (tgl, bass dr, cym). strings
Duration: 5
Muzyka Collected Works: Vol. 10 (score)
DSCH New Collected Works: Vol. 31 (score), Vol. 109 (piano score by the composer)
Piano score by the composer (1920). The opening theme reappears slightly modi-
fied in Clockwork Doll (No. 6), from Childrens Notebook, Op. 69.

THREE PIANO PIECES


Petrograd, 1919 - 1920
1. Menuet (Allegretto)
2. Prelude (Lento, ma non troppo)
3. Intermezzo (Allegretto) [Autograph incomplete]
Duration: 420 (with completion of No. 3)
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 109
(Completion of No. 3 by Robert Matthew-Walker,1989)

14
CHRONOLOGICAL LIST OF WORKS
EIGHT PRELUDES , Op. 2
Petrograd, 1919 (No. 1) - 1920 (Nos. 2-8)
for piano
Dedicated to Boris Mikhailovich Kustodiev (No.1), Maria Dmitrievna Shostakovich
(Nos. 2-5) and N. K. [Natalya Kube] (Nos. 6-8)
1. G minor
2. G major
3. E flat minor
4. B flat major
5. A minor (Allegro)
6. F minor
7. D flat major
8. D flat major
First performance: 15 July 1926, Kharkov
Dmitri Shostakovich
DSCH New Collected Works: Vol. 109
Autographs of Nos. 5 and 6 are being held at the Moscow Glinka Museum of Mu-
sical Culture. According to Krzysztof Meyer and Erna Meskhishvili, the first perfor-
mance took place on 8 May 1920 in the Petrograd House of the Arts. Furthermore,
Meyer states that Op. 2 was originally conceived as a cycle of 24 pieces in all major
and minor keys although Malcolm MacDonald and Derek C. Hulme assign the
same key (D flat major) to both Nos. 7 and 8. As Sofia Khentova stated in 1975,
Nos. 5, 2, 7 or 8 and 6 were transferred to Five Preludes.

FIVE PRELUDES
Petrograd, 1919 - 1921
for piano
1. A minor (Allegro moderato e scherzando) [No. 5 from Op. 2]
2. G major (Andante) [No. 2 from Op. 2]
3. E minor (Allegro moderato)
4. D flat major (Moderato) [No. 7 or 8 from Op. 2]
5. F minor (Andantino) [No. 6 from Op. 2]
Duration: 6
Muzyka Collected Works: Vol. 39
From a collection of 24 Preludes (only 18 survive) composed by Grigori Klements,
Pavel Feldt and Dmitri Shostakovich (Nos. 2, 3, 4, 15 and 18), fellow-students in
the composition faculty of Petrograd Conservatoire. a r r a n g e m e n t for orchestra
(Nos. 1 and 2) by Alfred Schnittke.

15
CHRONOLOGICAL LIST OF WORKS
PIANO SONATA NO . 8 in C minor, Pathtique, Op. 13
[ l u d w i g va n b e e t h o v e n (1770 - 1827)]
early 1920s
Orchestration of the second movement (Adagio cantabile)
DSCH New Collected Works: Vol. 146 (score)
Autograph score is held at the State Archives of Literature and Art.

PIANO SONATA NO . 32 in C minor, Op. 111


[ l u d w i g va n b e e t h o v e n (1770 - 1827)]
early 1920s
Orchestration of the first movement (Maestoso)
DSCH New Collected Works: Vol. 146 (score)
According to Erna Meskhishvili not complete. Autograph score is held at the State
Archives of Literature and Art.

MILITARY MARCH in F major [ f r a n z s c h u b e r t (1797 - 1828)]


early 1920s
Orchestration
DSCH New Collected Works: Vol. 146 (score)
Autograph score is held at the State Archives of Literature and Art.

I WAITED FOR THEE IN THE GROTTO [ n i k o l a i r i m s k y - k o r s a k o v (1844 - 1908)]


[ Ya v grote zhdal tebya]
Petrograd, 1921
rrangement for soprano and orchestra from Rimsky-Korsakovs Op. 40 No. 4
A
Text: Apollon Maikov
Duration: 2
DSCH New Collected Works: Vol. 146 (score)
English translation by Joan Pemberton Smith.

16
CHRONOLOGICAL LIST OF WORKS
THEME WITH VARIATIONS in B flat major, Op. 3
[ Te ma s variatsiyami]
Petrograd, 1921 - 1922
for orchestra
To the bright memory of Nikolai Alexandrovich Sokolov
1. Theme (Andantino)
2. Var. I (Andantino)
3. Var. II (Pi mosso [Vivace])
4. Var. III (Andante)
5. Var. IV (Allegretto)
6. Var. V (Andante)
7. Var. VI (Allegro)
8. Var. VII (Moderato Allegro Moderato)
9. Var. VIII (Largo)
10. Var. IX [Allegro]
11. Var. X (Allegro molto)
12. Var. XI (Apassionato)
13. Finale (Allegro)
14. Coda (Presto)
3(picc).2.2.2 4.3.3.1 timp. perc (tgl, bass dr, cym). cel/piano. strings
Duration: 15
Muzyka Collected Works: Vol. 10 (score)
DSCH New Collected Works: Vol. 31 (score), Vol. 109 (piano score by the composer)
According to Malcolm MacDonald, the celesta and piano parts were added by V.
Samarin, editor of Volume 10 of Muzyka Collected Works, following a suggestion
on the manuscript from Shostakovichs teacher Maximilian Oseevich Steinberg.
However, Samarins name is not mentioned in Vol. 10. Piano score by the com-
poser.

17
CHRONOLOGICAL LIST OF WORKS
TWO FAB LES OF KRYLOV , Op. 4
[ D v e basni I. Krylova]
Petrograd, 1922
for mezzo-soprano, female choir and orchestra
Texts: Ivan Krylov
Dedicated to Mikhail Vladimirovich Kvadri
1. The Dragonfly and the Ant [Strekoza i muravei] (Con moto Pi mosso
Presto)
2. The Ass and the Nightingale [Osyol i solovei] (Moderato Allegro Poco
meno mosso Molto meno mosso Allegro)
3(picc).2.2.3(db bn) 4.3.3.1 timp. perc (tgl, cym). harp. cel. strings mezzo-
soprano (No.1). The percussion group is omitted in No. 2 and, instead of the
mezzo-soprano, a female choir (at least 12 singers) is required.
Duration: 15
First performance: 2 February 1977, Tallinn, Estonia
N. Burnasheva (mezzo-soprano) Moscow Conservatoire Student Choir and Or-
chestra Gennadi Rozhdestvensky (conductor)
Muzyka Collected Works: Vol. 31 (score), Vol. 32 (version for voice and piano by the compo-
ser)
DSCH New Collected Works: Vol. 87 (score), Vol. 92 (version for voice and piano by the com-
poser)
According to Laurel E. Fay Op. 4 was performed for the first time in 1922 on one of
the biweekly composer gatherings at the Petrograd home of Anna Fogt. As can be
seen from the inscribed dedication (25 January 1922), the version for mezzo-sopra-
no and piano was finished no later than January 1922 and was probably performed
for the first time privately in Petrograd the same year. The orchestral arrangement
was made shortly after the completion of the piano version. Since there are sub-
stantial divergences between piano version and orchestral arrangement of No. 2,
Vol. 87 of DSCH New Collected Works prints in its appendix Viktor Ekimovskys
piano reduction of No. 2 which duly corresponds to the orchestral score. English
translations by Joan Pemberton Smith and David Fanning, German version by Jrg
Morgener.

18
CHRONOLOGICAL LIST OF WORKS
THREE FANTASTIC DANCES , Op. 5
[ Tr i fantasticheskikh tantsa]
Petrograd, 4 December 1920
for piano
Dedicated to Iosif Zakharovich Schwartz
1. March in C major (Allegretto)
2. Waltz in G major (Andantino)
3. Polka in C major (Allegretto)
Duration: 5
First performance: 20 March 1923, Petrograd, Small Hall of the Conservatoire
Dmitri Shostakovich
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 109
Originally published as Shostakovichs Op. 1. a r r a n g e m e n t s : for string quartet
(Nos. 2 and 3) by Konstantin Mostras for violin and piano by Harry Glickman
for viola and piano (No. 3) by Georgi Bezrukov for piano, four hands (No. 2) by
T. Nazarova and by Geoffrey Carroll for two bayans (No. 2) by V. Korolyov for
trombone and piano by Quinto Maganini for saxophone and piano by Marc Chis-
son for trumpet and piano by Timofei Dokshitser and by A. Selyanin for organ
(No. 2) by William Nevins for orchestra by Grzegorz Fitelberg.

SUITE for two pianos in F sharp minor, Op. 6


Petrograd, March 1922
To the memory of Dmitri Boleslavovich Shostakovich
1. Prelude in F sharp minor (Andantino)
2. Fantastic Dance in A minor (Allegro vivo)
3. Nocturne in D major (Andante)
4. Finale in F sharp minor (Adagio Allegro molto)
Duration: 25
First performance: This piece was often performed by Shostakovich and his sister
Maria at private soires in Petrograd. One of the earliest documented performances
took place on 15 January 1923 at a closed concert of the Russian Institute for the
History of Art.
Muzyka Collected Works: Vol. 13
DSCH New Collected Works: Vol. 113

19
CHRONOLOGICAL LIST OF WORKS
PIANO TRIO NO . 1 in C minor, Op. 8
Gaspra/Moscow/Petrograd, August-November 1923
Dedicated to Tatyana Ivanovna Glivenko
One movement: Andante Molto pi mosso Andante Allegro Pi mosso
Adagio Andante Meno mosso Moderato Allegro Prestissimo fan-
tastico Andante Allegro [Poco pi mosso] Allegro moderato Allegro
Duration: 14
First performance: 13 December 1923, Petrograd
Veniamin Sher (violin) Grigori Pekker (violoncello) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 37
DSCH New Collected Works: Vol. 98
The original title of Op. 8 was Poem. In a letter to the dedicatee, Shostakovich
states that he incorporated material from Sonata for Piano No. 1, Op. 12 into the
present work. Sofia Khentova as well as Derek C. Hulme relate that the first rehear-
sal performance took place during the showing of a silent movie in Harlequinade
Cinema. According to Krzysztof Meyer the first performance took place in Moscow
on 20 March 1925 with Lev Oborin (piano), N. Fyodorov (violin) and A. Egorov
(violoncello). Boris Tishchenko reconstructed 22 missing bars in 1981.

SO NATA for piano in B flat minor Petrograd, 1923/1924 (?)


(destroyed by the composer)

THREE PIECES , Op. 9


Petrograd, December 1923 - January 1924
for violoncello and piano (lost)
Dedicated to Zoya Dmitrievna Shostakovich (No. 1), Valerian Mikhailovich Bog-
danov-Berezovsky (No. 2) and Vladimir I. Kurchavov (No. 3)
1. Fantasia in F sharp minor
2. Prelude in A minor
3. Scherzo in C major
First performance: 20 March 1925, Moscow, Small Hall of the Conservatoire
A. Egorov (violoncello) Dmitri Shostakovich (piano)
According to Laurel E. Fay, the composer wrote four pieces, but the last one was
immediately destroyed after its being composed.

20
CHRONOLOGICAL LIST OF WORKS
SCHER ZO in E flat major, Op. 7
Leningrad, 1923 - 15 October 1924
for orchestra
Dedicated to Pyotr Borisovich Ryazanov
(Allegro)
3(picc).2.2.2 4.2.3.1 timp. perc (side dr, cym). piano. strings
Duration: 4
First performance: 11 February 1981, Leningrad
Leningrad Philharmonic Orchestra Gennadi Rozhdestvensky (conductor)
Muzyka Collected Works: Vol. 10 (score)
DSCH New Collected Works: Vol. 31 (score)
Piano score by the composer. The main theme reappears in the film music New
Babylon, Op. 18.

SYMPHONY NO . 1 in F minor, Op. 10


Petrograd, 1 July 1923 - 1 July 1925
Dedicated to Mikhail Vladimirovich Kvadri
1. Allegretto Allegro non troppo
2. Allegro
3. Lento Largo
4. Allegro molto Lento Meno mosso Allegro molto Molto meno mosso
Pi mosso Presto
3(2 picc).2.2.2 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t, glsp).
piano. strings
Duration: 33
First performance: 12 May 1926, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Nikolai Malko (conductor)
Muzyka Collected Works: Vol.1 (score)
DSCH New Collected Works: Vol. 1 (score), Vol. 16 (arrangement for piano four hands)
According to Manashir Yakubov, the composer began composing his first Sympho-
ny in 1924, for details see commentary of Vol. 1 of DSCH New Collected Works.
Originally Op. 11. The official premire was preceded by a performance on 7 Fe-
bruary 1926 at a meeting of the State Scientific Council of the Peoples Commissari-
at for Education with Dmitri Shostakovich playing the piano score, and by a second
performance in early spring 1926 at the Leningrad Conservatoire. On this latter
occasion Evgeni Slavinskys version of the work for piano four hands was played
by Pavel Feldt and the composer. a r r a n g e m e n t for two pianos by Pavel Lamm.

21
CHRONOLOGICAL LIST OF WORKS
TWO PIECE s for string octet , Op. 11 (PREL U D E A N D S C H E R Z O )
[ D v e pesy dlya strunnogo okteta]
Leningrad, December 1924 (No. 1)/
Oranienbaum Slavyansk, July 1925 (No. 2)
Dedicated to the memory of Vladimir I. Kurchavov
1. Prelude in D minor (Adagio)
2. Scherzo in G minor (Allegro molto Moderato Allegro)
Duration: 11
First performance: 9 January 1927, Moscow, Mozart Concert Hall
combined Glire (Yakov and A. Targonsky, A. Babich, K. Blok) and Stradivari Quar-
tets (Boris Simsky, Boris Vitkin, Grigori Gamburg, Viktor Kubatsky)
Muzyka Collected Works: Vol. 37
DSCH New Collected Works: Vol. 100
Originally Op. 10. There are drafts for a third piece for string octet, a fugue, whose
rough autograph is preserved, together with those of Prelude and Scherzo, at
the Russian State Archives of Literature and Art. a r r a n g e m e n t s : for piano four
hands (No. 1) by Evgeni Slavinsky for two pianos eight hands (No. 2) by Eduard
de Boer for string orchestra by Lazar Gozman, by Ian MacPhail and by Gennadi
Rozhdestvensky.

SONATA for piano N O. 1, Op. 12


Leningrad, 20 October 1926
One movement: Allegro Lento Allegro Moderato Allegro
Duration: 14
First performance: 12 December 1926, Leningrad, Small Philharmonic Hall
Dmitri Shostakovich
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 111
Originally entitled October or October Sonata. Erna Meskhishvili states that the
first performance took place on 2 December 1926.

22
CHRONOLOGICAL LIST OF WORKS
APHORISMS , Op. 13
[Aforizmy]
Leningrad, 25 February - 7 April 1927
Ten pieces for piano
Dedicated to Boleslav Leopoldovich Yavorsky
1. Recitative (q = 104)
2. Serenade ( e = 208)
3. Nocturne (q = 92)
4. Elegy (q = 44)
5. Funeral March (e = 152)
6. Etude (q = 88)
7. Dance of Death (h. = 132-144)
8. Canon (q = 144)
9. Legend (e = 116)
10. Lullaby (e = 63)
Duration: 12
First performance: Autumn 1927, Leningrad
Dmitri Shostakovich
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 109
d at e s o f c o m p o s i t i o n :
25 February (No. 1) 27 February (No. 2) 1 March
(No. 3) 6 March (No. 4) 9 March (No. 5) 14 March (No. 6) 21 March (No. 7)
1 April (No. 8) 5 April (No. 9) 7 April (No. 10)
arrangements: for violin, bassoon, piano and percussion by Boris Bekhterev and
Vladimir Spivakov for violin and piano (No. 10) by Sergei Sapozhnikov.

23
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 2 in B major, Op. 14
To October A Symphonic Dedication
[ P o s vyashchenie Oktyabryu]
Leningrad, Detskoye Selo, Summer 1927
for orchestra with mixed choir
Text by Alexander Bezymensky
State Commission for the celebrations of the tenth anniversary of the October Re-
volution subtitled Proletarians of the World, Unite!
One movement: Largo q = 46 [Allegro molto] q = 152 Poco meno mos-
so q = 138 Allegro molto q = 192 Meno mosso q = 100 Moderato
3(picc).2.2.2 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, glsp, siren).
strings
Duration: 20
First performance: 5 November 1927, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Academic Capella Choir Nikolai Malko
(conductor)
Muzyka Collected Works: Vol. 1 (score), Vol. 9 (vocal score of the choral section by Yuri
Olenyov)
DSCH New Collected Works: Vol. 2 (score), Vol. 17 (arrangement for two pianos)

While Derek C. Hulme states that Symphony No. 2 was composed between April
and June 1927, Erna Meskhishvili gives 10 August as date of completion. English
translation by Myron Morris and Andrew Huth and by Richard Bannerman. Ger-
man version by Jrg Morgener.

TAHITI TROT (TEA FOR TWO), Op. 16 [ v i n c e n t y o u m a n s (1898 - 1946)]


[ Ta i ti-trot] 1927
Transcription in A flat major of the song Tea for Two from the 1925 musical No,
no, Nanette
To dear Nikolai Andreevich Malko as a token of my best feelings
(Moderato)
2(picc).2.1.1 4.2.1.0 timp. perc (tgl, side dr, cym, glsp, xyl). cel. harp.
strings
Duration: 4
First performance: 25 November 1928, Moscow, Large Hall of the Conservatoire
Sovphil [Soviet Philharmonic] Orchestra Nikolai Malko (conductor)
Muzyka Collected Works: Vol. 10 (score)
DSCH New Collected Works: Vol. 32 (score)
At the request of Alexander Gauk Shostakovich slightly modified the orchestration
and added wood block and saxophone when the piece was inserted in the third
act of the ballet The Age of Gold, Op. 22 as an entracte. a r r a n g e m e n t s : for
brass band by Howard Snell, by David Purser and by Hans-Joachim Rogoll organ
version by Maria Makarova for five guitars by Krisztina Dobo.

24
CHRONOLOGICAL LIST OF WORKS
THE NOSE , Op. 15
[ N o s]
Moscow/Leningrad, July 1927 - 24 June 1928
Satirical opera in three acts (with an epilogue) and ten scenes
Libretto by Evgeni Zamyatin, Georgi lonin, Alexander Preis and Dmitri Shostako-
vich after Nikolai Gogols novel
Act I
1. Introduction (Allegro)
2. Scene 1 The Barber Ivan Yakovlevich (Adagio)
3. Scene 2 The Embankment (Presto)
4. Entracte for percussion instruments (Allegro molto)
5. Scene 3 Kovalyovs Bedroom (Adagio)
6. Gallop (Allegro molto)
7. Scene 4 Kazan Cathedral (Largo)
Act II
8. Introduction (Allegro)
9. Scene 5 A Newspaper Advertising Department (Allegro non troppo)
10. Entracte (Largo)
11. Scene 6 Kovalyovs Apartment (Allegretto)
Act III
12. Scene 7 St. Petersburg Outskirts (Allegretto)
13. Scene 8 Kovalyovs Apartment Podtochinas Apartment (Allegretto)
14. Intermezzo (Moderato)
Epilogue
15. Scene 9 Kovalyovs Apartment (Allegro)
16. Scene 10 Nevsky Prospect (Andante)
d r a m at i s p e r s o n a e :
Platon Kuzmich Kovalyov (baritone) Ivan Yakov-
levich, barber (bass) Praskovya Osipovna, Yakovlevichs wife (soprano)
District Constable (very high tenor) Ivan, Kovalyovs servant (tenor) The
Nose (tenor) Countess footman (baritone) Employee at the newspaper bu-
reau (bass) Servants giving in small ads (8 basses) Policemen (5 basses, 5
tenors) Traveller (speaking role) Lady-in-waiting (speaking role) Gentle-
man-in-waiting (speaking role) Father (bass) Mother (soprano) Their sons
(tenor, baritone) Pyotr Fyodorovich (tenor) Ivan Ivanovich (bass-baritone)
Aristocratic old lady (contralto) Ladies-in-waiting (6-8 sopranos) Female
bread-roll-seller (soprano) Doctor (bass) Yaryshkin (tenor) Pelageya Gri-
gorevna Podtochina (mezzo-soprano) Her daughter (soprano) A group of
7 Gentlemen (4 tenors, 3 basses) Old Man (tenor) Newcomers (tenor, bass)
Man selling benches (bass) A highly decorated Colonel (tenor) Dan-
dies (tenor, bass) Someone (bass) Students (5 tenors, 3 basses) Respec-
table Lady (mezzo-soprano) Her sons (2 basses) Khosrev Mirza (speaking
role) Acquaintances of Kovalyov (2 basses, tenor) Policeman (bass)

25
CHRONOLOGICAL LIST OF WORKS
THE NOSE , Op. 15 [ c o n t i n u e d ]
Lackey (bass) Doorman of the Police Inspector (tenor) Cabman (bass)
Coachman (bass) Acquaintances of the barber (speaking roles) Lady of a
certain age (mute role) Slim Lady (mute role) Female shirt-front-seller (mute
role) Firemen (mute roles)
People at prayer in the cathedral, Travellers, Ladies and Gentlemen-in-waiting,
Policemen, Eunuchs (Choir)
1(picc, alto flute).1(cor anglais).1(Eb cl, bass cl).1(db bn) 1.1(cornet).1.0
perc (tgl, cast, rattle, flex, tamb, tom-t, side dr, bass dr, cym, susp.cym, tam-t,
bells, glsp, xyl). 2 harps. piano. 2 domras. 2 balalaikas. strings (12-16/12-
16/8-12/8-12/8-12)
Duration: 110
Premire: 18 January 1930, Leningrad, Maly Opera House
Pavel Zhuravlenko (Platon Kuzmich Kovalyov) V. Raikov (Ivan Yakovlevich) N.
Belukhina (Praskovya Osipovna) A. Kabanov (District Constable) Pyotr Zasetsky
(Ivan, Kovalyovs servant) Ivan Nechaev (The Nose) E. Maevsky (Countess foot-
man) P. Gusev (Employee at the newspaper bureau) E. Natsvalova (Mother) V.
Kalinin (Pyotr Fyodorovich) S. Torgert (Ivan Ivanovich) E. Adrianova (Female
bread-roll-seller) A. Lyshin (Doctor) B. Geft (Yaryzhkin) L. Samarina (Pelageya
Grigorevna Podtochina) M. Gelizarova (Her daughter) A. Fomin (Man selling
benches) E. Sabinina (Respectable Lady) I. Dorozhin (Lackey) M. Medvedev,
M. Rostovtsev, M. Kolomoitseva (3 Travellers) Nikolai Smolich (producer) Vla-
dimir Dmitriev (stage designer) Samuil Samosud (conductor)
Muzyka Collected Works: Vol. 18 (score), Vol. 19 (vocal score by the composer)
DSCH New Collected Works: Vol. 50 (score), Vol. 51 (vocal score by the composer)
English translations by Merle and Deena Puffer, B. Vierne and Edward Downes.
German version by Helmut Wagner and Karl Heinz Fssl. Italian version by Fedele
DAmico and Angelo Maria Ripellino French version anonymous. a r r a n g e -
m e n t for piano (Overture) by Quinto Maganini.

26
CHRONOLOGICAL LIST OF WORKS
SUITE FROM THE NOSE , Op. 15a
Leningrad, May-June 1928
for tenor (No. 5), baritone (Nos. 2 and 6) and orchestra
1. Overture (Allegro)
2. Kovalyovs Aria [Scene 5] (Largo con moto)
3. Entracte [Act I] (Allegro molto)
4. Entracte [Act II] (Adagio)
5. Ivans Song [Scene 6] [Allegretto]
6. Kovalyovs Monologue [Scene 6] (Andante)
7. Galop [Scene 3] (Allegro)
1(picc).1(cor anglais).1(Eb cl, bass cl).1(db bn) 1.1.1.0 perc (tgl, cast, flex,
tom-t, tamb, side dr, bass dr, cym, tam-t, glsp, xyl). 2 balalaikas. 2 harps. piano.
strings (12-16/12-16/8-12/8-12/8-12)
Duration: 22
First performance: 25 November 1928, Moscow, Large Hall of the Conservatoire
Nikofor Baryshev (tenor) Ivan Burlak (baritone) Sovphil [Soviet Philharmonic]
Orchestra Nikolai Malko (conductor)
Muzyka Collected Works: Vol. 23 (score)
DSCH New Collected Works: Vol. 68 (score)

TWO SCARLATTI PIECES , Op. 17 [ d o m e n i c o s c a r l at t i (1685 - 1757)]


[ D v e pesy Skarlatti]
Autumn 1928
Orchestration of harpsichord sonatas D minor L413 / K9 (No. 1) and E flat major
L375 / K20 (No. 2) for wind band
1. Pastorale (Allegro non tanto)
2. Capriccio (Presto)
3(picc).2.2.2 2.2.1.0 timp.
Duration: 7
First performance: 25 November 1928, Moscow, Large Hall of the Conservatoire
Sovphil [Soviet Philharmonic] Orchestra Nikolai Malko (conductor)
DSCH New Collected Works: Vol. 32 (score)
The manuscript score was only found after Shostakovichs death. Although Shosta-
kovich stated that he used Scarlattis original sonatas it is evident that both arrange-
ments where made from Carl Tausigs transcriptions from whom Shostakovich also
borrowed the titles Pastorale and Capriccio.

27
CHRONOLOGICAL LIST OF WORKS
NEW B AB YLON , Op. 18
[ N o vyi Vavilon]
Leningrad, December 1928 - 20 February 1929
Music to the silent film
Produced by the FEKS [Factory of the Eccentric Actor] Group, for Soyuzkino (Le-
ningrad) Screenplay on the basis of Pavel Blyakhins idea by Grigori Kozintsev
and Leonid Trauberg (directors) Andrei Moskvin and Evgeni Mikhailov (camera)
Evgeni Enei (set designer) First showing: 18 March 1929 (Day of the Paris Com-
mune), Leningrad but the music (conducted by Ferdinand Krish) was not heard
until the film was shown in Moscow.
eel No. 1 General Sale
R
War. Death to the Prussians Beat the hell out of them in Berlin! War. All the
tickets have been sold. Beat the hell out of them in Berlin! Death to the
Prussians! War. The prices have gone up. The New Babylon Department
Store. Manager. A piece of brocade costs only 12 francs Saleswoman.
For dessert. From the board of directors. Dismissal payment. The board of
directors gives you a ticket to the evening ball. For sale. Beat the hell out of
them! (Allegro non troppo Allegro Andantino Allegro Andantino Alle-
gro Andante)
eel No. 2 Head Over Heels
R
Paris! Scene of the manager, deputy, and actress. The manager and deputy
shake hands. To Paris! German cavalry. (Allegro moderato Andantino Al-
legro vivo)
eel No. 3 The Siege of Paris
R
Paris says No. Surrender I dont need your cannons! Soldier has lost con-
trol. Soldier has left. (Largo Allegro Largo)
eel No. 4 18 March 1871
R
Preparations were made to retrieve the operetta. Getting ready. The actress
sings. Soldiers drag cannons. People dance at a rehearsal. Officer smiles.
Participants in the Paris Commune appear in the distance. Soldiers are given
milk to drink. What great guys, what handsome guys! The Communard
women agitate the typesetter. Shame! The operetta has flunked. To the town
hall! To Versailles! Louise and the Soldier. Dont go, Jean! A kiss. End
of the kiss. (Andante Allegro Andante Pi mosso Allegro Molto meno
mosso Allegretto [Andante semplice] Adagio)
Reel No. 5 Versailles Against Paris
Paris has stood for centuries. Paris says No. Launderers, shoemakers, seam-
stresses. In Versailles. Scene of the actress and soldier. The deputy makes
a speech. The actress with a rifle gets up on a chair. Marseillaise A shot is
fired. (Allegretto Allegro Andante Allegro moderato)

28
CHRONOLOGICAL LIST OF WORKS
n e w b ab ylon , Op. 18 [ c o n t i n u e d ]
eel No. 6 The Barricade
R
The 49th day of defence. The messenger. The defenders of Versailles have bro-
ken through. The meeting is over. Over? In Versailles. Officer with a rose
in his buttonhole. The French! Battle. An old Communard goes up to the
piano. Volley of fire. The defenders of Versailles enter Paris. The bourgeoisie
applauds the soldier. (Adagio Allegro moderato Allegretto Scherzando Al-
legro [con] brio Andante semplice Allegro [con] brio)
eel No. 7 To the Firing Squad
R
There is peace and order in Paris. Peace and order. The Communards are
standing in the rain. The Manager makes fun. The bourgeoisie beats the Com-
munards. The Communards are led. Soldier. ([Andante] Allegro Andante
Adagio Allegro Andante)
eel No. 8 Death
R
The trial. The Soldier has come. Soldier digs a grave. Hysterics with Louise.
We will meet again, Jean. Vive la Commune! (Largo Allegro appassionato)
cast: Louise Poirier, a saleswoman (Elena Kuzmina) Jean, a soldier (Pyotr
Sobolevsky) Journalist (Sergei Gerasimov) Director (David Gutman) Ac-
tress (Sofia Magarill) employee (Vsevolod Pudovkin) Louises father (S.
Gusev) Trse, Dressmaker (Yanina Zheimo) Laundress (A. Glushkova)
National Guardsmen (Evgeni Chervyakov, Oleg Zhakov) Old salesman
(Andrei Kostrichkin) Girl on the barridace (Anna Zarzhitskaya) Can-can
dancers (Lyudmila Semyonova, Tamara Makarova) Bourgeois (Emil Gal)
King Menelaos in the play (Alexander Orlov)
1.1.1.1 2.1.1.0 3 perc (tgl, flex, tom-t, tamb, side dr, bass dr, cym, susp.
cym, xyl). piano. strings
Duration: 93
DSCH New Collected Works: Vol. 122 (score)
Originally Op. 17. Parts of War and Versailles were re-used in The Bedbug,
Op. 19 the main theme from the Scherzo, Op. 7 appears in War. The titles
of the reels where adopted from the programme issued for the premire of New
Babylon. Versailles quotes the piano piece Mlodie antique franaise, No. 16
from Pyotr Tchaikovskys Album pour enfants: 24 pices faciles ( la Schumann),
Op. 39. A number of other themes can be heard in this score: Jacques Offenbachs
waltz from La belle Hlne and the famous can-can from Orphe aux enfers, the
French revolutionary song a ira! and the round dance La carmagnole. Rouget
de lIsles Marseillaise serves as leitmotiv and appears in the most unexpected
arrangements. According to Vol. 122 of DSCH New Collected, parts are being kept
in the Scientific Library of the Russian Institute of Art History, in the St. Petersburg
Central Music Library, the Moscow Russian State Library and in the Shostakovich
archives. The above list of items from Op. 18 was taken from Vol. 122, which addi-
tionally prints in its appendix three fragments of the film music obviously dismissed
by the composer.

29
CHRONOLOGICAL LIST OF WORKS
SUITE FROM NEW BA BYLON , Op. 18a
compiled by Gennadi Rozhdestvensky (1976)
1. War (Allegro non troppo)
2. Paris (Allegro moderato)
3. The Siege of Paris (Largo)
4. Operetta (Moderato)
5. Paris Has Stood for Centuries (Allegretto)
6. Versailles (Adagio Allegretto)
1.1.1.1 2.1.1.0 3 perc (timp, tgl, flex, tamb, side dr, bass dr, cym, tam-t,
xyl). piano. strings
Duration: 50
Rozhdestvensky splits movement 6 with its final section becoming a separate fina-
le, No. 7 in his own recording.

30
CHRONOLOGICAL LIST OF WORKS
THE BEDB UG , Op. 19
[ K l o p]
Leningrad, January - February 1929
Incidental music to Vladimir Mayakovskys magical comedy in five acts and ten
scenes
1. March (Tempo di marcia)
2. Galop (Allegro) [for two bayans]
3. Foxtrot (Allegro non troppo) [for two bayans]
4. Intermezzo (Allegretto)
5. Wedding Scene (Allegro)
6. Waltz (Andante) [for piano solo]
7. The Fire [Vivo]
8. Fire Signals I-IV
9. Chorus of the Firemen [Marciale]
10. Scene in the Public Garden (or Boulevard) [Allegro moderato]
11. March of Pioneers (Allegretto)
12. March of the City-Elders [Tempo di marcia]
13. Flourish (Allegro)
14. Waltz [Moderato]
15. Final March [Giocoso]
2.0.2.2soprano sax.0 1.2.1.1 perc (tgl, flex, tom-t, side dr, bass dr, cym).
balalaika. guitar. strings male choir accordion trio and piano on scene
additional brass section: 3 flugel horns (alto, baritone, bass)
Premire: 13 February 1929, Moscow, Meyerhold Theatre
Vsevolod Meyerhold (producer and director) Vladimir Mayakovsky (script editor)
Zinaida Raikh, Kh. Lokshina, A. Nesterov, P. Tsetnerovich (assistant directors)
Kukryniksy (designers [part I]) Alexander Rodchenko (designer [part II]) Orche-
stra of the Meyerhold Theatre Yuri Nikolsky (conductor) Kuznetsov, Makarov,
Popkov and A. Pappe (accordion trio and piano on scene)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 116 (score), Vol. 120 (piano score)
The Editors Note of Muzyka Collected Works Vol. 27 says that the material printed
in Vol. 27 and 28 represents everything that survived from Shostakovichs music
for The Bedbug. Nos. 2, 3 and 6 only appear as piano score in Vol. 28. For the
1929 production the introductory March was cut into three separate sections, and
two dance numbers were divided into fragments and functioned as fillers in both
acts. Wedding scene (No. 5) was first shortened and finally cut out, but later re-
orchestrated and incorporated in the overture of Columbus, Op. 23. Symphonic
Entracte, listed as No. 11 in the incomplete index of musical numbers of The
Bedbug preserved at the Bakhrushin Theatre Museum, seems to be a combina-
tion of Nos. 4 and 7. The inscription Intermezzo on the scores cover of No.
4 was obviously not added by the composer. Full score and piano score of this
piece show minor divergences. Nos. 2 and 6 were (enlarged and orchestrated)
utilized in New Babylon, Op. 18. Derek C. Hulme mentions a number, Dance,

31
CHRONOLOGICAL LIST OF WORKS
THE BEDB UG , Op. 19 [ c o n t i n u e d ]
between Nos. 6 and 7, which is neither printed in Vol. 27 nor in Vol. 28. Kukrynik-
sy, mentioned as designer of part I and II, is a collective name of the three predo-
minant Soviet cartoonists of the Stalin era: Mikhail Kupriyanov, Porfiri Krylov and
Nikolai Sokolov. a r r a n g e m e n t s : Piano score by the composer (March, Galop,
Foxtrot, Waltz), Lev Solin (Intermezzo, Scene in the Boulevard, Final March)
and by S. Samarin (Nos. 5, 7-9, 11-14).

s u i te from t HE BEDBUG , Op. 19a


1. March (Tempo di marcia) [No. 1]
2. Galop (Allegro) [No. 2]
3. Foxtrot (Allegro non troppo) [No. 3]
4. Waltz (Andante) [No. 6]
5. Intermezzo (Allegretto)
6. Scene in the Boulevard [Allegro moderato] [No. 10]
7. Final March [Giocoso] [No. 15]
The arranger of this compilation is not known. Its existence is documented by De-
rek C. Hulme. The orchestration most probably corresponds to the one of Op.
19. a r r a n g e m e n t s : for piano trio by Gerard McBurney for violin, violoncello,
accordion and piano four hands by Eduard de Boer.

32
CHRONOLOGICAL LIST OF WORKS
COLUM BUS, Op. 23
[ B e dny Kolumb]
Leningrad, January or February 1929
Two orchestral pieces for insertion in Erwin Dressels opera Armer Columbus (1927)
1. Overture in C minor (Allegro poco moderato)
2. Finale in C major (Moderato Andantino Allegro)
3(2picc).3(cor anglais).4(Eb cl, bass cl).4(db bn) 4.4.3.1 timp. perc (tgl,
cast, flex, tom-t, tamb, side dr, bass dr, cym, tam-t, xyl). strings mixed choir
Duration: 7
Premire: 14 March 1929, Leningrad, Maly Opera House
Samuil Samosud (conductor)
First (concert) performance: 8 February 1977, Tallinn
Muzyka Collected Works: Vol. 23 (score)
DSCH New Collected Works: Vol. 31 (score)
No. 1 is known as Overture although it was inserted before the sixth scene of the
opera. As Erna Meskhishvili states, Mozarts overture to Le nozze di Figaro was
played as introduction to Armer Columbus. According to John Riley, Finale bore
the title The Entry of the Yankees and was conceived for an interpolated animated
film, an anti-American plea for international peace. The main theme from Finale
was later utilized in Declared Dead, Op. 31 and in the final movement of the first
Piano Concerto, Op. 35.

SYMPHONY NO . 3 in E flat major,


The First of May [Pervomaiskaya], Op. 20
Leningrad, summer - October 1929
f or orchestra with mixed choir
Text by Semyon Kirsanov
One movement: Allegretto Allegro Pi mosso Meno mosso Allegro
Andante Allegro Poco meno mosso Largo Allegro molto Meno mosso
Andante Largo Moderato Pi mosso
3(picc).2.2.2 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t, glsp, xyl).
strings
Duration: 28
First performance: 21 January 1930, Leningrad, Moscow-Narva Palace of Culture
Leningrad Philharmonic Orchestra Academic Capella Choir Alexander Gauk
(conductor)
Muzyka Collected Works: Vol. 2 (score), Vol. 9 (vocal score of the choral section by the com-
poser)
DSCH New Collected Works: Vol. 3 (score), Vol. 18 (vocal score by the composer)

Subtitle also translated as May Day, originally called A May Symphony. English
translation by Valeria Vlazinskaya, German version by Dmitri Ussov.

33
CHRONOLOGICAL LIST OF WORKS
THE GUNSHOT , Op. 24
[ Vy s trel]
Leningrad, 1929
Incidental music to Alexander Bezymenskys five act verse play comedy
1. Dundees Romance [for tenor] [Allegro moderato]
2. Choir [Moderato]
3. Episode No. 4 [Con moto]
4. Entry of the Heads of Departments [brass only] [Marciale]
5. Entry of the Secretaries [balalaikas] [Tempo ad libitum]
6. Episode No. 9 [Allegro]
7. Episode No. 10 [Allegro]
8. Episode No. 11 [Allegretto]
1.0.1.1 1.1.1.1 timp. perc (rattle, wood bl, tamb, side dr, bass dr, cym,
tam-t). 2 balalaikas. piano. strings (only violins) mixed chorus additional
brass section: 2 cornets, 3 flugelhorns (alto, tenor, baritone)
Duration: 8
First performance: 14 December 1929, Leningrad, TRAM (Teatr Rabochey Molody-
ozhi Theatre of Working-Class Youth)
Mikhail Sokolovsky and R. Suslovich (directors) Igor Vuskovich (designer)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 116 (score), Vol. 120 (piano score)
According to Krzysztof Meyer, the first performance took place on 14 February
1929. The play is sometimes variantly referred to as The Shot. Nos. 1 and 2 only
in piano score (Vol. 28 of Muzyka Collected Works). Derek C. Hulmes listing of the
pieces slightly divergent from the above list taken from Muzyka Collected Works
Vol. 27 and 28. a r r a n g e m e n t for piano by V. Samarin (Nos. 3, 5, 7, 8).

HEY, LET S BANG !


[ E i , ukhnem!]
1929 (?)
Folk song arrangement (Song of the Volga Boatmen) for bass and orchestra
DSCH New Collected Works: Vol. 146 (score)

34
CHRONOLOGICAL LIST OF WORKS
THE AGE OF GOLD , Op. 22
[ Z o l otoi vek]
Leningrad, Autumn 1929 - February 1930
Ballet in three acts and six scenes
Libretto by Alexander Ivanovsky
1. Overture (Allegro non troppo)
Act I
Scene 1
2. Procession of the Guests of Honour (Allegretto)
3. Inspection of the Display Windows (Allegro vivace)
4. Demonstration of Important Exhibits. Appearance of the Soviet Soccer Team
(Allegretto)
5. Magician-Advertising Agent. Dance of the Indian (Allegro)
6. Boxing as an Advertising Stunt (Moderato non troppo)
7. Scandal during the Boxing Match. Entrance of the Police (Moderato)
Scene 2
8. Dance of the Gilded Youth (Allegro)
9. Divas Dance (Adagio)
10. Appearance of the Soviet Football Team and Divas Variations (Andantino)
11. Soviet Dance (Allegro)
12. Diva Asks the Leader of the Soviet Team to Dance with Her (Allegretto)
13. Dance and Scene of Diva and the Fascist (Andantino)
14. Dance of the Black Man and Two Soviet Soccer Players (Allegro)
15. The Supposed Terrorist (The Hand of Moscow) (Andantino)
16. General Confusion. The Embarrassment of the Fascists (Adagio)
17. A Rare Case of Mass Hysteria (Allegretto)
18. Conversation between the Director of the Exhibition and the Fascist (Andante)
19. Foxtrot ... Foxtrot ... Foxtrot ... (Allegro non troppo)
Act II
Scene 3
20. Mime of the Agents Provocateurs, Provocation and Arrest (Gallop) (Allegro)
Scene 4
21. Procession of the Workers to the Stadium. Dance of the Young Pioneers.
Sports Games (Allegretto)
22. Soccer Match (Allegro)
23. Intermezzo Everyone Amuses Himself in His Own Way (Andantino)
24. Dance of the Western Komsomol Girl and Four Sportsmen (Andantino)
25. Sports Contests. Joint Sports Dance (Allegro)
26. Scene and Exit of the Soviet Team (Allegro)
Act III
27. Entracte (Allegro)
Scene 5
28. Chechotka (Tap-Dance) Shoe Polish of the Highest Grade (Allegretto)
29. Tango (Largo)

35
CHRONOLOGICAL LIST OF WORKS
THE age of gold, Op. 22 [ c o n t i n u e d i]

30. Polka Once upon a Time in Geneva (Allegretto)


31. The Touching Meeting of the Classes with a Certain Degree of Fakeness (Presto)
32. Entrance of Diva and the Fascist. Dance (Allegro)
33. Can-can (Allegro vivace)
Scene 6
34. Prelude (Adagio)
35. Scene of the Freeing of the Prisoners (Adagio)
36. Total Unveiling of the Conspiracy. The Bourgeois in Panic (Allegro)
37. Final Dance of Solidarity (Allegro con brio)
d r a m at i s p e r s o n a e : Director of an Industrial Exhibition Diva, a Dancer A
Fascist The Chief of Police The Leader of the Soviet Soccer Team A Soviet
Komsomol Girl A Western Komsomol Girl A Black Man A White Man A
Boxing Umpire, representative of a boxing gloves company.
2(picc).2(cor anglais).3(Eb cl, bass cl).2soprano sax.2(db bn) 4.3.3.1 perc
(timp, tgl, whistle, wood bl, cast, ratchet, tambourine, side dr, bass dr, cym,
tam-t, Flex, glsp, xyl). banjo. bayan. harm. strings
Premire: 26 October 1930, Leningrad, State Academic Opera and Ballet Theatre
S. Slavyaninov / Valery Ryazanov (Director) Olga Iordan / Elena Lyukom (Diva)
Leonid Lavronsky / Boris Shavrov (Fascist) L. Leontev (Police Chief) N. Zui-
kov (Team Leader) N. Vlovina (Soviet Komsomol Girl) Galina Ulanova / Olga
Mungalova (Western Komsomol Girl) Vladimir Ivashkin (Black Man) P. Kavokin
(White Man) Mikhail Dudko (Umpire) Students of the Leningrad Ballet School
(dancers) Emmanuil Kaplan (producer) Vladimir Chesnakov, Vasili Vainonen,
Leonid Yakobson (choreographers) Valentina Khodasevich (designer) Alexander
Gauk (conductor)
According to Manashir Yakubov Vakhtang Chabukiani and Konstantin Sergeev par-
ticipated as dancers in the premire of The Age of Gold.
DSCH New Collected Works: Vol. 60a/60b (score), Vol. 61 (piano score)
The ballet is also known under the title of The Golden Age. Ivanovskys libret-
to was originally entitled Dynamiada. As stated in the foreword of DSCH New
Collected Works the vocal score was reconstructed from the manuscripts of the
orchestral score and piano score held in the Library of the Leningrad Theatre of
Opera and Ballet. The order of the above listed numbers of The Age of Gold is
taken from the DSCH publication. It shows slight divergences both from Derek C.
Hulmes counting from the original scenario and from a list of the staging titles ba-
sed on the composers score (1930). An earlier version of the vocal score held by
Universal Edition in Vienna shows substantial differences. There is also a version
of this ballet with a completely different plot by Isaak Glikman and Yuri Grigoro-
vich. This version includes Lento from Piano Concerto No. 1, Op. 35 and Andante
from Piano Concerto No. 2, Op. 112. The theme from Youmans Tea for Two, also
known in the composers arrangement as Tahiti Trot, Op. 16, reappears in No. 27.
The main theme from No. 30 [Polka] is quoted in Alfred Schnittkes Hommage

36
CHRONOLOGICAL LIST OF WORKS
THE age of gold, Op. 22 [ c o n t i n u e d ii]

Igor Stravinsky, Sergei Prokofiev and Dmitri Shostakovich for piano six hands.
A four-act ballet, The Dreamers was compiled from the scores of The Gol-
den Age, Op. 22 and The Bolt, Op. 27 by the composer and Sergei Sapozh-
nikov. Its premire, choreographed by Nataliya Ryzhenko, took place on 19
January 1976 at the Moscow Stanislavsky and Nemirovich-Danchenko Mu-
sical Theatre. a r r a n g e m e n t for flute and piano by Elena Firsova (No. 23).

SUITE FROM THE AGE OF GOLD , Op. 22a


Leningrad, 1930, revised in 1935
compiled by the composer
1. Prelude (Allegro non troppo) [Nos. 1 and 2]
2. Adagio [No. 9]
3. Polka (Allegretto) [No. 30]
4. Dance (Allegro) [No. 11]
2(picc).2(cor anglais).3(Eb cl, bass cl).ssax.2(db bn) 4.3.3.1.baritone timp.
perc (tgl, wood bl, tamb, side dr, bass dr, cym, tam-t, xyl). acc. strings
Duration: 16
First performance (of the original version): 19 March 1930, Leningrad, Large Phil-
harmonic Hall
Leningrad Philharmonic Orchestra Alexander Gauk (conductor)
Muzyka Collected Works: Vol. 26 (score)
DSCH New Collected Works: Vol. 70 (score)
Originally this suite consisted of seven movements in the revised version of 1935
Shostakovich condensed the first two movements (Prelude and Procession) and
omitted No. 3 (Chechotka) and No. 5 (Foxtrot). The manuscript score of this
version is preserved at Universal Edition, Vienna. Versions for string quartet (No.
3), for solo piano (No. 3, 1935) and for piano four hands (1962) by the composer.
Numerous a r r a n g e m e n t s of No. 3: for piano by Gyrgy Sndor, by Frederick
Block and (Nos. 3 and 4) by Ulrich Sommerlatte for piano four hands by Y. Ko-
malykov for two pianos by Phyllis Gunther and by Pierre Luboshutz for violin
and piano by Harry Glickman and by D. J. Grunes for two violins and piano by
Sheppard Lehnhoff for string quartet by Sheppard Lehnhoff and by David Ogden
for viola ensemble by Georgi Bezrukov for wind quintet by Aaron Henry for
marimba, violin, violoncello and double bass by Michael Koball for marimba by
Anatoli Lyubimov for marimba and piano by Neboja ivkovic for woodwind
quintet by Jerry Neil Smith, by Roger Smith and by Adam Lesnick for brass band
by Quinto Maganini and by P. J. Lang for brass quintet by R. San Filippo for
saxophone quartet by the Aurelia Quartet for string quartet or string orchestra by
Christian Sikorski.
See also Two pieces for string quartet (1931)

37
CHRONOLOGICAL LIST OF WORKS
VIRGIN SOIL , Op. 25
[Tselina]
Leningrad, April 1930
Incidental music to the play by Arkadi Gorbenko and Nikolai Lvov (lost?)
Premire: 9 May 1930, Leningrad, Young Workers Theatre
Mikhail Sokolovsky and Nikolai Lebedev (directors) V. Dmitriev (stage designer)
First performance: 9 May 1930, Leningrad, TRAM (Teatr Rabochey Molodyozhi
Theatre of Working-Class Youth)
The play is sometimes also referred to as Virgin Land. Some sources mention
that Gorbenkos and Lvovs play is based on the novel by Mikhail Sholokhov
according to Derek C. Hulme it is not. Although Gerard McBurney explains that
Shostakaovichs score was recently rediscovered, Op. 25 was not incorporated into
DSCH New Collected Works. a r r a n g e m e n t s for piano of Evening Landscape
and Encounter with the Accordionist.

SYMPHONY OF PSALMS [ i g o r s t r av i n s k y (1882 - 1971)]


1930 (?)
Arranged for piano four hands
Psalm 38, Verses 13 and 14 (No.1), Psalm 39, Verses 2, 3 and 4 (No. 2) and Psalm
150 (No. 3)
1. q = 92
2. e = 60
3. q = 48
DSCH New Collected Works: Vol. 114

38
CHRONOLOGICAL LIST OF WORKS
ALONE , Op. 26
[ O d na]
Leningrad, autumn 1930 - January/February 1931
Music to the sound film
Produced by Soyuzkino (Leningrad) Grigori Kozintsev, Leonid Trauberg (scena-
rio and direction) Evgeni Enei (set designer) Andrei Moskvin (camera) Lev
Arnshtam, Ilya Volk (sound editors) Nikolai Rabinovich (conductor). First show-
ing: 10 October 1931, Leningrad, Splendid Palace cinema
Reel No. 1
1. [Con moto]*
2. [Allegro giocoso]*
3. [Allegro]*
4. March. The Street (Allegro)
5. Barrel-Organ (Kusmina waits for Sobolevsky) (Andantino)
6. Galop (Happy Days are Coming) (Allegro)
7. [March] [Allegretto]*
8. Choral Finale (Stop! Dont Go Away) (Andantino)
Reel No. 2
9. [Marciale]*
10. March (Allegretto)
11. [Moderato]*
12. [March] (Allegretto)*
13. [Allegro]*
14. Allegro
Reel No. 3
15a. [Overtone Singer]*
15. The Steppe of the Altai (Andante)
16. The Altai (Andantino)
17. Adagio
18. Kuzmina in the Peasants Hut (Largo Allegro)
19. [Allegro]*
Reel No. 4
20. [Andante]*
21. Allegro
22. The Bey Takes the Children to the Sheep Pastures (Largo)
23. Largo
24. [Andante]*
25. [Allegro]*
26. Village Soviet Chairman at Sleep and Rising (Adagio)
27. Kuzminas Arrival (Allegro)
28. Village Soviet Chairman Drinks Tea with his Wife (Allegretto)

39
CHRONOLOGICAL LIST OF WORKS
a l one , Op. 26 [ c o n t i n u e d i]

Reel No. 5
29. Adagio Allegretto
30. Adagio
31. Allegro
32. Russian/Enemy/Nod of the head (Moderato)
33. [Allegro vivace Adagio molto]*
Reel No. 6
34. Allegretto Presto Allegretto Presto Adagio
35. The Storm in the Steppe (Allegro)
36. Snowstorm (Presto)
37. Largo
38. Finale (Largo)
Reel No. 7
39. The Aeroplane (Allegro)
40. [Poco lento]*
41. Allegro
42. [Andante]*
43. Adagio
44. Allegro
45. Finale (Allegro)
Appendix (fragments not used in the film)
1. Beginning (Allegro vivo) [score]
2. The Barrel-Organ (Andantino)
3. Choral Finale Stop! Dont Go Away (Andante) [65 introductory bars]
4. Andante
5. Andante
6. Andante
7. Beginning (Allegro) [piano version]
8. The Dream [Andantino] [piano version]
9. March [Allegretto] [piano version of No. 12]
10. The Russian Lot [vocal line]
11. The Bais Conversation (Moderato) [piano score]
* r e c o n s t r u c t i o n
cast: Kuzmina, teacher (Elena Kuzmina) Kuzminas fianc (Pyotr Sobolevs-
ky) Village Soviet Chairman (Sergei Gerasimov) His wife (Maria Babanova)
The Bey (Van Lyui-syan) Little schoolgirl (Yanina Zheimo)
3(picc).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.2.3.1 timp. perc (tgl,
wood bl, side dr, bass dr, cym, tam-t, glsp, xyl). termenvox. harp. org. strings
additional brass section: 2 cornets, 4 flugelhorns (alto, baritone [2/2]), 2
tubas choir with soprano (Nos. 2 and 8), mezzo-soprano (Nos. 24, 40) and
tenor (Nos. 6, 8, 14, 25) solos

40
CHRONOLOGICAL LIST OF WORKS
a l one , Op. 26 [ c o n t i n u e d ii]

MuzykaCollected Works: Vol. 41 (score [of then available surviving items])


DSCH New Collected Works: Vol. 123 (completed score [with reconstructed items])

Sometimes translated as All Alone. Any part then known to have survived from the
music of Op. 26 is published in Vol. 41 of Muzyka Collected Works from 1987. The
above list of items (coinciding with the actual sequence in the film) was adopted
from Vol. 123 from DSCH New Collected Works, which represents a collation of
Shostakovichs manuscript, the Muzyka publication and a considerable number
of reconstructions not available in the composers score. These (Nos. 1-3, 7, 9,
11-13, 19, 20, 24, 25, 33, 40 and 42) were made according to the sound track
by Mark Fitz-Gerald, who also introduced numerous alterations into the authors
score in correspondence with the phonogram. For a detailed commentary and ex-
planation concerning the discrepancies between Muzyka and DSCH publications
see Vol. 123 of DSCH New Collected Works. No. 2 of the Appendix (The Barrel-
Organ) is based on Dance in C minor from 1923 dedicated to the composers
sister Soya. The Dream from the Appendix reappears as Lullaby in the incidental
music to Hamlet, Op. 32. a r r a n g e m e n t s : In 2001 Dmitri Smirnov compiled
a Suite for wind instruments, percussion and double bass, Op. 26a (1[picc].2[cor
anglais].2[bass cl].alto sax.2[db bn] 2.1.1.0 perc [timp, tgl, woodbl, tamb, side
dr, bass dr, cym, tam-t, xyl, vibr]. db) Beginning (Allegro), Dream (Andante), Mar-
ch. The Street (Allegro), Ostansya (Andante), The Bey Takes the Children to the
Sheep Pastures (Largo), The Tea-Party (Allegretto), The Street-Organ (Andantino),
Galop What a Wonderful Life it will be! (Allegro), The Snow Storm (Presto), Finale
(Largo) duration: 26. This arrangement was premiered on 21 February 2001 in
Warsaw by the Nederlands Blazers Ensemble. Gennadi Rozhdestvensky compiled
a three movement Suite from Odna [3.3.4.3 2.4.3.1 timp. perc (glsp, xyl). ter-
menvox. harp. org. strings] in 1982. There is also a compilation by Gerard McBur-
ney consisting of Galop, The Altai, Barrel-Organ, The Bey Takes the Children
to the Sheep Pastures, Village Soviet Chairman at Sleep and Rising, Village Soviet
Chairman Drinks Tea with his Wife, Allegro, Moderato, Storm in the Steppe
and Finale for symphonic band (No. 6 [Galop], No. 10 [March]) by Alphons
van Stenis.

41
CHRONOLOGICAL LIST OF WORKS
THE BOLT , Op. 27
[ B o l t]
Leningrad, November 1930 - 1931
Ballet in three acts and seven scenes
Libretto by Vladimir Smirnov
1. Overture (Adagio Allegro)
Act I
2. Gymnastics (Moderato)
3. Leaving for Work (Allegretto)
4. Lyonka Gulba (Off to Work after Drinking Bout) (Adagio)
5. Mime of the Installation of the Machines (Allegro)
6. Mime of the Chief Engineer, Technicians and Workers (Allegro non troppo)
7. Entry of Kozelkov (Moderato)
8. Mime Dance of the Charladies (Tidying Up the Workshop) (Allegro)
9. The Workers Arrive (Allegretto)
10. The Saboteurs (Intermezzo) (Allegretto)
11. The Bureaucrat (Allegretto)
12. The Blacksmith (Allegretto)
13. Entry of the Komsomol Members and Dance of the Young Pioneers (Allegro)
14. Commissioning of the Workshop (First Dance of the Machines) (Allegro)
15. The Hooligans Mime Dance (Carousing) (Adagio)
16. Mime Dance of the Hooligans and Workers (The Workers Indignation) (Adagio)
17. The Workshop in Operation (Second Dance of the Machines) (Allegro)
Act II
18. Introduction. The Scene with the Sacristan, Goshka, Beggar Women, the Pope
and Young Pioneers (Andantino)
19. Mime and Dance of the Pope (Adagio)
20. Entry of the Pilgrims (Andantino)
21. Dance of the Komsomol Members (Allegro)
22. Kozelkovs Dance (Andantino)
23. Dance of the Women Tailors (Andantino)
24. Goshkas Dance (Allegro)
25. The Komsomol Members Dance, the Sacristans Dance, Scene with the Pil-
grims (Allegro)
26. Dance of the Hooligans (Largo)
27. Mime of the Hooligans and Scene with Lyonka and the Pope (Andante)
28. Mime of Kozelkov, Boris and Olga (Allegro)
29. Dance of Kozelkov and His Friends (Allegretto)
Act III
30. Entracte (Lento)
31. The Working Days End (Allegro)
32. Scene with the Bolt (Andante)
33. March (Allegretto)
34. The Naval Disarmament Conference (Allegretto)

42
CHRONOLOGICAL LIST OF WORKS
t h e b olt , Op. 27 [ c o n t i n u e d i]

35. Dance of the Aesthetic Young Lady (Allegro)


36. The Yes-Man (Andantino)
37. Dance of the Mill Girls (Allegro)
38. Dance of the Drayman (Moderato non troppo)
39. Dance of the Colonial Slave Girl (Andante)
40. Dance of the Komsomol Members (Allegro)
41. The Conspiracy Exposed (Goshkas Tale) (Andantino)
42. Red Army Dances (Allegretto)
43. Concluding Dance and Apotheosis (Allegro)
d r a m at i s p e r s o n a e :
Olga, secretary of the local Komsomol group Boris,
brigade leader Factory director Chief engineer Lyonka Gulba Ivan
Shtopor, Fyodor Piva and Manka Fart, Lyonkas friends Goshka, a boy Ko-
zelkov, a vulgar-tongued clerk Charles, Shton and Prishpekov, Kozelkovs
friends Podnebesnensky, pope Prichta, sacristan Pachuli and Fikus, gos-
sipmongers Opara, barmaid An Uzbek, a Russian and a Georgian, Com-
somol members Two members of the Budyonny cavalry corps, a Red Army
soldier and a Red Navy sailor, Red Army men.
Characters in the Amateur Concert: Absentee, Drunkard, Malingerer, Job-
Changer, Careerist, Bungler, Bureaucrat, Blacksmith. Characters in the
Propaganda Concert: Aesthetic Young Lady, Yes-Man, Colonial Slave Girl,
Drayman. Workers, Technicians, Komsomol and Young Pioneer members,
Pilgrims, Red Army men, Mill girls, Motorcyclists, Infantrymen, Artillerymen.
3.3.3.3 6.3.3.1 perc. harp. strings
First performance: 8 April 1931, Leningrad, State Academic Opera and Ballet The-
atre
Olga Mungalova (Olga) Boris Shavrov (Boris) Nikolai Solyannikov (Factory di-
rector) S. Slavyaninov (Chief ingeneer) Leonid Leontiev (Gulba) N. Iosafov
(Shtopor) P. Goncharov (Piva) T. Leshevich (Manka Fart) N. Bazarova (Goshka)
A. Khristapson (Kozelkov) M. Dolinskaya (Charles) A. Biber (Shton) Vladimir
Ponomaryov (Prishpekov) P. Baklanov (Pope) P. Ulanov (Prichta) E. Shimans-
kaya (Pachuli) N. Baranovich (Fikus) Anna Beryozova (Opara) Konstantin Ser-
geev, V. Zhuravlev, A. Lopukhov (Comsomol members) A. Lopukhov, N. Zuikov
(Cavalry men) A. Atrofimovich (Red Army soldier) P. Ulanov (Red Army sailor)
Fyodor Lopukhov (choreographer) Tatyana Bruni and Georgi Korzhikov (stage
design and costumes) Alexander Gauk (conductor)
DSCH New Collected Works: Vol. 62 (score), Vol. 63 (piano score)

43
CHRONOLOGICAL LIST OF WORKS
t h e b olt , Op. 27 [ c o n t i n u e d ii]

Order and titles of items in Acts 1 and 3 adopted from the DSCH piano score (edi-
ted by Manashir Yakubov) are slightly differing from Derek C. Hulmes listing. For
details concerning the eventful genesis of Op. 27 see Shostakovich as Industrial
Saboteur. Observations on The Bolt by Simon Morris, in: Shostakovich and his
World, edited by Laurel E. Fay, Priceton University Press, 2204. Final March from
The Bedbug, Op. 19 utilized for Mime Dance of the Charladies (No. 8). March,
No. 1 from The Bedbug, Op. 19 with the Allegro section of Kuzmina in the Hut
from Alone, Op. 26 reappear in The Workers Arrive (No. 9). No. 10 (The Sa-
boteurs) quotes music from The Age of Gold, Op. 22 (No. 18). In Dance of the
Komsomol Members (No. 21) the Finale from New Babylon, Op. 18 is heard.
Two Numbers from Op. 27 (Nos. 22 and 38) were used in the ballet The Lady and
the Hooligan compilated by Levon Atovmyan for which see The Limpid Sream,
Op. 39. In 1975 a four-act ballet, The Dreamers, was compiled from the scores
of The Golden Age, Op. 22 and The Bolt, Op. 27 by the composer and Sergei
Sapozhnikov. Its premire, choreographed by Natalya Ryzhenko, took place on 19
January 1976 at the Moscow Stanislavsky and Nemirovich-Danchenko Musical
Theatre.
See also Ballet Suites Nos. 1-3 (1948-1953) and Dances of the Dolls, 1951

44
CHRONOLOGICAL LIST OF WORKS
SUITE FROM THE BOLT (BALLET SUITE NO. 5 ) , Op. 27a
1931, revised 1934
compiled by Alexander Gauk
1. Overture (Adagio Allegro)
2. Bureaucrats Dance (Polka) (Allegretto Allegro Moderato Allegretto)
3. Draymens Dance (Variation) (Moderato non troppo)
4. Tango. Kozelkovs Dance with Friends (Allegretto Andante Allegretto
Allegro)
5. Intermezzo (Allegretto)
6. Dance of the Colonial Slave Girl (Andante)
7. The Conciliator (Andantino)
8. General Dance and Apotheosis (Finale) (Allegro)
3(2picc).3(cor anglais).3(Eb cl).3(db bn) 6.3.3.1 timp. perc (tgl, tamb, side
dr, bass dr, cym, tam-t, glsp, xyl). strings brass band: 3 cornets, 2 trumpets,
6 flugelhorns (alto, tenor, baritone [2/2/2]), 2 tubas)
Duration: 27
First performance: 17 January 1933, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Alexander Gauk (conductor)
arrangement of Nos. 3, 4, 5, 8 for brass ensemble (1.4.4.1 perc) by Steven
Verhaert.
Muzyka Collected Works: Vol. 26 (score)
DSCH New Collected Works: Vol. 71 (score)
The composer omitted Nos. 6 and 7 for publication in 1934, and according to this
version, Dance of the Colonial Slave Girl and The Conciliator do not appear
in Muzyka Collected Works Vol. 26. Intermezzo (No. 5) reappears in Moscow
Cheryomushki, Op. 105, No. 21. a r r a n g e m e n t s : for piano solo [Nos. 2 and 5]
by Levon Atovmyan for small orchestra (No. 3) by Y. Mesner and Yuri Ostrumov.
Various versions of No. 2: for band by Donald Hunsberger for piano, for clarinet
and piano and for small and large orchestra by Quinto Maganini for piano four
hands by Maxwell Powers for saxophone and piano by Marc Chisson for brass
ensemble by Alan Raph, by Roger Niese and by Steven Verhaert (Nos. 3, 4, 5, 8
1.4.4.1 perc). Version for marimba and piano of No. 7 by Neboja ivkovic.
Waltz-Scherzo, No. 28 from the ballet music, has often been arranged: for piano
by Bronislava Rozengauz for accordion by Z. Semyonova for violin and piano
by Gotsdener for balalaika by A. Tikhonov for domra and piano by Rudolf Belov
for organ by Maria Makarova for flute, clarinet and piano (Waltz Scherzo) as
second piece in Four Waltzes, a cycle arranged and compiled by Levon Atov-
myan Nos. 1, 3 and 4 of this compilation were taken from Michurin, Op. 78a,
Maxims Return, Op. 45 and The Gadfly, Op. 97.

45
CHRONOLOGICAL LIST OF WORKS
OVERTURE TO THE GREEN COMPANY [ i va n d z e r z h i n s k y (1909 - 1978)]
1931
Orchestration of the overture to Ivan Dzerzhinskys musical comedy The Green
Company (lost)
First performance: March 1932, Leningrad, TRAM (Theatre of Working-Class Youth)
Variant translation: The Green Guild

RULE, B RITANNIA !, Op. 28


[ P r a v, Britaniya!]
Leningrad, April 1931
Incidental music to Adrian Piotrovskys play in four acts
1. Internationale (Allegro Meno mosso)
2. Infantry March (Allegretto)
3. [Along the Soviet Route] (Allegretto non troppo)
4. Protest (Allegro)
5. Raising the Banner (Allegretto)
6. The Banners Flap in the Wind (Allegro)
1(picc).0.1.1 1.2.1.1 timp. perc (tgl, side dr, bass dr, cym). piano. strings
mixed chorus
Premire: 9 May 1931, Leningrad, TRAM (Teatr Rabochey Molodyozhi Theatre
of Working-Class Youth)
Mikhail Sokolovsky and R. Suslovich (directors) M. Levin (stage designer) N.
Dvorikov (conductor)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 116 (score), 120 (piano score)
No. 4 only in piano score in Vol. 28 of Muzyka Collected Works, orchestral recon-
truction by Mark Fitz-Gerald. The Meno mosso section with unison chorus of No. 1
quotes Pierre Degeyters Internationale with Russian text by Arkadi Kots. The words
from the choral part of No. 3 are lost. No. 2, Infantry March, reappears in Night
Watch from Hamlet, Op. 32.

46
CHRONOLOGICAL LIST OF WORKS
GOLDEN MOUNTAINS , Op. 30
[ Z l a tye gory]
Leningrad, Summer - Autumn 1931
Music to the film
Produced by Soyuzkino (Leningrad) Lev Arnshtam, Alexei Chapygin, Andrei Mik-
hailovsky, Vladimir Nedobrovo, Sergei Yutkevich (scenario) Sergei Yutkevich (di-
rector) Viktor Eisymont (assistant director) Iosif Martov, Vladimir Rappoport, A.
Val (camera men) Nikolai Suvorov (set designer) Ilya Volk, Ivan Dmitriev (sound
editors) Isai Braudo (organ) Nikolai Rabinovich (conductor). First showing: 6
November 1931, Khudozhestvenny Cinema, Leningrad. First showing of the revi-
sed version: 14 August 1936
1. Introduction
2. Waltz
3. Three episodes (A major, C major, D minor)
4. Three fragments
5. Polka
6. Pyotr sells watches
7. Pyotrs run
8. Fugue [for organ]
9. Two variants of Waltz (Andantino, Moderato)
10. Vasilis Death
11. Part No. 8
12. Finale
cast: Pyotr, farmer (Boris Poslavsky) Krutilov, landowner (Yuri Korvin-
Krukovsky) Ingeneer, his son (V. Fedoseev) Vasili, worker (Ivan Shtraukh)
Vikhrasty (Boris Tenin) Foreman (Nikolai Michurin) Girl (Natalya Razu-
mova)
3(picc).2.3(Eb clar).5(db bn) 4.3.3.1 3 timp. perc. guit. bayan. harp. stings
brass band: 2 cornets, 4 flugelhorns (alto, baritone [2/2]), 2 tubas) 5 dom-
ras, 5 balalaikas
Duration: 92
DSCH New Collected Works: Vol. 124 (score)
The autograph score is preserved at the State Archives of Literature and Art and the
Glinka Museum. The above list of items and the given instrumentation were ad-
opted from Erna Meskhishvili. Apart from the mentioned items in orchestral parts,
there is a number of pieces in the composers handwriting. No. 4 makes use of the
song If only I had those Mountains of Gold [Kogda b imel zlatye gory] which
serves as leitmotiv. No. 6 is based on the song Oh, endless step [Akh ty, step shi-
rokaya]. Derek C. Hulme gives the following orchestration which does not exactly
correspond with Erna Meskhishvilis: 3(picc).3(cor anglais).3(bass cl).3sax(soprano/
alto/tenor).3(db bn) 8.4.4.2 timp. perc (side dr, bass dr, cym, glsp, xyl). hawaiian
guit. 2 harps. org. strings. The film is sometimes referred to as Mountains of Gold
or The Street of Happiness [Schastlivaya ulitsa]. According to John Riley an im-
pressive fugue for organ and orchestra was removed from the score on the occasion

47
CHRONOLOGICAL LIST OF WORKS
g o lden mountains , Op. 30 [ c o n t i n u e d ]
of the films 1936 re-release. As Hulme states, there is another song based on the
urban song There Used to be Merry Days, which reappears in Moscow Cheryo-
mushki, Op. 105.

SUITE FROM GOLDEN MOUNTAINS , Op. 30a


Leningrad, 1931
compiled by the composer
1. Introduction (Moderato)
2. Waltz (Andante)
3. Fugue (Largo Allegro)
4. Intermezzo (Andante)
5. Funeral March (Largo)
6. Finale (Largo)
3(picc).3(cor anglais).3(bass cl).soprano sax.alto sax.tenor sax.3(db bn)
8.4.4.2 timp. perc (side dr, bass dr, cym, glsp, xyl). hawaiian guit. 2 harps.
org. strings
Duration: 27
First performance: Autumn 1931, Moscow, Bolshoi Theatre
Bolshoi Theatre Orchestra Alexander Melik-Pashayev (conductor)
Muzyka Collected Works: Vol. 41 (score)
Shostakovich utilizes the seven last bars from his Third Symphony as a coda for the
Finale. a r r a n g e m e n t s : for piano by Levon Atovmyan for piano four hands
by Reiny Roland, by M. Danyushevsky and (No. 2) by Mikhail Nyurnberg for
two pianos by A. Kondratev and by Pierre Luboshutz for trumpet and piano by
Sergei Bolotin. a r r a n g e m e n t s of No. 2: for piano by Reiny Roland for piano
four hands by Mikhail Nyurnberg for wind orchestra by Sergei Gorchakov and by
Vladimir Udalov for small orchestra by Y. Mesner and Yuri Ostrumov for folk
instrument orchestra by Yuri Chernov.

48
CHRONOLOGICAL LIST OF WORKS
DECLARED DEAD , Op. 31
[ U s l ovno ubityi]
Leningrad, Summer 1931
Music to a music-hall show by Vsevolod Voyevodin and Evgeni Ryss
1. Overture [Con moto]
2. Ruination of the City (Andante)
3. [No. 3] Mashenkas First Song Oh, how pleasant of an evening ...
4. [No. 4] Mashenkas Second Song My dear, you see here and there ...
5. [No. 6] Transition to the Field Hospital
6. [No. 7] [Untitled]
7. [No. 8] Transition to the Field
8. [No. 9] The Field [A Landscape]
9. [No. 11] Polka
10. [No. 12] March. Camouflage
11. [No. 15] The bottom of the River
12. [No. 16] Finale of Act I. Dance of the Temporary Victors
13. [No. 16a] Introduction to Act II. Petrushka
14. [No. 17] Petrushka (Garmoshka)
15. [No. 17a] Couplets. [Look! Look! how quick and nifty we are!]
16. [No. 17b] The Storm
17. [No. 18] The Arrival of the Lorry
18. [No. 18a] Dance
19. [No. 19] Jugglers and Waitresses
20. [No. 21] Transition to the Kitchen
21. [No. 21a] The Waitresses
22. [No. 24] Beiburzhuevs Monologue
23. [(No. 24a)] Beiburzhuevs Song You sit and sing, and suddenly theres fire ...
24. [(No. 24b)] [Continuation of Beiburzhuevs Monologue]
25. [(No. 25)] Good Luck
26. [No. 26] Paradise. Flight of the Cherubim
27. [No. 27] Paradise. Flight of the Angels
28. [No. 28] Adagio
29. [(No. 29)] Bacchanalia of John of Kronstadt and Paraskeva Pyatnitsa
30. [No. 29a] Waltz
31. [No. 30] [Chorus: Holy! Holy!]
32. [No. 31] [Chorus: Holy! Holy!]
33. [No. 32] [Chorus: Holy! Holy!]
34. [No. 33] [Chorus On the sea and on the land]
35. [No. 33a] The Twelve Apostles
36. [No. 34] The Archangel Gabriels Number
37. [(No. 35)] [Untitled]
38. [(No. 36)] [Untitled]

49
CHRONOLOGICAL LIST OF WORKS
d e clared dead , Op. 31 [ c o n t i n u e d i]

Premire: 2 October 1931, Leningrad Music-Hall


Klavdia Shulzhenko (Mashenka) Leonid Utyosov (Stopka Kurochkin) Alpha,
the German Shepherd Vladimir Koralli (Beiburzhuev) Kayukov (Telegraphist)
A. Matov, Volsky (Workers) Ruf (Accountant) Orlov (Accountant, Cashier,
Registrar) Khukova (waitress) Sagmari, Garina (cooks) Lemeshov (Waiter)
The Four Giovannis (high-wire artists) Fyodor Lopukhov, Natalia Glan (choreogra-
phers) Evgeni Gershuni (circus effects) Nikolai Akimov, Vladimir Dmitriev, N.
Gigeppo, I. Okorokov (stage design) Nikolai Petrov (director) Leonid Utyosovs
Tea-Jazz [Theatrical Jazz] (The Twelve Apostles) Isaak Dunaevsky (conductor)
Muzyka Collected Works: Vol. 28 (piano score)
DSCH New Collected Works: Vol. 54 (score), Vol. 55 (piano score)
The show is also known under the titles Conditionally Killed, Conditional Death,
Allegedly Murdered and Hypothetically Murdered. Voyevodins and Ryss plot
seems to have been inspired by certain episodes from the popular satirical novel The
Little Golden Calf (1931) by Ilya Ilf and Evgeni Petrov. From the composers original
score comprising 38 composed numbers only Overture (No. 1) and The Ruination
of the City (No. 2) survived. Shostakovichs original instrumentation of Nos. 1 and 2:
2(picc).1.1.soprano sax.alto sax.tenor sax.1 2.2.1.1 perc (timp, side dr, bass dr,
cym). banjo. piano. strings (4/4/2/2/2). These two items appear in Vol. 54 of DSCH
New Collected Works, as well as a Suite from Op. 31 (listed below) compiled and
orchestrated by Gerard McBurney. The score of Nos. 1 and 2 from Declared Dead
is being kept, together with 36 other items in piano score from Op. 31, in the Russian
State Archives of Literature and Art in St. Petersburg. All mentioned numbers in piano
score listed above are found in Vol. 55 of DSCH New Collected Works (Nos. 5, 10,
13, 14, 19, 20, 22, 23 and 29 are missing seven additional items without numbers
[Nos. 16a, 17a, 17b, 18a, 21a, 29a, 33a] were designated as Nos. 19, 24a, 24b, 25,
29, 35 and 36) while Vol. 28 of Muzyka Collected Works only prints a selection of 20
items (1. Polka [Con moto], 2. Dance (Andante), 3. Intermezzo I [Allegretto], 4. Inter-
mezzo II [Allegro], 5. The Field (Landscape) (Andantino), 6. Galop (Allegro), 7. The
Bottom of the River [Moderato], 8. Petrushka (Allegro), 9. The Storm (Allegro), 10. The
Jugglers (Allegretto),11. The Waitresses (Allegro) ,12a. Paradise, Flight of the Cherubim
[Allegretto], 12b. Paradise, Flight of the Angels [Allegro non troppo], 13. Adagio, 14.
Finale to Act 1 (Dance of the Temporary Victors) (Moderato), 15. Bacchanalia (Presto),
16. Waltz [Allegretto moderato], 17. The Archangel Gabriels number (Allegretto), 18.
The Twelve Apostels [Allegro], 19. [Choir] [Allegretto], 20. [Monologue] [Allegretto].)
In Archangel Gabriels Number Shostakovich makes use of a theme from Columbus,
Op. 23 that reappears later in Piano Concerto No. 1, Op. 35. Another number, March.
Camouflage, reappears unchanged in Hamlet, Op. 32 as Fortinbras March. Jugg-
lers and Waitresses was incorporated into The Tale of the Priest and his Servant Balda,
Op. 36 and into the third tableau of Lady Macbeth of the Mtsensk District, Op. 29, in
whose second tableau (episode with Axinya) reappears the music of Bacchanalia of
John of Kronstadt and Paraskeva Pyatnitsa. The Twelve Apostles briefly quotes Song
of the Golden Calf from Charles Gounods opera Faust. For details see commen-
tary of Vols. 54 and 55 of DSCH New Collected Works and Gerard McBurneys essay

50
CHRONOLOGICAL LIST OF WORKS
d e clared dead , Op. 31 [ c o n t i n u e d ii]

Declared dead, but only provisionally. Shostakovich, Soviet music-hall and Uslovno
ubityi published in Soviet Music and Society under Lenin and Stalin, Routledge,
2004. a r r a n g e m e n t for piano (by the composer?) in four movements: 1. The Field
(No. 9), 2. Polka (No. 11), 3. Dance (No. 18a), 4. Jugglers and Waitresses (No. 19).

SUITE FROM DECLARED DEAD , Op. 31a


compiled by Gerard McBurney
1. Transition to the Field Hospital (Allegretto) [No. 6]
2. Galop (Allegro) [No. 7]
3. Transition to the Field [Allegro] [No. 8]
4. The Field [A Landscape] (Andantino) [No. 9]
5. Introduction to Act II. Petrushka (Allegro) [No. 16a]
6. The Storm (Allegro) [No. 17b]
7. The Arrival of the Lorry (Allegro) [No. 18]
8. Dance (Andante) [No. 18a]
9. Transition to the Kitchen (Jugglers and Waitresses) (Allegretto [Allegro]) [Nos.19, 21]
10. Waitresses (Allegro) [No. 21a]
11. Paradise, Flight of the Cherubim (Allegretto) [No. 26]
Flight of the Angels (Listesso tempo) [No. 27]
12. Adagio [No. 28]
13. Bacchanalia of John of Kronstadt and Paraskeva Pyatnitsa (Presto) [(No. 29)]
14. Waltz (Moderato) [(No. 29a)]
15. The Archangel Gabriels Number (Allegretto poco moderato) [No. 34]
16. Polka (Con moto) [No. 11]
17. March (Camouflage) (Allegretto) [No. 12]
18. River-Bed (Moderato Molto pi mosso) [No. 15]
19. Finale to Act I: Dance of the Temporary Conquerors (Moderato Pi allegro al
fine) [No. 16]
2(picc).1.2(bass clar). soprano sax. tenor sax.2 1.2.2.1 timp. perc (3 groups,
5 players) [I: tgl, flex, wood bl, tamb, side dr, tenor dr, bass dr, cym, susp.cym,
xyl, glsp II: flex, claxon, whistle, 2 temple bl, wood bl, side dr, tenor dr, bass
dr, cym, susp.cym, lions roar III: tgl, flex, whistle, whip, wood bl, tamb, bass
dr, cym, susp.cym, tam-t, plate bell]. piano. acc. strings (8/6/4/4/3)
Duration: 39
DSCH New Collected Works: Vol. 54 (score)

51
CHRONOLOGICAL LIST OF WORKS
TWO PIECES FOR STRING QUARTET
Batumi, 31 October / 1 November 1931
Dedicated to the Jean Villaume Quartet of Kharkov
1. Elegy in F sharp minor (Adagio)
2. Polka in B flat major (Allegretto)
Duration: 8
DSCH New Collected Works: Vol. 100
Both pieces are transcriptions: Elegy from Katerinas Aria The foal runs after the
filly, ... (third scene) from Lady Macbeth of the Mtsensk District, Op. 29 and Pol-
ka from The Age of Gold, Op. 22a. As Manashir Yakubov states, the first page of
Shostakovichs manuscript bears the composers inscription Op. 36. Op. 36 was
later assigned to The Tale of the Pope and his Servant Balda (1934). a r r a n g e -
m e n t s for string orchestra by Christian Sikorski and Alexandre Brussilovsky (both
Nos. 1 and 2) and by Misha Rachlevsky (No. 2) for saxophone quartet by Aurelia
Saxophone Quartet and by Signum Saxophonquartett.

52
CHRONOLOGICAL LIST OF WORKS
HAMLET , Op. 32
[ G a mlet]
Leningrad/Moscow, December 1931 - Spring 1932
Incidental music to William Shakespeares tragedy
Russian translation by Mikhail Lozinsky with insertions from texts by Desiderius
Erasmus
Act I
1. Introduction and Night Watch (Allegro non troppo Moderato. Poco allegretto)
2. The Shepherds Pipe (Moderato)
3. Funeral March (Adagio)
4. Exit of the King and Queen (Allegro)
5. Banquet Music (Allegretto)
6. Flourish and Dance Music
7. Finale of Act 1 (Allegro)
Act II
8. Hamlet with the Boys (Allegro)
9. Ophelia and Polonius Galop (Allegro)
10. Hamlets Scene with Rosencrantz (Allegretto)
11. The Actors Arrival (Allegro)
12. Polonius Exit with Rosencrantz and Guildenstern (Allegretto)
13. Rosencrantz and Guildensterns Dialogue (Allegretto)
14. The Hunt (Allegro assai)
15. Finale of Act 2 (Repetition of the last eleven bars from The Hunt)
Act III
16. Music to the Spectacle
I. Tuning of the Instruments
II. Introduction (Adagio)
III. Love Scene of the Player-King and Player-Queen (Andantino)
IV. The Poisoners Appearance (Allegro)
V. Poisoning Music (Adagio)
VI. The Poisoners Exit (Andante)
VII. Scene after the Poisoners Exit (Andantino)
17. Entry of the Guests
18. Scene with Flute (Allegro)
19. Episode after the Flute Scene (Presto)
20. Pantomime
21. Hamlet Dragging out Polonius Corpse (Allegretto)

53
CHRONOLOGICAL LIST OF WORKS
HAMLET , Op. 32 [ c o n t i n u e d i]

Act IV
22. The King Distracts the Queen (Allegro)
23. The Combat (Allegro)
24. The King is Being Dragged out (Allegro)
25. The Kings [Claudius] Monologue (Andante)
26. Fortinbras Fanfares
I. (Allegro)
II. (Allegro)
III. (Allegro)
27. Banquet
28. Can-can
29. Ophelias Song
Act V
30. Lullaby
31. Requiem
32. Tournament
33. Flourish [Allegro non troppo]
34. Heavy Combat (Allegro)
35. Slack Combat (Allegro)
36. The Tournaments End (Allegretto)
37. Fortinbras March
2(picc).1.1.1 2.2.1.1 timp. perc (tgl, tamb, side dr, bass dr, cym, tam-t).
strings solo voice, choir
Premire: 19 May 1932, Moscow, Vakhtangov Theatre
Nikolai Akimov (production and design) B. Zakhava, Pavel Antokolsky, Gerbert
Rappoport, Ruben Simonov, Boris Shchukin (directors) S. Shervinsky (choreogra-
pher) V. Arkadev (swortfights)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 117 (score), Vol. 120 (piano score)
The material published in Muzyka Collected Works Vol. 27 is based on the score
which has been reconstructed from orchestral parts preserved at the Vakhtangov
Theatres Museum. The order of the above items according to Derek C. Hulme
deviates considerably from the grouping in Vol. 27. Five numbers (Romance at
the Banquet from Act IV and Introduction to the Churchyard Scene, Song of the
Gravedigger, The Beggars passing by, Song of Horatio from Act V) do not appear
in Vol. 27 nor in Vol. 28 (piano score). The listing of items of Op. 32 given by Erna
Meskhishvili is subdivided in 4 acts and even more divergent. However, only the
publication of the still not available Vols. 117 and 120 of DSCH New collected
Works will give the opportunity to finally ascertain contents and order of musical
items. Lullaby (No. 30) is taken from Alone, Op. 26, Fortinbras March (No.
37) from Declared Dead, Op. 31, and the trumpet theme heard in Flourish and
Dance Music (No. 6) derives from the Fifth Ballet Suite (The Bolt), Op. 27a. Night

54
CHRONOLOGICAL LIST OF WORKS
HAMLET , Op. 32 [ c o n t i n u e d ii]

Watch recycles Infantry March (No. 2) from Rule, Britannia!, Op. 28. No. 27,
Banquet (Actors Pantomime in the Suite), makes use of Mime of the Agents Pro-
vocateurs, Provocation and Arrest (No. 20) and Can-can (No. 33) from The Age
of Gold, Op. 22. In 1954 Shostakovich composed two additional numbers (Gigue
[Presto] and Finale [Moderato] both printed in Vol. 27) for a production directed
by Grigori Kozintsev at the Pushkin Theatre in Leningrad (Premire: April 1954) for
which Kozintsev recycled major portions of Shostakovichs Music of King Lear,
Op. 58. Required wind instruments: 0.0.2.2 2.2.0.0. a r r a n g e m e n t for violon-
cello and piano (Gigue) by Juozas Chelkauskas.
See also the Hamlet film music, Op. 116

SUITE FROM HAMLET , Op. 32a


Leningrad/Moscow, 1932
compiled by the composer
1. Introduction and Night Watch (Allegro non troppo Moderato. Poco allegretto)
[No. 1]
2. Funeral March (Adagio) [No. 3]
3. Flourish and Dance Music (Allegro) [No. 6]
4. The Hunt (Allegro) [No. 14]
5. Actors Pantomime (Presto) [No. 27]
6. Procession (Moderato) [No. 17]
7. Musical Pantomime (Allegro) [No. 20]
8. Banquet (Allegro) [No. 28]
9. Ophelias Song (Allegro) [No. 29]
10. Lullaby (Andantino) [No. 30]
11. Requiem (Adagio) [No. 31]
12. Tournament (Allegro) [No. 32]
13. Fortinbras March (Allegretto) [No. 37]
2(picc).1.1.1 2.2.1.1 timp. perc (tgl, tamb, side dr, bass dr, cym, tam-t).
strings
Duration: 23
Muzyka Collected Works: Vol. 27 (score)
arrangements: for small orchestra (Nos. 7 and 13) by Nikolai Rakov for piano
by Levon Atovmyan for piano (Nos. 1, [without Introduction], 2, 3, [without
Flourish], 4, 5, 10 and 13) by Lev Solin piano version of No. 13 as Marche
Sarcastique by Frederick Block, Robert Cray and Benjamin Suchoff for string
quartet (Nos. 5 and 10) by Viktor Ekimovsky for woodwind ensemble (No. 13)
by Ray Farr.
See also Suite from the Hamlet film music, Op. 116a

55
CHRONOLOGICAL LIST OF WORKS
SIX ROMANCES ON WORDS BY JAPANESE POETS , Op. 21
[ S h e st romansov na slova yaponskikh poetov]
Leningrad, 7 October 1928 - April 1932
for tenor and orchestra
Texts of Nos. 1, 3, 5 and 6 by anonymous Japanese poets. No. 2 by Prince Otsu
(663-686). No. 4 by Alexander Preis, co-librettist of The Nose, Op. 15 and Lady
Macbeth of the Mtsensk District, Op. 29. Nos. 1-3 were taken from the collection
Japanese Lyric Poetry published in St. Petersburg in 1912 and translated by A.
Brandt.
Dedicated to Nina Vasilievna Varzar
1. Love (Andante)
2. Before Suicide (Adagio)
3. An Indiscreet Glance (Allegretto)
4. For the First and Last Time (Andante)
5. Hopeless Love (Adagio)
6. Death (Largo)
2(picc).2.4(Eb cl, bass cl).3(db bn) 4.3.3.1 timp. perc (cym, tam-t, glsp,
xyl). 2 harps. strings
Duration: 13
First performance: 24 April 1966, Leningrad, Glinka Concert Hall
Anatoli Manukhov (tenor) Leningrad Philharmonic Orchestra Igor Blazhkov
(conductor)
Muzyka Collected Works: Vol. 31 (score), Vol. 32 (version for tenor and piano by the compo-
ser)
DSCH New Collected Works: Vol. 87 (score) Vol. 93 (version for tenor and piano by the com-
poser)
Six Romances on Words by Japanes Poets were originally conceived for voice and
piano and consisted of three parts: Epitaph (which later became Love), Before
Suicide and An Indiscreet Glance. This version, composed in 1928, was assigned
Op. 16. Shostakovich continued the cycle in 1931 with For the First and Last Time
Hopeless Love and Death were eventually composed in 1932. Shostakovichs
version for tenor and piano (Op. 21a) was premiered by Alexei Maslennikov (tenor)
and Lilya Mogilevskaya (piano) at the Moscow All-Unions House of Composers on
30 March 1977. German translation by Jrg Morgener.

56
CHRONOLOGICAL LIST OF WORKS
ENCOUNTER , Op. 33
[ V s t rechnyi]
Leningrad, October 1932
Music to the film
Produced by Soyuzkino (Leningrad) Lev Arnshtam, Friedrich Ermler, Sergei Yutke-
vich and D. Del [Leonid Lyubashevsky] (scenario) Friedrich Ermler and Sergei
Yutkevich (directors) Lev Arnshtam (co-director) Iosif Martov, Alexander Ginz-
gurg, Vladimir Rappoport (camera men) Ilya Volk and Ivan Dmitriev (sound edi-
tors) Boris Dubrovsky-Eshke (set designer) Nikolai Rabinovich (conductor). First
showing: 7 November 1932, Leningrad
Commissioned to celebrate the fifteenth anniversary of the revolution
1. Presto
2. Andante
3. Andante
cast: Babchenko (Vladimir Gardin) Babchikha (Maria Blyumental-Tama-
rina) Katya (Tatyana Guretskaya) Pavel (Andrei Abrikosov) Vasya (Boris
Tenin) Skvortsov, ingeneer (Boris Poslavsky) His mother (M. Pototskaya)
Factory director (Alexei Alexeev) Ingeneer (Nikolai Kozlovsky) Morgun
(Vladimir Sladkopevtsev) Chutochkin (Yakov Gudkin)
3(picc).2.2.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, cym, glsp, 2 xyl). 2
harps. strings
Muzyka Collected Works: Vol. 41 (score)
DSCH New Collected Works: Vol. 125 (score)
A number of sources assign to this film the variant titles Passer-by, Counterplan,
Turbine 50000 and Coming Your Way. Vol. 41 of Muzyka Collected Works only
prints the three items listed above and in its appendix three further fragments: 1.
Scherzo (piano score), 2. Three Sketches of The Song of Encounter (the first with
piano accompaniment) and 3. The Song of Encounter (Fragment No. 10), an ar-
rangement (3[picc].3.3.2 4.0.0.0 strings mixed chorus) taken from Michurin,
Op. 78. As stated in the editors note, orchestral and choral parts of certain items
are preserved at the Leningrad State Archives of Literature and Art. Derek C. Hulme
declares that the manuscript score is preserved at the Music Department of Len-
film. The beginning of No. 2 was used by the composer in the unfinished opera
The Great Lightning (March of the Models). No. 3 is based on the melody of
Song about the Counterplan. Another item from Op. 33, How Long will my Heart
Ache? [Dolgo l serdtsu nyt-bolet?] on traditional words for female choir a cappella
(Moderato), is printed in both Muzyka Collected Works, Vol. 34 and DSCH New
Collected Works, Vol. 86. a r r a n g e m e n t for symphonic band by Alphons van
Stenis (No. 3).
See also Song about the Counterplan

57
CHRONOLOGICAL LIST OF WORKS
SONG A B OUT THE COUNTERPLAN
for two-part choir and piano arranged by the composer
Text by Boris Kornilov
(Allegretto)
Muzyka Collected Works: Vol. 34
This song from Encounter, Op. 33 (Meet the Cool of the Morning [Nas utro vstre-
chaet prokhladnoi]) is also known as Song of Encounter. The song became one of
the most popular Soviet songs and one of Shostakovichs best known compositions.
The composer re-used Song about the Counterplan in Michurin, Op. 78 (see ap-
pendix of Muzyka Collected Works Vol. 41) as well as in Poem of the Motherland,
Op. 74 and Moscow Cheryomushki, Op. 105. The song was also used in Jean
Renoirs 1936 film La vie est nous. For details concerning genesis and history of
reception see John Rileys essay From the factory to the flat. Thirty years of the Song
of the Counterplan published in Soviet Music and Society under Lenin and Stalin,
Routledge, 2004. a r r a n g e m e n t s : A version for solo voice and choir (1961?) may
be Shostakovichs own for mixed choir by Isaak Dunaevsky reworked in 1942
as The Hymn of the United Nations by Harold J. Rome orchestral arrangements
by Charles OConnell, by Charles Brendler and by Leopold Stokowski version for
soprano, mixed choir and large orchestra by Herbert Stothart and Roger Edens with
revised lyrics by Edgar Yip Harburg for the 1943 MGM film Thousands Cheer
Kathryn Grayson (soprano) Jos Iturbi (conductor) Version with English lyrics by
Nancy Head appeared in Britain as Salute to Life at the beginning of World War
II German version, Entgegen dem khlenden Morgen (the author of the lyrics is
unknown), which was one of the most frequently sung East German workers songs
for decades
See also Encounter, Op. 33, Poem of the Motherland, Op. 74, Michurin,

Op. 78, and Moscow Cheryomushki, Op. 105

FROM KARL MARX TO OUR OWN DAYS


[ O t Karla Marxa do nashikh dnei]
1932
Symphonic poem for solo voices, choir and orchestra (unfinished)
Text by Nikolai Aseev
In February 1932 Shostakovich announced that he was working on this piece. It
seems as if five sections were projected, the first of which had already been com-
posed, but nothing has ever been released.

58
CHRONOLOGICAL LIST OF WORKS
o r ango
[ O r ango]
1932
Satirical opera in three acts with a prologue (unfinished)
Libretto by Count Alexei Tolstoy and Alexander Starchakov
1. Overture (Adagio Allegro)
2. [for bass, choir and orchestra] (Listesso tempo)
3. [Foreigners I and II, Master of ceremonies (Allegro moderato Alla marcia)
4. [Nastyas dance] (Andante)
5. [Nastyas dance] (Allegro)
6. [Foreigners I and II, Master of ceremonies, choir] (Moderato)
7. [Zoologist] (Alla marcia)
8. [Susanna, Foreigners I and II, Zoologist, Orango, Master of ceremonies, choir]
(Allegro moderato Meno mosso)
9. [Nastyas taming dance] (Allegretto Adagio Adagio Allegretto Allegretto)
10. [Susanna, Zoologist, Orango, Master of ceremonies, Voice from the crowd,
choir (Agitato Allegretto Meno mosso)
11. [Rene, Armand, Paul, Master of ceremonies, choir (Allegretto Tempo di
valse Alla marcia Presto)
d r a m at i s p e r s o n a e :
Orango, human-like ape (bass) Armand Fleury, em-
bryologist (tenor) Rene, Fleurys daughter (soprano) Susanna, foreigner
(soprano) Paul Mash, journalist (tenor) Foreigner I (tenor) Foreigner II
(tenor) Zoologist (tenor) Voice from the crowd (bass) Master of ceremo-
nies (bass) Nastya Terpsikhorova (ballerina) mixed choir (with bass soloist)
3(picc).3(cor anglais).3(Eb clar).soprano sax.alto sax.3(db bn) 6.3.3.1
7 perc (timp, tgl, rattle, woodbl, castanets, ratchet, tamb, side dr, bass dr, cym,
tam-t, whistle, claxon charleston, side dr, tenor dr, bass dr, susp.cym swa-
nee whistle, flex, glsp, xyl), banjo, strings
Duration: 32
Premire (semi-staged): 2 December 2011, Los Angeles
Los Angeles Philharmonic Esa Pekka Salonen (conductor) Peter Sellars (director)
In 2006 musicologist Olga Digonskaya discovered the complete piano score of the
prologue in the Shostakovich family archives. Orchestration of the piano score and
translation into English by Gerard McBurney. The libretto of Orango is held in the
Tolstoy family archives. A slightly shortened version of the Overture from the ballet
The Bolt, Op. 27 serves as Overture for Orango. No. 5 is a combination of two epi-
sodes from The Bolt (Members of the Budyonny Cavalry Corps from No. 42, Red
Army Dances, and No. 43, Concluding Dance and Apotheosis, in its entirety). For
a detailed description of the artistical genesis, cross-references to Mayakovskys The
Bedbug and Shostakovichs The Bolt, Op. 27, and a comparison of the libretto by
Tolstoy/Starchakov with the text finally used by Shostakovich see Olga Digonskayas
commentary of the piano score (prepared by Viktor Ekimovsky), DSCH, 2010, and
Interrupted masterpiece: Shostakovichs opera Orango. History and context by
Olga Digonskaya in Shostakovich studies 2 , Cambridge University Press, 2010.

59
CHRONOLOGICAL LIST OF WORKS
LADY MAC B ETH OF THE MTSENSK DISTRICT , Op. 29
[ L e di Makbet mtsenskogo uyezda]
14 January 1930 - June 1934
Opera in four acts (9 tableaux)
Libretto by Alexander Preis and Dmitri Shostakovich based on the story by Nikolai
Leskov. English translations by L. Soudakova, Vladimir Lakond, Sonia Benderoff,
Merle Puffer, Michel Dimitri Calvocoressi, Edward Downes and David Pountney.
German translation by Jrg Morgener and Siegfried Schoenbohm.
Dedicated to Nina Vasilievna Varzar
Act I Leningrad/Gudauta/Batumi/Tbilisi, 14 October 1930 - 5 November 1931
1. Scene 1 In the Izmailovs House
2. Entracte (Largo)
3. Scene 2 The Izmailovs Courtyard
4. Entracte Passacaglia (Allegro con brio)
5. Scene 3 Katerinas Bedroom
Act II Leningrad/Moscow, 19 November 1931 - 8 March 1932
6. Scene 4 The Izmailovs Courtyard at Night
7. Entracte (Largo)
8. Scene 5 Katerinas Bedroom
Act III Leningrad/Gaspra, 5 April - 15 August 1932
9. Scene 6 The Ismailovs Garden before the Wedding
10. Entracte (Allegretto)
11. Scene 7 In the Police Station
12. Entracte (Presto Allegreto Moderato Presto Moderato Presto Mode-
rato Adagio Allegro Presto
13. Scene 8 The Wedding Feast in the Iszmailovs Garden
Act IV Leningrad - 17 December 1932
14. Scene 9 Convicts Camp on the Road to Siberia
d r a m at i s p e r s o n a e :
Boris Timofeevich Izmailov, merchant (bass) Zinovi
Borisovich Izmailov, his son (tenor) Katerina Lvovna Izmailova, Zinovis
wife (soprano) Sergei, Ismailovs clerk (tenor) Axinya, worker (soprano)
Foreman (bass) Seedy Lout [Zadripanny muzhichkonka] (tenor) Yard
Keeper (bass) Pope (bass) Sonetka, a convict (contralto) Teacher (tenor)
Police Chief (baritone) Policeman (bass) Old convict (bass) Woman
Convict (soprano) Sergeant (baritone) Three Workers (tenors) Coachman
(tenor) Messenger (baritone) Drunken Guest (tenor) Sentry (bass)
Workers, Policemen, Guests, Convicts (mixed choir)
3(picc, alto flute).3(cor anglais).4(Eb clar, bass clar).3(db bn) 4.3.3.1 5 perc
(timp, tgl, flex, wood bl, tamb, side dr, bass dr, cym, tam-t, xyl, glsp). 2 harps.
cel. org (ad lib). strings (20/18/16/14/12) stage band: 8 cornets, 4 trumpets,
12 flugelhorns (alto, tenor, baritone [4/4/4]), 4 tubas
Duration: ~180

60
CHRONOLOGICAL LIST OF WORKS
LADY MAC B ETH OF THE MTSENSK DISTRICT, Op. 29 [ c o n t i n u e d ]
Premire: 22 January 1934, Leningrad, Maly Opera House
Georgi Orlov (Boris Timofeevich Izmailov) Stepan Balashov (Zinovi Borisovich
Izmailov) Agrippina Sokolova (Katerina Lvovna Izmailova) Pyotr Zasetsky (Ser-
gei) K. Rudakova (Axinya) A. Burenin (Foreman) K. Chesnokov (Seedy Lout)
I. Dorozhin (Yard Keeper) Pavel Zhuravlenko (Pope) N. Velter (Sonetka) P.
Nikitenko (Teacher) V. Raikov (Police Chief) I. Padokin (Policeman) S. Abba-
kumov (Old Convict) E. Andrianova (Woman Convict) S. Voronin (Sergeant) K.
Dorozhinsky (Messenger) Nikolai Smolich (producer) Vladimir Dmitriev (desi-
gner) Samuil Samosud (conductor) A. Bauer (choral director)
This first performance was followed two days later by the premire at the Moscow
Nemirovich-Danchenko Music Theatre where the operas title was Katerina Izmai-
lova: Vladimir Nemirovich-Danchenko (producer), Boris Mrodvinov (director), V.
Dmitriev (stage designer) Grigori Stolyarov (conductor).
DSCH New Collected Works: Vol. 52a/52b (score), Vol. 53 (vocal score)
Op. 29 has become most well-known as Lady Macbeth of Mtsensk. Although
the score from 1935 states a replacement of the original Passacaglia entracte in
favour of an organ version and a deletion of the optional band, the instrumentations
from 1932 and 1935 seem to be identical, as Laurel E. Fay has discovered. Com-
mentary with detailed genesis, explanation of textological sources and comparative
listings of versions of the text of Op. 29 in Volumes 52a and 52b of DSCH New
Collected Works. According to Erna Meskhishvili in the Leningrad premire the
roles of Axinya and the Woman Convict were both sung by E. Adrianova. a r r a n -
g e m e n t s : Piano version as well as instrumentations for small and large orchestra
of three entractes (Burying the Corpse in the Cellar, The Ghost Disappears, The
Drunks at the Wedding) by Quinto Maganini orchestral suite (1991) by James
Conlon (In the Court of the Izmailovs, Dangerous Tension, Katerina and Sergei
I, Passacaglia, Katerina and Sergei II, The Drunkard, Arrival of the Police,
In Exile) Katerinas aria The foal runs after the filly,... from scene 3 (Adagio)
for string quartet by the composer and for string orchestra (or string quartet) by
Christian Sikorski for piano (Dance, Interlude, Grotesque Dance) by Frederick
Block paraphrase for piano on themes of Dmitri Shostakovichs opera Lady Mac-
beth of the Mtsensk District by Alexander Markovich What I cannot bear (based
on Katerinas aria from scene 9) for soprano, percussion (timp, bass dr, wood bl)
and strings by Mark Wigglesworth.
For the revised version, see Katerina Izmailova, Op. 114
See also Two pieces for string quartet (1931)

61
CHRONOLOGICAL LIST OF WORKS
s u i te from
LA DY MAC BETH OF THE MTSENSK DISTRICT , Op. 29a
late 1932
for orchestra
1. Allegro con brio
2. Presto Allegretto Moderato Presto Moderato Presto Moderato
Adagio Allegro
3. Allegretto
3(picc).3(cor anglais).4(Eb clar, bass clar).3(db bn) 4.3.3.1 timp. perc (tgl,
wood bl, side dr, bass dr, cym, tam-t, xyl). 2 harps. strings additional brass
section: 4 cornets, 2 trumpets, 6 flugelhorns (alto, tenor, baritone [2/2/2]), 2
tubas)
Duration: 20
First performance: 8 June 2005, Stuttgart
Stuttgart Radio Symphony Orchestra Andrei Boreyko (conductor)
DSCH New Collected Works: Vol. 69
According to Manashir Yakubov, who assigned the opus number 29a to the present
work, the Suite was compiled by the composer shortly after having finished the
score of Lady Macbeth of the Mtsensk District. It consists of the entractes between
scenes 2 and 3, scenes 7 and 8, and scenes 6 and 7 the last two transposed. Alt-
hough the manuscript score, held in the Library of the USSR Music Foundation, was
obviously used much there is no information about any performance.

PASSACAGLIA
for organ, arrangement of the entracte between scenes four and five from Lady
Macbeth of the Mtsensk District by the composer
Duration: 6
DSCH New Collected Works: Vol. 52b (Appendix)
First performance: 17 January 1933, Leningrad, Large Philharmonic Hall
Mikhail Starokadomsky
Laurel E. Fays research shows that Shostakovich planned the organ version as a
self-contained piece which was not conceived to replace the original entracte in
stage productions.

62
CHRONOLOGICAL LIST OF WORKS
TWENTY-FOUR PRELUDES , Op. 34
Leningrad/Moscow, 30 December 1932 - 2 March 1933
for piano
1. C major (Moderato)
2. A minor (Allegretto)
3. G major (Andante)
4. E minor (Moderato)
5. D major (Allegro vivace)
6. B minor (Allegretto)
7. A major (Andante)
8. F sharp minor (Allegretto)
9. E major (Presto)
10. C sharp minor (Moderato non troppo)
11. B major (Allegretto)
12. G sharp minor (Allegro non troppo)
13. F sharp major (Moderato)
14. E flat minor (Adagio)
15. D flat major (Allegretto)
16. B flat minor (Andantino)
17. A flat major (Largo)
18. F minor (Allegretto)
19. E flat major (Andantino)
20. C minor (Allegretto furioso)
21. B flat major (Allegretto poco moderato)
22. G minor (Adagio)
23. F major (Moderato)
24. D minor (Allegretto)
Duration: 31
First performance (Nos. 1-8): 17 January 1933, Leningrad, Large Philharmonic Hall
Dmitri Shostakovich
First performance of the entire cycle: 24 May 1933, Moscow, Small Hall of the
Conservatoire
Dmitri Shostakovich
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 110
d at e s o f c o m p o s i t i o n :
30 December 1932 (No. 1) 31 December (No. 2) 1
January 1933 (No. 3) 2 January (No. 4) 4 January (No. 5) 5 January (No. 6) 7
January (No. 7) 11 January (No. 8) 14 January (No. 9) 22 January (No. 10) 27
January (No. 11) 28 January (No. 12) 30 January (No. 13) 1 February (Nr. 14)
2 February (No. 15) 7 February (No. 16) 11 February (No. 17) 15 February
(No. 18) 21 February (No. 19) 22 February (No. 20) 24 February (No. 21) 28
February (No. 22) 1 March (No. 23) 2 March (No. 24)

63
CHRONOLOGICAL LIST OF WORKS
TWENTY-FOUR PRELUDES , Op. 34 [ c o n t i n u e d ]
No. 14 reappears, orchestrated for full symphony orchestra, in Zoya, Op. 64a.
No. 5 is also known as Velocity Etude. Numerous a r r a n g e m e n t s : for violin
and piano (Nos. 1-3, 5, 6, 8, 10-13, 15-22, 24) by Dmitri Tsyganov, (Nos. 4, 7, 9,
14, 23 as completion of the cycle together with Tsyganovs arrangements) by Lera
Auerbach, (Nos. 10, 15, 16, 24) by Quinto Maganini, (No. 24) by Konstantin Fortu-
natov for viola and piano (complete) by Lera Auerbach and (Nos. 10, 14 18, 24)
by Evgeni Strakhov for violoncello and piano (complete) by Lera Auerbach for
bayan (No. 6) by G. Tushkevich for trombone (Nos. 10, 16) by Mikhail Dubirny
for two trombones (or bassoons) by Allen Ostrander for two trombones (Nos. 3, 6,
10, 11, 15, 16, 19, 24) by Douglas Yeo for trombone quartet (Nos. 6, 7, 10, 13-17,
19-21, 24) by Hans Peter Gaiswinkler for trombone and organ (Nos. 13, 14, 15)
by Jean Douay and Christian Gouinguen for flute and piano (No. 10) by Gleb
Nikitin, (Nos. 10, 15,16, 24) by Quinto Maganini for saxophone and piano (Nos.
10, 13, 15-18) by Marc Chisson for guitar and piano (Nos. 1-3, 5, 6, 8, 10-13, 15-
22, 24) by Franz Halasz after Dmitri Tsyganovs arrangement for violin and piano
for guitar (No. 24) by Evgeni Larichev for string quartet (Nos. 6, 15, 17, 19) by
Michael Thoma for wind quintet (Nos.1, 3, 7, 8, 11) by Bruce Smeaton for flute,
oboe, violin and violoncello (No. 1) by I. Popkov for strings (Nos. 6, 10, 13, 14,
17, 24 [Nos. 6, 10, 14 with percussion]) by Viktor Poltoratsky, (No. 15) by Grigori
Zaborov for strings with piano (No. 17) Mikhail Turich for violin and strings
(Nos. 2, 6, 12, 13, 17-22) by Ilmar Lapinsch for band (No. 14) George Donald
Mairs, by H. Robert Reynolds, (No. 14, 19) by Gene Chenoweth for wind orche-
stra (Three Symphonic Preludes Nos. 14, 17, 20) by Alfred Reed for chamber
orchestra (1[picc].1.1.2[db bn] 1.1.0.0 xyl. piano. strings) by Wolfgang Trom-
mer, (1.1.1.0 1.0.0.0 strings) by L. Poleyes for chamber orchestra (1.1.1.0
0.0.1.0 timp, perc. strings Nos. 4, 5, 10, 18, 21) by Katia Tchemberdji for full
orchestra (No. 14) by Levon Atovmyan (4[picc].3[cor anglais].4[Eb clar].4[db bn]
4.4.4.1 timp. perc [bass dr, tam-t]. harp. strings), (No. 14) by Leopold Stokowski
(1.1.1.1 1.1.1.0 piano/cel. strings), (Nos. 7, 10, 22, 8, 14, 24, 17, 5) by Milko
Kelemen (3[picc].2[Eb clar].2.3[db bn] 2.2.2.1 timp. perc [tom-t, side dr, bass
dr, cym, xyl, marimba]. cel. strings), (Nos. 1, 6, 8, 10, 13-16, 19, 22) by Eduard de
Boer for clarinet and orchestra (No. 17) by Hershy Kay.

64
CHRONOLOGICAL LIST OF WORKS
CONCERTO FOR PIANO ,
STRING ORCHESTRA AND TRUMPET in C minor, Op. 35
( concerto for piano and orchestra no . 1 )
Leningrad, 6 March -
Peterhof, 20 July 1933
1. Allegretto q = 96
2. Lento q = 76
3. Moderato q = 108
4. Allegro con brio q = 184
Duration: 21
First performance: 15 October 1933, Leningrad, Large Philharmonic Hall
Dmitri Shostakovich (piano) Alexander Schmidt (trumpet) Leningrad Philharmo-
nic Orchestra Fritz Stiedry (conductor)
Muzyka Collected Works: Vol. 12 (score) , Vol. 13 (arrangement for two pianos by the compo-
ser)
DSCH New Collected Works: Vol. 38 (score), Vol. 39 (arrangement for two pianos by the
composer)
Sketches and rough drafts of Op. 35 are being kept in the Shostakovich family
archives. A number of musical quotations can be heard throughout the score. Sho-
stakovich quotes the initial motiv of Beethovens Piano Sonata, Op. 57 Appassio-
nata several times in the first and second movement. The main theme of Anitras
Dance from Edvard Griegs incidental music to Ibsens Peer Gynt appears in the
opening movement. The theme of the finale from Gustav Mahlers Third Symphony
is heard in the Lento movement. The fourth movement of Shostakovichs Concer-
to shows especially numerous quotations: Extensive citations from Shostakovichs
Declared Dead, Op. 31, 1931, and a theme from Columbus Op. 23, 1929. The
street tune O, du lieber Augustin (heard on trumpet), Joseph Haydns Piano Sonata
in D major Hob XVI/37 (Allegro con brio), the first theme of Kleines Potpourri from
Paul Hindemiths Kammermusik, Op. 36, 1 and Ludwig van Beethovens Rondo a
capriccio Die Wut ber den verlorenen Groschen, Op. 129, in the piano cadenza.
a r r a n g e m e n t for strings (Lento) by Grzegorz Fitelberg.

65
CHRONOLOGICAL LIST OF WORKS
THE GREAT LIGHTNING
[ B o l shaya molniya]
1933
Comic opera (unfinished)
Libretto by Nikolai Aseev
1. Overture (Allegro)
2. Scene (Allegro)
3. The Architects Song (Allegretto)
4. Scene with an American (Allegro)
5. Maiofels Song (The Factory Owners Song) (Andantino)
6. Telephone Calls (Allegretto)
7. Semyons Song (Andantino)
8. Duet of Egor and Semyon (Allegro)
9. March of the Models (Andantino)
d r a m at i s p e r s o n a e :
Egor (tenor) Semyon (bass) Architect (tenor) Ma-
nager (baritone) Tommy (tenor) Old Woman (soprano) Maiofel (bass)
Tenor and Bass soloists Voice off stage (bass) mixed choir
3(picc).3(cor anglais).3(Eb cl).soprano sax.3(db bn) 4.3.3.1 timp. perc (tgl,
flex, woodbl, side dr, bass dr, cym, tam-t, glsp, xyl). harp. strings
First (concert) performance: 11 February 1981, Leningrad, Large Philharmonic Hall
Gennadi Rozhdestvensky (conductor)
Muzyka Collected Works: Vol. 23 (score), Vol. 28 (vocal score)
DSCH New Collected Works: Vol. 54 (score), Vol. 55 (vocal score)
According to Olga Digonskaya the original title may have been Nail in the Pow-
der. Shostakovich completed the overture and the first eight numbers. This unfinis-
hed opera contains parodies of Reinhold Glires ballet The Red Poppy (in The
Architects Song also quoting the Russian folk song A Birch Tree Stood in the
Meadow) and of Ludwig van Beethovens Rondo a capriccio for piano Die Wut
ber den verlorenen Groschen, Op. 129 (in March of the Models).

MADRIGAL
Leningrad, 1933
for tenor and piano
First performance: Leningrad 1977
Alexei Maslennikov (tenor) Lilya Mogilevskaya (piano)
DSCH Publishers announce Two Madrigals for tenor and piano for Vol. 93 of their
New Collected Works. One of these pieces may coincide with the present work.

66
CHRONOLOGICAL LIST OF WORKS
THE HUMAN COMEDY , Op. 37
[ C h elovecheskaya komediya]
Leningrad, 1933 - 1934
Incidental music to a play adapted from Honor de Balzacs La comdie humaine
by Pavel Sukhotkin
1. Introduction (Moderato)
2. Overture (Moderato)
3. The Students Song (Allegretto)
4. Waltz (Allegro bravura) [for piano]
5. Elegy (Moderato) [for piano]
6. March (Allegretto)
7. Merry Paris (Allegretto)
8. The Theatre (Allegro con brio)
9. The Theme of Paris (Andantino)
10. Cruel Paris (Moderato)
11. Gavotte [with Trio] (Allegretto)
12. Flourish (Allegro molto)
13. The Panorama of Paris (Andantino)
14. Panic on the Exchange (Presto)
15. Barrel Organ (Andantino)
16. Bank of the Seine (Andantino)
17. Casket with Diamonds (Allegro)
18. Police March (Allegretto)
19. Flourish (Allegro)
20. Sarabande (Moderato)
21. Scandal (Allegro molto)
22. [Episode] (for piano) (Allegretto)
1.1.1.1 2.2.baritone.1.1 timp. perc (tgl, tamb, side dr, cym). piano. strings
Premire: 1 April 1934, Moscow, Vakhtangov Theatre
Alexei Kozlovsky and Boris Shchukin (directors) I. Rabinovich (stage designer)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 118 (score), Vol. 121 (piano score)
The above listing of musical items is taken from Vol. 27 of Muzyka Collected works
Erna Meskhishvili gives a slighly differing order. Gavotte and Waltz were also
used in Ballet Suite No. 3, 1952. a r r a n g e m e n t s : for piano (No. 6, 11, 13, 18,
20, 4) by Lev Solin, (No. 4) by Levon Atovmyan, (No. 1) by Yuri Okunev, by Bronis-
lava Rozengaus and by Zinaida Vitkind for violin and piano (No. 5) by Konstantin
Fortunatov for violoncello and piano (No. 20) by Juozas Chelkauskas for wind
band (No. 4) by Samuil Senderei. a r r a n g e m e n t s of No. 11: for guitar by Boris
Okunev for two trombones and piano by K. Serostanov for two violins and piano
as second piece in Three Duets, a cycle compiled and arranged by Konstantin
Fortunatov (Nos. 1 and 3 of this compilation were taken from The Gadfly, Op.
97a and Vyborg District, Op. 50a) and by Levon Atovmyan. No. 11 (Gavotte)
serves as the theme in Grigori Kalinkovichs cycle of variations Concerto for Wind
Orchestra, subtitled Metamorphosis on themes of D. Shostakovich.
67
CHRONOLOGICAL LIST OF WORKS
SUITE FOR J AZZ ORCHESTRA NO . 1
[ P e r vaya syuita dlya dzhaz-orkestra No. 1]
Leningrad, February 1934
1. Waltz (Moderato)
2. Polka (Allegretto)
3. Foxtrot (Blues) (Moderato)
0.0.soprano sax.alto sax.tenor sax.0 0.2.1.0 perc (wood bl, side dr, cym,
glsp, xyl). banjo. hawaiian guitar. piano. vl. db
Duration: 7
First performance: 24 March 1934, Leningrad
Muzyka Collected Works: Vol. 10 (score)
DSCH New Collected Works: Vol. 32 (score), Vol. 37 (piano score)
According to Krzysztof Meyer, the work was premiered on 24 March 1935. Ori-
ginally Op. 38, which later was assigned to the film music Love and Hatred.
a r r a n g e m e n t s : for wind orchestra by K. Garbar for small ensemble by Gerard
McBurney for piano by Levon Atovmyan for accordion by V. Gorokhov for
piano four hands (No. 1) by Stanislav Stempnevsky for organ (Nos. 1, 2) by Maria
Makarova for violin and piano by Mikhail Gluzman for violoncello and small
orchestra (No. 1) by Lev Zhurbin for trumpet and organ (No. 1) by Friedemann
Winkelhofer.

SONATA for violoncello and piano in D minor, Op. 40


Moscow/Leningrad, 14 August - 19 September 1934
Dedicated to Viktor Lvovich Kubatsky
1. Allegro non troppo
2. Allegro
3. Largo
4. Allegro
Duration: 28
First performance: 25 December 1934, Leningrad, Small Hall of the Conservatoire
Viktor Kubatsky (violoncello) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 38
DSCH New Collected Works: Vol. 106
Unusual for Shostakovich, this work was revised several times. The original tem-
po indications of the movements from its first edition (Moderato, Moderato con
moto, Largo, Allegretto) were replaced by those mentioned above. Muzyka
Collected Works Vol. 38 prints the final version from 1971. arrangements of the vi-
oloncello part for viola by Viktor Kubatsky, Evgeni Strakhov and Annette Bartholdi.
The second theme from the first movement from Op. 40 was orchestrated by Levon
Atovmyan for his compilation for the ballet The Lady and the Hooligan.
See The Limpid Sreem, Op. 39

68
CHRONOLOGICAL LIST OF WORKS
THE TALE OF THE PRIEST AND HIS SERVANT B ALDA, Op. 36
[ S k a zka o pope i o rabotnike ego Balde]
Leningrad, 6 March 1933 - 5 November 1934
Music to an animated cartoon film by Mikhail Tsekhanovsky, after Alexander Push-
kins tale
Part I
1. Overture (Allegro non troppo)
2. Bazaar. Introduction (Allegro)
3. Noisy Bazaar (Presto Meno mosso Presto poco meno mosso Presto)
4. First Carousel [Allegretto]
5. Baldas March (Allegro moderato)
6. Dance of the Bell-Ringer (Moderato Allegro molto Presto)
7. Second Carousel (Allegretto)
8. The Bears Dance (Moderato)
9. Baldas Song [Allegro moderato]
10. Baldas Meeting with the Priest (Moderato)
11. Baldas Dialogue with the Priest (Allegretto)
12. Finale of Part I. March (Allegretto)
Part II
13. The Village (Presto)
14. Baldas First Job [Allegro Pi mosso]
15. The Metropolitan. Tea-Time (Presto)
16. Overture to a Party [Allegro non troppo]
17. Lullaby [Lento]
18. The Priests Daughters Dream (Moderato)
19. Waltz [Andantino Poco pi mosso Tempo I Andante]
20. Baldas Second Job (Allegro)
21. The Priests Dance with the Devil [Allegro]
22. The Dead Mens Dance [Allegretto Poco pi mosso Allegro]
23. The Ghouls Procession (Moderato)
24. Baldas Dialogue with the Old Demon (Allegretto)
25. Baldas First Dialogue with the Imp (Allegro Presto Moderato Presto
Meno mosso)
26. The Devils Couplets [Allegro]
27. Baldas Second Dialogue with the Imp (Allegro Allegro non troppo Adagio)
28. The Three Fillips (Allegro)
29. Baldas Gallop (Presto)
c a s t : Narrator (boy) Balda (bass) Priest (two voices: tenor and bass)
The Priests Wife (bass) The Priests Daughter (soprano) Old Demon (two
voices: mezzo-soprano and bass) Imp (discant) Devil (baritone) Angels,
Chickens, Ducks, Geese etc. (choir) Cucumber vendor, Kvass vendor, Meat
vendor, Fish vendor, Metropolitan figurine vendor, Vendor selling toys, Pie
vendor, Woman selling crosses, Soused apple vendor, Woman selling a cat,
Venus figurine vendor, Toy Lady, Toy General, Piglet, Cat, Three merchants,
boy (choir soloists)

69
CHRONOLOGICAL LIST OF WORKS
THE TALE OF THE PRIEST AND HIS SERVANT BALDA [ c o n t i n u e d ]
4(2picc).3(cor anglais).4(Eb clar, bass clar).2 soprano sax.tenor sax.3(db bn)
4.3.baritone.3.1 perc (timp, tgl, whistle, glass, rattle, whip, 2 wood bl,
pistol, tamb, side dr, bass dr, cym, susp.cym, bells, glsp, xyl). balalaika. guit
(7 strings). harp. acc. strings
DSCH New Collected Works: Vol. 126
The variant title The Tale of the Pope and his Servant Balda is given sometimes.
The film, produced by Soyuzmultfilm, was never completed and with the excepti-
on of 60 meters (the fragment Bazaar) all of it was destroyed during the siege of
Leningrad in 1941. Only 18 items of the score have survived in the authors hand-
writing or copier manuscript in different archives. 24 items of the music survived
as rough drafts, 11 of which are missing in the scores. The published version was
compiled by Vadim Bibergan, one of Shostakovichs students at the Leningrad Con-
servatory. He made numerous alterations, expanded several reprises and changed
the instrumental arrangement. For detailed information concerning the publication
sources and editorial interventions see the comments of DSCH 126. Bibergans ver-
sion also served as basis for the ballet Balda staged at the Moscow Bolshoi Theatre
in 1999. A suite from the music compiled by the composer (Overture, The Priests
Servants Dream, March of Ducks, The Priests Dance with the Devil, Dance of
the Bell-Ringer, Dance ot the Dead Men, Finale) was publicly performed by the
Leningrad Philharmonic Orchestra under the baton of Alexander Melik-Pashaev
on 1 June 1935 in a concert during the First Leningrad International Festival of
Arts. No. 18 (The Priests Daughters Dream), retitled Sentimental Romance, is
included in the Ballet Suite No. 2, 1951. This piece exists in an a r r a n g e m e n t
for trumpet and piano by Jack Holland.

70
CHRONOLOGICAL LIST OF WORKS
SUITE FROM
THE TALE OF THE PRIEST AND HIS SERVANT BALDA , Op. 36a
compiled by Gennadi Rozhdestvensky (1978)
1. Overture (Allegro non troppo) [No. 1]
2. The Ghouls Procession (Moderato) [No. 23]
3. Second Carousel (Allegretto) [No. 7]
4. Bazaar. Introduction (Allegro) [No. 2]
5. Baldas First Dialogue with the Imp (Allegro) [No. 25]
6. The Priests Daughters Dream (Moderato) [No. 18]
7. Finale (repetition of the overture) (Allegro non troppo) [No. 1]
3(picc).3(cor anglais).4(Eb clar, bass clar).3 (db bn) 4.3.baritone.3.1 perc
(timp, tamb, bass dr, cym, xyl). guit. harp. strings
Duration: 20
First performance: 27 September 1979, Leningrad
Leningrad Philharmonic Orchestra Gennadi Rozhdestvensky (conductor)
Derek C. Hulmes states that the Suite was assembled by the composer. Erna Mes-
khishvili mentiones additional orchestral parts: saxophone and two flugelhorns (te-
nor and baritone).

71
CHRONOLOGICAL LIST OF WORKS
THE TALE OF THE PRIEST AND HIS SERVANT B ALDA
Opera in two acts
The Tale of the Priest and His Servant Balda was realized as an opera in 1978
by Sofia Khentova using instrumental parts and Shostakovichs sketches and
also providing a libretto closely based on Pushkins tale. Material from The
Limpid Stream, Op. 39 and the Ten Russian Folksongs (1951) was added to
Shostakovichs original music.
Overture (Allegro non troppo)
Act I
Scene 1 The Bazaar
1. Description of the Bazaar (Allegro Presto)
2. Baldas Entry (Allegro moderato)
3. Dance of the Bear (Moderato)
4. Merry-go-round (Allegretto)
5. The Meeting of the Priest and Balda (Moderato)
6. Dialogue of the Priest and Balda (Allegretto)
7. Finale. Closing of the Bazaar (Allegretto)
Interlude
8. The Devils Procession (Moderato)
9. The Bell-Ringer and Devils Dance (Moderato Allegro molto Presto Moderato)
Scene 2 The Village and the Priests Household
10. Description of the Village (Presto)
11. Balda and the Priests Son at Dinner (Allegro moderato)
12. Baldas Work (Allegro)
13. Baldas Ditty (Andante)
14. Dance of the Priests Son (Allegro)
15. Lullabye of Balda and the Priests Daughter (Andante)
Evening party of the Peasants (Three songs)
16. What a Song (Moderato)
17. Fir-grove, my fir-grove (Allegro)
18. The Splinter (Largo)
19. The Priests Daughters Dream (Andante)
20. The Priests Daughters Romance (Andante)
21. The Priests Lament (Andante)
22. The Metropolitan (Presto)
23. Baldas Farewell (Andante Presto)
Act II
Scene 3 At the Devils
24. Introduction (Allegro non troppo)
25. Dialogue of the Old Devil and Balda (Allegretto)
26. First Dialogue of the Little Devil and Balda (Allegro Moderato Presto)
27. Second Dialogue of the Little Devil and Balda (Allegretto Allegro non troppo
Adagio)

72
CHRONOLOGICAL LIST OF WORKS
THE TALE OF THE PRIEST AND HIS SERVANT BALDA, Opera [ c o n t i n u e d ]
28. Baldas Galop (Presto)
29. The Rent (Allegretto Moderato mesto Meno mosso)
Interlude
30. Baldas Return (Allegro molto)
Epilogue
31. Baldas Welcome (Allegro moderato)
32. Looking for the Priest (Allegretto)
33. Three Flicks (Allegretto Allegretto Adagio)
34. Final Chorus (Allegro)
d r a m at i s p e r s o n a e :
Balda (bass) Priest (bass) Old Devil (bass) Female
Devil (mezzo-soprano) The Priests Daughter (mezzo-soprano) Little De-
vil (tenor) Bell-Ringer (tenor) The Priests Little Son (mute part child)
The Priests Wife (soprano) 3 Publicans (2 tenors, bass) Young Man with
Harmonica (tenor) Rich Farmers Wife (soprano) General (bass). Soloists
from the choir: Merchants (2 sopranos, boy soprano, 5 tenors, 3 basses).
Choir, Ballet, mute parts.
4(2picc).3(cor anglais).4(Eb clar, bass clar).2soprano sax.2tenor sax.3(db bn)
4.3.baritone.3.1 timp. perc (tgl, rattle, wood bl, tamb, side dr, bass dr,
cym, bells, pistol, glsp, xyl, vibr). harp. accordion. bayan. guitar. balalaika.
strings mixed choir
Duration: 75
Premire: 25 September 1980, Leningrad Academic Small Opera and Ballet The-
atre
Andrei Petrov (director) Valentin Kozhin (conductor)
This version has been published with the English title The Tale of the Priest and
his Blockhead Servant (The Russian word Balda means Stupid). Khentova also
compiled a suite for piano from Shostakovichs material published in 1991. It is
entitled A Fairy Tale of the Priest and the Knockhead, His Servant and consists of
ten numbers: The Knockheads March (Allegretto), The Waltz Merry-Go-Round
(Allegretto), The Demons Marching (Moderato), The Demons And the Ringers
Dance (Moderato), The Knockheads and the Priests Meeting (Moderato), The
Knockheads Work (Allegro), The Priests Intrigue (Presto), The Galop (Presto),
The Priests Wifes Romance (Andante) and The Knockheads Triumph (Alle-
gretto moderato). a r r a n g e m e n t : A German adaptation of Khentovas version
by Carola Bhnisch and Alexander Herrmann bearing the title Baldas Abenteuer
oder Das Mrchen vom Popen und seinem Knecht Balda was published in 2006
for small orchestra (2.1.2.sax.2 1.2.1.0 timp. perc. piano. acc. vc. db) by
Jens Schubbe.

73
CHRONOLOGICAL LIST OF WORKS
LOVE AND HATRED , Op. 38
[ Ly ubov i nenavist]
Leningrad, 1934
Music to the film
Produced by Mezhrabpomfilm Sergei Ermolinsky (scenario) Albert Gendel-
shtein, P. Kolomytsev (director) Vasili Pronin (camera and codirector) Sergei
Kozlovsky (set designer) Albert Gornshtein, David Blok (sound editors). First
showing: 3 March 1935
cast: Vasilisa (Emma Tsesarskaya) Her husband (Alexander Chistyakov)
Vera (Vera Maretskaya) Mishka, her husband (Nikolai Kryuchkov) Sol-
dier (Viktor Stanitsyn) Mining ingeneer (Mikhail Kedrov) His wife (Varvara
Popova) Ballerina (Rina Zelyonaya) Buba Kastorsky (Vladimir Khenkin)
Captain (Sergei Komarov) Officer cadet (Mikhail Zharov) Commander of
the Red Army unit (Andrei Abrikosov) Maria (E. Maximova) Liza (E. Ches-
nokova) Lena (E. Malukova)
Also translated as Love and Hate. According to Derek C. Hulme, the manuscript
of 15 numbers is preserved at the Glinka State Central Museum of Musical Cul-
ture, Moscow. Erna Meskhishvili states that the whereabouts of the musical items
of Op. 38 are unknown.

MODERATO in A minor
1934 (?)
for violoncello and piano
Duration: 3
First performance: 24 October 1986, Hamburg
David Geringas (violoncello) Evgeni Korolyov (piano)
It seems that this piece was meant to be a movement of a never completed cello
sonata.

74
CHRONOLOGICAL LIST OF WORKS
s y mphonic movement (unfinished)
1934 (?)
Symphonic fragment of 137 bars which may have been conceived as the first mo-
vement of a Fourth Symphony.
Adagio Allegro non troppo
4(picc).4(cor anglais).4(Eb clar, bass clar).4(db bn) 8.4.3.2 timp. tam-t. strings
First performance: 1986, Moscow
Symphony Orchestra of the Soviet Ministry of Culture Gennadi Rozhdestvensky
(conductor)
DSCH New Collected Works: Vol. 3 (score and facsimile of the rough draft)
Bars 119-131 of this fragment reappear almost unchanged in the final movement
(Largo Allegro, bars 356-369) of Symphony No. 4, Op. 43.

n a rodovoltsy
[ O p era o napodovoltsakh]
1934 (?)
Opera (unfinished)
Libretto (probably) by Alexander Preis and Dmitri Shostakovich based on Anton
Chekhov and Mikhail Saltykov-Shchedrin
d r a m at i s p e r s o n a e : Elena (soprano)
In 2006 a single page of a score written in Shostakovichs hand was discovered in
the archives of the Glinka State Central Museum of Musical Culture by musicologist
Olga Digonskaya who identified the music to be a debris from Opera o narodo-
voltsakh (first tableau). According to Rosamund Bartlett the fragment comprises
122 bars. In an article for Krasnaya gazeta from 1934 Shostakovich explained that
this opera was conceived as part II of an operatic tetralogy The Soviet Ring of the
Nibelung, whose first section was Lady Macbeth of the Mtsensk District, Op. 29.
Narodovoltsy [Members of The Peoples Will] was meant to be a depiction of the
nineteenth-century socialist movement of the Narodniki which after becomming
a terrorist organization culminated in the assassination of Tsar Alexander II in
1881. As Olga Digonskaya states Shostakovich eventually abandoned the project
after Sergey Kirovs assassination in December 1934, which made the operas sub-
ject politically unacceptable. Shostakovich came back to this topic in 1967 for the
film music Sofia Perovskaya, Op. 132. However, it is not possible to deduce the
structure and the orchestration of Narodovoltsy from the discovered score page.
The second fugue (in A minor) from Twenty-Four Preludes and Fugues, Op. 87
and material from Symphony No. 4, Op. 43 (Finale) seem to be related to the
surviving music from Narodovoltsy. For further details see Olga Digonskayas
article Shostakovich in the Middle of the 1930ies Plans and Realisations of Ope-
ratic Projects in Muzykalnaya Akademia No. 1, 2007 (in Russian).

75
CHRONOLOGICAL LIST OF WORKS
THE LIMPID STREAM , Op. 39
[ S v e tlyi ruchei]
Leningrad, 1934 - 1935
Comedy Ballet in three acts and four scenes by Adrian Piotrovsky and Fyodor Lo-
pukhov
1. Ouverture (Allegro)
Act I
Scene 1
2. Adagio. Zina and Pyotr (Adagio Allegro Allegro vivo)
3. March (Allegretto)
4. Meeting between Two Friends (Allegretto)
5. Examination Dance (Allegretto Tempo di mazurka)
6. March (Allegretto)
7. Scene and Waltz-Entracte (Allegretto Meno mosso)
Scene 2
8. The Celebration (Allegro)
9. Russian Dance (Allegro)
10. Chaconne (Andantino Pi mosso Tempo primo)
11. Young Girls Dance (Allegro)
12. Dance of the Milkmaid and the Tractor Driver (Moderato con moto)
13. The Ballerinas Waltz (Tempo di valse)
14. Comic Dance (Galya and the Accordion Player) (Allegro Moderato Allegro
Pi mosso)
15. Dance of the Mountain Tribesmen and Men from Kuban (Presto)
16. Departure (Allegro)
17. Zinas Jealousy (Allegretto)
18. Revelation of Zinas Profession (Allegretto Tempo di mazurka)
19. The Plot (Allegro)
Act II
Scene 3
20. Invitation to a Rendez-vous (Adagio)
21. Dressing-Up Scene (Allegro)
22. Entry of Galya and the Accordion Player (Andantino)
23. Tango (Allegro Andante Meno mosso Andante Allegro Meno mosso
Allegro)
24. Playing Jokes on the Elderly Couple (Allegretto)
25. Adagio. Arrival at the Rendezvous
26. Waltz. Variation of the Ballet Dancer in Womans Dress (Allegretto)
27. Variation of the Ballerina in Her Partners Costume (Allegro)
28. Coda (Allegro)
29. Adagio. Pyotr and Zina in the Ballerinas Costume
30. The Plotters Dance (Moderato)
31. Zinas Variation (Presto Moderato)
32. Coda (Allegro)

76
CHRONOLOGICAL LIST OF WORKS
THE LIMPID STREAM , Op. 39 [ c o n t i n u e d i]

33. A Mise-en-Scne in Dance The Murder (Allegretto poco moderato)


34. Variation of the Murdered Lady (Allegro Meno mosso)
35. Finale Coda (Presto)
Act III
Scene 4
36. Entracte The Swings (Allegro molto)
37. March The Harvest Celebraton [Tempo di marcia]
38. Waltz (Andantino)
39. Revelation Scene (Andantino [Adagio] Presto)
40. The Ballet Dancers Variation (Allegro Pi mosso)
41. The Ballerinas Variation (Allegretto)
42. Zinas Variation (Allegro Meno [mosso] a tempo)
43. Coda [Presto]
44. Final Dance (Allegro Pi mosso Poco meno mosso)
Pieces not included in the stage version of the ballet:
1. After March before Waltz of the Ballet Dancers [Vivo]
2. After Reviewing Those in Disguise (Vivo)
3. The Weavers Dance (Moderato non troppo)
4. Zinas and Pyotrs Dance [Moderato con moto]
5. Lubok (Folk Dance) (Allegretto)
6. A Mise-en-Scne in Dance The Murder. Variant (Allegro molto)
7. The Swings (Presto)
8. Adagio
9. Variation (Allegretto)
10. Zinas Variation (second version) (Allegretto)
11. Zinas Variation (third version) (Allegretto)
Fragments of pieces not included in the stage version of the ballet:
1. Variation (Allegro)
2. Finale of Act I [Presto]
3. Finale of Act I (final bars) [Presto]
4. Fragment [Allegro]
d r a m at i s p e r s o n a e : Zina, entertainer Pyotr, her husband, a student
agronomist Classical Ballerina Classical Ballet Dancer Accordion Player
Elderly Gentleman Young-Looking Woman, his wife Gavrilych, a quality
inspector Galya, a schoolgirl Milkmaid Tractor Driver
Youths, Other Ballet Dancers, Collective farmers, Dacha dwellers.
3(picc).3(cor anglais).4(Eb clar, bass clar).3(db bn) 6.3.3.1 perc (timp, tgl,
wood bl, tamb, side dr, bass dr, cym, tam-t, glsp, xyl). harp. strings banda
(3 cornets, 3 rumpets, 6 flugelhorns [alto, tenor, baritone (2/2/2)], 2 tubas)

77
CHRONOLOGICAL LIST OF WORKS
THE LIMPID STREAM , Op. 39 [ c o n t i n u e d ii]

Premire: 4 June1935, Leningrad, Maly Opera House


Zinaida Vasileva (Zina) Pyotr Gusev (Pyotr) Feya Balabina (Classical Ballerina)
Nikolai Zubkovsky (Classical Ballet Dancer) A. Orlov (Accordion Player) M.
Rostovtsev (Elderly Gentleman) Evgeniya Lopukhova (His wife) F. Chernyshenko
(Gavrilych) Galina Isaeva (Galya) N. Latonina (Milkmaid) V. Tikhomirov (Trac-
tor Driver) Fyodor Lopukhov (choreographer) Mikhail Bobyshov (stage designer)
Pavel Feldt (conductor)
DSCH New Collected Works: Vol. 64a/64b (score), Vol. 65 (piano score by the composer)
Alternative translations: Bright Stream, Limpid Brook, Sparkling Brook, Clear
Stream, Glittering Stream, Bright Rivulet and Clear Water Springs. According
to Erna Meskhishvili, the premire took place on 4 April 1935. Piano score by the
composer. The manuscript score is held at the Bolshoi Theatre Library, Moscow.
A considerable number of items consist of recycled material from The Bolt, Op.
27: Overture (No.1) = No. 14 from Op. 27, Chaconne (No. 10) = No. 23 from
Op. 27, Young Girls Dance (No. 11) = No. 37 from Op. 27, The Plot (No. 19)
= No. 13 from Op. 27, Invitation to a Rendez-vous (No. 20) = No. 19 from Op.
27, Tango (No. 23) = No. 29 from Op. 27, Playing Jokes on the Elderly Couple
and The Revelation Scene (Nos. 24 and 39) = No. 10 from Op. 27, Coda (No.
43) = No. 43 from Op. 27, Final Dance (No. 44) = No. 21 from Op. 27. Nos. 6,
17, 18 and 26 are repetitions of Nos. 3, 4, 5 and 7 No. 16 is based on No. 8
and No 29 is an extended variant of No. 2. The theme from Waltz-Entracte (No.
7) reappears in Waltz (No. 1) from Suite for Jazz Orchestra No. 1. For detailed
information concerning cuts, re-arrangements, changes and transferences of music
items in The Limpid Stream, Op. 39 see commentaries in Vols. 64b and 65
of DSCH New Collected Works. Numerous a r r a n g e m e n t s : for piano (Polka,
Nocturne, Skipping-rope Dance, Adagio and Invitation to a Rendez-vous [the
latter heavily altered]) by Levon Atovmyan, (Polka, Elegy, Galop, Nocturne
and Skipping-rope Dance) by Bronislava Rozengauz, (Elegy) by Zinaida Vitkind
for two pianos (Russian Dance) by the composer the fragment of 29 bars is
printed in Vol. 65 of DSCH New Collected Works along with a number of rough
drafts and sketches to Op. 39 for organ (Nos. 4, 9, 12, 13, 28, 29, 41) by Maria
Makarova for violoncello and piano (Adagio and Elegy) by Levon Atovmy-
an, (Adagio) by David Pereira for double bass and piano (Adagio) by Rodion
Azarkhin for violin and piano (Nos. 12, 17) by Konstantin Fortunatov for horn
and piano (Adagio) by Mikhail Buyanovsky for tuba and piano (Adagio) by Ro-
ger Bobo for two violins and piano (Polka [No. 28, Coda]) by Levon Atovmyan
for string quartet (Pizzicato and Waltz) by Ivan Sirotin for violoncello and
strings (Adagio) by Saulius Sondeckis.
See also Ballet Suites Nos. 1-3 (1948-1953) and Dances of the Dolls, 1951
There is also a ballet in one act (7 scenes), The Lady and the Hooligan with a
libretto by Alexander Belinski (choreography by Konstantin Boyarsky) after Vladi-
mir Mayakovkys screenplay based on the novel The workers Lady-Teacher by
Edmondo de Amicis. The Lady and the Hooligan was premiered on 28 December

78
CHRONOLOGICAL LIST OF WORKS
THE LIMPID STREAM , Op. 39 [ c o n t i n u e d iii]

1962 conducted by Evgeni Kornblit with stage designs by Valeri Dorrer. Levon Ato-
vmyan compiled 13 numbers from The Bolt, Op. 27, (Nos. 3, 7, 9 and 10), The
Limpid Stream, Op. 39, (Nos. 1, 2, 4, 5, 11 and 12), Cello Sonata, Op. 40, (No. 6
and 9), Suite from the Maxim Film Trilogy, Op. 50a (No. 1 and 13), Song of the
Great Rivers, Op. 95, (No. 10), and The Gadfly, Op. 97 (No. 8): 1. Introduction
(Adagio), 2. The Street, 3. The Hooligan, 4. The Young Lady, 5. The School, 6. The
Prayer, 7. The Cabaret, 8. Visions, 9. Scene, 10. In the Park, 11. Adagio, 12. The
Brawl, 13. Finale Duration: 50.

SUITE FROM THE LIMPID STREAM , Op. 39a


1. Waltz (Andantino) [No. 38]
2. Popular Russian Dance (Moderato con moto) [No. 12]
3. Galop (Allegro) [No. 32]
4. Adagio [No. 29]
5. Pizzicato (Allegretto) [No. 41]
3(picc).3(cor anglais).3(Eb cl).3(db bn) 4.3.3.1 timp. perc (tgl, side dr, cym,
glsp). harp. strings
First performance: 11 March 1945, Moscow
Muzyka Collected Works: Vol. 26 (score)
DSCH New Collected Works: Vol. 72 (score)
In its appendix Muzyka Collected Works Vol. 26 prints an item, Lubok, (No. 5
from the Pieces not included in the stage edition of the ballet). a r r a n g e m e n t for
orchestra (3.2.2.2 4.3.3.1 timp. perc. harp. strings) by Konstantin Titarenko.
According to some sources, Shostakovich only planned to extract a suite from the
ballet and Titarenko was finally the one to make the arrangement. However, in Vol.
26 Titarenkos name is not mentioned.

79
CHRONOLOGICAL LIST OF WORKS
MAXIM S YOUTH , Op. 41
[ Yu nost Maxima]
Leningrad, 1934 - 1935
Music to the film
Part I of the Maxim trilogy which was awarded the First Prize at the Moscow Inter-
national Film Festival in 1935 and subsequently, in 1941, was awarded the Stalin
Prize, First Class, together with part II and III of the trilogy
Produced by Lenfilm Grigori Kozintsev and Leonid Trauberg (scenario and di-
rection) Andrei Moskvin (camera) Evgeni Enei (set designer) Ilya Volk (sound
editor) Nikolai Rabinovich (conductor). First showing: 27 January 1935
cast: Maxim (Boris Chirkov) Dmitri Dema Savchenko (Stepan Kayumov)
Andrei (A. Kulakov) Natasha (Valentina Kibardina) Polivanov (Mikhail
Tarkhanov) Foreman (M. Shchelkovsky) Ingeneer (S. Leontev) Worker
(Pavel Volkov)
Muzyka Collected Works: Vol. 41 (score)
DSCH New Collected Works: Vol. 127 (score)
Alternative titles: The Youth of Maxim, The Bolshevik and Varshavyanka the
latter, an allusion to the like-named Polish revolutionary song from the 19th century
which is part of the score, was the title of the film when it was shown in the United
States. Vol. 41 of Muzyka Collected Works and Vol. 127 of DSCH New Collected
Works print the Overture (Allegro molto), the only remainder of the musical items
composed by Shostakovich. This prologue is orchestrated as follows: 3(picc).2.3(Eb
cl).2 4.3.3.1 timp. perc (side dr, cym, xyl). piano. strings soprano solo. Accor-
ding to Erna Meskhishvili, the autograph full score of the Overture as well as a small
number of complete and unfinished sketches are preserved at the Central Glinka
Museum of Musical Culture.
See also the second part, Maxims Return, Op. 45 and the third part, Vyborg

District, Op. 50, of the Maxim trilogy

80
CHRONOLOGICAL LIST OF WORKS
GIRLFRIENDS , Op. 41a
[ P o drugi]
Leningrad, 1934 - 1935
Music to the film
Produced by Lenfilm Lev Arnshtam, Nikolai Tikhonov, Raisa Vasilieva (scenario
based on Vasilievas autobiographic novel The First Members of the Comsomol)
Lev Arnshtam (director) Vladimir Rappoport and Arkadi Shafran (camera men)
Moisei Levin (set designer) Ilya Volk, Ivan Dmitriev (sound editors). First sho-
wing: 19 February 1936
Dedicated to Romain Rolland
1. Introduction (Moderato) [string quartet]
2. The Year 1914: The workers residential block and factory gates (Allegretto)
[string quartet]
3. The families wait for the strikers to return (Allegretto) [string quartet, trumpet,
piano]
4. The Keys to Happiness (Allegretto moderato) [string quartet, trumpet, piano]
5. The children attempt to sing their poppy song (Allegretto) [ensemble]*
6. By the river: Revolutionary song Tormented by Lack of Freedom [Zamuchen
tiazheloi nevolei, solo voices]*
7. Fanfare [trumpet solo]*
8. The story of Silychs son, Ivan (Allegretto) [trumpet, string quartet, harp, piano]
9. Tormented by Lack of Freedom [male choir, children]*
10. The Year 1919: Russian Civil War [three trumpets, organ]*
11. Internationale The girls leave for war [banda]*
12. The girls attend to the wounded soldiers (Largo, Adagio) [timpani, harp organ]*
13. The town of Pushkin has been taken by the enemy (Alla Marcia) [banda]*
14. Internationale The girls and the wounded soldiers retreat by train [termen
vox]
15. Zoya in the snowy forest (Andante sostenuto) [string trio]*
16. The Foresters Hut (Andante) [piano, string quartet]
17. Fanfare: Andrei arrives with news from the front [2 trumpets, side drum]*
18. Fanfare [two trumpets]*
19. The girls find a chicken (Allegro) [piano, trumpet, string quartet, music not
used in the film, which may represent the original opening music]
20. Natasha and Zoya sing: Where are those warm nights? [Gde eti tyoplie no-
chi?, solo voices]*
21. Natasha an Zoya are rescued (allegro molto) [full orchestra]*
22. Fanfare: Andrei and Senka arrive [2 trumpets]*
23. Andreis closing words (Adagio) [full orchestra]
* r e c o n s t r u c t i o n
3(picc).2.2(Eb clar).3(db bn) 4.3.3.1 timp. perc (side dr, bass dr, cym, xyl),
harp. org. termen vox. strings male choir. 3 female voices string quartet
additional brass section: 4 cornets, 4 flugelhorns (alto, baritone [2/2]), 2 tubas

81
CHRONOLOGICAL LIST OF WORKS
g i r lfriends , Op. 41a [ c o n t i n u e d ]
cast: Zoya (Zoya Fyodorova) Natasha (Irina Zarubina) Senka (Boris Chir-
kov) Mother (Vera Popova) Grandmother (Maria Blyumental-Tamarina)
Asya (Yanina Zheimo) Andrei (Boris Babochkin) Stilich (Boris Poslavsky)
Zoya as a child (I. Antonova [Antipova]) Natasha as a child (D. Panne)
Senka as a child (N. Markov) Asya as a child (Yanina Zheimo)
The American title was Three Women. The autograph score is preserved at the
State Archives of Literature and Art. The above listed items were adopted from Mark
Fitz-Geralds reconstruction of the score. With the exception of 8 Preludes from
Op. 41a, set for string quartet, piano and trumpet, the music was transcribed by
ear from the original film soundtrack. No. 8 combines two of the originally com-
posed preludes the harp was added by the composer. Shostakovich changed the
introduction of No. 23 from a setting for string quartet into full strings. When the
film was restored in the 1960s music from Shostakovichs String Quartet No. 1, Op.
49 (1938, second movement, bars 11-62) was introduced as main title music. The
music of No. 13, The town of Pushkin has been taken by the enemy, is based on
Vincenzo Bellinis Norma (Act I, second scene, banda offstage) the coda seems
to be an addition by Shostakovich. A number of pieces from the films music (Alle-
gro in F major, The Foresters Hut [Andante in A minor] and Prelude in D major)
are printed in Vol. 99 of DSCH New Collected Works.

FIVE FRAGMENTS , Op. 42 (originally Op. 43)


[ P y at fragmentov dlya orkestra]
Leningrad, 9 June 1935
for small orchestra
1. Moderato
2. Andante
3. Largo
4. Moderato
5. Allegretto
2(picc).2(cor anglais).3(Eb cl, bass cl).2(db bn) 2.1.1.1 side dr. harp. strings
Duration: 9
First performance: 26 April 1965, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Igor Blazhkov (conductor)
Muzyka Collected Works: Vol. 10 (score)
DSCH New Collected Works: Vol. 31 (score)

82
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 4 in C minor, Op. 43
Leningrad, 13 September 1935 - 26 April 1936
1. Allegro poco moderato Presto
2. Moderato con moto
3. Largo Allegro
6(2picc).4(cor anglais).6(Eb cl, bass cl).4(db bn) 8.4.3.2 timp (6). perc (tgl,
castanets, wood bl, side dr, bass dr, cym, tam-t, glsp, xyl). 2 harps. cel. strings
Duration: 60
First performance: 30 December 1961, Moscow, Large Hall of the Conservatoire
Moscow Philharmonic Orchestra Kirill Kondrashin (conductor)
Muzyka Collected Works: Vol. 2 (score)
DSCH New Collected Works: Vol. 4 (score), Vol. 19 (the composers arrangement for two pianos)

As Manashir Yakubov explains in the commentary of Vol. 4 of DSCH New Colle-


cted Works, the composer was forced to give up performing his Fourth Symphony
under pressure from the Communist Party, and the premire, originally scheduled
for 11 December 1936 (Vol. 19 gives 21 November), was canceled. According
to Kirill Kondrashin, the score was lost during the siege of Leningrad. It was re-
constructed later from the parts by Boris Shalman, the librarian of the Leningrad
Philharmonic. Erna Meskhishvili states that work on Op. 43 was finished on 20 May
1936. Volume 2 of Muzyka Collected Works prints a facsimile of a full score page
headed Symphony No. 4, probably composed in 1934 (Yakubov), which does not
correspond to the present work. This symphonic torso (4[picc].4[cor anglais].4[Eb
cl, bass cl].4[db bn] 8.4.3.1 timp. tam-t. strings [Adagio Allegro non troppo])
which suddenly breaks off after 137 bars, was probably conceived as a Fourth Sym-
phony. A small portion (bars 119-131) was incorporated into the final movement of
Op. 34 (bars 119-131). The music (score printed in Vol. 3 of DSCH New Collected
Works) was never heard until its first performance in 1986 in Moscow, conducted
by Gennadi Rozhdestvensky. a r r a n g e m e n t s : for two pianos by the composer
(1936) for piano four hands by Levon Atovmyan.

t h e devils
[ B e sy]
1936
Romance for high voice and piano (sketches)
Text: Alexander Pushkin
This song may have been conceived as part of the Pushkin cycle, Op. 46 (1936-
1937), for which Shostakovich at first intended to compose twelve songs. Auto-
graph preserved at the State Archives of Literature and Art.

83
CHRONOLOGICAL LIST OF WORKS
SALUTE TO SPAIN , Op. 44
[ S a l yut, Ispaniya]
Leningrad, 26 October - 7 November 1936
Incidental music to a play by Alexander Afinogenov
1. Fanfares (three short items)
2. Song of Rosita (Moderato)
3. Funeral March (Andante)
4. Fragment (Andante)
5. March (Allegro non troppo)
2.2.2.2 4.4.3.1 timp. perc (side dr, cym, glsp). strings
Premire: 23 November 1936, Leningrad, Pushkin Theatre
Nikolai Petrov and Sergei Radlov (directors) Nikolai Akimov (designer)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 118 (score), Vol. 121 (piano score)
Alternative title: Salute, Spain!. The five items published in Muzyka Collected
Works Vol. 27 were reconstructed from the orchestral parts preserved at the Music
Department of the Pushkin Theatre. Shostakovich later transposed Song of Rosita
(lyrics by Alexander Afinogenov) from B minor to F sharp minor and presented this
version to his sister Zoya as a gift on the occasion of her birthday on 24 August
1939. In Vol. 28 of Muzyka Collected Works, however, the song appears in B mi-
nor. According to Erna Meskhishvili, work on Op. 44 was finished on 23 November
1936. a r r a n g e m e n t s : for piano (Nos. 3, 5) by Lev Solin, (Nos. 3, 5) by Konstan-
tin Titarenko, (Nos. 1, 4) by V. Samarin. Mark Fitz-Gerald collated a version of Op.
44 using the above mentioned items in different order and introducing two songs
as to fit Afinogenovs stage directions:
1. Fanfare I [No. 1a]
2. March [No. 5]
3. Fanfare II [No. 1b]
4. A las barricadas! [To the Barricades!]
5. Song of Rosita [No. 2]
6. Fanfare III [No. 1c]
7. Thro the Dales and oer the Hills
8. Reminiscence of Song of Rosita [No. 4]
9. Lucias Funeral March [No. 3]
No. 4 (A las barricadas!) from Fitz-Geralds version is one of the most popular
songs of the Spanish Civil War. It goes back to the Polish revolutionary song Var-
shavyanka used by Shostakovich for the score of Maxims Youth, Op. 41 (1935).
Song of Rosita (No. 5) heard in a version for bass and orchestra in Fitz-Geralds
arrangement although it is notated for high voice in Vol. 27 of Muzyka Collected
Works. No. 7 (Thro the Dales and oer the Hills) was taken from Volochayevka
Days, Op. 48 (1937), later this song was also included in Poem of the Mother-
land, Op. 74.

84
CHRONOLOGICAL LIST OF WORKS
MAXIM S RETURN , Op. 45
[ Vo zvrashchenie Maxima]
Leningrad, December 1936 - 1937
Music to the film
Second part of the Maxim trilogy, which was awarded the Stalin Prize, First Class
in 1941, together with part I and III of the trilogy
Produced by Lenfilm Grigori Kozintsev, Lev Slavin, Leonid Trauberg (scenario),
Grigori Kozintsev, Leonid Trauberg (direction) Andrei Moskvin (camera man)
Evgeni Enei (set designer) Ilya Volk, Boris Khutoryansky, A. Shargorodsky (sound
editors) Nikolai Rabinovich (conductor). First showing: 23 May 1937
Introduction
1. A Blue Balloon
2. Fourteenth year running! (Allegro)
3. [No. 3] March (Marciale maestoso)
4. [No. 4] Fascinating Eyes (Tempo di valse)
5. Allegro con brio
6. [No. 6] Waltz (Allegro molto)
7. [No. 7] Polka (Allegro)
8. [No. 8] Allegretto
9. [No. 9] Waltz (Allegro)
10. [No. 10] Waltz (Allegro)
11. [No. 11] Assault (Allegro con brio)
12. [No. 13] Moderato
13. [No. 15] Demonstration (Allegro)
14. [No. 16] Funeral March (Maestoso)
15. [No. 17] Finale (Allegretto)
16. [No. 20] Moderato con moto
17. [No. 30] Waltz
18. [No. 31]
3(picc).2.3(Eb cl).2 4.3.3.1 timp. perc (side dr, bass dr, cym, glsp, xyl).
harp. cel. piano. strings additional band (8 horns, 2 cornets, 2 trumpets). 7
domras, 6 balalaikas, guitar, bayan, solo voice, male choir
cast: Maxim (Boris Chirkov) Natasha (Valentina Kibardina) Turaev (Ana-
toli Kuznetsov) Office employee (Mikhail Zharov) Vasili Kuzmich Ero-
feev, worker (Alexander Zarzhevsky) Mishchenko, worker (Alexander Chi-
styakov) Nikolai, Pravda editor (Vasili Vanin) Student (Vasili Merkurev)
Soldier (Nikolai Kryuchkov) Strikebreaker (Yuri Tolubeev) Menshevik
(Alexander Bondi)
DSCH New Collected Works: Vol. 127 (score)
Alternative title: The Return of Maxim. No. 1 is a popular song from the 1910s
[Krutitsya-vertitsya shar goluboi], for voice and bayan, Nos. 2 and 13 for bayan, No.
4 for guitar and No. 17 for male choir with accompaniment. The score makes use
of the revolutionary songs Warsaw March (Varshavyanka), Boldly, Friends, on
we March! and Renunciation of the Old World. The above list of item, is adopted

85
CHRONOLOGICAL LIST OF WORKS
MAXIM S RETURN , Op. 45 [ c o n t i n u e d ]
from Erna Meskhishvili. Nos. 6 and 11 reappear in Song of the Great Rivers, Op.
95. a r r a n g e m e n t s of No. 6 (Waltz): for two violins and piano by Konstantin
Fortunatov for flute, clarinet and piano as third piece in Four Waltzes, a cycle
arranged and compiled by Levon Atovmyan Nos. 1, 2 and 4 of this compilation
were taken from Michurin, Op. 78a, The Bolt, Op. 27 and The Gadfly, Op. 97a.
See also the first part, Maxims Youth, Op. 41 and the third part, Vyborg

District, Op. 50, of the Maxim trilogy

86
CHRONOLOGICAL LIST OF WORKS
FOUR ROMANCES ON POEMS OF PUSHKIN , Op. 46
[ C h etyre romansa na slova A. Pushkina]
December 1936 - 2 January 1937
for bass and piano
Composed in commemoration of the one-hundredth anniversary of the poets death
1. Renaissance (Moderato)
2. A Jealous Maiden, Sobbing Bitterly (Allegretto)
3. Premonition (Allegro)
4. Stanzas (Adagio)
Duration: 12
First performance: 8 December 1940, Moscow
Alexander Baturin (bass) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 94
Shostakovich originally planned a cycle of twelve songs. The main theme of the final
movement of Shostakovichs Symphony No. 5, Op. 47 (1937) shows astonishing
similarities to No. 1, Renaissance (even in the figuration of the accompaniment).
For the hidden relations between Pushkins text and the fate of Shostakovichs Lady
Macbeth of the Mtsensk District, Op. 29 see Manashir Yakubovs commentary in
Vol. 20 of DSCH New Collected Works. a r r a n g e m e n t s : for mezzo-soprano and
chamber orchestra (2.2.2.2 3.0.0.0 timp. harp. strings) by Walter Mnatsakanov
for bass and orchestra (4[picc, alto fl].2.3[bass cl].3[db bn] 4.3.3.1 timp. perc
[side dr, bass dr, bells, xyl]. harp. cel. piano. org. strings) by Gennadi Rozhdest-
vensky.

THREE ROMANCES ON POEMS OF PUSHKIN , Op. 46a


[ Tr i romansa na slova A. Pushkina]
1936
for bass and small orchestra arranged by the composer
1. Renaissance (Moderato)
2. A Jealous Maiden, Sobbing Bitterly (Allegretto)
3. Premonition (Allegro)
clarinet. harp. strings
Duration: 9
First performance: 15 December 1940, Moscow
Venyamin Arkanov (bass)
Muzyka Collected Works: Vol. 31 (score)
DSCH New Collected Works: Vol. 87 (score)
English translations by Gerard McBurney and Joan Pemberton Smith. German ver-
sion by Christoph Hellmundt. a r r a n g e m e n t of No. 4 from Op. 46 for bass cla-
rinet, harp and string quintet (matching the composers arrangement Op. 46a) by
Gerard McBurney.

87
CHRONOLOGICAL LIST OF WORKS
VOLOCHAYEVKA DAYS , Op. 48
[ Vo l ochaevskie dni]
Leningrad, 1936 - 1937
Music to the film
Produced by Lenfilm Georgi and Sergei Vasiliev (scenario and direction) N.
Sigaev and A. Dudko (camera men) Yakov Rivosh and Ivan Zabolotsky (set de-
signer) Alexander Bekker (sound editor) Nikolai Rabinovich (conductor). First
showing: 20 January 1938. Melody of No. 4 by Ilya Aturov, lyrics by Pyotr Parfenov
1. Overture (Allegretto)
2. [No. 2]
3. [No. 14] Japanese Attack (Allegretto)
4. [No. 16 Fragment] (Allegro)
5. Song of the Far East Thro the Dales and oer the Hills (Moderato con moto)
6. [No. 45 Variant of No. 14]
7. Finale
8. [No. 46]
9. Two Russian Folksongs (in piano score)
I. Moderato
II. Largo
3(picc).2.2.2 4.3.3.1 timp. perc (side dr, bass dr, cym). strings male choir
cast: Masha (Varvara Myasnikova) Andrei (Nikolai Dorokhin) Colonel
Usizhima (Lev Sverdlin) Lieutenant colonel Grishin (Yuri Lavrov) Esaul (V.
Gushchinsky) Falalei (I. Dobrolyubov) Cunning old man (Boris Chirkov)
Bublik (Boris Blinov) Egor (Vladimir Lukin) Trofimich (A. Morozov) Ly-
onka (Andrei Apsolon) Semyon Nikolaevich (F. Chagin) Vareli Yakovlevich
(A. Matov) Convict (B. Khaidarov) Partisans (I. Sizov, V. Semyonov, Sergei
Filippov)
Muzyka Collected Works: Vol. 41 (score)
DSCH New Collected Works: Vol. 128 (score)
The film is sometimes referred to as Intervention in the Far East, Far East, Vo-
lochayev Days and Days of Volochayevsk. Extant items from Volochayevka
Days are preserved at the State Central Glinka Museum (autograph score). Vol. 41
of Muzyka Collected Works only prints Nos. 1, 3, 4, 5 and 9. Another item from
Volochayevka Days entitled Where the Waters Ripple [Gde pleshchutsya vody],
(Allegretto) for male choir and piano arranged by Alexander Pirumov (the author
of the lyrics is unknown) appears in Vol. 34. At one stage Shostakovich planned an
opera on this subject.
See also the first part, Maxims Youth, Op. 41, and the second part, Maxims

Return, Op. 45, of the Maxim trilogy and October, Op. 131

88
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 5 in D minor, Op. 47
Gaspra/Leningrad, 18 April - 20 July 1937
1. Moderato Allegro non troppo Poco sostenuto Largamente Pi mosso
Moderato
2. Allegretto Largamente Poco pi mosso
3. Largo
4. Allegro non troppo Allegro Pi mosso
3(picc).2.3(Eb cl).3(db bn) 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym,
tam-t, glsp, xyl). 2 harps. cel. piano. strings
Duration: 45
First performance: 21 November 1937, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Evgeni Mravinsky (conductor)
Muzyka Collected Works: Vol. 3 (score)
DSCH New Collected Works: Vol. 5 (score), Vol. 20 (arrangement for piano four hands)
Known as A Soviet Artists Practical Creative Reply to Justified Criticism, a designa-
tion by an anonymous musicologist accepted by the composer. In a considerable
number of Russian sources the work is called Hamlet Symphony. The main theme
of the final movement, Allegro non troppo Allegro, is very close to the melody
of No. 1, Renaissance from Four Romances on Poems of Pushkin, Op. 46 (1936).
For the hidden relations between Pushkins text and the fate of Shostakovichs Lady
Macbeth of the Mtsensk District, Op. 29 see Manashir Yakubovs commentary
in Vol. 20 of DSCH New Collected Works. According to Yakubov, the concealed
citations of George Bizets Carmen in Op. 47 go back to Shostakovichs scarcely
documented love affair to Elena Konstantinovskaya in the mid-1930s. Moreover,
he states that Shostakovich finished his work on Op. 47 as late as September (20
September, according to Shostakovichs diary from the 1940s) or October 1937.
The whereabouts of the composers version for piano four hands are unknown.
a r r a n g e m e n t s : for piano by Alexander Benditsky, (Allegretto) by the composer
(who performed the piece on 27 March 1949 in New York on the occasion of the
final day of the Cultural and Scientific Congress for World Peace at Madison Square
Gardens) and by Frederick Block for piano four hands by Levon Atovmyan (prin-
ted in Vol. 20 of DSCH New Collected Works), T. Matalesky and by V. Rutter for
two pianos eight hands by Pavel Lamm for wind orchestra (Allegretto) by Joseph
Paulson and by Roger Smith for band (Allegro non troppo) by Charles B. Righter
and by Nuno Leal for wind orchestra by Yasuhide Ito.

89
CHRONOLOGICAL LIST OF WORKS
INTERNATIONALE [ p i e r r e d e g e y t e r (1848 - 1932)]
1937
Orchestration
3.3.4.3 4.3.3.1 timp. perc (tgl, chimes, tamb, side dr, bass dr, cym). strings
banda (cornet, 2 soprano sax, 2 tenor sax, 2 baritone sax, 2 bass sax)
First performance: 4 October 1941, Novosibirsk
Leningrad Philharmonic Orchestra Evgeni Mravinsky (conductor)
DSCH New Collected Works: Vol. 146 (score)
Degeyters song with Eugne Pottiers text in Russian translation by Arkadi Kots
(revised by A. Gapov in 1932) served as Soviet National Anthem between 1917
and 1944.

THE GREAT CITI ZEN, Op. 52


[ Ve l iki grazhdanin]
Leningrad, December 1938
Music to the film (part I)
Produced by Lenfilm Mikhail Bleiman, Manuel Bolshintsov, Friedrich Ermler (sce-
nario) Friedrich Ermler (producer and director) Arkadi Kaltsaty (chief camera
man) Abram Veksler, Semyon Meinkin, Nikolai Suvorov (set designers) Ivan
Dmitriev (sound editor) Anton Andzhan (makeup artist). First showing: 13 Febru-
ary 1938
cast: Pyotr Shakhov (Nikolai Bogolyubov) Kartashov (Ivan Bersenev) Bo-
rovsky (Oleg Khakov) Nadya (Zoya Fyodorova) Kolesnikov (Georgi Se-
myonov) Sizov (Boris Poslavsky) Dubok (Alexander Zrazhevsky) Maxim
(Boris Chirkov) Kats (Efim Altus) Kryuchkov (S. Ryabinkin) Bryantsev
(Pyotr Kirillov) Dronov (Evgeni Nemchenko) Gladkikh (V. Kisyolev)
Shakhovs mother (N. Raiskaya-Dor) Olga (Natalya Rashevskaya) Solo-
vev (A. Polibin)
The films plot relating the assassination of party chief Shakhov clearly refers to the
murder of Sergei Kirov four years earlier. According to Derek C. Hulme, Op. 52 was
composed in 1937 and the films first showing took place on 13 February 1938.
Erna Meskhishvili states that a number of musical items from Op. 52 is being held
at the Leningrad State Archives of Literature and Art: Fragment (manuscript score),
Overture, No. 2 Internationale, Polka, Waltz I, Waltz II and Finale (parts).
The two parts of The Great Citizen were jointly awarded the Stalin Prize, Second
Class in 1941.
See also The Great Citizen, part II, Op. 55

90
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 1 in C major, Op. 49
Leningrad, 30 May - 17 July 1938
1. Moderato
2. Moderato
3. Allegro molto
4. Allegro
Duration: 15
First performance: 10 October 1938, Leningrad, Small Hall of the Conservatoire
Glazunov Quartet (Ilya Lukashevsky, Alexander Pechnikov, Alexander Ryvkind,
David Mogilevsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 100, Vol. 105 (piano score by the composer)
On a few occasions the composer pointed out the spring-like character of the
work and according to some sources it bears the subtitle Springtime. Erna Mes-
khishvili gives 1 July 1938 as date of completion of Op. 49. Moreover, she men-
tiones that G. Ginzburg (instead of Alexander Pechnikov) was second violinist of
the Glazunov Quartet. Music from the second movement (bars 11- 62) were intro-
duced as main title music for Girlfriends, Op. 41a, when the film was restored in
the 1960s. a r r a n g e m e n t s : for piano four hands by Yuri Nikolsky and by Anatoli
Dmitriev for strings and celesta by Rudolf Barshai (Chamber Symphony) for
brass quartet by G. Orvida.

91
CHRONOLOGICAL LIST OF WORKS
FRIENDS, Op. 51
[ D r uzya]
Leningrad, August 1938
Music to the film
Produced by Lenfilm Lev Arnshtam and Nikolai Tikhonov (scenario based on
Betal Kalmykovs life story) Lev Arnshtam (director) Viktor Eisymont (codirector)
Vladimir Rappoport (chief camera man) Igor Vuskovich (set designer) Nikolai
Butakov (sound editor). First showing: 1 October 1938
cast: Alexei (Boris Babochkin) Vera, his wife (Irina Zarubina) Beta, Os-
setian (Nikolai Cherkasov) Mussa, Ingushetian (Stepan Kayukov) His mo-
ther (Serafima Birman) His sister (Yu. Predtechenskaya) Old Ossetian (P.
Gaideburov) Umar, Kabardinian (Kote Daushvili) Prince Anzorov (Ivan
Nazarov) Nazarka (Alexander Borisov) Mahomet (E. Gurov)
DSCH New Collected Works: Vol. 129 (score)
An item from Op. 51, Vocalise (Andante) for choir a cappella, is both printed in
Vol. 34 of Muzyka New Collected Works and Vol. 86 of DSCH New Collected
Works. This piece serves as background for a declamation of one of the characters.
The score has been reconstructed by Boris Tiles from choral parts preserved at the
State Leningrad Archives of Literature and Art. According to Derek C. Hulme and
Erna Meskhishvili an autograph copy of the film score consisting of 16 numbers
apart from six episodes with traditional music (both instrumental and vocal) is
preserved at the Music Department of Lenfilm.

92
CHRONOLOGICAL LIST OF WORKS
THE MAN WITH A GUN , Op. 53
[ C h elovek s ruzhyom]
Leningrad, September 1938
Music to the film
Produced by Lenfilm Nikolai Pogodin (scenario based on part one of his Lenin
trilogy) Sergei Yutkevich (director) Iosif Martov (chief camera man) Alexander
Black, M. Rafalovich (set designer) K. Gordon (sound editor) Anton Andzhan
(makeup artist). First showing: 1 November 1938
1. [No. 1] Overture (Allegretto)
2. [No. 2] October (Allegro moderato)
3. [No. 3] Smolny (Presto)
4. [No. 3a] Smolny (Allegretto)
5. [No. 4] Finale (Moderato)
3(picc).2.2.3(db bn) 4.3.3.1 timp. perc (tgl, sidr dr, bass dr, cym, glsp).
strings additional brass section: 2 cornets, 2 trumpets, 6 flugelhorns (alto,
tenor, baritone [2/2/2]), 2 tubas
cast: Vladimir Ilich Lenin (Maxim Shtraukh) Iosif Vissarionovich Stalin
(Mikhail Gelovani) Ivan Shadrin (Boris Tenin) Nikolai Chibisov (Vladimir
Lukin) General (Nikolai Cherkasov) Sibritsev (Nikolai Sosnin) Sibirtse-
va (Serafima Birman) Katya (Zoya Fyodorova) Evgeni Evtushenko (Bris
Chirkov) Nikanor (A. Andreev) Watchman (Konstantin Sorokin) Sidorov
(Nikolai Kryuchkov)
Muzyka Collected Works: Vol. 41 (score)
DSCH New Collected Works: Vol. 128 (score)
The film is sometimes also referred to as November or Man at Arms. Manuscript
copies are being held at the Leningrad State Archives of Literature and Art. The film
score has not yet been located. Clouds Hang Heavy oer the City, a song by Pyotr
Armand sung in the film, was used in the Overture.

93
CHRONOLOGICAL LIST OF WORKS
VY BORG DISTRICT , Op. 50
[ Vy borgskaya storona]
Leningrad, December 1938
Music to the film (part III in the Maxim trilogy, which was awarded the Stalin Prize,
First Class, in 1941 together with part I and II of the trilogy.)
Produced by Lenfilm Grigori Kozintsev and Leonid Trauberg (scenario and direc-
tion) Georgi Filatov, Andrei Moskvin (camera men) Vadim Vlasov (set designer)
Boris Khutoryansky, Ilya Volk (sound editors) V. Sokolov (makeup artist) Ni-
kolai Rabinovich (conductor). First showing: 2 February 1939.
cast: Vladimir Ilich Lenin (Maxim Shtraukh) Iosif Vissarionovich Stalin
(Mikhail Gelovani) Yakov Mikhailovich Sverdlov (Leonid Lyubashevsky)
Ivan Dmitrievich Lapshin (Ivan Nazarov) Maxim (Boris Chirkov) Natasha
(Valentina Kibardina) Evdokia, a soldier (Natalia Uzhvy) Dymba, an anar-
chist (Mikhail Zharov) Turaev (Anatoli Kuznetsov) Mishchenko (Alexander
Chistyakov) Bugai (Yuri Tolubeev) Lawyer (Boris Zhukovsky) Ropshin
(Dmitri Dudnikov) Lapshin (Ivan Nasarov)
Muzyka Collected Works: Vol. 41 (score)
DSCH New Collected Works: Vol. 127 (score)
The film is also known under the variant title The Vyborg Side. The whereabouts
of the autograph score are unknown. Orchestral parts of Overture, No. 1 The Loo-
ting of Wine Cellars, No. 2 and Finale are preserved at the Leningrad State Archi-
ves of Literature and Art. Vol. 41 of Muzyka Collected Works prints the Overture
(3[picc].0.2.3[db bn] 4.4.3.1 timp. perc [side dr, bass dr, cym, tam-t]. strings
[Allegro]).
See also the first part, Maxims Youth, Op. 41 and the second part, Maxims

Return, Op. 45, of the Maxim trilogy

94
CHRONOLOGICAL LIST OF WORKS
SUITE FROM THE MAXIM FILM TRILOGY , Op. 50a
Compilation from Maxims Youth, Op. 41, Maxims Return, Op. 45, and Vyborg
District, Op. 50, by Levon Atovmyan (1961)
1. Prelude (Boldly, Friends, on we March!) (Moderato Allegro non troppo
Adagio)
2. Attack Sequence (Allegro)
3. Death of the Old Worker (Adagio)
4. Waltz (Allegro sostenuto)
5. Demonstration Varshavyanka (Allegretto)
6. Fight at the Barricades (Allegro con brio Presto)
7. Funeral March (Tempo di marcia funebre)
8. Finale
3(picc).3.5(Eb cl, bass cl).3 (db bn) 4.3.3.1 timp. perc (tgl, side dr, bass
dr, cym, tam-t, glsp, xyl). 2 harps. strings mixed choir ad lib. in No. 1, wind
band in Nos. 7 and 8: 2 trumpets, 8 sax (2 alto, 2 tenor, 2 baritone, 2 bass)
Duration: 20
Although this suite was assigned the opus number 50a no item from Op. 50 was
actually included. No. 3 (Death of the Old Worker) was used in the ballet The
Lady and the Hooligan compilated by Levon Atovmyan for which see The Lim-
pid Stream, Op. 39. a r r a n g e m e n t of No. 4 (Waltz) for two violins and piano
as third piece in Three Duets, a cycle compiled and arranged by Konstantin Fortu-
natov (Nos. 1 and 2 of this compilation were taken from The Gadfly, Op. 97a and
The Human Comedy, Op. 37).

95
CHRONOLOGICAL LIST OF WORKS
SUITE FOR J AZZ ORCHESTRA NO . 2
[ V t oraya syuita dlya dzhaz-orkestra]
Leningrad, summer-early autumn 1938
Reconstructed and orchestrated by Gerard McBurney
Commissioned by the USSR State Jazz Orchestra
1. Scherzo (Allegretto alla marcia)
2. Lullaby (Andante)
3. Serenade (Allegretto)
0.0.2alto sax.2tenor sax.baritone sax.0 0.4.2.1 2 perc (I: drum kit II: trgl,
cast, flex, tam-t, xyl, glsp). 3 gtr. 3 banjos. piano. strings (6/0/0/0/2)
Duration: 25
First performance: no later than 28 November 1938, Moscow
USSR State Jazz Band Viktor Knushevitsky (conductor)
DSCH New Collected Works: Vol. 32 (score [McBurney]), Vol. 37 (piano score)
Since the original score(s) is (are) still missing the composers widow, Irina Anto-
novna, asked Gerard McBurney to make a performing version of the sketches of
the work discovered by Manashir Yakubov in 1999. The McBurney version was
performed for the first time by the BBC orchestra under the baton of Colin Davis in
London on 9 September 2000. The main theme from Scherzo reappears slightly
altered in the second movement of the Symphony No. 8, Op. 65 and a melodic
line from the Lullaby seems to be related to the slow movement of the first string
quartet, Op. 49. Sofia Khentova informs that the first performance took place on 20
September 1938. According to some sources the Moscow premire was conducted
by Leonid Utyosov.

96
CHRONOLOGICAL LIST OF WORKS
THE GREAT CITI ZEN, Op. 55
[ Ve l iki grazhdanin]
Leningrad, August 1938 - 1939
music to the film (part II)
Produced by Lenfilm Mikhail Bleiman, Manuel Bolshintsov, Friedrich Ermler (sce-
nario) Friedrich Ermler (producer and director) Arkadi Kaltsaty (chief camera
man) Semyon Meinkin, M. Krotkin (set designers) Ivan Dmitriev (sound editor).
First showing: 27 November 1939
cast: Shakhov (Nikolai Bogolyubov) Dubok (Alexander Zrazhevsky) Kats
(Efim Altus) Nadya Kolesnikova (Zoya Fyodorova) Vershinin (Anatoli Kuz-
netsov) Kolesnikov (Georgi Semyonov) Shakhovs mother (N. Raiskaya-
Dor) Loseva (L. Emelyanova) Borovsky (Oleg Khakov) Kartashov (Ivan
Bersenev) Zemtsov (Yuri Tolubeev) Avdeev (K. Adashevsky) Sizov (Boris
Poslavsky) Bryantsev (Pyotr Kirillov) Lesnik (Boris Zhukovsky) Dronov
(Evgeni Nemchenko)
DSCH New Collected Works: Vol. 127 (score)
Most of the music appears to be lost. Incomplete orchestral parts are preserved
at the Leningrad State Archive of Literature and Art (Overture, Funeral March
[2.2.2.2 4.3.3.1 timp. perc (side dr, cym). harp. strings (Largo), duration: 7]
and Conclusion). Vol 41 of Muzyka Collected Works only prints Funeral March
which is based on the revolutionary song You Fell as Victims, later included in
Symphony No. 11, Op. 103. In 1941 the two parts of The Great Citizen were
jointly awarded the Stalin Prize, Second Class. a r r a n g e m e n t of Funeral March
for symphonic band by Alphons van Stenis.
See also The Great Citizen, part I, Op. 52

97
CHRONOLOGICAL LIST OF WORKS
THE STORY OF A SILLY BAB Y MOUSE, Op. 56
[ S k a zka o glupom myshonke]
Leningrad, Spring 1939
Music to an animated cartoon, devoid of separate numbers, for eight singers and
small orchestra
Produced by Lenfilm Mikhail Tsekhanovsky and Samuil Marshak (scenario after
Marshaks story) Mikhail Tsekhanovsky (director) L. Chupyatov (art director) D.
Shemyakin (camera man) Alexander Bekker (sound editor) Boris Tiles (conduc-
tor). Recording of the music: April/May 1939. First showing: September 1940
cast: Mrs. Mouse (Z. Sokolova, soprano) Mrs. Cat (Tatyana Lavrova, sopra-
no) Auntie Duck (mezzo-soprano) Horse (Emmanuil Kaplan, tenor) Mrs.
Pig (Irina Vitlin, contralto) Toad/Polkan, the dog (Efrem Flaks, bass) Baby
Mouse (speaking part) Pike (mute part) Narrator
2(picc).2(cor anglais).2(bass cl).2(db bn) 4.2.2.0 timp. perc (tgl, wood bl,
tamb, side dr, bass dr, cym, susp.cym. glsp, xyl). cel. harp. strings (2/2/2/2/2)
Duration: 13
First performance of Boris Tiles version: 1979, Leningrad
Muzyka Collected Works: Vol. 41 (score and piano score)
DSCH New Collected Works: Vol. 126 (score), Vol. 55 (piano score)
The film is also known under the alternative titles The Silly Little Mouse, Stupid
Little Mouse and The Tale of the Stupid Little Mouse. Boris Tiles reconstructed
the score on the basis of the piano score and orchestral parts. Vol. 41 of Muzyka
Collected Works prints its concert version and in the supplement its original music
in vocal score. The Tiles version also exists in a German translation by Ulrike Patow
and an English translation by Levon Hakopian. There is an instrumental version
by Alexander Grande (for small ensemble) and one for full orchestra by Andrew
Cornall in which the arranger eliminated the narration and transcribed the animal
sound effects for live percussion assigning instrumental parts to the individual ani-
mal singers: Mother Mouse is a flute, Pig is a bassoon, Duck is a trumpet, Horse
is a trombone, Toad is a double bass solo, Cat is a violin, and Baby Mouse a high
oboe. The lullaby theme reappears in No. 5 (Kreutzer Sonata) of Satires, Op.
109. a r r a n g e m e n t for symphonic band by Alphons van Stenis.

98
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 6 in B minor, Op. 54
Leningrad, April - October 1939
1. Largo
2. Allegro
3. Presto
3(picc).3(cor anglais).4(Eb cl,bass cl).3(db bn) 4.3.3.1 timp. perc (tgl, tamb,
side dr, bass dr, cym, tam-t, xyl). harp. cel. strings
Duration: 30
First performance: 21 November 1939, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Evgeni Mravinsky (conductor)
Muzyka Collected Works: Vol. 3 (score)
DSCH New Collected Works: Vol. 6 (score), Vol. 21 (arrangement for piano four hands)
Originally published as Op. 53. Sofia Khentova gives 15 April for the beginning of
work on Op. 54, and a number of sources name 5 November 1939 for the premi-
re. a r r a n g e m e n t s : for piano four hands by Levon Atovmyan (unpublished) and
by Boris Tishchenko (authorized by the composer) according to Derek C. Hulme,
there is a version for two pianos (probably only Largo) and one for piano solo by
the composer whereas the commentary in Vol. 21 of DSCH New Collected Works
states that Shostakovich only made an arrangement of the first movement for pia-
no four hands. However, Vol. 21 prints a version for piano four hands combining
the first movement arranged by the composer with the following movements from
Tishchenkos version for piano eight hands (Largo) by Pavel Lamm.

CUDGEL
[ D u binushka]
late 1930s
Folks song arrangement for bass and orchestra
Text: Vasili Bogdanov
2.2.2.2 4.2.3.1 timp. strings
DSCH New Collected Works: Vol. 146 (score)
The autograph score was found among Shostakovichs papers after the composers
death.

99
CHRONOLOGICAL LIST OF WORKS
SUITE ON FINNISH THEMES
[ S e m obrabotok finskikh narodnykh pesen (Syui t a n a f i n s k i k h t e m y ) ]
3 December 1939
Seven arrangements of Finnish folk songs for soprano (Nos. 2, 4, 6 and 7), tenor
(Nos. 4, 5, 6 and 7) and chamber orchestra
Commissioned by the Political Department of the Leningrad Military District
1. Feast days are for lads like these (Energico) [instrumental]
2. The sky is blue and white (Giocoso)
3. I went out into the grove on a summers night (Lento non troppo) [instrumental]
4. The girls of this village (Andante)
5. The strawberry is a red berry (Moderato, tempo giusto)
6. If I could be at leisure (Allegretto)
7. My beloved is beautiful (Allegretto)
1.1.1.0 0.1.0.0. perc (tgl, tamb, side dr). piano. strings
Duration: 12
First performance: 1 September 2001, Kaustinen (Western Finland)
Anu Komsi (soprano) Tom Nyman (tenor) Ostrobothnian Chamber Orchestra
Juha Kangas (conductor)
DSCH New Collected Works: Vol. 89 (score)
arrangement for piano four hands by B. Berezovsky and N. Khotuntsov.

THE TWELVE CHAIRS


Leningrad, 1939
Operetta (unfinished)
Libretto by Evgeni Petrov and V. Vladimirov after the like-named story by Ilya Ilf
and Evgeni Petrov
Most likely Shostakovich only sketched a few portions of the work.

LENIN SYMPHONY
15 April 1938 - 1940 (?)
for soloists, choir and orchestra (lost)
Text: Vladimir Mayakovskys poem Vladimir Ilyich Lenin and verses by folk poets
Suleiman Stalsky and Dzhambul Dzhabayev
It is possible that Shostakovich, who mentioned the work in a series of interviews
given over a period of two and a half years, never actually worked on the Lenin
Symphony although he claimed in 1940 that two movements were almost com-
pleted. However, in December 1940 Shostakovich admitted, that he had failed in
his attempt to write a Lenin Cantata. This work should not be confounded with
Symphony No. 12, Op. 112, which is also known as Lenin Symphony.

100
CHRONOLOGICAL LIST OF WORKS
KING LEAR , Op. 58a
[ K o r ol Lir]
Leningrad, 1940
Incidental music to William Shakespeares tragedy for mezzo-soprano, baritone
and orchestra. Translations by Mikhail Kuzmin, Anna Radlova and Samuil Marshak
(Ten Songs of the Fool)
1. Introduction and Cordelias Ballad (Andante)
2. Returning from the Hunt (Allegretto)
3. Ten Songs of the Fool
I He who decides (Allegro) [based on the tune Jingle Bells]
II Fools had neer less grace in a year (Allegretto)
III He that keeps nor crust nor crumb (Allegro)
IV The hedge-sparrow fed the cuckoo so long (Moderato)
V Fathers that wear rags (Allegretto)
VI When priests are more in word than matter (Presto)
VII A fox when one has caught her (Moderato)
VIII The cod piece that will house (Moderato)
IX He that has a tiny little wit (Allegretto)
X That sir which serves and seeks for gain (Moderato)
4. Finale of Act I (Andante)
5. The Storm is Coming up (Andante)
6. Scene on the Steppe (Moderato)
7. Glosters Blinding (Moderato)
8. Military Camp (Andante)
9. March (Allegretto poco moderato)
10. Fanfares I-V (Allegro)
2(picc).1.1.2 2.2.1.1 timp. perc (tgl, wood bl, tamb, side dr, bass dr, cym,
tam-t). piano. strings
Premire: 24 March 1941, Leningrad, Gorki Bolshoi Dramatic Theatre
Grigori Kozintsev (director) Natan Altman (stage designer)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 118 (score), Vol. 121 (piano score)
Ten Songs of the Fool and Cordelias Ballad were restored and a r r a n g e d by
Lev Solin, who took material from Shostakovichs manuscript score as basis for his
work. Piano score of Nos. 2 Returning from the Hunt, 6 Scene on the Steppe,
9 March by the composer. Large portions of Shostakovichs music to King Lear,
Op. 58 and two additional numbers (Gigue [Presto] and Finale [Moderato], both
composed in 1954) were used for Grigori Kozintsevs production Hamlet, Prince
of Denmark from 1954. The present work and the reorchestration of Musorgskys
Boris Godunov where both given the opus number 58. English adaptation of
Cordelias Ballad and Ten Songs of the Fool by Joan Pemberton Smith using
Shakespeares original texts.
See also King Lear, Op. 137 (Music to the film)

101
CHRONOLOGICAL LIST OF WORKS
B ORIS GODUNOV, Op. 58 [ m o d e s t m u s o r g s k y (1839 - 1881)]
Leningrad/Gaspra, 24 November 1939 - 10 May 1940
Reorchestration of Musorgskys opera in 4 acts with prologue (10 tableaux) based
on the piano score edited by Pavel Lamm
Prologue
1. Scene 1 Courtyard of the Moscow Novodevichy Convent
2. Scene 2 Yard in the Moscow Kremlin. Entrance of the Tsars appartments.
solemn sound of the bells
Act I
3. Scene 3 Cell in the Chudovi Monastery. Night
4. Scene 4 Inn at the Lithuanian border
Act II
5. Scene 5 The Tsars appartment in the Moscow Kremlin (first and second
redaction)
Act III
6. Scene 6 Sandomir Castle. Marina Mnishek at the dressing table. Girls
7. Scene 7 Sandomir Castle. Garden. Fountain. Moonlit night
Act IV
8. Scene 8 Square in front of St. Basils Cathedral. Crowd of the poor.
9. Scene 9 The Granovitaya Palata in the Moscow Kremlin: The boyars extra-
ordinary meeting
10. Scene 10 Clearing near Kromy. Night
d r a m at i s p e r s o n a e :
Boris Godunov (baritone) Feodor, his son (mezzo-
soprano) Xenia, his daughter (soprano) Xenias nurse (mezzo-soprano)
Prince Vasili Ivanovich Shuisky (tenor) Andrei Shchelkalov, clerk (bari-
tone) Pimen, monk (bass) Grigori Otrepev, novice, self appointed Dmitri
(tenor) Marina Mnishek, daughter of the Sandomir Voivode (soprano) Ran-
goni, Jesuit (bass) Varlaam and Misail, mendicants (bass, tenor) Innkeeper
(mezzo-soprano) Dull man (tenor) Captain (bass) Mityukha, peasant
(bass) Personal boyar (tenor) Khrushchov, boyar (tenor) Lavitsky and
Chernikovsky, Jesuits (basses) Boyars, Their children, Soldiers, Sandomiri-
ans, Beggars, Moscovits (mixed choir and childrens choir)
3(picc).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.3.3.1 timp. perc (tgl,
tamb, side dr, bass dr, cym, tam-t, bells, glsp, xyl). 2-4 harps. cel. piano.
strings on stage: 4 trumpets, 2-4 cornets, 3-6 horns, 2-4 baritones, 2-4 tubas,
balalaika and domra (ad lib.)
Duration: ~120

102
CHRONOLOGICAL LIST OF WORKS
b o ris godunov , Op. 58 [ c o n t i n u e d ]
Premire: 4 November 1959, Leningrad, Kirov State Theatre
Boris Shtokolov (Boris) N. Shmelev (Shuisky) N. Konstantinov (Pimen) M.
Gavrilkin (Grigori) R. Barinova (Marina) L. Yaroshenko (Varlaam) S. Strezhnev
(Misail) L. Grudina (Innkeeper) P. Bugaev (Dull man) I. Shlepyanov (direc-
tor) G. Moseev (stage designer) A. Mikhailov (choral director) Sergei Eltsin
(conductor)
The present work and the incidental music King Lear were both given the opus
number 58. Erna Meskhishvili reports that Shostakovich began working on Boris
Godunov on 21 January 1940 whereas Krzysztof Meyer gives December 1939.
The above mentioned dates were adopted from Derek C. Hulme.

KORZINKINAS ADVENTURES , Op. 59


[ P r i klyucheniya Korzinkinoi]
Leningrad, Autumn 1940
Music to the film
Produced by Lenfilm Klimenti Mints and Grigori Yagdfeld (scenario) Klimenti
Mints (director) M. Kaplan and S. Sheinin (camera men) V. Savostin (set desi-
gner) Z. Zalkind and E. Nesterov (sound editors). First showing: 11 November
1940
1. Overture (Allegretto)
2. March (Allegretto)
3. The Chase (Presto)
4. Music at the Restaurant (Moderato non troppo)
5. Finale (Andantino)
3(picc).2.3(Eb cl).2 4.2.2.1 timp. perc (tgl, tamb, side dr, bass dr, cym, xyl).
harp. piano (No. 3 is for piano solo, four hands). strings mixed choir
cast: Yanya Korzinkina (Yanina Zheimo) Comper (Stepan Kayukov) Bass
(N. Otto) Father (Sergei Filippov)
Muzyka Collected Works: Vol. 41 (score)
DSCH New Collected Works: Vol. 130 (score)
The film is sometimes referred to by the variant titles The Adventures of Korzin-
kina or A Ticket to Zone Five. It was originally conceived as the first film in a
cycle of five comic films with music by Shostakovich. Number and order of the
original items of Op. 59 are not known. However, the autograph score [of at least
10 numbers] is preserved at the Shostakovich family archives. According to Derek
C. Hulme music from Pyotr Tchaikovskys Swan Lake, Mephistopheles Aria from
Faust by Charles Gounod and an orchestrated version of Musorgskys Song of the
Flea, the score of which is printed in Vol. 146 of DSCH New Collected Works,
were integrated within the film score. A Suite from Op. 59 compiled by Gennadi
Rozhdestvensky seems to be identical with the material printed in Vol. 41 of Mu-
zyka Collected Works.

103
CHRONOLOGICAL LIST OF WORKS
PIANO QUINTET in G minor, Op. 57
Leningrad, Summer - 14 September 1940
1. Prelude (Lento Poco pi mosso Lento)
2. Fugue (Adagio)
3. Scherzo (Allegretto)
4. Intermezzo (Lento)
5. Finale (Allegretto)
Duration: 29
First performance: 23 November 1940, Moscow, Small Hall of the Conservatoire
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky,
Sergei Shirinsky) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 37
DSCH New Collected Works: Vol. 99
Although there was no actual commission it is evident that Shostakovich concei-
ved Op. 57 for the Beethoven String Quartet and himself. According to Derek C.
Hulme Op. 57 was composed in Moscow. The Piano Quintet was awarded the
Stalin Prize, First Class, on 16 March 1941. arrangement for piano and saxophone
quartet by Christoph Enzel and by Johan van der Linden.

VERGN GUNGSZ UG [ j o h a n n s t r a u s s i i (1825 - 1899)]


( E X CURSION TRAIN POLKA) [Polka Poezd ud o v o l s t b i i ]
Leningrad, 1940
Polka-Galop, Op. 281 orchestrated for insertion in a production of Der Zigeuner-
baron [The Gipsy Baron]
2(picc).2.2.2 2.2.3.0 timp. perc (tgl, tamb, side dr, cym). strings
Duration: 2
Premire: 22 February 1941, Leningrad, Maly Opera Theatre
Boris Khaikin (conductor)
DSCH New Collected Works: Vol. 146 (score)
Also translated as Pleasure Train Polka or Train of Joy. Derek C. Hulme states that
the premire took place in 1940 in the Leningrad Maly Opera Theatre.

104
CHRONOLOGICAL LIST OF WORKS
THREE PIECES
Leningrad, 1940
for solo violin (lost)
1. Prelude
2. Gavotte
3. Waltz
Originally Op. 59.

KATYUSHA MASLOVA
Leningrad, Spring 1941
Opera (unfinished)
Libretto by Anatoli Mariengof after Lev Tolstoys novel Resurrection
Sketches only. The opera was originally commissioned by the Kirov Theatre in
1940. By March 1941 Mariengof completed the libretto which was accepted both
by the Kirov and by Shostakovich, but a few weeks later it was banned by Glav-
repertkom, the agency in charge of theatre censorship in Moscow.

105
CHRONOLOGICAL LIST OF WORKS
TWENTY-SEVEN ROMANCES AND SONGS
Leningrad, 12 - 14 July 1941
Arrangements for Leningrad frontline concerts for voice and piano
(with the exception of No. 1 which includes a violoncello part)
1. Trinklied [l u d w i g va n b e e t h o v e n (1770 - 1828), from Op. 108]
2. Habanera [g e o r g e s b i z e t (1838 - 1875), from Carmen, Act I]
3. Pastorale [ j e a n - b a p t i s t e w e c k e r l i n (1821 - 1910)]
4. Harlequins Serenade [r u g g i e r o l e o n c ava l l o (1857 - 1919),
from Pagliacci, Act II]
5. Song of the Shepherd [g i o a c h i n o r o s s i n i (1792 - 1868), from Guillaume Tell]
6. Gipsy Song [ a l e x e i v e r s t o v s k y (1799 - 1862)]
7. From where did you appear? [s e m y o n g u l a k - a r t e m o v s k y (1813 - 1873),
Duet of Odarka and Karas from A Cossack beyond the Danube, Act I]
8. Really, I will Tell Mama [ a l e x a n d e r g u r i ly o v (1803 - 1858)]
9. The Little Sarafan [ a l e x a n d e r g u r i ly o v ]
10. What it is Like in Our Street [ a l e x a n d e r d a r g o m y z h s k y (1813 - 1869)]
11. Comic Story [ a l e x a n d e r d a r g o m y z h s k y ]
12. Granada [ a l e x a n d e r d a r g o m y z h s k y ]
13. Feverishness [ a l e x a n d e r d a r g o m y z h s k y ]
14. Gopak [ m o d e s t m u s o r g s k y (1839 - 1881)]
15. Parasyas Dumka [m o d e s t m u s o r g s k y , from Sorochintsy Fair, Act III]
16. Khivryas Aria [m o d e s t m u s o r g s k y , from Sorochintsy Fair, Act II]
17. Song of the Viking Merchant [n i k o l a i r i m s k y - k o r s a k o v (1844 - 1908),
fromSadko, Scene 4]
18. I am Sitting on a Little Rock [ m i k h a i l i p p o l i t o v - i va n o v (1859 - 1935)]
19. Song of Shchors [ m at v e i b l a n t e r (1903 - 1990)]
20. Song of the Sea [ i s a a k d u n a e v s k y (1900 - 1955)]
21. Anyutas Song [ i s a a k d u n a e v s k y ]
22. Sing to Us, Wind [ i s a a k d u n a e v s k y ]
23. O, its Good [ i s a a k d u n a e v s k y ]
24. Do not Touch Us! [ g e o r g i m i ly u t i n (1903 - 1968)]
25. Those are not Storm Clouds [ d m i t r i a n d d a n i i l p o k r a s s (1899 - 1978/1904 - 1954)]
26. Farewell [ d a n i i l p o k r a s s ]
27. The Young Girls Song [ d av i d p r i t s k e r (1900 - 1978)]
First performance: autumn 1941
Autograph score preserved at the archives of the Leningrad Conservatoire.

106
CHRONOLOGICAL LIST OF WORKS
A GREAT DAY HAS COME
[ Ve l iki den nastal]
Leningrad, 12 - 14 July 1941
Song for bass, choir and piano
Text by Vissarion Sayanov written for the NKVD Ensemble
(Moderato)
Muzyka Collected Works: Vol. 34
Volume 34 of Muzyka Collected Works publishes the song with its text revised by
Sayanov in the late 1950s after Khrushchovs denunciation of Stalin. The original
version also on Sayanovs words was entitled Oath to the Peoples Commissar
[Klyatva Narkomu]. a r r a n g e m e n t s : for two voices by Levon Atovmyan for
male voice by D. G. Grunes (The Song of Liberation) for male choir by Hugh
Ross.

SONG OF THE REGIMENT OF THE GUARDS


[ P e s nya gvardeiskoi divisii]
Leningrad, 15 July 1941
Marching song for bass, mixed choir and piano for the music ensemble of the
Peoples Volunteer Corps Theatre in Leningrad
Text by Lev Rakhmilevich
(Allegro comodo)
First performance: 1941
Muzyka Collected Works: Vol. 34
The variant titles Song of a Guards Division and The Fearless Guards Regiments
Are on the Move are also known.

CEREMONIAL MARCH in D flat major


[ To rzhestvennyi pokhodnyi marsh]
Kuibyshev, 1941
for military band
(Allegro non troppo)
2(picc).2.4(Eb cl).2 4.2.3.2 perc (side drum, bass drum, cym) 2 cornets.
4 flugelhorns (alto, tenor [2/2/2]). baritone. 2 tubas
Duration: 6
DSCH New Collected Works: Vol. 32 (score)
According to Olga Digonskaya, a newly found sketch for this work indicates that
Ceremonial March was already composed in 1939. The composer suggested, that
piccolo flute, oboe, bassoon, third and fourth horn as well as the trombone parts
should be omited thus giving smaller collectives the possibility to perform the work.

107
CHRONOLOGICAL LIST OF WORKS
POLKA in F sharp minor [ m i l i b a l a k i r e v (1836 - 1910)]
Kuibyshev, late 1941
for two harps or harp ensemble arrangement of one of Balakirevs piano pieces
Commissioned by the harpist Vera Dulova
(Allegretto Scherzando)
Duration: 3
DSCH New Collected Works: Vol. 114

SYMPHONY NO . 7 in C major, Leningrad, Op. 60


Leningrad/Kuibyshev, 19 July - 27 December 1941
Dedicated to the City of Leningrad
1. Allegretto q = 116
2. Moderato (poco allegretto) q = 96
3. Adagio (attacca) q = 112
4. Allegro non troppo h = 132
3(picc, alto fl).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.3.3.1 timp (5). perc
(tgl, tamb, 2-3 side dr, bass dr, cym, tam-t, xyl). 2 harps. piano. strings (16-
20/14-18/12-16/10-14/8-12) additional brass section: 3 trumpets, 4 horns
and 3 trombones
Duration: 80
First performance: 5 March 1942, Kuibyshev, Palace of Culture
Bolshoi Theatre Orchestra Samuil Samosud (conductor)
Muzyka Collected Works: Vol. 4 (score)
DSCH New Collected Works: Vol. 7 (score), Vol. 22 (arrangement for piano four hands)
These are the dates of composition of the movements (Nos. 1-3 completed in be-
sieged Leningrad, No. 4 in Kuibyshev): 19 July - 3 September (Allegretto), 8-17
September (Moderato), mid-September - 29 September (Adagio) and 22 Novem-
ber - 27 December (Allegro non troppo). Shostakovich originally gave subtitles
to each of the movements: War (No. 1), Memories (No. 2), Our Countrys Wide
Spaces (No. 3) and Victory (No. 4). The theme from the Invasion Episode (ope-
ning movement) reappears in The Fall of Berlin, Op. 82. The middle section of the
theme was used by Bla Bartk in the fourth movement of his Concerto for Orche-
stra (1943). On 11 April 1942 Symphony No. 7 was awarded the Stalin Prize, First
Class. a r r a n g e m e n t s : for piano by the composer for piano solo and for piano
four hands by Levon Atovmyan for two pianos by Pavel Lamm for piano (Al-
legretto) by Anatoli Samonov for ensemble (0.0.sax (flute, bass clar).0 0.1.1.1
perc. acc) by Jan Levander, Lars Almkvist and Katarina Backman.

108
CHRONOLOGICAL LIST OF WORKS
WIENER BLUT (VIENNA BLOOD)
[ j o h a n n s t r a u s s i i (1825 - 1899) a d o l f m l l e r (1839 - 1901)]
Leningrad, 1941
New orchestration by Shostakovich
Russian text by V. Tipot
This reorchestration was conceived for the staging of the operetta, directed by Gri-
gori Yaron, at the Maly Opera Theatre. First performance: 1941, Leningrad, Maly
Opera House. Apparently it ran only for two performances. As Laurel Fay states,
the project never came to realization. According to Derek C. Hulme Shostakovich
made the reorchestration already in 1938.

ROMANCE
1938 or 1941
for voice and piano (lost)
Text by Heinrich Heine

109
CHRONOLOGICAL LIST OF WORKS
THE GAM B LERS
[ I g r oki]
Kuibyshev, 28 December 1941 - June 1942
Opera after Nikolai Gogols comedy (unfinished)
Libretto by the composer
d r a m at i s p e r s o n a e :
Ikharyov, estate owner (tenor) Gavryushka, his ser-
vant (bass) Krugel, colonel (tenor) Stepan Ivanovich Uteshitelny, proper
nobleman (bass-baritone) Pyotr Petrovich Shvokhnev, nobleman (bass)
Alexei, waiter (bass)
3(picc, alto flute).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.3.3.1 timp. perc
(tgl, cast, tamb, side dr, bass dr, cym, xyl). bass balalaika, 2 harps. piano.
strings
Duration: about 50 minutes of composed music
First (concert) performance: 18 September 1978, Leningrad, Large Hall of the Le-
ningrad Philharmonic
Soloists of the Moscow Chamber Opera Leningrad Philharmonic Orchestra
Gennadi Rozhdestvensky (conductor)
Muzyka Collected Works: Vol. 23 (score), Vol. 28 (vocal score)
DSCH New Collected Works: Vol. 56 (score), Vol. 57 (vocal score)
Originally Op. 63. Shostakovich completed Act I in piano score and nearly so in
full score the last 7 bars were orchestrated for publication (Moscow, 1981) by
Gennadi Rozhdestvensky, who composed a conclusion of 40 bars as well. The
work was then subtitled Scenes after Gogol. According to Erna Mekhishvili the
composer interrupted work on The Gamblers no earlier than December 1942.
There is a posthumous completion in two acts by the Polish composer Krzysztof
Meyer. The premire of the Meyer version which introduces three new characters
(Mikhail Glov, respectable father of the family [deep bass] Alexander Glov, his
son, student [baritone] Zamukhryshkin, official [tenor]) took place in Wuppertal
on 12 June 1983. Jrg Morgener supplied the German translation for the completed
version of The Gamblers as well as for the above mentioned Scenes after Gogol.
According to Derek C. Hulme there is also a German text (of the unfinished version)
by Georg Schwarz. The second movement of the Viola Sonata Op. 147 is based on
themes from the opera.

110
CHRONOLOGICAL LIST OF WORKS
NATIVE LENINGRAD , Op. 63
[ R o dnoi Leningrad]
Kuibyshev, 20 August 1942
Suite from the NKVD Song and Dance Ensemble Show Motherland [Otchizna].
Lyrics of Nos. 1, 2, 4 by Sergei Alymov
Written as a tribute to the courage of the citizens of Leningrad
1. Overture October 1917 (Moderato non troppo)
2. Song of the October Victory (Allegretto)
3. Dance of the Youth (Moderato Allegro con brio Molto meno mosso)
4. Ode to Leningrad (Moderato)
2(picc).2.2.2 3.3.3.1 timp. perc (tgl, tamb, side dr, bass dr, cym, glsp). ba-
lalaika. piano. strings soprano, tenor, bass soloists and mixed choir
Premire of Motherland: 15 October 1942, Moscow, Dzherzhinsky Central Club
NKVD Song and Dance Ensemble Iosif Dobrovolsky, Mikhail Volpin, Nikolai Erd-
man (scenario) Sergei Yutkevich (director) Pyotr Vilyams (stage designer) Vasili
Vainonen, Kasyan Goleizovsky (choreographers) A. Stepanov (choral director)
Yuri Silantiev (conductor)
First performance of Native Leningrad: 7 November 1942, Moscow, Dzherzhins-
ky Central Club same forces as mentioned above
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (vocal score by the composer)
DSCH New Collected Works: Vol. 73 (score), Vol. 79 (vocal score by the composer)
Originally Op. 61. Dzhambul Dzhabayevs poem Leningrad, Im Proud of Thee
was declaimed between Nos. 3 and 4. The revolutionary songs Varshavyanka and
Boldly, Friends, on we March! appear in choral settings in No. 1. a r r a n g e m e n t s
of No. 3 for wind orchestra by James Curnow, Torgny Hanson and by Mark Vak-
hutinsky for piano by Lev Solin. Shostakovich wrote three works for the NKVD
[Narodnaya komissiya vnutrennikh del (Peoples Commissariat of Internal Affairs)]
Song and Dance Ensemble: the present work, Op. 63, Russian River, Op. 66, and
Victorious Spring, Op. 72. These three scores were used in 1970 when Yuri Silan-
tev compiled an Oratorio (without Shostakovichs participation) for narrator, sop-
rano, 2 tenors, bass, choir and orchestra, Rodnaya otchizna, which is known as
My Native Land, My Native Country or My Dear Fatherland (Nos. 1-4 from Op.
63, Nos. 5, 6, 8 from Op. 72 [with lyrics by Mikhail Svetlov], Nos. 7, 8 from No-
vorossiisk Chimes). Evgeni Dolmatovsky wrote new lyrics for Nos. 2, 4, 7 and 8.
1. Overture October 1917 (Moderato non troppo)
2. On Palace Square (Allegretto)
3. Folk Dance (Moderato Allegro con brio)
4. Ode to Leningrad (Moderato)
5. Song of the Lantern (Allegretto)
6. Lullaby (Andante)
7. Battle by the Volga (Moderato)
8. Song of Victory (Moderato)
2(picc).2.2.2 3.3.3.1 timp. perc (tgl, tamb, side dr, bass dr, cym, glsp).
balalaikas. piano. strings

111
CHRONOLOGICAL LIST OF WORKS
SIX ROMANCES ON words by W. RALEIGH , R . BURNS AND
W. SHAKESPEARE , Op. 62
[ S h e st pomansov na clova U. Paleya, R. Byorns a i U . S h e k s p i r a ]
Kuibyshev, 1942
for bass and piano
Texts by Sir Walter Raleigh (No. 1), Robert Burns (Nos. 2-4), William Shakespeare
(No. 5) and traditional nursery rhyme (No. 6). Translations by Boris Pasternak (Nos.
1 and 5) and Samuil Marshak (Nos. 2-4, 6)
Dedicated to Levon Tadevosovich Atovmyan (No. 1), to Nina Vasilievna Shostako-
vich (No. 2), to Isaac Davidovich Glikman (No. 3), to Yuri Vasilievich Sviridov (No.
4), to Ivan Ivanovich Sollertinsky (No. 5) and to Vissarion Yakovlevich Shebalin
(No. 6)
1. The Wood, the Weed, the Wag (To a Son) (Largo)
2. O, Wert Thou in the Cauld Blast (Moderato)
3. McPherson before His Execution (McPhersons Farewell) (Allegretto)
4. Jenny (Comin thro the Rye) (Moderato)
5. Sonnet LXVI (Tyrd with all these) (Lento)
6. The Kings Campaign (The Grand Old Duke of York or The King of France
went up the Hill) (Allegretto)
Duration: 14
First performance: 6 June 1943, Moscow, Small Hall of the Conservatoire
Efrem Flaks (bass) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 95
The cycle is also known as Six Romances on Verses by British Poets or Six Ro-
mances on Verses by English Poets. The following dates of composition are known:
No. 1 was finished on 7 May 1942, No. 5 on 24 October and No. 6 on 25 Octo-
ber. The opening theme of No. 1 is subsequently used by Shostakovich in various
works: in the Introduction to Poem of the Motherland, Op. 74, in the closing
movement of Symphony No. 12, Op. 112, in A Career (No. 5) of Symphony No.
13, Op. 113, in Allegretto furioso (No. 2) of String Quartet No. 10, Op. 118, in
the introductory section of A Year like a Lifetime, Op. 120, and in the second
movement (Adagio) of String Quartet No. 15, Op. 144. The opening theme of No.
6 is a paraphrase of the main theme from Bla Bartks Sonata for Two Pianos and
Percussion. The same theme is used by Shostakovich in the second movement of
Symphony No. 13, Op. 113. a r r a n g e m e n t for double bass and piano (No. 5) by
Rodion Azarkhin.

112
CHRONOLOGICAL LIST OF WORKS
SIX ROMANCES ON words by W. RALEIGH , R . BURNS AND
W. SHAKESPEARE , Op. 62a
[ S h e st pomansov na clova U. Paleya, R. Byorns a i U . S h e k s p i r a ]
1943
version for bass and symphony orchestra
Duration: 14
3(picc).3(cor anglais).4(Eb clar, bass clar).3(db bn) 4.3.3.1 timp. perc (tgl,
bass dr, cym, xyl). 2 harps. cel. strings
DSCH New Collected Works: Vol. 88 (score)
For the version for bass and chamber orchestra (1971), see Op. 140.

SONATA for piano N O. 2 in B minor, Op. 61


Kuibyshev/Arkhangelskoye,
January - 17 March 1943
Dedicated to the memory of Leonid Vladimirovich Nikolaev
1. Allegretto
2. Largo
3. Moderato (con moto) Allegretto con moto Adagio Moderato
Duration: 25
First performance: 6 June 1943, Moscow, Small Hall of the Conservatoire
Dmitri Shostakovich
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 111
Krzysztof Meyer states that Op. 61 was already composed in 1942. Originally pu-
blished as Op. 64. The first movement was completed on 18 February and the
second on 3 March.

113
CHRONOLOGICAL LIST OF WORKS
EIGHT BRITISH AND AMERICAN FOLKSONGS
[ Vo s em angliiskikh i amerikanskikh narodnykh p e s e n ]
12 May / July 1943
for soprano (s), bass (b) and chamber orchestra
Texts by William Julius Mickle (No. 1), Robert Burns (Nos. 2, 6), Patrick Sarsfield
Gilmore (No. 8), Northumbrian capstan shanty (No. 3), English Air (No. 4), Three
Sons of Rogues (No. 5) and Come Lasses and Lads (No. 7)
Translations by Sergei Bolotin (Nos. 1, 2, 4, 5, 8), Tatyana Sikorskaya (Nos. 2, 3, 5,
7) and Samuil Marshak (No. 6)
1. The Sailors Bride [Nevesta moryaka] (s) (Allegretto)
2. John Anderson (s) (Lento, espressivo)
3. Billy Boy (s) (Vivo)
4. Oh, the Oak and the Ash [O, moi yasen i dub] (s) (Moderato)
5. King Arthurs Servants [Slugi Korolya Artura] (s) (Vivo)
6. Comin thro the Rye [Vidno, rozhyu shla] (s) (Moderato)
7. Spring Round Dance [Vesenni khorovod] (s) (Allegro)
8. When Johnny Comes Marching Home Again [K nam Dzhonni pridyot opyat] (b)
(Allegretto)
2.2(cor anglais).2.2 4.1.0.0 timp. perc (tgl, side dr, bells). harp. strings
Duration: 16
First performance (Nos. 1-7): 25 May 1943, Moscow
Mark Reisen (bass, Nos. 2, 3 and 5 [transposed]) Larisa Elchaninova (soprano,
Nos. 1, 4, 6 and 7) USSR State Symphonic Orchestra Alexander Orlov (con-
ductor)
First performance (No. 8): 4 July 1943, Moscow
Pantheleimon Nortsov (baritone) USSR State Symphonic Orchestra Nathan Rakh-
lin (conductor)
DSCH New Collected Works: Vol. 149 (score / piano reduction by Viktor Ekimovsky)
Originally the present song cycle consisted of seven pieces, No. 8, the only song set
for bass and orchestra, was instrumented separately and appended a few months
later. For further details concerning the genesis of Eight British and American Folk-
songs see commentary of DSCH New Collected Works Vol. 149. The first proven
performance of the coplete cycle took place on 26 May 1960 with Vladimir Matu-
sov (bass) accompnied by the USSR State Symphonic Orchestra under the baton of
Gennadi Rozhdestvensky. a r r a n g e m e n t for voice and piano by Viktor Ekimovsky.
see Annie Laurie (1944)

114
CHRONOLOGICAL LIST OF WORKS
NATIONAL ANTHEM (I IV)
[ G i mn Sovetskogo Soyuza]
1943
On 15 March 1944 a newly composed National Anthem of the Soviet Union re-
placed Pierre Degeyters Internationale which had been in use since 1917. In
1943 a competition for a National Anthem had been held which eventually was
won by Alexander Alexandrovs setting of a text by Sergei Mikhalkov and El-Regi-
stan. Among the unsuccessful entries there are two with music by Dmitri Shostako-
vich and two jointly composed by Shostakovich and Aram Khachaturyan:

NATIONAL ANTHEM (I )
Unbreakable Union of Freeborn Republics
[Soyuz nerushimyi respublik svobodnykh]
for mixed choir and piano, for voice and piano, for two-part male choir and
full orchestra
Text by Sergei Mikhalkov and El-Registan
3(picc).2.2.2 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym). strings
Derek C. Hulme states that the melody reappears in Russian River, Op. 66,
and explains that Victorious Spring, Op. 72, My Native Land, Novorossiisk
Chimes and March of the Peace Champions are based on its first two bars.
Autograph score and parts preserved at the State Central Glinka Museum and
at the State Archives of Literature and Art.

NATIONAL ANTHEM (II)


Unbreakable Union of Freeborn Republics
[Soyuz nerushimyi respublik svobodnykh]
jointly composed by Dmitri Shostakovich and Aram Khachaturyan for two-
part choir and piano
Text by Sergei Mikhalkov and El-Registan
Khachaturyans autograph with notes by Shostakovich preserved at the State
Central Glinka Museum. Since Hulmess and Meskhishvilis statements do not
fully correspond it is not clear which of the mentioned entries exists in a version
with orchestral accompaniment.

NATIONAL ANTHEM (III )


Glory to Our Soviet Motherland [Slavsya, Otchizna Sovetov]
for mixed choir and piano
Text by Evgeni Dolmatovsky
(Moderato)
First performance: February 1978, Soviet All-Union Radio Broadcast
Muzyka Collected Works: Vol. 34
Variant title: Patriotic Song. Autograph piano score at the State Archives of
Literature and Art.

115
CHRONOLOGICAL LIST OF WORKS
NATIONAL ANTHEM (I IV) [ c o n t i n u e d ]
NATIONAL ANTHEM (IV)
Invincible Red Army
[Armiya Krasnaya, nepobedimaya]
jointly composed by Dmitri Shostakovich and Aram Khachaturyan for voice
(choir) and piano
Text by Mikhail Golodny
Variant title: Song of the Red Army. According to Erna Meskhishvili neither
the year of composition of Invincible Red Army nor its being conceived as an
entry for the 1943 National Anthem contest is certain. Preserved at the State
Central Glinka Museum.

SYMPHONY NO . 8 in C minor, Op. 65


Ivanovo, 2 July - Moscow, 9 September 1943
Dedicated to Evgeni Alexandrovich Mravinsky
1. Adagio Poco pi mosso Adagio Allegro non troppo Adagio Poco pi
mosso Adagio
2. Allegretto Listesso tempo
3. Allegro non troppo (attacca)
4. Largo (attacca)
5. Allegretto Allegro Pi mosso Adagio Allegretto Andante
4(2 picc).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.3.3.1 timp (4). perc (tgl,
tamb, side dr, bass dr, cym, susp.cym, tam-t, xyl). strings (16/14/12/12/10)
Duration: 62
First performance: 4 November 1943, Moscow, Large Hall of the Conservatoire
USSR State Symphony Orchestra Evgeni Mravinsky (conductor)
Muzyka Collected Works: Vol. 4 (score)
DSCH New Collected Works: Vol. 8 (score), Vol. 23 (arrangement for piano four hands)
Shostakovich noted in the manuscript score of Op. 56 the dates of completion
of each movement: Moscow, 3 August 1943 (1.), Ivanovo, 17, 22 and 25 August
1943 (2.-4.) and Moscow, 9 September 1943 (5.). According to Derek C. Hulme
the first performance took place, with the above mentioned forces, on 3 November
1943. As Mieczysl/ aw Weinberg states Shotakovich was initially inspired by the
beginning of Franz Liszts Piano Concerto No. 1 in E flat major when he compo-
sed the first theme of the second movement. The second theme is closely related
to the main theme from Scherzo from Suite for Jazz Orchestra No. 2 (1938).
a r r a n g e m e n t s : for piano four hands by Levon Atovmyan (The authorship of the
arrangement printed in Vol. 23 of DSCH New Collected Works is not certain, it
could be Shostakovichs own or the one by Atovmyan) for two pianos eight hands
by Pavel Lamm.

116
CHRONOLOGICAL LIST OF WORKS
ROTHSCHILD S VIOLIN [ v e n i a m i n f l e i s h m a n (1913 - 1941)]
[ S k r ipka Rotshilda]
Kuibyshev, 1942 - Moscow, 5 February 1944 (?)
Opera in one act, completed and partly orchestrated
Libretto after Anton Chekhov by Alexander Preis
d r a m at i s p e r s o n a e : Yakov Matveyevich Ivanov (bass) Rothschild (tenor)
Moisei Ilich Shakhkes (tenor) Marfa (mezzo-soprano) Members of the
orchestra (6-8 tenors and basses)
3(picc).3(cor anglais).3(Eb clar).3 (db bn) 4.3.3.1 timp. perc (tgl, tamb, side
dr, bass dr, cym, glsp). harp. strings
Duration: 45
First (concert) performance: 20 June 1960, Moscow, All-Union Home of Composers
Soloists of the Moscow Philharmonic Society
First (stage) performance: 24 April 1968, Leningrad
Experimental Studio of Chamber Music Solomon Volkov (art director)
Shostakovichs pupil Veniamin Fleishman composed this opera between 1939 and
1941. As Elena Silina explains in Shostakovich Between Now and Eternity [Sho-
stakovich mezhdu mgnveniem i vechnostyu], St. Petersburg 2000, Fleishman is
not the author of the operas libretto. He was killed during the siege of Leningrad
in 1941. According to Shostakovich Fleishman had only orchestrated the central
part of the work Shostakovich completed the rest, amounting to about half of the
whole. German version by Jrg Morgener. a r r a n g e m e n t for chamber ensemble
(1.0.1.1 0.1.1.0 piano. strings [1/1/1/1/1]) by Gerd Jnemann.

117
CHRONOLOGICAL LIST OF WORKS
Z OYA, Op. 64
Moscow, June 1944
Music to the film
Produced by Soyuzdetfilm Lev Arnshtam, Boris Chirskov (scenario) Lev
Arnshtam (director) Alexander Shelenkov (camera man) Konstantin Urbetis (set
designer) Dmitri Flyangolts (sound editor) Kinokomitet Choir and Orchestra
D. Blok (conductor) Konstantin Simonov (lyrics to Zoyas Song). First showing:
22 November 1944
1. [No. 1] (Allegretto)
2. [No. 2] (Moderato)
3. [No. 3] (Adagio)
4. [No. 4] (Moderato)
5. [No. 5] (Moderato)
6. [No. 6] (Moderato Allegro Presto)
7. [No. 7] Victory (Adagio)
8. [No. 8] Belfry (Allegro)
9. [No. 12] (Moderato)
10. [No. 13] (Moderato)
11. [No. 16] (Allegretto)
12. [No. 20] Dneprostroi (Allegretto)
13. [No. 21] (Adagio)
14. [No. 22] Parade of First of May (Allegretto)
15. [No. 23] Arrival of the Heroes (Allegro)
16. [No. 24] (Allegro)
17. [No. 25] Remembrance (Moderato Allegro)
18. [No. 30] Moscow (Adagio)
19. [No. 31] Zoyas Song (Moderato con moto)
20. [No. 35] [con moto]
3(picc).3.4(Eb cl).3(db bn) 4.5.5.2 timp. perc (tgl, side dr, bass dr, cym,
tam-t, glsp, xyl). 2 harps. strings mixed choir
cast: Zoya as a child (Katerina Skvortsova) Zoya Kosmodemyanskaya (Gali-
na Bodyanitskaya) Zoyas mother (Xenia Tarasova) Zoyas father (Nikolai
Ryzhov) Boris Fomin (Anatoli Kuznetsov) Filin (Boris Poslavsky) Secre-
tary (Vladimir Volchek) Zoyas teacher (Tamara Altseva) German soldier
(Rostislav Plyatt) German officer (Boris Podgorny)
Duration: 95
Muzyka Collected Works: Vol. 41 (score)
DSCH New Collected Works: Vol. 131 (score)
According to John Riley the first showing took place on 22 September 1944. From
26 sections preserved at the State Central Glinka Museum of Musical Culture Vol. 41
of Muzyka Collected Works prints 20 items, and a version of Zoyas Song for mixed
choir and piano appears in Vol. 34. This film, originally listed as Op. 68, is some-
times referred to by the variant title Who is she? or Zoya Kosmodemyanskaya.

118
CHRONOLOGICAL LIST OF WORKS
z o ya, Op. 64 [ c o n t i n u e d ]
It was awarded the Stalin Prize, First Class, in 1946. In Moscow the composer
uses the theme of the Slava Chorus from Mikhail Glinkas opera Ivan Susanin (A
Life for the Tsar) and in Parade of First of May Pierre Degeyters Internationale
is quoted.

SUITE FROM ZOYA , Op. 64a


for orchestra with choir (in No. 1) assembled by Levon Atovmyan (1944 [?])
1. Prelude Song about Zoya (Adagio Moderato con moto)
2. Scene Military Problem (Allegretto Allegro)
3. Prelude Tragedy of a Loss (Adagio)
4. March Heros Victory (Tempo di Marcia)
5. Finale The Heroines Immortality (Adagio)
3.3.4.3 4.5.5.2 timp. perc. harp. strings
Duration: 32
No. 1 represents a combination of Nos. 21 and 7 from the film score. No. 2 inclu-
des Nos. 1, 24 and 25. In No. 3 (Prelude Tragedy of a Loss) Atovmyan combines
his orchestration of Prelude E flat minor, Op. 34, No. 14 with an item (Adagio) from
Op. 64 not printed in Vol. 41 of Muzyka Collected Works. In March Atovmyan
forms an A-B-A structure with Nos. 23 and 22 (Pierre Degeyters Internationale).
The final movement of Op. 64a comprises Nos. 3 and 30 (Slava Chorus from Mik-
hail Glinkas opera A Life for the Tsar).

PIANO TRIO NO . 2 in E minor, Op. 67


Novosibirsk/Ivanovo, December 1943 - 13 August 1944
Dedicated to the memory of Ivan Ivanovich Sollertinsky
1. Andante Moderato Poco pi mosso
2. Allegro con brio
3. Largo
4. Allegretto Adagio
Duration: 24
First performance: 14 November 1944, Leningrad, Large Philharmonic Hall
Dmitri Tsyganov (violin) Sergei Shirinsky (violoncello) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 37
DSCH New Collected Works: Vol. 98
The first movement was completed on 15 February 1944, the second on 4 August,
and the fourth on 13 August 1944. The official premire was preceded by a per-
formance on 4 November at the Union of Composers. The main theme from No. 4
(Allegretto) reappears in String Quartet No. 8, Op. 110. The Trio was awarded the
Stalin Prize, Second Class, in 1946.

119
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 2 in A major, Op. 68
Ivanovo, 2 - 22 September 1944
Dedicated to Vissarion Yakovlevich Shebalin
1. Overture (Moderato con moto)
2. Recitative and Romance (Adagio)
3. Waltz (Allegro)
4. Theme with Variations (Adagio Allegro non troppo)
Duration: 32
First performance: 14 November 1944, Leningrad, Large Philharmonic Hall
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, Ser-
gei Shirinsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 100, Vol. 105 (piano score by the composer)
Originally published as Op. 69. The first three movements were completed on 5,
6 and 15 September. Erna Meskhishvili states that Op. 68 was finished as early as
20 September 1944. a r r a n g e m e n t s : for violin and piano (No. 2) by Dmitri Tsy-
ganov for piano four hands by Yuri Nikolsky and by Anatoli Dmitriev for string
orchestra by Marin van Prooijen.

120
CHRONOLOGICAL LIST OF WORKS
CHILDREN S NOTE BOOK , Op. 69
[ D e t skaya tetrad]
Moscow, 6 December 1944 (Nos. 1-6), 30 May 1945 (No. 7)
Seven pieces for piano
1. March (Tempo di marcia)
2. Waltz (Tempo di valse)
3. The Bear (Allegretto)
4. Funny Story (Allegro)
5. Sad Story (Adagio)
6. Clockwork Doll (Allegretto)
7. Birthday (Moderato)
Duration: 7
First performance (Nos. 1-6 only): December 1945, Moscow
Galina Shostakovich
First (complete) performance: 1947 (radio recording)
Dmitri Shostakovich
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 109
The cycle was conceived for the composers daughter Galina. Material from No. 7
was later used in Festive Overture, Op. 96. No. 6 recycles a theme from Scher-
zo, Op. 1. Shostakovichs archive recording of the cycle transposes the positions
of Nos. 3 and 5. a r r a n g e m e n t s : for string orchestra (Nos. 5, 6) by Bas Wiegers
for violin and piano (Nos. 1 and 6) by Konstantin Fortunatov for violoncello
and piano (No. 6) by Roman Sapozhnikov and Georgi Kirkor for violoncello and
double bass (Nos. 1-6) by Andreas Wiebeke-Gottsstein for double bass and piano
(No. 1) by I. Lavrovaya for guitar (Nos. 1, 2, 4) by Agustn Lara.

121
CHRONOLOGICAL LIST OF WORKS
RUSSIAN RIVER , Op. 66
[ R u s skaya reka]
Moscow, 17 December 1944
Incidental music to the NKVD Song and Dance Ensemble Show The Great Russian
River
Scenario by Mikhail Volpin, Iosif Dobrovolsky (also lyrics of Nos. 3 and 5) and
Nikolai Erdman
1. March (Allegretto)
2. Football (Presto)
3. The Battle of Stalingrad (Moderato Allegro)
4. Waltz
5. Final Song (Moderato)
2(picc).1.2.1 2.3.2.1 timp. perc (side dr, bass dr, cym). strings choir
Premire: 17 April 1945, Moscow, Dzerzhinsky Central Club
NKVD Song and Dance Ensemble Ruben Simonov (director) Pyotr Vilyams
(stage designer) Asaf Messerer (choreographer) A. Stepanov (choral director)
Yuri Silantiev (conductor)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (piano score)
DSCH New Collected Works: Vol. 119 (score), Vol. 121 (piano score)
No. 4 (Waltz) is lost. The publication of Nos. 1, 2 and 3 is based on manuscript
copies in possession of Karen Khachaturyan, a pupil of Shostakovichs. One of
the settings conceived as National Anthem Entry in 1943 reappears in No. 3 (The
Battle of Stalingrad).
See also Native Leningrad, Op. 63 and My Native Land, 1970

A TOAST TO OUR MOTHERLAND


[ Z a zdravnaya pesnya o rodine]
1944
Song for tenor, mixed choir and piano
Text by Iosif Utkin
(Presto)
Muzyka Collected Works: Vol. 34

THE BLACK SEA


[ C h ornoye more]
1944
Song for bass, male choir and piano
Text by Sergei Alymov and N. Verkhovsky
(Allegro moderato)
Muzyka Collected Works: Vol. 34
Erna Meskhishvili states that The Black Sea was composed in 1943.

122
CHRONOLOGICAL LIST OF WORKS
a n nie laurie
1944
Arrangement for voice and chamber orchestra of the like-named Scottish song
Music and words by Lady John Scott after William Douglas of Fingland
Russian translation by Nazari Raisky
(Molto moderato)
2.0.2.0 4.0.0.0 strings
DSCH New Collected Works: Vol. 149 (score and piano version)
Duration: 4
First performance: 20 May 1944, Moscow
Maria Maksakova (mezzo-soprano) USSR State Symphonic Orchestra Alexan-
der Orlov (conductor)
Shostakovich used a collection of British songs compiled and published by Nazari
Raisky in Moscow in 1942 as basis for his orchestration. The instrumentation is
almost identical with the one of Eight British and American Folksongs. The score
is preserved at the State Central Glinka Museum of Musical Culture.
see Eight British and American Folksongs (1943)

SYMPHONY NO . 9 in E flat major, Op. 70


Moscow/Ivanovo,
15 January - 30 August 1945
1. Allegro
2. Moderato
3. Presto
4. Largo (attacca)
5. Allegretto
3(picc).2.2.2 4.2.3.1 timp. perc (tgl, tamb, side dr, bass dr, cym). strings
(16-20/14-18/12-16/12-16/10-14)
Duration: 25
First performance: 3 November 1945, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Evgeni Mravinsky (conductor)
Muzyka
Collected Works: Vol. 5 (score)
DSCH
New Collected Works: Vol. 9 (score), Vol. 24 (arrangement for piano four hands by the
composer)
The first four movements were finished on 5, 12, 20 and 21 August. a r r a n g e -
m e n t s : for piano four hands by the composer for solo piano and for piano four
hands by Levon Atovmyan for band by William A. Schaefer for wind orchestra
by Hardy Mertens and J. M. Suykerbuyk.

123
CHRONOLOGICAL LIST OF WORKS
S y mphonic movement (unfinished)
1945
Symphonic fragment in E flat major which may have been envisaged as the first
movement of a Ninth Symphony.
Allegro non troppo
4(2picc).4(cor anglais).5(Eb clar, bass clar).4(db bn) 4.4.4.2 perc (timp, side dr,
cym, xyl). strings
Duration: 7
First performance: 20 November 2006, Moscow
Russian State Academic Symphonic Capella Gennady Rozhdestvensky (conduc-
tor)
In December 2003 musicologist Olga Digonskaya discovered the manuscript of 24
pages in the Shostakovich Archives. The fragment in E flat major (the same key as
Symphony No. 9, Op. 70) breakes off after 321 bars the projected expansion of
the movement is not certain. However, Mark Fitz-Gerald added eight bars continu-
ing the existing sequence to obtain a final cadenza and conclusion. Digonskayas
research shows that Shostakovich began working on this piece on 15 January 1945
and abandoned the project in late June 1945. Shostakovich recycled musical ma-
terial from the present work in the unfinished Sonata for Violin and Piano (1945)
and in Symphony No. 10, Op. 93 for details see Digonskayas commentary of
the DSCH score (2008).

SONATA FOR VIOLIN AND PIANO (unfinished)


1945
DSCH New Collected Works: Vol. 107
Autograph of the first unfinished movement in G minor (Moderato con moto) pre-
served at the State Archives of Literature and Art.

OUR NATIVE RUSSIA HAS GAINED STRENGTH FROM STORMS


[V grozakh okrepla Rossiya rodnaya]
1945
Song for choir a cappella
Text by S. Shchipachov
Originally conceived as National Anthem of the RSFSR (Russian Soviet Federative
Socialist Republic), autograph score and parts preserved at the State Archives of
Literature and Art.

124
CHRONOLOGICAL LIST OF WORKS
VICTORIOUS SPRING, Op. 72
[ Ve s na pobednaya]
Moscow, 1945
Two songs with orchestra for the NKVD Song and Dance Ensemble Show Spring
Victory
Scenario by Mikhail Volpin, Iosif Dobrovolsky and Nikolai Erdman. Lyrics by Mik-
hail Svetlov
1. Song of the Lantern [for tenor and orchestra] (Allegretto)
2. Lullaby [for soprano and female choir with orchestra] (Andante)
2(picc).2.2.2 4.3.3.1 timp. glsp. strings soprano. tenor. choir
Duration: 9
Premire: 8 May 1946, Moscow, Dzerzhinsky Central Club
NKVD Song and Dance Ensemble Sergei Yutkevich (director) V. Ryndin (stage
designer) Yuri Silantev (conductor)
Muzyka Collected Works: Vol. 27 (score), Vol. 28 (vocal score by the composer)
DSCH New Collected Works: Vol. 119 (score), Vol. 93 (vocal score by the composer)
Both Derek C. Hulme and Erna Meskhishvili mentione a third item, Song of Vic-
tory [Gimn pobedivshemu narodu]. According to Hulme the author of the lyrics is
Evgeni Dolmatovsky music and instrumentation is identical to No. 5 (Final Song)
from Russian River, Op. 66 and to No. 8 from My Native Land. a r r a n g e m e n t
for piano four hands by Edison Denisov.
See also Native Leningrad, Op. 63 and My Native Land, 1970.

125
CHRONOLOGICAL LIST OF WORKS
SIMPLE FOLK , Op. 71
[ P r o stye lyudi]
Moscow, 1945
Music to the film
Produced by Lenfilm Grigori Kozintsev and Leonid Trauberg (scenario and direc-
tion) Iosif Shapiro (assistant director) Andrei Moskvin and Anatoli Nazarov (ca-
mera men) Evgeni Enei, David Vinnitsky (set designers) Ilya Volk (sound editor).
First showing (after having been banned in 1946): 25 August 1956
1. Overture
2. Procession
3. Departure
4. Dream
5. Finale
3(picc).3.3(Eb cl).2 4.3.3.1 timp. strings
cast: Eremin, factory director (Yuri Tolubeev) Eremina, his wife (Olga Leb-
zak) Makeev (Boris Zhukovsky) Akbashev (F. Babadzhanov) Grandmo-
ther (Katerina Korchagina-Alexandrovskaya) Varvara Shapkina (I. Kudry-
avtseva) Plaxina (T. Peltser) Cook (K. Adashevsky) Sasha Slepneva (L.
Emelyantseva [Emelyanova ?]) Ivanov (V. Kolchin) Romka (A. Chirev)
Kizlyakov (A. Larikov)
DSCH New Collected Works: Vol. 131 (score)
Also translated as Plain People or Simple People. The manuscript score is preser-
ved at the Music Department of Lenfilm.

126
CHRONOLOGICAL LIST OF WORk s
STRING QUARTET NO . 3 in F major, Op. 73
Moscow/Leningrad/Komarovo, January - 2 August 1946
Dedicated to the Beethoven String Quartet: Dmitri Mikhailovich Tsyganov, Vasili
Petrovich Shirinsky, Vadim Vasilievich Borisovsky, Sergei Petrovich Shirinsky
1. Allegretto
2. Moderato con moto
3. Allegro non troppo
4. Adagio
5. Moderato
Duration: 33
First performance: 16 December 1946, Moscow, Small Hall of the Conservatoire
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, Ser-
gei Shirinsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 100, Vol. 105 (piano score by the composer)
The second movement is dated 26 January, subsequently Nos. 1, 3, 4 and 5 were
completed on 9 May, 17 June, 13 July and 2 August. arrangements: for piano four
hands by Yuri Nikolsky and by Anatoli Dmitriev Version for two pianos by the
composer for brass quintet (No. 1) by Howard Hyde for strings and piano by
Mikhail Turich for string orchestra by Dmitri Sitkovetsky (Symphony for Strings)
and by Vladimir Milman (Chamber Symphony No. 2) for chamber orchestra
(Chamber Symphony, Op. 73a [1.2(cor anglais).1.1 0.0.0.0 harp. strings]) by
Rudolf Barshai.

127
CHRONOLOGICAL LIST OF WORKS
POEM OF THE MOTHERLAND , Op. 74
[ P o ema o rodine]
Moscow, 1947
Patriotic cantata for mezzo-soprano, tenor, two baritones, bass, mixed choir and
orchestra
One movement: Allegretto Allegro Allegro molto Moderato
3(picc).3(cor anglais).3.2 4.2.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t,
bells, glsp, xyl). harp. strings band: 3 trumpets, 3 trombones
Duration: 16
First performance: 19 May 1956
DSCH New Collected Works: Vol. 74 (score), Vol. 80 (vocal score)
Op. 74 was originally conceived for the Thirtieth Anniversary of the October Re-
volution, but was finally not performed at the celebrations for which it was written.
The music includes arrangements of Revolutionary songs: Boldly, Friends, on we
March! (text by Leonid Radin),Thro the Dales and oer the Hills (by Ilya Atu-
rov, text by Pyotr Parfenov), Song of the Motherland (by Isaak Dunaevsky, text
by Vasili Lebedev-Kumach), Sacred War (by Alexander Alexandrov, text by Vasili
Lebedev-Kumach), The Will of Stalin Led Us (by Vano Muradeli) and Song about
the Counterplan (from Encounter, Op. 33, text by Boris Kornilov). Vocal score by
Levon Atovmyan.

PIROGOV , Op. 76 Moscow, 1947


Music to the film
Produced by Lenfilm Yuri German (scenario) Grigori Kozintsev (director) An-
drei Moskvin, Anatoli Nazarov, Naum Shifrin (camera men) Evgeni Enei, Semyon
Malkin (set designers) Ilya Volk, Boris Khutoryansky (sound editors). First show-
ing: 16 December 1947
3(picc).2.3(Eb clar).3(db bn) 4.3.3.baritone.1 timp. perc (with glsp and
xyl). harp. strings
cast: Nikolai Pirogov (Konstantin Skorobogatov) Ipatov (Vladimir Chest-
nokov) Baulina (Olga Lebzak) Skulachenko (Sergei Yarov) Lukich (G.
Gumilevsky) Mandt (I. Novsky) Lyadov (Nikolai Cherkasov) Tarasov (N.
Lobanov) Hospital guard (Yakov Malyutin) Admiral Nakhimov (Alexei
Diky) Dasha Sevastopolskaya (Tatyana Piletskaya)
DSCH New Collected Works: Vol. 133 (score)
According to Erna Meskhishvili the Overture and 9 numbers from Op. 97 have
survived. The autograph score, parts and sketches are preserved at the State Central
Glinka Museum of Musical Culture. The film was awarded the Stalin Prize, Second
Class, in 1948.

128
CHRONOLOGICAL LIST OF WORKS
SUITE FROM PIROGOV , Op. 76a
compiled by Levon Atovmyan (1951)
1. Introduction (Allegretto)
2. Scene (Allegro)
3. Waltz (Allegretto)
4. Scherzo (Vivo)
5. Finale (Allegro moderato)
3(picc).3.3(Eb clar).3(db bn) 4.3.3.1 timp. perc (tgl, tamb, side dr, bass dr,
cym, bells, glsp, xyl). harp. strings
Duration: 27
arrangements of No. 3: for piano by Levon Atovmyan for percussion ensemble
by Vladimera Snamenskova.

FESTIVE OVERTURE in A major, Op. 96


[Prazdnichnaya uvertyura]
1947
Composed for the 30th Anniversary of the October Revolution
(Allegretto Presto)
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym). strings
optional extra brass: 4 horns, 3 trumpets, 3 trombones
Duration: 10
First performance: 6 November 1954, Moscow, Bolshoi Theatre
Bolshoi Theatre Orchestra Alexander Melik-Pashaev (conductor)
Muzyka Collected Works: Vol. 11 (score)
DSCH New Collected Works: Vol. 35 (score), Vol. 37 (piano score)
The work was presumably assigned the opus number 96 during the preliminaries
of its first performance in 1954 on the occasion of the thirty-seventh Anniversary of
the October Revolution. Erna Meskhishvili states that Samuil Samosud conducted
the first performance. Also known as Festival Overture and Holiday Overture.
The introductory section makes use of No. 7 (Birthday) from Childrens Note-
book, Op. 69. a r r a n g e m e n t s : for piano four hands by Emin Khachaturyan for
two pianos by A. Bubelnikov for brass quintet by Stefan Kaundinya for orchestra
(3.3.3.3 4[8].3[6].3[6].1 timp. perc. strings) by Mark Vakhutinski for wind
orchestra by Donald Hunsberger, by Valeri Petrov and many others.

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CHRONOLOGICAL LIST OF WORKS
THE YOUNG GUARD , Op. 75
[ M o lodaya gvardiy a]
Moscow, 1947 - 1948
Music to the film (parts I & II) after Alexander Fadeevs novel
Produced by Gorki Film Studios Sergei Gerasimov (scenario and direction) Vla-
dimir Rappoport (chief camera man) Ivan Stepanov (set designer) Elza Rappoport
(costume design) A. Ivanov (makeup artist) Nikolai Pisarev (sound editor) Ev-
geni Volk (assistant director) USSR State Orchestra of the Ministry of Cinemato-
graphy Arnold Roitman (conductor). First showing: 11 October 1948 (Part I), 25
October 1948 (Part II)
Part I
1. Overture
2. [No. 2] March
3. [No. 4] Blasting
4. [No. 4a] Execution of the Miners
5. [No. 5] Fomins Execution
6. [No. 10] Evacuation of Krasnodar
7. [No. 11] Blasting of the Mines
8. [No. 14] Oath
Part II
9. [No. 30] Overture to Part II
10. [No. 31] Seryozas and Valyas Farewell [for string quartet]
11. [No. 32] Execution of Ignaty Fomin. Reading out the Sentence
12. [No. 33] Return of the Evacuees from Krasnodon
13. [No. 34] Scherzo-Tarantella (Gromova)
14. [No. 35] Koshevaya [for string quartet]
15. [No. 36] Battle Episode
16. [No. 38] News from the Detension
17. [No. 39] Final of Part II
18. [No. 40] Song with choir (not included in the film)
19. [No. 50] Execution
4(2picc).3(cor anglais).3(bass cl).3(db bn) 4.5.5.2 timp. perc. harp. piano.
strings
cast: Oleg Koshevoi (Vladimir Ivanov) Lyubov Shevtsova (Inna Makarova)
Efrosinia Shevtsova (Alexandra Panova) Sergei Tyulenin (Sergei Gurzo)
Ivan Zemnukhov (Boris Bityukov) Ulyana Gromova (Nonna Mordyukova)
Valeria Borts (Lyudmila Shagalova) Valko (Sergei Bondarchuk) Lyudmila
(Alexandra Kharitonova) Ivan Turkevich (S. Romanov) Klavdia Kovalyova
(M. Ivanova) Nina Ivanova (E. Grishko) Vladimir Osmukhin (Vyacheslav
Tikhonov) Zhora Arutyunyants (Guguli Mgeladze) Viktor Petrov (L. Gorin)
Sergei Levashov (Anatoli Chemodurov) Anatoli Popov (Georgi Yumatov)
Evgeni Strakhovich (E. Morgunov) Tetushka Marina (Klara Luchko) Dyadya
Kolya (A. Puntus) Nadezhda Tyulenina (Olesya Ivanova) Vyrikova (Muza
Krepkogorskaya) Valentina Filatova (Tamara Nosova) employee at the district

130
CHRONOLOGICAL LIST OF WORKS
t h e young guard, Op. 75 [ c o n t i n u e d ]
committee (Viktor Avdyushko) Solikovsky (Georgi Shapovalov) Reiband
(Yuri Egorov) Olegs mother (Tamara Makarova) Sergeis parents (Lev Fe-
nin, Maria Yarotskaya) Ulyanas parents (Vladimir Uralsky, Alexandra Deni-
sova) Valerias grandmother (E. Anufrieva) Protsenko (Viktor Khokhryakov)
Fenbong (Grigori Shpigel) Ignati Fokin (Alexander Antonov) Bruckner (V.
Bokarev) German officers (Evgeni Teterin, Andrei Fait, I. Gaidamaka, Georgi
Georgiu, Nikolai Prokopovich, A. Vyoskovsky)
DSCH New Collected Works: Vol. 132 (score)
One item, Overture, from The Young Guard, which is not identical with No. 1
(Prelude) from the Suite, is printed in Vol. 42 of Muzyka Collected Works. It is
marked Moderato non troppo and is instrumentated as follows: 0.2.2.2 4.0.0.0
timp. harp. strings. Manuscript score preserved at the Music Library of the State
Cinematography Orchestra. Shostakovich originally assigned the opus number 76
to the present work. The film was awarded the Stalin Prize, First Class, in 1949, and
in 1965 a six-kopek stamp honouring the film was released. Derek C. Hulme states
that the music was performed by the USSR Symphony Orchestra and Choir under
Alexander Sveshnikov. Farewell for string quartet (No. 31) is printed in Vol. 101 of
DSCH New Collected Works.

SUITE FROM THE YOUNG GUARD , Op. 75a


compiled by Levon Atovmyan (1951)
1. Prelude (Moderato non troppo Allegro vivo)
2. At the River (Moderato Allegro)
3. Scherzo (Presto)
4. Uneasy Night (Moderato)
5. Song of the Young Guards (Moderato sostenuto)
6. Death of the Heroes (Adagio)
7. Apotheosis (Adagio Moderato con moto)
3(picc).3(cor anglais).3(Eb cl).3(db bn) 4.6.6.1 timp. perc (tgl, tamb, side
dr, bass dr, cym). strings
Duration: 22
First performance: 1953, Moscow
All-Union Radio Orchestra Alexander Gauk (conductor)
According to John Riley Op. 75a was compiled in 1954. a r r a n g e m e n t for wind
orchestra by E. Dubinsky.

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CHRONOLOGICAL LIST OF WORKS
THREE PIECES Kellomyaki [Komarovo], 21 July 1947 - 1948
for orchestra
It seems that Shostakovich originally assigned Op. 77 to this work. Although, as
Derek C. Hulme states, Three Pieces exist in manuscript form they have neither
been included in Muzyka Collected Works nor in DSCH New Collected Works.

CONCERTO FOR VIOLIN AND ORCHESTRA NO . 1 in A minor, Op. 77


Moscow,
21 July 1947 - 24 March 1948
Dedicated to David Fyodorovich Oistrakh
1. Nocturne (Moderato Meno mosso Tempo I)
2. Scherzo (Allegro Poco pi mosso Allegro Poco pi mosso)
3. Passacaglia (Andante) Cadenza
4. Burlesque (Allegro con brio Presto)
3(picc).3(cor anglais).3(bass cl).3(db bn) 4.0.0.1 timp. perc (tamb, tam-t,
xyl). 2 harps. cel. strings (14-16/14-16/12-16/12-16/10-14)
Duration: 36
First performance: 29 October 1955, Leningrad, Large Philharmonic Hall
David Oistrakh (violin) Leningrad Philharmonic Orchestra Evgeni Mravinsky
(conductor)
Muzyka Collected Works: Vol. 14 (score), Vol. 15 (piano score by the composer)
DSCH New Collected Works: Vol. 42 (score), Vol. 43 (piano score by the composer)
Originally published as Op. 99. The movements of Op. 77 were completed on 12
November (Nocturne) and 6 December (Scherzo) 1947, and on 19 January (Pas-
sacaglia) and 24 March (Burlesque) 1948. Violin part edited by David Oistrakh.
a r r a n g e m e n t s : for double bass and piano (Passacaglia) by Rodion Azarkhin
for domra and balalaika ensemble (Burlesque) by Yuri Chernov.

132
CHRONOLOGICAL LIST OF WORKS
MICHURIN , Op. 78
Moscow, 1948
Music to the film
Produced by Mosfilm Alexander Dovzhenko (scenario and direction) Leo-
nid Kosmatov, Yuli Kun (camera men) Mikhail Bogdanov, Gennadi Myasnikov
(set designers) N. Timartsev (sound editor) Julia Solntseva (assistant director)
Konstantin Urbetis (costume designer) USSR State Orchestra and Choir of
the Ministry of Cinematography Arnold Roitman (conductor). First showing: 1
January 1949
1. [No. 1] Overture
2. [No. 2] Autumnal Garden
3. [No. 3] Remembrance (Moderato molto Allegro Adagio)
4. [No. 4] Michurin passes by
5. [No. 5] Winter Garden (Adagio)
6. [No. 6] Town Square
7. [No. 7] Thro the Dales and oer the Hills
8. [No. 8 = No. 14] After the battle of hours (piano solo)
9. [No. 10] Michurins Monologue
10. [No. 11]
11. [No. 12]
12. [No. 13]
13. [No. 15] Waltz
14. Piece for mixed choir and orchestra
3(picc).3(cor anglais.3.2 4.6.6.1 timp. perc (tgl, side dr, bass dr, cym, glsp).
2 harps. strings mixed choir
cast: Mikhail Ivanovich Kalinin (Vladimir Solovyov) Ivan Vladimirovich
Michurin (Grigori Belov) Michurina (Alexandra Vasileva) Terenty (Pavel
Shamin) Kartashov (Fyodor Grigorev) Khrenov (Mikhail Zharov) Father
Khristofor (Konstantin Nassonov) Bykov (A. Zhiltsov) Postman (Ivan Na-
zarov) Ryabov (Viktor Khokhryakov) Sinitsin (D. Dubov) Lesnitsky (G.
Pechnikov) Mayer (Vladimir Isaev) Byrd (Sergei Tsenin) Translator (Yuri
Lyubimov) Peasant (I. Kashirin)
DSCH New Collected Works: Vol. 134 (score)
Originally conceived as a play, entitled Life in Bloom. The autograph score is
preserved at the State Central Glinka Museum of Musical Culture. The above listing
of numbers is taken from Erna Meskhishvili. Vol. 42 of Muzyka Collected Works
prints Remembrance (No.3) and Winter Garden (No. 5) and Vol. 41 prints in its
appendix a version of The Song of Encounter from Op. 33 which was made for
Michurin. Town Square (No. 6) quotes the Revolutionary Song Boldly, Friends,
on we March and in Michurins Monologue (No. 10) The Song of Encounter is
heard. There is an a r r a n g e m e n t for piano of The Song of Encounter by Levon
Atovmyan. Derek C. Hulme states that the film was produced by Dovzhenko Stu-
dios, Kiev. The picture was awarded the Stalin Prize, Second Class, and the Prize

133
CHRONOLOGICAL LIST OF WORKS
m i c hurin , Op. 78 [ c o n t i n u e d ]
of Labour at the Second International Film Festival in Gotvaldov (Zln, Czechoslo-
vakia) in 1949.
See also Ballet Suite No. 2, 1951

SUITE FROM MICHURIN , Op. 78a


for orchestra with choir compiled by Levon Atovmyan (1964)
1. Overture
2. Winter Garden (Adagio)
3. Spring Waltz (Allegro scherzando)
4. Reminiscence (Moderato molto Allegro Adagio)
5. Town Square (Demonstration)
6. Michurins Monologue
7. Finale
3(picc).2.2.2 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, glsp). harp.
strings additional brass: 3 trumpets, 3 trombones mixed choir
Duration: 34
Spring Waltz reappears as No. 5 in Ballet Suite No. 2, 1951. Various a r r a n -
gements of No. 3 (Spring Waltz): for violoncello and piano by Levon Atovmyan
for violin and piano by Konstantin Fortunatov for piano by Bronislava Rozen-
gauz and by Levon Atovmyan for flute, clarinet and piano as first piece in Four
Waltzes, a cycle arranged and compiled by Levon Atovmyan Nos. 2-4 of this
compilation were taken from The Bolt, Op. 27, Maxims Return, Op. 45 and
The Gadfly, Op. 97a for violoncello and small orchestra by Lev Zhurbin (No. 3).

134
CHRONOLOGICAL LIST OF WORKS
FROM JEWISH FOLK POETRY , Op. 79
[ I z evreiskoi narodnoi poezii]
Moscow, July - 24 October 1948
Song cycle for soprano (s), contralto (c), tenor (t) and piano
Texts: Traditional texts in Yiddish and Hebrew with the exception of No. 7 by B.
Shafir taken from a compilation by Iekhezkel Dobrushin and A. D. Yunitsky, edi-
ted by Yuri Sokolov and published by Goslitizdat, Moscow, 1947. Translations into
Russian by T. Spendiarova [No. 1], Andrei Globa [Nos. 2 and 4], Vera Zvyagintseva
[No. 3], Nikolai Ushakov [No. 5], S. Mar [No. 6], B. Semyonov [Nos. 7 and 8], Se-
myon Olender [Nos. 9 and 10] and Lev Dligach [No. 11]
1. Lament over the Death of a Small Child (s, c) (Moderato q = 63)
2. The Loving Mother and Aunt (s, c) (Allegretto)
3. Cradle Song (c) (Andante q = 96)
4. Before a Long Separation (s, t) (Adagio q = 80)
5. Warning (s) (Allegretto q = 92)
6. The Forsaken Father (c, t) (Moderato q = 88)
7. Song of Misery (t) (Allegro q = 144)
8. Winter (t, s, c) (Adagio e = 88)
9. The Good Life (t) (Allegretto h = 92)
10. Song of the Girl (s) (Allegretto h = 112)
11. Happiness (c, s, t) (Allegretto h = 80)
Duration: 24
First performance: 15 January 1955, Leningrad, Small Philharmonic Hall
Nina Dorliak (soprano) Zara Dolukhanova (contralto) Alexei Maslennikov (te-
nor) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 91
d at e s o f c o m p o s i t i o n : 1, 5, 10, 15, 20 and 25 August (Nos. 1-6), 29 August
(Nos. 7 and 8) and 10, 16 and 24 October (Nos. 9-11). Shostakovich retitled the
poems these are the original titles: Sun and Rain, Rock-a-Bye Baby, My son
is the Fairest in the World, Oh, Abraham!, Listen, Khasya, Ele, the Tavern Kee-
per, The Roof is Sleeping in the Attic, My Sheyndl is Lying in Bed, About the
Wide Open Field, In the Glade Near the Forest, I Took My Hsband Boldly by
the Arm. Variant titles of No. 7 (Song of Want, Song About Need) and No.
10 (A Girls Song). Op. 79 originally consisted in the first eight songs, the final
three were added after a number of hearings. Sofia Khentova explains that Sho-
stakovich was most probably inspired by the song cycles Opp. 13 and 14 (1943
and 1944 respectively) by Mieczysl/ aw Weinberg, a close friend of the composer.
The orchestral version is customarily listed as Op. 79a, the piano version as Op.
79, but it is not known with certainty which version was realized first. As Laurel
Fay states, the orchestral version of the first eight songs was completed in October
1948 and the entire piano version on 24 October 1948. Derek C. Hulme gives 1
October 1948 as date of the completion of Op. 79a. German translations by Jrg
Morgener, Marianne Graefe and by Alfred Kurella, English version by Zofia Weaver.

135
CHRONOLOGICAL LIST OF WORKS
f r om j ewish folk poetry , Op. 79 [ c o n t i n u e d ]
Reconstruction of the original Yiddish texts by Joachim Braun. a r r a n g e m e n t s :
for soprano, contralto, tenor and string quartet by Henk Huizinga for trumpet and
piano (Nos. 3, 7) for trumpet duet and piano (No. 4) by Sergei Bolotin for brass
quintett (Nos. 3, 9) by Jrgen Schempp.

FROM JEWISH FOLK POETRY , Op. 79a


[ I z evreiskoi narodnoi poezii]
Moscow, 1948/1964 (? final three songs)
Song cycle for soprano, contralto, tenor and orchestra
2(picc).2(cor anglais).3(bass cl).3(db bn) 4.0.0.0 timp. perc (tamb, bass dr,
cym, tam-t, xyl). 2-3 harps. strings (16-20/14-18/12-16/12-16/10-14)
Duration: 24
First performance: 19 February 1964, Gorky, Second Contemporary Music Festival
Galina Pisarenko (soprano) Larisa Avdeeva (contralto) Alexei Maslennikov (te-
nor) Gorky Philharmonic Orchestra Gennadi Rozhdestvensky (conductor)
Muzyka Collected Works: Vol. 31 (score)
DSCH New Collected Works: Vol. 89 (score)
See Op. 79.
Kurt Sanderling relates in an interview given in summer 2011 that he conducted the
world premire of Op. 79a in Berlin in the early 1960ies. According to Sanderling
his friend Shotakovich entrusted him the orchestral version of 'From Jewish Folk
Poetry, which was banned in the Soviet Union at that time. This first performance
was not declared as such since Russian authorities would not have permitted a
premire of a major work by Shostakovich, especially such a controversial one as
Op. 79, in another city than Moscow.

136
CHRONOLOGICAL LIST OF WORKS
ENCOUNTER ON THE EL B E, Op. 80
[ V s t recha na EIbe]
Moscow, 1948
Music to the film
Produced by Mosfilm Ariadna Tur, Pyotr Tur, Lev Sheinin (scenario) Grigori
Alexandrov (director) Eduard Tisse (camera man) Alexei Utkin, P. Armand,
Yuri Volchanetsky (set designers) Sergei Minervin, Raisa Lukina (sound editors)
Vera Rudina, T. Vorobeva (makeup artists) Arnold Roitman, Alexander Tsfasman
(conductors). First showing: 16 March 1949
Texts by Evgeni Dolmatovsky and Vasili Lebedev-Kumach
1. [No. 10 Jazz piece] (Moderato non troppo)
2. [No. 13] Longing for Home (Andante)
3. [No. 22] (Moderato)
4. [No. 23] (Moderato)
5. [No. 24] (Allegretto)
6. [No. 25] (Moderato con moto)
7. [No. 28] (Allegretto)
8. [No. 34] (Moderato con moto)
3(picc).3.3.2 4.3.3.1 timp. perc (tgl, side dr, cym, tam-t). cel. piano.
strings tenor. mixed choir
cast: Kuzmin, Commander of Altenstadt (Vladlen Davydov) Maslov, mem-
ber of War Soviet (Konstantin Nassonov) Egorkin (Boris Andreev) Major
James Hill (Mikhail Nazvanov) Janet Sherwood, journalist (Lyubov Orlova)
Sergeant Harry Perebeinoga (Ivan Lyubeznov) General MacDermott (Vladi-
mir Vladislavsky) Mrs. MacDermott, his wife (Fania Ranevskaya) Captain
Tommy (Erast Garin) Prof. Otto Dietrich (Yuri Yurovsky) Kurt Dietrich, his
son (Gennadi Yudin) Ernst Schmetau, his brother-in-law (Viktor Kulakov)
Elsa, Schmetaus wife (Lidia Sukharevskaya) Walter, their son (I. Mamin)
Fischer (Bohumil Svoboda) Schrank (Andrei Fait) Schulz, worker (N.
Nikitich) Rille, student (Pyotr Starkovsky) Senator Wood (Sergei Tsenin)
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 135 (score)
At least 34 numbers of the music have survived, Nos. 12 and 15-17 seem to be lost.
Material preserved at the Music Library of the State Cinematography Symphony
Orchestra, at the State Central Glinka Museum of Musical Culture and at the Sho-
stakovich family archives. The above list corresponds to the selection printed in
Vol. 42 of Muzyka Collected Works. Among the pieces not included are found two
songs (Song About the Liberation from Prison [No. 1], text by Lebedev-Kumach,
and Tommys Song Things are Very Good with the Yankees [No. 2], text by Dol-
matovsky) and an item If an entire world could be destroyed by a nitrogen atom
(No. 9) for mixed choir and orchestra. Longing for Home (No. 13) is heard in the
film in a second version for female voice (sung by Nadezhda Obukhova) and piano
trio. Vol. 34 prints three more items from Encounter on the Elbe (on Dolmatovskys
texts): Homesickness (Longing for Home) [No. 13] (Allegro ma non troppo), for

137
CHRONOLOGICAL LIST OF WORKS
e n counter on the elb e, Op. 80 [ c o n t i n u e d ]
tenor, baritone, two-part male choir and piano), Peace Song (Song of Peace) (Mo-
derato maestoso) for two-part male choir and piano and Sunrise is Near (Dawn
is Coming) (Allegretto) for unison female choir and piano. The music of Song of
Peace is identical with that of Hymn to Moscow (1948). The film was awarded the
Prize of Peace of the Fourth International Film Festival in Gotvaldov (Czechoslova-
kia) in 1949 and the Stalin Prize, First Class, in 1950.

SUITE FROM ENCOUNTER ON THE EL BE, Op. 80a


for mixed choir and orchestra compiled by the composer
Texts by Evgeni Dolmatovsky (Nos. 2 and 8)
1. Prelude
2. Longing for Home
3. Dietrichs Departure
4. In the American Zone
5. In the Old Town
6. Marching-Song
7. Conclusion
8. Song of Peace
2.1.4.alto sax.1 3.2.2.1 timp. perc. piano. strings
Duration: 27
No. 2 is also known as Homesickness, Nostalgia and Song about the Mother-
land. a r r a n g e m e n t s of Longing for Home and Song of Peace: for voice and
piano by the composer for trumpet and piano by Sergei Bolotin.

138
CHRONOLOGICAL LIST OF WORKS
ANTIFORMALISTIC RAYOK
[ A n t iformalisticheskii rayok]
1948 - 1957 - late 60s (?)
for four basses, mixed choir, piano and narrator
Text: Dmitri Shostakovich
d r a m at i s p e r s o n a e :
Chairman (bass) I. S. Edinitsyn (bass) A. A. Dvoikin
(bass) D. T. Troikin (bass) Music functionaries (mixed choir).
Duration: 18
First performance (without finale): 12 January 1989, Washington D. C., Kennedy
Center Concert Hall
Julian Rodescu (Chairman) Eric Halfvarson (Edinisyn) Andrew Wentzel (Dvoikin)
Jonathan Deutsch (Troikin) Members of the Choral Arts Society of Washington
Norman Scribner (choral director) Mstislav Rostropovich (piano and conductor)
First (complete) performance: 25 September 1989, Moscow, Small Hall of the Con-
servatoire
Yuri Vishnyakov (Chairman) Evgeni Chepikov (Edinitsyn) Anatoli Obraztsov
(Dvoikin) Nikolai Konovalov (Troikin) Members of the State Chamber Choir of
the USSR Ministry of Culture Igor Khudolei (piano) Dmitri Dorliak (reciter)
Valeri Polyansky (conductor)
DSCH New Collected Works: Vol. 75
The title on the manuscript is A Learners Manual . Rayok meens Little Paradise,
in this context a stall at a fair, where cheap theatrical entertainment is shown. In a
sharply satirical way Shostakovich mocks at Stalin and the submissive organizers of
the notorious antiformalistic campaign in 1948 which later became known as the
Zhdanov decree or Zhdanovshchina. Edinitsyn can easily be identified as a cari-
cature of Joseph Stalin, Dvoikin fits with Andrei Zhdanov and Troikin corresponds
to Dmitri Shepilov, Zhdanovs deputy. Rayok was not released during Stalins life-
time (nor during Shostakovichs) and was publicly performed for the first time only
32 years after its being composed. Lev Lebedinskys claim to have substantially
contributed to the script of Rayok seems to be untenable. The melodies of the
songs Suliko, Kamarinskaya and Kalinka were utilized. Music from Les cloches
de Corneville, an operetta by Jean-Robert Planquette (1877) is heard in the finale.
English translation by Elisabeth Wilson. Derek C. Hulme states that the reciter of
the Moscow premire was Mikhail Kozakov. a r r a n g e m e n t s : Orchestrations by
Walter Mnatsakanov (1.2.3.2 2.2.1.0 perc. piano. strings), Boris Tishchenko
(2[picc].2.2.2[db bn] 2.2.1.1 2 perc [timp, rattle, tamb, side dr, cym]), piano,
strings), Vladimir Spivakov/Vladimir Milman, Andrei Pushkarev (bass and chamber
orchestra) and Geert van Keulen (2[picc].2[cor anglais].2.2[db bn] 2.1.1.1 perc
[tgl, rattle, side dr, tamb, tenor dr, bass dr, cym, susp.cym, gong, glsp]. mandolin.
harp. accordion. cel. piano. strings [1/1/1/1/1]).

139
CHRONOLOGICAL LIST OF WORKS
HYMN TO MOSCOW
[ G i mn Moskve]
1948
for choir and piano
Texts by Ilya Frenkel
Also known as Stand Fast, Our Inviolable National Shrine. The music is identical
with Peace Song from Encounter on the Elbe, Op. 80. Autograph preserved at the
Glinka Museum, a version for soloist, two-part chorus and piano is held at the State
Archives of Literature and Art.

THE SONG OF THE FORESTS , Op. 81


[ P e s n o lesakh]
Komarovo, July - 15 August 1949
Oratorio for tenor, bass, boys choir, mixed choir and orchestra
Text: Evgeni Dolmatovsky
1. When the War was Over (Andante)
2. The Call Rings Throughout the Land (Allegro)
3. Memory of the Past (Adagio) (attacca)
4. The Pioneers Plant the Forests (Allegretto) (attacca)
5. The Young Communists Forge Onwards (Allegro con brio)
6. A Walk into the Future (Adagio)
7. Glory (Allegro non troppo)
3(picc).3(cor anglais).3.2 4.3.3.1 timp. perc (tgl, side dr, cym, glsp). 2 harps.
cel. strings brass band: 6 trumpets, 6 trombones
Duration: 33
First performance: 15 December 1949, Leningrad, Large Philharmonic Hall
Vladimir Ivanovsky (tenor) Ivan Titov (bass) Leningrad Philharmonic Orchestra
Leningrad Academic Capella Boys Choir of the Choral School Evgeni Mra-
vinsky (conductor)
Muzyka Collected Works: Vol. 29 (score), Vol. 30 (vocal score by Levon Atovmyan)
DSCH New Collected Works: Vol. 76 (score), Vol. 81 (vocal score)
According to Derek C. Hulme the first performance of Op. 81 took place on 15
November 1949. The oratorio was awarded the Stalin Prize, First Class, in 1950.
Dolmatovsky re-wrote the text for the works republication in 1962. English trans-
lations by Leo E. Christiansen, by Myron Morris and Pat Baylay. German version
by Erwin Job. a r r a n g e m e n t s : for tenor and piano (No. 6) by the composer for
boys choir, mixed choir and piano (No. 7, entitled In the Fields Stand the Collec-
tive Farms) by the composer for wind orchestra (No. 4) by E. Dubinsky for piano
four hands (No. 1) by Levon Atovmyan for piano four hands (Nos. 6 and 7) by T.
Nazarova for organ (No. 6) by Isai Braudo.

140
CHRONOLOGICAL LIST OF WORKS
THE FALL OF BERLIN , Op. 82
[ P a denie Berlina]
Moscow, 1949
Music to the film in two parts
Produced by Mosfilm Mikhail Chiaureli, Pyotr Pavlenko (scenario) Mikhail Chi-
aureli (director) Leonid Kosmatov (chief camera man) Vladimir Kaplunovsky,
Alexei Parkhomenko (set designers) Boris Volsky (sound editor) M. Andzha-
paridze, P. Bogomolov, B. Ivanov, V. Shvelidse (assistant directors) Tatyana
Likhachyova (cutter) Alexander Gauk (conductor). First showing: 21 January 1950.
Text by Evgeni Dolmatovsky (No. 5)
1. [No. 1] The River Oder (Allegro non troppo)
2. [No. 2] (Allegro)
3. [No. 3] Finale (Allegro)
4. [No. 4] Epilogue (Moderato non troppo)
5. [No. 5] Beautiful Day (Allegretto)
6. [No. 6]
7. [No. 7] (Moderato non troppo)
8. [No. 8] (Allegro)
9. [No. 9] (Allegretto)
10. [No. 10]
11. [No. 11] (Andante)
12. [No. 12] (Allegro molto)
13. [No. 13] (Moderato con moto)
14. [No. 15] (Allegro moderato)
15. [No. 16] Overture to Part II (Moderato)
16. [No. 17] The Concentration Camp (Allegretto)
17. [No. 18] (Allegro)
18. [No. 19] Metro (Moderato)
3(picc).3.3.2 4.6.5.3 timp. perc (tgl, side dr, bass dr, cym, tam-t). 2 harps.
cel. 2 pianos. strings mixed choir. childrens choir
cast: Iosif Vissarionovich Stalin (Mikhail Gelovani) Party officials (Maxim
Shtraukh, Alexei Gribov, Nikolai Ryzhov, Gavriil Belov, Ruben Simonov, G.
Pasechnik, Alexander Khanov) Marshal Georgi Zhukov (Fyodor Blazhevich)
Marshal Vasilevsky (Vladimir Lyubimov) General Antonov (Andrei Abriko-
sov) Lieutenant General Chuikov (Boris Tenin) Major General Shtemenko
(Mikhail Sidorkin) Alexei Ivanov (Boris Andreev) Natasha Rumyantseva
(Marina Kovalyova) Kostya Zavchenko (G. Timoshenko) Ivanovs mother
(Sofia Giatsintova) Khmelnitsky (Nikolai Bogolyubov) Tomashevich (D.
Pavlov) Yusupov (A. Urazaliev) President Franklin D. Roosevelt (Oleg Fre-
likh) Prime Minister Winston Churchill (Viktor Stanitsyn) Adolf Hitler (V.
Savelev) Eva Braun (M. Novakova) Hermann Gring (Jan Werich) Joseph
Goebbels (M. Petrunkin) General von Brauchitsch (Nikolai Plotnikov) Ge-
neral von Rundstedt (V. Renin) Charles Bedston (K. Roden) General Alfred
Jodl (Vladimir Pokrovsky)

141
CHRONOLOGICAL LIST OF WORKS
t h e fall of b erlin , Op. 82 [ c o n t i n u e d ]
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 136 (score)
The autograph score and vocal score are preserved at the State Central Glinka
Museum of Musical Culture. The Suite from The Fall of Berlin compiled by Levon
Atovmyan contains the greatest part of the the film music Vol. 42 of Muzyka
Collected Works prints Nos. 5, 8, 9, 15 and 17, which were not included in the
Suite. The above list of items is adopted from Erna Meskhishvili. a r r a n g e m e n t s
by the composer for two-part childrens choir and piano (No. 5, Beautiful Day
[Allegretto]) and for choir a cappella (Vocalise [Andante]), both printed in Vol.
34 of Muzyka Collected Works. Vocalise also printed in Vol. 86 of DSCH New
Collected Works. Most bizarrly the scene in which Hitler marries Eva Braun is
accompanied by Felix Mendelssohns Wedding March from A Midsummer Nights
Dream. Chiaurelis scenario cites a number of films: The storming of the Reichstag
parodies the famous Odessa steps sequence of Sergei Eisensteins The Battleship
Potyomkin (1925), the scene of Stalins arrival in Berlin (that actually never took
place) is modelled on Hitlers arrival in Nuremberg in Leni Riefenstahls Triumph
des Willens (1934), and the closing shot brings to mind Veit Harlans Kolberg
(1945). The film was awarded the Stalin Prize, First Class, in 1950.

SUITE FROM THE FALL OF BERLIN, Op. 82a


for orchestra with choir compiled by Levon Atovmyan (1950)
1. Prelude (Moderato non troppo Allegro)
2. Scene at the River (Adagio)
3. Attack (Allegro molto)
4. In the Garden (Andante)
5. Storming Seelow Heights (Moderato con moto Maestoso)
6. In the Destroyed Village (Andante)
7. Scene in the Metro (Allegro)
8. Finale (Moderato non troppo Allegro)
3(picc).3.3.2 2.3(6).3(6).1 timp. perc. harp. cel. 2 pianos. strings
Duration: 20
First performance: 10 June 1950, Moscow
All-Union Radio Orchestra and Choir Alexander Gauk (conductor)
arrangement for wind orchestra (Nos. 1, 8) by Ivan Petrov.

142
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 4 in D major, Op. 83
Moscow, May - 27 December 1949
Dedicated to the memory of Pyotr Vladimirovich Vilyams
1. Allegretto
2. Andantino
3. Allegretto (attacca)
4. Allegretto
Duration: 22
First performance: 3 December 1953, Moscow, Small Hall of the Conservatoire
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky and
Sergei Shirinsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 101, Vol. 105 (piano score by the composer)
According to Erna Meskhishvili Op. 83 is dedicated to the Beethoven String Quar-
tet. a r r a n g e m e n t s : for two pianos by the composer for violin and piano (An-
dantino) by Dmitri Tsyganov for piano, four hands by Anatoli Dmitriev for
strings and piano by Mikhail Turich for string orchestra by Hilmar Schmalenberg
and by Marin van Prooijen for chamber orchestra (Chamber Symphony, Op.
83a [1.2(cor anglais).2(bass cl).1 2.1.0.0 perc (whip, side dr, tom-t, tam-t, xyl,
marimba, cel). strings]) by Rudolf Barshai.

MERRY MARCH in D major


[ Ve s yolyi marsh]
Moscow, May 1949
for two pianos
Dedicated to Maxim Dmitrievich Shostakovich
(Allegretto)
Duration: 3
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 113
Originally Op. 81.

143
CHRONOLOGICAL LIST OF WORKS
B ALLET SUITE NO . 1
[ P e r vaya baletnaya syuita]
compiled by Levon Atovmyan (1949)
1. Lyrical Waltz (Tempo moderato di valse)
2. Dance (Allegro non troppo. Giocoso)
3. Romance (Moderato)
4. Polka (Tempo di polca)
5. Waltz-Joke (Vivace ma non troppo)
6. Galop (Allegro)
2(picc).1.2.1 3.2.2.1 timp. perc (tgl, tamb, side dr, cym, glsp, xyl, vibr).
cel. piano. strings
Duration: 20
First performance: Moscow
All-Union Radio Orchestra Alexander Gauk (conductor)
Originally Op. 84. Compilation of items from The Limpid Stream, Op. 39, with
the exception of No. 5, which is taken from The Bolt, Op. 27, and No. 1, which
is a recycled version of Waltz from Suite for Jazz Orchestra No. 1. Derek C.
Hulme states that all four Ballet Suites (the fifth is from the Ballet The Bolt) were
initially compiled by the composer using diverse items from his ballet, stage and
film scores. This compilations were later prepared for publication (1949, 1951,
1952 and 1953) by Levon Atovmyan, who frequently changed order and titles of
the pieces. For detailed information see the third edition of Hulmes Dmitri Sho-
stakovich, Scarecrow Press, 2002. Various a r r a n g e m e n t s : for piano (Nos. 2-6)
by Levon Atovmyan for domra (No. 3) by A. Alexandrov for bayan (No. 4) by
Vladimir Motov for bayan and accordion (No. 1) by V. Rozanov for domra or
mandoline and piano by N. Rozov for flute and piano (No. 5) by Levon Atovmyan
for string quartet (No. 5) by I. Sirotin for saxophone orchestra, timpani ad lib.
(No. 1) by Olaf Mhlenhardt for wind orchestra by Evgeni Makarov and by Chris-
tiaan Janssen for small orchestra by G. Kats.

SYMPHONIE NO . 3, Liturgique [ a r t h u r h o n e g g e r (1892 - 1955)]


late 1940s (?)
Arrangement for piano four hands
1. Dies irae (Allegro moderato)
2. De profundis clamavi (Adagio)
3. Dona nobis pacem (Andante)
DSCH New Collected Works: Vol. 115

144
CHRONOLOGICAL LIST OF WORKS
TWO ROMANCES ON VERSES BY MIKHAIL LERMONTOV, Op. 84
[ D v a romansa na slova M. Lermontova]
Komarovo, 25 - 26 July 1950
for voice and piano
1. Ballad (Moderato)
2. Morning in the Caucasus (Moderato con moto)
Duration: 8
First performance: 2 October 1984, Duisburg
Irina Bogachova (mezzo-soprano) Igor Lebedev (piano)
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 92
Malcolm MacDonald states that these two Lermontov settings represent a fragment
of a projected larger cycle.

OUR SONG
[ N a sha pesnya]
1950
for bass, mixed choir and piano
Text by Konstantin Simonov
(Moderato maestoso)
Muzyka Collected Works: Vol. 34
This song was originally conceived for choir and orchestra.

MARCH OF PEACE CHAMPIONS


[ M a rsh storonnikov mira]
1950 (?)
for choir and piano
Text by Konstantin Simonov
(Marciale)
Muzyka Collected Works: Vol. 34

The title has also been translated as Supporters of Peace March, Song of Fighters
for Peace and March of the Defenders of Peace. The commentary of Vol. 34 of
Muzyka Collected Works states that this piece was set for solo tenor, choir and
piano but actually a version for choir and piano is printed. According to Erna
Meskhishvili there is no version of March of Peace Champions with solo tenor.

145
CHRONOLOGICAL LIST OF WORKS
B ELINSKY , Op. 85
Moscow, 1950
Music to the film
Produced by Lenfilm Yuri German, Grigori Kozintsev, Elena Serebrovskaya (sce-
nario) Grigori Kozintsev (director) Mark Magidson, Andrei Moskvin, Sergei
Ivanov (camera men) Evgeni Enei (set designer) Ilya Volk (sound editor) N.
Kosheverova (assistant director) Vasili Goryunov (makeup artist). First showing:
4 June 1953
Text of No. 8 by Viktor Nekrasov
1. [No. 1] Moderato Pesante
2. [No. 1a] Adagio
3. [No. 2] Moderato non troppo
4. [No. 3] Moderato
5. [No. 4] Moderato
6. [No. 5]
7. [No. 5a] Moderato con moto
8. [No. 6] Allegretto
9. [No. 7] Moderato
10. [No. 8] Peoples Might (Allegro molto)
11. [No. 9] Allegro molto
12. [No. 10] Moderato non troppo
13. [No. 11] A Talk of Mine (Moderato)
14. [No. 12] Moderato
15. [No. 13] Oh, My Ash-Tree
16. [No. 14] Allegro
17. [No. 15] Andante
18. [No. 16] Moderato
19. [No. 17] Allegretto
20. [No. 18] Andante maestoso
21. Not only the path into the field [Ne odna vo pole dorozhenka]
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc. guit. strings mixed choir
cast: Belinsky (Sergei Kurilov) Gertsen (Alexander Borisov) Nekrasov
(Vladimir Chestnokov) Gogol (Georgi Vitsin) Lermontov (M. Afanasev)
Shchepkin (Yuri Tolubeev) Turgenev (I. Litovkin) Belinskaya (Nina Ma-
maeva) Frolov (Yuri Lyubimov) Barsukov (Vladimir Belokurov) Peasant
(Konstantin Skorobogatov) Tsar Nikolai I (Mikhail Nazvanov) Dubelt (Boris
Dmokhovsky)
DSCH New Collected Works: Vol. 137 (score)

146
CHRONOLOGICAL LIST OF WORKS
b e l insky , Op. 85 [ c o n t i n u e d ]
Lev Danilevich states that the film was not released. Autograph score preserved at
the State Central Glinka Museum of Musical Culture. The above list of items is ad-
opted from Erna Meskhishvili. Four choruses from Belinsky are printed in Vol. 34
of Muzyka Collected Works. No. 1 (Peoples Might = No. 8) for mixed choir and
piano, No. 2 (A Talk of Mine = No. 11) for female choir, clarinet and piano, No. 3
(Oh, My Ash-Tree [Adagio] = No. 13) for male choir a cappella) and No. 4 (Song
Without Words [Moderato]) for mixed choir and piano. Texts by Viktor Nekrasov
(No. 1) and traditional (Nos. 2 and 3). Title of No. 2 sometimes translated as My
Talk or Girls Song, No. 3 also known as Oh, Rowan-Tree or My Rowan-Tree.
The latter also printed in Vol. 86 of DSCH New Collected Works.

SUITE FROM BELINSKY , Op. 85a


for orchestra with choir compiled by Levon Atovmyan (1960)
Texts by Viktor Nekrasov (No. 3) and traditional (No. 2)
1. Overture (Allegro)
2. Sorrowful Song (A Talk of Mine) (Adagio)
3. Peoples Might (Allegro molto)
4. Intermezzo (Moderato pesante)
5. Song Without Words (Moderato)
6. Scene (Moderato con moto)
7. Finale (Allegro molto)
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t,
bells, glsp, xyl). harp. strings
Duration: 32

147
CHRONOLOGICAL LIST OF WORKS
GERMAN MARCH
[ N e metski marsh]
1950
for woodwind and percussion
(Allegro)
4(2picc).0.1.0 0.0.0.0 perc (tamb, 6 side dr, 4 bass dr)
DSCH New Collected Works: Vol. 32 (score)
German March was composed for Lev Arnshtams film The Warmongers [Podz-
higateli voiny]. Work on the film was interrupted in 1951 and the production was
never finished. A fragment of the film corresponding to the music of the German
March was discovered by Olga Dombrovskaya, head curator of the Shostakovich
archives, and was shown in Moscow at the White Pillars Festivals on 3 February
2006. An undated manuscript copy is held at the Music Library of the USSR Cine-
matography Symphony Orchestra.

FOUR SONGS TO WORDS BY EVGENI DOLMATOVSKY, Op. 86


[ C h etyre romansa na slova E. Dolmatovskogo]
Moscow, 1950 - 1951
for high voice and piano
1. The Motherland Hears, the Motherland Knows (Festivo)
2. Rescue Me (Moderato)
3. He Loves Me, He Loves Me Not (Allegretto)
4. Sleep, my Pretty (Lullaby) (Moderato)
Duration: 15
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 93
Shostakovich originally composed No. 1 (The Motherland Hears, the Motherland
Knows) for solo voice and a cappella choir published both in Vol. 34 of Muzyka
Collected Works and in Vol. 86 of DSCH New Collected Works. The composer also
made two versions of No. 4 with differing words and key. No. 2 appears to have
been written separately and later associated with the other three. No. 1 exists in
many arrangements by different hands its most famous performance was given
by cosmonaut Yuri Gagarin in 1961, and it has been used as signature tune of USSR
Radio news broadcasts.

148
CHRONOLOGICAL LIST OF WORKS
TWENTY-FOUR PRELUDES AND FUGUES , Op. 87
[ D v adtsat chetyre prelyudii i fugi]
Moscow, 10 October 1950 - 25 February 1951
for piano
k e y prelude fugue voci

1. C major Moderato Moderato 4


2. A minor Allegro Allegretto 3
3. G major Moderato non troppo Allegro molto 3
4. E minor Andante Adagio 4
5. D major Allegretto Allegretto 3
6. B minor Allegretto Moderato 4
7. A major Allegro poco moderato Allegretto 3
8. F sharp minor Allegretto Andante 3
9. E major Moderato non troppo Allegro 2
10. C sharp minor Allegro Moderato 4
11. B major Allegro Allegro 3
12. G sharp minor Andante Allegro 4

13. F sharp major Moderato con moto Adagio 5
14. E flat minor Adagio Allegro non troppo 3
15. D flat major Allegretto Allegro molto 4
16. B flat minor Andante Adagio 3
17. A flat major Allegretto Allegretto 4
18. F minor Moderato Moderato con moto 4
19. E flat major Allegretto Moderato con moto 3
20. C minor Adagio Moderato 4
21. B flat major Allegro Allegro non troppo 3
22. G minor Moderato non troppo Moderato 4
23. F major Adagio Moderato con moto 3
24. D minor Andante Moderato 4
Duration: approx. 2h32
First (complete) performance: 23 and 28 December 1952, Leningrad, Glinka Con-
cert Hall
Tatyana Nikolaeva
Muzyka Collected Works: Vol. 40
DSCH New Collected Works: Vol. 112
d at e s o f c o m p o s i t i o n o f p r e l u d e s : 10 October 1950 (No. 1) 12 October (No.
2) 14 October (No. 3) 22 October (No. 4) 29 October (No. 5) 2 November
(No. 6) 10 November (No. 7) 26 November (No. 8) 30 November (No. 9) 5
December (No. 10) 7 December (No. 11) 13 December (No. 12) 20 December
(No. 13) 27 December (No. 14) 30 December (No. 15) 11 January 1951 (No.
16) 15 January (No. 17) 21 January (No. 18) 26 January (No. 19) 7 February
(No. 20) 15 February (No. 21) 17 February (No. 22), 20 February (No. 23), 23
February (No. 24).

149
CHRONOLOGICAL LIST OF WORKS
TWENTY-FOUR PRELUDES AND FUGUES , Op. 87 [ c o n t i n u e d ]
d at e s o f c o m p o s i t i o n o f f u g u e s : 11 October 1950 (No.1) 13 October (No.
2) 16 October (No. 3) 27 October (No. 4) 1 November (No. 5) 9 November
(No. 6) 11 November (No. 7) 27 November (No. 8) 1 December (No. 9) 7
December (No. 10) 11 December (No. 11) 15 December (No. 12) 22 Decem-
ber (No. 13) 28 December (No. 14) 8 January 1951 (No. 15) 13 January (No.
16) 21 January (No. 17) 22 January (No. 18) 3 February (No. 19) 14 February
(No. 20) 16 February (No. 21) 18 February (No. 22) 23 February (No. 23) 25
February (No. 24).
arrangements: for piano four hands (Prelude No. 15 in D flat major) by the com-
poser (in Vol. 113 of DSCH New Collected Works) for piano four hands (No. 15)
by Elena Khoven for organ (Nos. 4, 13, 20, 24) by Vera Bakeeva, (Nos. 4, 13, 6,
20) by Johannes Schild, (No.1) by Joachim Dorfmller for accordion (No. 4) by
Yuri Dranga, (Preludes Nos. 1, 3, 8, 15, 17) by Guy Klucevsek for bayan (No. 24)
by Anatoli Senin for two carillons (No. 8) by Brandon Blazo and Margo Halsted
for double bass and piano (Preludes Nos. 3, 5, 6, 9, 10, 17, 22) by Rodion Azarkhin
(with the authors editorial assistance) for string quartet (Nos. 3 and 4) by Andreas
Hricht, (Nos. 1, 15) by Rostislav Dubinsky, (Prelude and Fugue No. 1 [quoting J.
S. Bachs Prelude No. 1 from WC I], Prelude and Fugue [string trio] No. 21, Prelu-
des No. 14 [with piano] and 15, Preludes and Fugues Nos. 2 and 5, Prelude No.
3 [with piano] by Walter Thomas Heyn for saxophone quartet (No. 4) by Olaf
Mhlenhardt for oboe, clarinet, 2 alto saxophones and bassoon (Nos. 1-9, 19,
15-17, 12) by Eduard Wesly for violin ensemble (No. 17) by Georgi Bezrukov
for string orchestra (Nos. 4, 24) by Grigori Kortchmar for chamber orchestra by
Rudolf Barshai, (No. 24) by Josef Stanek and Iordan Dafor for orchestra (2.3[cor
anglais].3[bass clar].3 4.3.3.1 timp. side dr. harp. piano. strings Nos. 4, 6) by
Ljuboslaw Scharitsch.

150
CHRONOLOGICAL LIST OF WORKS
TEN POEMS ON TEXTS BY REVOLUTIONARY POETS o f t h e
LATE NINETEENTH AND EARLY TWENTIETH CENTURY , Op. 88
[ D e syat poem na slova revolyutsionnykh poetov k o n t s a X I X
n a c hala XX stoletiya]
Moscow, Spring 1951
for mixed choir a cappella and boys choir (in Nos. 9 and 10)
Texts by Leonid Radin (No. 1), Evgeni Tarasov (Nos. 2 and 7), anonimous (No. 3),
Alexei Gmyrev (Nos. 4, 5 and 8), Arkadi Kots (Nos. 6 and 9) and Walt Whitman
translated by Vladimir Tan-Bogoraz (No. 10)
1. Boldly, Friends, on We March (Moderato con moto)
2. One of the Many (Andantino)
3. Onto the Streets! (Allegro molto)
4. The Meeting in Transit to Exile (Andante)
5. To Those Condemned to Death (Adagio)
6. The Ninth of January (Moderato)
7. The Volleys have Become Silent (Andante)
8. They Were Victorious (Allegro)
9. May Day Song (Moderato)
10. Song (Andante von moto)
Duration: 40
First performance: 10 October 1951, Moscow, Large Hall of the Conservatoire
State Choir of Russian Song and the Boys Choir of the Moscow Choral School
Alexander Sveshnikov (conductor)
Muzyka Collected Works: Vol. 34
DSCH New Collected Works: Vol. 84
In the second, third and fourth movement of the Symphony No. 11 The Year 1905
The Ninth of January (No. 6) appears like a kind of leitmotiv. English version by
Jane May. In Vol. 34 of Muzyka Collected Works Nos. 1 and 4 bear the variant titles
Courage, Friends ... and Meeting at the Halting Place. Ten Poems were awarded
the Stalin Prize, Second Class, in 1951.

151
CHRONOLOGICAL LIST OF WORKS
TEN RUSSIAN FOLKSONGS
[ D e syat russkikh narodnykh pesen]
Moscow, July 1951
for bass, male choir and piano (No. 1), for tenor, mixed choir and piano (No. 2),
for bass, mixed choir and piano (Nos. 3, 4 and 10), for contralto, mixed choir and
piano (Nos. 5 and 6), for soprano, female choir and piano (No. 7), for mixed choir
and piano (No. 8) and for soprano, mixed choir and piano (No. 9)
Texts by Shatrov (No. 1), Alexei Mashistov (No. 3), Mezhevich (No. 10) and tradi-
tional (Nos. 3 - 9)
1. All of a Sudden there was a Clap of Thunder above Moscow
[Gryanul vnezapno grom had Moskvoyu]] (Ne spesha q = 108)
2. Beyond the Mountains, Beyond the Valleys
[Za gorami, za dolami] (Bystro q = 126)
3. Out of the Forest of Spears and Swords
[Iz-za lesa, lesa kopii i mechei] (V tempie marsha q = 120)
4. Nights are Dark, the Clouds are Menacing
[Nochi tyomny, tuchi grozny] (Umerenno e = 96)
5. The Little Cuckoo Cuckoos [Kukushechka kukuet] (Umerenno q = 116)
6. The Splinter [Lichina] (Medlenno q = 76)
7. Fir-grove, my Fir-grove [Elnik, moi elnik] (Bystro h = 120)
8. In my Dear Fathers Green Garden
[Kak y batyushki v zelyonom sadu] (Medlenno [Adagio])
9. I Told my Sweetheart [Govorila ya drugu milomu] (Medlenno [Adagio])
10. What a Song [Chto za pesni] (He skoro q = 116 )
Duration: 27
First performance: 18 October 1971, Magnitogorsk
Magnitogorsk State Academic Choir F. Edinov (conductor)
Muzyka Collected Works: Vol. 34
DSCH New Collected Works: Vol. 85
Ten Russian Folksongs were originally designated as Op. 89 which was later as-
signed to The Unforgettabel Year 1919 (Music to the film). Shostakovich used
different sources for his arrangements: Nos. 1-4 and 10 were taken from Evgeni
Gippius collection Russian Folksongs, Leningrad, 1943 Nos. 5 and 6 derive
from Evgenia Linevas compilation Great Russian Songs with Traditional Harmo-
ny, Vol. 1, St. Petersburg, 1904, and Nos. 7-9 can be traced back to Ivan Prachs
Russian Folksongs, St. Petersburg, 1896. Originally Op. 89. Nos. 6 and 7 reappear
in The Tale of the Priest and his Servant Balda, Op. 36. Vol. 34 of Muzyka Coll-
ected Works prints the songs with the following deviating translations of the titles:
Thunder Suddenly Crashed over Moscow, There, Beyond the Mountains, Out of
the Thicket of Spears, Dark Nights, Lowering Clouds, Cockoo, Splinter, Oh Fir
Grove, In My Fathers Garden, I Told My Dear Friend, What Songs. The piano
accompaniment of Nos. 6, 7 and 10 was a r r a n g e d for bayan by Sofia Khentova.

152
CHRONOLOGICAL LIST OF WORKS
RUSSIAN FOLKSONGS
[ R u s skie narodnye pesni]
Moscow, 1952 (?)
Arrangements for flute and piano
1. [Without title]
2. Dont Fly Away, Nightingale [Ne letai, solvei]
3. On the Field a Birch Tree [Vo pole beryoza]
4. Greeting [Zdravitsa] from Nikolai Rimsky-Korsakovs opera The Maid of Pskov
5. Beyond the Quickly Flowing Rivulet [Kak za rechkoi, kak za bystroi]
6. A Young Girl Went [Khodila mladeshenka]
7. In my Little Garden? [U menya l vo sadochke]
8. Fir-grove, my Fir-grove [Elnik, moi elnik]
9. Over the Bridge [Uzh kak po mostu, mostochku]
10. Oh, the Dear Lime Tree on the Field [Ai vo pole lipenka] from Nikolai Rimsky-
Korsakovs opera The Snow Maiden
11. Kalinka
12. Go Home, my Dear Cow [Ty podi, moya korovushka, domoi]
13. Zainka
14. A Young Girl went Away [Iskhodila mladeshenka]
15. Late at Night She Sat [Posdno vecherom cidela]
16. Dont Dry up, Dear Well [Ty ne stoi, kolodets] (on an arrangement by Anatoli
Lyadov)
17. How Fair the Birch Tree [Kak ne bela berypza]
18. Wedding Song [Svadebnaya] (on an arrangement by Mikhail Glinka)
19. It is not Sleep that Bends my Head [Ne son moyu golovushku klonit] from Niko-
lai Rimsky-Korsakovs opera The Snow Maiden
The autograph is held at State Central Archive of Literature and Art.

153
CHRONOLOGICAL LIST OF WORKS
B ALLET SUITE NO . 2
[ V t oraya baletnaya syuita No. 2 / Shest pes iz v t o r o i b a l e t n o i s y u i t y ]
compiled by Levon Atovmyan (1951)
1. Waltz (Allegretto scherzoso)
2. Adagio
3. Polka (Allegretto)
4. Sentimental Romance (Moderato ironico)
5. Spring Waltz (Allegro scherzando)
6. Finale (Gallop) (Presto)
2(picc).1.2.1 3.2.2.1 timp. perc (tgl, side dr, bass dr, cym, glsp, xyl, vibr).
cel. piano. strings
Duration: 18
First performance: 1951, Moscow
Moscow Radio Orchestra Alexander Gauk (conductor)
Compilation of items from Suite No. 1 for Jazz Orchestra (No. 3), The Tale of
the Priest and his Servant Balda (The Priests Daughters Dream), Op. 36 (No. 4),
Michurin, Op. 78 (No. 5), the other movements are from The Limpid Stream Op.
39. The Russian title may indicate that the suite originally consisted of more than
six movements. a r r a n g e m e n t s : for double bass and piano (No. 2) by Rodion
Azarkhin for viola and piano (Nos. 2 and 5) by Vadim Borisovsky for violoncello
and piano by Levon Atovmyan for violin and piano by Konstantin Fortunatov for
piano four hands (No. 3) by the composer or by Levon Atovmyan for piano (Nos.
2, 4 and 5) by Levon Atovmyan for wind orchestra (No. 2) by Viktor Burkhardt
for clarinet and piano [No. 5] by Levon Atovmyan.
See also Ballet Suite No. 1, 1949, for information concerning the origin of

the Ballet Suites

154
CHRONOLOGICAL LIST OF WORKS
THE UNFORGETTA BLE YEAR 1919 , Op. 89
[N e zabyvaemyi 1919-i]
Moscow, 1951
Music to the film
Produced by Mosfilm Mikhail Chiaureli, Alexander Filimonov, Vsevolod
Vishnevsky (scenario after Vsevolod Vishnevskys play Unforgettable 1919) Mik-
hail Chiaureli (director) Leonid Kosmatov, Vitali Nikolaev (camera men) Vladi-
mir Kaplunovsky (set designer) Boris Volsky (sound editor) M. Andzhaparidze,
V. Shvelidze (assistant directors) Alexander Gauk (conductor). First showing: 3
May 1952
3(picc).2.3(Eb clar).2 4.3.4.1 timp. perc. piano. strings mixed choir
cast: Vladimir Ilyich Lenin (Pavel Molchanov) Iosif Vissarionovich Stalin
(Mikhail Gelovani) Shibaev (Boris Andreev) Katya Lanilova (Marina Ko-
valyova) Voronov (Ivan Bodrov) General Neklyudov (Nikolai Komissarov)
His sons Alexander and Nikolai (Evgeni Samoilov, Andrei Popov) Gene-
ral Rodzyanko (Sergei Lukyanov) Deks (Vladimir Kenigson) Edgar (Boris
Dmokhovsky) Olga Butkevich (A. Stepanova) Colonel Butkevich (Mikhail
Yanshin) Colonel Zeidlits (Boris Bibikov) Colonel Badbolsky (P. Massalsky)
Sir Winston Churchill (Viktor Stanitsyn) Georges Clemenceau (Gnat Yura)
Lloyd George (Viktor Koltsov) Woodrow Wilson (L. Korsakov)
DSCH New Collected Works: Vol. 138 (score)
The variant title The Memorable Year 1919 is also used. The manuscript score is
preserved at the Music Library of the State Cinematography Symphony Orchestra.
According to Erna Meskhishvili there are 21 numbers including Overture and Fina-
le. The revolutionary songs Varshavianka and Boldly, Friends, On We March are
heard in Nos. 12 and 21 respectively. No. 15a (The Assault on Krasnaya Gorka,
No. 5 in the Suite) is sometimes performed on its own as a Concerto Movement
for piano and orchestra or as Piano Concerto en miniature. Krasnaya Gorka
refers to an important fortress near Kronstadt stormed by the Red Army during the
civil war in 1919. The film was awarded the First Prize at the International Film
Festival in Karlovy Vary (Czechoslovakia), in 1952.

155
CHRONOLOGICAL LIST OF WORKS
SUITE FROM THE UNFORGETTA BLE YEAR 191 9 , Op. 89a
compiled by Levon Atovmyan (1954)
1. Prelude (Moderato)
2. Romance: Shibaev meets Katya (Moderato con moto)
3. Scene from the Sea Battle (Moderato molto)
4. Scherzo (Presto)
5. The Assault on Krasnaya Gorka (Allegro)
6. Intermezzo (Andante)
7. Finale (Allegro)
3(picc).3.3.3(db bn) 4.3.3.1 2 timp. perc (tgl, tamb, side dr, bass dr, cym,
tam-t, glsp, xyl). cel. piano. strings extra brass: 3 trumpets, 3 trombones
Duration: 24
arrangement of No. 4 (Scherzo) for two pianos by the composer (1954), then
entitled Tarantella.

THE SUN SHINES OVER OUR MOTHERLAND , Op. 90


[ N a d rodinoi nashei solntse siyaet]
Komarovo/Moscow, July - 29 September 1952
Patriotic cantata for boys choir, mixed choir and orchestra
Texts by Evgeni Dolmatovsky
One movement: Moderato con moto Allegro Moderato con moto An-
dante maestoso Allegretto con moto Andante maestoso Allegro non
troppo Allegro Andante
3(picc).3.3.2 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t, glsp). 2
harps. strings brass section: 3 trumpets, 3 trombones
Duration: 14
First performance: 6 November 1952, Moscow, Large Hall of the Conservatoire
USSR State Symphony Orchestra and Choir Boys Choir of the Moscow Choral
School Konstantin Ivanov (conductor)
Muzyka Collected Works: Vol. 29 (score), Vol. 30 (vocal score by the composer)
DSCH New Collected Works: Vol. 77 (score), Vol. 82 (vocal score by the composer)
The original title was Cantata About the Party. Two further sections on texts by
Dolmatovsky were projected: The Standard-bearers of the Twentieth Century and
Won in Persistent Struggles, both only sketched.

156
CHRONOLOGICAL LIST OF WORKS
FOUR MONOLOGUES ON VERSES OF PUSHKIN , Op. 91
[ C h etyre monologa na slova A. Pushkina]
Moscow, 5 - 8 October 1952
for bass and piano
1. Fragment (Andante)
2. What Does My Name Mean to You? (Allegro)
3. In the Depths of the Siberian Mines (Adagio)
4. Farewell (Allegretto)
Duration: 14
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 94
German translation by Christoph Hellmundt. a r r a n g e m e n t s : for mezzo-soprano
and chamber orchestra by Walter Mnatsakanov for full orchestra (Op. 91a 3[alto
fl].2.3[bass cl].3[db bn] 4.3.3.1 timp. perc [wood bl, bass dr, tam-t, church bell,
vibr]. harp. cel. strings) by Gennadi Rozhdestvensky.

157
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 5 in B flat major, Op. 92
Moscow, September - 1 November 1952
Dedicated to the Beethoven String Quartet
1. Allegro non troppo
2. Andante
3. Moderato Allegro
Duration: 30
First performance: 13 November 1953, Moscow, Small Hall of the Conservatoire
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, Ser-
gei Shirinsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 101
Nos. 1 and 2 were finished on 7 September and 19 October respecively. It seems
that Shostakovich incorporated a theme from Galina Ustvolskayas Trio for Clarinet,
Violin and Piano (1949) in his fifth string quartet. David Fanning states that this
musical idea, widely assumed as Shotakovichs quotation and secret tribut to his
pupil Ustvolskaya, could have been taken over by her from her teachers unfished
Symphonic Movement from 1945. a r r a n g e m e n t for piano four hands by Anatoli
Dmitriev.

DANCES OF THE DOLLS


[ Ta ntsy kukol]
Moscow, 1952
for piano
1. Lyrical Waltz (Moderato)
2. Gavotte (Tranquillo, semplice)
3. Romance (Moderato, espressivo)
4. Polka (Scherzando, non troppo presto)
5. Waltz-Scherzo (Petite Ballerina) (Animato, ma non troppo presto)
6. Hurdy-Gurdy Waltz (Allegro non troppo)
7. Dance (Scherzando, ma non troppo presto)
Duration: 10
DSCH New Collected Works: Vol. 109
These are transcriptions of items from The Bolt, Op. 27 (No. 5), The Human Co-
medy, Op. 37 (No. 2), and The Limpid Stream, Op. 39. (Nos. 1, 3, 4, 6 and 7).
While Sofia Khentova states that Dances of the Dolls were compiled in 1950. Erna
Meskhishvili declares that the cycle was completed in 1945. a r r a n g e m e n t s : for
violin and piano (No. 7) by Konstantin Fortunatov for flute, violoncello and piano
(Nos. 1, 6) by Siegfried Lehmann for string orchestra (No. 3) by Bas Wiegers for
violin, flute and string orchestra (No. 1) by Tamas Batiashvili.

158
CHRONOLOGICAL LIST OF WORKS
B ALLET SUITE NO . 3
[ Tr e tya baletnaya syuita]
compiled by Levon Atovmyan (1952)
1. Waltz (Allegretto bravura)
2. Gavotte (Allegretto)
3. Dance (Allegro)
4. Elegy (Andantino)
5. Waltz (Tempo di valse)
6. Finale (Gallop) (Allegro)
2(picc).1.2.1 3.2.2.1 timp. perc (tgl, side dr, bass dr, cym, glsp, xyl, vibr).
harp. cel. piano. strings
Duration: 16
First performance: 1952, Moscow
USSR Radio Orchestra Abram Stasevich (conductor)
Compilation of items from The Human Comedy, Op. 37 (Nos. 1, 2 and 4), and
The Limpid Stream Op. 39 (Nos. 3, 5 and 6). Various a r r a n g e m e n t s of No.
2: for guitar by V. Yurev for bayan by P. Shashkin for two violins and piano by
Konstantin Fortunatov and by Levon Atovmyan for wind orchestra by B. Anisimov
for string quartet by I. Sirotin. Other a r r a n g e m e n t s : for piano (Nos. 5, 2, 4 [=
Lullaby], 3 and 1 [= Festive Waltz]) by Levon Atovmyan for piano four hands (No.
3) by Levon Atovmyan for violin and piano (No. 4) by Konstantin Fortunatov
for wind orchestra (Nos. 1 and 3) by V. Eremeev, and (No. 4) by Viktor Burkhardt
for orchestra of Russian folk instruments (Nos. 2 and 4) by Alexander Pozdnyakov.
See also Ballet Suite No. 1, 1949, for information concerning the origin of

the Ballet Suites

GREEK SONGS
[ C h etyre grecheskie pesni]
1952 - 1953
Arrangements for voice and piano
Texts by Kosts Palams (No. 1), Sofia Mavroidi-Papadaki (No. 4) and traditional
lyrics translated into Russian by Sergei Bolotin (Nos. 1, 2, 4) and Tatyana Sikorska-
ya (Nos. 1, 3). The melody of No. 1 is by Alekos Xenos, the one of No. 4 is by A.
Tsakonas.
1. Forward! (Song of the Greek Resistance) q = 102
2. Pentozalis (Allegretto quasi Allegro)
3. Zolongo (Allegro vivo)
4. Hymn of ELAS [ Elliniks Laiks
Apeleftherotiks Strats Greek Peoples Liberation Army]
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 92

159
CHRONOLOGICAL LIST OF WORKS
B ALLET SUITE NO . 4
[ C h etvyotaya baletnaya syuita]
compiled by Levon Atovmyan (1953)
1. Prelude (Variations) (Andante [quasi Largo])
2. Waltz (Allegretto [quasi Allegro])
3. Scherzo (Allegro vivo)
3(picc).3(cor anglais).3(Eb cl).3(db bn) 4.3.3.1 timp. perc (tgl, tamb, side
dr, cym, glsp, xyl). harp. cel. strings
Duration: 16
Compilation of items from The Limpid Stream, Op. 39 (No. 1), Song of the Great
Rivers, Op. 95 (No. 2), and The Bolt, Op. 27 (No. 3). a r r a n g e m e n t s : for piano
four hands by T. Matalaeva and by Levon Atovmyan for bayan (No. 2) by P. Gvo-
zdev for wind orchestra by Frank van der Poel, by Marten Grond (Prelude) and
by Christiaan Janssen.
See also Ballet Suite No. 1, 1949, for information concerning the origin of

the Ballet Suites

SYMPHONY NO . 10 in E minor, Op. 93


Komarovo/Moscow, Summer - 25 October 1953
1. Moderato
2. Allegro
3. Allegretto
4. Andante Allegro
3(2 picc).3(cor anglais).3(Eb cl).3(db bn) 4.3.3.1 timp. perc (tgl, tamb, side
dr, bass dr, cym, tam-t, xyl). strings
Duration: 50
First performance: 17 December 1953, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Evgeni Mravinsky (conductor)
Muzyka
Collected Works: Vol. 5 (score)
DSCH
New Collected Works: Vol. 10 (score), Vol. 25 (arrangement for piano four hands by the
composer)
Nos. 1-3 were finished on 5 August, 27 August and 8 September respecively. Ac-
cording to Derek C. Hulme Op. 93 was premiered on 22 November 1953. For
details concerning the compositional genesis of Symphony No. 10, Op. 93 and
its relations to Symphony No. 9, Op. 70 and the unfinished Sonata for Violin
and Piano (1945) see Manashir Yakubovs commentary in DSCH New Collected
Works: Vol. 10. a r r a n g e m e n t s : for piano four hands by the composer for sym-
phonic band by Harrie Janssen.

160
CHRONOLOGICAL LIST OF WORKS
CONCERTINO in A minor, Op. 94
Moscow, 1953
for two pianos
Dedicated to Maxim Dmitrievich Shostakovich
One movement: Adagio Allegretto Allegro
Duration: 8
First performance: 8 November 1954, Moscow, Small Hall of the Conservatoire
Alla Maloletkova and Maxim Shostakovich
Muzyka Collected Works: Vol. 13
DSCH New Collected Works: Vol. 113
Krzysztof Meyer and Erna Meskhishvili state that Op. 94 was performed for the first
time on 20 January 1954 with Alla Maloletkova and Maxim Shostakovich. Malo-
letkova was a fellow student of Maxims. a r r a n g e m e n t s : for two accordions by
Tamara Murzina and Alla Gatsenko for brass band by Kenneth Singleton for
piano and chamber orchestra by Julia Zilberquit and by Ilya Dimov for orchestra
by Elliot Kaplan.

bi r d of peace [ j o a n smith]
[ P t i t sa mira]
28 August 1953
Arrangement for voice and piano
Russian translation by L. Ozerov
DSCH New Collected Works: Vol. 92
According to Derek C. Hulme the autograph of the song which was awarded the
Second Prize at the Fourth International Festival of Youth in Bucharest is preserved
at the State Central Glinka Museum of Musical Culture.

TARANTELLA
1954 (?)
for two pianos
(Presto)
Duration: 2
First performance: 8 November 1954, Moscow, Small Hall of the Conservatoire
Maxim Shostakovich and Alla Maloletkova
Muzyka Collected Works: Vol. 13
DSCH New Collected Works: Vol. 113
This short piece is based on Scherzo (No. 4) from the Suite from The Unforgett-
able Year 1919, Op. 89a. a r r a n g e m e n t for symphonic band by Paul Gofers.

161
CHRONOLOGICAL LIST OF WORKS
SONG OF THE GREAT RIVERS , Op. 95
[ P e s nya velikikh rek]
Moscow, 1954
Music to the documentary film
Produced by DEFA (GDR) Vladimir Pozner, Joris Ivens (scenario [Russian transla-
tion: B. Polevoi, Yu. Karavkin]) Joris Ivens, Joop Huiskens, Robert Mngoz, Ruy
Santos (directors) Vladimir Pozner (narrator) Erich Nitzschmann (camera man,
in collaboration with anonymous camera men from over 30 countries) Heinz
Reusch (sound editor) Leipzig Radio Choir and Orchestra W. Raatke (conduc-
tor). First showing: 17 September 1954, Berlin
Text by Bertolt Brecht (No. 1) translated by Semyon Kirsanov who also provided
the lyrics for No. 2.
1. [Introduction] (Allegro)
2. [No. 1] Song of Unity (Allegro non troppo)
3. [No. 2] Prologue. Poem of Labour
4. [No. 3] Indictment Episode (Adagio)
5. [No. 4] K.K.K. [Ku Klux Klan] (Allegro)
6. [No. 6] South Africa (Allegro)
7. [No. 7] Children (Moderato)
8. [No. 8] Hard Labour (Moderato)
3(picc).3.3(Eb cl).3(db bn) 4.3.3.1 timp. perc (side dr, bass dr, tam-t). harp.
strings bass, mixed choir
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 139 (score)
The original German title was Das Lied der Strme variants frequently used:
Unity [Edinstvo] or Seven Rivers [Sem rek]. The film was awarded the First Prize
at the International Film Festival in Karlovy Vary (Czechoslovakia), in 1955. The
above listing of items from Op. 95 is adopted from Erna Meskhishvili, who states
that the (incomplete) manuscript score, orchestral and choral parts, preserved at the
Music Library of the State Cinematography Symphony Orchestra, contain also three
orchestral items describing the Atomic Bomb. However, Vol. 42 of Muzyka Coll-
ected Works only prints Nos. 1, 2, 4, 8 and 7 Vol. 34 publishes the composers
piano score of Song of Unity and an item, Peaceful Labour (Moderato), for mixed
choir and piano on a text by Semyon Kirsanov (probably identical with No. 2). No.
7 (Children) is scored for viola and violoncello. Introduction and No. 6 (South
Africa) are based on Nos. 6 and 11 from Maxims Return, Op. 45. Another piece
from Op. 95 not included in the above list is a Waltz which has survived in a ver-
sion for piano four hands by the composer. This piece reappears in Ballet Suite No.
4 and its first half was used in The Lady and the Hooligan, a ballet compiled by
Levon Atovmyan see The Limpid Streem, Op. 39. There is also an ochestration
by Atovmyan (3.2.3.2 4.3.3.1 timp. perc. cel. strings; duration: 3) and a version
for wind orchestra by Moisey Marantslikht.

162
CHRONOLOGICAL LIST OF WORKS
FIVE ROMANCES (SONGS OF OUR DAYS), Op. 98
[ P y at romansov na slova E. Dolmatovkogo]
Komarovo, 3 July - 1 September 1954
for bass and piano
Texts by Evgeni Dolmatovsky
1. Day of our First Meeting (Moderato con moto)
2. Day of Declaration of Love (Allegretto)
3. Day of Tiffs (Adagio)
4. Day of Happiness (Allegro)
5. Day of Reminiscences (Allegretto)
Duration: 12
First performance: 16 May 1956, Kiev Philharmonic Hall
Boris Gmyrya (bass) Lev Ostrin (piano)
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 95
The keys of the pieces differ in the two autographs preserved at the State Archives
of Literature and Art.

THERE WERE KISSES


[ B y l i potselui]
1954 (?)
Song for bass and piano
Text by Evgeni Dolmatovsky
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 95
The manuscript of the posthumously published composition is undated. Stylistic
features allow to locate the song in the vicinity of the Op. 98 cycle.

163
CHRONOLOGICAL LIST OF WORKS
THE GADFLY , Op. 97
[ O v od]
Moscow, 1955
Music to the film
Produced by Lenfilm Evgeni Gabrilovich (scenario after the novel by Ethel Lilian
Voynich) Alexander Faintsimmer (director) Andrei Moskvin (chief camera man)
Evgeni Enei (set designer) Berta Manevich (costume designer) V. Ulyanov
(makeup artist) Ilya Volk (sound editor) Iosif Shapiro (assistant director). First
showing: 12 April 1955
1. [No. 1] Overture (Moderato con moto)
2. [No. 2] The Cliff (Moderato)
3. [No. 3] Youth (Allegretto moderato)
4. [No. 4] Encounter
5. [No. 5] Confession (Andante)
6. [No. 6] Arrests
7. [No. 7] A Slap in the Face (Andante con moto)
8. [No. 8] Laughter (Andante Adagio)
9. [No. 9] Barrel Organ (Allegretto)
10. [No. 10] Divine Service (Andante)
11. [No. 11] Ave Maria
12. [No. 12] Leaving the Cathedral (Moderato)
13. [No. 13] Contredanse (Moderato con moto)
14. [No. 14] Galop (Presto)
15. [No. 15] Guitars (Andantino)
16. [No. 16] Bazaar (Presto)
17. [No. 17] Escape (Adagio)
18. [No. 18] The Passage of Montanelli (Moderato)
19. [No. 19] Finale (Moderato con moto)
20. [No. 20] The Austrians (Allegro non troppo)
21. [No. 21] The Letter
22. [No. 22] The River (Allegro)
23. [No. 23] Gemmas Room (Moderato con moto)
24. [No. 24] The Prison
3(picc).2.3.2 4.3.3.1 timp. perc (tamb, side dr, bass dr, cym, tam-t, bells).
2 guitars. harp. org. strings
cast: Arthur (Oleg Strizhenov) Gemma (Marina Strizhenova) Cardinal
Montarelli (Nikolai Simonov) Martini (Vladimir Etush) Marconi (S. Sva-
shenko) Giuseppe (Pavel Usovnichenko) Giovanni (Vadim Medvedev)
Dominichino (Vladimir Chestnokov) Father Cardi (Ruben Simonov) Gras-
sini (Antoni Khodursky) Grassinis wife (A. Lisyanskaya) James (Grigori
Shpigel) Julia (Elena Yunger) City Commandant (Boris Dmokhovsky)
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 139 (score)

164
CHRONOLOGICAL LIST OF WORKS
T h e gadfly , Op. 97 [ c o n t i n u e d ]
The manuscript score, consisting of 24 items, is preserved at the Music Library
of the State Cinematography Symphony Orchestra. Vol. 42 of Muzyka Collected
Works prints Nos. 1-3, 5, 7-10, 12-20, 22 and 23. No. 15 (Guitars) was conceived
for two guitars but notated for piano(s) the appendix of Vol. 42 prints an a r r a n -
g e m e n t for two guitars by E. Larichev.

SUITE FROM THE GADFLY , Op. 97a


compiled by Levon Atovmyan (1955)
1. Overture (Moderato con moto) [No. 1 of the film score]
2. Contredanse (Moderato) [No. 13]
3. Peoples Holiday (Allegro vivace) [No. 16]
4. Interlude (Adagio) [No. 17]
5. Barrel Organ (Allegretto) [No. 9]
6. Galop (Allegro) [No. 14]
7. Prelude (Andantino) [Nos. 15 and 5]
8. Romance (Allegro moderato) [Nos. 3 and 7]
9. Intermezzo (Andante) [Nos. 10, 12 and 18]
10. Nocturne (Moderato) [No. 23]
11. Scena (Moderato) [No. 2]
12. Finale (Allegro non troppo) [No. 20]
3(picc).3.3(alto sax).3(db bn) 4.3.3.1 timp. perc (tgl, tamb, side dr, bass dr,
cym, tam-t, glsp, xyl). harp. cel. piano. strings
Duration: 40
Atovmyan made a considerable number of alterations for the compilation of Op.
97a such as changes of the sequence of items, composing bridge episodes, transpo-
sitions and reorchestrations. According to John Riley a substantial portion of unused
fragments of the film music survived in Atovmyans Suite, Op. 97a. Variant title of
No. 3: Tarantella, Folk Festival and Folk Feast. No. 8 (Romance) reappears in
The Lady and the Hooligan, a ballet compiled by Atovmyan. see The Limpid
Stream, Op. 39. Romance became largely known to a Western audience as theme
music to the 1980ies television series Reilly, Ace o Spies portraying the famous spy
Sidney Reilly who may have been Ethel Voynichs model for Arthur in The Gadfly.
a r r a n g e m e n t s : for piano (Nos. 2, 3, 5, 7 [Guitars heavily altered] and 10) by
Levon Atovmyan, (Nos. 3 and 8) by V. Smirnov, (Nos. 3, 7 and 8) by Zinaida Vit-
kind, (Nos. 2, 5 and 10) by Bronislava Rozengauz, (No. 8) by M. Sagradova, (No.
8) by Harry Rabinowitz for piano four hands (No. 5) by Emin Khachaturyan for
2 pianos (No. 3) by the composer for organ (Nos. 1-3, 5 and 8) by Maria Maka-
rova for violin and piano (Nos. 2, 10) by Yuri Utkin, (No. 8) by Levon Atovmyan,
(No. 7 and 8) by Konstantin Fortunatov, (No. 8) by Donald Fraser for two violins
and piano (No. 7) as first piece in Three Duets, a cycle compiled and arranged by

165
CHRONOLOGICAL LIST OF WORKS
SUITE FROM THE GADFLY , Op. 97a [ c o n t i n u e d ]
Konstantin Fortunatov (Nos. 2 and 3 of this compilation were taken from The Hu-
man Comedy, Op. 37 and Vyborg District, Op. 50a), (No. 7) by Levon Atovmyan
for viola and piano (Nos. 1-3, 5, 6 and 8-11) by Vadim Borisovsky for violon-
cello and piano (Nos. 2, 3, 8 and 10) by Levon Atovmyan, (Nos. 3, 8) by Yusas
Chelkauskas for double bass and piano (No. 8) by Rodion Azarkhin for clarinet
and piano (No. 8) by Eirian Griffiths for trombone (No. 8) by Viktor Venglovsky
for two trombones and piano (No. 7) by K. Serostanov for flute, clarinet and piano
(No. 5) as fourth piece in Four Waltzes, a cycle arranged and compiled by Levon
Atovmyan Nos. 1-3 of this compilation were taken from Michurin, Op. 78a,
The Bolt, Op. 27 and Maxims Return, Op. 45 for viola and wind octet (No. 8)
by Dmitri Smirnov for string quartet (No. 8) by Donald Fraser for four violoncelli
(Nos. 1, 3) by Lucas Dreyer for two violins, violoncello, double bass and piano
(No. 3) by James Curnow for violin ensemble (No. 8) by Julian Milone for strings
(No. 8) by Y. Aliev for string quintet and piano by Hans-Joachim Rogoll for small
orchestra (Nr. 8 2 wind instruments, 2 violins, violoncello, piano, double bass)
by Hans-Joachim Rogoll for organ and strings (No. 8) by Peteris Sipolniek for
violin and orchestra (No. 8) by Manashir Yakubov for brass band (No. 8) by Derek
Broadbent and by Willy Hautvast for saxophone or horn and brass band (No. 8)
by Jos Stoffels for wind orchestra (No. 1) by Geert Flik, (Nos. 1, 2, 3, 11, 12) by
Peter Florian Groll, (No. 3) by Donald Hunsberger and by Hans-Joachim Rogoll
for violoncello and small orchestra (No. 8) by Lev Zhurbin for saxophone and
wind orchestra (No. 8) by Ed Keeley.

166
CHRONOLOGICAL LIST OF WORKS
THE FIRST ECHELON , Op. 99
[ P e r vy Eshelon]
Moscow, 1955-1956
Music to the film
Produced by Mosfilm Nikolai Pogodin (scenario) Mikhail Kalatozov (director)
Mikhail Bogdanov, Gennadi Myasnikov (set designers) V. Perelyotov (costume de-
signer) Yuri Ekelchik, Sergei Urusevsky (camera men) Valeri Popov (sound edi-
tor) N. Dostal (assistant director) Arnold Roitman (conductor) lyrics of Nos. 8
and 15 by Sergei Vasiliev. First showing: 29 April 1956
1. [No. 1] The Fire
2. [No. 2] Waltz
3. [No. 3] The Quarry
4. [No. 4] Anya and Uzorov
5. [No. 5] March
6. [No. 6] Overture
7. [No. 7] March
8. [No. 8] Song of Youth [mixed choir and orchestra]
9. [No. 9] Guitar
10. [No. 10] The Train
11. [No. 11] Jazz
12. [No. 12] The First Furrow
13. [No. 13] Tamara and Uzorov
14. [No. 14] The House-Warming
15. [No. 15] Song of Rostovians [male choir, guitar, bayan]
16. [No. 16] Finale
17. [No. 17] The Seed is Coming up
18. [No. 20] Nocturnal Plough
19. [No. 21] Conclusion
20. [No. 22] Monetkins Field
3(picc).3.4(Eb clar, sax). 2 4.3.3.1 timp. perc (glsp, xyl, vibr). 2 mandolins.
2 guit. bayan. piano. strings mixed choir
cast: Sovkhoz director (Vsevolod Sanaev) Shugailo, brigadier (Sergei Ro-
modanov) Secretary of the District Commitee (Nikolai Annenkov) Ale-
xei Uzorov (Oleg Efremov) Anya Zalogina (Izolda Izvitskaya) Monetkin
(Eduard Bredun) Solitsev (Alexei Kozhevnikov) Nelly (Tatyana Doronina)
Tamara (E. Lezhdei) Petya (A. Kirillov) Katya (V. Kuznetsova) Troyan
(Vyacheslav Voronin)
DSCH New Collected Works: Vol. 140 (score)
Also known as Virgin Lands [Tselina]. The order of the above list of items adopted
from Erna Meskhishvili. The manuscript score is preserved at the State Central Glin-
ka Museum of Musical Culture, vocal and instrumental parts in the Archives of the
State Cinematography Symphony Orchestra.

167
CHRONOLOGICAL LIST OF WORKS
SUITE FROM THE FIRST ECHELON , Op. 99a
for orchestra with choir compiled by Levon Atovmyan (1956)
Texts by Sergei Vasiliev (Nos. 3 and 9)
1. Overture (Allegretto poco moderato)
2. The Train (Allegro molto)
3. Song of Youth (Allegretto)
4. The Field (Allegro molto)
5. Evening Landscape (Andantino)
6. The Quarry (Allegro)
7. Intermezzo (Allegretto)
8. Waltz (Allegro poco moderato)
9. The Tender Maiden (Moderato)
10. The Fire (Allegro)
11. The House-Warming (Allegro)
3(picc).3.3.3alto sax.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym,
tam-t, glsp, xyl, vibr). harp. cel. piano. strings mixed choir
Duration: 40
According to Derek C. Hulme Op. 99a was compiled by the composer. Waltz
(No. 8) reappears as Waltz II in Suite for Variety Orchestra. a r r a n g e m e n t s :
for mixed choir and piano (No. 3) and for female choir and piano (No. 9) by the
composer, both printed in Vol. 34 of Muzyka Collected Works for piano (No. 5)
by Levon Atovmyan for wind orchestra (No. 8) by Moisey Marantslikht.

168
CHRONOLOGICAL LIST OF WORKS
SPANISH SONGS , Op. 100
[ I s p anskie pesni]
Komarovo, July - 20 September 1956
Arrangements of traditional folk songs for mezzo-soprano and piano
Texts: anonymous Spanish traditional lyrics translated by Sergei Bolotin (Nos. 1 and
3), Tatyana Sikorskaya (2, 4 and 5) and jointly by both (No. 6)
1. Farewell, Granada (Largo)
2. Little Stars (Allegro)
3. First Meeting (Largo)
4. Round Dance (Allegretto)
5. Black Eyes (Allegretto)
6. Dream (Barcarolle) (Allegretto)
Duration: 13
First performance: 1956, Leningrad
Zara Dolukhanova (mezzo-soprano) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 32
DSCH New Collected Works: Vol. 92
Original Spanish titles: Adis, Granada (No. 1), Mozuca (No. 2), En samir (No.
3), Ronda (No. 4) and Morena salada (No. 5) No. 6 bears no original title.
a r r a n g e m e n t s : for piano (No. 2 and 3) by T. Nazarova for trumpet and piano
(Nos. 1, 2, 4 and 6) by Sergei Bolotin for double bass and piano (No. 2) by Rodion
Azarkhin for string quartet (No. 5) by Eiji Arai for mezzo-soprano and orchestra
by Elena Firsova.

STRING QUARTET NO. 6 in G major, Op. 101


Komarovo, 7 - 31 August 1956
1. Allegretto
2. Moderato con moto
3. Lento
4. Lento Allegretto Andante Lento
Duration: 25
First performance: 7 October 1956, Leningrad, Glinka Concert Hall
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, Ser-
gei Shirinsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 101
Moderato con moto (No. 2) was completed on 19 August. a r r a n g e m e n t s : for
piano four hands by Anatoli Dmitriev for chamber orchestra (Chamber Sym-
phony) by Iordan Dafov.

169
CHRONOLOGICAL LIST OF WORKS
SUITE FOR VARIETY ORCHESTRA
[ S y uita dlya estradnogo orkestra]
second half of the 1950s (?)
1. March (Giocoso. Alla marcia)
2. Dance I (Presto)
3. Dance II (Allegretto scherzando)
4. Little Polka (Allegretto)
5. Lyrical Waltz (Allegretto)
6. Waltz I (Sostenuto)
7. Waltz II (Allegretto poco moderato)
8. Finale (Allegro moderato)
2(picc).1.2.2alto sax.2tenor sax(soprano sax).1 3.3.3.1 perc (timp, tgl, tamb,
side dr, charleston, 4 bass dr, cym, susp.cym, glsp, xyl, vibr). gtr. harp. cel. 2
pianos. acc. strings
Duration: 20
First performance: 1 December 1988, London (as Suite for Jazz Orchestra No. 2)
London Symphony Orchestra Mstislav Rostropovich (conductor)
DSCH New Collected Works: Vol. 33 (score)
This work basically represents a compilation of arrangements mainly from film
and ballet music, and has frequently been misidentified as Shostakovichs three-
movement Suite for Jazz Orchestra No. 2. The date of compilation of the Sui-
te for Variety Orchestra is not certain, but the utilization of Waltz, No. 8 from
Op. 99a (Suite from The First Echelon) from 1956, as Waltz II (No. 7) suggests
that it was realized after 1956. March (No. 1) is based on March, No. 2 from
Korzinkinas Adventures, Op. 59, Dance I (No. 2) was adapted from The Market-
Place, No. 16 from The Gadfly, Op. 97. Dance II (No. 3) goes back to Invi-
tation to a Rendezvous, No. 20 from The Limpid Stream, Op. 39. While the
origins of Little Polka and Finale (Nos. 4 and 8) are still uncertain, it seems to
be clear that Waltz I (No. 6) corresponds to Lyric Waltz, from D. Shostako-
vich, Choreographic Miniatures, a piano cycle published by Sovetsky Kompozitor
Publishers in 1973. According to Manashir Yakubov the music of Lyrical Waltz
(No. 5) is found as Sentimental Waltz in D. Shostakovich, Simple Pieces, Ex-
cerpts from Compositions in Light Arrangement for the Piano, compiled by Levon
Atovmyan, Muzyka, 1967. The DSCH score notates the violins, originally divided
into three groups matching the unusual distribution of a variety stage orchestra,
as violin I and II. The parts of the two pianos can be performed on one piano
four hands. Moreover DSCH publishers announce for the thirty-fourth Volume
of their New Collected Works the publication of Waltzes, a Suite for sympho-
ny orchestra in eight movements. This work is neither mentioned by Meyer nor
Wilson, Fay or Hulme. According to the latter a Suite for Variety Orchestra No.
2 in four movements was discovered in 2000. a r r a n g e m e n t s : for wind band
by Johan de Meij (Nos. 1, 5, 2, 3, 7, 8) and by Steven Walker (Nos. 1, 2, 5) for
violoncello and small orchestra by Lev Zhurbin (Nos. 7, 8) for accordion en-
semble by Wolfgang Pfeffer (No. 1) for flute, violoncello and piano (Nos. 5, 7)

170
CHRONOLOGICAL LIST OF WORKS
SUITE for variety orchestra [ c o n t i n u e d ]
by Siegfried Lehmann for bayan, violin, guitar, double bass and percussion (Nos.
1, 4, 7, 8) by Efim Jourist for 12 violoncelli (No. 5) by David Riniker for accor-
dion orchestra by Lutz Stark (No. 5) and by Detlev Hillmann (Nos. 1, 3) for twel-
ve saxophones by Christoph Enzel for five guitars by Krisztina Bodo. Numerous
a r r a n g e m e n t s of No. 7 (Waltz II): for piano by Richard Kula, Marcel Savelkoul
and by Dick Martens for piano four hands by Uwe Plasger and by Gregor Garde-
mann for keyboards by H. Smit for electric organ by Paul Natte for accordion
by Coen van Orsouwl for trumpet and organ by Friedemann Winkelhofer for
four saxophones by Rudolf Spillmann for two violins, violoncello, wind instru-
ment and piano by Hans-Joachim Rogol for woodwind quintet by Andr Waig-
nein for wind orchestra by Norbert Studnitzky, by Gert Buitenhuis, by Fritz Lau-
be, by Hans-Joachim Rogoll, by Ren Thvenaz, by Rainer Bostelmann, by Andr
Waignein and by Jean-Pierre Bourquin for small orchestra (1.1.1.2alto sax.2ten
sax.bar sax 0.3.3.0 perc. guit. piano. acc. 3 violins. db) by Hans-Joachim Rogoll
for violin and chamber orchestra by Andr Rieu for twelve violoncelli and twel-
ve brass instruments by David Riniker Dutch lyrics by Cor Willems, German text
by Hans Greiner, Portuguese version by Lilian Kramer.

CONCERTO FOR PIANO AND ORCHESTRA NO . 2 in F major, Op. 102


January - 5 February 1957
Dedicated to Maxim Dmitrievich Shostakovich
1. Allegro
2. Andante
3. Allegro
3(picc).2.2.2 4.0.0.0 timp/side dr. strings
Duration: 20
First performance: 10 May 1957, Moscow, Large Hall of the Conservatoire
Maxim Shostakovich (piano) USSR State Symphony Orchestra Nikolai Anosov
(conductor)
Muzyka Collected Works: Vol. 12 (score), Vol. 13 (arrangement for two pianos by the compo-
ser)
DSCH New Collected Works: Vol. 40 (score), Vol. 41 (arrangement for two pianos by the
composer)
Frequently appears as Op. 101. The concerto was conceived for the composers
son Maxim, who most probably performed it months before its official premire in
a version for two pianos on the occasion of his graduation from the Cental Music
School of the Moscow Conservatory in 1957. In the third movement Shostakovich
ironizes Charles Louis Hanons notorious piano exercices. a r r a n g e m e n t s : for
piano and wind orchestra by Harrie Janssen for piano and brass band instruments
by Elgar Howarth.

171
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 11 in G minor, The Year 1905, Op. 103
Moscow/Komarovo, 1956 - 4 August 1957 (?)
1. Palace Square (Adagio)
2. Ninth of January (Allegro Adagio Allegro Adagio)
3. Eternal Memory (Adagio)
4. Tocsin (Allegro non troppo)
3(picc).3(cor anglais).3(bass cl).3(db bn) 4.3.3.1 timp. perc (tgl, side dr,
bass dr, cym, tam-t, bells, xyl). 2-4 harps. cel. strings (16-20/14-18/12-16/10-
14/10-12)
Duration: 60
First performance: 30 October 1957, Moscow, Large Hall of the Conservatoire
USSR State Symphony Orchestra Natan Rakhlin (conductor)
Muzyka
Collected Works: Vol. 6 (score)
DSCH
New Collected Works: Vol. 11 (score), Vol. 26 (arrangement for piano four hands by
the composer)
Although Op. 103 was apparently written for the 40th Anniversary of the October
Revolution there is actually no dedication. The Symphony was awarded the Le-
nin Prize in 1958. Shostakovich makes use of a number of popular revolutionary
songs in this score: Ninth of January (No. 6 from Op. 88) serves as leitmotiv, You
Fell as Victims and Welcome the Free Word of Liberty appear in the third move-
ment, Rage You Tyrants!, Boldly, Friends, On We March and Warsaw March
are quoted in the final movement. a r r a n g e m e n t s : for piano four hands by the
composer for band by Fernando Snchez Manzaneque (Nos. 3 and 4) and by
Rob van der Zee (No. 4).

THREE CHORUSES FOR THE FORTIETH ANNIVERSARY


OF THE OCTO BER REVOLUTION
1957
for choir and piano
Texts by Vladimir Kharitonov (No. 1) and Valentin Sidorov (Nos. 2 and 3)
1. The Dawn of October (Grave)
2. We Cherish the October Dawns in Our Hearts (Maestoso)
3. We Sing Glory to Our Motherland (Maestoso)
Muzyka Collected Works: Vol. 34
The autographs of these songs seem to be lost.

172
CHRONOLOGICAL LIST OF WORKS
ELEVEN VARIATIONS ON A THEME BY GLINKA
1957
for piano
Homage to Mikhail Glinka on the occasion of the centenary of Glinkas death
Jointly composed by Eugen Kapp (No. 1), Vissarion Shebalin (Nos. 2 and 3), Andrei
Eshpai (No. 4), Rodion Shchedrin (No. 5), Georgi Sviridov (No. 6), Yuri Levitin (No.
7), Dmitri Kabalevsky (No. 10) and Dmitri Shostakovich (Nos. 8, 9 and 11).
1. Moderato maestoso
2. Allegro
3. Andante assai
4. Moderato assai
5. Allegretto giocoso
6. Alla marcia
7. Allegro risoluto
8. Adagio
9. Allegretto
10. Allegro molto energico
11. Moderato maestoso
Vanyas Song from Act I of Mikhail Glinkas opera Ivan Susanin (A Life for the
Tsar) serves as theme for these variations.

TWO RUSSIAN FOLKSONG ADAPTATIONS , Op. 104


[ D v e pusskie narodnye pecen]
Moscow, 1957
for mixed choir a cappella
Words: Traditional
1. Returning Winds (Sderzhanno, netoroplivo [Ritenuto, non rapido])
2. How my Husband Cruelly Beat Me (bystro, veselo [Presto, scherzando])
Duration: 6
First performance: 24 November 1957, Moscow, Large Hall of the Conservatoire
USSR State Academy Choir Alexander Sveshnikov (conductor)
Muzyka Collected Works: Vol. 34
DSCH New Collected Works: Vol. 85
According to Derek C. Hulme the two settings bear the title Cultivation. No. 1 is
also known by the title Winds were Blowing and No. 2 as As I was a Young Girl.

173
CHRONOLOGICAL LIST OF WORKS
MOSCOW CHERYOMUSHKI , Op. 105
[ M o skva, Cheryom ushki]
Moscow, September 1957 - October 1958
Operetta in three acts and five scenes
Libretto by Vladimir Mass and Mikhail Chervinsky, English translation by David
Pountney, German translation by Ulrike Patow
1. Overture Prologue (Allegretto)
Act I
Scene 1 Do not touch!
2. Bubentsov and Choir of Excursionists (Moderato con moto)
3. Duet of Masha and Bubentsov (Allegretto)
4. Pantomime [Allegretto]
5. Boris Aria I am Waiting ... (Andantino)
6. Boris Serenade (Allegretto)
7. Lidochkas Song (Allegro non troppo)
8. A Drive through Moscow (Allegretto)
9. Duet of Vava and Drebnyov (Andantino Allegro Moderato Allegro Presto)
10. End of the Drive through Moscow (Allegretto molto)
Scene 2 Who Has the Keys?
11. Reunion of Tenants (Allegretto Molto meno mosso)
12. Sergeis Song about Marina Grove (Moderato Allegro)
13. Baburovs Song about Tyoply [warm] Lane (Moderato)
14. Song about Cheryomushki (Allegretto)
15. Scene of Barabashkin with Tenants (Allegretto)
16. Boriss Song (Andantino)
17. Scene of Drebednyov and Barabashkin with Tenants (Allegretto)
18. Finale of Act I Song about Cheryomushki (Allegretto)
Act II
Interlude Here are the Keys
19. Barabashkins Couplets How are You? (Allegretto Presto)
Scene 3 Aerial Descent
20. Duet of Lidochka and Boris Fine Fellow (Andante Poco pi mosso Mode-
rato non troppo Presto Andante Allegro molto)
21. Duet of Lyusya and Sergei Love is a Ring (Moderato non troppo Meno mosso)
22. Barabashkins and Drebednyovs Couplets Couplets about Reciprocity (Alle-
gretto Allegro)
23. Duet-Reminiscence of Lidochka and Boris (Moderato Allegretto Meno
mosso Andante Allegro tranquillo Andante)
24. Scene There is No Flat Forty-Eight (Lidochka, Baburov, Barabashkin, Drebe-
dnyov) (Allegretto)
Interlude
25. Song of Lyusya and the Construction Workers (Allegretto)

174
CHRONOLOGICAL LIST OF WORKS
MOSCOW CHERYOMUSHKI , Op. 105 [ c o n t i n u e d i]

Scene 4 An Alarming Knock at the Door


26. Duet of Masha and Bubentsov The Doorbell (Allegretto)
27. Polka with Kisses (Allegretto)
28. Song about Cheryomushki (Allegretto)
Interlude In the Clouds
29. Ballet (Andantino Allegretto)
30. Apotheosis (Presto)
31. Finale of Act II (Moderato)
Act III
32. Entracte (Allegretto Allegro)
33. Scene (Allegretto)
Scene 5 The Magic Clock
34. Lidochkas Song What Do I Care? (Moderato)
35. Waltz Flowers (Allegretto)
36. Barabashkins Ditty (Allegretto)
37. Duet of Lidochka and Boris (Allegretto)
38. Sergeis Ditty (Moderato non troppo)
39. Barabashkins Scene with the Masks (Allegretto Presto)
40. Finale (Allegretto Meno mosso. Maestoso Presto)
d r a m at i s p e r s o n a e :
Alexander Petrovich Bubentsov, happy Muscovite (ba-
ritone) Masha, his wife (soprano) Semyon Semyonovich Baburov, old Mu-
scovite (bass) Lidochka, his daughter (soprano) Boris Koretsky, homeless
person (baritone) Sergei Glushkov, Drebednyovs chauffeur (tenor) Lyusya,
fitter (soprano) Fyodor Mikhailovich Drebednyov, V.I.P. (baritone) Vava,
his wife (soprano) Afanasy Ivanovich Barabashkin, house-manager (bass)
Kurochkin Kurochkina Mylkin Mylkina Nervous lady Husband
Wife A neighbour A neighbour lady Workers and new tenants (choir)
4(picc).3.3.2 4.3.3.1 timp. perc (tgl, cast, tamb, side dr, bass dr, cym, tam-t,
glsp). harp. strings
Duration: 105
Premire: 24 January 1959, Moscow, Operetta Theatre
V. Chekarov (Bubentsov) N. Kuralesina (Masha) M. Kachalov (Baburov) Ta-
tyana Shmyga (Lidochka) Nikolai Ruban (Koretsky) A. Steputenko (Glushkov)
A. Kotova (Lyusya) A.Tkachenko (Drebednyov) N. Krylova (Vava) S. Anikev
(Barabashkin) B. Vityukhov (Kurochkin) A. Frameeva (Kurochkina) P. Semkov
(Mylkin) F. Smolenskaya (Mylkina) G. Saichkin, K. Kuzmina, I. Leongarov, A.
Stepanova (Four Neighbours) Vladimir Kandelaki, A. Zaks (directors) Galina
Shakhovskaya (choreographer) Grigori Kigel (stage designer) Grigori Stolyarov
(conductor)
Muzyka Collected Works: Vol. 24 (score), Vol. 25 (vocal score by the composer)
DSCH New Collected Works: Vol. 66 (score), Vol. 67 (vocal score by the composer)

175
CHRONOLOGICAL LIST OF WORKS
MOSCOW CHERYOMUSHKI , Op. 105 [ c o n t i n u e d ii]

A number of melodies of urban songs, songs by Soviet composers and Shostako-


vichs own works are quoted throughout the score for instance Vasili Solovev-
Sedois Evenings outside Moscow (Midnight in Moscow) in Lidochkas and Boris
duet from Act II. The melody of Song of Cheryomushki, originally based on the
urban song There Used to be Merry Days, which had previously been utilized
by Shostakovich in The Golden Mountains, Op. 30, appears at the beginning of
the Overture, in Nos. 14, 18, 40 and other episodes. Nos. 7 and 23 make use of
Song about the Counterplan from Op. 33. For further details see editors note
in Vol. 24 of Muzyka Collected Works and commentary in Vol. 66 of DSCH New
Collected Works. For specific information concerning parodies, quotations, and re-
ferences to stylistical elements and certain works by Pyotr Tchaikovsky, Alexander
Borodin and Nikolai Rimsky-Korsakov see Gerard McBurneys essay Fried Chi-
cken in the Bird-Cherry Trees, in: Shostakovich and his World, edited by Laurel
E. Fay, Priceton University Press, 2204. Numerous a r r a n g e m e n t s of songs and
instrumental pieces by different hands for piano by Levon Atovmyan (Duet of
Masha and Bubentsov, No. 3, and Waltz Flowers, No. 35). Musical version ad-
apted and arranged by Gerard McBurney (1994, with English translation by David
Pountney): 1(picc).0.1(Eb cl).2sax.0 0.2.1.0 perc. 2 vl. vc. db orchestral suite
(3[picc].3.3.2 4.3.3.1 timp. perc. strings [A Spin Through Moscow, Waltz,
Polka-Galop, Ballet]) by Andrew Cornall for wind instruments, harp and per-
cussion (Waltz, Polka-Galop, A Drive through Moscow) by Harrie Janssen for
two pianos (A Drive through Moscow, Polka by Annika Mollat paraphrase for
three pianos by Carlo Maria Griguoli.

CHERYOMUSHKI , Op. 105a


1962
Film version
Produced by Lenfilm Vladimir Mass, Mikhail Chervinsky, Isaac Glikman (scena-
rio) Gerbert Rappoport (director) Anatoli Nazarov, Alexander Chirkov, K. Solo-
viev (camera men) Marksen Gaukhman-Sverdlov (set designer) Grigori Elbert
(sound editor) L. Makhtin (assistant director) Konstantin Boyarsky (choreogra-
pher) L. Shildknekht (costume designer) N. Elenbogen, M. Matusova (makeup-
artists) Nikolai Rabinovich (conductor). First showing: 30 December 1962
cast: Lidochka (Olga Zabotkina) Boris (Vladimir Vasilev) Masha (Marina
Khotuntseva) Sasha (Gennadi Bortnikov) Lyusya (Svetlana Zhivankova)
Sergei (Vladimir Zemlyankin) Drebednyov (Vasili Merkurev) Vava (Marina
Polbentseva) Barabashkin (Evgeni Leonov) Baburov (Fyodor Nikitin) Ku-
rochkin (Konstantin Sorokin) Kurochkina (Rina Zelyonaya) Mylkin (Sergei
Filippov) Mylkina (Emma Treivas)
According to John Riley Shostakovich wrote some new numbers for Rappoports
film version.
See also Moscow Cheryomushki, 1958

176
CHRONOLOGICAL LIST OF WORKS
KHOVANSHCHINA [ m o d e s t m u s o r g s k y (1839 - 1881)] , Op. 106
Moscow, March 1958 - 26 April 1959
Orchestration and completion of Modest Musorgskys folk musical drama in five
acts (6 tableaux)
Act I
1. Moscow, Red Square
Act II
2. Summer study of Prince Vasili Golitsin
Act III
3. The Streltsy Quarter, south of the Moscow River
Act IV
4. Richly furnished chamber in Ivan Khovanskys Mansion
5. Moscow, Red Square before the Cathedral of Vasili the Blessed
Act V
6. Pine forest, a secluded monastery, moonlit night
d r a m at i s p e r s o n a e :
Prince Ivan Khovansky, head of the Streltsy (bass)
Prince Andrei Khovansky, his son (tenor) Prince Vasili Golitsyn (tenor)
Shaklovity, boyar (baritone) Dosifei, head of Old Believers (bass) Marfa,
an Old Believer (mezzo-soprano) Susanna, an Old Believer (soprano) Scri-
vener (tenor) Emma, girl from the German quarter (soprano) Pastor (bass)
Varsonofev, Golitsyns confidant (bass) Kuzka, strelets (tenor) Streshnev,
young boyar (tenor) Three boyars (basses)
Muscovits, Streltsy, Old Believers, Khonvanskys serving girls and Persian sla-
ves, Tsar Peters courtiers, people (choir)
3(picc).3(cor anglais).3(bass cl). 3 (db bn) 4.3.3.1 timp. perc (tgl, tamb,
side dr, bass dr, cym, tam-t, bells, glsp). 2-4 harps. cel. piano. strings additi-
onal band (not specified number of horns, trumpets and trombones)
Duration: 160
Premire: 25 November 1960, Leningrad, Kirov Theatre
L. Yaroshenko (Ivan Khovansky) V. Puchkov (Andrei Khovansky) M. Gavrilkin
(Golitsin) K. Laptev (Shaklovity) B. Shtokolov (Dosifei) T. Kuznetsova (Marfa)
Leonid Baratov (director) Fyodor Fyodorovsky (designer) Sergei Eltsin (con-
ductor)
Act I and IV were completed on 16 March and 1 August 1958 respectively. Erna
Meskhishvili states that Shostakovich began working on Khovanshchina as early
as 1957. The closing section of the second act as well as the epilogue of the opera
were newly composed by Shostakovich.

177
CHRONOLOGICAL LIST OF WORKS
KHOVANSHCHINA [ m o d e s t m u s o r g s k y (1839 - 1881)] , Op. 106a
Moscow, 1959
Film version
Produced by Mosfilm Vera Stroeva, Anna Abramova, Dmitri Shostakovich (sce-
nario) Vera Stroeva (director) V. Dombrovsky (camera man) A. Borisov (set
designer) D. Tambieva (assistant director) V. Zorin (sound editor) S. Koren
(choreographer) A. Khazanov (choral director) Evgeni Svetlanov (conductor).
First showing: 23 May 1959
cast: Ivan Khovansky (Alexei Krivchenya) Andrei Khovansky (Anton Gri-
gorev) Golitsin (V. Petrov) Shaklovity (E. Kibkalo) Dosifei (Mark Reizen)
Marfa (K. Leonova) Emma (V. Gromova) Pastor (G. Pankov) Susanna (L.
Gritsenko) Varsonofev (F. Fokin) Kuzka (Alexei Maslennikov) Steshnev
(Yu. Dementev)
According to Erna Meskhishvili the score of the film version was completed on 16
March 1959.

CONCERTO FOR VIOLONCELLO AND ORCHESTRA NO . 1


in E flat major, Op. 107
1 May - Komarovo, 20 July 1959
Dedicated to Mstislav Leopoldovich Rostropovich
1. Allegretto
2. Moderato
3. Cadenza
4. Allegro con moto
2(picc).2.2.2(db bn) 1.0.0.0 timp. cel. strings
Duration: 29
First performance: 21 September 1959, Leningrad
Mstislav Rostropovich (violoncello) Leningrad Philharmonic Orchestra Evgeni
Mravinsky (conductor)
Muzyka Collected Works: Vol. 16 (score), Vol. 17 (piano score by the composer)
DSCH New Collected Works: Vol. 46 (score), Vol. 47 (piano score by the composer)
In an interview with Sovetskaya kultura (6 June 1959) Shostakovich stated that Ser-
gei Prokofievs Symphonic Concerto for Violoncello and Orchestra, Op. 125 inspi-
red him to wirte his first Violoncello Concerto. For details concerning the repeated
cuotation of the Georgian song Suliko in Op. 107 see the commentary of DSCH
New Collected Works, Vol. 46. Violoncello part edited by Mstislav Rostropovich.
a r r a n g e m e n t of the violoncello part for viola by Vadim Borisovsky.

178
CHRONOLOGICAL LIST OF WORKS
t o france !
[ F r a natsii!]
late 1950s
Song for solo voice, mixed choir and piano
Text by P. Luquet (A la France). Russian translation by M. Lapirov.
The existence of this piece is only testified by an entry in Erna Meskhishvilis No-
togrficheski spravochnik (Moscow 1996). The whereabouts of the composers au-
tograph are not known.

STRING QUARTET NO . 7 in F sharp minor, Op. 108


Moscow, March 1960
Dedicated to the memory of Nina Vasilievna Shostakovich
1. Allegretto
2. Lento
3. Allegro
Duration: 12
First performance: 15 May 1960, Leningrad, Glinka Concert Hall
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, Ser-
gei Shirinsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 102
a r r a n g e m e n t s : for piano four hands by Anatoli Dmitriev for saxophone quartet
by Arno Bornkamp for wind octet (0.2.2.2 2.0.0.0) and double bass by Dmitri
Smirnov for brass ensemble by Paul Archibald for string orchestra by Alexander
Raskatov for chamber orchestra by Iordan Dafov.

179
CHRONOLOGICAL LIST OF WORKS
SATIRES (PICTURES OF THE PAST), Op. 109
[ S a t iri (Kartinki Proshlogo)]
19 June 1960
Five romances for soprano and piano
Texts by Sasha Chorny [Alexander Glikberg]
Dedicated to Galina Pavlovna Vishnevskaya
1. To a Critic (Moderato q = 108)
2. Spring Awakening (Moderato Allegro q = 108 q = 152)
3. Descendants (Moderato Allegro molto h. = 108 h. = 120)
4. Misunderstanding (Moderato Allegro Moderato h. = 63 h. = 132 q = 92)
5. Kreutzer Sonata (Adagio Allegretto q = 108 h. = 63)
Duration: 14
First performance: 22 February 1961, Moscow, Small Hall of the Conservatoire
Galina Vishnevskaya (soprano) Mstislav Rostropovich (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 91
In Spring Awakening (No. 2) Sergei Rakhmaninnovs Romance Spring Waters,
the childrens song Chizhik-pyzhik and the Russian folk song Ah vy, seni, moi
seni are quoted. Misunderstandings (No. 4) reappears almost in full length in Sym-
phony No. 12 The Year 1917, Op. 112 (first movement). Kreutzer Sonata (No.
5) shows references to Beethovens Sonata Op. 47, the final Allegretto segment is
based on the lullaby theme from The Story of a Silly Baby Mouse, Op. 56. English
translation by Myron Morris, German version by Jrg Morgener. The titles of Nos.
2, Spring Awakening, and 5, Kreutzer Sonata, refer to Frank Wedekinds epo-
nymous play and to Leo Tolstoys novel respectively. a r r a n g e m e n t s for mezzo-
soprano and orchestra (2.2.2.2 2.2.1.0 timp. perc. harp. piano. strings) by Boris
Tishchenko (Op. 109a) and for soprano and orchestra (2.2.2.alto sax.2 4.3.3.0
perc. bayan [ad lib.]. piano. strings) by Walter Mnatsakanov, and for soprano and
chamber orchestra (2[picc].2[cor anglais].2[Eb clar].2[db bn] perc [tgl, tamb, side
dr, bass dr, cym, lions roar], harp. cel. accordion. strings [1/1/1/1/1]) by Geert van
Keulen.

180
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 8 in C minor, Op. 110
Dresden, 12 - 14 July 1960
Dedicated to the memory of the victims of fascism and war
1. Largo (attacca)
2. Allegro molto (attacca)
3. Allegretto (attacca)
4. Largo (attacca)
5. Largo
Duration: 19
First performance: 2 October 1960, Leningrad, Glinka Concert Hall
Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky, Ser-
gei Shirinsky)
Muzyka Collected Works: Vol. 35
DSCH New Collected Works: Vol. 102
Also known as Dresden Quartet. Apart from Shostakovichs initials DSCH which
serve as musical motto, several themes from other works by the composer are quo-
ted in the present work: Symphonies No. 1, Op. 10, No. 5, Op. 47 and No. 8, Op.
65, Concerto for Violoncello and Orchestra No. 1, Op. 107, Piano Trio No. 2, Op.
67, The Young Guard, Op. 75a (No. 6), and Katerinas Seryoscha, My Love from
Act IV of Lady Macbeth of the Mtsensk District, Op. 29. Moreover the second
theme from Pyotr Tchaikovskys Symphony No. 6, Op. 74 (first movement) and the
Funeral March from Richard Wagners Gtterdmmerung are cited. a r r a n g e -
m e n t s : for piano four hands by Anatoli Dmitriev for saxophone quartet by Cle-
mens Arndt for wind octet (0,2,2,2 2,0,0,0) by Dmitri Smirnov for wind quintet
by Mark A. Popkin for string orchestra by Rudolf Barshai (Op. 110a), by Saulius
Sondeckis, Lazar Gozman, Mats Liljefors, Rudolf Baumgartner, Yuri Tsiryuk, Iordan
Dafov and Lucas Drew for string orchestra with timpani by Abram Stasevich.

181
CHRONOLOGICAL LIST OF WORKS
NOVOROSSIISK CHIMES
[ N o vorossiiskiie Kuranty]
Moscow, 1960
for orchestra
In Commemoration of the Heroes of the Great Patriotic War
Commissioned by the City of Novorossiisk
(Moderato)
3(picc).3(cor anglais).3.2 4.3.3.1 timp. perc (tgl, side dr, cym). cel. strings
Duration: 3
Muzyka Collected Works: Vol. 11 (score)
DSCH New Collected Works: Vol. 36 (score), Vol. 37 (piano score)
This work, subtitled The Flame of Eternal Glory, is based on the first bars of an
unsuccessful entry for the National Anthem Contest from 1943. The pre-recorded
music was heard for the first time on 27 September 1960 (Moscow, All-Union Ra-
dio Orchestra conducted by Arvid Jansons) and is played every hour from the clock
above the War Memorial at Heroes Square, Novorossiisk. a r r a n g e m e n t s : for
male choir with piano accompaniment ad lib. by G. Kovalyov with lyrics by Kira
Alemasova (printed in Vol. 34 of Muzyka Collected Works) for piano four hands
by the composer for trumpet and piano by Sergei Bolotin for wind orchestra by
Hendry van Loo.
See also My Native Land, 1970

FIVE DAYS FIVE NIGHTS , Op. 111


[ P y at dnei Pyat nochei]
Moscow/Dresden, July - August 1960
Music to the film
Produced by Mosfilm in collaboration with DEFA (GDR) Lev Arnshtam, Wolfgang
Ebeling (scenario) Lev Arnshtam, Heinz Thiel, Anatoli Golovanov (directors)
Alexander Shelenkov, Yu-Lan Chen (camera men) Alexei Parkhomenko, Herbert
Nitzschke (set designers) Walter Schulze-Mittendorf, Nadezhda Buzina (costume
designers) Boris Volsky, Bernd Gerwein (sound editors) Tatyana Likhachova
(cutter) State Cinematography Orchestra Grigori Gamburg (conductor). First
showing: 23 November 1961
1. [No. 1] Introduction
2. [No. 2] [without title]
3. [No. 3] Meeting with the Liberators on the Road
4. [No. 4] It was Nearly Half an Hour Ago
5. [No. 6] [without title] (Largo)
6. [No. 7] [without title]
7. [No. 8] Pauls Soliloquy (Moderato)
8. [No. 9] Madonna

182
CHRONOLOGICAL LIST OF WORKS
f i v e days five nights, Op. 111 [ c o n t i n u e d ]
9. [No. 11] Flight in the Loft
10. [No. 12] Meeting of Katrin and Paul (Allegro)
11. [No. 13] Night Scene (Andante)
12. [No. 14] Katrins Dream (Moderato)
13. [No. 15] Solitude
14. [No. 16] Frau Ranks Parting with the Pictures Alarm
15. [No. 18] Finale
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t,
glsp). harp. piano. org. strings
cast: Paul Naumann (Hans-Dieter Knaup) Captain Leonov (Vsevolod Sa-
fonov) Lieutenant Kozlov (Vsevolod Sanaev) Katrin Beier (Annekathrin
Brger) Nikitina (Evgenya Kozyreva) Luise Rank (Marga Legal) Erich
Braun (Wilhelm Koch-Hooge) General (Mikhail Mayorov) Shagin (Nikolai
Sergeev) Vater Baum (Erich Franz) Aide-de-camp (Oleg Golubitsky) Boy
(Jochen Bley) Alyosha (Andrei Demyanov) Peasants (Raimund Schelcher,
Hans Rose, Max Klingberg) Soviet Officer (Sergei Yakovlev) SS-Major
(Heinz Thiel) Gertrud and Sonja Fischer (Ruth Kommerell, Monika Lennartz)
Professor Frank (Otto Dierichs) Dr. Krause (Hans Flssel) Herbert Beck
and Karl Richter, workers (Erich Mirek, Peter-Paul Goes) Old man (Frank
Michelis) Old women (Maria Besendahl, Karen Fredersdorf) Girl (Barbara
Dittus) Dying Russian woman (Helga-Maria Gloge) Concentration camp
prisoner (Gisela May) Miner (Josef Stauder) Russian soldiers (Oleg Koko-
rin, Nikolai Aparin, Nikolai Smorchkov, Gennadi Yukhtin, Nikolai Pogodin,
Pyotr Lyubeshkin, Vladimir Pitsek, Alexander Demyanenko)
DSCH New Collected Works: Vol. 141 (score)
Subtitled Dresden Art Gallery. The autograph score is preserved at the State Cen-
tral Glinka Museum of Musical Culture. The score contains Nos. 1-4, 6-9, 11-16
and 18 nothing is known about the missing items. The above listing is adopted
from Derek C. Hulme and Erna Meskhishvili. Vol. 42 of Muzyka Collected Works
(its editors note states that the first showing took place on 27 February 1961) prints
No. 6 (for organ and strings). a r r a n g e m e n t of four items (Dawn, Morning,
On the Way and At the Monument of Old Times) for piano by Levon Atovmyan.

183
CHRONOLOGICAL LIST OF WORKS
SUITE FROM FIVE DAYS FIVE NIGHTS , Op. 111a
compiled by Levon Atovmyan (1961)
1. Introduction (Adagio)
2. Dresden in Ruins (Largo)
3. Liberated Dresden (Moderato Presto Largo Allegro)
4. Interlude (Andante Moderato Allegro)
5. Finale (Moderato Allegretto Largo)
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t,
glsp). harp. piano. strings
Duration: 32
First performance: 7 January 1962, Moscow Radio
USSR Cinematograph Symphony Orchestra Enim Khachaturyan (conductor)
No. 3 (Liberated Dresden) is concluded by a quotation of the Ode to Joy [Ode an
die Freude] theme from Beethovens Symphony No. 9 in D minor, Op. 125

SYMPHONY NO . 12 in D minor, The Year 1917, Op. 112


Moscow, 1960 - 22 August 1961
Dedicated to the memory of Vladimir Ilyich Lenin
1. Revolutionary Petrograd (Moderato Allegro) attacca
2. Razliv (Allegro Adagio) attacca
3. Aurora (Allegro) attacca
4. The Dawn of Humanity (Listesso tempo)
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, bass dr, cym, tam-t).
strings (16-20/14-18/12-16/12-16/10-14)
Duration: 40
First performance: 1 October 1961, Leningrad, Large Philharmonic Hall
Leningrad Philharmonic Orchestra Evgeni Mravinsky (conductor)
Muzyka
Collected Works: Vol. 6 (score)
DSCH
New Collected Works: Vol. 12 (score), Vol. 27 (arrangement for piano four hands by
the composer)
The work is also known as Lenin Symphony. Sofia Khentova gives 12 August
for date of completion of Op. 112. According to Pehr Henrik Nordgren the main
theme from Revolutionary Petrograd is identical with the central theme from
Jean Sibelius Lemminkinen in Tuonela, Op. 22, 3. a r r a n g e m e n t of Aurora
and The Dawn of Humanity for symphonic band by Arnaud Oosterbaan.

184
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET The Unfinished
1961
1. Allegretto
Duration: 8
First performance: 17 January 2005, Moscow
Borodin Quartet
DSCH New Collected Works: Vol. 102
Two manuscripts of the first movement of this unfinished string quartet were disco-
vered in the Shostakovich family archives in 2003. According to Frans Lemaire the
316 bar fragment is the only surviving part of at least two of Shostakovichs attempts
to achieve a Ninth string quartet between his Eighth (1960) and the actual Ninth
(1964) string quartet. This piece headed Quartet No. 9/1 is in fact written in the
same key (E flat major) as String Quartet No. 9 op. 117. David Fanning explains
that Shostakovich, after having burnt a Ninth Quartet he had completed in 1961,
a year later made several references to working on another Ninth Quartet, which
according to one interview was to be a childrens piece, about toys and going out
to play. But this remained incomplete, and the present Allegretto may correspond
to all that remains of it. The DSCH score printed in 2005 (not part of New Collected
Works) was finished by Roman Ledenyov according to the rough drafts.

185
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 13 in B flat minor, Babi Yar, Op. 113
March - 20 July 1962
for bass, bass choir (40-100 voices) and orchestra
Texts by Evgeni Evtushenko
1. Babi Yar (Adagio q = 58 Pi mosso h = 92 Adagio q = 58 Pi mosso h =
92 Allegretto h . = 88 Adagio q = 58 Poco pi mosso q = 76 Adagio q =
58 Pi mosso q = 72)
2. Humour (Allegretto h = 116)
3. In the Store (Adagio q = 66 Meno mosso. sostenuto q = 56 Adagio q = 66
Meno mosso q = 56 Largo q = 48 Adagio q = 66)
4. Fears (Largo q = 84 Sostenuto q = 76 Pi mosso q = 88 Moderato q =
100 Largo q = 76 Poco pi mosso q = 84 Sostenuto Allegretto q =
104 Largo q = 76-88)
5. A Career (Allegretto q = 184 h = 92 Pesante Meno mosso h = 76 Alle-
gretto q = 184 h = 84 Adagio h = 60 Allegretto q = 126 Adagio q =
108 Allegretto q = 184 Meno mosso q = 76)
3(picc).3(cor anglais).3(Eb clar, bass clar).3(db bn) 4.3.3.1 perc (timp, tgl,
cast, whip, wood bl, tamb, side dr, bass dr, cym, bells, tam-t, glsp, xyl). 2-4
harps. cel. piano. strings (16-20/14-18/12-16/12-16/10-14)
Duration: 60
First performance: 18 December 1962, Moscow, Large Hall of the Conservatoire
Vitaly Gromadsky (bass) Basses of the Republican State Choir and the Choir of the
Gnessin Institute Moscow Philharmonic Orchestra Alexander Yurlov, V. Lokshin
(choral directors) Kirill Kondrashin (conductor)
Muzyka Collected Works: Vol. 7 (facsimile score), Vol. 9 (vocal score by the composer)
DSCH New Collected Works: Vol. 13 (score), Vol. 28 (vocal score by the composer)
Originally Op. 113 was intended as a symphonic poem in one movement based
on Evtushenkos Babi Yar. After its completion (27 March [piano score], 21 April
1962 [full score]) four movements were added. They are dated 5, 9, 16 and 20
July 1962. Whereas No. 4 (Fears) was written on Shostakovichs request, Nos. 2,
3 and 5 were taken from Evtushenkos cycle A Wave of the Hand. Although the
Thirteenth Symphony is widely known as Babi Yar Symphony there is, according
to Krzysztof Meyer, actually no such subtitle, and the score printed in DSCH New
Collected Works Vol. 13 does not show such an inscription. In 1962 the harsh criti-
cism of Evtushenkos work, especially of Babi Yar reached its peak and the first
performance of Op. 113 became a matter of public interest. After the declining
Evgeni Mravinsky (conductor) and Boris Gmyrna, Alexander Vedernikov and Viktor
Nechipailo (basses) eventually Vitaly Gromadsky, Nechipailos backup, sang the
soloists part. After the premire the composer was forced to introduce a number
of changes in the first movement to fit an alterated, officially approved version of
Evtushenkos poem. These measures did not prevent the work from being banned.
a r r a n g e m e n t for two pianos by the composer (according to Derek C. Hulme).
English translation by Valeria Vlazinskaya and by Andrew Hugh, German versions
by Jrg Morgener and by Kurt Masur.

186
CHRONOLOGICAL LIST OF WORKS
SONGS AND DANCES OF DEATH [ m o d e s t m u s o r g s k y (1839 - 1881)]
[ P e s ni i plyaski smerti]
Solotcho (near Ryazan), 31 July 1962
rchestration of Musorgskys song cycle
O
Text by Count Arseni Golenishchev-Kutuzov
Dedicated to Galina Pavlovna Vishnevskaya
Each movement bears a separate Dedication: To Anna Yakovlevna Vorobev-Petrov
(Lullaby), To Lyudmila Ivanovna Glinka-Shestakov (Serenade), To Osip Afana-
sevich Petrov (Trepak), To Arseni Arkadevich Golenishchev-Kutuzov (The Field
Marshal)
1. Lullaby (Lento doloroso)
2. Serenade (Moderato)
3. Trepak (Lento assai tranquillo)
4. The Field Marshal (Vivo alla guerra)
2(picc).2.2(bass cl).2(db bn) 4.2.3.1 timp. perc (side dr, cym, tam-t). harp.
strings (12-16/10-14/8-12/8-12/6-10[five strings])
Duration: 20
First performance: 12 November 1962, Gorky
Galina Vishnevskaya (soprano) Gorky Philharmonic Orchestra Mstislav Rostro-
povich (conductor)
DSCH New Collected Works: Vol. 146 (score)
English translation by Joan Pemberton Smith. Since the demandingly high tessitura
of The Field Marshal requires notes out of the reach of low male voices, Shostako-
vich notated the fourth movement one tone lower. Conductor Janos Kulka transpo-
sed it even another tone lower for a performance of the cycle in 1987.

187
CHRONOLOGICAL LIST OF WORKS
KATERINA I Z MAILOVA , Op. 114
Moscow, 1956 - 31 January 1963
Opera in four acts (9 tableaux)
Revised version of Lady Macbeth of the Mtsensk District, Op. 29
Dedicated to Nina Vasilievna Shostakovich
Act I
1. Scene 1 Garden in the Izmailovs House (attacca)
2. Entracte (Allegretto) (attacca)
3. Scene 2 The Izmailovs Courtyard (attacca)
4. Entracte (Allegro) (attacca)
5. Scene 3 Katerinas Bedroom
Act II
6. Scene 4 The Izmailovs Courtyard at Night (attacca)
7. Entracte (Largo) (attacca)
8. Scene 5 Katerinas Bedroom
Act III
9. Scene 6 The Ismailovs Courtyard before the Wedding
10. Entracte (Allegro) (attacca)
11. Scene 7 In the Police Station (attacca)
12. Entracte (Presto) (attacca)
13. Scene 8 The Wedding Feast in the Iszmailovs Garden
Act IV
14. Scene 9 Convicts Camp on the Road to Siberia
3(2picc, alto fl).3(cor anglais).4(Eb cl).3(db bn) 4.3.3.1 timp. perc (tgl, wood bl,
tamb, side dr, bass dr, cym, tam-t, glsp, xyl). 2 harps. cel. strings (16-18/14-
16/12-14/12-14/10-12) stage band: 4 cornets, 2 trumpets, 6 flugel-horns
(alto, tenor, baritone [2/2/2]), 2 tubas
d r a m at i s p e r s o n a e :
Boris Timofeevich Izmailov, merchant (bass) Zinovi
Borisovich Izmailov, his son (tenor) Katerina Lvovna Izmailova, Zinovis
wife (soprano) Sergei, Ismailovs clerk (tenor) Axinya, worker (soprano)
Village Drunk (tenor) Mill hand (baritone) Four of Izmailovs workers
(2 tenors, 2 basses) Pope (bass) Police Chief (bass) Nihilist (tenor) Po-
liceman (bass) Old convict (bass) Sonetka, a convict (contralto) Female
Convict (soprano) Sergeant (bass) Guard (bass) Boris Timofeevichs ghost
(bass choir)
Workers, Policemen, Guests, Convicts (mixed choir)
Duration: 165

188
CHRONOLOGICAL LIST OF WORKS
k at erina i z mailova , Op. 114 [ c o n t i n u e d ]
Premire: 8 January 1963, Moscow, Stanislavsky and Nemirovich-Danchenko The-
atre
Eduard Bulavin (Boris Timofeevich Izmailov) M. Shchavinsky (Zinovi Borisovich
Izmailov) Eleonora Andreeva (Katerina Lvovna Izmailova) Gennadi Efimov
(Sergei) Lev Eliseev (Village drunk) Olga Borisova (Axinya) Yuri Belokrynkin
(Mill hand) Vasili Shtefutsa, N. Kozlov, Mikhail Tyuremnov, E. Golovchenko (Four
of Izmailovs workers) Matvei Matveev (Nihilist) Evgeni Maximenko (Pope)
Vladimir Generalov (Police chief) Vyacheslav Fyodorkin (Policeman) Vladimir
Popov (Sergeant) Evgeni Korenev (Guard) Nina Isakova (Sonetka) Georgi Du-
darev (Old convict) G. Zenkova (Female convict) Lev Mikhailov (director) Iosif
Sumbatashvili (designer) N. Kemarskaya (assistant director) I. Mertens (choral
director) Gennadi Provatorov (conductor)
Muzyka Collected Works: Vol. 20/21 (score), Vol. 22 (vocal score by the composer)
DSCH New Collected Works: Vol. 58 (score), Vol. 59 (vocal score by the composer)
Differences between Op. 29 and Op. 114 consist in both alterations of text and
music. Erotic and vulgar allusions were omitted or smoothened. Two entractes
were newly composed: between scene 1 and 2 and scene 7 and 8. The interlude at
the end of the third scene, that became famous for its onomatopoetic performance
of the sexual act, underwent a change in its aggressive orchestration and was con-
siderably shortened. The orchestra accompaniment of the love-making in the third
scene was omitted in its full lenght of 124 bars and replaced by a short interlude
Boris with the lantern in the yard. Moreover numerous expressive stridencies in
instrumentation and dynamics as well as dissonances and extravagant rhythmical
patterns were ironed out. On several occasions Shostakovich emphasized his pre-
ference of the revised version of the opera, Op. 114. The question whether the revi-
sion of Op. 29 was caused by external political pressure or whether it represents an
improvement that reflects the composers intentions (or both) is vastly investigated
in Laurel E. Fays essay From Lady Macbeth to Katerina. Shostakovichs versions and
revisions published in Shostakovich Studies, edited by David Fanning, Cambridge
Unversity Press, 1995. English translations by Edward Downes, H. B. Partridge and
Julius Rudel, translations into German by Enns Fried and into Danish by Holger
Boland. There is also a Katerina Izmailova Symphonic Suite by Veniamin Basner
based on themes from the opera (Katerina, Father-in-law, Night; Ghost, Arrest
and Exile [Prison]).

189
CHRONOLOGICAL LIST OF WORKS
FIVE ENTR ACTES FROM lady mac beth of m t s e n s k /
KATERINA I Z MAILOVA, Op. 114a
1956 / 1963
for orchestra
1. Allegretto (entracte between scenes 1 and 2)
2. Allegro con brio (entracte between scenes 2 and 3)
3. Largo (entracte between scenes 4 and 5)
4. Allegretto (entracte between scenes 6 and 7)
5. Presto (entracte between scenes 7 and 8)
3(picc).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.3.3.1 timp, perc (tgl, wood bl,
side dr, bass dr, cym, tam-t, xyl), 2 harps, strings additional brass section: 4
cornets, 2 trumpets, 6 flugelhorns (alto, tenor, baritone [2/2/2]), 2 tubas
Duration: 24
DSCH New Collected Works: Vol. 69 (score)
Originally the Suite Op. 114a was conceived as a four movement cycle without the
entracte between scenes 4 and 5. These Four Entractes (1956) were performed
for the first time (before the premire of the opera as in the case of The Nose, Op.
15) on 4 September 1962 in Edinburgh by the Edinburgh Philharmonic Orchestra
under the baton of Gennadi Rozhdestvensky. There is also a version of No. 4, the
entracte between scene 6 and 7 (marked Allegro), written for the composers son
Maxim in the mid-1960s which is held at the Shostakovich Archives. This version,
printed in Vol. 69 of DSCH New Collected Works, shows substantial alterations of
the instrumentation: 3(picc).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.4(picc).3.1
perc (timp, side dr, cym, tam-t, xyl), strings the brass band is omitted. a r r a n g e -
m e n t for symphonic band by Jos van de Braak.

190
CHRONOLOGICAL LIST OF WORKS
K at erina i z mailova
1966
Film version
Produced by Lenfilm Mikhail Shapiro, Dmitri Shostakovich (scenario) Mikhail
Shapiro (director) Rostislav Davydov, Vladimir Ponomaryov (camera men) Ev-
geni Enei (set designer) Ilya Volk (sound operator) Choir and Orchestra of the
Kiev Shevchenko Opera and Ballet Theatre Konstantin Simeonov (conductor).
First showing: 25 September 1966.
cast: Katerina Izmailova (Galina Vishnevskaya) Sergei (Artyom Inozemtsev
[voice: V. Tretyakov]) Zinovi Borisovich (Nikolai Boyarsky [voice: Vyaches-
lav Radzievsky]) Boris Timofeevich (Alexander Sokolov [voice: Alexander
Vedernikov]) Sonetka (Tatyana Gavrilova [voice: Valentina Reka]) Village
Drunk (Roman Tkachyk [voice: S. Strezhnev]).
The film was shown in 1967 at the Cannes International Film Festival and the Alde-
burgh and Edinburgh Festivals. A few fragments of Shostakovichs opera were also
introduced into Andrzej Wajdas film version of Nikolai Leskovs story Siberian
Lady Macbeth from 1962.

CONCERTO FOR VIOLONCELLO AND ORCHESTRA in A minor


[ r o b e r t s c h u m a n n (1810 - 1856)], Op. 125
Dilizhan, July 1963
Reorchestration
Dedicated to Mstislav Leopoldovich Rostropovich
1. Nicht zu schnell
2. Langsam
3. Sehr lebhaft
2(picc).2.2.2 4.2.0.0 timp. harp. strings
Duration: 21
First performance: 5 October 1963, Moscow, Large Hall of the Conservatoire
Mstislav Rostropovich (violoncello) USSR State Symphony Orchestra Boris
Khaikin (conductor)
DSCH New Collected Works: Vol. 148 (score)
According to Sofia Khentova Op. 125 was completed in August 1963. Shostako-
vich adopted Schumans opus number (125) for this arrangement.

191
CHRONOLOGICAL LIST OF WORKS
TWO CHORUSES [ a l e x a n d e r d av i d e n k o (1899 - 1934)] , Op. 124
[ A . Davidenko. Dva khora]
Moscow, August 1963
Arrangement for mixed choir and orchestra of two songs from Davidenkos oratorio
The Road of October
Texts by P. Ediet (No. 1) and M. Shorin (No. 2)
1. At the Tenth Verst
2. The Street in Turmoil
3(picc).3(cor anglais).3.3(db bn) 4.3.3.1 timp. perc (tgl, side dr, cym, tam-t).
strings (five-stringed double basses required)
Duration: 10
First performance: 24 February 1964, Moscow, Large Hall of the Conservatoire
State Cinematography Symphony Orchestra RSFSR Academic Russian Choir
Alexander Yurlov (conductor)
DSCH New Collected Works: Vol. 150 (score)
These orchestrations were originally published without an opus number.

OVERTURE ON RUSSIAN AND KIRGHI Z FOLK THEMES in C major, Op. 115


[ U v ertyura na russkie i kirgizskie narodnye tem y ]
Repino, October 1963
In honour of the Centenary of Kirghizias voluntary incorporation into the Russian
State
One movement: Moderato Allegro non troppo Adagio Allegro Presto
3(picc).2.2.3(db bn) 4.2.3.1 timp. perc (tgl, tamb, cym). strings (at least
16/14/12/12/10)
Duration: 8
First performance: 10 October 1963, Moscow, Large Hall of the Conservatoire
USSR State Symphony Orchestra Konstantin Ivanov (conductor)
Muzyka Collected Works: Vol. 11 (score)
DSCH New Collected Works: Vol. 35 (score)
Shostakovich utilized the melodies of O You Tramps [Ekh, brodyagi vy, brodyagi],
a Russian song recorded in the Omsk Region in 1959 by Alexander Medvedev,
Tyryldan (a mythological creature) and Threshers Song [Op Maida], both Kirghiz
songs from Viktor Vinogradovs collection.

192
CHRONOLOGICAL LIST OF WORKS
HAMLET , Op. 116
Moscow/Gorki, 1963 - 1964
Music to the film in two parts
Produced by Lenfilm Grigori Kozintsev (scenario [based of Boris Pasternaks
translation of William Shakespeares tragedy] and direction) Jonas Gritsius (chief
camera man) Evgeni Enei, Georgi Kropachyov (set designers) Solomon Virsalad-
ze (costume designer) Boris Khutoryansky (sound editor) Iosif Shapiro (assistant
director) Leningrad Philharmonic Orchestra Nikolai Rabinovich (conductor).
First showing: 19 April 1964
1. [No. 1] Overture (Largo)
2. [No. 2] Military Music (Allegretto)
3. [No. 3] Fanfares. The Kingss entrance
4. [No. 4] Fanfares. The Kingss exit
5. [No. 5] Ball at the Palace (Presto)
6. [No. 6] Story of Horatio and the Ghost (Adagio)
7. [No. 7] Ophelias Dance
8. [No. 8] The Ball (Allegretto)
9. [No. 9] The Ghost (Largo)
10. [No. 10] Hamlets parting with Ophelia (Andante)
11. [No. 11] Court Music (Moderato)
12. [No. 12] Hamlets monologue: What a piece of work is man!
13. [Nos. 13 and 13a] Arrival of the Players (Allegro)
14. [No. 14] Hamlets soliloquy: Fie upont! foh! About my brain
(Moderato non troppo)
15. [No. 15] The performance (Allegro molto)
16. [No. 16] Hamlets soliloquy: To be, or not to be (Adagio)
17. [No. 17] Hamlets meeting with Ophelia
18. [No. 18] Royal Fanfare
19. [No. 19] In the Garden (Court procession) (Moderato non troppo)
20. [No. 20] Booth Fanfare (Allegro)
21. [No. 21] Scene of Poisoning (Moderato non troppo)
22. [No. 22] Flutes (Presto)
23. [No. 23] Conscience (Largo)
24. [No. 24] The Ghost in the Queens presence (Largo)
25. [No. 25] Hamlets Departure to England
26. [No. 26] Ophelias Song (Andantino)
27. [No. 27] Ophelias Madness (Adagio)
28. [No. 28] Ophelias Death (Andante)
29. [No. 29] The Cementary (Moderato non troppo)
30. [No. 30] Hamlet at Ophelias coffin (Largo)
31. [No. 31] Hamlet returns to Helsingr
32. [No. 32] Hamlets Death (Allegro)
33. [No. 33] Arrival of Fortinbras (Andante)
34. [No. 34] Hamlets Funeral (Largo)
35. [No. 38] The Chimes

193
CHRONOLOGICAL LIST OF WORKS
HAMLET , Op. 116 [ c o n t i n u e d ]
3(picc).2.2.2 4.3.3.1 timp. perc (tgl, whip, tamb, side dr, bass dr, tam-t,
xyl). harp. cel. piano. hpd. strings
cast: Hamlet (Innokenti Smoktunovsky) King Claudius (Mikhail Nazva-
nov) Queen Gertrude (Elza Radzinya-Szolkonis) Polonius (Yuri Tolubeev)
Ophelia (Anastasia Vertinskaya) Horation (Vladimir Erenberg) Laertes
(Stepan Oleksenko) Guildenstern (Vadim Medvedev) Rosencrantz (Igor
Dmitriev) Fortinbras (A. Krevald) Priest (Ants Lauter) Gravediggers (Viktor
Kolpakov, V. Chekursky)
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 142 (score)
Vol. 42 of Muzyka Collected Works prints a selection of 15 items (Nos. 1, 2, 3, 6,
8, 10, 11, 14, 16, 20, 22, 26, 27, 29, and 30), the autograph score is preserved at
the Shostakovich family archives. The above listing is based on Erna Meskhishvili
and Derek C. Hulme. In contrast to other sources Muzyka publishers state that the
present work was already composed between 1962 and 1963 in Moscow. Hamlet
was awarded a special prize for music at the USSR Film Festival Leningrad in 1968.
According to Hulme the first showing of Hamlet took place on 24 April 1964.
See also the incidental music Hamlet, Op. 32

SUITE FROM HAMLET , Op. 116a


compiled by Levon Atovmyan (1964)
1. Introduction (Largo) [No. 1 in the film score]
2. Ball at the Palace (Presto) [No. 5]
3. The Ghost (Largo) [No. 9]
4. In the Garden (Moderato ma non troppo) [No. 19]
5. Scene of Poisoning (Largo Moderato ma non troppo Presto) [No. 21]
6. Arrival and Scene of the Players (Allegro) [No. 13]
7. Ophelia (Andante) [No. 28]
8. Duel and Death of Hamlet (Allegro) [Nos. 32, 33 and 34]
3(picc).2.2.2 4.3.3.1 timp. perc (wood bl, whip, tamb, side dr, bass dr,
cym, bells, tam-t). harp. piano. hpd. strings
Duration: 42
First performance: 10 February 1965, Leningrad
Meskhishvilis counting of items of Op. 116a is slightly different: Introduction,
Ball at the Palace, The Ghost, In the Garden, Hamlet and Ophelia, Arrival
and Scene of the Players, Scene of Poisoning, Duel and Death of Hamlet. There
is also a concert scenario, Hamlet, by Gennadi Rozhdestvensky, a compilation of
sixteen items taken from Op. 32 and Op. 116 with inserted fanfares from Alexander
Varlamovs 1837 incidental music to Hamlet. a r r a n g e m e n t s : for piano (Nos.
4-6) by Zinaida Vitkind for four violoncelli (No. 2) by Lucas Dreyer.

194
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 9 in E flat major, Op. 117
Moscow, 2 - 28 May 1964
Dedicated to Irina Antonovna Shostakovich
1. Moderato con moto
2. Adagio
3. Allegretto
4. Adagio
5. Allegro
Duration: 26
First performance: 20 November 1964, Moscow, Small Hall of the Conservatoire
The Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovsky,
Sergei Shirinsky)
Muzyka Collected Works: Vol. 36
DSCH New Collected Works: Vol. 102
According to Sofia Khentova Op. 117 was composed in Dilizhan between 11 and
23 July 1964. a r r a n g e m e n t for piano four hands by Anatoli Dmitriev.

STRING QUARTET NO . 10 in A flat major, Op. 118


Dilizhan, 9 - 20 July 1964
Dedicated to Moisei Samuilovich Weinberg [Mieczysl/ aw Weinberg]
1. Andante
2. Allegretto furioso
3. Adagio (attacca)
4. Allegretto
Duration: 22
First performance: 20 November 1964, Moscow, Small Hall of the Conservatoire
The Beethoven String Quartet (Dmitri Tsyganov, Vasili Shirinsky, Vadim Borisovs-
ky, Sergei Shirinsky)
Muzyka Collected Works: Vol. 36
DSCH New Collected Works: Vol. 103
a r r a n g e m e n t s : for piano, four hands by Anatoli Dmitriev for string orchestra
Symphony for Strings, Op. 118a by Rudolf Barshai for string orchestra with tim-
pani by Abram Stasevich for wind octet and double bass by Dmitri Smirnov.

195
CHRONOLOGICAL LIST OF WORKS
THE EXECUTION OF STEPAN RA ZIN, Op. 119
[ K a zn Stepana Razina]
Lake Balaton, Moscow, early August - 14 September 1964
Vocal-symphonic poem for bass, mixed choir and orchestra
Text by Evgeni Evtushenko (from The Bratsk Hydro-electric Power Station)
One movement: Moderato non troppo Poco meno mosso Andante Ada-
gio Moderato Allegro Allegro Adagio Moderato
3(picc).3(cor anglais).4(Eb cl, bass cl).3(db bn) 4.3.3.1 timp. perc (tgl, whip,
tamb, side dr, bass dr, cym, tam-t, bells, xyl). 2 harps. cel. piano. strings
(20/18/16/14/12[five strings])
Duration: 30
First performance: 28 December 1964, Moscow, Large Hall of the Conservatoire
Vitali Gromadsky (bass) RSFSR Choral Capella Moscow Philharmonic Orchestra
Kirill Kondrashin (conductor)
Muzyka Collected Works: Vol. 29 (score), Vol. 30 (vocal score by the composer)
DSCH New Collected Works: Vol. 78 (score), Vol. 83 (vocal score by the composer)
According to Erna Meskhishvili Op. 119 was completed on 14 October 1964. The
Execution of Stepan Razin was awarded the Glinka State Prize in 1968. Vocal
score also by Carl A. Rosenthal. English translation by Harold Heiberg and German
version by Lyubomir Romansky.

e v geni onegin
[ E v g enii Onegin]
1964 - 1965
Incidental musical to Nikolai Akimovs play after Alexander Pushkins verse novel
for orchestra
Premire: January 1965, Leningrad, Theatre of Drama and Comedy
Nikolai Akimov (director)
Piano score and orchestral parts preserved at the Leningrad Kirov Theatre of Opera
and Ballet.

196
CHRONOLOGICAL LIST OF WORKS
A YEAR IS LIKE A LIFETIME , Op. 120
[ G o d, kak zhizn]
Moscow, June 1965
Music to the film
Produced by Mosfilm Galina Serebryakova and Grigori Roshal (scenario after
Serebryakovas novel Pokhishchenie ognya [The Abduction of the Fire]) Grigori
Roshal (director) Leonid Kosmatov, Alexander Simonov (camera men) Iosif Shpi-
nel (set designer) Valentin Lagutin (sound editor). First showing: 24 March 1966
1. [No. 1] Overture
2. [No. 4] The Trick
3. [No. 5] Jennys Flight
4. [No. 6] Mens Prison
5. [No. 9] Pantomime
6. [No. 11] Polka
7. [No. 11a] Waltz
8. [No. 11b] Herweghs Unit is Leaving
9. [No. 12] Niederdossenbach
10. [No. 13] Polka
11. [No. 14] March
12. [No. 15] Barricades
13. [No. 16] Vienna. Funeral
14. [No. 17] Cholera
15. [No. 18] Marx Monologue
16. [No. 19] Finale
17. [No. 20] Farewell in the Forest
18. [No. 21] Nocturne
19. [No. 26a/26b] Passing Kavenyak
20. [No. 27] Schappers Transportantion
21. [No. 28] War
22. [No. 29] The Fort
3(picc).2.2.2 4.3.3.1 timp. perc. strings mixed choir
cast: Karl Marx (Igor Krasha) Friedrich Engels (Andrei Mironov) Jenny
Marx (Rufina Nifontova) Wilhelm Wolff (Alexei Alexeev) Georg Weerth
(Vasili Livanov) Joseph Moll (Vladimir Balashov) Mikhail Bakunin (Lev Zo-
lotukhin) Dasha (Olga Gobzeva) Heinrich Heine (Sergei Kurilov) Adal-
bert von Bornstedt (Zinovi Gerdt) Karl Schapper (Anatoli Solovyov) Len-
chen (Svetlana Kharitonova) Mess (Artyom Karapetyan) Georg Herwegh
(Dmitri Mirgorodsky) Emma Herwegh (Klara Luchko) Mathilde Heine (A.
Budnitskaya) Gottfried Keller (Grigori Shpigel) Walter-Sokrat (Fyodor Niki-
tin) Jules (Nikita Mikhalkov) Jeanette (Ariadna Shengelaya) Ilse (Lyudmila
Chursina) Antoine (A. Khvylya) Otto von Bismarck (E. Herberding) Helen
(Sergei Stolyarov) Hofmann (A. Smirnov) August Ewerbeck (E. Traktoven-
ko)
DSCH New Collected Works: Vol. 143 (score)

197
CHRONOLOGICAL LIST OF WORKS
a y ear is like a lifetime , Op. 120 [c o n t i n u e d ]
Autograph score preserved at the State Archives of Literature and Art. The film is
sometimes referred to as Karl Marx. As Erna Meskhishvili states A Year is like a
Lifetime was produced in two parts Part I entiteled Marxs Youth.

SUITE FROM A YEAR IS LIKE A LIFETIME , Op. 120a


compiled by Levon Atovmyan (1969)
1. Overture (Allegro non troppo)
2. The Barricades (Moderato non troppo)
3. Interlude (Allegro)
4. Farewell (Monologue) (Andante)
5. Scene (Little Waltz) (Allegretto)
6. War (Moderato)
7. Finale (Adagio)
3(picc).2.2.2 4.3.3.1 timp. perc (tgl, whip, side dr, bass dr, cym, bells,
tam-t). strings
Duration: 28
Krzysztof Meyer states that the compilation was already made in 1965.

FIVE ROMANCES ON TEXTS FROM KROKODIL MAGAZ INE, Op. 121


[ P y at romansov na slova iz zhurnala Krokodil]
4 September 1965
for bass and piano
Texts from readers letters published in issue No. 24 [1782] (30 August 1965) of the
satirical magazine Krokodil
1. Manuscript Evidence [Sobstvennoruchnoe pokazanye] (Moderato)
2. A Desire that is Difficult to Accomplish [Trudno ispolnimoe zhelane] (Moderato)
3. Common Sense [Blagorozumie] (Largo)
4. Irinka and the Shepherd [Irinka i pastukh] (Allegro)
5. Too Much Delight [Chresmerny vostorg] (Moderato)
Duration: 10
First performance: 28 May 1966, Leningrad, Glinka Concert Hall
Evgeni Nesterenko (bass) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 96
English translation by Joan Pemberton Smith, German translation by Jrg Morgener.
a r r a n g e m e n t for bass and chamber orchestra (2.2.3.3 1.2.1.0 timp. piano.
strings) by Walter Mnatsakanov.

198
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 11 in F minor, Op. 122
Moscow, 30 January 1966
Dedicated to the memory of Vasili Petrovich Shirinsky
1. Introduction (Andantino attacca)
2. Scherzo (Allegretto attacca)
3. Recitative (Adagio attacca)
4. Etude (Allegro attacca)
5. Humoresque (Allegro attacca)
6. Elegy (Adagio attacca)
7. Finale (Moderato)
Duration: 15
First performance: 28 May 1966, Leningrad, Glinka Concert Hall
The Beethoven String Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Dru-
zhinin, Sergei Shirinsky)
Muzyka Collected Works: Vol. 36
DSCH New Collected Works: Vol. 103
According to Derek C. Hulme the first performance took place an 25 March
1966 at the USSR Composers Club in Moscow. In the early sixties both Vasili
Shirinsky (second violin) and Vadim Borisovsky (viola) retired from the Beethoven
String Quartet and were replaced by Nikolai Zabavnikov and Fyodor Druzhinin.
arrangement for piano four hands by Anatoli Dmitriev.

PREFACE TO THE COMPLETE EDITION OF MY WORKS AND


A B RIEF REFLECTION APROPOS OF THIS PREFACE , Op. 123
[ P r e dislovie k polnomu sobraniyu moikh sochin e n i i i k r a t k o e
r a z myshlenie po povodu etogo predisloviya]
Repino, 2 March 1966
for bass and piano
Text by Dmitri Shostakovich, paraphrasing Alexander Pushkins epigram History of
a Versifier in its first four lines
(Allegretto)
Duration: 2
First performance: 28 May 1966, Leningrad, Glinka Concert Hall
Evgeni Nesterenko (bass) Dmitri Shostakovich (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 96
English translation by Joan Pemberton Smith, German version by Jrg Morgener.
a r r a n g e m e n t for bass and ensemble (0.2[cor anglais].2[Eb clar].2[db bn] 2.1.1.0
harp. strings [1/1/1/1/1]) by Geert van Keulen, and for bass and chamber orchestra
(2.2.2.2 0.0.0.0 2 perc. piano. strings) by Walter Mnatsakanov.

199
CHRONOLOGICAL LIST OF WORKS
CONCERTO FOR VIOLONCELLO AND ORCHESTRA NO . 2
in G major, Op. 126
Moscow/Repino/Oreanda, 27 April 1966
Dedicated to Mstislav Leopoldovich Rostropovich
1. Largo
2. Allegretto (attacca)
3. Allegretto
2(picc).2.2.3(db bn) 2.0.0.0 timp. perc (whip, wood bl, tom-t, tamb, side dr,
bass dr, xyl). at least 2 harps. strings (16/14/12/12/10)
Duration: 36
First performance: 25 September 1966, Moscow, Large Hall of the Conservatoire
Mstislav Rostropovich (violoncello) USSR State Symphony Orchestra Evgeni
Svetlanov (conductor)
Muzyka Collected Works: Vol. 16 (score), Vol. 17 (piano score by the composer)
DSCH New Collected Works: Vol. 48 (score), Vol. 49 (piano score by the composer)
The first performance marked the celebration of the composers 60th birthday.

200
CHRONOLOGICAL LIST OF WORKS
SEVEN ROMANCES ON POEMS OF ALEXANDER B LOK, Op. 127
[ S e m stikhotvoreni i Alexandra Bloka]
3 February 1967
Vocal-instrumental suite for soprano, violin, violoncello and piano (for soprano and
violoncello [No. 1], for soprano and piano [No. 2], for soprano and violin [No. 3],
for soprano, violoncello and piano [No. 4], for soprano, violin and piano [No. 5],
for soprano, violin and violoncello [No. 6], for soprano, violin, violoncello and
piano [No. 7])
Dedicated to Galina Pavlovna Vishnevskaya
1. Song of Ophelia (Moderato q = 66)
2. Gamayun, the Bird of Prophecy (Adagio q = 66)
3. We Were Together (That Troubled Night) (Allegretto q = 100)
4. The City Sleeps (Deep in Sleep) (Largo q = 50)
5. The Storm (Allegro q = 108)
6. Secret Signs (Largo q = 72)
7. Music (Largo q = 96)
Duration: 25
First performance: 23 October 1967, Moscow, Small Hall of the Conservatoire
Galina Vishnevskaya (soprano) David Oistrakh (violin) Mstislav Rostropovich
(violoncello) Mieczysl/ aw Weinberg (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 91
No. 2 inspired by Viktor Vasnetsovs painting from 1897. According to Erna Mes-
khishvili the pianist of the first performance was the composer. Translations: into
English by Myron Morris, Cynthia Jolly and Per Skans, into German by Manfred
Koerth and into Czech by Zdeka Pstkova.

SPRING, SPRING , Op. 128


[ Ve s na, Vesna]
1967
Song for bass and piano
Text by Alexander Pushkin (from Evgeni Onegin)
(Andante)
Duration: 2
First performance: November 1979, Leningrad
Evgeni Nesterenko (bass) Evgeni Shenderovich (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 94
The work was only discovered after the composers death. According to Derek C.
Hulme Shostakovich intended to compose four songs on texts by Pushkin in additi-
on to those of Opp. 46 and 91 to complete a cycle of twelve Pushkin songs. There
is also an orchestrated version by Gennadi Rozhdestvensky.

201
CHRONOLOGICAL LIST OF WORKS
CONCERTO FOR VIOLIN AND ORCHESTRA NO . 2
in C sharp minor, Op. 129
Repino, 18 May 1967
Dedicated to David Fyodorovich Oistrakh
1. Moderato Pi mosso Allegretto Moderato
2. Adagio (attacca)
3. Adagio Allegro
2(picc).2.2.3(db bn) 4.0.0.0 timp. tom-t. strings (16/14/12/12/10[including
five-stringed basses])
Duration: 29
First performance: 26 September 1967, Moscow, Large Hall of the Conservatoire
David Oistrakh (violin) Moscow Philharmonic Orchestra Kirill Kondrashin (con-
ductor). This premire was preceded by an unofficial performance on 13 Septem-
ber in Bolshevo, near Moscow.
Muzyka Collected Works: Vol. 14 (score), Vol. 15 (piano score by the composer)
DSCH New Collected Works: Vol. 44 (score), Vol. 45 (piano score by the composer)
Violin part edited by David Oistrakh. Composed as a gift for Oistrakhs 60th birth-
day although it was actually the dedicatees 59th birthday. Vol. 44 of DSCH New
Collected Works prints in its appendix a score fragment of a composition for violin
and orchestra (3[picc].3[cor anglais].4[Eb clar, bass clar].2[db bn] 4.3.3.1 timp.
side dr. bass dr. strings). This piece in F sharp minor (138 bars without tempo in-
dication) seems to be a discarded first version of the first movement of Op. 129.
See Sonata Op. 134

FUNERAL -TRIUMPHAL PRELUDE , Op. 130


[Traurno-Triumfalnaya Prelyudiya pamyati geroev Stalingradskoi bitvy]
1967
In memory of the heroes of the battle of Stalingrad
(Adagio)
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc (side dr, bass dr, cym). strings
additional brass section: 2-4 cornets, 3-6 trumpets, flugelhorns (alto, tenor,
baritone [2-4/2-4/2-4]), 2-4 tubas
Duration: 2
First performance: 24 October 1967, Moscow
USSR State Symphony Orchestra Evgeni Svetlanov (conductor)
Muzyka Collected Works: Vol. 11 (score)
DSCH New Collected Works: Vol. 36 (score)
According to Derek C. Hulme the first performance took place in October 1967
in Volgograd (Stalingrad). Also known as Poem of Mourning and Triumph and
Prelude Stalingrad. The context of the origins of Op. 130 is similar to the one of
Novorossiisk Chimes, 1961.

202
CHRONOLOGICAL LIST OF WORKS
OCTO BER , Op. 131
[ O k tyabr]
Symphonic poem for orchestra
Moscow/Belovezhskaya Forest, 10 August 1967
One movement: Moderato Allegro
3(picc).3(cor anglais).3.3(db bn) 4.3.3.1 timp. perc (side dr, cym). strings
Duration: 13
First performance: 16 September 1967, Moscow, Large Hall of the Conservatoire
USSR State Symphony Orchestra Maxim Shostakovich (conductor)
Muzyka Collected Works: Vol. 11 (score)
DSCH New Collected Works: Vol. 36 (score), Vol. 37 (piano score)
According to some sources Op. 131 was composed for the Fiftieth Anniversary of
the October Revolution. Krzysztof Meyer gives 16 or 26 October for the premire.
The work is partly based on the Partisan Song from Volochayevka Days, Op.
48. a r r a n g e m e n t s : for piano four hands by the composer for band by Daniil
Braslavsky for brass orchestra by A. Seerden.

203
CHRONOLOGICAL LIST OF WORKS
SOFIA PEROVSKAYA , Op. 132
November 1967
Music to the film
Produced by Mosfilm Evgeni Gabrilovich, Lev Arnshtam (scenario) Lev Arnshtam
(director) Alexander Shelenkov, Yu-Lan Chen (camera men) S. Menyalshchi-
kov, S. Valyushok (set designers) B. Vengerovsky (sound editor). First showing:
6 May 1968
1. March (Allegretto)
2. The Execution (Allegretto)
3. [No. 1] (Allegro)
4. [No. 3] (Allegretto)
5. Waltz [Tempo di Valse]
6. [No. 4] (Moderato)
7. [No. 5] Duel (Moderato)
8. [No. 7] The Village (Andante)
9. [No. 8] Voronezh (Moderato)
10. [No. 9] (Andante)
11. [No. 10] (Allegro)
12. [No. 11] (Allegro)
13. [No. 12] (Moderato)
14. [No. 13] The Dream (Adagio)
15. [No. 14] (Allegro)
16. [No. 15] (Adagio)
3(picc).2.2.2 4.2.3.1 timp. perc (side dr, bass dr, cym, bells, xyl). harp.
cel. piano. strings female choir (in No. 8, The Village) 6 flugelhorns (alto,
tenor, baritone [2/2/2]), 2 tubas
cast: Sofia Perovskaya (Alexandra Nazarova) Andrei Zhelyabov (Viktor
Tarasov) Nikolai Kibalchich (Boris Khmelnitsky) Timofei Mikhailov (Ale-
xander Lukyanov) Nikolai Rysakov (Vladimir Kolokoltsev) Gesya Helfman
(Ekaterina Raikina) Vera Figner (Tamara Abrosimova) Ignati Grinevitsky
(Georgi Taratorkin) Sofias mother (K. Golovko) Sofias father (G. Kirillov)
Alexander II (Vladislav Strzhelchik) Count Mikhail Loris-Melikov (Efim Ko-
pelyan) Presiding judge (Boris Bibikov) Public prosecutor (Alexei Golovin)
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 144 (score)
Derek C. Hulme gives January 1968 as the date for the first showing. The autograph
score is preserved at the Shostakovich family archives, a manuscript score and
orchestral parts at the Music Library of the State Cinematography Symphony Or-
chestra, Vol. 42 of Muzyka Collected Works prints a selection (listed above). Erna
Meskhishvilis listing of the musical items from Op. 132 is only slighly divergent
from Muzyka Collected Works, Vol. 42.

204
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 12 in D flat major, Op. 133
Repino, 11 March 1968
Dedicated to Dmitri Mikhailovich Tsyganov
1. Moderato Allegretto Moderato Allegretto Moderato Allegretto
2. Allegretto Adagio Moderato Adagio Moderato Allegretto
Duration: 27
First performance: 14 September 1968, Moscow, Small Hall of the Conservatoire
The Beethoven String Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Dru-
zhinin, Sergei Shirinsky)
Muzyka Collected Works: Vol. 36
DSCH New Collected Works: Vol. 103
The official premire was preceded by a performance on 14 June 1968 at the
Moscow USSR Composers Club. According to Erna Meskhishvili Op. 133 was
performed for the first time by the Beethoven String Quartet in the Leningrad Glinka
Hall on 28 May 1968. a r r a n g e m e n t s : for piano four hands by Anatoli Dmitriev
for two pianos by Dmitri Tsyganov.

SONATA for violin and piano in G major, Op. 134


Repino/Shukovka,
26 August - 23 October 1968
Dedicated to David Fyodorovich Oistrakh
1. Andante
2. Allegretto
3. Largo Andante Largo
Duration: 31
First (public) performance: 3 May 1969, Moscow, Small Hall of the Conservatoire
David Oistrakh (violin) Svyatoslav Richter (piano)
Muzyka Collected Works: Vol. 38
DSCH New Collected Works: Vol. 107
The Sonata was composed for David Oistrakhs sixtieth birthday. Originally the
Violin Concerto, Op. 129, was conceived for this occasion, but the composer
had been a year too early. a r r a n g e m e n t s : for violin and orchestra by Krzysztof
Meyer (Sonata for violin and orchestra, Op. 86 2[picc].2.2[bass cl].2[db bn]
2.0.0.0 perc. harp. strings) for violin, string orchestra and percussion by Mikhail
Zinman and Andrei Pushkarev for violoncello and piano by Norbert Hilger.

205
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 14 in G minor, Op. 135
Moscow, 21 January - 2 March 1969
for soprano, bass and chamber orchestra
Texts by Federico Garca Lorca (Nos. 1 and 2), Guillaume Apollinaire (Nos. 3-8), Wil-
helm Kchelbecker [Vilgelm Kyukhelbeker] (No. 9), and Rainer Maria Rilke (Nos.
10-11). Russian translations by Inna Tynyanova (No. 1), Anatoli Geleskul (No. 2),
Mikhail Kudinov (Nos.3-8) and Tamara Silman (Nos. 10 and 11)
Dedicated to Benjamin Britten
1. De Profundis (Adagio)
2. Malaguea (Allegretto) attacca
3. Lorelei (Allegro molto) attacca
4. The Suicide (Adagio)
5. On Watch (Allegretto) attacca
6. Madam, look! (Adagio) attacca
7. At the Sant Prison (Adagio)
8. The Zaporozhian Cossacks Reply to the Sultan of Constantinople (Allegro)
attacca
9. O Delvig, Delvig! (Andante)
10. The Death of the Poet (Largo) attacca
11. Conclusion (Moderato)
perc (cast, whip, wood bl, tom-t, bells, xyl, vibr). cel. strings (10/0/4/3/2[five
strings])
Duration: 47
First performance: 29 September 1969, Leningrad, Glinka Hall
Galina Vishnevskaya (soprano) Evgeni Vladimirov (bass) Moscow Chamber Or-
chestra Rudolf Barshai (conductor)
Muzyka Collected Works: Vol. 8 (score), Vol. 9 (vocal score by the composer)
DSCH New Collected Works: Vol. 14 (score), Vol. 29 (vocal score by the composer)
According to Krzysztof Meyer Op. 135 was premiered on 21. January 1969 in
Moscow with Mark Reshetin instead of Evgeni Vladimirov. The first performance
was preceded by a public rehearsal on 21 June 1969 in the Small Hall of the Con-
servatoire with Margarita Miroshnikova singing the soprano part. For publication in
Germany (1970), Shostakovich revised the vocal line of No. 10 to fit Rilkes original
German text. Translations: into English by Martin Cooper, Igor Buketoff and Valeria
Vlazinskaya into German by Jrg Morgener and by Waltraut Levine. A version
of Op. 135 with poems in their original languages, prepared by Jrg Morgener on
behalf of Dietrich Fischer-Dieskau, was approved by the composer in 1971.

206
CHRONOLOGICAL LIST OF WORKS
CONCERTO FOR VIOLONCELLO AND ORCHESTRA
[ b o r i s t i s h c h e n k o (1939-2010)]
1969
Reorchestration
4(picc).2(cor anglais).2.2 0.0.0.0 perc (tom-t, wood bl, bells, xyl). harmo-
nium, strings (16/14/12/10/8)
Duration: 26
DSCH New Collected Works: Vol. 147 (score)
Tishchenkos Concerto from 1963 was originally orchestrated for 17 wind instru-
ments, percussion and harmonium.

QUIET FLOWS THE DON


[ Ti k hi Don]
1965 - 1970 (?)
Chamber opera after Mikhail Sholokhovs novel
Reports appeared in the Soviet press between the indicated dates according to
which Shostakovich was at work on this piece, but it is most likely that he never
actually worked on Quiet Flows the Don.

207
CHRONOLOGICAL LIST OF WORKS
LOYALTY , Op. 136
[ Ve r nost]
Repino, 13 February 1970
Eight ballads for male choir a cappella
Texts by Evgeni Dolmatovsky
Dedicated to Gustav Gustavovich Ernesaks
1. As From Time Immemorial [Kak v nesapamyatnom godu] (Moderato)
2. The People Believed in a Flame [Lyudi verili v plamya] (Allegretto)
3. The Great Name [Velikoe imya] (Allegretto)
4. The Banner of the Revolution [Revoluyutsii snamya] (Allegretto)
5. The Difficult Search for Beauty [Trudny poisk krassoty] (Allegro non troppo)
6. I Wish to Learn Everything About Him [Ya vsyo o nyom khochu usnat] (Adagio)
7. This is How the People Were [Tak vot kakie lyudi byli] (Andante)
8. On Meetings of the Young Generations [Na vstrechakh yunykh pokoleniy]
(Allegretto)
Duration: 25
First performance: 5 December 1970, Tallinn, Estonia Concert Hall
State Academic Male Choir of Estonia Gustav Ernesaks (conductor)
Muzyka Collected Works: Vol. 34
DSCH New Collected Works: Vol. 86
The title has been variously translated: Faith, Truth and Correctness. The piece
was written for the celebrations of the centenary of Lenins birth and was awarded,
together with String Quartet No. 14, Op. 142, the Glinka State Prize, First Class, in
1974. According to Sofia Khentova Op. 136 was composed between 25 February
and 9 June in Kurgan.

208
CHRONOLOGICAL LIST OF WORKS
KING LEAR , Op. 137
[ K o r ol Lir]
Moscow/Leningrad/Repino, April - 27 July 1970
Music to the film in two parts
Produced by Lenfilm Grigori Kozintsev (scenario, after Boris Pasternaks transla-
tion of William Shakespeares play, and direction) Jonas Gritsius (camera man) Ev-
geni Enei, Vsevolod Ulitko (set designers) Solomon Virsaldze (costume designer)
Eduard Vanunts (sound editor) Leningrad Philharmonic Orchestra Dzhemal-
Eddin Dalgat, Nikolai Rabinovich (conductors). First showing: 4 February 1971
1. [No. 1] Horn of the Beggars Leader
2. [No. 2] Horn of the Beggars Leader
3. [No. 3] Departure of the Kings Retinue (Allegro)
4. [No. 4] Edmund gives the Command to the Attack (Allegro)
5. [No. 5] Edmund gives the Order for the Duel (Allegro)
6. [No. 6] Answering to Edgars Signals
7. [No. 7] The Fools Bells (Allegretto)
8. [No. 8] The Fools Shawm (Moderato)
9. [No. 9] Hunting Horn (Allegro)
10. [No. 10] Deaths Call (Adagio)
11. [No. 50] Introduction (Passage of Time) (Adagio)
12. [No. 51] First Sighting of Lears Castle (Adagio)
13. [No. 52] (Moderato)
14. [No. 53] Beginning of the Catastrophe (Adagio)
15. [No. 54] The Voice of Truth (Adagio)
16. [No. 55] The Storm (Moderato)
17. [No. 56] Lamentation (Adagio)
18. [No. 57] The Storm (Beginning) (Adagio)
19. [No. 58] Dinner at Gonerils (Allegretto)
20. [No. 70] Ending of the Tableau King Lear. Finale (Moderato)
3(picc).2.3(Eb cl).2 4.3.3.1 timp. perc (tamb, side dr, cym, tam-t, glsp, xyl).
harp. strings mixed choir
cast: King Lear (Jri Jrvet) Goneril (Elza Radzinya-Szolkonis) Regan
(Galina Volchek) Cordelia (Valentina Shendrikova) The Fool (Oleg Dal)
Gloster (Karlis Sebris) Edgar (Leonhard Merzin) Edmund (Regimantas
Adomaitis) Kent (Vladimir Emelyanov) Cornwall (Alexander Vokach) Al-
bany (Donatas Banionis) Oswald (Alexei Petrenko) King of France (Juozas
Budraitis)
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 144 (score)
The autograph score of Op. 137 is preserved at the Shostakovich family archives
and consists of 70 short numbers, Vol. 42 of Collected Works prints a selection of
20 numbers, while the Fools Songs (translated by Samuil Marshak) appear in Vol.
27 (full score) and Vol. 28 (vocal score). A piece from the film music, for choir a
cappella, entitled Peoples Lamentation (Adagio, without text), is printed in Mu-
zyka Collected Works Vol. 34 as well as in DSCH New Collected Works, Vol 86.
209
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 13 in B flat minor, Op. 138
10 August 1969- Kurgan, 10 August 1970
Dedicated to Vadim Vasilievich Borisovsky
One movement: Adagio Doppio movimento Tempo I
Duration: 18
First performance: 13 December 1970, Leningrad, Glinka Concert Hall
The Beethoven String Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Dru-
zhinin, Sergei Shirinsky)
Muzyka Collected Works: Vol. 36
DSCH New Collected Works: Vol. 104, Vol. 105 (piano score by the composer)
There are deviating data concerning the time of composition given for the pre-
sent work. While Derek C. Hulme gives the above mentioned data (supported by
Elizabeth Wilson), Krzysztof Meyer states that Op. 138 was composed during the
month of August 1970 and finished at Listvyanka (near Irkutsk) on 10 August 1970.
a r r a n g e m e n t s : piano score by the composer for piano four hands by Anatoli
Dmitriev for viola and strings by Alexander Chaikovsky.

MARCH OF THE SOVIET MILITIA , Op. 139


[ M a rsh sovetskoi militsii]
Moscow, October 1970
for military band
Commissioned by Nikolai Shchelokov, USSR Minister of Internal Affairs
1.0.3.0 3.2.2 cornets.2 alto horns.3 tenor horns.baritone.3.2 timp. perc
(tgl, side dr, bass dr, cym)
Duration: 2
First performance: 10 November 1970, Moscow
Orchestra of the Soviet Militia N. Zolotaryov (conductor)
DSCH New Collected Works: Vol. 32 (score)
According to the composers son Maxim Op. 139 was dedicated to Mikhail Mikhai-
lovich Zoshchenko, whereas the commentary of Vol. 32 of DSCH New Collected
Works states that there is no dedication at all. The work was awarded the First Prize
of the All-Union Literature and Arts Competition in 1970.

210
CHRONOLOGICAL LIST OF WORKS
INTERVISION
[ I n t ervidenie]
Moscow, 1971
Orchestral fragment of six bars for the Soviet Television
(Moderato maestoso)
3(picc).3.3.3(db bn) 4.3.3.1 timp. perc (tgl, cym). strings
First performance: March 1971
Muzyka Collected Works: Vol. 42 (score)
DSCH New Collected Works: Vol. 35 (score)

SIX ROMANCES ON words by W. RAL EIGH , R . BURNS AND


W. SHAKESPEARE , Op. 140
[ S h e st romansov na slova U. Raleya, R. Byornsa i U . S h e k s p i r a ]
1971
Version for bass and chamber orchestra of Op. 62 (1942)
Texts by Sir Walter Raleigh (No. 1), Robert Burns (Nos. 2-4), William Shakespeare
(No. 5) and traditional nursery rhyme (No. 6). Translations by Boris Pasternak (Nos.
1 and 5) and Samuil Marshak (Nos. 2-4, 6)
1. The Wood, the Weed, the Wag (To a Son) (Largo)
2. O, Wert Thou in the Cauld Blast (Moderato)
3. McPherson before His Execution (McPhersons Farewell) (Allegretto)
4. Jenny (Comin thro the Rye) (Moderato)
5. Sonnet LXVI (Tyrd with all these) (Lento)
6. The Kings Campaign (The Grand Old Duke of York or The King of France
went up the Hill) (Allegretto)
1(picc).0.0. 1 2.0.0.0 timp. perc (tgl, cym, bells). cel. strings (5/5/4/3/2[five-
stringed basses])
Duration: 14
First performance: 30 November 1973, Moscow, Large Hall of the Conservatoire
Evgeni Nesterenko (bass) Moscow Chamber Orchestra Rudolf Barshai (con-
ductor)
Muzyka Collected Works: Vol. 31 (score)
DSCH New Collected Works: Vol. 88 (score)
The cycle is also known as Six Romances on Verses by British Poets or Six Ro-
mances on Verses by English Poets. English translation by Felicity Ashbee.
For the versions for bass and piano and for bass and symphony orchestra, see

Op. 62 and 62a

211
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 15 in A major, Op. 141
Kurgan/Repino, 2 April - 29 July 1971
1. Allegretto
2. Adagio Largo Adagio Largo
3. Allegretto
4. Adagio Allegretto Adagio Allegretto
3(picc).2.2.2 4.2.3.1 timp. perc (tgl, whip, cast, wood bl, tom-t, side dr,
bass dr, cym, tam-t, glsp, xyl, vibr). cel. strings (16/14/12/12/10)
Duration: 45
First performance: 8 January 1972, Moscow, Large Hall of the Conservatoire
All-Union Radio and Television Symphony Orchestra Maxim Shostakovich (con-
ductor)
Muzyka Collected Works: Vol. 8 (score)
DSCH New Collected Works: Vol. 15 (score), Vol. 30 (arrangement for two pianos by the com-
poser)
The first movement quotes the Allegro section from Gioachino Rossinis Guillaume
Tell Overture. The fate motive from Richard Wagners Gtterdmmerung and the
melody of Mikhail Glinkas song Do not tempt me needlessly appear in the final
movement. a r r a n g e m e n t s : for two pianos by the composer (4 January 1972)
for violin, violoncello, piano and percussion by Viktor Derevyanko.

SERENADE [ g a e ta n o b r a g a (1829 - 1907)]


September 1972
Arrangement of the Leggenda valacca (Angels Serenade) for soprano, mezzo-
soprano, violin and piano
Text: Marco Marcello, translated by Alexandra Gorchakova
DSCH New Collected Works: Vol. 146 (score)
This piece was conceived for a projected opera The Black Monk after Anton
Chekhovs story in which Bragas Leggenda plays a crucial role. According to
Olga Digonskaya the piece was performed for the first time in Shostakovichs
Moscow appartment in late 1972 or early 1973 with Galina Pisarenko (soprano),
K. Morgunova (mezzo-soprano), Oleg Kagan (violin), Elisaveta Leonskaya (piano),
and Dmitri Fershtman (violoncello, doubling the bass notes of the piano part).
Serenade was published along with Shostakovichs sketches for a libretto of The
Black Monk by DSCH in 2006 (not identical with DSCH New Collected Works,
Vol. 146) prefaced by an essay of Olga Digonskaya reflecting the composers long
lasting attempts to write an opera on Chekhovs story.

212
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 14 in F sharp major, Op. 142
Repino/Moscow,
23 March - 23 April 1973
Dedicated to Sergei Petrovich Shirinsky
1. Allegretto
2. Adagio
3. Allegretto
Duration: 27
First performance: 12 November 1973, Leningrad, Glinka Concert Hall
The Beethoven String Quartet (Dmitri Tsyganov, Nikolai Zabavnikov, Fyodor Dru-
zhinin, Sergei Shirinsky)
Muzyka Collected Works: Vol. 36
DSCH New Collected Works: Vol. 104
The violoncello part is given a privileged treatment as if to emphasize the dedi-
cation of the composition to Shirinsky. For the same reason a melodic line from
the opera Katerina Izmailova matching the heroines words Seryosha, my dear,
my dear is quoted. The work was awarded, together with Loyalty, Op. 136,
the Glinka State Prize, First Class, in 1974. arrangement for piano four hands by
Anatoli Dmitriev.

SIX POEMS OF MARINA TSVETAEVA , Op. 143


[ S h e st stikhotvorenii Mariny Tsvetaevoi]
Pyarn (Estonia), 31 July - 7 August 1973
Vocal cycle for contralto and piano
Dedicated to Irina Petrovna Bogachova
1. My Poems (Largo)
2. Whence Such Tenderness? (Allegretto)
3. Hamlets Dialogue with His Conscience (Largo)
4. The Poet and the Tsar (Moderato)
5. Not a Drum Was Heard ... (Allegretto)
6. To Anna Akhmatova (Largo)
Duration: 20
First performance: 30 October 1973, Leningrad, Large Hall of the Leningrad Phil-
harmonic
Irina Bogachova (contralto) Sofia Vakman (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 92
Krzysztof Meyer states that the first performance took place on 27 December whe-
reas Derek C. Hulme and Erna Meskhishvili give 12 November. Translations into
English by Felicity Ashbee and Jane May, into German by Jrg Morgener. a r r a n -
g e m e n t for contralto and string quartet by Lera Auerbach.

213
CHRONOLOGICAL LIST OF WORKS
ST. PETERS B URG DAYS
[ P e t erburgskie dni]
1973
Music to the film (unfinished)
Grigori Kozintsev (direction) scenario after Gogol
Work on St. Petersburg Days was abandoned after Kozintsevs death in May
1973.

SIX POEMS OF MARINA TSVETAYEVA , Op. 143a


[ S h e st stikhotvorenii Mariny Tsvetaevoi]
Repino, 9 January 1974
Version for contralto and small orchestra
2.0.0.2 2.0.0.0 timp. perc (side dr, bells, xyl). cel. strings (6/4/4/3/2)
First performance: 6 June 1974, Moscow, Large Hall of the Conservatoire
Irina Bogachova (contralto) Moscow Chamber Orchestra Rudolf Barshai (con-
ductor)
Muzyka Collected Works: Vol. 31 (score)
DSCH New Collected Works: Vol. 89 (score)

214
CHRONOLOGICAL LIST OF WORKS
STRING QUARTET NO . 15 in E flat minor, Op. 144
Repino/Moscow, 17 May 1974
1. Elegy (Adagio) attacca
2. Serenade (Adagio) attacca
3. Intermezzo (Adagio) attacca
4. Nocturne (Adagio) attacca
5. Funeral March (Adagio) attacca
6. Epilogue (Adagio Adagio molto Adagio Adagio molto Adagio Adagio
molto Adagio Adagio molto)
Duration: 37
First performance: 15 November 1974, Leningrad, Glinka Concert Hall
The Taneyev Quartet (Vladimir Ovcharek, Grigori Lutsky, Vissarion Soloviev, Iosif
Levinzon)
Muzyka Collected Works: Vol. 36
DSCH New Collected Works: Vol. 104
According to Krzysztof Meyer the work was premiered on 14 November 1975.
After the unexpected death of Sergei Shirinsky, the cellist of the Beethoven String
Quartet, on 18 October 1974 Shostakovich invited the Taneyev Quartet to premie-
re his Fifteenth String Quartet. The Moscow premire was given by the Beethoven
String Quartet on 11 January 1975 with the replacement cellist Evgeni Atman. Erna
Meskhishvili mentiones that Op. 144 is dedicated to Sergei Petrovich Shirinsky and
was performed for the first time on 25 October. a r r a n g e m e n t s : for piano four
hands by Anatoli Dmitriev for saxophone quartet by Johan van der Linden for
string orchestra Requiem for Strings by Misha Rakhlevsky, Epilogue for Strings by
Lev Markiz and by Hartmut Haenchen.

215
CHRONOLOGICAL LIST OF WORKS
SUITE ON verses OF MICHELANGELO BUONARROTI, Op. 145
[ S y uita na slova Mikelandzhelo Buonarroti]
31 July 1974
for bass and piano
Translations by Abram Efros. The titles were added by Shostakovich.
Dedicated to Irina Antonovna Shostakovich
1. Truth (Sonnet III to Pope Julius II) (Adagio)
2. Morning (Sonnet XX) (Allegretto)
3. Love (Sonnet XXV) (Allegretto)
4. Separation (Madrigal Com ar dunque ardire) (Moderato)
5. Anger (Sonnet IV on Rome in the Pontificate of Julius II) (Allegro non troppo)
6. Dante (Sonnet I on Dante Alighieri) (Moderato)
7. To the Exile (Sonnet II on Dante Alighieri) (Largo)
8. Creativity (Sonnet LXI on the death of Vittoria Colonna) (Moderato)
9. Night (Dialogue between Giovanni Strozzi and the Sculptor) (Andante)
10. Death (Sonnet LXIX) (Adagio)
11. Immortality (Epitaph for Cecchino Bracci Fiorentino Epigrams Nos. 14 and 12
(Allegretto)
Duration: 40
First performance: 23 December 1974, Leningrad, Glinka Concert Hall
Evgeni Nesterenko (bass) Evgeni Shenderovich (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 96
Also translated as Suite on Texts of Michelangelo Buonarroti. Shostakovich said that
his Op. 145 cycle was inspired by the fivehundredth anniversary of Michelangelos
birth (1975). Andrei Voznesenskys revision of Efros translation commissioned by
the composer was not used. English translations by Sarah and Eric Walter White
and by Felicity Ashbee, German version by Jrg Morgener. Three bars of the tenth
movement, Death of the Poet, from Symphony No. 14, Op. 135 are quoted in No.
9, Night. No. 11, Immortality, makes use of a theme from the opera The Gypsies
see Juvenilia. a r r a n g e m e n t for bass and organ by Hans Peter Eisenmann.

216
CHRONOLOGICAL LIST OF WORKS
SUITE ON verses OF MICHELANGELO BUONARROTI, Op. 145a
[ S y uta na slova Mikelandzhelo Buonrroti]
5 November 1974
Version for bass and orchestra
2(picc).2.2.2(db bn) 4.2.3.1 timp. perc (tgl, whip, wood bl, side dr, bass
dr, tam-t, bells, glsp, xyl, vibr). harp. cel. piano. strings (five-stringed basses)
Duration: 40
First performance: 31 January 1975, Moscow, Large Hall of the Conservatoire
Evgeni Nesterenko (bass) USSR Radio and Television Orchestra Maxim Shosta-
kovich (conductor)
Muzyka Collected Works: Vol. 31 (score)
DSCH New Collected Works: Vol. 90 (score)

FOUR VERSES OF CAPTAIN LE BYADKIN , Op. 146


[ C h etyre stikhotvoreniya kapitana Lebyadkina]
Moscow, 23 August 1974
for bass and piano
Texts by Fyodor Dostoyevsky from The Devils
1. The Love of Captain Lebyadkin (Allegretto)
2. The Cockroach (Moderato)
3. The Charity Ball for the Governesses (Allegretto)
4. A Pure Soul (Allegretto)
Duration: 10
First performance: 10 May 1975, Moscow, Small Hall of the Conservatoire
Evgeni Nesterenko (bass) Evgeni Shenderovich (piano)
Muzyka Collected Works: Vol. 33
DSCH New Collected Works: Vol. 96
Krzysztof Meyer states that Op. 146 was completed in 1975. The titles of Nos. 1-3
are Shostakovichs own. In addition to the poem itself some prose conversation is
included in No. 2. According to Malcolm MacDonald the specific association of A
Pure Soul to words of Captain Lebyadkin is not evident. English translation by Joan
Pemberton Smith. a r r a n g e m e n t for bass and chamber orchestra (2[2picc].2[cor
anglais].2[Eb clar].2[db bn] 2.1.1.1 perc [tgl, rattle, guiros, whip, wood bl,
tamb, side dr, tenor dr, bass dr, cym, tam-t, glsp, xyl). harp. accordion. cel. piano.
strings [1/1/1/1/1]) by Geert van Keulen.

217
CHRONOLOGICAL LIST OF WORKS
SONG OF THE FLEA [ l u d w i g va n b e e t h o v e n (1770 - 1827)]
[ P e s nya Mefistofelya o blokhe]
January 1975
Arrangement for bass and orchestra from Beethovens Six Songs Op. 75,
No. 3 (Es war einmal ein Knig)
Text by Johann Wolfgang von Goethe (from Faust) translated by Alexander Stru-
govchikov
(Poco allegretto)
3(picc).2.2.2 2.0.0.0 strings
Duration: 3
First performance: 1 April 1975, Leningrad, Large Philharmonic Hall
Evgeni Nesterenko (bass) Leningrad Philharmonic Orchestra Yuri Kochnev (con-
ductor)
DSCH New Collected Works: Vol. 146 (score)
English translation by Joan Pemberton Smith. Autograph score is preserved at the
Shostakovich family archive.

SONATA for viola and piano in C major, Op. 147


Moscow, late April - 5 July 1975
Dedicated to Fyodor Serafimovich Druzhinin
1. Aria (Moderato)
2. Scherzo (Allegretto)
3. Adagio (In memory of Beethoven)
Duration: 29
First performance: 1 October 1975, Leningrad, Glinka Concert Hall
Fyodor Druzhinin (viola) Mikhail Muntyan (piano)
Muzyka Collected Works: Vol. 38
DSCH New Collected Works: Vol. 108
The second movement makes use of material from the unfinished opera The Gam-
blers, 1941-1942. a r r a n g e m e n t s : Violoncello version of the viola part by Daniil
Shafran and by Iosif Feigelson for viola and string orchestra by Mikhail Zinman
for viola, strings and celesta by Vladimir Mendelssohn for viola, wind octet
(0.2.2.2 2.0.0.0) and double bass by Dmitri Smirnov for viola, piano, strings and
percussion by Michal Kugel for viola and chamber orchestra by Bernhard Barth.

218
CHRONOLOGICAL LIST OF WORKS
SYMPHONY NO . 16
late 1975 (?)
According to reports circulating in the West shortly before Shostakovichs death,
he was said to have completed two movements of a Sixteenth Symphony. A brief
report in Soviet Weekly, April 1976, announced that Shostakovichs last work had
been performed in a completion and orchestration by Andrei Petrov. Nonetheless
no such arrangement appears in the 1980 catalogue of Petrovs own compositions
and the composers son, Maxim, reinforced that no such work was known to him.
However, Maxim Shostakovich told Evgeni Nesterenko during the rehearsals for the
Suite on Verses of Michelangelo Buonarroti, Op. 145, that his father considered
Op.145 to be his Sixteenth Symphony.

219
UN dated WORKS
C h i k-achi
[ C h i k-achi]
for piano
The existence of this piece is only testified by an entry in Erna Meskhishvilis No-
togrficheski spravochnik under Undated works from later years. According to
Meskhishvili, the autograph is preserved at the State Central Glinka Museum.

g a lop and lull aby


[ G a l op i Kolybelnaya]
for orchestra (unfinished)
Score and piano score preserved at the State Central Glinka Museum.

MURZ ILKA
[ M u rzilka]
for piano
(Allegretto)
Duration: 1
Muzyka Collected Works: Vol. 39
DSCH New Collected Works: Vol. 109
According to Muzyka Collected Works Vol. 39 the date of composition of Murzil-
ka is not certain judging by stylistic features Shostakovich composed the present
piece between 1944 and 1952, probably for his own children.

p i a no fugues
[ F o r tepiannye fugi]
DSCH Publishers announce for the 111th Volume of their New Collectected Works
a number of not specified fugues for piano from the 1930s.

p r e lude
[ P r e lyudiya]
for piano
(Allegro moderato e scherzando)
Autograph preserved at the State Central Glinka Museum.

220
UN dated WORKS
S o ngs
[ P e s ni]
DSCH Publishers announce for the 97th Volume of their New Collected Works a
number of unspecified songs.

s e r enade, lullab y and scher zo


[ S e r enada, Kolybelnaya i Skertso]
for piano
Autograph preserved at the State Archives of Literature and Art.

SYMPHONY NO . 10 [ g u s tav m a h l e r (1860 - 1911)]

Arrangement for piano four hands of the second movement (Andante) (unfinished)
DSCH New Collected Works: Vol. 115
Two undated copies are preserved at the State Central Glinka Museum.

221
systematic i n d e x o f w o r k s
s ta ge works
The Age of Gold, Op. 22.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
The Bolt, Op. 27. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Boris Godunov, Op. 58 m o d e s t m u s o r g s k y .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Bright Rivulet [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Bright Stream [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Clear Stream [ The Limpid Stream, Op. 39].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Clear Water Springs [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . 76
The Dreamers [ The Age of Gold, Op. 22].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Dynamiada [ The Age of Gold, Op. 22].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
The Gamblers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Glittering Stream [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
The Golden Age [ The Age of Gold, Op. 22]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
The Great Lightning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
The Gypsies.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Katerina Izmailova, Op. 114. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Katyusha Maslova. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Khovanshchina modest musorgsky, Op. 106. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
The Lady and the Hooligan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Lady Macbeth of Mtsensk [ Lady Macbeth of the Mtsensk District, Op. 29].. . . . . . . 60
Lady Macbeth of the Mtsensk District, Op. 29. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Limpid Brook [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
The Limpid Stream, Op. 39.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Moscow Cheryomushki, Op. 105. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Narodovoltsy.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
The Nose, Op. 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Orango. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Quiet Flows the Don.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Rothschilds Violin veniamin fleishman.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Scenes after Gogol [ The Gamblers]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Sparkling Brook [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
The Tale of the Priest and his Blockhead Servant
[ The Tale of the Priest and his Servant Balda, Opera after Op. 36]. . . . . . . . . . . . . 71

The Tale of the Priest and his Servant Balda, Oper after Op. 36. . . . . . . . . . . . . . . . . . . 71
The Twelve Chairs.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Vienna Blood [ Wiener Blut j o h a n n s t r a u s s i i ]. . . . . . . . . . . . . . . . . . . . . . . . . . 109
Wiener Blut j o h a n n s t r a u s s i i .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

222
systematic i n d e x o f w o r k s
o r chestral works
Ballet Suite No. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Ballet Suite No. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Ballet Suite No. 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Ballet Suite No. 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Ballet Suite No. 5 (Suite from The Bolt, Op. 27a). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Columbus, Op. 23.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Excursion Train Polka (Vergngungzug) johann strauss ii. . . . . . . . . . . . . . . . . . . 104
Festival Overture [ Festive Overture, Op. 96]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Festive Overture, Op. 96.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Five Entractes from Katerina Izmailova, Op. 114a.. . . . . . . . . . . . . . . . . . . . . . . . . . 190
Five Fragments, Op. 42. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
The Flame of Eternal Glory [ Novorossiisk Chimes].. . . . . . . . . . . . . . . . . . . . . . . . . 182
Funeral-Triumphal Prelude, Op. 130.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Galop and Lullaby.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
The Green Company [ Overture to The Green Company i va n d z e r z h i n s k y ]. . . . 45
The Green Guild [ Overture to The Green Company i va n d z e r z h i n s k y ]. . . . . . . 45
Hamlet Symphony [ Symphony No. 5 in D minor, Op. 47]. . . . . . . . . . . . . . . . . . . . . 89
Holiday Overture [ Festive Overture, Op. 96].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Internationale pierre degeyter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Intervision. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Lenin Symphony. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Lenin Symphony [ Symphony No. 12 in D minor, 1917, Op. 112].. . . . . . . . . . . . . 184
Military March in F major f r a n z s c h u b e r t .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Novorossiisk Chimes.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
October, Op. 131. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Overture on Russian and Kirghiz Folk Themes, Op. 115.. . . . . . . . . . . . . . . . . . . . . . . 192
Overture to The Green Company i va n d z e r z h i n s k y . . . . . . . . . . . . . . . . . . . . . . . . 46
Overture to The Green Guild
[ Overture to The Green Company i va n d z e r z h i n s k y ]. . . . . . . . . . . . . . . . . . . 46

Piano Sonata No. 8 in C minor, Pathtique, Op. 13 l u d w i g va n b e e t h o v e n .. . . . . 16


Piano Sonata No. 32 in C minor, Op. 111 l u d w i g va n b e e t h o v e n . . . . . . . . . . . . . . 16
Pleasure Train Polka [ Vergngungszug]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Poem of Mourning and Triumph [ Funeral-Triumphal Prelude, Op. 130]. . . . . . . . . 202
Prelude Stalingrad [ Funeral-Triumphal Prelude, Op. 130].. . . . . . . . . . . . . . . . . . 202
Scherzo in F sharp minor, Op. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Scherzo in E flat major, Op. 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

223
systematic i n d e x o f w o r k s
o r chestral works [ c o n t i n u e d ]
Suite for Jazz Orchestra No. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Suite for Jazz Orchestra No. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Suite for Variety Orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Suite for Variety Orchestra No. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Suite from A Year is Like a Lifetime, Op. 120a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Suite from Five Days Five Nights, Op. 111a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Suite from Golden Mountains, Op. 30a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Suite from Hamlet, Op. 32a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Suite from Hamlet, Op. 116a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Suite from Lady Macbeth of the Mtsensk District, Op. 29a. . . . . . . . . . . . . . . . . . . . . 62
Suite from New Babylon, Op. 18a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Suite from Pirogov, Op. 76a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Suite from The Age of Gold, Op. 22a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Suite from The Bedbug, Op. 19a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Suite from The Bolt, Op. 27a (Ballet Suite No. 5). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Suite from The Gadfly, Op. 97a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Suite from The Limpid Stream, Op. 39a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Suite from the Maxim Trilogy, Op. 50a .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Suite from The Tale of the Priest and His Servant Balda, Op. 36a. . . . . . . . . . . . . . . . 71
Suite from The Unforgetable Year 1919, Op. 89a.. . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Suite from The Young Guard, Op. 75a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Suite from Zoya, Op. 64a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Symphonic Movement (1934). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Symphonic Movement (1945). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Symphony No. 1 in F minor, Op. 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Symphony No. 3 in E flat major, The First of May, Op. 20.. . . . . . . . . . . . . . . . . . . . . . 33
Symphony No. 4 in C minor, Op. 43.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Symphony No. 5 in D minor, Op. 47.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Symphony No. 6 in B minor, Op. 54.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Symphony No. 7 in C major, Leningrad, Op. 60. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Symphony No. 8 in C minor, Op. 65.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Symphony No. 9 in E flat major, Op. 70. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Symphony No. 10 in E minor, Op. 93. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Symphony No. 11 in G minor, The Year 1905, op. 103.. . . . . . . . . . . . . . . . . . . . . . . 172
Symphony No. 12 in D minor, 1917, Op. 112.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Symphony No. 15 in A major, Op. 141. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212

224
systematic i n d e x o f w o r k s
o r chestral works [ c o n t i n u e d ]
Symphony No. 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Tahiti Trot, Op. 16 v i n c e n t y o u m a n s .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Tea for Two [ Tahiti Trot, Op. 16].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Theme with Variations in B flat major, Op. 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Three Pieces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Train of Joy [ Vergngungszug]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Vergngungszug (Excursion Train Polka) j o h a n n s t r a u s s i i 1 104
Waltzes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170

c o ncertos
Concerto for Piano and Orchestra No. 1
[ Concerto for Piano, String Orchestra and Trumpet in C minor, Op. 35]. . . . . . . . 65

Concerto for Piano and Orchestra No. 2 in F major, Op. 102. . . . . . . . . . . . . . . . . . . 171
Concerto for Piano, String Orchestra and Trumpet in C minor, Op. 35. . . . . . . . . . . . . 65
Concerto for Violin and Orchestra No. 1 in A minor, Op. 77.. . . . . . . . . . . . . . . . . . . 132
Concerto for Violin and Orchestra No. 2 in C sharp minor, Op. 129. . . . . . . . . . . . . . 202
Concerto for Violoncello and Orchestra b o r i s t i s h c h e n k o .. . . . . . . . . . . . . . . . . . 207
Concerto for Violoncello and Orchestra in A minor r o b e rt s c h u m a n n , Op. 125. . 191
Concerto for Violoncello and Orchestra No. 1 in E flat major, Op. 107.. . . . . . . . . . . 178
Concerto for Violoncello and Orchestra No. 2 in G major, Op. 126. . . . . . . . . . . . . . 200
Concerto Movement (from Op. 89a, No. 5). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Piano Concerto en miniature (from Op. 89a, No. 5).. . . . . . . . . . . . . . . . . . . . . . . . . . 155

w i nd orchestra / band
Ceremonial March in D flat major.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
German March. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
March of the Soviet Militia, Op. 139. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Suite from Alone, Op. 26a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Two Scarlatti Pieces, Op. 17. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

s o l o voice(s) and orchestra


Annie Laurie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Cordelias Ballad (from Op. 58a).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Cudgel.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Eight British and American Folksongs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
From Jewish Folk Poetry, Op. 79a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136

225
systematic i n d e x o f w o r k s
s o l o voice(s) and orchestra [ c o n t i n u e d ]
Hey, Lets Bang!.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
I Waited for Thee in the Grotto nikolai rimsky-korsakov. . . . . . . . . . . . . . . . . . . . 16
Six Poems of Marina Tsvetaeva, Op. 143a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Six Romances on Verses by British Poets [ Six Romances
on Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 62a/140]. . . . . . . 113/211

Six Romances on Verses by English Poets [ Six Romances

on Wors by W. Raleigh, R. Burns and W. Shakespeare, Op. 62a/140].. . . . . . . . 113/211

Six Romances on Words by Japanese Poets, Op. 21. . . . . . . . . . . . . . . . . . . . . . . . . . . . 56


Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 62a. . . . . 113
Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 140. . . . . 211
Song of the Flea l u d w i g va n b e e t h o v e n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Song of the Lantern (No. 1 from Op. 72).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Songs and Dances of Death modest musorgsky. . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Suite from The Nose, Op. 15a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Suite on Finnish Themes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Suite on Texts of Michelangelo Buonarroti
[ Suite on Verses of Michelangelo Buonarroti, Op. 145a.. . . . . . . . . . . . . . . . . . . 217

Suite on Verses of Michelangelo Buonarroti, Op. 145a. . . . . . . . . . . . . . . . . . . . . . . . 217


Symphony No. 14 in G minor, Op. 135.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Ten Songs of the Fool (from Op. 58a). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Three Romances on Poems of Pushkin, Op. 46a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Two Fables of Krylov, Op. 4 (No. 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Victorious Spring, Op. 72 (No. 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

s o l o voice (s ) , c hoir and orchestra


The Execution of Stepan Razin, Op. 119.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
From Karl Marx to Our Own Days. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Lenin Symphony. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Lullaby (No. 2 from Op. 72). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Native Leningrad, Op. 63. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Poem of the Motherland, Op. 74. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
The Song of the Forests, Op. 81. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Two Fables of Krylov, Op. 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Symphony No. 13 in B flat minor, Babi Yar, Op. 113. . . . . . . . . . . . . . . . . . . . . . . . . 186
Victorious Spring, Op. 72 (No. 2). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125

226
systematic i n d e x o f w o r k s
c h oir and orchestra
Cantata About the Party [ The Sun Shines Over Our Motherland, Op. 90].. . . . . . . 156
National Anthem (I).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Russian River, Op. 66. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Suite from Belinsky, Op. 85a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Suite from Encounter on the Elbe, Op. 80a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Suite from The Fall of Berlin, Op. 82a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Suite from The First Echelon, Op. 99a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Suite from Michurin, Op. 78a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Suite from Zoya, Op. 64a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Symphony No. 2 in B major, To October A Symphonic Dedication, Op. 14. . . . . . . 24
Symphony No. 3 in E flat major, The First of May, Op. 20.. . . . . . . . . . . . . . . . . . . . . . 33
The Sun Shines Over Our Motherland, Op. 90 (vocal score by the composer).. . . . . . 156
Two Fables of Krylov, Op. 4 (No. 2). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Two Choruses a l e x a n d e r d av i d e n k o , Op. 124. . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Unbreakable Union of Freeborn Republics [ National Anthem (I)]. . . . . . . . . . . . . . 115
Hymn of the United Nations [ Song About the Counterplan (from Op. 33)]. . . . . . . . 58

s o l o voice (s ) , c hoir and piano


A Great Day Has Come.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Antiformalistic Rayok. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
The Black Sea. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
The Execution of Stepan Razin, Op. 119 (vocal score by the composer).. . . . . . . . . . . 196
Katerina Izmailova, Op. 114 (vocal score by the composer). . . . . . . . . . . . . . . . . . . . . 188
Lullaby (No. 2 from Op. 72, vocal score by the composer). . . . . . . . . . . . . . . . . . . . . . 125
Moscow Cheryomushki, Op. 105 (vocal score by the composer). . . . . . . . . . . . . . . . . 174
Native Leningrad, Op. 63 (vocal score by the composer). . . . . . . . . . . . . . . . . . . . . . . 111
The Nose, Op. 15 (vocal score by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Oath to the Peoples Commissar [ A Great Day Has Come]. . . . . . . . . . . . . . . . . . . 107
Our Song.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Song of a Guards Division [ Song of the Regiment of the Guards]. . . . . . . . . . . . . . 107
Song of the Regiment of the Guards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Symphony No. 13 in B flat minor, Op. 113 (vocal score by the composer). . . . . . . . . . 186
Ten Russian Folksongs (Nos. 1-7, 9, 10). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
The Fearless Guards Regiments Are on the Move
[ Song of the Regiment of the Guards]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

A Toast to Our Motherland. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

227
systematic i n d e x o f w o r k s
s o l o voice (s ) , c hoir and piano [ c o n t i n u e d ]
To France!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
Two Fables of Krylov, Op. 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

c h oir and pian o


A Talk of Mine (from Op. 85, No. 2 [with clarinet]).. . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Dawn is Coming (from Encounter on the Elbe, Op. 80). . . . . . . . . . . . . . . . . . . . . . . 137
The Dawn of October (from Three Choruses).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Beautiful Day (from Op. 82, No. 5).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Girls Song
[ A Talk of Mine (from Op. 85, No. 2 [with clarinet])].. . . . . . . . . . . . . . . . . . . . . . 146

Glory to Our Soviet Motherland [ National Anthem (III)]. . . . . . . . . . . . . . . . . . . . . 115


Hymn to Moscow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
In the Fields Stand the Collective Farms (from Op. 81, No. 7). . . . . . . . . . . . . . . . . . . 140
March of Peace Champions.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
March of the Defenders of Peace [ March of Peace Champions]. . . . . . . . . . . . . . . 145
My Talk [ A Talk of Mine (from Op. 85, No. 2 [with clarinet])].. . . . . . . . . . . . . . . . . 146
National Anthem (I).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
National Anthem (II) d m i t r i s h o s ta k o v i c h / a r a m k h a c h at u r ya n . . . . . . . . . . . . 115
National Anthem (III).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Patriotic Song [ National Anthem (III)].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Peoples Might (from Op. 85, No. 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Song About the Counterplan (from Op. 33). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Song of Encounter [ Song About the Counterplan (from Op. 33)]. . . . . . . . . . . . . . . . 58
Song of Fighters for Peace [ March of Peace Champions]. . . . . . . . . . . . . . . . . . . . . 145
Song of Peace (from Encounter on the Elbe, Op. 80). . . . . . . . . . . . . . . . . . . . . . . . . 137
The Song of the Forests, Op. 81 (No. 9, arrangement by the composer). . . . . . . . . . . . 140
Song of Youth (from Op. 99a, No. 3).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Song Without Words (from Op. 85, No. 4). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Stand Fast, Our Inviolable National Shrine [ Hymn to Moscow].. . . . . . . . . . . . . . . 140
Supporters of Peace March [ March of Peace Champions]. . . . . . . . . . . . . . . . . . . . 145
Symphony No. 3 in E flat major, The First of May, Op. 20
(vocal score by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

The Tender Maiden (from Op. 99a, No. 9). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168


Ten Russian Folk Songs (No. 8). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Three Choruses for the Fortieth Anniversary of the October Revolution. . . . . . . . . . . 172
Unbreakable Union of Freeborn Republics [ National Anthem (I/II)].. . . . . . . . . . . . 115

228
systematic i n d e x o f w o r k s
c h oir and pian o [ c o n t i n u e d ]
We Cherish the October Dawns in Our Hearts (from Three Choruses ).. . . . . . . . . . 172
We Sing Glory to Our Motherland (from Three Choruses ).. . . . . . . . . . . . . . . . . . . . 172

c h oir a cappella
Cultivation [ Two Russian Folksong Adaptations, Op. 104].. . . . . . . . . . . . . . . . . . . 173
How Long Will Ache My Heart (from Op. 33). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Loyalty, Op. 136. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
My Rowan-Tree [ Oh, My Ash-Tree (from Op. 85, No. 3)].. . . . . . . . . . . . . . . . . . . . 146
Oh, My Ash-Tree (from Op. 85, No. 3). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Oh, Rowan-Tree [ Oh, My Ash-Tree (from Op. 85, No. 3)]. . . . . . . . . . . . . . . . . . . . 146
Our Native Russia Has Gained Strength from Storms.. . . . . . . . . . . . . . . . . . . . . . . . . 124
Peoples Lamentation (from Op. 137). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Song About the Counterplan (from Op. 33, for voice and choir).. . . . . . . . . . . . . . . . . . 58
Ten Poems on Texts by Revolutionary Poets
of the Late Nineteenth and Early Twentieth Century, Op. 88). . . . . . . . . . . . . . . . . 151

The Motherland Hears, the Motherland Knows


(from Op. 86, for solo voice and a cappella choir).. . . . . . . . . . . . . . . . . . . . . . . . . . 148

Two Russian Folksong Adaptations, Op. 104. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173


Vocalise (from Op. 51).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Vocalise (from Op. 82).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

v o i ce (s) and instruments


Serenade g a e ta n o b r a g a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Seven Romances on Poems of Alexander Blok, Op. 127.. . . . . . . . . . . . . . . . . . . . . . . 201

v o i ce(s) and piano


Bird of Peace j o a n s m i t h .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
The Devils. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Five Romances, Op. 98. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Five Romances on Texts from Krokodil Magazine, Op. 121. . . . . . . . . . . . . . . . . . . . 198
Four Monologues on Verses of Pushkin, Op. 91. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Four Romances on Poems of Pushkin, Op. 46.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Four Songs to Words by Evgeni Dolmatovsky, Op. 86. . . . . . . . . . . . . . . . . . . . . . . . . 148
Four Verses of Captain Lebyadkin, Op. 146. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
From Jewish Folk Poetry, Op. 79. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Greek Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

229
systematic i n d e x o f w o r k s
v o i ce(s) and piano [ c o n t i n u e d ]
Invincible Red Army [ National Anthem (IV)]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Longing for Home (from Op. 80a, arrangement by the composer). . . . . . . . . . . . . . . . 138
Madrigal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
National Anthem (I).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
National Anthem (IV). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Pictures of the Past [ Satires, Op. 109]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Preface to the Complete Edition of my Works
and a Brief Reflection Apropos of this Preface, Op. 123.. . . . . . . . . . . . . . . . . . . . . 199

Romance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Satires, Op. 109.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Six Poems of Marina Tsvetaeva, Op. 143. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Six Romances on Verses by British Poets
[ Six Romances on Words by W. Raleigh, R. Burns, and W. Shakespeare, Op. 62]. . 112

Six Romances on Verses by English Poets


[ Six Romances on Words by W. Raleigh, R. Burns, and W. Shakespeare, Op. 62]. . 112

Six Romances on Words by Japanese Poets, Op. 21a. . . . . . . . . . . . . . . . . . . . . . . . . . . 56


Six Romances on Words by W. Raleigh, R. Burns, and W. Shakespeare, Op. 62. . . . . 112
Songs of Our Days [ Five Romances, Op. 98]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Song of Peace (from Op. 80a, arrangement by the composer).. . . . . . . . . . . . . . . . . . . 138
The Song of the Forests, Op. 81 (No. 6, arrangement by the composer). . . . . . . . . . . . 140
Song of the Lantern (from Op. 72, No. 1, arrrangement by the composer). . . . . . . . . . 125
Song of the Red Army [ National Anthem (IV)]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Songs.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Spanish Songs, Op. 100.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Spring, Spring, Op. 128.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Suite on Texts of Michelangelo Buonarroti
[ Suite on Verses of Michelangelo Buonarroti, Op. 145.. . . . . . . . . . . . . . . . . . . . 216

Suite on Verses of Michelangelo Buonarroti, Op. 145. . . . . . . . . . . . . . . . . . . . . . . . . 216


Symphony No. 14 in G minor, Op. 135 (arrangement by the composer).. . . . . . . . . . . 206
There Were Kisses.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Twenty-Seven Romances and Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Two Fables of Krylov, Op. 4 (arrangement by the composer). . . . . . . . . . . . . . . . . . . . . 18
Two Madrigals [ Madrigal]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Two Romances on Verses by Mikhail Lermontov, Op. 84.. . . . . . . . . . . . . . . . . . . . . . 145
Unbreakable Union of Freeborn Republics [ National Anthem (I)]. . . . . . . . . . . . . . 115
A Walk Into the Future (from Op. 81, No. 6, arrangement by the composer). . . . . . . . 140

230
systematic i n d e x o f w o r k s
s t r ing quartet
Adagio (from Op. 29, arrangement for string quartet). . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Dresden Quartet [ String Quartet No. 8 in C minor, Op. 110]. . . . . . . . . . . . . . . . . 181
String Quartet The Unfinished. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
String Quartet No. 1 in C major, Op. 49.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
String Quartet No. 2 in A major, Op. 68.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
String Quartet No. 3 in F major, Op. 73. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
String Quartet No. 4 in D major, Op. 83.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
String Quartet No. 5 in B flat major, Op. 92. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
String Quartet No. 6 in G major, Op. 101. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
String Quartet No. 7 in F sharp minor, Op. 108. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
String Quartet No. 8 in C minor, Op. 110.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
String Quartet No. 9 in E flat major, Op. 117. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
String Quartet No. 10 in A flat major, Op. 118. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
String Quartet No. 11 in F minor, Op. 122. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
String Quartet No. 12 in D flat major, Op. 133.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
String Quartet No. 13 in B flat minor, Op. 138.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
String Quartet No. 14 in F sharp major, Op. 142. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
String Quartet No. 15 in E flat minor, Op. 144. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Suite from The Age of Gold (Op. 22a, No. 3, arrangement by the composer).. . . . . . . 37
Two Pieces for String Quartet.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

s t r ings and piano


Piano Quintet in G minor, Op. 57.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Piano Trio No. 1 in C minor, Op. 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Piano Trio No. 2 in E minor, Op. 67. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Poem [ Piano Trio No. 1 in C minor, Op. 8].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

v i o lin and piano


Concerto for Violin and Orchestra No. 1 in A minor, Op. 77
(arrangements for violin and piano/two pianos by the composer). . . . . . . . . . . . . . . 132

Concerto for Violin and Orchestra No. 2 in C sharp minor, Op. 129
(arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

Sonata in G major, Op. 134.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205


Sonata for Violin and Piano (1945). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124

231
systematic i n d e x o f w o r k s
v i o loncello and piano
Concerto for Violoncello and Orchestra No. 1 in E flat major, Op. 107
(arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178

Concerto for Violoncello and Orchestra No. 2 in G major, Op. 126


(arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200

Moderato in A minor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Sonata in D minor, Op. 40. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Three Pieces, Op. 9.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

t w o pianos
Concertino in A minor, Op. 94. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Concerto for Piano, String Orchestra and Trumpet in C minor, Op. 35
(arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Concerto for Piano and Orchestra No. 2 in F major, Op. 102


(arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171

Concerto for Violin and Orchestra No. 1 in A minor, Op. 77


(arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132

Merry March in D major.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143


Suite for Two Pianos in F sharp minor, Op. 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
String Quartet No. 3 in F major, Op. 73 (arrangement by the composer). . . . . . . . . . . 127
String Quartet No. 4 in D major, Op. 83 (arrangement by the composer).. . . . . . . . . . 143
Symphony No. 4 in C minor, Op. 43 (arrangement by the composer).. . . . . . . . . . . . . . 83
Symphony No. 6 in B minor, Op. 54 (Largo, arrangement by the composer).. . . . . . . . . 99
Symphony No. 13 in B flat minor, Op. 113 (arrangement by the composer). . . . . . . . . 186
Symphony No. 15 in A major, Op. 141 (arrangement by the composer). . . . . . . . . . . . 212
Tarantella.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161

p i a no duet
Ballet Suite No. 2 (Polka arrangement by the composer). . . . . . . . . . . . . . . . . . . . . 154
Novorossiisk Chimes (arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . 182
October, Op. 131 (arrangement by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Prelude in D flat major, Op. 87, 15 (arrangement by the composer). . . . . . . . . . . . . . . 149
Suite from The Age of Gold (Op. 22a, No. 3 arrangement by the composer).. . . . . . 37
Symphonie No. 3, Liturgique a r t h u r h o n e g g e r .. . . . . . . . . . . . . . . . . . . . . . . . . . 144
Symphony No. 6 in B minor, Op. 54 (Largo, arrangement by the composer).. . . . . . . . . 99
Symphony No. 9 in E flat major, Op. 70 (arrangement by the composer). . . . . . . . . . . 123
Symphony No. 10 in E minor, Op. 93 (arrangement by the composer). . . . . . . . . . . . . 160

232
systematic i n d e x o f w o r k s
p i a no duet [ c o n t i n u e d ]
Symphony No. 10, second movement g u s tav m a h l e r . . . . . . . . . . . . . . . . . . . . . . . 221
Symphony No. 11 in G minor, Op. 103 (arrangement by the composer).. . . . . . . . . . . 172
Symphony No. 12 in D minor, 1917, Op. 112 (arrangement by the composer).. . . . . 184
Symphony of Psalms i g o r s t r av i n s k y .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Waltz from Op. 95 (arrangement by the composer).. . . . . . . . . . . . . . . . . . . . . . . . . . . 162

p i a no solo
Aphorisms, Op. 13. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
The Bedbug, Op. 19 (Nos. 1-4 piano score by the composer). . . . . . . . . . . . . . . . . . . 31
Chik-achi.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Childrens Notebook, Op. 69. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Dances of the Dolls.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Declared Dead, Op. 31 (Nos. 9, 11, 18a, 19 piano score by the composer).. . . . . . . . 49
Eight Preludes, Op. 2.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Eleven Variations on a Theme by Glinka . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Five Preludes.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Funeral March in Memory of the Fallen Heroes of the Revolution.. . . . . . . . . . . . . . . . 12
Hymn to Freedom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
In the Forest. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
King Lear, Op. 58a (piano score of Nos. 2, 6 and 9 by the composer). . . . . . . . . . . . . 101
The Limpid Stream, Op. 39 (piano score by the composer).. . . . . . . . . . . . . . . . . . . . . . 78
Murzilka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
October [ Sonata No. 1, Op. 12]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
October Sonata [ Sonata No. 1, Op. 12]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Piano Fugues from the 1930s. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Polka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Prelude. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Scherzo, Op. 1 (piano score by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Scherzo, Op. 7 (piano score by the composer). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Serenade, Lullaby and scherzo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
The Soldier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Sonata in B flat minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Sonata No. 1, Op. 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Sonata No. 2 in B minor, Op. 61.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
String Quartet No. 1 in C major, Op. 49 (piano score by the composer).. . . . . . . . . . . . 91
String Quartet No. 2 in A major, Op. 68 (piano score by the composer).. . . . . . . . . . . 120

233
systematic i n d e x o f w o r k s
p i a no solo [ c o n t i n u e d ]
String Quartet No. 3 in F major, Op. 73 (piano score by the composer).. . . . . . . . . . . 127
String Quartet No. 4 in D major, Op. 83 (piano score by the composer). . . . . . . . . . . 143
String Quartet No. 13 in B flat minor, Op. 138 (piano score by the composer).. . . . . . 210
Suite from The Age of Gold (Op. 22a, No. 3 arranged by the composer).. . . . . . . . . 37
Symphony No. 5 in D minor, Op. 47 (Allegretto piano score by the composer).. . . . . 89
Symphony No. 7 in C major, Leningrad, Op. 60 (piano score by the composer).. . . . 108
Symphony No. 14 in G minor, Op. 135 (piano score by the composer). . . . . . . . . . . . 206
Theme with Variations in B flat major, Op. 3 (piano score by the composer). . . . . . . . . 17
Three Fantastic Dances, Op. 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Three Piano Pieces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Twenty-Four Preludes, Op. 34. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Twenty-Four Preludes and Fugues, Op. 87. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Two Mazurkas.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Velocity Etude [ Twenty-Four Preludes, Op. 34, No. 5].. . . . . . . . . . . . . . . . . . . . . . . 63

m i s cellaneous instrumental cham ber w o r k s


Passacaglia (for organ, from Op. 29). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Polka (for two harps or harp ensemble) in F sharp minor m i l i b a l a k i r e v .. . . . . . . . . 108
Prelude and Scherzo [ Two Pieces, Op. 11]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Russian Folksongs (for flute and piano). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Sonata for Viola and Piano, Op. 147.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Three Pieces (for violin solo). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Two Pieces for String Octet, Op. 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

i n c idental music
Allegedly Murdered [ Declared Dead, Op. 31]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
The Bedbug, Op. 19. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Conditional Death [ Declared Dead, Op. 31]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Conditionally Killed [ Declared Dead, Op. 31]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Declared Dead, op. 31. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Evgeni Onegin.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
The Gunshot, Op. 24.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Hamlet, Op. 32. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
The Human Comedy, Op. 37. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Hypothetically Murdered [ Declared Dead, Op. 31].. . . . . . . . . . . . . . . . . . . . . . . . . 49
King Lear, Op. 58(a). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

234
systematic i n d e x o f w o r k s
i n c idental music
Native Leningrad, Op. 63. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Rule Britannia! Op. 28. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Russian River, Op. 66. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Salute, Spain [ Salute to Spain, Op. 44]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Salute to Spain, Op. 44. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
The Shot [ The Gunshot, Op. 24].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Victorious Spring, Op. 72. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Virgin Land [ Virgin Soil, Op. 25].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Virgin Soil, Op. 25.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

f i l m music
The Adventures of Korzinkina [ Korzinkinas Adventures, Op. 59]. . . . . . . . . . . . . . 103
Alone, Op. 26. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
A Year is Like a Lifetime Op. 120. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Belinsky, Op. 85. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
The Bolshevik [ Maxims Youth, Op. 41]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Cheryomushki, Op. 105a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Coming Your Way [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Counterplan [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Days of Volochayevsk [ Volochayevka Days, Op. 48]. . . . . . . . . . . . . . . . . . . . . . . . . 88
Dresden Art Gallery [ Five Days Five Nights, Op. 111].. . . . . . . . . . . . . . . . . . . . . 182
Encounter, Op. 33.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Encounter on the Elbe, Op. 80. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
The Fall of Berlin, Op. 82. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Far East [ Volochayevka Days, Op. 48]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
The First Echelon, Op. 99. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Five Days Five Nights, Op. 111.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Friends, Op. 51. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
The Gadfly, Op. 97. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
Girlfriends, Op. 41a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Golden Mountains, Op. 30. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
The Great Citizen (part I), Op. 52. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
The Great Citizen (part II), Op. 55.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Hamlet, Op. 116. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Intervention in the Far East [ Volochayevka Days, Op. 48]. . . . . . . . . . . . . . . . . . . . . 88
Karl Marx [ A Year is Like a Lifetime, Op. 120]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

235
systematic i n d e x o f w o r k s
F i l m music [ c o n t i n u e d ]
Katerina Izmailova. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Khovanshchina, Op. 106a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
King Lear, Op. 137. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Korzinkinas Adventures, Op. 59. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Life in Bloom [ Michurin, Op. 78]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Love and Hate, [ Love and Hatred, Op. 38].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Love and Hatred, Op. 38.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Man at Arms, Op. 53 [ The Man with a Gun, Op. 53].. . . . . . . . . . . . . . . . . . . . . . . . 93
The Man with a Gun, Op. 53 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Maxims Return, Op. 45. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Maxims Youth, Op. 41. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
The Memorable Year 1919 [ The Unforgettable Year 1919, Op. 89].. . . . . . . . . . . . 155
Michurin, Op. 78. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Mountains of Gold [ Golden Mountains, Op. 30]. . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
New Babylon, Op. 18. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
November [ The Man with a Gun, Op. 53]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Passer-by [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Pirogov, Op. 76.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Plain People [ Simple Folk, Op. 71]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
The Return of Maxim [ Maxims Return, Op. 45].. . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Seven Rivers [ Song of the Great Rivers, Op. 95].. . . . . . . . . . . . . . . . . . . . . . . . . . . 162
The Silly Little Mouse [ The Story of a Silly Baby Mouse, Op. 56].. . . . . . . . . . . . . . . 98
Simple Folk, Op. 71.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Simple People [ Simple Folk, Op. 71].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Sofia Perovskaya, Op. 132. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Song of the Great Rivers, Op. 95. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
The Story of a Silly Baby Mouse, Op. 56.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
St. Petersburg Days. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
The Street of Happiness [ Golden Mountains, Op. 30]. . . . . . . . . . . . . . . . . . . . . . . . 47
Stupid Little Mouse [ The Story of a Silly Baby Mouse, Op. 56]. . . . . . . . . . . . . . . . . 98
The Tale of the Pope and his Servant Balda
[ The Tale of the Priest and his Servant Balda, Op. 36]. . . . . . . . . . . . . . . . . . . . . . 69

The Tale of the Priest and his Servant Balda, Op. 36. . . . . . . . . . . . . . . . . . . . . . . . . . . 69
The Tale of the Stupid Little Mouse [ The Story of a Silly Baby Mouse, Op. 56]. . . . . 98
Three Women [ Girlfriends, Op. 41a]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
A Ticket to Zone Five [ Korzinkinas Adventures, Op. 59].. . . . . . . . . . . . . . . . . . . . 103

236
systematic i n d e x o f w o r k s
F i l m music [ c o n t i n u e d ]
Turbine 50000 [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
The Unforgettable Year 1919, Op. 89.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Unity [ Song of the Great Rivers, Op. 95]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Varshavyanka [ Maxims Youth, Op. 41]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Virgin Lands [ The First Echelon, Op. 99]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Volochayev Days [ Volochayevka Days, Op. 48].. . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Volochayevka Days, Op. 48. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Vyborg District, Op. 50.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
The Vyborg Side [ Vyborg District, Op. 50].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Who is She [ Zoya, Op. 64]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
The Young Guard, Op. 75.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
The Youth of Maxim [ Maxims Youth, Op. 41]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Zoya, Op. 64.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Zoya Kosmodemyanskaya [ Zoya, Op. 64].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

s u i tes from film music / incidental mus i c / s ta g e w o r k s


Ballet Suite No. 5 [ Suite from The Bolt, Op. 27a].. . . . . . . . . . . . . . . . . . . . . . . . . . 45
Five Entractes from Katerina Izmailova, Op. 114a.. . . . . . . . . . . . . . . . . . . . . . . . . . 190
Suite from Alone, Op. 26a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Suite from A Year is Like a Lifetime, Op. 120a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Suite from Belinsky, Op. 85a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Suite from Declared Dead, Op. 31a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Suite from Encounter on the Elbe, Op. 80a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Suite from Five Days Five Nights, Op. 111a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Suite from Golden Mountains, Op. 30a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Suite from Hamlet, Op. 32a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Suite from Hamlet, Op. 116a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Suite from Lady Macbeth of the Mtsensk District, Op. 29a. . . . . . . . . . . . . . . . . . . . . 62
Suite from Michurin, Op. 78a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Suite from New Babylon, Op. 18a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Suite from Pirogov, Op. 76a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Suite from The Age of Gold, Op. 22a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Suite from Belinsky, Op. 85a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Suite from The Bedbug, op. 19a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Suite from The Bolt, Op. 27a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Suite from The Fall of Berlin, Op. 82a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142

237
systematic i n d e x o f w o r k s
suites from film music / incidental music / stage works [ c o n t .]
Suite from The First Echelon, Op. 99a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Suite from The Gadfly, Op. 97a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Suite from The Limpid Stream, Op. 39a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Suite from the Maxim Film Trilogy, Op. 50a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Suite from The Nose, Op. 15a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Suite from The Tale of the Priest and his Servant Balda, Op. 36a.. . . . . . . . . . . . . . . . 71
Suite from The Unforgettable Year 1919, Op. 89a. . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Suite from The Young Guard, Op. 75a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Suite from Zoya, Op. 64a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

238
systematic i n d e x o f w o r k s
a r r angements

On many different occasions Shostakovich made arrangements and transcriptions of works


by other composers. Apart from these arrangements there are numerous works by compo-
sers of the 19th and 20th century as well as folksongs, urban songs and revolutionary songs
that appear (in some cases repeatedly) as brief citations throughout Shostakovichs oeuvre.
These were not included in the following list which only comprises those works explicitly
conceived as self-contained arrangements.

Mili Balakirev
Polka in F sharp minor
Arrangement for two harps or harp ensemble. . . . . . . . . . . . . . . . . . . . . . . (1941). . . 108

Gaetano Braga
Serenade
Arrangement for soprano, mezzo-soprano, violin and piano. . . . . . . . . . . . (1972). . . 212

Ludwig van Beethoven


Piano Sonata No. 8 in C minor, Pathtique, Op. 13
Arrangement for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (early 1920s). . . . 16
Piano Sonata No. 32 in C minor, Op. 111
Arrangement for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (early 1920s). . . . 16
Song of the Flea from Op. 75
Arrangement for bass and orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1975). . . 218
Trinklied from Op. 108
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Matvei Blanter
Song of Shchors
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Georges Bizet
Habanera from Carmen
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Alexander Davidenko
Two Choruses, Op. 124
Arrangement for mixed choir and orchestra of two songs from Davidenkos The
Road of October. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1963). . . 192

239
systematic i n d e x o f w o r k s
a r r angements [ c o n t i n u e d ]

Alexander Dargomyzhsky
What it is Like in Our Street
Comic Story
Granada
Feverishness
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Pierre Degeyter
Internationale
Orchestration.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1937). . . . 90

Isaak Dunaevsky
Song of the Sea
Anyutas Song
Singto Us, Wind
O,its Good
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Ivan Dzerzhinsky
Overture to the Green Company
Orchestration.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1921). . . . 45

Ve n i a m i n F l e i s h m a n
Rothschilds Violin
Orchestration and completion of Fleishmans opera. . . . . . . . . . . . . . . . . . (1944). . . 117

Mikhail Glinka
Eleven Variations on a Theme by Glinka for piano. . . . . . . . . . . . . . . . . . (1957). . . 173

Semyon Gulak-Artemovsky
Duet from A Cossack beyond the Danube
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Alexander Gurilyov
Really, I will Tell Mama
The Little Sarafan
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

240
systematic i n d e x o f w o r k s
a r r angements [ c o n t i n u e d ]

Mikhail Ippolitov-Ivanov
I am Sitting
on a Little Rock
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Ruggiero Leoncavallo
Harlequins Serenade from Pagliacci
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Gustav Mahler
Symphony No. 10
Arrangement for piano four hands of the second movement (unfinished). . . . . . . . . 122

Georgi Milyutin
Do not Touch Us!
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Modest Musorgsky
Boris Godunov, Op. 58
Reorchestration of the opera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1939 - 1940). . . 102
Khovanshchina, Op. 106
Reorchestration of the opera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1959). . . 177
Khovanshchina, Op. 106a
Film version of the opera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1959). . . 178
Songs and Dances of Death
Orchestration of the song cycle for voice and piano. . . . . . . . . . . . . . . . . . (1959). . . 187
Gopak
Parasyas Dumka and Khivryas Aria from Sorochintsy Fair
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Nikolai Rimsky-Korsakov
I Waited for Thee in the Grotto
Arrangement for soprano and orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . (1921). . . . 16
Songof the Viking Merchant from Sadko
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

241
systematic i n d e x o f w o r k s
a r r angements [ c o n t i n u e d ]

Daniil Pokrass
Farewell
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Dmitri and Daniil Pokrass


Thoseare not Storm Clouds
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

David Pritsker
The Young Girls Song
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Gioachino Rossini
Songof the Shepherd from Guillaume Tell
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

Domenico Scarlatti
Two Scarlatti Pieces, Op. 17
Orchestration of L413/K9 and L375/K20 for wind band.. . . . . . . . . . . . . . . (1928). . . . 27

Franz Schubert
Military March in F major
Arrangement for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (early 1920s). . . . 16

Robert Schumann
Concerto for Violoncello and Orchestra in A minor, Op. 125
Reorchestration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1963). . . 191

Joan Smith
Bird of Peace
Arrangement for voice and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1953). . . 161

Johann Strauss II
Vergngungszug (Excursion Train Polka)
Orchestration of the Polka-Galop, Op. 281. . . . . . . . . . . . . . . . . . . . . . . . . (1940). . . 104

Johann Strauss II / Adolf Mller


Wiener Blut (Vienna Blood)
Reorchestration of the operetta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 109

242
systematic i n d e x o f w o r k s
a r r angements [ c o n t i n u e d ]

B o r i s Ti s h c h e n k o
Concerto for Violoncello and Orchestra
Reorchestration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1969). . . 207

A l e x e i Ve r s t o v s k y
Gipsy Song
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

J e a n - B a p t i s t e We c k e r l i n
Pastorale
Arrangement for Leningrad frontline concerts for voice and piano (Twenty-Seven
Romances and Songs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . 106

V i n c e n t Yo u m a n s
Tahiti-Trot, Op. 16
Orchestration of the song Tea for Two from No, no, Nanette. . . . . . . . . . (1927). . . . 24

Folksongs
Hey, Lets Bang!
Arrangement of Song of the Volga Boatman for bass and orchestra. . . . (1929[?]). . . . 34
Suite on Finnish Themes
Seven arrangements for soprano, tenor and chamber orchestra . . . . . . . . . (1939). . . 100
Cudgel
Arrangement for bass and orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . (late 1930s). . . . 99
Eight British and American Folksongs
for soprano, bass and chamber orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . 114
Annie Laurie
Arrangement for voice and chamber orchestra . . . . . . . . . . . . . . . . . . . . . . (1944). . . 123
Ten Russian Folksongs
Arrangements for soloist, choir and piano .. . . . . . . . . . . . . . . . . . . . . . . . . (1951). . . 152
Russian Folksongs
Arrangements for flute and piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1952[?]). . . 153
Greek Songs
Arrangements for voice and piano . . . . . . . . . . . . . . . . . . . . . . . . . . (1952 - 1953). . . 159
Spanish Songs, Op. 100
Arrangements for mezzo-soprano and piano . . . . . . . . . . . . . . . . . . . . . . . (1956). . . 169
Two Russian Folksong Adaptations, Op. 104
for mixed choir a cappella . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1957). . . 173
Overture on Russian and Kirghiz Folk Themes, Op. 115 for orchestra. . . (1963). . . 192

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1 Scherzo in F sharp minor, for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . (1919). . . . 14
2 Eight Preludes for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1919-1920). . . . 15
3 Theme with Variations in B flat major, for orchestra.. . . . . . . . . . (1921-1922). . . . 17
4 Two Fabels of Krylov
for mezzo-soprano (choir) and orchestra.. . . . . . . . . . . . . . . . . . . (1921-1922). . . . 18

5 Three Fantastic Dances for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1920). . . . 19


6 Suite for Two Pianos in F sharp minor. . . . . . . . . . . . . . . . . . . . . . . . . (1922). . . . 19
7 Scherzo in E flat major, for orchestra.. . . . . . . . . . . . . . . . . . . . . . (1923-1924). . . . 21
8 Piano Trio No. 1 in C minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1923). . . . 20
9 Three Pieces for violoncello and piano.. . . . . . . . . . . . . . . . . . . . (1923-1924). . . . 20
10 Symphony No. 1 in F minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1923-1925). . . . 21
11 Two Pieces for String Octet (Prelude and Scherzo). . . . . . . . . . . (1924/1925). . . . 22
12 Sonata for Piano No. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1926). . . . 22
13 Aphorisms
Ten pieces for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1927). . . . 23

14 Symphony No. 2 in B major,


To October A Symphonic Dedication.. . . . . . . . . . . . . . . . . . . . . . . (1927). . . . 24

15 The Nose
Satirical opera.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1927-1928). . . . 25

15 a Suite from The Nose for tenor, baritone, and orchestra.. . . . . . . . . . . (1928). . . . 27
16 Tahiti Trot (Tea for Two)
for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1927). . . . 24

17 Two Scarlatti Pieces for wind band.. . . . . . . . . . . . . . . . . . . . . . . . . . . (1928). . . . 27


18 New Babylon
Music to the silent film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1928-1929). . . . 28

18 a Suite from New Babylon for orchestra. . . . . . . . . . . . . . . . . . . . . . . . (1975). . . . 30


19 The Bedbug
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1929). . . . 31

19 a Suite from The Bedbug for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . (1981). . . . 32


20 Symphony No. 3 in E flat major, The First of May,
for orchestra with mixed choir. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1929). . . . 33

21 Six Romances on Words by Japanese Poets


for tenor and orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1928-1932). . . . 56

21 a Six Romances on Words by Japanese Poets


for tenor and piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

22 The Age of Gold


Ballet in three acts.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1929-1930). . . . 35

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22 a Suite from The Age of Gold for orchestra. . . . . . . . . . . . . . . . . . (1930/1935). . . . 37
23 Columbus
Two orchestral pieces for Erwin Dressels opera Armer Columbus. . . (1929). . . . 33

24 The Gunshot
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1929). . . . 34

25 Virgin Soil
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1930). . . . 38

26 Alone
Music to the sound film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1930-1931). . . . 39

26 a Suite from Alone for wind instruments and double bass.. . . . . . . . . . (2001). . . . 41
27 The Bolt
Ballet in three acts.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1930-1931). . . . 42

27 a Suite from The Bolt (Ballet Suite No. 5). . . . . . . . . . . . . . . . . . . (1931/1934). . . . 45


28 Rule, Britannia!
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1931). . . . 46

29 Lady Macbeth of the Mtsensk District


Opera in four acts.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1930-1934). . . . 60

29 a Suite from Lady Macbeth of the Mtsensk District. . . . . . . . . . . . . . . (1932). . . . 62


30 Golden Mountains
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1931). . . . 47

30 a Suite from Golden Mountains. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1931). . . . 48


31 Declared Dead
Music for a music-hall review.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1931). . . . 49

31 a Suite from Declared Dead. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51


32 Hamlet
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1931-1932). . . . 53

32 a Suite from Hamlet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1932). . . . 55


33 Encounter
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1932). . . . 57

34 Twenty-four Preludes for piano. . . . . . . . . . . . . . . . . . . . . . . . . . (1932-1933). . . . 63


35 Concerto for Piano,
String Orchestra and Trumpet in C minor. . . . . . . . . . . . . . . . . . . . . . (1933). . . . 65

36 The Tale of the Priest and his Servant Balda


Music to an animated cartoon.. . . . . . . . . . . . . . . . . . . . . . . . . . . (1933-1934). . . . 69

36 a Suite from The Tale of the Priest and his Servant Balda
for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1979). . . . 71

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37 The Human Comedy
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1933-1934). . . . 67

38 Love and Hatred


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1934). . . . 74

39 The Limpid Stream


Comedy-ballet in three acts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1934-1935). . . . 76

39 a Suite from The Limpid Stream for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . 79


40 Sonata for Violoncello and Piano in D minor.. . . . . . . . . . . . . . . . . . . (1934). . . . 68
41 Maxims Youth
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1934-1935). . . . 80

41 a Girlfriends
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1934-1935). . . . 81

42 Five Fragments for small orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . (1935). . . . 82


43 Symphony No. 4 in C minor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . (1935-1936). . . . 83
44 Salute to Spain
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1936). . . . 84

45 Maxims Return
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1936-1937). . . . 85

46 Four Romances on Poems of Pushkin for bass and piano. . . . . . . (1936-1937). . . . 87


46 a Three Romances on Poems of Pushkin (Nos. 1-3)
for bass and small orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1936). . . . 87

47 Symphony No. 5 in D minor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1937). . . . 89


48 Volochayevka Days
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1936-1937). . . . 88

49 String Quartet No. 1 in C major.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1938). . . . 91


50 Vyborg District
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1938). . . . 94

50 a Suite from the Maxim Film Trilogy. . . . . . . . . . . . . . . . . . . . . . . . . . . (1961). . . . 95


51 Friends
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1938). . . . 92

52 The Great Citizen


Music to the film (part I). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1937). . . . 90

53 The Man with a Gun


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1938). . . . 93

54 Symphony No. 6 in B minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1939). . . . 99


55 The Great Citizen
Music for the film (part II). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1938-1939). . . . 97

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56 The Story of a Silly Baby Mouse
Music for an animated cartoon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1939). . . . 98

57 Piano Quintet in G minor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1940). . . 104


58 Boris Godunov
Reorchestration of Musorgskys opera.. . . . . . . . . . . . . . . . . . . . . (1939-1940). . . 102

58 a King Lear
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1940). . . 101

59 Korzinkinas Adventures
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1940). . . 103

60 Symphony No. 7 in C major, Leningrad. . . . . . . . . . . . . . . . . . . . . . . (1941). . . 108


61 Sonata for Piano No. 2 in B minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . 113
62 Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare
for bass and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1942). . . 112

62 a Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare


for bass and symphony orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . 113

63 Native Leningrad
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1942). . . 111

64 Zoya
Music for the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1944). . . 118

64 a Suite from Zoya for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1944[?]). . . 119


65 Symphony No. 8 in C minor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . 116
66 Russian River
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1944). . . 122

67 Piano Trio No. 2 in E minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1944). . . 119


68 String Quartet No. 2 in A major. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1944). . . 120
69 Childrens Notebook
Seven pieces for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1944/1945). . . 121

70 Symphony No. 9 in E flat major. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1945). . . 123


71 Simple Folk
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1945). . . 126

72 Victorious Spring
Incidental music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1945). . . 125

73 String Quartet No. 3 in F major. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1946). . . 127


74 Poem of the Motherland
Patriotic cantata for soloists, mixed choir and orchestra. . . . . . . . . . . . (1947). . . 128

75 The Young Guard


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1947-1948). . . 130

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75 a Suite from The Young Guard for orchestra. . . . . . . . . . . . . . . . . . . . . (1951). . . 131
76 Pirogov
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1947). . . 128

76 a Suite from Pirogov for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1951). . . 129


77 Concerto for Violin and Orchestra No. 1 in A minor.. . . . . . . . . (1947-1948). . . 132
78 Michurin
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1948). . . 133

78 a Suite from Michurin for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . (1964). . . 134


79 From Jewish Folk Poetry
Song cycle for soprano, contralto, tenor and piano.. . . . . . . . . . . . . . . (1948). . . 135

79 a From Jewish Folk Poetry


Song cycle for soprano, contralto, tenor and orchestra. . . . . . . (1948/1964[?]). . . 136

80 Encounter on the Elbe


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1948). . . 137

80 a Suite from Encounter on the Elbe for orchestra and mixed choir. . . . . . . . . . . 138
81 The Song of the Forests
Oratorio for soloists, two choirs and orchestra. . . . . . . . . . . . . . . . . . . (1949). . . 140

82 The Fall of Berlin


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1949). . . 141

82 a Suite from The Fall of Berlin for orchestra with choir . . . . . . . . . . . . (1950). . . 142
83 String Quartet No. 4 in D major.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1949). . . 143
84 Two Romances on Verses by Mikhail Lermontov
for voice and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1950). . . 145

85 Belinsky
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1950). . . 146

85 a Suite from Belinsky for orchestra with choir.. . . . . . . . . . . . . . . . . . . (1960). . . 147


86 Four Songs to Words by Evgeni Dolmatovsky
for high voice and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1950-1951). . . 148

87 Twenty-Four Preludes and Fuges for piano. . . . . . . . . . . . . . . . . (1950-1951). . . 149


88 Ten Poems on Texts by Revolutionary Poets
of the late Nineteenth and early Twentieth Century
for mixed choir a cappella. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1951). . . 151

89 The Unforgettable Year 1919


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1951). . . 155

89 a Suite from The Unforgettable Year 1919. . . . . . . . . . . . . . . . . . . . . . (1952). . . 156


90 The Sun Shines Over our Motherland
Patriotic cantata for two choirs and orchestra. . . . . . . . . . . . . . . . . . . . (1952). . . 156

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91 Four Monologues on Verses of Pushkin for bass and piano. . . . . . . . . (1952). . . 157
92 String Quartet No. 5 in B flat major. . . . . . . . . . . . . . . . . . . . . . . . . . . (1952). . . 158
93 Symphony No. 10 in E minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1953). . . 160
94 Concertino in A minor, for two pianos. . . . . . . . . . . . . . . . . . . . . . . . . (1953). . . 161
95 Song of the Great Rivers
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1954). . . 162

96 Festive Overture in A major, for orchestra. . . . . . . . . . . . . . . . . . . . . . (1947). . . 129


97 The Gadfly
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1955). . . 164

97 a Suite from The Gadfly for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . (1955). . . 165


98 Five Romances (Songs of Our Days)
for bass and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1954). . . 163

99 The First Echelon


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1955-1956). . . 167

99 a Suite from The First Echelon for orchestra with choir. . . . . . . . . . . . . . . . . . . . 168
100 Spanish Songs Arrangements of traditional folk songs
for mezzo-soprano and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1956). . . 169

101 String Quartet No. 6 in G major.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1956). . . 169


102 Concerto for Piano and Orchestra No. 2 in F major. . . . . . . . . . . . . . (1957). . . 171
103 Symphony No. 11 in G minor, The Year 1905. . . . . . . . . . . . (1956-1957[?]). . . 172
104 Two Russian Folksong Adaptations for mixed choir a cappella.. . . . . . (1957). . . 173
105 Moscow Cheryomushki
Operetta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1957-1958). . . 174

105 a Cheryomushki
Film version. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1962). . . 176

106 Khovanshchina
Edition and orchestration of Musorgskis opera.. . . . . . . . . . . . . . (1958-1959). . . 177

106 a Khovanshchina
Film version. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1959). . . 178

107 Concerto for Violoncello and Orchestra No. 1 in E flat major. . . . . . . (1959). . . 178
108 String Quartet No. 7 in F sharp minor. . . . . . . . . . . . . . . . . . . . . . . . . (1960). . . 179
109 Satires (Pictures of the Past)
Five romances for soprano and piano.. . . . . . . . . . . . . . . . . . . . . . . . . (1960). . . 180

110 String Quartet No. 8 in C minor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1960). . . 181


111 Five Days Five Nights
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1960). . . 182

111 a Suite from Five Days Five Nights for orchestra. . . . . . . . . . . . . . . . (1961). . . 184

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112 Symphony No. 12 in D minor, 1917.. . . . . . . . . . . . . . . . . . . . . (1960-1961). . . 184
113 Symphony No. 13 in B flat minor, Babi Yar
for bass, bass choir, and orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . (1962). . . 186

114 Katerina Izmailova


Opera in four acts.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1956-1963). . . 188

114 a Five Entractes from Lady Macbeth of Mtsensk /


Katerina Izmailova. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1956-1963). . . 190

115 Overture on Russian and Kirghiz Folk Themes in C major.. . . . . . . . . (1963). . . 192
116 Hamlet
Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1963-1964). . . 193

116 a Suite from Hamlet. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1964). . . 194


117 String Quartet No. 9 in E flat major. . . . . . . . . . . . . . . . . . . . . . . . . . . (1964). . . 195
118 String Quartet No. 10 in A flat major. . . . . . . . . . . . . . . . . . . . . . . . . . (1964). . . 195
119 The Execution of Stepan Razin
Vocal-symphonic poem for bass, mixed choir and orchestra. . . . . . . . (1964). . . 196

120 A Year is Like a Lifetime Music to the film. . . . . . . . . . . . . . . . . . . . . . (1965). . . 197


120 a Suite from A Year is Like a Lifetime. . . . . . . . . . . . . . . . . . . . . . . . . . (1969). . . 198
121 Five Romances on Texts from Krokodil Magazine
for bass and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1965). . . 198

122 String Quartet No. 11 in F minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1966). . . 199


123 Preface to the Complete Edition of my Works and a Brief
Reflection Apropos of this Preface for bass and piano. . . . . . . . . . . . . (1966). . . 199

124 Two Choruses


Arrangements for mixed choir and orchestra after Davidenko. . . . . . . (1963). . . 192

125 Concerto for Violoncello and Orchestra in A minor


Reorchestration of Schumanns Cello Concerto Op. 125. . . . . . . . . . . (1963). . . 191

126 Concerto for Violoncello and Orchestra No. 2 in G major. . . . . . . . . (1966). . . 200
127 Seven Romances on Poems of Alexander Blok
Suite for soprano, violin, violoncello and piano. . . . . . . . . . . . . . . . . . (1967). . . 201

128 Spring, Spring


Song for bass and piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1967). . . 201

129 Concerto for Violin and Orchestra No. 2 in C sharp minor. . . . . . . . . (1967). . . 202
130 Funeral-Triumphal Prelude for orchestra. . . . . . . . . . . . . . . . . . . . . . . (1967). . . 202
131 October
Symphonic poem for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1967). . . 203

132 Sofia Perovskaya Music to the film. . . . . . . . . . . . . . . . . . . . . . . . . . . (1967). . . 204


133 String Quartet No. 12 in D flat major .. . . . . . . . . . . . . . . . . . . . . . . . (1968). . . 205

250
index of OPUS NUMB ERS
134 Sonata for violin and Piano in G major. . . . . . . . . . . . . . . . . . . . . . . . (1968). . . 205
135 Symphony No. 14 in G minor
for soprano, bass and chamber orchestra. . . . . . . . . . . . . . . . . . . . . . . (1969). . . 206

136 Loyalty
Eight ballads for male choir a cappella. . . . . . . . . . . . . . . . . . . . . . . . . (1970). . . 208

137 King Lear


Music to the film.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1970). . . 209

138 String Quartet No. 13 in B flat minor. . . . . . . . . . . . . . . . . . . . . . . . . . (1970). . . 210


139 March of the Soviet Militia for military band. . . . . . . . . . . . . . . . . . . . (1970). . . 210
140 Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare
Version for bass and chamber orchestra of Op. 62. . . . . . . . . . . . . . . . (1971). . . 211

141 Symphony No. 15 in A major. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1971). . . 212


142 String Quartet No. 14 in F sharp major. . . . . . . . . . . . . . . . . . . . . . . . (1973). . . 213
143 Six Poems of Marina Tsvetaeva
Suite for contralto and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1973). . . 213

143 a Six Poems of Marina Tsvetaeva


Version for contralto and small orchestra. . . . . . . . . . . . . . . . . . . . . . . (1974). . . 214

144 String Quartet No. 15 in E flat minor. . . . . . . . . . . . . . . . . . . . . . . . . . (1974). . . 215


145 Suite on Verses of Michelangelo Buonarroti for bass and piano.. . . . . (1974). . . 216
145 a Suite on Verses of Michelangelo Buonarroti
Version for bass and orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1974). . . 217

146 Four Verses of Captain Lebyadkin for bass and piano.. . . . . . . . . . . . . (1974). . . 217
147 Sonata in C major, for viola and piano. . . . . . . . . . . . . . . . . . . . . . . . . (1975). . . 218

251
works wit h o u t OPUS NUMB ERS
A Great Day Has Come
Song for bass, choir and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 107

Annie Laurie
Folksong Adaptation for voice and chamber ochestra. . . . . . . . . . . . . . . . (1944). . . . 123

Antiformalistic Rayok
for four basses, mixed choir, piano and narrator. . . . . . . (1948-1957-late 1960s[?]). . . . 139

Ballet Suite No. 1 for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1949). . . . 144


Ballet Suite No. 2 for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1951). . . . 154
Ballet Suite No. 3 for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1952). . . . 159
Ballet Suite No. 4 for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1953). . . . 160
Bird of Peace j o a n s m i t h
for voice and piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1953). . . . 161

The Black Sea for bass, male choir and piano. . . . . . . . . . . . . . . . . . . . . . . . (1944). . . . 122

Ceremonial March for military band. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 107


Concerto for Violoncello and Orchestra boris tishchenko
Reorchestration for full orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1969). . . . 207

Chik-achi for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (undated). . . . 220


Childrens Pieces from the Years between 1915 and the Early 1920s.. . . (undated). . . . . 12
Cudgel for bass and orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (late 1930s). . . . . 99

Dances of the Dolls for piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1952). . . . 158


The Devils for high voice and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1936). . . . . 83

Eight British and American Folksongs


for soprano, bass and chamber orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . . 114

Eleven Variations on a Theme by Glinka for piano.. . . . . . . . . . . . . . . . . . . (1957). . . . 173


Evgeni Onegin
Incidental music.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1964-1965). . . . 196

Excursion Train Polka (Vergngungszug) johann strauss ii


for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1940). . . . 104

Five Preludes for piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1920-1921). . . . . 15


The Flame of Eternal Glory [ Novorossiisk Chimes].. . . . . . . . . . . . . . . . . . . . . . . . . 182
From Karl Marx to Our Own Days
Symphonic poem.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1932). . . . . 58

252
works wit h o u t OPUS NUMB ERS
Funeral March in Memory of the Fallen Heroes of the Revolution for piano.. . (1917). . . . . 12

Galop and Lullaby for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (undated). . . . 220


The Gamblers
Unfinished opera after Gogol.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941-1942). . . . 110

German March for woodwind and percussion. . . . . . . . . . . . . . . . . . . . . . . (1950). . . . 148


Glory to Our Soviet Motherland [ National Anthem (III)]. . . . . . . . . . . . . (1943). . . . 115
The Great Lightning
Unfinished comic opera.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1933). . . . . 66

Greek Songs for voice and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1952-1953). . . . 159


The Green Company [ Overture to The Green Company].. . . . . . . . . . . . . . . . . . . . 45
The Green Guild [ Overture to The Green Company].. . . . . . . . . . . . . . . . . . . . . . . 45
The Gypsies
Opera after Pushkin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1919-1920). . . . . 12

Hey, Lets Bang!


Folksong Adaptation for bass and orchestra.. . . . . . . . . . . . . . . . . . . . . (1929[?]). . . . . 34

Hymn to Freedom for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1915-1916). . . . . 13


Hymn to Moscow for choir and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1948). . . . 140

Internationale pierre degeyter


for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1937). . . . . 90

Intervision for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1971). . . . 211


In the Forest
Trilogy for piano .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1919[?]). . . . . 12

Invincible Red Army [ National Anthem (IV)]. . . . . . . . . . . . . . . . . . . . . . (1943). . . . 116


I Waited for Thee in the Grotto n i k o l a i r i m s k y - k o r s a k o v
Arrangement for soprano and orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . (1921). . . . . 16

Katerina Izmailova
Filmversion of Op. 114. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1966). . . . 191

Katyusha Maslova
Unfinished Opera after Tolstoy.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 105

Lenin Symphony for soloists, choir and orchestra. . . . . . . . . . . . . . . (1938-1940[?]). . . . 100

Madrigal for tenor and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1933). . . . . 66

253
works wit h o u t OPUS NUMB ERS
March of Peace Champions for tenor, choir and piano. . . . . . . . . . . . . . . . . (1950). . . . 145
March of the Defenders of Peace [ March of Peace Champions]. . . . . . . . . . . . . . . 145
Merry March in D major, for two pianos.. . . . . . . . . . . . . . . . . . . . . . . . . . . (1949). . . . 143
Military March in F major f r a n z s c h u b e rt
for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (early 1920s). . . . . 16

Moderato in A minor, for violoncello and piano. . . . . . . . . . . . . . . . . . . . (1934[?]). . . . . 74


Murzilka for piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (undated). . . . 220

Narodovoltsy
Unfinished opera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1934[?]). . . . . 75

National Anthem (I) for choir and piano / voice and piano /
two-part male choir and full orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . . 115

National Anthem (II) d m i r i s h o s ta k o v i c h / a r a m k h a c h at u r ya n


for two-part choir and piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . . 115

National Anthem (III) for mixed choir and piano.. . . . . . . . . . . . . . . . . . . . . (1943). . . . 115
National Anthem (IV) d m i r i s h o s ta k o v i c h / a r a m k h a c h at u r ya n
for voice (choir) and piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . . 116

Novorossiisk Chimes for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1960). . . . 182

Oath to the Peoples Commissar [ A Great Day has Come].. . . . . . . . . . . (1941). . . . 107
Orango
Unfinished satirical opera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1932). . . . . 59

Our Native Russia has Gained Strength from Storms


Song for choir a cappella. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1945). . . . 124

Our Song for bass, mixed choir, and piano. . . . . . . . . . . . . . . . . . . . . . . . . . (1950). . . . 145
Overture to The Green Company i va n d z e r z h i n s k y
for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1931). . . . . 46

Patriotic Song [ National Anthem (III)].. . . . . . . . . . . . . . . . . . . . . . . . . . . (1943). . . . 115


Piano Fugues. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1930s). . . . 220
Piano Sonata No. 8 in C minor, Pathtique, Op. 13 l u d w i g v o n b e e t h o v e n
for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (early 1920s). . . . . 16

Piano Sonata No. 32 in C minor, Op. 111 ludwig von beethoven


for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (early 1920s). . . . . 16

Polka for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (before 1920). . . . . 13


Polka in F sharp minor m i l i b a l a k i r e v
for two harps or harp ensemble. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 108

254
works wit h o u t OPUS NUMB ERS
Prelude for piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (undated). . . . 220

Quiet Flows the Don


Chamber opera. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1965-1970[?]). . . . 207

Romance for voice and piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1938 or 1941). . . . 109


Rothschilds Violin v e n i a m i n f l e i s h m a n
Opera after Chekhov. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1942-1944[?]). . . . 117

Russian Folksongs arrangements for flute and piano. . . . . . . . . . . . . . . . . (1952[?]). . . . 153

Scenes after Gogol [ The Gamblers]. . . . . . . . . . . . . . . . . . . . . . . . . (1941-1942). . . . 110


Serenade g a e ta n o b r a g a
for soprano, mezzo-soprano, violin and piano.. . . . . . . . . . . . . . . . . . . . . (1972). . . . 212

Serenade, Lullaby and Scherzo for piano. . . . . . . . . . . . . . . . . . . . . . . . . (undated). . . . 221


The Soldier for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1915-1917). . . . . 13
Sonata for Piano in B flat minor, for piano.. . . . . . . . . . . . . . . . . . . . (1923/1924[?]). . . . . 20
Sonata for Violin and Piano.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1945). . . . 124
Song of a Guards Division [ Song of the Regiment of the Guards]. . . . . . (1941). . . . 107
Song of Fighters for Peace [ March of Peace Champions]. . . . . . . . . . . . . . . . . . . . . 145
Song of the Flea l u d w i g va n b e e t h o v e n
for bass and orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1975). . . . 218

Song of the Red Army [ National Anthem (IV)].. . . . . . . . . . . . . . . . . . . . (1943). . . . 116


Song of the Regiment of the Guards
Marching song for bass, mixed choir and piano.. . . . . . . . . . . . . . . . . . . . (1941). . . . 107

Songs.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (undated). . . . 221


Songs and Dances of Death modest musorgsky
for voice and orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1962). . . . 187

Stand Fast, Our Inviolable National Shrine [ Hymn to Moscow].. . . . . . . (1948). . . . 140
St. Petersburg Days
Music to the film. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1973). . . . 214

String Quartet The Unfinished. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1961). . . . 185


Suite for Jazz Orchestra No. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1934). . . . . 68
Suite for Jazz Orchestra No. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1938). . . . . 96
Suite for Variety Orchestra. . . . . . . . . . . . . . . . . . . . . . . (second half of the 1950s[?]). . . . 170
Suite on Finnish Themes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1939). . . . 100
Supporters of Peace March [ March of Peace Champions]. . . . . . . . . . . . . . . . . . . . 145
Symphonic Movement.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1934[?]) / (1945). . 75/124

255
works wit h o u t OPUS NUMB ERS
Symphonie No. 3, Liturgique a rt h u r h o n e g g e r
for piano four hands.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (late 1940s[?]). . . . 144

Symphonie No. 10, second movement g u s tav m a h l e r


for piano four hands.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (undated). . . . 221

Symphony No. 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (late 1975[?]). . . . 219


Symphony of Psalms i g o r s t r av i n s k y
for piano four hands.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1930[?]). . . . . 38

The Tale of the Priest and his Servant Balda


Opera after Op. 36.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1978). . . . . 72
Tarantella for two pianos.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1954[?]). . . . 161
Ten Russian Folksongs for soloists, choir and piano.. . . . . . . . . . . . . . . . . . . (1951). . . . 152
The Fearless Guards Regiments Are on the Move
[ Song of the Regiment of the Guards]. . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 107

There were Kisses Song for voice and piano.. . . . . . . . . . . . . . . . . . . . . . (1954[?]). . . . 163
Three Choruses for the Fortieth Anniversary of the October Revolution
for choir and piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1957). . . . 172

Three Piano Pieces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1919-1920). . . . . 14


Three Pieces for orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1947-1948). . . . 132
Three Pieces for solo violin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1940). . . . 105
A Toast to our Motherland for tenor, mixed choir and piano. . . . . . . . . . . . (1944). . . . 122
To France! for voice, mixed choir and piano.. . . . . . . . . . . . . . . . . . . . (late 1950s). . . . 179
The Twelve Chairs
Unfinished Operetta after Ilf and Petrov.. . . . . . . . . . . . . . . . . . . . . . . . . . (1939). . . . 100

Twenty-Seven Romances and Songs for voice and piano. . . . . . . . . . . . . . . (1941). . . . 106
Two Madrigals [ Madrigal] for tenor and piano. . . . . . . . . . . . . . . . . . (undated). . . . . 66
Two Mazurkas for piano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (before 1920). . . . . 13
Two Pieces for String Quartet.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1931). . . . . 52

Unbreakable Union of Freeborn Republics [ National Anthem (I/II)]. . . . (1943). . . . 115

Vergngungszug (Excursion Train Polka) johann strauss ii


for orchestra.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 104

Vienna Blood (Wiener Blut) johann strauss ii


Reorchestration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 109

Wiener Blut (Vienna Blood) johann strauss ii adolf mller


Reorchestration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . (1941). . . . 109

256
alpha betic i n d e x o f w o r k s
The Adventures of Korzinkina [ Kozinkinas Adventures, Op. 59].. . . . . . . . . . . . . . 103
The Age of Gold, Op. 22.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
A Great Day Has Come.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
All Alone [ Alone, Op. 26]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Allegedly Murdered [ Declared Dead, Op. 31]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Alone, Op. 26. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Annie Laurie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Antiformalistic Rayok. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Aphorisms, Op. 13. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Armer Columbus [ Columbus, Op. 23]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
A Year is Like a Lifetime, Op. 120.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197

Baldas Abenteuer oder Das Mrchen vom Popen und seinem Knecht Balda
[ The Tale of the Priest and his Servant Balda (Opera after Op. 36)]. . . . . . . . . . . . 72

Ballet Suite No. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144


Ballet Suite No. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Ballet Suite No. 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
Ballet Suite No. 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Ballet Suite No. 5 [ Suite from The Bolt, Op. 27a].. . . . . . . . . . . . . . . . . . . . . . . . . . 45
Beautiful Day (from Op. 82). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
The Bedbug, Op. 19. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Belinsky, Op. 85. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Bird of Peace.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
The Black Monk [ Serenade]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
The Black Sea. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
The Bolshevik [ Maxims Youth, Op. 41]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
The Bolt, Op. 27. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Boris Godunov modest musorgsky, Op. 58 .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Bright Rivulet [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Bright Stream [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Cantata About the Party [ The Sun Shines Over Our Motherland, Op. 90].. . . . . . . 156
Ceremonial March in D flat major.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Cheryomushki, Op. 105a (Film version). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Chik-achi.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Childrens Notebook, Op. 69. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Childrens Pieces from the Years between 1915 and the Early 1920s.. . . . . . . . . . . . . . 12

257
alpha betic i n d e x o f w o r k s
Clear Stream [ The Limpid Stream, Op. 39].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Clear Water Springs [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Columbus, Op. 23.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Coming Your Way [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Concertino in A minor, op. 94.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Concerto for Piano and Orchestra No. 1
[ Concerto for Piano, String Orchestra and Trumpet in C minor, Op. 35]. . . . . . . . 65

Concerto for Piano and Orchestra No. 2 in F major, Op. 102. . . . . . . . . . . . . . . . . . . 171
Concerto for Piano, String Orchestra and Trumpet in C minor, Op. 35. . . . . . . . . . . . . 65
Concerto for Violin and Orchestra No. 1 in A minor, Op. 77.. . . . . . . . . . . . . . . . . . . 132
Concerto for Violin and Orchestra No. 2 in C sharp minor, Op. 129. . . . . . . . . . . . . . 202
Concerto for Violoncello and Orchestra b o r i s t i s h c h e n k o .. . . . . . . . . . . . . . . . . . 207
Concerto for Violoncello and Orchestra r o b e rt r c h u m a n n , Op. 125.. . . . . . . . . . 191
Concerto for Violoncello and Orchestra No. 1 in E flat major, Op. 107.. . . . . . . . . . . 178
Concerto for Violoncello and Orchestra No. 2 in G major, Op. 126. . . . . . . . . . . . . . 200
Concerto Movement (from Op. 89a, No. 5). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Conditionally Killed [ Declared Dead, Op. 31]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Conditional Death [ Declared Dead, Op. 31]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Cordelias Ballad [ Kind Lear, Op. 58a]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Counterplan [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Cudgel.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Cultivation [ Two Russian Folksong Adaptations, Op. 104].. . . . . . . . . . . . . . . . . . . 173

Dances of the Dolls.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158


The Dawn of October (from Three Choruses).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Days of Volochayevsk [ Volochayevka Days, Op. 48]. . . . . . . . . . . . . . . . . . . . . . . . . 88
Declared Dead, Op. 31.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
The Devils. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
The Dreamers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Dresden Art Gallery [ Five Days Five Nights, Op. 111].. . . . . . . . . . . . . . . . . . . . . 182
Dresden Quartet [ String Quartet No. 8, Op. 110]. . . . . . . . . . . . . . . . . . . . . . . . . . 181
Dynamiada [ The Age of Gold, Op. 22].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Eight British and American Folksongs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114


Eight Preludes, Op. 2.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Eleven Variations on a Theme by Glinka.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Encounter, Op. 33.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57

258
alpha betic i n d e x o f w o r k s
Encounter on the Elbe, Op. 80. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Entgegen dem khlenden Morgen [ Song About the Counterplan (from Op. 33)]. . . . 58
Evgeni Onegin.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Excursion Train Polka (Vergngungszug) j o h a n n s t r a u s s i i 1 104
The Execution of Stepan Razin, Op. 119.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

A Fairy Tale of the Priest and the Knockhead, his Servant


[ The Tale of the Priest and his Servant Balda (Opera after Op. 36)]. . . . . . . . . . . . 72

The Fall of Berlin, Op. 82. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141


Far East [ Volochayevka Days, Op. 48]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Festival Overture [ Festive Overture, Op. 96]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Festive Overture in A major, Op. 96. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
The First Echelon, Op. 99. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Five Days Five Nights, Op. 111.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Five Entractes from Lady Macbeth of Mtsensk / Katerina Izmailova, Op. 114a.. . . 190
Five Fragments, Op. 42.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Five Preludes.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Five Romances, Op. 98. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Five Romances on Texts from Krokodil Magazine, Op. 121. . . . . . . . . . . . . . . . . . . . 198
The Flame of Eternal Glory [ Novorossiisk Chimes].. . . . . . . . . . . . . . . . . . . . . . . . . 182
Four Monologues on Verses of Pushkin, Op. 91. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Four Romances on Poems of Pushkin, Op. 46.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Four Songs to Words by Evgeni Dolmatovsky, Op. 86. . . . . . . . . . . . . . . . . . . . . . . . . 148
Four Verses of Captain Lebyadkin, Op. 146. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Four Waltzes (from Opp. 27a, 45, 78a, 97a).. . . . . . . . . . . . . . . . . . . . . . . 44, 85, 134, 166
Friends, Op. 51. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
From Jewish Folk Poetry, Op. 79. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
From Jewish Folk Poetry, Op. 79a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
From Karl Marx to Our Own Days. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Funeral March in Memory of the Fallen Heroes of the Revolution.. . . . . . . . . . . . . . . . 12
Funeral-Triumphal Prelude, Op. 130.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202

The Gadfly, Op. 97. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164


Galop and Lullaby.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
The Gamblers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
German March. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Girlfriends, Op. 41a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

259
alpha betic i n d e x o f w o r k s
Girls Song [ A Talk of Mine (from Op. 85, No. 11]. . . . . . . . . . . . . . . . . . . . . . . . . . 146
Glittering Stream [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Glory to Our Soviet Motherland [ National Anthem (III)]. . . . . . . . . . . . . . . . . . . . . 115
The Golden Age [ The Age of Gold, op. 22].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Golden Mountains, Op. 30. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
The Great Citizen (parts I and II), Opp. 52 and 55. . . . . . . . . . . . . . . . . . . . . . . . . . 90 / 97
The Great Lightning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Greek Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
The Green Company [ Overture to The Green Company].. . . . . . . . . . . . . . . . . . . . 46
The Green Guild [ Overture to The Green Company].. . . . . . . . . . . . . . . . . . . . . . . 46
The Gunshot, Op. 24.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
The Gypsies.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Hamlet (Incidental music to the play), Op. 32. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53


Hamlet (Music to the film), Op. 116.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Hamlet Symphony [ Symphony No. 5 in D minor, Op. 47]. . . . . . . . . . . . . . . . . . . . . 89
Hey, Lets Bang!.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Holiday Overture [ Festive Overture, Op. 96].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Homesickness [ Longing for Home from Op. 80].. . . . . . . . . . . . . . . . . . . . . . . . . . . 137
How Long will my Heart Ache? (from Op. 33). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
The Human Comedy, Op. 37. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Hymn of the United Nations [ Song About the Counterplan (from Op. 33)]. . . . . . . . 58
Hymn to Freedom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Hymn to Moscow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Hypothetically Murdered [ Declared Dead, Op. 31].. . . . . . . . . . . . . . . . . . . . . . . . . 49

Internationale pierre degeyter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90


Intervention in the Far East [ Volochayevka Days, Op. 48]. . . . . . . . . . . . . . . . . . . . . 88
Intervision. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
In the Fields Stand the Collective Farms (from Op. 81).. . . . . . . . . . . . . . . . . . . . . . . . 140
In the Forest. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Invincible Red Army [ National Anthem (IV)]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
I Waited for Thee in the Grotto nikolai rimsky-korsakov. . . . . . . . . . . . . . . . . . . . 16

Karl Marx [ A Year is Like a Lifetime, Op. 120]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197


Katerina Izmailova, Op. 114 (Opera). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Katerina Izmailova (Film version). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191

260
alpha betic i n d e x o f w o r k s
Katyusha Maslova. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Khovanshchina modest musorgsky, Op. 106 (Opera).. . . . . . . . . . . . . . . . . . . . . . 177
Khovanshchina modest musorgsky, Op. 106a (Film version). . . . . . . . . . . . . . . . . 178
King Lear, Op. 58a (Incidental music). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
King Lear, Op. 137 (Music to the film). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Korzinkinas Adventures, Op. 59. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

The Lady and the Hooligan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78


Lady Macbeth of Mtsensk [ Lady Macbeth of the Mtsensk District, Op. 29].. . . . . . . 60
Lady Macbeth of the Mtsensk District, Op. 29. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Lenin Symphony. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Lenin Symphony [ Symphony No. 12 1917, Op. 112]. . . . . . . . . . . . . . . . . . . . . . . 184
Das Lied der Strme [ Song of the Great Rivers, Op. 95]. . . . . . . . . . . . . . . . . . . . . 162
Life in Bloom [ Michurin, Op. 78]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Limpid Brook [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
The Limpid Stream, Op. 39.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Longing for Home (from Op. 80).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Love and Hate [ Love and Hatred, Op. 38]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Love and Hatred, Op. 38.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Loyalty, Op. 136. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208

Madrigal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Man at Arms [ The Man With a Gun, Op. 53]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
The Man With a Gun, Op. 53. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
March of Peace Champions.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
March of the Defenders of Peace [ March of Peace Champions]. . . . . . . . . . . . . . . 145
March of the Soviet Militia, op. 139. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Maxims Return, Op. 45. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Maxims Youth, Op. 41. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
May Day [ Symphony No. 3 in E flat major, The First of May, Op. 20].. . . . . . . . . . . 33
A May Symphony [ Symphony No. 3 in E flat major, The First of May, Op. 20].. . . . 33
Meet the Cool of the Morning [ Song About the Counterplan (from Op. 33)]. . . . . . . 58
The Memorable Year 1919 [ The Unforgettable Year 1919, Op. 89].. . . . . . . . . . . . 155
Merry March in D major.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Michurin, Op. 78. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Military March in F major f r a n z s c h u b e r t .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Moderato in A minor.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

261
alpha betic i n d e x o f w o r k s
Moscow Cheryomushki, Op. 105 (Operetta).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Motherland [ Native Leningrad].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Mountains of Gold [ Golden Mountains, Op. 30]. . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Murzilka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
My Dear Fatherland [ Native Leningrad]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
My Native Country [ Native Leningrad].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
My Native Land [ Native Leningrad]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
My Rowan-Tree [ Oh, My Ash-Tree (from Op. 85, No. 3)].. . . . . . . . . . . . . . . . . . . . 146
My Talk [ A Talk of Mine (from Op. 85, No. 2)]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146

Narodovoltsy.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
National Anthem (I).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
National Anthem (II) d m i t r i s h o s ta k o v i c h / a r a m k h a c h at u r ya n . . . . . . . . . . . . . 115
National Anthem (III).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
National Anthem (IV). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Native Leningrad, Op. 63. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
New Babylon, Op. 18. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
The Nose, Op. 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
November [ The Man With a Gun, Op. 53].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Novorossiisk Chimes.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182

Oath to the Peoples Commissar [ A Great Day Has Come]. . . . . . . . . . . . . . . . . . . 107


October [ Sonata No. 1 for piano, Op. 12]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
October, Op. 131. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
October Sonata [ Sonata No. 1 for piano, Op. 12].. . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Oh, My Ash-Tree (from Op. 85, No. 3). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Oh, Rowan-Tree [ Oh, My Ash-Tree (from Op. 85, No. 3)]. . . . . . . . . . . . . . . . . . . . 146
Orango. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Our Native Russia has Gained Strength from Storms. . . . . . . . . . . . . . . . . . . . . . . . . . 124
Our Song.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Overture on Russian and Kirghiz Folk Themes in C major, Op. 115. . . . . . . . . . . . . . . 192
Overture to The Green Company i va n d z e r z h i n s k y . . . . . . . . . . . . . . . . . . . . . . . . 46

Passacaglia (from Op. 29). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62


Passer-by [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Patriotic Song [ National Anthem (III)].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Peaceful Labour (from Op. 95). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

262
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Peoples Lamentation (from Op. 137). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Peoples Might (from Op. 85, No. 1). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Piano Concerto en miniature (from Op. 89a, No. 5).. . . . . . . . . . . . . . . . . . . . . . . . . . 155
Piano Fugues from the 1930s. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Piano Quintet in G minor, Op. 57.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Piano Sonata No. 8 in C minor, Pathtique, Op. 13 l u d w i g va n b e e t h o v e n .. . . . . 16
Piano Sonata No. 32 in C minor, Op. 111 l u d w i g va n b e e t h o v e n . . . . . . . . . . . . . . 16
Piano Trio No. 1 in C minor, Op. 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Piano Trio No. 2 in E minor, Op. 67. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Pictures of the Past [ Satires, Op. 109]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Pirogov, Op. 76.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Plain People [ Simple Folk, Op. 71]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Pleasure Train Polka [ Vergngungszug]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Poem [ Piano Trio No. 1 in C minor, Op. 8].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Poem of Mourning and Triumph [ Funeral-Triumphal Prelude, Op. 130].. . . . . . . . . 202
Poem of the Motherland, Op. 74. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Polka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Polka in F sharp minor m i l i b a l a k i r e v .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Preface to the Complete Edition of my Works
and a Brief Reflection apropos of this Preface, Op. 123. . . . . . . . . . . . . . . . . . . . . . 199

Prelude. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Prelude and Scherzo [ Two Pieces, Op. 11].
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Prelude-Stalingrad [ Funeral-Triumphal Prelude, Op. 130].. . . . . . . . . . . . . . . . . . . . 202

Quiet Flows the Don.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207

The Return of Maxim [ Maxims Return, Op. 45]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85


Romance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Rothschilds Violin veniamin fleishman.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
Rule, Britannia! Op. 28.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Russian Folksongs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Russian River, Op. 66. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122

Salute, Spain! [ Salute to Spain, Op. 44].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84


Salute to Life [ Song About the Counterplan (from Op. 33)]. . . . . . . . . . . . . . . . . . . . 58
Salute to Spain, Op. 44. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Satires, Op. 109.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180

263
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Scenes after Gogol [ The Gamblers]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Scherzo in F sharp minor, Op. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Scherzo in E flat major, Op. 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Serenade g a e ta n o b r a g a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Serenade, Lullaby and Scherzo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Seven Rivers [ Song of the Great Rivers, Op. 95].. . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Seven Romances on Poems of Alexander Blok, Op. 127.. . . . . . . . . . . . . . . . . . . . . . . 201
The Shot [ The Gunshot, Op. 24].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
The Silly Little Mouse [ The Story of a Silly Baby Mouse, Op. 56].. . . . . . . . . . . . . . . 98
Simple Folk, Op. 71.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Simple People [ Simple Folk, Op. 71].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Six Poems of Marina Tsvetaeva, Op. 143. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Six Poems of Marina Tsvetaeva, Op. 143a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Six Romances on Verses by British Poets [ Six Romances on
Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 62 / 62a / 140]. . 112 / 113 / 211

Six Romances on Verses by English Poets [ Six Romances on


Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 62 / 62a / 140]. . 112 / 113 / 211

Six Romances on Words by Japanese Poets, Op. 21 / 21a. . . . . . . . . . . . . . . . . . . . . . . 56


Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 62. . . . . . 112
Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 62a. . . . . 113
Six Romances on Words by W. Raleigh, R. Burns and W. Shakespeare, Op. 140. . . . . 211
Sofia Perovskaya, Op. 132. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
The Soldier. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Sonata for Piano in B flat minor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Sonata for Piano No. 1, Op. 12.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Sonata for Piano No. 2 in B minor, Op. 61. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Sonata for Viola and Piano in C major, Op. 147. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Sonata for Violin and Piano in G major, Op. 134. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Sonata for Violin and Piano (1945). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Sonata for Violoncello and Piano in D minor, Op. 40.. . . . . . . . . . . . . . . . . . . . . . . . . . 68
Song About the Counterplan (from Op. 33). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Song of a Guards Division [ Song of the Regiment of Guards]. . . . . . . . . . . . . . . . . 107
Song of Encounter [ Song About the Counterplan (from Op. 33)]. . . . . . . . . . . . . . . . 58
Song of Fighters for Peace [ March of Peace Champions]. . . . . . . . . . . . . . . . . . . . . 145
Song of Peace (Op. 80a). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Song of the Flea l u d w i g va n b e e t h o v e n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
The Song of the Forests, Op. 81. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

264
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Song of the Great Rivers, Op. 95. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Song of the Red Army [ National Anthem (IV)]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Song of the Regiment of the Guards. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Song of Unity (from op. 95).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Songs.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Songs and Dances of Death modest musorgsky. . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Songs of Our Days [ Five Romances, Op. 98]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
Song Without Words (from Op. 85, No. 4). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
A Soviet Artists Practical Creative Reply to Justified Criticism
[ Symphony No. 5 in D minor, Op. 47]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Spanish Songs, Op. 100.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169


Sparkling Brook [ The Limpid Stream, Op. 39]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Spring, Spring, Op. 128.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
The Standard-Bearers of the Twentieth Century
[ The Sun Shines Over Our Motherland, Op. 90].. . . . . . . . . . . . . . . . . . . . . . . . . 156

Stand Fast, Our Inviolable National Shrine


[ Hymn to Moscow]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

The Story of a Silly Baby Mouse, Op. 56.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98


St. Petersburg Days. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
The Street of Happiness [ Golden Mountains, Op. 30]. . . . . . . . . . . . . . . . . . . . . . . . 47
String Quartet The Unfinished. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
String Quartet No. 1 in C major, Op. 49.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
String Quartet No. 2 in A major, Op. 68.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
String Quartet No. 3 in F major, Op. 73. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
String Quartet No. 4 in D major, Op. 83.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
String Quartet No. 5 in B flat major, Op. 92. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
String Quartet No. 6 in G major, Op. 101. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
String Quartet No. 7 in F sharp minor, Op. 108. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
String Quartet No. 8 in C minor, Op. 110.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181
String Quartet No. 9 in E flat major, Op. 117. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
String Quartet No. 10 in A flat major, Op. 118. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
String Quartet No. 11 in F minor, Op. 122. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
String Quartet No. 12 in D flat major, Op. 133.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
String Quartet No. 13 in B flat minor, Op. 138.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
String Quartet No. 14 in F sharp major, Op. 142. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
String Quartet No. 15 in E flat minor, Op. 144. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Stupid Little Mouse [ The Story of a Silly Baby Mouse, Op. 56]. . . . . . . . . . . . . . . . . 98

265
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Suite for Jazz Orchestra No. 1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Suite for Jazz Orchestra No. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Suite for Two Pianos in F sharp minor, Op. 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Suite for Variety Orchestra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Suite for Variety Orchestra No. 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Suite from Alone, Op. 26a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Suite from A Year is Like a Lifetime, Op. 120a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Suite from Belinsky, Op. 85a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Suite from Declared Dead, Op. 31a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Suite from Encounter on the Elbe, Op. 80a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Suite from Five Days Five Nights, Op. 111a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Suite from Golden Mountains, Op. 30a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Suite from Hamlet (Incidental music to the play), Op. 32a. . . . . . . . . . . . . . . . . . . . . . 55
Suite from Hamlet (Music to the film), Op. 116a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Suite from Lady Macbeth of the Mtsensk District, Op. 29a. . . . . . . . . . . . . . . . . . . . . 62
Suite from Michurin, Op. 78a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Suite from New Babylon, Op. 18a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Suite from Pirogov, Op. 76a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Suite from The Age of Gold, Op. 22a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Suite from The Bedbug, Op. 19a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Suite from The Bolt, Op. 27a (Ballet Suite No. 5). . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Suite from The Fall of Berlin, Op. 82a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Suite from The First Echelon, Op. 99a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Suite from The Gadfly, Op. 97a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Suite from The Limpid Stream, Op. 39a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Suite from the Maxim Film Trilogy, Op. 50a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Suite from The Nose, Op. 15a .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Suite from The Tale of the Priest and his Servant Balda, Op. 36a.. . . . . . . . . . . . . . . . 71
Suite from The Unforgettable Year 1919, Op. 89a. . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Suite from The Young Guard, Op. 75a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Suite from Zoya, Op. 64a. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Suite on Finnish Themes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Suite on Texts of Michelangelo Buonarroti
[ Suite on Verses of Michelangelo Buonarroti, Op. 145/145a].. . . . . . . . . . . 216 / 217

Suite on Verses of Michelangelo Buonarroti, Op. 145. . . . . . . . . . . . . . . . . . . . . . . . . 216


Suite on Verses of Michelangelo Buonarroti, Op. 145a. . . . . . . . . . . . . . . . . . . . . . . . 217
Supporters of Peace March [ March of Peace Champions]. . . . . . . . . . . . . . . . . . . . 145

266
alpha betic i n d e x o f w o r k s
Symphonic Movement (1934). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Symphonic Movement (1945). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Symphony of Psalms i g o r s t r av i n s k y .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Symphony No. 1 in F minor, Op. 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Symphony No. 2 in B major, To October A Symphonic Dedication, Op. 14. . . . . . . 24
Symphony No. 3 in E flat major, The First of May, Op. 20.. . . . . . . . . . . . . . . . . . . . . . 33
Symphony No. 3, Liturgique a rt h u r h o n e g g e r . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Symphony No. 4 in C minor, Op. 43.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Symphony No. 5 in D minor, Op. 47.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
Symphony No. 6 in B minor, Op. 54.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Symphony No. 7 in C major, Leningrad, Op. 60. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Symphony No. 8 in C minor, Op. 65.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Symphony No. 9 in E flat major, Op. 70. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Symphony No. 10 in E minor, Op. 93. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Symphony No. 10, second movement g u s tav m a h l e r . . . . . . . . . . . . . . . . . . . . . . . 221
Symphony No. 11 in G minor, The Year 1905, Op. 103. . . . . . . . . . . . . . . . . . . . . . . 172
Symphony No. 12 in D minor, The Year 1917, Op. 112. . . . . . . . . . . . . . . . . . . . . . . 184
Symphony No. 13 in B flat minor, Babi Yar, Op. 113. . . . . . . . . . . . . . . . . . . . . . . . . 186
Symphony No. 14 in G minor, Op. 135. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Symphony No. 15 in A major, Op. 141. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
Symphony No. 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219

Tahiti Trot vincent youmans, Op. 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24


The Tale of the Pope and his Servant Balda
[ The Tale of the Priest and his Servant Balda, Op. 36]. . . . . . . . . . . . . . . . . . . . . . 69

The Tale of the Priest and his Blockhead Servant


[ The Tale of the Priest and his Servant Balda (Opera after Op. 36)]. . . . . . . . . . . . 72

The Tale of the Priest and his Servant Balda, Op. 36 (Animated cartoon film). . . . . . . . 69
The Tale of the Priest and his Servant Balda (Opera after Op. 36). . . . . . . . . . . . . . . . . 72
The Tale of the Stupid Little Mouse [ The Story of a Silly Baby Mouse, Op. 56]. . . . . 98
A Talk of Mine (from Op. 85, No. 11). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Tarantella.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Tea for Two [ Tahiti Trot, Op. 16].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Ten Poems on Texts by Revolutionary Poets
of the Late Nineteenth and Early Twentieth Century, Op. 88. . . . . . . . . . . . . . . . . . 151

Ten Russian Folksongs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152


Ten Songs of the Fool [ King Lear, Op. 58a].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

267
alpha betic i n d e x o f w o r k s
The Fearless Guards Regiments are on the Move [ Song of the Regiment of Guards].. 107
Theme with Variations in B flat major, Op. 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
There were Kisses. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
The Sun Shines Over Our Motherland, Op. 90.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Three Choruses for the Fortieth Anniversary of the October Revolution. . . . . . . . . . . 172
Three Duets (Opp. 37, 50a, 97a).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67, 95, 165
Three Fantastic Dances, Op. 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Three Piano Pieces. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Three Pieces (for orchestra). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Three Pieces (for solo violin). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Three Pieces, Op. 9 (for violoncello and piano). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Three Romances on Poems of Pushkin, Op. 46a.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Three Women [ Girlfriends, Op. 41a]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
A Ticket to Zone Five [ Korzinkinas Adventures, Op. 59].. . . . . . . . . . . . . . . . . . . . 103
A Toast to Our Motherland. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
To France!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179
To October A Symphonic Dedication [ Symphony No. 2 in B major, Op. 14]. . . . . 24
Train of Joy [ Vergngungszug]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Turbine 50000 [ Encounter, Op. 33]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
The Twelve Chairs.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Twenty-Four Preludes, Op. 34. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Twenty-Four Preludes and Fugues, Op. 87. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Twenty-Seven Romances and Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Two Choruses a l e x a n d e r d av i d e n k o , Op. 124. . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Two Fables of Krylov, Op. 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Two Madrigals [ Madrigal]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
Two Mazurkas.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Two Pieces for String Octet, Op. 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Two Pieces for String Quartet.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Two Romances on Verses by Mikhail Lermontov, Op. 84.. . . . . . . . . . . . . . . . . . . . . . 145
Two Russian Folksong Adaptations, Op. 104. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Two Scarlatti Pieces, op. 17. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Unbreakable Union of Freeborn Republics [ National Anthem (I/II)].. . . . . . . . . . . . 115


The Unforgettable Year 1919, Op. 89.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Unity [ Song of the Great Rivers, Op. 95]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162

268
alpha betic i n d e x o f w o r k s
Varshavyanka [ Maxims Youth, Op. 41]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Velocity Etude [ Twenty-Four Preludes, Op. 34, No. 5].. . . . . . . . . . . . . . . . . . . . . . . 63
Vergngungszug (Excursion Train Polka) j o h a n n s t r a u s s i i 1 104
Victorious Spring, Op. 72. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Vienna Blood [ Wiener Blut j o h a n n s t r a u s s i i ]1 109
Virgin Land [ Virgin Soil, Op. 25)]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Virgin Lands [ The First Echelon, Op. 99)]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Virgin Soil, Op. 25.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Vocalise (from Op. 51).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Vocalise (from Op. 82).. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Volochayev Days [ Volochayevka Days, Op. 48].. . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Volochayevka Days, Op. 48. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Vyborg District, Op. 50.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
The Vyborg Side [ Vyborg District, Op. 50].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

A Walk Into the Future (Op. 81). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140


Waltz (from Op. 95). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Waltzes [ Suite for Variety Orchestra]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
We Cherish the October Dawns in our Hearts (from Three Choruses).. . . . . . . . . . . . 172
We Sing Glory to Our Motherland (from Three Choruses). . . . . . . . . . . . . . . . . . . . . . 172
Who is She? [ Zoya, Op. 64]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Wiener Blut j o h a n n s t r a u s s i i 1 109
Won in Persistant Struggles [ The Sun Shines Over Our Motherland, Op. 90]. . . . . 156

The Young Guard, Op. 75.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130


The Youth of Maxim [ Maxims Youth, Op. 41]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Zoya, Op. 64.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118


Zoya Kosmodemyanskaya [ Zoya, Op. 64].. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118

269
awards
1935
Maxims Youth Music for the film, part I, Op. 41. . . . . . . . . . . . . . . . . . . . . . . . . . 80
First Prize at the Moscow International Film Festival

1941
The Great Citizen Music for the film, part I, Op. 52.. . . . . . . . . . . . . . . . . . . . . . . 90
Stalin Prize, Second Class, together with part II, Op. 55
The Great Citizen Music for the film, part II, Op. 55. . . . . . . . . . . . . . . . . . . . . . . 97
Stalin Prize, Second Class, together with part I, Op. 52

Maxim's Return Music for the film, part II, Op. 45.. . . . . . . . . . . . . . . . . . . . . . . . 85
Stalin Prize, First Class, together with part I (Maxims Youth, Op. 41) and
III (Vyborg District, Op. 50)
Maxim's Youth Music for the film, part I, Op. 41. . . . . . . . . . . . . . . . . . . . . . . . . . 80
Stalin Prize, First Class, together with part II (Maxims Return, Op. 45)
and III (Vyborg District, Op. 50)
Piano Quintet in G minor, Op. 57. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Stalin Prize, First Class

Vyborg District Music for the film, part III of the Maxim trilogy, Op. 50. . . . . . . 94
Stalin Prize, First Class, together with part I (Maxims Youth, Op. 41) and
II (Maxims Return, Op. 45)

1942
Symphony No. 7 in C major, Leningrad, Op. 60. . . . . . . . . . . . . . . . . . . . . . . . 108
Stalin Prize, First Class

1946
Piano Trio No. 2 in E minor, Op. 67.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Stalin Prize, Second Class
Zoya Music to the film, Op. 64.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Stalin Prize, First Class

1948
Pirogov Music for the film, Op. 76.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Stalin Prize, Second Class

1949
Encounter on the Elbe Music for the film, Op. 80. . . . . . . . . . . . . . . . . . . . . . . . 137
Prize of Peace of the Fourth International Film Festival in Gotvaldov
Michurin Music for the film, Op. 78.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Stalin Prize, Second Class
Prize of Labour at the Second International Film Festival in Gotvaldov

The Young Guard Music for the film, Op. 75. . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Stalin Prize, First Class

270
awards
1950
Encounter on the Elbe Music for the film, Op. 80. . . . . . . . . . . . . . . . . . . . . . . . 137
Stalin Prize, First Class

The Fall of Berlin Music for the film, Op. 82. . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Stalin Prize, First Class

The Song of the Forests Oratorio for tenor and bass, boys choir, mixed choir
and orchestra, Op. 81.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Stalin Prize, First Class

1951
Ten Poems on Texts by Revolutionary Poets of the Late Nineteenth and Early
Twentieth Century for mixed choir a cappella and boys choir, Op. 88. . . . . . . . 151
Stalin Prize, Second Class

1952
The unforgettable Year 1919 Music for the film, Op. 89. . . . . . . . . . . . . . . . . . . 155
First Prize at the International Film Festival in Karlovy Vary

1955
Song ot the Great Rivers Music for the film, Op. 95. . . . . . . . . . . . . . . . . . . . . . 162
First Prize at the International Film Festival in Karlovy Vary

1958
Symphony No. 11 in G minor, The Year 1905, Op. 103.. . . . . . . . . . . . . . . . . . 172
Lenin Prize

1968
The Execution of Stepan Razin Vocal-symphonic poem for bass, mixed choir
and orchestra, Op. 119.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Glinka State Prize

1970
March of the Soviet Militia for military band, Op. 139. . . . . . . . . . . . . . . . . . . . 210
First Prize of the All-Unions Literature and Arts Competition

1974
Loyalty Eight ballads for male choir a cappella, Op. 136. . . . . . . . . . . . . . . . . . . 208
Glinka State Prize First Class, together with String Quartet No. 14, Op. 142

String Quartet No. 14, Op. 142.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213


Glinka State Prize First Class, together with Loyalty, Op. 136

271
alpha betic i n d e x o f n a m e s

A Alymov, Sergei Yakovlevich


lyricist Op. 63 The Black Sea
Abbakumov, S. Amicis, Edmondo de
bass Op. 29 novelist The Lady and the Hooligan
Abramova, Anna Andersen, Hans Christian
script - writer Op. 106a novelist The Little Mermaid
Abrikosov, Andrei Andreev, A.
actor Opp. 33, 38, 82 actor Op. 53
Abrosimova, Tamara Andreev, Boris
actress Op. 132 actor Opp. 80, 82, 89
Adashevsky, K. Andreeva, Eleonora Evgenievna
actor Opp. 55, 71 soprano Op. 114
Adomaitis, Regimantas Andzhan, Anton
actor Op. 137 makeup artist Opp. 52, 53
Adrianova, E. Andzhaparidze, M.
soprano Opp. 15, 29 assistant director Opp. 82, 89
Afanasev, M. Anikev, S.
Op. 85
actor
baritone Op. 105
Afinogenov, Alexander Nikolaevich Anisimov, B.
playwright ,
arranger Ballet Suite No. 3
lyricist Op. 44
Akhmatova, Anna Andreevna Annenkov, Nikolai
poet Op. 143 actor Op. 99
Akimov, Nikolai Pavlovich Anosov, Nikolai Pavlovich
playwright ,
conductor Op. 102
stage - director EvgeniOnegin Antokolsky, Pavel Grigorevich
stage designer Opp. 31, 32, 44 stage - director Op. 32
Alemasova, Kira Sergeevna Antonov, Alexander
lyricist Novorossiisk Chimes actor Op. 75
Alexander II Antonova, I. [Antipova]
Narodovoltsy actress Op. 41a
Alexandrov, A. Anufrieva, E.
arranger Ballet Suite No. 1 actress Op. 75
Alexandrov, Alexander Vasilievich Aparin, Nikolai
composer Op. 74 National Anthem (I-IV) actor Op. 111
Alexandrov, Grigori Vasilievich Apollinaire, Guillaume
film - director Op. 80 poet Op. 135
Alexeev, Alexei Apsolon, Andrei
Op. 33, 120
actor actor Op. 48
Aliev, Y. Arai, Eiji
arranger Op. 97a arranger Op. 100
Almkvist, Lars Archibald, Paul
arranger Op. 60 arranger Op. 108
Altman, Natan Isaakovich Arkadiev, V.
stage designer Op. 58a choreographer Op. 32
Altman, Evgeni Arkanov, Venyamin
cellist Op. 144 bass Op. 46a
Altseva, Tamara Armand, P.
actress Op. 64 set designer Op. 80
Altus, Efim Armand, Pyotr
actor Opp. 52, 55 song writer Op. 53

272
alpha betic i n d e x o f n a m e s
Arndt, Clemens Babochkin, Boris
arranger Op. 110 actor Opp. 41a, 51
Arnshtam, Lev Oskarovich Backman, Katarina
script - writer Opp.
30, 33, 41a, 51, 64, 111, arranger Op. 60
132 German March Bakeeva, Vera Nikolaevna
director Opp. 41a, 51, 64, 111, 132 arranger Op. 87
codirector Op. 33
Baklanov, P.
sound editor Op. 26
dancer Op. 27
Aseev, Nikolai Nikolaevich Balabina, Feya (Feona) Ivanovna
librettist The
Great Lightning dancer Op. 39
lyricist From
Karl Marx to Our Own
Days Balakirev, Mili Alexeevich
composer Polka
Ashbee, Felicity Balashov, Stepan
translator Opp. 140, 143, 145
tenor Op. 29
Atman, Evgeni Balashov, Vladimir
cellist Op. 144 actor Op. 120
Atovmyan, Levon Tadevosovich Balzac, Honor de
arranger Opp. 27, 27a, 30a, 32a, 34, 37, novelist Op. 37
39, 40, 43, 45, 47, 50a, 54,
60, 64a, 65, 70, 74, 75a, 76a, Banionis, Donatas
actor Op. 137
78, 78a, 81, 82a, 85a, 89a,
95, 97a, 99a, 105, 111, 111a, Bannerman, Richard
116a, 120a A Great Day Has translator Op. 14
Come Ballet Suites Nos. 1-4 Baranovich, N.
Four Waltzes The Lady and dancer Op. 27
the Hooligan Suite for Jazz Baratov, Leonid Vasilievich
Orchestra No. 1 Suite for Va- stage - director Op. 106
riety Orchestra Barinova, R.
dedicatee Op. 62 soprano Op. 58
Atrofimovich, A. Barshai, Rudolf Borisovich
dancer Op. 27 arranger Opp. 49, 73, 83, 87, 110, 118
Aturov, Ilya Sergeevich conductor Opp. 135, 140, 143a
songwriter Opp. 48, 74 Barth, Bernhard
Auerbach, Lera arranger Op. 147
arranger Opp. 34, 143 Bartholdi, Annette
arranger Op. 40
Avdeeva, Larisa Ivanovna
contralto Op. 79a Bartlett, Rosamund
musicologist Narodovoltsy
Avdyushko, Viktor
actor Op. 75 Bartk, Bla
composer Opp. 60, 62
Azarkhin, Rodion Mikhailovich
arranger Opp. 39, 62, 77, 87, 97a, 100 Baryshev, Nikofor
Ballet Suite No. 2 tenor Op. 15a
Basarova, N.
dancer Op. 27

B

Basner, Veniamin Efimovich
arranger Op. 114
Babadzhanov, F. Batiashvili, Tamas
actor Op. 71 arranger Dances of the Dolls
Babanova, Maria Baturin, Alexander Iosifovich
actress Op. 26 bass Op. 46
Babich, A. Baumgartner, Rudolf
violist Op. 11 arranger Op. 110

273
alpha betic i n d e x o f n a m e s
Baylay, Pat Bibikov, Boris
translator Op. 81 actor Op. 89, 132
Beethoven, Ludwig van Birman, Serafima
composer Opp. 35, 109, 111a The Great actress Opp. 51, 53
Lightning Song of the Flea Bityukov, Boris
Piano Sonata No. 8 in C minor, actor Op. 75
Pathtique, Op. 13 Piano
Sonata No. 32 in C minor, Op.
Bizet, Georges
composer Op. 47 Twenty-Seven Roman-
111 Twenty-Seven Romances ces and Songs
and Songs
dedicatee Op. 147 Black, Alexander
set designer Op. 53
Bekhterev, Boris
arranger Op. 13 Blanter, Matvei Isaakovich
composer Twenty-Seven Romances and
Bekker, Alexander Songs
sound editor Opp. 48, 56
Blazhevich, Fyodor
Belinsky, Alexander Arkadevich actor Op. 82
librettist The Lady and the Hooligan
Blazhkov, Igor Ivanovich
Bellini, Vincenzo conductor Opp. 21, 42
composer Op. 41a
Blazo, Brandon
Belokrynkin, Yuri arranger Op. 87
baritone Op. 114
Bleiman, Mikhail
Belokurov, Vladimir script - writer Opp. 52, 55
actor Op. 85
Bley, Jochen
Belov, Gavriil actor Op. 111
actor Op. 82
Blinov, Boris
Belov, Grigori actor Op. 48
actor Op. 78
Block, Frederick
Belov, Rudolf arranger Opp. 22a, 32a, 29, 32a, 47
arranger Op. 27a
Blok, Alexander Alexandrovich
Belukhina, N. poet Op. 127
soprano Op. 15
Blok, D.
Benderoff, Sonia conductor Op. 64
translator Op. 29
Blok, David
Benditsky, Alexander sound editor Op. 38
arranger Op. 47
Blok, K.
Beryozova, Anna (Galina) Alexeeva cellist Op. 11
dancer Op. 27
Blyakhin, Pavel Andreevich
Berezovsky, B. writer Op. 18
arranger Suite on Finnish Themes
Blyumental-
Bersenev, Ivan Tamarina, Maria
actor Opp. 52, 55 actress Op. 33, 41a
Besendahl, Maria Bobo, Roger
actress Op. 111 arranger Op. 39
Bezrukov, Georgi Bobyshov, Mikhail Pavlovich
arranger Opp. 5, 22a, 87 stage designer Op. 39
Bezymensky, Alexander Ilyich Bodrov, Ivan
poet Opp. 14, 24 actor Op. 89
Biber, A. Bodyanitskaya, Galina
dancer Op. 27 actress Op. 64
Bibergan, Vadim Boer, Eduard de
arranger Op. 36 arranger Opp. 11, 19a, 34

274
alpha betic i n d e x o f n a m e s
Bhnisch, Carola Bourquin, Jean-Pierre
translator The Tale of the Priest and his Ser- arranger Suite for Variety Orchestra
vant Balda (Opera) Boyarsky, Konstantin Fyodorovich
Bogachova, Irina Petrovna choreographer Op. 105 The Lady and the
contralto Opp. 84, 143, 143a Hooligan
dedicatee Op. 143 Boyarsky, Nikolai
Bogdanov, Mikhail actor Op. 114 (film version)
set designer Opp. 78, 99 Braak, Jos van de
Bogdanov, Vasili Ivanovich arranger Op. 114a
lyricist Cudgel Braga, Gaetano
Bogdanovich- composer Serenade

Berezovsky, Valerian Mikhailovich Brandt, A.


dedicatee Op. 9 translator Op. 21
Bogolyubov, Nikolai Braslavsky, Daniil Abramovich
actor Opp. 52, 55, 82 arranger Op. 131
Bogomolov, P. Braudo, Isai Alexandrovich
assistant director Op. 82 organist Op. 30
arranger Op. 81
Bokarev, V.
actor Op. 75 Braun, Joachim
translator Op. 79
Boland, Holger
translator Op. 114 Brecht, Bertolt
lyricist Op. 95
Bolotin, Sergei Vasilievich
arranger Opp. 30a, 79, 80a, 100 Novo- Bredun, Eduard
rossiisk Chimes actor Op. 99
translator Op. 100, Eight British and Ame- Brendler, Charles
rican Folksongs, Greek Songs arranger Song About the Counterplan
Bolshintsov, Manuel Britten, Benjamin
script - writer Opp. 52, 55 dedicatee Op. 135
Bondarchuk, Sergei Broadbent, Derek Michael
actor Op. 75 arranger Op. 97a
Bondi, Alexander Bruni, Tatyana Georgievna
actor Op. 45 stage designer Op. 27
Borisov, A. Brussilovsky, Alexandre
set designer Op. 106a arranger Two Pieces for String Quartet
Borisov, Alexander Bubelnikov, A.
actor Opp. 51, 85 arranger Op. 96
Borisova, Olga Budnitskaya, A.
soprano Op. 114 actress Op. 120
Borisovsky, Vadim Vasilievich Budraitis, Juozas
viola player Opp. 57, 68, 73, 83, 92, 101, actor Op. 137
108, 110, 117, 118, 122 Brger, Annekathrin
dedicatee Op. 73, 92 138 actress Op. 111
Bornkamp, Arno Bugaev, P.
arranger Op. 108 tenor Op. 58
Borodin, Alexander Porfirevich Buitenhuis, Gert
composer Op. 105 arranger Suite for Variety Orchestra
Bortnikov, Gennadi Buketoff, Igor
actor Op. 105a translator Op. 135
Bostelmann, Rainer Bulavin, Eduard
arranger Suite for Variety Orchestra bass Op. 114

275
alpha b etic i n d e x o f n a m es
Buonarroti, Michelangelo Chepikov, Evgeni
poet Opp. 145, 145a bass Antiformalistic Rayok
Burenin, A. Cherkasov, Nikolai Konstantinovich
bass Op. 29 actor Op. 51, 53, 76
Burkhardt, Viktor Chernov, Yuri Ivanovich
arranger Ballet Suite No. 2 Ballet Suite arranger Op. 30a, 77
No. 3
Chernyshenko, F.
Burlak, Ivan dancer Op. 39
baritone Op. 15a
Chervinsky, Mikhail Abramovich
Burnasheva, N. librettist Opp. 105, 105a
mezzo - soprano Op. 4
Chervyakov, Evgeni
Burns, Robert actor Op. 18
poet Opp. 62, 62a, 140 Eight British
and American Folksongs Chesnakov, Vladimir
choreographer Op. 22
Butakov, Nikolai
sound editor Op. 51 Chesnokov, K.
tenor Op. 29
Buyanovsky, Mikhail Nikolaevich
arranger Op. 39 Chesnokova, E.
actress Op. 38
Buzina, Nadezhda
costume designer Op. 111 Chestnokov, Vladimir
actor Opp. 76, 85, 97
Chiaureli, Mikhail Edisherovich
C

film - director Opp.
script - writer Opp.
82, 89
82, 89
Calvocoressi, Michel Dimitri
translator Op. 29 Chirev, A.
actor Op. 71
Carroll, Geoffrey
arranger Op. 5 Chirkov, Alexander
camera man Op. 105a
Chabukiani, Vakhtang Mikhailovich
dancer Op. 22 Chirkov, Boris
actor Opp. 41, 41a, 45, 48, 50, 52, 53
Chagin, F.
actor Op. 48 Chirskov, Boris Fyodorovich
script writer Op. 64
Chaikovsky, Alexander Vladimirovich
arranger Op. 138 Chisson, Marc
arranger Op. 5, 27a, 34
Chapygin, Alexei
script - writer Op. 30 Chistyakov, Alexander
actor Opp. 38, 45, 50
Chekarov, V.
baritone Op. 105 Chorny, Sasha
poet Op. 109
Chekhov, Anton Pavlovich
playwright Rothschilds Violin Serena- Christiansen, Leo E.
de Narodovoltsy translator Op. 81
Chekursky, V. Chupyatov, L.
actor Op. 116 art director Op. 56
Chelkauskas, Juozas Ionovich Chursina, Lyudmila
arranger Opp. 32, 37, 97a actress Op. 120
Chemodurov, Anatoli Conlon, James
actor Op. 75 arranger Op. 29
Chen, Yu-Lan Cooper, Martin
camera man Opp. 111, 132 translator Op. 135
Chenoweth, Gene Cornall, Andrew
arranger Op. 34 arranger Opp. 56, 105

276
alpha betic i n d e x o f n a m e s
Cray, Robert Deutsch, Jonathan
arranger Op. 32a bass Antiformalistic Rayok
Curnow, James Dierichs, Otto
arranger Opp. 63, 97a actor Op. 111
Digonskaya, Olga
D musicologist Ceremonial March The
Great Lightning Narodo-
Dafov, Iordan voltsy Orango Serenade
arranger Opp. 87, 101, 108, 110 Symphonic Movement [1945]
Dal, Oleg Diky, Alexei
actor Op. 137 actor Op. 76
Dalgat, Dzhemal-Eddin Enverovich Dimov, Ilya
conductor Op. 137 arranger Op. 94
DAmico, Fedele Dittus, Barbara
translator Op. 15 actor Op. 111
Danilevich, Lev Vasilievich Dligach, Lev Mikhailovich
musicologist Op. 85 translator Op. 79
Danyushevsky, M. Dmitriev, Anatoli Nikodemovich
arranger Op. 30a arranger
Opp. 49, 68, 73, 83, 92, 101,
108, 110, 117, 118, 122, 133,
Dargomyzhsky, Alexander Sergeevich
composer Twenty-Seven Romances and 138, 142, 144
Songs Dmitriev, Igor
actor Op. 116
Daushvili, Kote
actor Op. 51 Dmitriev, Ivan
sound editor Opp. 30, 33, 41a, 52, 55
Davidenko, Alexander Alexandrovich
composer Op. 124 Dmitriev, Vladimir Vladimirovich
stage designer Opp. 15, 29, 31
Davis, Colin
conductor Suite for Jazz Orchestra No. 2 Dmokhovsky, Boris
actor Opp. 85, 89, 97
Davydov, Rostislav
camera man Op. 114 (film version) Dobo, Krisztina
arranger Op. 16, Suite for Variety Or-
Davydov, Vladlen chestra
actor Op. 80
Dobrolyubov, I.
Degeyter, Pierre Chretien actor Op. 48
composer Opp. 28, 64, 64a Internatio-
nale National Anthem (I-IV) Dobrovolsky, Iosif
script - writer Opp. 63, 66, 72
Del, D. (Leonid Lyubashevsky) lyricist Op. 66
script - writer Op. 33
Dobrushin, Iekhezkel
Dementev, Yu. folksong collector Op. 79
tenor Op. 106a
Dokshitser, Timofei Alexandrovich
Demyanenko, Alexander arranger Op. 5
actor Op. 111
Dolinskaya, M.
Demyanov, Andrei dancer Op. 27
actor Op. 111
Dolmatovsky, Evgeni Aronovich
Denisov, Edison Vasilievich lyricist Opp. 72, 80, 80a, 81, 82, 86,
arranger Op. 72 90, 98, 136 Glory to Our So-
Denisova, Alexandra viet Motherland There Were
actress Op. 75 Kisses My Native Land
Derevyanko, Viktor Dolukhanova, Zara Alexandrovna
arranger Op. 141 mezzo - soprano Opp. 79, 100
Derezhinsky, K. Dombrovsky, V.
bass Op. 29 camera man Op. 106a

277
alpha betic i n d e x o f n a m e s
Dombrovskaya, Olga Dubrovsky,
musicologist German March Eshke, Boris
set designer Op. 33
Dorfmller, Joachim
arranger Op. 87 Dudarev, Georgi
bass Op. 114
Dorliak, Dmitri
reciter Antiformalistic Rayok Dudko, A.
camera man Op. 48
Dorliak, Nina Lvova
soprano Op. 79 Dudko, Mikhail Andreevich
dancer Op. 22
Dorokhin, Nikolai
actor Op. 48 Dudnikov, Dmitri
actor Op. 50
Dorozhin, I.
bass Opp. 15, 29 Dulova, Vera Georgievna
harpist Polka
Dorozhina, Tatyana
actress Op. 99 Dunaevsky, Isaak Osipovich
conductor Op. 31
Dorozhinsky, K. composer Op. 74 Twenty-Seven Roman-
baritone Op. 29
ces and Songs
Dorrer, Valeri Ivanovich arranger Song About the Counterplan
stage designer The Lady and the Hooligan
Dvorikov, N.
Dostal, N. conductor Op. 28
assistant director Op. 99
Dzerzhinsky, Ivan Ivanovich
Dostoyevsky, Fyodor Mikhailovich composer Overture to The Green Com-
novelist Op. 146 pany
Douay, Jean Dzhabayev, Dzhambul
arranger Op. 34 poet Op. 63 Lenin Symphony
Douglas of Fingland,
William
poet Annie Laurie E
Dovzhenko, Alexander Petrovich Ebeling, Wolfgang
fim - director Op. 78 script - writer Op. 111
Downes, Edward Thomas Edens, Roger
translator Opp. 15, 29, 114 arranger Song About the Counterplan

Dranga, Yuri Ediet, P.


lyricist Op. 124
arranger Op. 87
Edinov, F.
Dressel, Erwin conductor Ten Russian Folksongs
composer Op. 23
Efimov, Gennadi
Drew, Lucas tenor Op. 114
arranger Op. 110
Efremov, Oleg
Dreyer, Lucas actor Op. 99
arranger Opp. 97a, 116a
Efros, Abram Markovich
Druzhinin, Fyodor Serafimovich translator Op. 145
viola player Opp. 122, 133, 138, 142, 147
dedicatee Op. 147
Egorov, A.
cellist Opp. 8, 9
Dubinsky, Rostislav Davidovich Egorov, Yuri
arranger Op. 87 actor Op. 75
Dubinsky, E. Eisenmann, Hans Peter
arranger Opp. 75a, 81 arranger Op. 145
Dubirny, Mikhail Eisenstein, Sergei Mikhailovich
arranger Op. 34 film director Op. 82
Dubov, D. Eisymont, Viktor
actor Op. 78 assistant director Op. 30, 51

278
alpha betic i n d e x o f n a m e s
Ekelchik, Yuri
camera man Op. 99 F
Ekimovsky, Viktor Alexeevich Fadeev, Alexander Alexandrovich
novelist Op. 75
arranger Opp. 4, 32a Eight British and
American Folksongs Orango Faintsimmer, Alexander Mikhailovich
film - director Op. 97
Elbert, Grigori
sound editor Op. 105a Fait, Andrei
actor Opp. 75, 80
Elchaninova, Liudmila (Larisa) Pavlovna
soprano Eight British and American Folk- Fanning, David
songs translator Op. 4
musicologist Op. 92, String Quartet The Un-
Eliseev, Lev finished
tenor Op. 114
editor Op. 114 (Shostakovich Studies)
El-Registan, Garold Gabrielevich (Ureklyan) Farr, Ray
lyricist National
Anthem (I-IV) Un-
arranger Op. 32a
breakable Union of Freeborn Repu-
blics Fay, Laurel E.
musicologist Op. 4, 9, 29, 79, 114 Passacaglia
Eltsin, Sergei Vitalievich (Op. 29) Suite for Variety Or-
conductor Opp. 58, 106
chestra Wiener Blut
Emelyanov, Vladimir editor Opp. 27, 105
actor Op. 137
Fedoseev, V.
Emelyanova, L. [Emelyantseva ?] actor Op. 30
actress Opp. 55, 71
Feigleson, Iosif
Enei, Evgeni arranger Op. 147
set designer Opp. 18, 26, 41, 45, 71, 76, 85,
97, 114 (film version), 116, 137
Feldt, Pavel Emilievich
composer Five Preludes
Enzel, Christoph conductor Op. 39
arranger Op. 57 Suite for Variety Or- pianist Op. 10
chestra
Fenin, Lev
Erasmus, Desiderius actor Op. 75
humanist Op. 32 Fershtman, Dmitri
Erdman, Nikolai Robertovich cellist Serenade
script-writer Opp. 63, 66, 72 Filatov, Georgi
Eremeev, V. camera man Op. 50
arranger Ballet Suite No. 3 Filimonov, Alexander Alexandrovich
Erenberg, Vladimir script - writer Op. 89
actor Op. 116 Filippov, Sergei
Ermler, Friedrich Markovich actor Opp. 48, 59, 105
film - director Opp. 33, 52, 55 Firsova, Elena
script - writer Opp. 52, 55 arranger Opp. 22, 100
Ermolinsky, Segei Fischer-Dieskau, Dietrich
script - writer Op. 38 baritone Op. 135
Ernesaks, Gustav Gustavovich Fitelberg, Grzegorz
conductor , arranger Opp. 5, 35
dedicatee Op. 136 Fitz-Gerald, Mark
Eshpai, Andrei Yakovlevich editor Opp. 26, 28, 41a, 44 Sympho-
composer Eleven Variations on a Theme by nic Movement [1945]
Glinka Flaks, Efrem
Etush, Vladimir bass Op. 56, 62
actor Op. 97 Fleishman, Veniamin Iosifovich
Evtushenko, Evgeni Alexandrovich composer Rothschilds Violin
poet Opp. 113, 119 Flik, Geert
arranger Op. 97a
279
alpha betic i n d e x o f n a m e s
Flssel, Hans Gaideburov, P.
actor Op. 111 actor Op. 51
Flyangolts, Dmitri Gaiswinkler, Hans Peter
sound editor Op. 64 arranger Op. 34
Fogt, Anna Gal, Emil
Op. 4 actor Op. 18
Fokin, F. Gamburg, Grigori Semyonovich
bass Op. 106a violist Op. 11
Fomin, A. conductor Op. 111
bass Op. 15 Gapov, A.
Fortunatov, Konstantin Alexandrovich lyricist Internationale
arranger Opp. 34, 37, 39, 45, 50a, 69,78a, Garbar, K.
97a Ballet Suite No. 2 Bal- arranger Suite for Jazz Orchestra No. 1
let Suite No. 3 Dances of the Gardin, Vladimir
Dolls actor Op. 33
The Four Giovannis Garca Lorca, Federico
high - wire artists Op. 31 poet Op. 135
Frameeva, A. Gardemann, Gregor
singer Op. 105 arranger Suite for Variety Orchestra
Franz, Erich Garin, Erast
actor Op. 111 actor Op. 80
Fraser, Donald Garina
arranger Op. 97a actress Op. 31
Fredersdorf, Karen Gatsenko, Alla
actress Op. 111 arranger Op. 94
Frelikh, Oleg Gauk, Alexander Vasilievich
actor Op. 82 conductor Opp. 16, 20, 22, 22a, 27, 27a,
75a, 82, 82a, 89 Ballet Suite
Frenkel, Ilya Lvovich No. 1 Ballet Suite No. 2
lyricist Hymn to Moscow
arranger Op. 27a
Fried, Enns Gaukhman-
translator Op. 114 Sverdlov, Marksen
Fssl, Karl Heinz set designer Op. 105a
translator Op. 15 Gavrilkin, M.
Fyodorkin, Vyacheslav tenor Opp. 58, 106
bass Op. 114 Gavrilova, Tatyana
Fyodorov, N. actress Op. 114 (film version)
violinist Op. 8 Geft, B.
Fyodorova, Zoya tenor Op. 15
actress Opp. 41a, 52, 53, 55 Geleskul, Anatoli Mikhailovich
translator Op. 135
Fyodorovsky, Fyodor Fyodorovich
stage designer Op. 106 Gelizarova, M.
soprano Op. 15
Gelovani, Mikhail Georgievich
G actor Opp. 50, 53, 82, 89
Gabrilovich, Evgeni Iosifovich Gendelshtein, Albert
script - writer Opp. 97, 132 film - director Op. 38
Gagarin, Yuri Alexeevich Generalov, Vladimir
cosmonaut Op. 86 bass Op. 114
Gaidamaka, I. Georgiu, Georgi
actor Op. 75 actor Op. 75

280
alpha betic i n d e x o f n a m e s
Gerasimov, Segei Apollinarevich Gmyrev, Alexei Mikhailovich
film - director Op. 75 poet Op. 88
Gerasimov, Segei Globa, Andrei Pavlovich
actor Opp. 18, 26 translator Op. 79
Gerdt, Zinovi Gloge, Helga-Maria
actor Op. 120 actress Op. 111
Geringas, David Glushkova, A.
cellist Moderato actress Op. 18
German, Yuri Pavlovich Gluzman, Mikhail
script - writer Opp. 76, 85 arranger Suite for Jazz Orchestra No. 1
Gershuni, Evgeni Pavlovich Gmyrev, Alexei
circus director Op. 31 lyricist Op. 88
Gerwein, Bernd Gmyrya, Boris Romanovich
sound editor Op. 111 bass Opp. 98, 113
Giatzintova, Sofia Gobzeva, Olga
actress Op. 82 actress Op. 120
Gigeppo, N. Goethe, Johann Wolfgang von
stage designer Op. 31 poet Song of the Flea
Gilmore, Patrick Sarsfield Goes, Peter-Paul
poet Eight British and American Folk- actor Op. 111
songs Gofers, Paul
Ginzburg, Alexander arranger Tarantella
camera man Op. 33 Gogol, Nikolai Vasilievich
Ginzburg, G. poet Op. 15 The Gamblers St.
violinist Op. 49 Petersburg Days
Gippius, Evgeni Vladimirovich Goleizovsky, Kasyan Yaroslavovich
folksong collector Ten Russian Folksongs choreographer Op. 63
Glan, Natalia Alexandrovna Golenishchev-
(Rzhepishevskaya) Kutuzov, Arseni Arkadievich
choreographer Op. 31 poet , dedicatee Songs and Dances of Death
Glazunov, Alexander Konstantinovich Golodny, Mikhail Semyonovich
dedicatee Fantasy for Two Pianos(Juvenilia) lyricist Invincible Red Army
Glickman, Harry Golovanov, Anatoli
arranger Opp. 5, 22a film - director Op. 111
Glire, Reinhold Moritzovich Golovchenko, E.
composer The Great Lightning bass Op. 114
Glikberg, Alexander Mikhailovich Golovin, Alexei
Chorny, Sasha actor Op. 132
Glikman, Isaak Davidovich Golovko, K.
writer Op. 22 actress Op. 132
dedicatee Op. 62
Golubitsky, Oleg
Glinka, Mikhail Ivanovich actor Op. 111
composer, dedicatee Eleven Variations on a Theme by
Glinka Goncharov, P.
dancer Op. 27
composer Opp. 64, 64a, 141
arranger Russian Folksongs Gorbenko, Arkadi Nikolaevich
playwright Op. 25
Glinka-
Shestakov, Lyudmila Ivanovna Gorchakov, Sergei Petrovich
dedicatee Songs and Dances of Death arranger Op. 30a
Glivenko, Tatyana Ivanovna Gorchakova, Alexandra Alexandrovna
dedicatee Op. 8 translator Serenade

281
alpha betic i n d e x o f n a m e s
Gordon, K. Grond, Marten
sound editor Op. 53 arranger Ballet Suite No. 4
Gorin, L. Grunes, D. J.
actor Op. 75 arranger Op. 22a A Great Day Has Come

Gornshtein, Albert Grudina, L.


sound editor Op. 38 mezzo - soprano Op. 58
Gorokhov, V. Gudkin, Yakov
arranger Suite for Jazz Orchestra No. 1 actor Op. 33
Goryunov, Vasili Gulak-
makeup artist Op. 85 Artemovsky, Semyon Stepanovich
composer Twenty-Seven Romances and
Gotsdener Songs
arranger Op. 27a
Gouinguen, Christian Gumilevsky, G.
actor Op. 76
arranger Op. 34
Gunther, Phyllis
Gounod, Charles arranger Op. 22a
composer Opp. 31, 59
Guretskaya, Tatyana
Gozman, Lazar actress Op. 33
arranger Opp. 11, 110
Gurilyov, Alexander Lvovich
Graefe, Marianne composer Twenty-Seven Romances and
translator Op. 79
Songs
Grande, Alexander Gurov, E.
arranger Op. 56 actor Op. 51
Grayson, Kathryn Gurzo, Sergei
soprano Song About the Counterplan actor Op. 75
Greiner, Hans Gusev, Pyotr Andreevich
arranger Suite for Variety Orchestra1 dancer Op. 39
Gribov, Alexei Gusev, P.
actor Op. 82 bass Op. 15
Grieg, Edvard Gushchinsky, V.
composer Op. 35 actor Op. 18
Griffiths, Eirian Gutman, David
arranger Op. 97a actor Op. 18
Grigorev, A. Gvozdev, P.
tenor Op. 106a arranger Ballet Suite No. 4
Grigorev, Fyodor
actor Op. 78
Grigorovich, Yuri Nikolaevich
H
choreographer Op. 22 Haenchen, Hartmut
arranger Op. 144
Griguoli, Carlo Maria Hakopian, Levon
arranger Op. 105
translator Op. 56
Grishko, E. Halasz, Franz
actor Op. 75 arranger Op. 34
Gritsenko, L. Halfvarson, Eric
soprano Op. 106a bass Antiformalistic Rayok
Gritsius, Jonas Halsted, Margo
camera man Opp. 116, 137 arranger Op. 87
Groll, Peter Florian Hanon, Charles Louis
arranger Op. 97a composer Op. 102
Gromadsky, Vitali Alexandrovich Hanson, Torgny
bass Opp. 113, 119 arranger Op. 63
Gromova, V. 282
soprano Op. 106a
alpha betic i n d e x o f n a m e s
Harburg, Edgar (Isidore Hochberg) Hulme, Derek C.
lyricist Song About the Counterplan Ballet Suite No. 1 Bird of
Harlan, Veit Peace The Gamblers The
film director Op. 82 Soldier Suite for Variety Or-
chestra Three Pieces Un-
Hautvast, Willy breakable Union of Freeborn
arranger Op. 97a
Republics (National Anthem I,
Haydn, Franz Joseph II) Vergngungszug Wiener
composer Op. 35 Blut
Head, Nancy Hunsberger, Donald
lyricist Song About the Counterplan arranger Opp. 27a, 97a, 96
Heiberg, Harold Huth, Andrew
translator Op. 119 translator Op. 14
Heinrich, Heine Hyde, Howard
poet Romance arranger Op. 73
Hellmundt, Christoph
translator Op.

Henry, Aaron
46a, 91
I
arranger Op. 22a Ilf, Ilya Arnoldovich (Fainzilberg)
novelist Op. 31, The Twelve Chairs
Herberding, E.
actress Op. 120 Inozemtsev, Artyom
actor Op. 114 (film version)
Herrmann, Alexander
translator The Tale of the Priest and his Ionin, Georgi
Servant Balda (Opera) librettist Op. 15

Heyn, Walter Thomas Iordan, Olga Genrikhovna


dancer Op. 22
arranger Op. 87
Iosafov, N.
Hilger, Norbert dancer Op. 27
arranger Op. 134
Ippolitov-
Hindemith, Paul Ivanov, Mikhail Mikhailovich
composer Op. 35 composer Twenty-Seven Romances and
Hricht, Andreas Songs
arranger Op. 87 Isaev, Vladimir
Holland, Jack actor Op. 78
arranger Op. 36 Isaeva, Galina Ivanovna
Honegger, Arthur dancer Op. 39
composer Symphony No. 3, Liturgique Isakova, Nina Sergeevna
Howarth, Elgar contralto Op. 114
arranger Op. 102 Ito, Yasuhide
arranger Op. 47
Hugh, Andrew
translator Op. 113 Iturbi, Jos
conductor Song About the Counterplan
Huisinga, Henk
arranger Op. 79 Ivanov, A.
makeup artist Op. 75
Huiskens, Joop
assistant director Op. 95 Ivanov, B.
assistant director Op. 82
Hulme, Derek C.
writer on music Opp. 2, 8, 14, 19, 19a, 22, 24, 25, Ivanov, Konstantin Konstantinovich
27, 30, 32, 33, 36a, 38, 51, 52, conductor Opp. 90, 115
54, 57, 58, 59, 65, 72, 75, 78, Ivanov, Sergei
79, 81, 93, 99a, 104, 111, 113, camera man Op. 85
116, 122, 128, 130, 132, 138, Ivanov, Vladimir
143 Antiformalistic Rayok actor Op. 75

283
alpha betic i n d e x o f n a m e s
Ivanova, M. Kalinkovich, Grigori Markovich
actress Op. 75 arranger Op. 37
Ivanova, Olesya Kalmykov, Betal Edykovich
actress Op. 75 party leader Op. 51
Ivanovsky, Alexander Viktorovich Kaltsaty, Arkadi
librettist Op. 22 camera man Opp. 52, 55
Ivanovsky, Vladimir Viktorovich Kandelaki, Vladimir Arkadievich
tenor Op. 81 theatre director Op. 105
Ivashkin, Vladimir Alexandrovich Kangas, Juha
dancer Op. 22 conductor Suite on Finnish Themes
Ivens, Joris Kaplan, Eliot
film - director , arranger Op. 94
script - writer Op. 95
Kaplan, Emmanuil
Izvitskaya, Izolda tenor Op. 56
acrtress Op. 99
Kaplan, Emmanuil Iosifovich
ballet producer Op. 22
J Kaplan, M.
camera man Op. 59
Jrvet, Jri
actor Op. 137 Kaplunovsky, Vladimir
set designer Opp. 82, 89
Jansons, Arvid
conductor Novorossiisk Chimes Kapp, Eugen Arturovich
composer Eleven Variations on a Theme by
Janssen, Christiaan Glinka
arranger Ballet Suite No. 1 Ballet Suite
No. 4 Karapetyan, Artyom
actor Op. 120
Janssen, Harrie
arranger Opp. 93, 102, 105 Karavkin, Yu.
translator Op. 95
Job, Erwin
translator Op. 81 Kashirin, I.
actor Op. 78
Jolly, Cynthia
translator Op. 127 Kats, G.
arranger Ballet Suite No. 1
Jourist, Efim
arranger Suite for Vaiety Orchestra Kaundinya, Stefan
arranger Op. 96
Jnemann, Gerd
arranger Rothschilds Violin Kavokin, P.
dancer Op. 22
Kay, Hershy
K arranger Op. 34
Kabalevsky, Dmitri Borisovich Kayukov, Stepan
composer Eleven Variations on a Theme by actor Opp. 31 [?], 41, 51, 59
Glinka Keeley, Ed
Kabanov, A. arranger Op. 97a
tenor Op. 15 Kelemen, Milko
Kachalov, M. arranger Op. 34
tenor Op. 105 Kemarskaya, N.
Kagan, Oleg Moiseevich assistant director Op. 114
violinist Serenade
Kenigson, Vladimir
Kalatozov, Mikhail Konstantinovich actor Op. 89
film - director Op. 99 van Keulen, Geert
Kalinin, V. arranger Opp. 109, 123, 146 Antifor-
tenor Op. 15 malistic Rayok

284
alpha betic i n d e x o f n a m e s
Khachaturyan, Aram Ilyich Khristapson, A.
composer National Antem (I-IV) Un- dancer Op. 27
breakable Union of Freeborn Re- Khrushchov, Nikita Sergeevich
publics Invincible Red Army A Great Day Has Come
Khachaturyan, Emin Levonovich Khudolei, Igor
arranger Opp.96, 97a pianist Antiformalistic Rayok
conductor Op. 111a
Khukova
Khachaturyan, Karen Aramovich actress Op. 31
composer Op. 66
Khutoryansky, Boris
Khaidarov, B. sound editor Opp. 45, 50, 76, 116
actor Op. 48
Khvylya, A.
Khaikin, Boris Emmanuilovich actor Op. 120
conductor Op. 125 Vergngungszug Kibardina, Valentina
Khakov, Oleg actress Opp. 41, 45, 50
actor Opp. 52, 55 Kibkalo, E.
Khanov, Alexander baritone Op. 106a
actor Op. 82 Kigel, Grigori
Kharitonov, Vladimir stage designer Op. 105
lyricist Three Coruses for the 40th Annni-
Kirillov, A.
versary of the October Revolution actor Op. 99
Kharitonova, Alexandra Kirillov, G.
actress Op. 75 actor Op. 132
Kharitonova, Svetlana Kirillov, Pyotr
actress Op. 120 actor Opp. 52, 55
Khazanov, A. Kirkor, Georgi Vasilievich
choral director Op. 106a arranger Op. 69
Khenkin, Vladimir Kirov, Sergei Mironovich
actor Op. 38 party leader Op. 52, 55 Narodovoltsy
Khentova, Sofia Mikhailovna Kirsanov, Semyon Isakovich
librettist TheTale of the Priest and his translator Op. 95
Servant Balda (Opera) lyricist Opp. 20, 95
musicologist Opp. 2, 8, 54, 79, 112, 117, 125, Kisyolev, V.
136 Dances of the Dolls actor Op. 52
Suite for Jazz Orchestra No. 2
Klements, Grigori Lvovich
arranger The Tale of the Priest and his
composer Five Preludes
Servant Balda (Opera) Ten
Russian Folksongs Klingberg, Max
actor Op. 111
Khmelnitsky, Boris Klucevsek, Guy
actor Op. 132
arranger Op. 87
Khodasevich, Valentina Knaup, Hans-Dieter
stage designer Op. 22 actor Op. 111
Khodursky, Antoni Knushevitsky, Viktor Nikolaevich
actor Op. 97 conductor Suite for Jazz Orchestra No. 2
Khokhryakov, Viktor Koball, Michael
actor Opp. 75, 78 arranger Op. 22a
Khotuntseva, Marina Koch-Hooge, Wilhelm
actress Op. 105a actor Op. 111
Khotuntsov, N. Kochnev, Yuri
arranger Suite on Finnish Themes conductor Song of the Flea
Khoven, Elena Petrovna Koerth, Manfred
arranger Op. 87 translator Op. 127

285
alpha betic i n d e x o f n a m e s
Kolchin, V. Korolyov, Evgeni
actor Op. 71 pianist Moderato

Kolokoltsev, Vladimir Korsakov, L.


actor Op. 132 actor Op. 89
Kolomoitseva, M. Korvin-
singer Op. 15 Krukovsky, Yuri
actor Op. 30
Kolomytsev, P.
film - director Op. 38 Kortchmar, Grigori
arranger Op. 87
Kolpakov, Viktor
actor Op. 116 Korzhikov, Georgi
stage designer Op. 27
Koltsov, Viktor
actor Op. 89 Kosheverova, N.
assistant director Op. 85
Komalykov, Y.
arranger Op. 22a Kosmatov, Leonid
camera man Opp. 78, 82, 89, 120
Komarov, Sergei
actor Op. 38 Kostrichkin, Andrei
actor Op. 18
Komissarov, Nikolai
actor Op. 89 Kotova, A.
soprano Op. 105
Kommerell, Ruth
actress Op. 111 Kots, Arkadi Yakovlevich
translator Op. 28 Internationale
Komsi, Anu poet Op. 88
soprano Suite on Finnish Themes
Kondratev, A. Kovalyov, G.
arranger Op. 30a arranger Novorossiisk Chimes

Kondrashin, Kirill Petrovich Kovalyova, Marina


conductor Opp. 43, 113, 119, 129 actress Op. 82, 89

Konovalov, Nikolai Kozakov, Mikhail


bass Antiformalistic Rayok reciter Antiformalistic Rayok

Konstantinov, N. Kozhevnikov, Alexei


bass Op. 58 actor Op. 99

Konstantinovskaya, Kozhin, Valentin Vasilievich


Elena conductor The Tale of the Priest and his
Op. 47 Servant Balda (Opera)
Kopelyan, Efim Kozintsev, Grigori Mikhailovich
actor Op. 132 film - director Opp. 18, 26, 41, 45, 50, 58(a),
71, 76, 85, 116, 137, St. Pe-
Koralli, Vladimir Filippovich (Kemper) tersburg Days
actor Op. 132
stage-director Op. 32
Korchagina-Alexandrovskaya, script - writer Opp. 26, 41, 45, 50, 71, 85, 116
Katerina
actress Op. 71 Kozlov, Nikolai
tenor Op. 114
Koren, S.
choreographer Op. 106a Kozlovsky, Alexei
stage - director Op. 37
Korenev, Evgeni
bass Op. 114 Kozlovsky, Nikolai
actor Op. 33
Kornblit, Evgeni Mikhailovich
conductor The Lady and the Hooligan Kozlovsky, Sergei
set designer Op. 38
Kornilov, Boris Petrovich
lyricist Op. 74 Song About the Coun- Kozyreva, Evgenya
terplan actress Op. 111
Korolyov, V. Kramer, Lilian
arranger Op. 5 lyricist Suite for Variety Orchestra

286
alpha betic i n d e x o f n a m e s
Krasha, Igor Kulka, Janos
actor Op. 120 conductor Songs and Dances of Death
Kredov, Mikhail Kun, Yuli
actor Op. 38 camera man Op. 78
Krepkogorskaya, Kupriyanov, Mikhail Vasilievich
Muza cartoonist ,
actress Op. 75 stage designer Op. 19
Krevald, A. Kuralesina, N.
actor Op. 116 soprano Op. 105

Krish, Ferdinand Ferdinandovich Kurchavov, Vladimir I.


conductor Op. 18 dedicatee Op. 9, 11

Krivchenya, Alexei Kurella, Alfred


translator Op. 79
bass Op. 106a
Kurilov, Sergei
Kropachyov, Georgi actor Op. 85, 120
set designer Op. 116
Kustodiev, Boris Mikhailovich
Krotkin, M. dedicatee Op. 2
set designer Op. 55
Kuzmin, Mikhail Alexeevich
Krylov, Ivan Andreevich translator Op. 58(a)
poet Op. 4
Kuzmina, Elena
Krylov, Porfiri Nikitich actress Opp. 18, 26
cartoonist ,
stage designer Op. 19 Kuzmina, K.
singer Op. 105
Krylova, N.
soprano Op. 105 Kuznetsov
accordion player Op. 19
Kryuchkov, Nikolai
actor Opp. 38, 45, 53 Kuznetsov, Anatoli
actor Opp. 45, 50, 55, 64
Kubatsky, Viktor Lvovich
cellist Opp.11, 40 Kuznetsova, T.
dedicatee Op. 40 mezzo - soprano Op. 106
arranger Op. 40
Kuznetsova, V.
Kube, Natalya actress Op. 99
dedicatee Op. 2 Kvadri, Mikhail Vladimirovich
Kchelbecker, Wilhelm dedicatee Opp. 4, 10
poet Op. 135 Kyukhelbeker, Vilgelm
Kudinov, Mikhail Pavlovich Kchelbecker, Wilhelm
translator Op. 135
Kudryavtseva, I.
actress Op. 71 L
Kugel, Michal Lagutin, Valentin
arranger Op. 147 sound editor Op. 120
Kukryniksy Lakond, Vladimir
Kupriyanov, Mikhail Vasilievich translator Op. 29
Krylov, Porfiri Nikitich Lamm, Pavel Alexandrovich
Sokolov, Nikolai Alexandrovich arranger Op. 10, 47, 54, 58, 60, 65
Kula, Richard Lang, P. J.
arranger Suite for Variety Orchestra arranger Op. 22a
Kulakov, A. Lapinsch, Ilmar
actor Op. 41 arranger Op. 34
Kulakov, Viktor Lapirov, M.
actor Op. 80 translator To France!

287
alpha betic i n d e x o f n a m e s
Laptev, K. Lennartz, Monika
baritone Op. 106 actress Op. 111
Lara, Agustn Leoncavallo, Ruggiero
arranger Op. 69 composer Twenty-Seven Romances and
Larichev, Evgeni Dmitrievich Songs
arranger Opp. 34, 97 Leongarov, I.
Larikov, A. singer Op. 105
actor Op. 71 Leonov, Evgeni
Latonina, N. actor Op. 105a
dancer Op. 39 Leonova, K.
Laube, Fritz mezzo - soprano Op. 106a
arranger Suite for Variety Orchestra Leonskaya, Elisveta
Lauter, Ants pianist Serenade

actor Op. 116 Leontev, Leonid Sergeevich


Lavronsky, Leonid Mikhailovich dancer Op. 22
dancer Op. 22 Leontev, S.
Lavrov, Yuri actor Op. 41
actor Op. 48 Lermontov, Mikhail Yurievich
Lavrova, Tatyana poet Op. 84
soprano Op. 56 Leshevich, T.
Lavrovaya, I. dancer Op. 27
arranger Op. 69 Leskov, Nikolai Semyonovich
Leal, Nuno novelist Opp. 29, 114
arranger Op. 47 Lesnick, Adam
arranger Op. 22a
Lebedev, Igor
pianist Op. 84 Levander, Jan
arranger Op. 60
Lebedev, Nikolai Alexeevich
stage - director Op. 25 Levin, Moisei
Lebedev- set designer Op. 41a

Kumach, Vasili Ivanovich Levin, M.
lyricist Op. 74, 80 stage designer Op. 28
Lebedinsky, Lev Nikolaevich Levine, Waltraut
musicologist Antiformalistic Rayok translator Op. 135
Lebzak, Olga Levinzon, Iosif
actress Opp. 71, 76 cellist Op. 144
Ledenyov, Roman Levitin, Yuri Abramovich
composer String Quartet The Unfinished composer Eleven Variations on a Theme by

Legal, Marga Glinka


actress Op. 111 Lezhdei, E.
Lehmann, Siegfried actress Op. 99
arranger Dances of the Dolls, Suite for Likhachyova, Tatyana
Variety Orchestra cutter Opp. 82, 111
Lehnhoff, Sheppard Liljefors, Mats
arranger Op. 22a arranger Op. 110
Lemaire, Frans Linden, Johan van der
writer on music String Quartet The Unfinished arranger Opp. 57, 144
Lemeshov Lineva, Evgenia Eduardovna
actor Op. 31 folksong collector Ten Russian Folksongs
Lenin, Vladimir Ilyich Lisyanskaya, A.
dedicatee Opp. 112, 136 actress Op. 97

288
alpha betic i n d e x o f n a m e s
Liszt, Franz Lyubeznov, Ivan
composer Op. 65 actor Op. 80
Litovkin, I. Lyubimov, Anatoli
actor Op. 85 arranger Op. 22a
Livanov, Vasili Lyubimov, Vladimir
actor Op. 120 actor Op. 82
Lobanov, N. Lyubimov, Yuri
actor Op. 76 actor Op. 78, 85
Lokshin, V. Lyui-syan, Van
choral director Opp. 113 actor Op. 26
Lokshina, Kh. Lyukom, Elena Mikhailovna
assistant director Op. 19 dancer Op. 22
Loo, Hendry van
M
arranger Novorossiisk Chimes
Lopukhov, A.
dancer Op. 27 McBurney, Gerard
Lopukhov, Fyodor Vasilievich translator Op. 46a, Orango
choreographer Opp. 27, 31, 39 arranger Opp. 19, 19a, 26, 31a, 46a,
librettist Op. 39 105 Orango Suite for Jazz
Orchestra No. 1 Suite for
Lopukhova, Evgeniya Vasilevna Jazz Orchestra No. 2
dancer Op. 39
writer on music Opp. 25, 31, 105
Lozinsky, Mikhail Leonidovich
translator Op. 32 MacDonald, Malcolm
writer on music Opp. 2, 3, 84, 146
Luboshutz, Pierre
arranger Op. 22a, 30a MacPhail, Ian
arranger Op. 11
Luchko, Klara
actress Opp. 75, 120 Maevsky, E.
baritone Op. 15
Lukashevsky, Ilya Avseevich
violinist Op. 49 Maganini, Quinto
arranger Op. 5, 15, 22a, 27a, 29, 34
Lukin, Vladimir
actor Opp. 48, 53 Magarill, Sofia
actress Op. 18
Lukina, Raisa
sound editor Op. 80 Magidson, Mark
camera man Op. 85
Lukyanov, Alexander
actor Op. 132 Mahler, Gustav
composer Op. 35 Symphony No. 10
Lukyanov, Sergei
actor Op. 89 Maikov, Apollon Nikolaevich
poet I Waited for Thee in the Grotto
Lutsky, Grigori
violinist Op. 144 Mairs, George Donald
arranger Op. 34
Luquet, P.
lyricist To France! Makarov, Evgeni Petrovich
arranger Ballet Suite No. 1
Lvov, Nikolai
playwright Op. 25 Makarov
Lyadov, Anatoli accordion player Op. 19
arranger Russian Folksongs Makarova, Maria
Lyshin, A. arranger Opp. 16, 27a, 39, 97a, Suite for
bass Op. 15 Jazz Orchestra No. 1
Lyubashevsky, Leonid Makarova, Tamara
actor Op. 50 actress Opp. 18, 75
Lyubeshkin, Pyotr Makarova, Inna
actor Op. 111 actress Op. 75

289
alpha betic i n d e x o f n a m e s
Makhtin, L. Maslennikov, Alexei Dmitrievich
assistant director Op. 105a tenor Opp. 21, 79, 79a, 106a Madrigal

Maksakova, Maria Petrovna Mass, Vladimir Zakharovich


mezzo - soprano Annie Laurie librettist Opp. 105, 105a
Malkin, Semyon Massalsky, P.
set designer Op. 76 actor Op. 89
Malko, Nikolai Andreevich Masur, Kurt
conductor Op. 10, 14, 16, 15a, 17 translator Opp. 113
dedicatee Op. 16 Matalaeva, T.
Maloletkova, Alla arranger Ballet Suite No. 4
pianist Op. 94, Tarantella Matalesky, T.
arranger Op. 47
Malukova, E.
actress Op. 38 Matov, A.
actor Op. 31, 45
Malyutin, Yakov
actor Op. 76 Matthew-
Walker, Robert
Mamaeva, Nina arranger Three Piano Pieces
actress Op. 85
Matusov, Vladimir
Mamin, I. bass EightBritish and American
actor Op. 80 Folksongs
Manevich, Berta Matveev, Matvei
costume designer Op. 97 tenor Op. 114
Manukhov, Anatoli Mavroidi-
tenor Op. 21 Papadaki, Sofia
lyricist Greek Songs
Mar, S.
translator Op. 79 Maximenko, Evgeni
bass Op. 114
Marantslikht, Moisey Leybovich
arranger Opp. 95, 99a Maximova, E.
actress Op. 38
Marcello, Marco
lyricist Serenade May, Gisela
actress Op. 111
Maretskaya, Vera May, Jane
actress Op. 38
translator Opp. 88, 143
Mariengof, Anatoli Borisovich Mayakovsky, Vladimir Vladimirovich
librettist Katyusha Maslova poet Op.19 Lenin Symphony,
Markiz, Lev playwright The Lady and the Hooligan
arranger Op. 144 Orango
Markov, N. Mayorov, Mikhail
actor Op. 41a actor Op. 111
Markovich, Alexander Medvedev, Alexander Viktorovich
arranger Op. 29 folksong collector Op. 115
Marshak, Samuil Yakovlevich Medvedev, M.
script - writer Op. 56 singer Op. 15
translator Opp. 58a, 62, 137, 140 Eight Medvedev, Vadim
British and American Folksongs actor Op. 97, 116
Martens, Dick Meij, Johan de
arranger Suite for Variety Orchestra arranger Suite for Variety Orchestra
Martov, Iosif Meinkin, Semyon
camera man Opp. 30, 33, 53 set designer Op. 52, 55
Mashistov, Alexei Ivanovich Melik-Pashaev, Alexander Shamilievich
poet Ten Russian Folksongs conductor Opp. 30a, 36, 96
Mendelssohn, Vladimir
290 arranger Op. 147
alpha betic i n d e x o f n a m e s
Mendelssohn- Mickle, William Julius
Bartholdy, Felix poet Eight British and American
composer Op. 82 Folksongs
Menegoz, Robert Mikhailov, A.
assistant director Op. 95 choral director Op. 58
Menyalshchikov, S. Mikhailov, Evgeni
set designer Op. 132 camera man Op. 18
Merkurev, Vasili Mikhailov, Lev Dmitrievich
actor Op. 45, 105a stage - director Op. 114
Mertens, Hardy Mikhailovsky, Andrei Pavlovich
arranger Op. 70
script - writer Op. 30
Mertens, I.
choral director Op. 114 Mikhalkov, Nikita
actor Op. 120
Merzin, Leonhard
actor Op. 137 Mikhalkov, Sergei Vladimirovich
lyricist National Anthem (I-IV) Un-
Meskhishvili, Erna Petrovna breakable Union of Freeborn
musicologist Opp. 2, 12, 14, 23, 29, 30, 32,
Republics
36a, 37, 38, 39, 41, 43, 44,
45, 49, 51, 52, 58, 68, 72, 76, Milman, Vladimir Markovich
78, 96, 82, 83, 85, 89, 94, 95, arranger Op. 73 Antiformalistic Rayok
99, 106, 106a, 111, 116, 116a, Milone, Julian
119, 120, 127, 132, 133, 143, arranger Op. 97a
144 The Black Sea Chik-
Milyutin, Georgi Sergeevich
Achi Dances of the Dolls composer Twenty-Seven Romances and
The Gamblers Invincible Songs
Red Army March of Peace
Champions Piano Sonata Minervin, Sergei
No. 32 in C minor, Op. 111 sound editor Op. 80
(Beethoven) To France Un- Mints, Klimenti
breakable Union of Freeborn film - director ,
Republics script - writer Op. 59

Mesner, Y. Mirgorodsky, Dmitri


arranger Opp. 27a, 30a actor Op. 120
Messerer, Asaf Mikhailovich Mirek, Erich
choreographer Op. 66 actor Op. 111
Meyer, Krzysztof Mironov, Andrei
composer The Gamblers actor Op. 120
arranger Op. 134 Miroshnikova, Margarita Khristoforovna
writer on music Opp. 2, 8, 24, 46, 58, 61, 94, 113, soprano Op. 135
120a, 131, 134, 135, 138, 143,
144, 146 Suite for Jazz Or-
Mnatsakanov, Walter
arranger Opp. 46, 91, 109, 121, 123
chestra No. 1 Suite for Variety
Antiformalistic Rayok
Orchestra
Meyerhold, Vsevolod Emilievich Mogilevskaya, Lilya
pianist Op. 21 Madrigal
theatre producer Op. 19
Mezhevich Mogilevsky, David Yakovlevich
poet Ten Russian Folksongs cellist Op. 49

Mgeladze, Guguli Molchanov, Pavel


actor Op. 75 actor Op. 89
Michelis, Frank Mollat, Annika
actor Op. 111 arranger Op. 105
Michurin, Nikolai Mordyukova, Nonna
actor Op. 30 actress Op. 75

291
alpha betic i n d e x o f n a m e s
Morgener, Jrg
translator Opp. 4, 14, 21, 29, 79, 109, 113,
N
121, 123, 135, 143, 145 The Nassonov, Konstantin
Gamblers Rothshilds Violin actor Op. 78
Morgunov, E. Natsvalova, E.
actor Op. 75 soprano Op. 15
Morgunova, K. Natte, Paul
mezzo - soprano Serenade arranger Suite for Variety Orchestra
Morozov, A. Nazarov, Anatoli
actor Op. 48 camera man Op. 71, 76, 105a
Morris, Myron Nazarov, Ivan
translator Opp. 14, 81, 109, 127 actor Opp. 50, 51, 78
Morris, Simon Nazarova, Alexandra
writer on music Op. 27 actress Op. 132
Moseev, G. Nazarova, T.
stage designer Op. 58 arranger Opp. 5, 81, 100

Moskvin, Andrei Nazvanov, Mikhail


camera man Opp. 18, 26, 41, 45, 50, 71, 76,
actor Opp. 80, 85, 116
85, 97 Nechaev, Ivan Alexeevich
tenor Op. 15
Mostras, Konstantin Gregorievich
arranger Op. 5 Nedobrovo, V.
script - writer Op. 30
Motov, Vladimir Nikolaevich
arranger Ballet Suite No. 1 Nechipailo, Viktor
bass Op. 113
Mozart, Wolfgang Amadeus
composer Opp. 19, 23 Nekrasov, Viktor Alexeevich
lyricist Opp. 85, 85a
Mravinsky, Evgeni Alexandrovich
conductor Opp. 47, 54, 65, 70, 77, 81, 93, Nemchenko, Evgeni
107, 112, 113 Internationale actor Opp. 52, 55
dedicatee Op.65 Nesterenko, Evgeni Evgenievich
Mhlenhardt, Olaf bass Opp.121, 123, 128, 140, 145,
arranger Op. 87 Ballet Suite No. 1 145a, 146 Song of the Flea
Symphony No. 16
Mller, Adolf
composer Wiener Blut Nesterov, A.
assistant director Op. 19
Mungalova, Olga Petrovna
dancer Opp. 22, 27 Nesterov, E.
sound editor Op. 59
Muntyan, Mikhail
pianist Op. 147 Nevins, William Irving
arranger Op. 5
Muradeli, Vano Ilyich
composer Op. 74 Niese, Roger
arranger Op. 27a
Murzina, Tamara
arranger Op. 94 Nifontova, Rufina
actress Op. 120
Musorgsky, Modest Petrovich
composer Opp. 58, 59, 106, 106a, Songs Nikitenko, P.
and Dances of Death Twen- tenor Op. 29
ty-Seven Romances and Songs Nikitich, N.
librettist Op. 106 actor Op. 80
Myasnikov, Gennadi Nikitin, Fyodor
set designer Opp. 78, 99 actor Opp. 105a, 120
Myasnikova, Varvara Nikitin, Gleb Pavlovich
actress Op. 48 arranger Op. 34

292
Nikolaev, Leonid Vladimirovich
dedicatee Op. 61
alpha betic i n d e x o f n a m e s
Nikolaev, Vitali Olender, Semyon Yulievich
camera man Op. 89 translator Op. 79
Nikolaeva, Tatyana Petrovna Olenyov, Yuri
pianist Op. 87 arranger Op. 14
Nikolsky, Yuri Sergeevich Oosterbaan, Arnaud
conductor Op. 19 arranger Op. 112
arranger Opp. 49, 68, 73 Orlov
Nitzschke, Herbert actor Op. 31
set designer Op. 111 Orlov, A.
Nitzschmann, Erich accordion player Op. 39
camera man Op. 95 Orlov, Alexander
Nordgren, Pehr Henrik actor Op. 18
writer on music Op. 112 Orlov, Alexander Ivanovich
Nortsov, Pantheleimon Markovich conductor Eight British and American
baritone Eight British and American Folksongs
Folksongs Orlov, Georgi
Nosova, Tamara bass Op. 29
actress Op. 75 Orlova, Lyubov
Novakova, M. actress Op. 80
actress Op. 82 Orsouv, Coen van
Novsky, I. arranger Suite for Variety Orchestra
actor Op. 76
Orvida, G.
Nyman, Tom arranger Op. 49
tenor Suite on Finnish Themes
Ostrander, Allen
Nyurnberg, Mikhail Vladimirovich arranger Op. 34
arranger Op. 30a
Ostrin, Lev
pianist Op. 98
O Ostrumov, Yuri Nikolaevich
arranger Opp. 27a, 30a
Oborin, Lev Nikolaevich
pianist Op. 8 Otsu, Prince
poet Op. 21
Obraztsov, Anatoli
bass Antiformalistic Rayok Otto, N.
actor Op. 59
Obukhova, Nadezhda Andreevna
mezzo - soprano Op. 80 Ovcharek, Vladimir
OConnell, Charles violinist Op. 144
arranger Song About the Counterplan Ozerov, L.
Offenbach, Jacques translator Bird of Peace
composer Op. 18
Ogden, David
arranger Op. 22a P
Oistrakh, David Fyodorovich Padokin, I.
violinist Opp.77, 127, 129, 134 bass Op. 29
editor Opp.77, 129 Palams, Kosts
dedicatee Opp. 77, 129, 134 lyricist Greek Songs
Okorokov, I. Pankov, G.
stage designer Op. 31 bass Op. 106a
Okunev, Yuri Panne, D.
arranger Op. 37 actress Op. 41a
Oleksenko, Stepan Panova, Alexandra
actor Op. 116 actress Op. 75

293
alpha betic i n d e x o f n a m e s
Pappe, A. Petrov, Nikolai Vasilievich
pianist Op. 19 stage - director Op. 31, 44
Parfenov, Pyotr Semyonovich Petrov, Osip Afanasevich
lyricist Opp. 48, 74 dedicatee Songs and Dances of Death
Parkhomenko, Alexei Petrov, V.
set designer Opp. 82, 111 tenor Op. 106a
Partridge, H. B. Petrov, Valeri Ivanovich
translator Op. 114 arranger Op. 96
Pasechnik, G. Petrunkin, I.
actor Op. 82 actor Op. 82
Pasternak, Boris Leonidovich Pfeffer, Wolfgang
translator Opp. 62, 116, 137, 140 arranger Suite for Variety Orchestra
Patow, Ulrike Piletskaya, Tatyana
translator Opp. 56, 105 actress Op. 76
Paulson, Joseph Piotrovsky, Adrian Ivanovich
arranger Op. 47 playwright Op. 28, 39
Pavlenko, Pyotr Andreevich Pirumov, Alexander Ivanovich
script - writer Op. 82 arranger Op. 48

Pavlov, D. Pisarenko, Galina Alexeevna


actor Op. 82 soprano Op. 79a, Serenade

Pechnikov, Alexander Abramovich Pisarev, Nikolai


violinist Op. 49 sound editor Op. 75

Pechnikov, G. Pitsek, Vladimir


actor Op. 111
actor Op. 78
Planquette, Jean-Robert
Pekker, Grigori Ilyich composer Antiformalistic Rayok
cellist Op. 8
Plasger, Uwe
Peltser, T. arranger Suite for Variety Orchestra
actor Op. 71
Pemberton Plotnikov, Nikolai
actor Op. 82
Smith, Joan
translator Opp. 4, 46a, 58(a), 121, 123, Plyatt, Rostislav
146 I Waited for Thee in the actor Op. 64
Grotto Songs and Dances of Podgorny, Boris
Death Song of the Flea actor Op. 64
Pereira, David Poel, Frank van der
arranger Op. 39 arranger Ballet Suite No. 4
Perelyotov, V. Pogodin, Nikolai Fyodorovich (Stukolov)
costume designer Op. 99 script - writer Opp. 53, 99
Petrenko, Alexei actor Op. 111
actor Op. 137 Pokrass, Daniil and Dmitri Yakovlevich
Petrov, Andrei composer Twenty-Seven Romances and
arranger Symphony No. 16 Songs
Petrov, Andrei Pavlovich Pokrovsky, Vladimir
stage - director TheTale of the Priest and his actor Op. 82
Servant Balda (Opera) Polbentseva, Marina
Petrov, Evgeni Petrovich (Kataev) actress Op. 105a
novelist Op. 31 Twelve Chairs Polevoi, B.
librettist Twelve Chairs translator Op. 95
Petrov, Ivan Poleyes, L.
arranger Op. 82a arranger Op. 34

294
alpha betic i n d e x o f n a m e s
Polibin, A. Pritsker, David Abramovich
actor Op. 52 composer Twenty-Seven Romances and
Poltoratsky, Viktor Songs
arranger Op. 34 Prokopovich, Nikolai
Polyansky, Valeri actor Op. 75
conductor Antiformalistic Rayok Pronin, Vasili
Ponomaryov, Vladimir Ivanovich camera man ,
codirector Op. 38
dancer Op. 27
Ponomaryov, Vladimir Prooijen, Marin van
arranger Opp. 68, 83
camera man Op. 114 (film version)
Popkin, Mark A. Provatorov, Gennadi Panteleimonovich
conductor Op. 114
arranger Op. 110
Puchkov, V.
Popkov, I. tenor Op. 106
arranger Op. 34
Pudovkin, Vsevolod
Popkov actor Op. 18
accordion player Op. 19
Puffer, Deena
Popov, Andrei translator Op. 15
actor Op. 89
Puffer, Merle
Popov, Valeri translator Op. 15, 29
sound editor Op. 99
Puntus, A.
Popov, Vladimir actor Op. 75
bass Op. 114
Purser, David
Popova, Varvara arranger Op. 16
actress Op. 38
Pushkarev, Andrei Valerevich
Popova, Vera arranger Op. 134 Antiformalistic Rayok
actress Op. 41a
Pushkin, Alexander Sergeevich
Poslavsky, Boris poet Opp. 36, 46, 46a, 91, 123, 128
actor Opp. 30, 33, 41a, 52, 55, 64
The Devils Evgeni Onegin
Pototskaya, M. The Gypsies The Tale of the
actress Op. 33 Priest and his Servant Balda
Pottier, Eugne (Opera)
lyricist Internationale dedicatee Op. 46

Pountney, David Pstkova, Zdeka


translator Opp. 29, 105 translator Op. 127
Powers, Maxwell
arranger Op.

Pozdnyakov, Alexander Borisovich


27a
R
arranger Ballet Suite No. 3 Raatke, W.
conductor Op. 95
Pozner, Vladimir
script - writer Op. 95 Rabinovich, I.
narrator Op. 95 stage designer Op. 37

Prach, Ivan Rabinovich, Nikolai Semyonovich


folksong collector Ten Russian Folksongs conductor Opp. 26, 30, 33, 41, 45, 48, 50,
105a, 116, 137
Predtechenskaya,
Yu. Rabinowitz, Harry
actress Op. 51 arranger Op. 97a

Preis, Alexander Germanovich Radin, Leonid Petrovich


librettist Opp. 15, 29 Rothshilds Violin lyricist Opp. 74, 88
Narodovoltsy Radlov, Sergei Ernestovich
poet Op. 21 stage - director Op. 44

295
alpha betic i n d e x o f n a m e s
Radlova, Anna Dmitrievna Reizen, Mark Osipovich
translator Op. 58(a) bass Op. 106a Eight British and
Radzievsky, Vyacheslav American Folksongs
tenor Op. 114 (film version) Reka, Valentina
Radzinya- contralto Op. 114 (film version)
Szolkonis, Elza Renin, V.
actress Op. 116, 137 actor Op. 82
Rafalovich, M. Renoir, Jean
set desisgner Op. 53 film director Song About the Counterplan
Raikh, Zinaida Reshetin, Mark Stepanovich
assistant director Op. 19 bass Op. 135
Raikina, Ekaterina Reusch, Heinz
actress Op. 132 sound editor Op. 95
Raikov, V. Reynolds, H. Robert
bass Opp. 15, 29 arranger Op. 34
Raiskaya-Dor, N. Richter, Svyatoslav Teofilovich
actress Opp. 52, 55 pianist Op. 134
Raisky, Nazari Grigorievich Riefenstahl, Leni
translator, editor Annie Laurie film director Op. 82
Rakhlevsky, Misha Rieu, Andr
arranger Op. 144, Two Pieces for String arranger Suite for Vaiety Orchestra
Quartet Righter, Charles B.
Rakhlin, Natan Grigorievich arranger Op. 47
conductor Op. 103 Eight British and Ame- Rilke, Rainer Maria
rican Folksongs poet Op. 135
Rakhmilevich, Lev Riley, John
lyricist Song of the Regiment of the Gu- writer on music Opp. 23, 30, 64, 75a, 97a, 105a,
ards Song About the Counterplan
Rakov, Nikolai Rimsky-
arranger Op. 32a Korsakov, Nikolai Andreevich
composer Op. 105 I Waited for Thee in
Raleigh, Sir Walter the Grotto Russian Folksongs
poet Opp. 62, 62a, 140
Twenty-Seven Romances and
Ranevskaya, Fania Songs
actress Op. 80
Riniker, David
Raph, Alan arranger Suite for Vaiety Orchestra
arranger Op. 27a
Ripellino, Angelo Maria
Rappoport, Elza translator Op. 15
costume designer Opp. 75
Rivosh, Yakov
Rappoport, Gerbert Moritsevich set designer Op. 48
stage - director Opp. 32, 105a
Rodchenko, Alexander
Rappoport, Vladimir stage designer Op. 19
camera man Opp. 30, 33, 41a, 51, 75
Roden, K.
Rashevskaya, Natalya actor Op. 82
actress Op. 52
Rodescu, Julian
Raskatov, Alexander bass Antiformalistic Rayok
arranger Op. 108
Rogoll, Hans-Joachim
Razumova, Natalya arranger Opp. 16, 97a, Suite for Variety
actress Op. 30 Orchestra
Reed, Alfred Roitman, Arnold
arranger Op. 34 conductor Opp. 75, 78, 80, 99

296
alpha betic i n d e x o f n a m e s
Roland, Reiny Ruban, Nilolai Osipovich
arranger Op. 30a baritone Op. 105
Rolland, Romain Rudakova, K.
decicatee Op. 41a soprano Op. 29
Romanov, S. Rudel, Julius
actor Op. 75 translator Op. 114
Romansky, Lyubomir Rudina, Vera
translator Op. 119 makeup artist Op. 80
Rome, Harold Jacob Ruf
lyricist , arranger Song About the Counterplan actor Op. 31
Romodanov, Sergei Rutter, V.
actor Op. 99 arranger Op. 47
Rose, Hans Ryabinkin, S.
actor Op. 111 actor Op. 52
Rosenthal, Carl A. Ryazanov, Pyotr Borisovich
arranger Op. 119 dedicatee Op. 7
Roshal, Grigori Lvovich Ryazanov, Valeri Nikolaevich
film - director , dancer Op. 22
script - writer Op. 120
Ross, Hugh Ryndin, V.
stage designer Op. 72
arranger A Great Day Has Come
Rossini, Gioachino Ryss, Evgeni Samuilovich
stage writer Op. 31
composer Op. 141 Twenty-Seven Roman-
ces and Songs Ryvkin, Alexander Mikhailovich
violist Op. 49
Rostovtsev, M.
actor Op. 15, 39 Ryzhenko, Nataliya Ivanovna
choreographer The Dreamers
Rostropovich, Mstislav Leopoldovich
cellist Opp. 107, 125, 126, 127 Ryzhov, Nikolai
pianist Opp. 109 Antiformalistic Rayok actor Opp. 64, 82
conductor Antiformalistic Rayok Songs
and Dances of Death Suite
for Variety Orchestra S
dedicatee Opp. 107, 125, 126 Sabinina, E.
editor Op. 107 mezzo - soprano Op. 15
Rouget de lIsle, Claude Joseph Safonov, Vsevolod
composer Op. 18 actor Op. 111
Rozanov, V. Sagmari
arranger Ballet Suite No. 1 actor Op. 31
Rozov, N. Sagradova, M.
arranger Ballet Suite No. 1 arranger Op. 97a
Rozengauz, Bronislava Moiseevna Saichkin, G.
arranger Opp. 27a, 37, 39, 78a, 97a singer Op. 105
Rozhdestvensky, Gennadi Nikolaevich Salonen, Esa-Pekka
conductor Opp. 4, 7, 36a, 79a, 114a Ada- conductor Orango
gio (Symphonic torso [1934 ?],
see Op. 43) Eight British and
Samarin, V.
arranger Opp. 3, 19, 24, 44
American Folksongs The
Gamblers The Great Light- Samarina, L.
ning Symphonic Movement mezzo - soprano Op. 15
[1934] Symphonic Move- Samoilov, Evgeni
ment [1945] actor Op. 89
arranger Opp. 11, 18a, 26, 36a, 46a, 59, Samonov, Anatoli Vasilievich
91, 116a, 128 The Gamblers arranger Op. 60

297
alpha betic i n d e x o f n a m e s
Samosud, Samuil Abramovich Schumann, Robert
conductor Opp. 15, 23, 29, 60, 96 composer Op. 125
Sanaev, Vsevolod Schwartz, Iosif Zakharovich
actor Opp. 99, 111 dedicatee Op. 5
Snchez Schwarz, Georg
Manzaneque, Fernando translator The Gamblers
arranger Op. 103
Scott, Lady John [Alicia Ann Spottiswoode]
Sanderling, Kurt composer, lyricist Annie Laurie
conductor Op. 79a
Scribner, Norman
Sndor, Gyrgy choral director Antiformalistic Rayok
arranger Op. 22a
Sebris, Karlis
San Filippo, R. actress Op. 137
arranger Op. 22a
Seerden, A.
Sapozhnikov, Roman Ekhlovich arranger Op. 131
arranger Op. 69
Sellars, Peter
Sapozhnikov, Sergei Romanovich director Orango
arranger Op. 13, The Dreamers
Selyanin, A.
Savelev, V. arranger Op. 5
actor Op. 82
Semkov, P.
Savelkoul, Marcel singer Op. 105
arranger Suite for Variety Orchestra
Semyonov, B.
Savostin, V. translator Op. 79
set designer Op. 59
Semyonov, Georgi
Sayanov, Vissarion Mikhail actor Opp. 52, 55
lyricist A Great Day Has Come
Semyonov, V.
Scarlatti, Domenico actor Op. 48
composer Op. 17
Semyonova, Lyudmila
Schaefer, William A. actress Op. 18
arranger Op. 70
Semyonova, Z.
Scharitsch, Ljuboslaw arranger Op. 27a
arranger Op. 87
Senderei, Samuil
Schelcher, Raimund arranger Op. 37
actor Op. 111
Senin, Anatoli
Schempp, Jrgen arranger Op. 87
arranger Op. 79
Serebrovskaya, Elena
Schild, Johannes script - writer Op. 85
arranger Op. 87
Serebryakova, Galina Iosifovna
Schmalenberg, Hilmar script-writer, novelist Op. 120
arranger Op. 83
Sergeev, Konstantin Mikhailovich
Schmidt, Alexander Nikolaevich dancer Opp. 22, 27
trumpetist Op. 35
Sergeev, Nikolai
Schnittke, Alfred actor Op. 111
arranger Five
Preludes
composer Op. 22 Serostanov, K.
arranger Opp. 37, 97a
Schoenbohm, Siegfried
translator Op. 29 Shafir, B.
poet Op. 79
Schubbe, Jens
arranger Op. 36 (Opera) Shafran, Arkadi
camera man Op. 41a
Schubert, Franz
composer Military March in F major Shafran, Daniil Borisovich
arranger Op. 147
Schulze-
Mittendorf, Walter Shagalova, Lyudmila
costume desigenr Op. 111 298 actress Op. 75
alpha betic i n d e x o f n a m e s
Shakespeare, William Shemyakin, D.
playwright Opp. 32, 58(a), 116, 137 camera man Op. 56
poet Opp. 62, 62a, 140
Shenderovich, Evgeni Mikhailovich
Shakhovskya, Galina pianist Opp. 128, 145, 146
choreographer Op. 105 Shendrikova, Valentina
Shalman, Boris Grigorievich actress Op. 137
librarian Op. 43 Shengelaya, Ariadna
Saltykov- actress Op. 120
Shchedrin, Mikhail Evgrafovich
satirist Narodovoltsy
Shepilov, Dmitri
Antiformalistic Rayok
Shamin, Pavel
actor Op. 78 Sher, Veniamin Iosifovich
violinist Op. 8
Shapiro, Iosif
assistant director Op. 71, 97, 116 Shervinsky, S.
choreographer Op. 32
Shapiro, Mikhail Grigorievich
film - director Op. 114 (film version) Shifrin, Naum
camera man Op. 76
Shapovalov, Georgi
actor Op. 75 Shildknekht, L.
costume designer Op. 105a
Shargorodsky, A.
sound editor Op. 45 Shimanskaya, E.
dancer Op. 27
Shashkin, P.
arranger Ballet Suite No. 3 Shirinsky, Sergei Petrovich
cellist Opp. 57, 67, 68, 73, 83, 92, 101,
Shatrov 108, 110, 117, 118, 122, 133,
poet Ten Russian Folksongs
138, 142, 144
Shavrov, Boris Vasilevich dedicatee Op. 73, 92, 142, 144
dancer Opp. 22, 27
Shirinsky, Vasili Petrovich
Shchavinsky, M. violinist Opp. 57, 68, 73, 83, 92, 101,
tenor Op. 114 108, 110, 117, 118
Shchedrin, Rodion dedicatee Opp. 73, 92, 122
composer Eleven Variations on a Theme by
Shlepyanov, I.
Glinka stage - director Op. 58
Shchelkovsky, M. Shmelev, N.
actor Op. 41 tenor Op. 58
Shchelokov, Nikolai Shmyga, Tatyana Ivanovna
commissioner Op. 139
soprano Op. 105
Shchipachov, S. Sholokhov, Mikhail Alexandrovich
lyricist Our Native Russia has Gained
novelist Op. 25, Quiet Flows the Don
Strength from Storms
Shchukin, Boris Shorin, M.
lyricist Op. 124
stage - director Opp. 32, 37
Shebalin, Vissarion Yakovlevich Shostakovich, Dmitri Boleslavovich
dedicatee Op. 6
dedicatee Opp. 62, 68
composer Eleven Variations on a Theme by Shostakovich, Dmitri Dmitrievich
Glinka pianist Opp. 2, 5, 6, 8, 9, 10, 12, 13,
34, 35, 40, 46, 57, 61, 62, 67,
Sheinin, Lev Romanovich 69, 79, 100, 121, 123, 127
script - writer Op. 80
librettist Opp. 15, 29 Antiformalistic
Sheinin, S. Rayok The Gamblers Na-
camera man Op. 59 rodovoltsy
Shelenkov, Alexander script - writer Op. 106a, 123 Katerina Iz-
camera man Opp. 64, 111, 132 mailova (music to the film)

299
alpha betic i n d e x o f n a m e s
Shostakovich, Galina Dmitrievna Sikorski, Christian
pianist Op. 69 arranger Op. 22a, 29 Two Pieces for
Shostakovich, Irina Antonovna String Quartet
dedicatee Opp. 117, 145 Silantiev, Yuri Vasilievich
commissioner Suite for Jazz Orchestra No. 2 conductor Op. 63, 66, 72
Shostakovich, Maria Dmitrievna arranger My Native Land
dedicatee Op. 2 Silina, Elena
pianist Op. 6 musicologist Rothshilds Violin
Shostakovich, Maxim Dmitrievich Silman, Tamara Isaakovna
dedicatee Opp. 94, 102, 114a, Merry March translator Op. 135
pianist Opp.
94, 102, Tarantella
Simeonov, Konstantin Arsenievich
conductor Opp. 131, 141, 145a, Sympho-
conductor Op. 114 (film version)
ny No. 16
Simonov, Alexander
Shostakovich, Nina Vasilievna camera man Op. 120
dedicatee Opp. 29, 62, 108, 114
Simonov, Konstantin Mikhailovich
Shostakovich, Zoya Dmitrievna lyricist Op.
64 Our Song, March of
dedicatee Opp. 9, 26, 44 Peace Champions
Shpigel, Grigori Simonov, Nikolai
actor Opp. 75, 97, 120
actor Op. 97
Shpinel, Iosif Simonov, Ruben Nikolaevich
set designer Op. 120
stage - director Opp. 32, 66
Shtefutsa, Vasili Ivanovich actor Opp. 82, 97
tenor Op. 114
Simsky, Boris Moiseevich
Shteinberg, Maximilian Oseevich violinist Op. 11
Steinberg, Maximilian Oseevich
Singleton, Kenneth
Shtokolov, Boris Timofeevich arranger Op. 94
bass Opp. 58, 106
Shtraukh, Ivan Sipolniek, Peteris
actor Op. 30 arranger Op. 97a

Shtraukh, Maxim Maximovich Sirotin, Ivan


actor Opp. 50, 53, 82 arranger Op. 39 Ballet Suites Nos. 1 and 2

Shulzhenko, Klavdia Sitkovetsky, Dmitri


singer Op. 31 arranger Op. 73
Shuraslenko, N. Sizov, I.
bass Op. 29 actor Op. 48
Shvarts, Iosif Zakharovich Skans, Per
Schwartz, Iosif Zakharovich translator Op. 127
Shvelidze, V. Skorobogatov, Konstantin
assistant director Op. 82, 89 actor Opp. 76, 85
Sibelius, Jean Skvortsova, Katerina
Op. 112 actress Op. 64
Sidorkin, Mikhail Sladkopevtsev, Vladimir
actor Op. 82 actor Op. 33
Sidorov, Valentin Mitrofanovich Slavinsky, Evgeni Iosifovich
lyricist Three
Coruses for the Fourtieth
arranger Op. 10, 11
Anniversary of the October Re-
volution Slavyaninov, S.
dancer Op. 22
Sigaev, N.
camera man Op. 48 Smeaton, Bruce
Sikorskaya, Tatyana Sergeevna arranger Op. 34
translator Op. 100 Eight British and Ame- Smirnov, A.
rican Folksongs Greek Songs actor Op. 120

300
alpha betic i n d e x o f n a m e s
Smirnov, Dmitri Soloviev, K.
arranger Opp. 26, 97a, 108, 110, 118, 147 camera man Op. 105a
Smirnov, V. Soloviev, Vissarion
arranger Op. 97a violist Op. 144
Smirnov, Vladimir Soloviev-Sedoi, Vassili Pavlovich
librettist Op. 27 composer Op. 105
Smit, H. Solovyov, Anatoli
arranger Suite for Variety Orchestra actor Op. 120
Smith, Jerry Neil Solovyov, Vladimir
arranger Op. 22a actor Op. 78
Smith, Joan Solyannikov, Nikolai Alexandrovich
composer Bird of Peace dancer Op. 27
Smith, Roger Sommerlatte, Ulrich
arranger Opp. 22a, 47 arranger Op. 22a
Smoktunovsky, Innokenti Sondeckis, Saulius
actor Op. 116 arranger Op. 39, 110
Smolenskaya, F. Sorokin, Konstantin
singer Op. 105 actor Op. 53, 105a
Smolich, Nikolai Vasilievich Sosnin, Nikolai
producer Opp. 15, 29 actor Op. 53
Smorchkov, Nikolai Soudakova, L.
actor Op. 111 translator Op. 29
Snamenskova, Vladimera Spendiarova, T.
arranger Op. 76a translator Op. 79
Snell, Howard Spillmann, Rudolf
arranger Op. 16 arranger Suite for Variety Orchestra
Sobolevsky, Pyotr Spivakov, Vladimir Teodorovich
actor Opp. 18, 26 arranger Op. 13 Antiformalistic Rayok
Sokolov, Alexander Stalin, Iosif Vissarionovich
actor Op. 114 (film version) A Great Day Has Come Anti-
Sokolov, Nikolai Alexandrovich formalistic Rayok
dedicatee Op. 3 Stalsky, Suleiman
Sokolov, Nikolai Alexandrovich poet Lenin Symphony
cartoonist , Stanek, Josef
stage designer Op. 19 arranger Op. 87
Sokolov, V. Stanitsyn, Viktor
makeup artist Op. 50 actor Opp. 38, 82, 89
Sokolov, Yuri Starchakov, Alexander Osipovich
editor Op. 79 librettist Orango
Sokolova, Agrippina Stark, Lutz
soprano Op. 29 arranger Suite for Variety Orchestra
Sokolova, Z. Starkovsky, Pyotr
soprano Op. 56 actor Op. 80
Sokolovsky, Mikhail Stasevich, Abram Lvovich
stage - director Op. 24, 25, 28 conductor Ballet Suite No. 3
Solin, Lev Lvovich arranger Op. 110, 118
arranger Op. 19, 32a, 37, 44, 58(a), 63 Stauder, Josef
Sollertinsky, Ivan Ivanovich actor Op. 111
dedicatee Opp. 62, 67 Steinberg, Maximilian Oseevich
Solntseva, Julia dedicatee Op. 1
assistant director Op. 78 teacher Op. 3

301
alpha betic i n d e x o f n a m e s
Stempnevsky, Stanislav Vladislavovich Sukhotin, Pavel Sergeevich
arranger Suite for Jazz Orchestra No. 1 playwright Op. 37
Stenis, Alphons van Sumbatashvili, Iosif Georgievich
arranger Opp. 26, 33, 55, 56 stage designer Op. 114
Stepanov, A. Suslovich, R.
choral dirctor Opp. 63, 66 stage - director Op. 24, 28
Stepanov, Ivan Suvorov, Nikolai
set designer Op. 75 set dsigner Opp. 30, 52
Stepanova, A. Suykerbuyk, J. M.
actress Op. 89 arranger Op. 70
singer Op. 105 Svashenko, S.
Steputenko, A. actor Op. 97
tenor Op. 105 Sverdlin, Lev
Stiedry, Fritz actor Op. 48
conductor Op. 35 Sveshnikov, Alexander Vasilievich
Stoffels, Jos conductor Opp. 75, 88, 104
arranger Op. 97a Svetlanov, Evgeni Fyodorovich
Stokowski, Leopold conductor Opp. 106, 126, 130
arranger Op. 34, Song About the Coun- Svetlov, Mikhail Arkadievich
terplan lyricist Op. 72 My Native Land
Stolyarov, Grigori Arnoldovich Sviridov, Georgi
conductor Op. 105 composer Eleven Variations on a Theme by
Stolyarov, Sergei Glinka
actor Op. 120 Sviridov, Yuri Vasilievich
Stothart, Herbert dedicatee Op. 62
arranger Song About the Counterplan Svoboda, Bohumil
Strakhov, Evgeni Vladimirovich actor Op. 80
arranger Op. 34, 40
Strau, Johann
composer Vergngungszug Wiener Blut T
Stravinsky, Igor Tambieva, D.
composer Symphony of Psalms assistant director Op. 106a
Strezhnev, S. Tan-Bogoraz, Vladimir Germanovich
tenor Opp. 58, 114 (film version) translator Op. 88
Strizhenov, Oleg Tarasov, Evgeni
actor Op. 97 poet Op. 88
Strizhenova, Marina Tarasov, Viktor
actress Op. 97 actor Op. 132
Stroeva, Vera Pavlovna Tarasova, Xenia
film - director ,
actress Op. 64
sript - writer Op. 106a
Strzhelchik, Vladislav Taratorkin, Georgi
actor Op. 132 actor Op. 132
Studnitzky, Norbert Targonsky, A. Borisovich
arranger Suite for Variety Orchestra violinist Op. 11
Strugovchikov, Alexander Nikolaevich Targonsky, Yakov Borisovich
translator Song of the Flea violinist Op. 11
Suchoff, Benjamin Tarkhanov, Mikhail
arranger Op. 32a actor Op. 41
Sukharevskaya, Lidia Tausig, Carl
actress Op. 80 arranger Op. 17

302
alpha betic i n d e x o f n a m e s
Tchaikovsky, Pyotr Ilyich Tolubeev, Yuri
composer Opp. 18, 59, 105, 110 actor Opp. 45, 50, 55, 71, 85, 116
Tchemberdji, Katia Torgert, S.
arranger Op. 34 bass - baritone Op. 15
Tenin, Boris Traktovenko, E.
actor Opp. 30, 33, 53, 82 actor Op. 120
Teterin, Evgeni Trauberg, Leonid Zakharovich
actor Op. 75 film - director Op. 18, 26, 41, 45, 50, 71
script - writer Opp. 26, 41, 45, 50, 71
Thvenaz, Ren
arranger Suite for Variety Orchestra Treivas, Emma
actress Op. 105a
Thiel, Heinz
film-director, actor Op. 111 Tretyakov, V.
tenor Op. 114 (film version)
Thoma, Michael
arranger Op. 34 Trommer, Wolfgang
arranger Op. 34
Tikhomirov, V.
dancer Op. 39 Tsekhanovsky, Mikhail Mikhailovich
film - director ,
Tikhonov, A. script - writer Opp. 36, 56
arranger Op. 27a
Tsakonas, A.
Tikhonov, Nikolai Semyonovich songwriter Greek Songs
script - writer Opp. 41a, 51
Tsenin, Sergei
Tikhonov, Vyacheslav actor Op. 78, 80
actor Op. 75 Tsesarskaya, Emma
Tiles, Boris actress Op. 38
arranger Opp.51, 56 Tsetnerovich, P.
conductor Op. 56 assistant director Op. 19
Timartsev, N. Tsiryuk, Yuri
sound editor Op. 78 arranger Op. 110
Timoshenko, G. Tsvasman, Alexander
actor Op. 82 conductor Op. 80
Tipot, V[iktor?] Tsvetaeva, Marina Ivanovna
translator Wiener Blut poet Op. 143, 143a
Tishchenko, Boris Andreevich Tsyganov, Dmitri Mikhailovich
composer Concerto for Violoncello and violinist Opp. 57, 67, 68, 73, 83, 92, 101,

Orchestra 108, 110, 117, 118, 122, 133,


arranger Op. 8, 54, 109 Antiformalistic 138, 142
Rayok arranger Opp. 34, 68, 83, 133
dedicatee Opp. 73, 92, 133
Tisse, Eduard
camra man Op. 80 Tur, Ariadna
script - writer Op. 80
Titarenko, Konstantin Afanasevich Tur, Pyotr
arranger Op. 39a, 44
script - writer Op. 80
Titov, Ivan Turich, Mikhail
bass Op. 81 arranger Opp. 34, 73, 83
Tkachenko, A. Tushkevich, G.
baritone Op. 105 arranger Op. 34
Tkachuk, Roman Tynyanova, Inna Yurevna
actor Op. 114 (film version) translator Op. 135
Tolstoy, Alexei Nikolaevich Tyuremnov, Mikhail
librettist Orango bass Op. 114
Tolstoy, Lev Nikolaevich Tzakonas, A.
novelist Op. 109, Katyusha Maslova songwriter Greek Songs

303
alpha betic i n d e x o f n a m e s

U Valyushok, S.
set designer Op. 132
Udalov, Vladimir Pavlovich Vanin, Vasili
arranger Op. 30a actor Op. 45
Ulanov, P. Vanunts, Eduard
dancer Op. 27 sound editor Op. 137
Ulanova, Galina Sergeevna Varlamov, Alexander Egorovich
dancer Op. 22 composer Op. 116a
Ulitko, Vsevolod Varzar, Nina Vasilievna
set designer Op. 137 Shostakovich, Nina Vasilievna
Ulyanov, V. Vasileva, Zinaida Anatolevna
makeup artist Op. 97 dancer Op. 39
Uralsky, Vladimir Vasiliev, Georgi Nikolaevich
actor Op. 75 film - director Op. 48
Urasaliev, A. script - writer Op. 48
actor Op. 82
Vasiliev, Sergei Alexandrovich
Urbetis, Konstantin lyricist Op. 99a
set designer Op. 64, 78
Vasiliev, Sergei Dmitrievich
Urusevsky, Sergei film - director Op. 48
camera man Op. 99 script - writer Op. 48
Ushakov, Nikolai Nikolaevich Vasiliev, Vladimir
translator Op. 79 actor Op. 105a
Ushvy, Natalia Vasilieva, Alexandra
actress Op. 50 actress Op. 78
Usovnichenko, Pavel Vasilieva, Raisa
actor Op. 97 script - writer Op. 41a
Ussov, Dmitri Vasnetsov, Viktor Mikhailovich
translator Op. 20 painter Op. 127
Ustvolskaya, Galina Ivanovna Vedernikov, Alexander
composer Op. 92 bass Opp. 113, 114 (film version)
Utkin, Alexei Veksler, Abram
set designer Op. 80 set designer Op. 52
Utkin, Iosif Pavlovich Velter, N.
lyricist A Toast to Our Motherland contralto Op. 29
Utkin, Yuri Venglovsky, Viktor Fyodorovich
arranger Op. 97a arranger Op. 97a
Utyosov, Leonid Osipovich [Lazar Weissbein] Verhaert, Steven
jazz band leader ,
arranger Op. 27a
actor Op. 31
conductor Suite for Jazz Orchestra No. 2 Verkhovsky, N.
lyricist The Black Sea

V Verstovsky, Alexei Nikolaevich


composer Twenty-Seven Romances and
Vainonen, Vasili Songs
choreographer Op. 22, 63 Vertinskaya, Anastasia
Vakhutinsky, Mark actress Op. 116
arranger Opp. 63, 96 Vierne, B.
Vakman, Sofia Borisovna translator Op. 15
pianist Op. 143 Vilyams, Pyotr Valdimirovich
Val, A. stage designer Opp. 63, 66
camera man Op. 30 dedicatee Op. 83

304
alpha betic i n d e x o f n a m e s
Vinnitsky, David Volk, Ilya
set designer Op. 71 sound editor Opp. 26, 30, 33, 41, 41a, 45, 50,

Vinogradov, Viktor Sergeevich 71, 76, 85, 97, 114 (film version)
folksong collector Op. 115 Volkov, Pavel
Virsaladze, Solomon actor Op. 41
costume designer Op. 116, 137 Volkov, Solomon Moiseevich
Vishnevskaya, Galina Pavlovna art director Rothschilds Violin
soprano Op. 109, 114 (film version), 127,
Volpin, Mikhail Davidovich
135 Songs and Dances of script - writer Opp. 63, 66, 72
Death
dedicatee Op. 109, 127 Songs and Dan-
Volsky
actor Op. 31
ces of Death
Vishnevsky, Vsevolod Vitalievich Volsky, Boris
playwright Op. 89 sound editor Opp. 82, 89, 111
script - writer Op. 89 Vorobeva, T.
Vishnyakov, Yuri makeup artist Op. 80
bass Antiformalistic Rayok Vorobev-Petrov, Anna Yakovlevna
Vitkin, Boris dedicatee Songs and Dances of Death
violinist Op. 11 Voronin, S.
Vitkind, Zinaida Yakovlevna bass Op. 29
arranger Opp. 37, 39, 97a, 116a
Voronin, Vyacheslav
Vitlin, Irina actor Op. 99
contralto Op. 56
Voznesensky, Andrei Andreevich
Vitsin, Georgi translator Op. 145
actor Op. 85
Voynich, Ethel Lilian
Vityukhov, B. novelist Op. 97
singer Op. 105
Vuskovich, Igor
Vladimirov, Evgeni Nikolaevich set designer Opp. 24, 51
bass Op. 135
Vyoskovsky, A.
Vladimirov, V. actor Op. 75
librettist The Twelve Chairs
Vladislavsky, Vladimir
actor Op. 80 W
Vlasov, Vadim Wagner, Helmut
set designer Op. 50 translator Op. 15
Vlazinskaya, Valeria Wagner, Richard
translator Opp. 20, 113, 135
composer Opp. 110, 141
Vlovina, N.
dancer Op. 22 Waignein, Andr
arranger Suite for Variety Orchestra
Voevodin, Vsevolod Petrovich
stage writer Op. 31 Wajda, Andrzej
film director Katerina Izmailova (film music)
Vokach, Alexander
actor Op. 137 Walker, Steven
arranger Suite for Variety Orchestra
Volchanetsky, Yuri
set designer Op. 80 Walter, N.
Volchek, Galina contralto Op. 29
actress Op. 137 Weaver, Zofia
Volchek, Vladimir translator Op. 79
actor Op. 64 Weckerlin, Jean-Baptiste
Volk, Evgeni composer Twenty-Seven Romances and
assistant director Op. 75 Songs

305
Wedekind, Frank
dramatist Op. 109
alpha betic i n d e x o f n a m e s
Weinberg, Mieczysl/aw Yanshin, Mikahil
Opp. 65, 79 actor Op. 89
dedicatee Op. 118
Yansons, Arvid Krishevich
pianist Op. 127 conductor Novorossiisk Chimes
Wentzel, Andrew Yaron, Grigori Markovich
bass Antiformalistic Rayok stage - director Wiener Blut
Werich, Jan Yaroshenko, L.
actor Op. 82 bass Opp. 58, 106
Wesly, Eduard Yarotskaya, Maria
arranger Op. 87 actress Op. 75
White, Eric Walter Yarov, Sergei
translator Op. 145 actor Op. 76
White, Sarah Yavorsky, Boleslav Leopoldovich
translator Op. 145 dedicatee Op. 13
Whitman, Walt Yeo, Douglas
poet Op. 88
arranger Op. 34
Wiebeke-
Gottsstein, Andreas Youmans, Vincent
arranger Op. 69 composer Op. 16
Wiegers, Bas Yudin, Gennadi
arranger Op. 69 Childrens Notebook actor Op. 80
Wigglesworth, Mark Yukhtin, Gennadi
arranger Op. 29 actor Op. 111
Willems, Cor Yumatov, Georgi
lyricist Suite for Vaiety Orchestra actor Op. 75
Wilson, Elisabeth Yunger, Elena
writer on music Op. 138 Suite for Variety Or- actress Op. 97
chestra Yunitsky, A. D.
translator Antiformalistic Rayok folksong collector Op. 79
Winkelhofer, Friedemann Yura, Gnat
arranger Suite for Variety Orchestra actor Op. 89
Suite for Jazz Orchestra No.1
Yurev, V.
arranger Ballet Suite No. 3

X Yurlov, Alexander Alexandrovich


choral director Opp. 113, 124
Xenos, A.
songwriter Greek Songs Yurovsky, Yuri
actor Op. 80
Yutkevich, Sergei Iosifovich
Y

script - writer Opp.
film - director Opp.
30, 33
30, 33, 53
Yagdfeld, Grigori Borisovich
script - writer Op. 59 stage - director Opp. 63, 72

Yakobson, Leonid Veniaminovich


choreographer Op.

Yakovlev, Sergei
22
Z
actor Op. 111 Zabavnikov, Nikolai Nikolaevich
violinist Opp. 122, 133, 138, 142
Yakubov, Manashir Abramovich
musicologist Opp. 10, 22, 29a, 43, 46, 47, 93 Zabolotsky, Ivan
set designer Op. 48
Two Pieces for String Quartet
Suite for Jazz Orchestra No. 2 Zaborov, Grigori
Suite for Variety Orchestra arranger Op. 34
arranger Op. 97a Zabotkina, Olga
editor Op. 27 actress Op. 105a

306
alpha betic i n d e x o f n a m e s
Zakhava, B. Zilberquit, Julia
stage - director Op. 32 arranger Op. 94
Zaks, A. Zinman, Mikhail
stage - director Op. 105 arranger Opp. 134, 147
Zalkind, Z. ivkovic, Neboja
sound editor Op. 59 arranger Opp. 22a, 27a
Zamyatin, Evgeni Ivanovich Zolotaryov, N.
librettist Op. 15 conductor Op. 139
Zarubina, Irina Zolotukhin, Lev
actress Opp. 41a, 51 actor Op. 120
Zarzhevsky, Alexander Zorin, V.
actor Op. 45 sound editor Op. 106a
Zarzhitskaya, Anna Zoshchenko, Mikhail Mikhailovich
actress Op. 18 dedicatee Op. 139
Zasetsky, Pyotr Ivanovich Zrazhevsky, Alexander
tenor Opp. 15, 29 actor Opp. 52, 55
Zee, Rob van der Zubkovsky, Nikolai
arranger Op. 103 dancer Op. 39
Zelyonaya, Rina Zuikov, N.
actress Opp. 38, 105a dancer Opp. 22, 27
Zemlyankin, Vladimir Zvyagintseva, Vera Klavdievna
actor Op. 105a translator Op. 79
Zenkova, G.
soprano Op. 114
Zhakov, Oleg
actor Opp. 18
Zharov, Mikhail
actor Opp. 38, 45, 50
Zhdanov, Andrei Alexandrovich
Antiformalistic Rayok
Zinman, Mikhail
arranger Op. 134
Zharov, Mikhail
actor Op. 78
Zheimo, Yanina
actress Opp. 18, 26, 41a, 59
Zhiltsov, A.
actor Op. 78
Zhivankova, Svetlana
actress Op. 105a
Zhukovsky, Boris
actor Opp. 50, 55, 71
Zhuravlenko, Pavel Maximovich
bass Op. 15, 29
Zhuravlev, V.
dancer Op. 27
Zhurbin, Lev
arranger Opp. 78a, 97a Suite for Jazz
Orchestra No. 1 Suite for Va-
riety Orchestra

307
dsch new c o l l e c t e d w o r k s
symphonies

volume

1 Symphony No. 1, Op. 10 score *25 Symphony No. 10, Op. 93 authors
2 Symphony No. 2, Op. 14 score arrangement for piano, four hands
3 Symphony No. 3. Op. 20 Sym- *26 Symphony No. 11, Op. 103 authors
phonic Movement (1934) score arrangement for piano, four hands
4 Symphony No. 4, Op. 43 score *27 Symphony No. 12, Op. 112 authors
arrangement for piano, four hands
5 Symphony No. 5, Op. 47 score
*28 Symphony No. 13, Op. 113 authors
6 Symphony No. 6, Op. 54 score
arrangement for voice and piano
*7 Symphony No. 7, Op. 60 score
*29 Symphony No. 14, Op. 135 authors
8 Symphony No. 8, Op. 65 score arrangement for voice and piano
9 Symphony No. 9, Op. 70 score *30 Symphony No. 15, Op. 141 authors
10 Symphony No. 10, Op. 93 score arrangement for two pianos
*11 Symphony No. 11, Op. 103 score
*12 Symphony No. 12, Op. 112 score
*13 Symphony No. 13, Op. 113 score
*14 Symphony No. 14, Op. 135 score
*15 Symphony No. 15, Op. 141 score
16 Symphony No. 1, Op. 10
arrangement for piano, four hands
17 Symphony No. 2, Op. 14
arrangement for two pianos
18 Symphony No. 3, Op. 20 authors
arrangement for voice and piano
19 Symphony No. 4, Op. 43 authors
arrangement for two pianos
20 Symphony No 5, Op. 47
arrangement for piano, four hands
21 Symphony No. 6, Op. 54. authors
arrangement for piano, four hands
*22 Symphony No. 7, Op. 60
arrangement for piano, four hands
*23 Symphony No. 8, Op. 65
arrangement for piano, four hands
24 Symphony No. 9, Op. 70 authors
arrangement for piano, four hands * i n p r e p a r a t i o n

308
dsch new c o l l e c t e d w o r k s
O R C H E S T R A L works CONCERTOS

*31 Scherzo, Op. 1 Theme and Varia- 38 Concerto for Piano and Orchestra
tions, Op. 3 Scherzo, Op. 7 Co- No. 1, Op. 35. score
lumbus, Op. 23 Five Fragments for *39 Concerto for Piano and Orchestra
Orchestra, Op. 42 score No. 1, Op. 35. piano score
32 Suite for Jazz Orchestra No. 1 Suite 40 Concerto for Piano and Orchestra
for Jazz Orchestra No. 2 (McBurney) No. 2, Op. 102 score
Tahiti Trot, Op. 16 Two Scarlatti
*41 Concerto for Piano and Orchestra
Pieces, Op. 17 Ceremonial March
No. 2, Op. 102 piano score
German March March of the Soviet
Militia, Op. 139 score 42 Concerto for Violin and Orchestra
No. 1, Op. 77 score
33 Suite for Variety Orchestra score
*43 Concerto for Violin and Orchestra
*34 Waltzes score
No. 1, Op. 77 piano score
*35 Festive Overture, Op. 96 Overture
44 Concerto for Violin and Orchestra
on Russian and Kirghiz Folk Themes,
No. 2, Op. 129 score
Op. 115 Intervision score
*45 Concerto for Violin and Orchestra
*36 Novorossiisk Chimes Funeral-Tri-
No. 2 , Op. 129 piano score
umphal Prelude, Op. 130 October,
Op. 131 score *46 Concerto for Violoncello and Orches-
tra No. 1 , Op. 107 score
*37 Suite for Jazz Orchestra No. 1 Suite
for Jazz Orchestra No. 2 Festive Over- *47 Concerto for Violoncello and Orches-
ture, Op. 96 Novorossiisk Chimes tra No. 1 , Op. 107 piano score
October, Op. 131 piano score *48 Concerto for Violoncello and Orches-
tra No. 2 , Op. 126 score
*49 Concerto for Violoncello and Orches-
tra No. 2 , Op. 126 piano score

309
dsch new c o l l e c t e d w o r k s
S T A G E works S U I T E S from
OPERAS AND BALLETS

*50 The Nose, Op. 15 score *68 Suite from the Opera The Nose,
*51 The Nose, Op. 15 piano score Op. 15(a) score
52a/b Lady Macbeth of the Mtsensk District, 69 Suite from Lady Macbeth of the
Op. 29 score Mtsensk District, Op. 29a Five
Entractes from Katerina Izmailova,
*53 Lady Macbeth of the Mtsensk District,
Op. 114a Entracte (No.4) from Ka-
Op. 29 piano score
terina Izmailova, Op. 114b score
54 The Gypsies The Great Lightning
*70 Suite from The Age og Gold, Op. 22a
Conditionally Killed, Op. 31 (McBur-
score
ney) score
*71 Suite from The Bolt, Op. 27a
*55 The Gypsies The Story of the Silly score
Baby Mouse, Op. 56 The Great *72 Suite from The Limpid Stream,
Lightning Conditionally Killed, Op. Op. 39a score
31 piano score
*56 The Gamblers score
*57 The Gamblers piano score
*58 Katerina Izmailova , Op. 114
score CHOIR AND ORCHESTRA
*59 Katerina Izmailova , Op. 114 (with or without soloists)
piano score
*60 The Age of Gold, Op. 22 score *73 Native Leningrad, Op. 63 score
*61 The Age of Gold, Op. 22 piano score *74 Poem of the Motherland, Op. 74 score
*75 Anti-Formalist Rayok
*62 The Bolt, Op. 27 score
*76 The Song of the Forests, Op. 81 score
*63 The Bolt, Op. 27 piano score *77 The Sun Shines Over Our Motherland,
64a/b The Limpid Stream, Op. 39 score Op. 90 score
65 The Limpid Stream, Op. 39 piano score *78 The Execution of Stepan Razin,
Op. 119 score
66 Moscow, Cheryomushki, Op. 105 *79 Native Leningrad, Op. 63 piano score
score *80 Poem of the Motherland, Op. 74
*67 Moscow, Cheryomushki, Op. 105. piano score
authors piano score *81 The Song of the Forests, Op. 81
piano score
*82 The Sun Shines Over Our Motherland,
Op. 90 piano score
*83 The Execution of Stepan Razin, Op.119
piano score

310
dsch new c o l l e c t e d w o r k s
choir a cappella vocal works and
songs

*84 Ten Poems on Texts by Revolutionary *91 From Jewish Folk Poetry, Op. 79 Sa-
Poets, Op. 88 tires, Op. 109 Seven Romances on
*85 Two Russian Folksong Adaptations, Poems of Alexander Blok, Op. 127
Op. 104 Ten Russian Folksongs *92 Two Fables by Ivan Krylov, Op. 4
*86 Loyalty, Op. 136 The Motherland Two Romances on Verses by Mikhail
Hears from Four Songs to Words by Lermontov, Op. 84 Spanish Songs,
Evgeni Dolmatovsky, Op. 86 How Op. 100 Six Songs on Poems by
Long will Ache my Heart? from Marina Tsvetaeva, Op. 143 Greek
Encounter, Op. 33 Vocalise from Songs Bird of Peace [Joan Smith]
Friends, Op. 51 Vocalise from The *93 Six Romances on Words by Japanese
Fall of Berlin, Op. 82 My Rowan- Poets, Op. 21 Victorious Spring,
Tree from Belinsky, Op. 85 Peop- Op. 72 Four Songs on Words by
les Lamentation from King Lear, Evgeni Dolmatovsky, Op. 86 Two
Op. 137 Madrigals
*94 Four Romances on Poems of Pushkin,
Op. 46 Four Monologues on Verses
of Pushkin, Op. 91 Spring, Spring,
Op. 128
solo voice ( s ) and
*95 Six Romances on Verses by W. Raleigh,
orchestra
R. Burns and W. Shakespeare, Op.
62 Five Romances, Op. 98 There
87 Two Fables by Ivan Krylov, Op. 4 Were Kisses
Six Romances on Words by Japanese
*96 Five Romances on Texts from Kroko-
Poets, Op. 21 Three Romances on
dil Magazine, Op. 121 Preface to
Poems by Pushkin, Op. 46a score
the Complete Edition of my Works
*88 Six Romances on Verses of W. Raleigh, and a Brief Reflection Apropos of
R. Burns and W. Shakespeare, Op. this Preface, Op. 123 Suite on
62a Six Romances on Verses of Verses by Michelangelo Buonarroti,
W. Raleigh, R. Burns and W. Shake- Op. 145 Four Verses of Captain Le-
speare, Op. 140 score byadkin, Op. 146
*89 From Jewish Folk Poetry, Op. 79a *97 Songs
Six Songs on Poems by Marina Tsve-
taeva, Op. 143a Suite on Finnish
Themes score
*90 Suite on Verses by Michelangelo Buo-
narroti, Op. 145a score

311
dsch new c o l l e c t e d w o r k s
instrumental piano works
chamber music

98 Piano Trio No. 1, Op. 8 Piano Trio *109 Scherzo, Op. 1 Eight Preludes, Op. 2
No. 2, Op. 67 Theme with Variations, Op. 3 Three
*99 Piano Quintet, Op. 57 Preludes from Fantastie Dances, Op. 5 Aphorisms,
Girl Friends, Op. 41a Op. 13 Childrens Notebook, Op.
69 Dances of the Dolls Murzilka
*100 Two Pieces, Op. 11 Two Pieces for
Childrens Pieces of 1915 to the Be-
String Quartet String Quartet No. 1,
ginning of the 1920s Polka In the
Op. 49 String Quartet No. 2, Op.
Forest The Soldier Funeral March
68 Quartet No. 3, Op. 73
in Memory of the Fallen Heroes of
*101 String Quartet No. 4, Op. 83 String the October Revolution Two Ma-
Quartet No. 5, Op. 92 String Quar- zurkas Three Pieces
tet No. 6, Op. 101 Farewell from
*110 Twenty-four Preludes, Op. 34
The Young Guard, Op. 75
*111 Sonata for Piano No. 1, Op. 12 So-
*102 String Quartet The Unfinished String
nata for Piano No. 2, Op. 61 Piano
Quartet No. 7, Op. 108 String Quar-
Fugues of the 1930s
tet No. 8, Op. 110 String Quartet
No. 9, Op. 117 *112 Twenty-Four Preludes and Fugues,
Op. 87
*103 String Quartet No. 10, Op. 118 String
Quartet No. 11, Op. 122 String Quar- *113 Suite for Two Pianos, Op. 6 Concer-
tet No. 12, Op. 133 tino, Op. 94 Tarantella Prelude in
D flat major, No. 15 from Op. 87
*104 String Quartet No. 13, Op. 138 String
Merry March
Quartet No. 14, Op. 142 String Quar-
tet No. 15, Op. 144 *114 Symphony of Psalms [i g o r s t r av i n s -
k y] Polka [m i l i b a l a k i r e v]
*105 String Quartet No. 1, Op. 49 String
Quartet No. 2, Op. 68 String Quar- *115 Symphony No. 3, Liturgique [a r t h u r
tet No. 3, Op. 73 String Quartet h o n e g g e r] Symphony No. 10 [g u -

No. 4, Op. 83 String Quartet No. s tav m a h l e r]

13, Op. 138 authors arrangement for


piano

*106 Sonata for Violoncello and Piano,


Op. 40
*107 Sonata for Violin and Piano, Op. 134
Sonata for Violin and Piano (unfinis-
hed, 1945)
*108 Sonata for Viola and Piano, Op. 147

312
dsch new c o l l e c t e d w o r k s
I N C I D E N TA L M U S I C FILM MUSIC

*116 The Bedbug, Op. 19 The Gunshot, 122 New Babylon, Op. 18 score
Op. 24 Rule, Britannia!, Op. 28 123 Alone, Op. 26 score
score
*124 Golden Mountains, Op. 30
*117 Hamlet, Op. 32 score
*125 Encounter, Op. 33
*118 The Human Comedy, Op. 37 King
126 The Story of the Priest and His Ser-
Lear, Op. 58a Salute to Spain, Op.
vant Balda, Op. 36 The Story of the
44 score
Silly Baby Mouse, Op. 56 score
*119 Russian River, Op. 66 Victorious
*127 Maxims Youth, Op. 41 Maxims Re-
Spring, Op. 72 score
turn, Op. 45 The Vyborg Side, Op.
*120 The Bedbug, Op. 19 The Gunshot, 50 The Great Citizen, Op. 55
Op. 24 Rule, Britannia!, Op. 28
*128 Volochaevka Days, Op. 48 The Man
Hamlet, Op. 32 piano score
with a Gun, Op. 53
*121 The Human Comedy, Op. 37 King
*129 Friends, Op. 51
Lear, Op. 58a Salute to Spain, Op.
44 Russian River, Op. 66 piano score *130 Korzinkinas Adventures, Op. 59
*131 Zoya, Op. 64 Simple Folk, Op. 71
*132 The Young Guard, Op. 75
*133 Pirogov, Op. 76
*134 Michurin, Op. 78
*135 Encounter on the Elbe, Op. 80
*136 The Fall of Berlin, Op. 82
*137 Belinsky, Op. 85
*138 The Unforgettable Year 1919, Op. 89
*139 Song of Great Rivers, Op. 95 The
Gadfly, Op. 97
*140 The First Echelon, Op. 99
*141 Five Days, Five Nights, Op. 111
*142 Hamlet, Op. 116
*143 A Year is Like a Lifetime, Op. 120
*144 Sofia Perovskaya, Op. 132 King
Lear, Op. 137
*145 Film Music piano score

313
dsch new c o l l e c t e d w o r k s
arrangements

*146 Adagio Cantabile from Op. 13 [l u d -


w i g va n b e e t h o v e n] Maestoso from
Op. 111 [l u d w i g va n b e e t h o v e n]
Military March [f r a n z s c h u b e r t]
Vergngungszug [j o h a n n s t r a u s s]
I Waited for Thee in the Grotto [n i -
k o l a i r i m s k y - k o r s a k o v] Hey, Lets
Bang!, Cudgel [f o l k s o n g s ] Song of
the Flea [l u d w i g va n b e e t h o v e n]
Internationale [p i e r r e d e g e y t e r]
Serenade [g a e ta n o b r a g a] Song
of the Flea [m o d e s t m u s o r g s k y]
Songs and Dances of Death [m o d e s t
m u s o r g s k y] score

*147 Concerto for Violoncello and Orches-


tra [b o r i s t i s h c h e n k o] score
*148 Concerto for Violoncello and Orches-
tra [r o b e r t s c h u m a n n], Op. 125
score

149 Eight British and American Folksongs


score

*150 Two Choruses [a l e x a n d e r d av i d e n -


k o], Op. 124 score

314